#but i quit on an episode that i think only literally had one minute of new animation and the rest was just rehash

[dare-g]

One anime I thought I'd like but stopped was Nana the thing is that I think I'd enjoy the series and at some point I'll get around to reading it but the anime just felt like I was wasting too much time I was only 10 or so episodes in and so much footage per episode was flashback and I just wanted to see more story

[sodacowboy]

some of y’all don’t understand slowburn story telling and it shows

[cerisahh]

summary — love language headcanons for the arcane characters (giving and receiving)

characters included — jinx, ekko, silco, vander, viktor

cerisa speaks — literally started writing this the night of s2 act 3 release and only now finishing it if that doesn't tell you something about how inconsistent i am idk what does. ATTENTION PEOPLE IN MY REQUESTS!! i swear to god i will do your request in the next year for sure! viktor forgive me, amen.

jinx — gift giving. jinx's most loyal companion is her imagination so it isn't hard for her to think of gifts that are personal to you that'd you'd enjoy.

we see many of the little homemade trinkets that she's made for silco throughout the years, my favourite being the ashtray he keeps on the desk in his office. so dependant on what you're into, she'll showcase her love for you in the form of a trinket.

oh, so you like to read? she sees you dog-earing a page of your book whilst you two are in her hangout and drops her current project to fashion you a bookmark. you only notice that her tinkering has stopped when the bookmark has been dropped on your lap and she's made a blasé comment about you destroying your book for too long so she just had to make you this so you'd stop.

hiding behind a mask of indifference when giving out her gifts is kind of her thing, but she's anxious to no end to see if you like it. her mind runs a mile a minute; 'don't they like it? do the colours not match? they hate it they hate it theyhateittheyhateittheyhateme-'

until you're holding it carefully between your fingers and your mouth is making that 'o' shape it does when something unexpected has happened. when you say that it's the most thoughtful gift you've ever received she's insistent on making you a hundred more.

physical touch. stop booing me i'm right! let me explain. as we see before powder becomes jinx, she's quite normal with physical contact, we see vi hugging her, putting a hand on her shoulder, claggor helping her down to the apartment, etc.

it's after vi slaps and abandons her that she becomes uncomfortable with physical touch. silco (most of the time) lets her initiate it on her own terms.

one time he doesn't is where she's playing airplane with his shimmer device and he grabs her wrist. she lets him retain his grip for a moment but when she does move her arm away he doesn't follow her. through my own delusions i've come to the conclusion that jinx wants, maybe even craves physical comfort, but quickly feels smothered by it when it's forced on her.

despite this, with the right person i feel like she would be willing to accept physical affection from them. it would take time to establish and develop a trusting relationship with jinx but when you're there, you're there. she's also a deeply insecure person when it comes to relationships of any kind and retaining them so you'll have to slip in some words of affirmation between touches.

her favourite way to receive physical touch would for sure be you playing with her hair. running your fingers through it and scratching her scalp? congratulations, that's your new job. you mention off the cuff how you'd love to see her hair down? suddenly there's a brush in your hands and an expectant and giddy jinx sitting in front of you.

even though she trusts you, she'll still get startled and tense up if you suffocate her with too much affection. holding your arms out for a hug or patting the seat next to you so she can lean into your arms is a much better way to initiate contact with her.

a little extra headcanon, when she's doing your nails she'll use her own hands to hold your fingers still instead of a wrist rest. she says it keeps them steadier so she doesn't make any mistakes but really she craves that subtle contact.

ekko — acts of service. season two episode seven dictates this as canon i'll be taking no arguments on this day. seeing his huge mural of future vi to show powder after he upsets her really just cements this headcanon. this is a pretty big action so i'll focus on the smaller ones for now.

starting off really strong with him decorating your room for you. close your eyes and imagine him building you a shelf to store your books or keepsakes. not only building it but carving designs into it. ohh you like music? well take a look at those carvings of sheet music! and do you spy some new books in your collection (stolen from a piltover library, naturally)

with so many different types of people living at the tree, at the beginning he was pretty much forced to learn how to cook all different types of meals. it paid off though because no matter where you hail from, he'll be able to prepare you any of your favourite dishes.

the more i type about ekko the more i realise he is the best househusband out of the arcane gang. he can cook, he can clean, he's a provider - he is quite literally the entire package. him being a certified pretty boy also helps because everyone needs a little eye candy in their life.

this one is sickeningly sweet but for relationship milestones, and even just randomly, ekko will fully plan out a date night for the two of you. picnics on the top of buildings that overlook the neon lights of the undercity, just the two of you. it's so intimate.

physical touch. now this i truly will be taking no arguments on. receiving physical affection for ekko is huge. we all saw how fast he hugged benzo in the alternate au!!

with so many people from his early life either dying (benzo, vander, claggor, mylo) or leaving (jinx and vi), ekko hasn't really had anyone to offer him any form of closeness. sure, he has the firelights. it just isn't the same though.

so when you come along with all the tender hugs and fond touches that he's been deprived of for so long he knows he's done for. consider him addicted. even just clapping a hand on his shoulder after a fight, hell, LEANING ON HIM?? that man is YOURS to command for now until the end.

knowing you're just physically there and not going anywhere - not abandoning him - he's content to bask in your presence.

quick kisses and brief glances at each other come in abundance. if you're not at the firelights base then you're on the go. it's these times that make you both appreciate the time you have with each other. ekko plans to take full advantage of the downtime you both have between missions. don't expect to stray a few feet from each other.

silco — acts of service. silco's acts of service are usually communicated through orders that he gives his goons. say you offhandedly mention that some shimmer addicts have set up camp in the alley next to your apartment. when you leave the last drop and go home you notice that those shimmer addicts you briefly complained about? gone. without a trace.

i feel like he prefers to give out acts of service to you as a kind of 'i can provide for you, don't leave' kind of thing. you don't need to ask silco to do something, he'll take the initiative. he wants you to view him as a reliable provider. this sounds very 50s but he's an old fashioned kind of guy so it checks out.

not the kind of guy to do chores at the start i'm afraid. he has people for that. maybe you can convince him to wash the dishes after you cook you, him and jinx a meal. but never and i mean NEVER will you catch this man hoovering or mopping the floor. that is just simply not going to fucking happen. you'd have better luck asking him to quit smoking.

not gonna lie he just lightens the load of whatever jobs you need to do so you can spend more time together. the famed eye of zaun is clingy.

physical touch. actually controversial take no way CHILLS! similarly to jinx, silco wouldn't actively look for physical touch in any given situation. he's obviously traumatised by his former best friend choking him out and drowning him underwater. not to mention completely brutalising his eye.

jinx is likely the only person he would willingly let touch him. not even sevika on a good day gets that privilege. you would need to spend a lot of time gaining silco's undying trust. only when you two are emotionally close will you be able to share his touch.

buying you jewellery just so he can feel the warmth of your body heat as he clasps the necklace around you neck. silco is very subtle and sneaky when he wants to be close to you.

his neck is off limits to everyone, even you. placing your hand on his collarbone whilst entangled in bed together is the furthest you'll get.

vander — physical touch. oh i just know this man gives the best bear hugs. physical intimacy with vander is just safety incarnate. when he takes you into his arms it really feels like a breath of topside air after a lifetime underground.

i don't think vander would really like being with a partner that didn't enjoy physical affection. it's not only a bonding experience for the both of you to engage in but also a display of trust that he deeply values.

conveying his love for you with intimacy, non-sexual and sexual is something he cherishes. the level of mutual understanding and relationship building that comes with it is indispensable to vander. basically the keys to a successful partnership with him.

that little symbol of love in the undercity where two people touch their foreheads together? that's the most significant way you can show that you truly care for someone and it's vander's favourite way to connect with you in moments of peace.

words of affirmation. vander is the type of guy to not necessarily need words of affirmation to feel good about himself but will appreciate it all the same. he tries so hard to be a good example to the kids and in general to the populace of the undercity. he wants this life to be better. he wants to be better.

he's the leader, the protector, all the pressure is on him. affirming his efforts through words goes further than you might think.

it's you and him against the world. the brewing political storm that plagues both the undercity and piltover is little more than a distant thought when you're whispering honeyed words to and fro in the dead of night. for a man with such an imposing presence, telling him that you love and need him makes him weak.

with your words of affirmation, he's more certain of his role in the undercity than he's ever been. you renew the passion he had in youth, he wants the best for you and will do whatever he can to obtain it.

viktor — quality time. viktor is all about sharing the same space as his partner. with him being the co-founder of hextech, it's difficult for him to find time alone to dote on you. which is why you''ll often find yourself in the company of viktor (and oftentimes jayce) in their lab, them working on a new use for hextech, and yourself either studying or simply watching the magic (literally) happen.

when jayce is off being the poster child of hextech or following councillor medarda around like a lost puppy, you and viktor will settle into comfortable silences. usually with the only noise being the tinkering of science equipment or the quick scribbles of pen on paper. there's no pressure to fill the room with unnecessary chattering. just you being with him is enough. your presence is akin to a relaxant to him.

sometimes most of the time you'll need to remind him to take breaks when you've been there for hours on end and he's showing no signs of stopping or slowing down. it's a practised routine at this point; he refuses, you leave it alone for five minutes, during this time he is sneaking glances at you when he thinks you aren't looking, waiting for you to ask again.

when you do, he feigns reluctance as you grab his hand to get you both some fresh air and a proper meal. he might actually be part cat now that i'm thinking about it. he just can't help but love spending time with you.

words of affirmation. actions speak louder than words? pft, yeah right. communication is deeply valued by viktor. he's exceptional at deducing someone's intentions behind their words so don't even bother trying to get something by him. it won't work. you try to plan surprise birthday party for him? he's one of the first people to find out about it.

so when you earnestly tell him how special he is to you or how appreciative you are of him, he knows it's 100% what you actually think and BOY does that fluster him more than anything.

he isn't very big on compliments, not that he doesn't value the ones you so willingly give him, but he finds it hard to accept the good and beauty you see in him. there will always be a part of viktor, machine herald or mortal man, that refuses to believe he could be good enough for this type of love. when he retracts inside his mind and lets his doubt drown him, it's you who can pull him out of the water and onto land. telling him that you love him just the way he is will silence his uncertainty.

oh you know what would just about finish him off? making him a lunch box and putting a note in there. it doesn't having to be something poetic, even a simple 'i love you ♡' will be at the forefront of his mind until he gets back home to you.

honestly, if you're someone who expresses their love through words of gratitude or proclamations of admiration then a relationship with viktor will be smooth sailing.

[nlovesbjh]

꒰ 마크 ꒱ ── cherry beer 𖥔 synopsis. . . mark would've never guessed that he'd spend his free time on some college party making out with a pretty girl

𝑛𝑒𝑟𝑑 마크 ／ reader ៸៸ college au suggestive ⟡ ⌢ . making out drinking mark loves ass now is playing! . . cherry bomb by nct 127

𝑚𝑎𝑖𝑙 𝑓𝑟𝑜𝑚 𝒩. im so obsessed with mark the past week guys this is getting out of hand so i had to write it. also not proofread and everything is happening super fast in this im sorry lol

mark wasn't used to be in a place like this, he wasn't a party typa guy at all to say at least, but there he was. he could spend friday night to study and maybe produce something for his next class, but his friends wanted him to go to that frat party so bad, they were annoying him for the whole week. now he was sitting on the couch, his ears hurting from the shitty music those frat guys were playing, couple that sat right next to him were touching each other and he almost spilled his drink on him. fucking perfect.

"hey, why are you here?" donghyuck comes to him from behind, wrapping a hand around his friends shoulder. why the fuck is he asking that, he was literally the one who drugged him there and then left to go get drunk with some girls that won't even look ar him for once. mark was annoyed. he could be in his room, watching new episode of his favorite show, but no. it was all donghyuck and jisung's fault.

"because you left me to get some pussy?" mark rolled his eyes, running a hand through his hair when he stood up. he followed donghyuk even if he was mad at him, there was nothing else to do at that shitty party anyway.

"hold on a minute, you were the one who said you'd be somewhere in the house not wanting to talk to girls…"

"because they do not care about you or me. dude, you seriously think those girls, looking like they just came from 'mean girls' movie would care about you?" mark chuckles at his friend's naivety. that was just stupid of him thinking that they care. "have you seen how they were all over jeno? and now they're probably having a threesome or something.."

"gosh, why are you like that?"

"like what? not blind of someone's pretty facade that they built just to get rid of the nerds like us?" mark leaned back on the wall when they got outside, breathing deeply. fresh air helped him feel better, he wasn't feeling that bad now after he finally left that crowded room that smells like alcohol and sweat. nasty.

"you're too serious," donghyuck took a sip from his drink and waved him off before he walked away. mark saw jisung smoking at the backyard with some stoner guys from the campus he saw before a few times. obviously hyuck went there to get high like it would bring some fun into this event.

mark was staring at his phone, scrolling through his discord chat with other friends, seeing they were playing minecraft. he would play it too if he wasn't there. he couldn't leave this house without hyuck and jisung though, he wasn't a shitty friend after all. they were drunk and high and he didn't want anything to happen to them.

he didn't hear when the door opened and only when someone quite literally bumped into him and almost fell, he saw you. his phone almost slipped from his hand, but that didn't matter now. mark's hands quickly wrapped around your waist, holding you in place so you wouldn't fall on the ground. "yo, are you alright?"

"yeah, thanks." you nodded, looking up to see who saved you from falling. trying your best to get your hair out of your face, you saw mark. you knew him because you shared one class together when you both were on your freshman year, after that you were only looking at him from time to time at campus. or in cafeteria. or when he was ordering his coffee in the morning before classes at the same coffee shop you always went to. "im bad at drinking, had one fucking beer and can't stand straight already.."

"why did you drink then?" mark asked. his hands still were on your waist, holding you in place with a gentle grip. he looked at you, searching your face and eyes, something about you were super familiar but he couldn't quite understand what. like he saw you somewhere before. and you were pretty. mark's gaze dropped to your lips, lip gloss looked so shiny he was wondering how'd it taste and how'd your lips look all swollen and messy… what the hell? why was he thinking with his dick right now, that's not mark lee. something about you just brought this side of him out and he couldn't help it. so stupid.

"because this party is fucking boring!" you rolled your eyes as you heard mark's question. in all honesty you came to this party to have fun and relax after a stressful week of studies and maybe hookup with someone, but music was shitty, guys were ugly and your friends decided to get high for some reason and you weren't feeling like it. you drank one cherry flavored beer and since you're not good with alcohol, it was enough for you to go outside to get some fresh air before you could've done or said anything weird that you'd regret later. "aren't you bored, mark? that's why you're outside, yeah?"

"how do you know my name?" mark's eyes widened slightly, now he tried so hard to remember where he could possibly see you that you even know his name. you. hot girl in those fucking jeans that were hugging your ass perfectly and low cut top, he felt like he was in some teenage movie where a popular cheerleader girl allowed a nerd like him to touch her and there'd be happy ending where they ended up together or something. some stupid shit his cousin would probably watch.

"we had art class together a few years ago, you sat right infront of me and i couldn't see half of the desk because of your big head," you explained, standing straight and making sure your hair and outfit looked presentable. even though you weren't about to fall anymore, you didn't want to escape from mark's grip on your waist. you didn't want him to let go either, it also seemed like he forgot that he was touching you.

"oh! sorry dude, my bad.. um," he finally let go of your waist, making you pout slightly which he didn't notice. his hand comes to the back of his neck as he rubs it awkwardly. "how'd you still remember me?"

"can't say i didn't like that big head of yours covering the view, so i asked your friend… ugh, what's his name?" you genuinely couldn't remember the name of the guy that you asked for mark's name. he looked like he was about to cry back then when you came up to him. "the emo looking kid."

"jisung."

"i guess? whatever. i asked him for your name, poor boy looked like he was about to piss himself." you both chuckle.

"wait, you asked for my name? why?"

"you're cute," you shrugged, looking up at him. the distance between you two was small, you could smell the mix of perfume and alcohol coming from him, his hair looked soft and the only thing you wanted to do right now was run your hands through it while you kiss him, leaving him all breathless and shy. "the reason why i haven't talked to you since then is because i thought you were too busy studying.."

"too busy for what?" mark interrupted you, his cheeks now flashed slight red as he noticed your gaze on him. and when you called him cute.. he just had to believe you, there was no sign that you were lying or anything like that, he thought you'd never make fun of him too. just felt right.

"dating? fucking? not sure."

"you wanted to fuck me?!" mark was shocked, he almost yelled so you had to cover his mouth with your hand to shut him up so nobody would look at you two.

"shut up, idiot. gosh, why are you so pathetic, that's hot.." you truly didn't mean for the second sentence to come out of your mouth, but by the look in mark's eyes you could tell he was more shocked and confused now. you put your hand down, clearing your throat as you looked away. "still do, by the way."

"what?"

"still wanna fuck you, mark."

oh, he wasn't expecting that. what was he supposed to do? or say? maybe he just needs to shut up and stay there quietly and wait before you say something? there was a lot of thoughts in his head, gaze flicking from your face to your boobs. yeah, he was still thinking with his dick.

"wanna make out?"

"what?!"

"are you deaf or something?" you rolled your eyes at him once again, turning your head to look at him and wait for his answer. yeah, you liked mark. he was cute, awkward and oh damn you loved nerds and he was the hot one, obviously you wanted to make out because you were at this party for that at the first place. and you were a little drunk, so why not? "if you won't answer i'll just kiss you.."

"i want to," mark swallowed hard, closing his eyes and taking a deep breath before looking down at you. "what do i do?"

"oh my god, mark! have you ever kissed a girl in your life?" one of your hands wrapped around his shoulder while other comes to the back of his neck to bring his face closer to yours. you couldn't wait, your mouth quickly covering his, tasting a strong taste of beer on his lips. mark closed his eyes, standing there and letting you do all the work. he didn't even know where to put his hands, honestly. he was afraid you wouldn't like him touching you even though you two were kissing. and he still couldn't remember your name. fuck.

you pulled away, taking a breath before smiling at him. your smile was so pretty, mark could've sworn he almost faint. "you can touch me, i can tell you want to touch my ass."

"are you s-serious?"

"cute." was the only thing you've said when you pulled him for another kiss. the hand on his shoulder slipped down his arm and you brought his hand to your ass, mark's eyes widened and he almost moaned into the kiss, opening his mouth slightly more so you could slide your tongue inside. the wet sound of your messy kiss was making mark's head spin, his other hand moving up to your waist as he pressed his back to the house's wall. the contrast between your hot body, warm lips against his and the coldness against his back was definitely doing something to him.

mark felt kinda bad though. he liked kissing you, liked knowing that you were attracted to him, who wouldn't be happy if they were him? you — pretty girl from his university, hot as fuck as we speak, were attracted to some nerd like him? what a fucking win. he loved touching your ass too, it just felt right. so soft comparing to the rough fabric of your jeans, fits perfectly in his hand. but he still couldn't remember your name. he didn't want to become one of those jerks who's fucking a cute girl without even knowing her name and then leaving. yeah, you two weren't even fucking, but kissing you was nice and he liked that cherry beer flavor on your tongue when you licked his lower lip. so fucking hot.

he couldn't believe a girl like you could possibly like someone like him and that was one of the reasons why he didn't want to let go without remembering who you were. he wanted to take on a date? yeah. date you? maybe. damn, he doesn't even know you, but for him that was literally the last thing that matters right now. your lips were soft, the way your hands run through his hair and pulled them slightly… oh shit. when he felt your lips on his neck, teeth rubbing his gentle skin slightly as you pressed more kisses down his neck, mark was gone. down bad. in that moment he was pretty sure he wanted you all to himself and that right now he was the luckiest man alive.

"what's your name?" he choked out between kisses you shared, eyes still closed and his hand still squeezing your ass. you chuckled, finding his behavior adorable.

"y/n."

taglist: @spacejip @peterm4rker

[devosin]

— LATE NIGHTS & FLASHING LIGHTS !! episode one : taco bell & shitty tuesdays . .

♡. Spotify playlist | Updates, every Friday !! — Vil Schoenheit x reader | Y/n pov . .

You stare at your phone screen, waiting for the phone call to end, and for the screen to fade to black—A sigh of relief escapes you as you finally hear the line close, the familiar sound of a phone call ending brings you such overwhelming relief, you'd think you just paid off a million dollars worth of nonexistent debt. 

You let yourself fall back on your chair, your publicist had landed you into another event you could care less about all in the name of publicity, and honestly you wish you had the heart to tell her, but you’re well aware that Jean only wants the best for her clients, and each decision had a reason behind it . . —But who the hell goes to a dolphin event anyways?—They’re like the cruelest sea animal!

You stretch your arms, and stare at the pile of clothes spread at the top of your bed and floor. It was the first day on set, nothing major would be happening, only meeting the crew and learning of the plans for the show—and you’d like to make a good impression—anything below show stopping would be an insult to yourself . . and your stylist who suggested a bunch of outfits with the clothes you now have on your bed and floor. 

You let out another sigh, wishing you could just fall back asleep instead of dealing with whatever it is you got yourself signed up to, “I should take a shower”, you mumble to nobody in particular. 

Time: 10:32 am Location: Y/n’s Car

You stir the car into the drive thru of some random Taco Bell that fell on the highway—Normally taco bell for breakfast isn't ideal, and in all honesty will never be your ideal . .  It's a bold move to take the most diarrhea-inducing meal right before a first time cast meeting, but when life gives you taco's, one must oblige. 

Time: 11:43 am Location: Y/n’s Car 

You had parallel parked your car somehow—To be fair ninety percent of the time you park your car with hopes and prayers, and sometimes you forget to fill your gas up entirely, which proves to be really annoying since it's a three hour drive to the capital city where you film mainly, and you have to drive there a lot . .  Your parents would be ashamed to see your yearly towing costs due to a forgetful gas repayment. 

You always seem to assume that somehow the distance to get to your designated location will magically change into a couple minutes and won't waste your gas as much, which quite literally never works, but are you going to learn from your mistakes? . . Most likely not. 

You stretch your arms one more time, taking a few deep breaths and a sip of your drink, before you finally grab your tote bag and head into the studio. 

Time: 11:52am Location: Inside the studio 

A shiver racked over your body the moment you entered the studio—'Dear seven it's fucking cold in here'—you thought, mentally noting that you should ask Amanda when you meet her if there was a way to turn up the heater, it’s literally winter . .  they can’t expect you to film in this situation right? 

As if on instinct a distinct cheery voice could be heard from the farther corner of the room, "Y/n!! You're here", a petite brunette makes her way up to you . .  way too energetic for this early in the morning, "Hi, Amanda", you greet her, a bit awkwardly, not knowing how to exactly approach the conversation. 

“Yes! That’s me, we're just setting up right now, I’m so glad you came.”, she smiled, “You can put your bags on that chair over there, we're just getting a few things sorted, so feel free to introduce yourself to everyone.”. 

"Omg, it's so great to finally see you! . . and like meet you", she seemed so excited, for some weird reason, her energy rubbed off on you, easing your nerves, "Sorry if I'm late, traffic was horrendous", you mumbled, “that’s completely fine, you live further out East right?”, she asked curiously, and you watched as she fiddled with her clipboard checking off random things. 

“Yeah”, you reply dryly, shoving your hands in your pockets, “It’s usually a three hour drive, it took four today”, she nodded along, “Well, if you’re hungry we have snacks in that room”, she points to one of the random staff rooms, “You and Vil will be sharing a dressing room, if you don't mind—If you do I can totally work something out!”, she quickly corrects herself. 

“No it’s completely fine”, you smile, it wouldn’t be the first time, a lot of films on a shorter budget opts to have actors sharing a dressing room, and this is the first ever late night show for the company, you wouldn’t be surprised if sorting things out is already eating a chunk away at the budget set in placed.  

“Speaking of Vil . . Where is he?”, you ask, looking around curiously at the room, you see a bunch of other staff members and crew, who wave hi to you and you wave back. You’ll have to greet them properly later, but you’ll put that to a back burner until your social battery recovers to its full level. 

“Vil?”, she stands in place, thinking for a couple seconds, “He left an hour ago”, you raise a brow, “He came like really early in the morning, said he was getting breakfast and had a meeting, and that he’d be back . . maybe . .  soon?”, she walks around, throwing some pointers to some of the crew . .  it looked like gang signs but the crew understood so who are you to judge, “Honestly I don’t remember much.”, she whispered to you, like it was a secret of some kind, “But . . I did plan a meeting between the two of you tomorrow, you’ll be meeting at this cafe, it’s really private and I booked the area so you guys can comfortably talk about the show, if that’s alright with you?” 

“That’s great actually!”, you smiled, that just gives you one less thing to worry about.

Amanda is actually just a random character based off of no one in particular, I felt like a really sweet manager would be really fun <3

Taco bell . . . no y/n's were harmed in this process (They had pepto bismol in the car dw)

Previous chapter | Masterlist | Next chapter . .

— LATE NIGHTS & FLASHING LIGHTS !! ♡. Synopsis : VIL SCHOENHEIT recently signed a contract under Descendant. Inc for his very own late night show, only to find out his co-star and fellow co-host is none other than Y/n L/n, someone he hates despite knowing very little about them and never having met them, previously. Y/N L/N, an actor who made their debut 3 years ago and hasn’t been able to catch a break since, recently decided to sign a deal with Descendants. Inc to host their new late night show “late nights & flashing lights”, as a break from acting . . Only to find out their favorite long-time actor will be co-hosting with them. Tune in every Friday, for a new episode of “late nights & flashing lights” to see if these two hosts can find a peaceful work-bond amidst their judgements . . and quite possibly even love? . .

♡. Want spoilers ?! . . Join my server . . !! (or to be namedropped <3)

— taglist ♡ ; @well-look-at-this , @honkai-freak , @kingnem10 , @merviolet-asks , @katzline , @pebble-bb , @meigalaxy , @lordbugs , @crowbird , @yuus3n , @azriel-sama , @reivelmin , @the-ghost-0f-t0m0 , @eliza-be-t-h , @feverish-dove , @yejiswifex , @l0v3r666 , @cece-cherries , @frootloopscos , @abell2029cluster , @ephemii , @alienlatteinspace , @frangiipanii , @vamprel , @kittycat246 , @jar-03 , @leifsclubroom , @everettelz ,

♡ . Ask to be tagged... (If you don't see yourself up here, I cant tag you)

© devosin , do not repost, plagiarize, translate, or adapt my work without prior permission and or confirmation.

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[tigersharkapologist]

Caracalla was, understandably, simply having a mental attack because the people were calling for their heads—but I like the little detail that Caracalla literally cannot think of one bad thing his brother did to him other than “trying to strangle him in the womb” lol. Which implies that Geta was that good of a brother to him.

_______________________________________________

bonus because I think there’s way more to it than just being Ha Ha Funny Gag to Lighten Tension and because I have a hyperanalyzation for hyperfixations problem:

TW: mentions of physical and emotional abuse, child abuse, bullying and murder

That or the darker undertone being that he cannot remember anything bad Geta did because of his memory loss from neurosyphilis (a disease that can cause memory loss). Which also implies that he probably doesn’t remember any of the crude specifics of the abuse they had to undergo in their childhood—only how it made him feel. Which is why, if you look really closely at his facial expressions during his episode, he hesitated only a little at the mention of that, but still didn’t falter entirely.

An even darker undertone being that he was experiencing so much of a specific kind of stress that his brain assumed it was being attacked by the same assailant that he had dealt with as a kid, Septimius Severus. So much so that it went into fight or flight. Caracalla was shouting “you lie!! You always lie!!” at his brother. From what we can tell with the little screentime we got of them, Geta has never shown to have any malicious intentions towards his brother, he had quite the opposite actually. He never lied to him. Like ever. But you know who probably DID lie to them constantly?

Their. Despicable. Sleazebag. Narcissistic. No show. Parents.

What if the neurosyphilis combined with the onslaught of the immense stress he was experiencing (so much so that it threw him into a fight response) made him believe Geta was Septimius? Think about it. Caracalla is under the full influence of an injured brain, and that same brain is being influenced by a hyper aggressive disease; neurosyphilis. What if he was so affected by the lies told to him in his childhood, that the minute he figures out something is a lie, or suspects of lying, it causes him to snap. Look at how he got with Acacius when he found out that his loyalty was basically a lie.

Lies cause him that much stress, they have to be connected with abuse. Look at him!! Lies are definitely his PTSD trigger.

Roping it back to Geta’s death. ,, Caracalla’s amnesia and panic response from his PTSD very well could have made him confuse Geta with their father. Though not all, it is not unheard of that survivors of immense physical abuse (in Caracalla’s case—being constantly punched and beaten up by a grown man when he was like?? 10??) attack someone close who they’ve confused with their abuser when an episode strikes. (keep in mind these are rarer cases but Caracalla is a rare and extreme case himself). It could be a huge possibility that Caracalla mistook Geta as their father and, he (understandably sick of Geta standing in between his father and taking those blows for him) decided to take his father head on and strike back—ultimately killing who his brain confused as Septimius. Another reason I believe this is because he literally reverted back to childlike tendencies and hid under the table when he felt this stress. Trembling, crying, whimpering, a very sore sight. It was as if he was taken back to the time where he felt this kind of fear before-- because that's literally what happened. I genuinely do not think Caracalla would ever kill Geta, his brother, his closest and only real friend. Even if he wasn’t in his right mind. Those two have lived through hell together, those trauma bonds are the strongest bonds Ive ever seen. They could fight, they could get real disgusting towards eachother, but I know nothing could break that sibling trauma bond, and I speak from experience. You could hate that man but he will always be your ride or die. Geta and Caracalla were TIGHT. He had to have confused him with his father during his PTSD episode. I highly doubt thats what the directors were going for but UHH idc lol that's what aus are for.

I want to know more about Septimius Severus. Was it just beating up his kids? I'm not undermining the grotesqueness of those actions, I want to know what else he did. It was clear he was a liar, it was clear he was a physically abusive "father” (he doesn't even deserve that title), but if it was so easy for him to hit his kids, than that opens up a whole new possibility of things he did. Like if it was so easy for him to punch a child, what else was easy for him? Did he refuse to feed them? Did he refuse to give them any gifts or luxuries? Is that why the twins are overindulgent to the point they suffer from it? Did he lock them out of the house to freeze in order to assert dominance? Did he publicly shame them as punishment? Did he shame them for the way they looked? How they were an embarrassment to the family name because of their appearance being too similar to the barbaric northern tribes they were conquering? Were plates thrown at them? Were they bullied by other children in their age group for having unloving parents? Did anyone worry for them? Did any bystander care? Did anyone ever intervene? Did they cower in fear of facing that same wrath that those children were forced to endure? What was the twins reaction to the death of their father? Were they overjoyed? Were they hollow? Were they, in a twist, mournful? Did they ever have real friends? Like friends that they didn't need to change themselves to feel accepted?

_____________________________________________

To pivot off that last sentence (not really related to the main point at all but I NEED to say it),

I don’t think so on that last one. I think they had to change themselves entirely and put on this fake persona in fear of being disliked. They did everything to follow the Patrician crowd, everything that made their lives even worse. And I bet you they thought they were making friends.

Nah. They were making temporary fragile alliances. For every 10 “friends” they’d make, 1000 enemies would be formed. And I bet you further that the Patrician didn’t respect them at all. Those blue bloods know when there’s blood in the water and they know that the two changed and rewired themselves just for acceptance. In their eyes, Caracalla and Geta are weak emperors (unfortunately they are. Conquesting counts do not equal to strength in oneself); easily replaced. And if Macrinus was thinking it, you can count on the rest of them, too. Remember in that deleted scene where Caracalla forgot he killed his brother? EVERYBODY knew about the murder but him and NOBODY batted an eye. Either they were scared of Macrinus (which I doubt they even knew he was apart of said murder) or they DEAD AHH DID NOT CARE ABOUT GETA LIKE AT ALL. THEY DIDNT LOOK EVEN SLIGHTLY UNCOMFORTABLE BRO 😭🙏. It was the SENATORS. SENATORS. That looked shocked. They weren’t even going to say “ave Dondas” out of pure shock until Macrinus said it first to pressure them.

Enough of my prattling. In conclusion, Caracalla is so far off the deep end he literally thought his own brother was his father DURING the height of his episode let me be clear (which isnt really the biggest stretch to be dead honest—it’s caracalla bless him my poor baby), is pretty much permanently ruined and scarred because nobody is going to help him—no one cared enough, and he is never EVER going to live a normal happy life. Geta tried so, so very hard to give him that, but in the end, the two were born hated, born broken, and the world reminded them that until both of their untimely ends.

[thatgirlonstage]

Okay I’m too tired to keep listening to Dark Heir but I’ve got a whole bus ride home so I’m going to spin Black Butler thoughts at you all.

(Idk how coherent this is, I’m sorry if it’s rambly my brain is SO dead but it wants to Talk so)

I’m thinking about… the gradual build of Sebastian’s fear that he could actually lose Ciel, as we go:

The asthma attack in Circus Arc: not ultimately serious, but a danger to Ciel’s wellbeing Sebastian had not been aware of and cannot easily fix

The fight on the Campania, where Sebastian is very seriously injured himself, to the point where he’s in danger of losing Ciel to Undertaker because he can’t physically stop him from being taken,

Which leads into THIS fucking moment in school arc:

which is entirely fueled by Sebastian’s fear that Undertaker will snatch Ciel out from under him, AGAIN, because he did it before

AND THEN GREEN WITCH ARC HAPPENS, where Sebastian gets within literal minutes of losing Ciel to the gas, and WOULD HAVE if Sieglinde hadn’t been there or hadn’t been willing to help them

And still in Green Witch Arc, even AFTER Ciel has physically survived, Sebastian nearly loses him anyway because he backslides so dramatically into a PTSD episode that it nearly voids their contract

All of which is why by the time you get to the Blue Cult Arc, Sebastian is so genuinely afraid he might not be able to protect Ciel that the scent of blood from a single needle prick makes him do. This.

And now, with bizarre dolls getting ever more advanced and better at hiding from Sebastian’s senses and the whole police force mobilized against them, I’m very ready for Sebastian in Brighton to be doing everything short of wrapping Ciel in 19th century bubble wrap. I’ll frankly be shocked if he lets Ciel out of his sight for more than five minutes.

But the thing is. The thing is. Narratively, there isn’t much further you can ratchet up the stakes for Sebastian (at least until you get to the moment of truth with the contract and eating his soul, which is a different conversation). Ciel being put in danger or hurt again isn’t going to do all that much to alter their relationship at this point. Sebastian is already about as whipped as the poor guy can get.

What would be a change, is Ciel nearly losing Sebastian.

There’s been—for obvious reasons—much less risk and fear on that front. There has been some build for it:

Red Butler Arc, encountering reapers, Ciel sees Sebastian fight an enemy who can actually hold their own against him for the first time (and while I don’t think this is confirmed, I suspect Grell’s chainsaw eating his shoulder is the first time Ciel sees him get injured for real (as opposed to allowing himself to get shot and playing dead just for the sake of being a dramatic bitch))

Curry Arc, Agni successfully fights Sebastian to a tie (which is why I’m VERY interested to see if Soma turns back up in the Brighton arc as well, feat. angry Kali powers)

[The murder arc is a fake out, because Ciel knows he’s fine the whole time]

On the Campania, Ciel sees him get very badly injured. This is the one and only time Ciel has real cause to fear for Sebastian’s safety, as such.

And since then, while Sebastian isn’t quite untouchable, he hasn’t really suffered any serious injury or physical danger to himself. There have been defeats or fights that didn’t end perfectly for him—such as the school arc fight—but Sebastian hasn’t been existentially threatened. Ciel, I think, still has pretty high confidence that worst case scenario, Sebastian can always just pick him up and make a run for it (indeed, part of the reason things got so bad on the Campania was because they were trapped on a boat). And even if Sebastian couldn’t save him, Ciel—to the extent it’s even occurred to him—doesn’t have a lot of reason to think he couldn’t save himself.

This is now the second time Ciel has lost everything—his title, his name, his home, his safety, his dignity and respect. The first time was worse, obviously, but he’s got to be feeling the similarities.

The first time, Sebastian pulled him out of his despair by offering him the power to escape.

Now, the second time, he at least still has Sebastian by his side. A Sebastian who is going to be laser-focused on protecting Ciel from all possible threats.

But what happens if Ciel thinks he might lose Sebastian too?

[wingedshadowfan]

⚠️arcane s2 act iii spoilers // criticism ⚠️

i kind of hated the end of arcane. hear me out.

i don't wanna rain on anyone's parade but we can all agree season 2's pacing was super breakneck. not a lot got explained or was given the proper time to develop or be addressed (at least in front of us, the audience, that is - but even then, some things could've been hinted at better) and this goes for both lore, motivations and interpersonal character relationships. (and i can give many examples such as the black rose, maddie's true motivations, caitlyn and vi's fight, jinx rallying up the undercity, viktor and ambessa's plans diverging, etc. but instead, i'll tell you what i think went wrong with what we got to see in the last three eps)

seeing where ep 7 left us made me think "okay ep 8 will start from the same exact spot and we'll see from there" and ofc my expectations were defied but that's not my main problem. i needed to know what happened to ekko, jayce and heimerdinger but even more than that, i wanted to see jinx grieve isha in her own way (by herself and not through being asked or guilt tripped to help someone else's agenda bcuz she clearly had little intrinsic motivation to unite the undercity over a common goal after silco's death) and internalize what she'd meant to isha - and that becoming jinx's catalyst to rally up the undercity. i wanted her to understand why this orphan from the undercity's mines sacrificed herself to save jinx - the symbol of a cause greater than her. i needed her to see what unifying zaun and making tangible institutional change to the undercity would mean in a way sevika never would've been able to show her. it would mean no more powders, no more ishas. not one more. breaking the cycle of violence, poverty, oppression, somewhat like what silco said in ep 9 (which she interpreted as 'you're the problem, so kys' and she attempted to until somehow ekko convinced her to help. how, why and did she even unite the undercity at all or just make her big hot air balloon late-to-the-party entrance with the firelights to a stray kids banger while sevika did all the work down in zaun?).

anyway, ep 8 threw us in for a loop in an alternative universe (and i loved it, don't get me wrong, but considering there were only 2 normal length eps left, it scared me just as much). instrumentally to the plot, we got to see ekko's main ability develop, and we saw jayce's reasons for shooting viktor. the main conflict of the show, the piltover/zaun one, if those 1,5 seasons so far were anything to go by, just got set aside for the time being. over halfway through the season, we've got a new big bad - the possibility of everyone getting possessed by the viktor/hexcore and becoming part of The Glorious Evolution™. it felt like a movie about racism and police brutality added aliens in the last 5 minutes to force oppressed and oppressors to (not all that successfully) work together, massive losses were suffered by everyone, and then the overarching motif wasn't about love or humanity or rebuilding (things that have come up repeatedly in other episodes, including the one ep literally called 'the messege hidden within the pattern'), it was "bad things happen sometimes, but good things happen sometimes too. it is what it is. i guess." like. duh?? as a viewer, this was quite the disappointing ending takeaway from such a masterpiece of a show but more on that in a second.

narratively, we saw a butterfly effect situation in ep 8 that answered the question of 'what could've been?' but even that answer confused me. the undercity was already oppressed and in socioeconomical peril before jayce's hextech - vi's death during that last job (which makes me believe zaun was the same in both universes because why else would they be poor enough to steal from piltover?) prevented it from being invented and thus stopping other things in piltover from happening but how did it lead to progress in the undercity? what happened and what was the key to it all along? why did shimmer not get invented, how did zaun and piltover seemingly unite, why were zaunites all of a sudden seemingly so much materially and culturally richer and better educated in just a few years? (that aside, i love ekko's determination to get back and save his universe's zaun. i loved the alternative jinx and i loved how everyone was wearing vests 10/10)

then, ep 9 felt like a bunch of confusing things happening one after the other to the point it almost overwhelmed me and i was left thinking i didn't understand a single thing from it (except maybe that one scene - that, i understood spiritually). and the first maybe 90% of ep 10 felt like i was just repeatedly getting hit, and again - no time to breathe, no consolation, no resolve, just receiving bad news after bad news, like getting beaten to the ground with stones.

and at the very end, after some of the ends get tied, caitlyn has her speech, which to me, sounds more depressing and hollow than anything else. she talks ambiguously of history and of ups and downs and of a story not yet over, but there's no promise for the future, no motivation to keep going, no bigger picture, no lesson learned. we're not shown much work being done either (and i'll make a separate post examining why it felt that way to me and a separate one abt how i interpreted her conversation w/ vi at the very end). i was left a bit confused, somewhat unsatisfied, and very, very sad.

did anyone else feel that way too? what did i miss, did i misinterpret or misunderstand something? please i'm going insane i had two different friends tell me they had no idea what i was talking about and that the ending was everything they wanted and more

[charlietheepicwriter7]

Why is it always Hellva Boss earworms that make me come up with ideas?

So, during the whole Freakshow thing, it wasn't true mind control. Danny was definitely affected, but it messed with his self esteem and emotions to the point where he damaged all of his relationships and is considering running away. Freakshow, who was a little bit smarter in this, then reveals that he knows Danny's a halfa and hey, why don't you join my ghost circus while you figure some things out.

So Danny becomes a clown because he's always liked clowns, and if you've seen the new episode, you know what happens next

and over the course of a few years, Freakshow isolates Danny from his family and friends, indoctrinates him into the crime side of business, and gaslights Danny into thinking he's nothing without him. Danny loves performing, but is so beaten down that he thinks he can't leave even if that's what he wants. Danny's a famous performer at this point, even if no one knows his real identity. The other ghosts aren't really a comfort since they're mind controlled.

The Justice League, specifically Young Justice, already know that Circus Gothica is a crime ring, but have no evidence to get them arrested bc the ghosts (who they think are just metas) are too good. The leader during the thefts (Danny) is the only one they've ever been able to get close to. Maybe at some point, Tim!Robin and Danny get trapped and Danny has a panic attack for failing Freakshow? Something happens that makes Tim convinced Danny isn't a criminal willingly, but he can't convince the others.

Danny and Klarion somehow end up dating. Freakshow joins the light, probably, and the two work really well together. Klarion asks Danny out, and Danny was really reluctant since he hasn't had... anyone, in years, but they date and it's just another thing for Freakshow to hold over his head.

Eventually, Freakshow gets the inkling that Danny isn't working as hard as he should be so he puts "Greatest Clown in the World" contest, and tells Danny that all the clowns who don't win will be immediately killed.

Danny is horrified, but he can only care about himself right now, so he's working his ass off.

(Meanwhile, in Gotham, the Joker tried to join, but the Batman broke in, stole all his bones, and left him in the hospital for a few months)

So Danny's putting his all into this performance, but Young Justice finds out about the murder bit and infiltrates with, IDK, disguised Nightwing? Klarion is also there to support his man.

Danny ends up tying with Nightwing, and the tie-breaker is a three minute performance and whoever's more entertaining wins. Danny has a panic attack during Nightwing's performance and Tim and Klarion team up to talk to Danny.

Danny's convinced he will be nothing without Freakshow (literally, he might fully die), so while Klarion helps him feel better about his skills, Tim finally gets the deets about Danny's whole situation. Tim logics that Freakshow mindcontrolling this other dimensional species + Danny is half this species = Danny is being mind controlled, pissing off Klarion while Danny thinks back to what happened when Circus Gothica first came to town.

His irrational anger at family and friends, his desperate need for approval from Freakshow, how he never even considered going independent, how he thought he was immune to the mind control staff despite being half ghost.... He's pissed. He wants to quit.

So he tells Tim that YJ needs to get the staff during his performance; without it, Freakshow wouldn't be able to mind control anyone. And he goes on to give his performance.

As for that... look, 2 Minute Notice is an amazing song with amazing choreography. the only thing i would add would be a quad somersault during the trapzee part.

Danny proves himself as an amazing clown, Freakshow gets arrested since Danny is willing to testify against him, the ghosts are free, and Klarion later murders Freakshow in a cell because that's his boyfriend, you pathetic excuse of a warlock.

"Freakshow, you sad sack of shit! Fuck you!"

[zombholic]

MY KIND OF LOVE — abby anderson

summary — illegal boxing was never on your bucket list until your friend brought you to one.

description — poc fem!reader, illegal boxer!abby, reader has tattoos and a couple of piercings, mentions of drug usage, bidding, sexual themes, not for minors.

chapters — two, three, four, pending.

— 🥊　　 ◦ ✺ 　 🚩　 ⟢ —

“Jesse, I really don’t wanna see your ass get rocked by some she-hulk.” You were wiping down the bar as it was starting to close up, your annoying but dear friend for many years was indeed begging you to go to one of his also many illegal boxing matches.

“No Y/nn, listen if you go with me I swear I will fix your car for free, please I just want someone to go with me.” He clasped his hands together under his chin begging you.

“Fine, only because you’re fixing my car for free.” Rolling your eyes at the boy man.

“I’ll pick you up at 10.” He shoots you a wink before heading out the bar doors.

Sliding your arms into your sweater you turned the light off on the open sign and locked the doors, quickly getting into your tiny vehicle to speed back to your even tinier apartment.

You were quick to freshen up, only wearing basketball shorts and a black wife pleaser that showed off your tattoo pieces. You slipped on your worn out black converse and left your natural, it was an underground boxing match there was no need to dress up so you quickly shot Jesse a text that you’re ready.

Jesse was there in ten minutes, you guys reached a very strange looking building but he had assured you it was quote on quote safe.

He took you into a supposed locker room, and started wrapping his hands in a white wrap. He was shirtless with a pair of blue shorts, Jesse wasn’t ugly of course he was very attractive and if you weren’t a raging lesbian you probably wouldn’t had sex with him already.

“I wont lie, Abby scares me with the way she fights.” Jesse admitted as he started air boxing you.

“I would be scared her too— stop you’re fucking annoying.” You slapped his fists away.

“How much is the bidding anyways?” You both started walking over to the arena, it was small with quite a handful of people that looked like they would watch illegal boxing.

The ring was used and looked very unsanitary but you stood over the edge of the bars watching Jesse enter them, rubbing his shoulders trying your best to hype him up but deep down you knew he was going to get his shit rocked.

“I think it was around two grand.” He took a chug of his water.

The arena grew louder, Abby’s name being chanted as you watched her jog down to the ring. Her hair in tight dutch braids, you could see the bandage wrapped around her chest that poked out of her white fitted tank top, her red shorts showing off her toned thighs that could actually crush you to death.

“I am not bidding on you.” You gave him a worrisome glance before jumping down and taking your place in front of some people.

“Now who’s ready to see our boy Jesse get his ass demolished by the one and only Abby Anderson!” You swore you saw this episode on spongebob and knew it was not going to end well.

“Start bidding motherfuckers! Money goes in the bucket!” A guy and a girl running around collecting money from the crowd, the howls and roars from them only getting louder.

This was not your environment.

You watched at they placed in their mouth guards, Abby slowly walking around Jesse like she was ready to rip his jugular out. She was first to hit him with a punch straight to his cheek, the blood already spewing out his mouth.

Wincing at the sight you couldn’t look away, he begged you to come here to watch his get obliterated by this woman who literally beats men for a living.

Jesse threw an uppercut under her chin she was quick to wipe the blood off her lips, her expression was deadpanned. She threw a couple more hits to his stomach, nose and his head. You watched your friend collapse to the floor his face screamed in excruciating agony.

The round was called out since he was on the floor, you ran over to him crawling under the rubber like bars making your way to him trying not to touch the blood or else you would pass out too. Grabbing his face you pushed his hair away from him seeing the bruises forming on his stupid face.

“Need your girlfriend to revive your bitchass?” Her mocking voice spoke behind you.

“I’m not his girlfriend Ms. She-Hulk, and fuck off you won stop being a bitch.” You turned your head to shoot her a glaring look.

She shot her hands up in defense, her tongue poking her cheek with the cockiest smirk plastered across her bloodied face. “Don’t start with me girl.”

“Or what?” You stood up crossing your arms over your chest as you shot deathly rays into Abby’s face.

“I wouldn’t even have to prove anything.” She twirled your hair around her finger.

You were quick to push her shoulders back, the audacity she had to touch you was beyond comprehension. She barely budged, her build so broad and strong it was a joke to have even pushed her.

I guess your joke of a statement ticked her off, she was quick to pushback on you but harder causing you to fall back on your ass.

“I could do much worse than push you on your fucking ass little girl.” All you could do was look away the crowd was quick to chatter and mumble about the situation.

— 🥊　　 ◦ ✺ 　 🚩　 ⟢ —

authors note — i swear guys the other parts will be better I PROMISE this is the best i could do for someone who doesn’t know shit about boxing. ask to be on the tag list!!

tag list — @atomicami @whore4abby @doepretty

[dangermousie]

People complaining about the Argan plot on my TL. I'm indifferent to it because it does follow the novel and it's not one of those novel things that don't adapt well for TV.

But I can see the complaints about it being in the last episode. I'd rather it be in the penultimate episode and then have the last episode dedicated to them rebuilding their new life. Like choosing the Yu-yeon name.

Overall, I didn't hate the last episode. The leads carried the episodes. I think the ending with the SLs was pointless. I get that anything happens in a time jump, but we've seen no progression really of their relationship. It's like a quick way to wrap up their storylines. But SFL literally had no storyline or purpose. SML at least had a storyline, and he had a purpose in the first half (to indirectly help our couple be a couple).

That's the only choice I question, the need for the SFL (and SML). The SFL was especially a mess that even the writers clearly didn't know what to do. One minute she's fangirling over ML and gets excited and acts like she has a date with the married ML (which she knows he's married), then after that, nothing. She suddenly stops fangirling and acts normal and this is before she learns about HJ as his wife.

People like to complain, it’s human nature.

I liked the Argan thing because it was in the novel and also because I was already a kdrama fan 15 years ago when so many dramas liked to send their OTPs to exotic war torn locations for make outs and torture (see Swallow the Sun, IRIS and Lobbyist among others. Side note - STS had a secondary OTP of a mercenary and suicidal stripper that was very matter of fact and they got a happy ending to boot; when people say nowadays kdramas are so more frank about things - well no they are not.) So that was yet another delicious throwback about this drama.

Anyone who complains (as I saw) about this being unbelievable or too OTT has clearly not been paying attention to the genre - this was a crack melo from ep 1. It stayed in genre until the end. I totally get if it’s not someone’s thing but it didn’t really pull a genre rug on anyone.

I was quite happy with the amount of post-plot fluff we got. We got half an ep and seeing that dramas have a long tradition of giving us 1 minute before the end in terms of happy stuff, that felt downright luxurious (even in the novel, the bulk of post-plot fluff is in the extras not the novel proper.) To be fair though, I am not really a fluff person and don’t have much interest in watching fluffy happy dating moments of even my favorite OTPs unless it’s narratively done in the middle as we we watch in knowledge the hammer of doom is coming. So this take is informed by that. (Shen Li remains close to unique for me in loving the fact that the entire last ep is dedicated to their cottagecore bliss post the plot resolution. But Shen Li is an outlier for me in many respects - when something hits well enough even my normal preferences melt away. I mean I love Suppli and that’s an office drama.)

As to second ML and second FL agree they weren’t as developed as they could have been (esp SFL) but I am just happy they weren’t ship interlopers. I rarely care much for SML/SFL unless they have their own interesting narrative not revolving a love a square so my expectations are usually low.

Ultimate while I did have some niggles (where is my naming scene, where?!?), Phone ended up my favorite kdrama of 2024 by a large margin, over even Lovely Runner, Black Out and Goryeo Khitan War.

I hope its success makes kdramas make more of those type of old school, intense, romance melos but I have my doubts.

[astrea16]

Piers and Pirates

So I've never watched One Piece before the live action, and I was curious about the anime but wasn’t sure I’d be into it so I started with Skypiea right away. The interesting thing I’ve noted about the structure of the story is that it reads a lot like a DnD campaign: one big journey divided into story arcs with their own atmospheres and challenges, and of course the iconic “you want to go now?” that turns into a ten-episode prep before the sky islands. I’ve briefly mentioned them before, but some of the encounters are so creative. I’m thinking for example of the Swamp Priest with the body control of a toddler who can’t cross his arms on his chest and forgets to say things out loud; or the old lady at sky customs who will let you pass because she can’t do anything to stop you but then sends an entire squadron after you. It’s a shame the anime is so poorly paced because the worldbuilding is genuinely phenomenal—but then again, it’s like watching a really long DnD campaign.

You can tell that Oda put a lot of research into his manga because every piece of information feels believable, whether it be Robin’s knowledge on ancient civilizations—the fact that Skypiea itself was inspired by the Mysterious Cities of Gold makes so much sense—or Nami’s navigation skills. It feels like you could sail in any direction and find an island with incredibly rich lore and characters. I’m just in awe of how unique each of them feels. Character creation is HARD, and yet no two are the same in Oda’s world. I could only achieve this level of depth with consistent roleplay, and he did it with all of his characters. They speak for decades of reading stories and consuming art blooming into one personal mindscape.

But the most remarkable one is Luffy. As opposed to the typical hero on a journey, Luffy doesn’t stand out because of a major personal growth or anything of the kind. toraheart put it perfectly in their analysis by calling him a catalyst: the story isn’t about Luffy, it’s about how he changes the world around him. How he inspires people to break free from their chains, how he stands for an ideology. More than an actor, Luffy is a symbol. And you can see that as clear as day in One Piece Fan Letter (2024) where he receives less than a minute of screen time, yet his presence resonates throughout the entire episode. The Marine who was inspired to save his brother in a moment of crisis, finding his strength in the boy whose own brother had died before his very eyes. The little girl looking up to Nami as a beacon of hope and rebellion, the same woman who found the courage to ask for help so that she could free herself from a decade of child exploitation at last. The teenager who works at the bookstore, listening to Brook’s music to get through her day. All of these were informed in some ways by the unstoppable force that is Monkey D. Luffy. He quite literally jumped out of a fire in that episode, and we know that epic imagery is one of the most evocative means of inspiration. If the boy wasn’t an anarchist, he’d be the face of revolutionary propaganda.

Speaking of anarchy, some people have called him a terrorist and I think I can stand with that. Luffy is kind, yes, but he is also selfish and stubborn. Despite his desire to help people achieve their dreams, he is entirely unconcerned with casualties when he’s fighting. He has only one goal in mind and will do anything to see it to the end. What compels me isn’t his beastly strength or his extraordinary abilities, it’s the fact that he wants everyone to do the same. To find their one piece, and to add it to the puzzle. It may not fit the first time around, but there will be people riding the same wave as you. And if someone stands in your way, well then screw that! Why do you think Luffy was so happy to have his face on a wanted poster? I’ll give you a hint, it’s not because it confirms his power. It’s because he knows that the world finally sees him. Luffy doesn’t really care about the treasure, he wants to become King of the Pirates so that he can have a place in a world that doesn’t want him.

To finish up on Fan Letter because it’s a masterpiece and I need everyone to acknowledge it, you really get this sense of carelessness from the Strawhats making their escape out of Sabaody. Yeah, everybody knows what they’re up to and they’re not exactly subtle about it (see: Luffy), but since when do they give a damn? The whole world is watching and they’re not even looking back, they’re just feeling the wind in their backs and staring straight ahead. Doesn’t that make you want to go on a grand adventure yourself?

By the way, if you liked the feel of the animation I highly recommend checking out the Gobelins channel on YouTube. It features several shorts by aspiring filmmakers in art school and they’re all a freaking delight to watch.

[heavenlyakin]

Tw: pregnancy, discussion of fatherhood and parenting and abandonment. selfship coded. not edited.

–

Atsumu had been ecstatic when you showed him the positive pregnancy test. He’d pulled you into his arms so quickly you hadn’t realized there might have been something else behind his eyes. You hadn’t felt it in his hug, but he was shaking. 

Once you left to go about your day, Atsumu called in sick. Something he never did. Practice was a solace for him, but today nothing would give him comfort. All the memories of his childhood rushing back. All of them seemingly perfect but for the ache of who was missing.

He didn’t talk about it to anyone, but Osamu on occasion because he quite literally is the only other person in the world who would understand what he was feeling. He experienced it too. The longing and loathing that came with a father who abandoned you. 

Is abandoned the right word? He wondered as he laid in bed, staring at the ceiling. He had been there, when he wanted. Given he was drunk or pissed or both the times he had been. Atsumu wished he’d just never known the man who fathered him and his brother. It might be easier. 

How can he be a father when he doesn’t have a good example of one to model himself after? 

He let it consume him for the day. His fears and doubts all culminate into one of the worst depressive episodes he’s ever dealt with. He hadn’t felt this way in years, not since so much good had been happening to him. He was always able to focus on the good, but for some reason with this, despite thinking it was what he wanted, he couldn’t see the light at the end of the tunnel. 

What if he hurt you and your child the way his father had hurt him? 

You knew something was wrong when you came home and saw him in bed. Even on his longest days, Atsumu never took the time to go to bed to nap. He’d crash out literally anywhere but the bed. His favorite spot, the dark brown recliner that you thought was an eyesore was usually his favorite napping spot. 

There’s been exactly three times you’ve gotten a text from Sakusa telling you Atsumu skipped practice. All three times you’d found him like he is now. He’s laying on his stomach, face buried in the pillows and not responding to you as you try and get his attention from the doorway. 

“Atsumu, babe,” you coo softly, sitting on the edge of the bed and running your fingers through his unkempt hair. It takes a few minutes of coaxing before he even acknowledges you. 

He mumbles something back in response, but doesn’t budge. Even when you try to fill him in on your friend’s reaction to the joyful news. 

The sting of it burns in your chest, but you know this isn’t something you’ve done. Osamu had mentioned when they were younger, especially middle and high school, Atsumu would get this way. Usually when their father decided to interfere with their lives. 

“I’ll be right back,” you tell him, squeezing his shoulder gently before walking back to the living room to call his twin. 

Osamu picks up and you explain what’s going on. He promises to be over soon. A promise that he keeps. You open the door only fifteen minutes after the call ended, Osamu still dressed in his work attire. 

“Where is he?” He asks, his eyes full of concern. 

“The bedroom, he won’t talk to me.” 

“Did something happen?” He asks, something he didn’t ask on the phone. “Did he come around?” The he you’re assuming is their father. 

“No,” you shake your head. “We got some news today…” 

“What is it?” Osamu is clearly not trying to pry, but genuinely concerned for Atsumu. 

“I’m pregnant. We’d been trying for a few months… I just thought it would be good news!” You can’t help the tears pooling in your eyes and you don’t try to stop them from falling. “I didn’t know it would upset him like this.” 

Osamu pulls you into him and you cry on his shoulder. “First of all, congratulations. I can’t wait to be an uncle.” He takes you by the shoulders and makes you look at him. “This isn’t your fault,” he jerks his head towards the bedroom door where Atsumu is. “I dunno what Atsumu told you about our father, but whatever he’s feeling now is because of that motherfucker. Not you.” 

You nod and step back, letting Osamu go to Atsumu. You sit on the couch, pulling a blanket over your body. You’re shivering, not because you’re cold but the emotional response to all of this. You try to be quiet, hoping to hear something from Osamu or Atsumu, but you can’t hear whatever they’re talking about. If they’re talking. 

After an hour, they both come out and you stay sitting. Atsumu isn’t smiling, but he’s out of bed and walking around. 

“I’ll see you both tomorrow,” Osamu tells you and you nod. “Congrats again,” he smiles at you before leaving. 

“I’m sorry,” Atsumu throws himself down on the couch beside you, his head landing in your lap. 

“You don’t have to apologize,” you tell him, brushing his hair off his forehead. You lean down and kiss his forehead softly. “You don’t have to explain, just don’t scare me like that again.” 

“I know,” he looks up at you with sad eyes. “I’m not upset about the news,” he tells you. “I’m honestly so happy about it, but I’m fucking terrifed.” He finally admits. 

“Babies are scary,” you tell him and he shakes his head. 

He sits up. “No, it’s not the baby. It’s me.” His eyes are red as he starts to explain. He spills all his fears of fatherhood to you, all of them coming to a simple issue. He’s scared he won’t be enough. 

“There’s no way you’ll ever be like your father,” you tell him after a few moments of silence. 

“How do we know that?” 

“Because you’re this worried about it. Dirtbags don’t worry about if they’re going to be enough.” You take his hand and squeeze it. “You’re never going to be perfect at it. I definitely won’t be, but we will be more than enough for this child.” 

Whether it’s his fear or your words, something sends Atsumu over and he starts to cry while pulling you against him.

[violetrainbow412-blog]

Devil's night [S. R.]

Spencer Reid x fem!reader

word count: 4k

summary: Spencer is excited about his Halloween plans and you join him.

Directly based on episode 6x06, because I felt so bad about how the team behaves with Spencer that I needed to do something

“I see someone’s feeling spooky today,” Morgan smiled, looking you up and down.

You were wearing a cardigan knitted with various prints related to the time of year; pumpkins, ghosts, black cats, and candy corn, over a bright purple skirt and tall boots. Normally you would dress more formally due to the implied dress code the FBI operated under, but it was the weekend and Halloween was around the corner, so you could skip a suit day to wear one of those many scary-related items you had. After all, Halloween was your favorite holiday of the year. It was fun for everyone when you were a child, but as you grew up, your love for said celebration became a little weirder for others, so when you became an adult, you didn't think anyone shared such excitement about the date. Well, that is until you met Spencer Reid.

“It became a little more commercialized in the 1950s with trick-or-treating, and today it rivals only Christmas in terms of popularity” you heard him say, as he walked in with an already quite annoyed Emily Prentiss.

You knew that sometimes Spencer talked too much, but you hated that the rest of your coworkers got upset like that when he was talking about something that he was passionate about. Now the subject was, clearly, the next date.

"All I asked was what he was doing this weekend" she complained to Rossi. Spencer ignored her and continued with his cathedra as he settled into the empty space next to you.

“I'm toying with the notion of either going to the Edgar Allan Poe Shadow Puppet theater or the re-enactment of the XIX century Phantasmagoria,” he said and your heart did a little skip. You and Reid had argued on a few occasions, outside of work, about Poe’s works and although you didn't know what the second thing he had mentioned was, it sounded very interesting.

“What is a Phantasmagoria?” you asked nicely and when your partner noticed your presence he smiled widely, as if he was just noticing you in the room. The others all pouted in anticipation of the explanation to come and you hoped Spencer hadn't noticed.

“Phantasmagorias are these amazing pre-cinema projected ghost shows invented in France, where the showman attempted to spook the audience using science magic” he explained to you, while he took a seat and waved his hands from side to side. You were completely unaware of the term so you slightly parted your lips in astonishment.

"Sounds interesting"

"I have an extra ticket, do you want to come with me?" he asked you, almost immediately, with the biggest smile of all. Honestly, the invitation took you by surprise, especially who was asking, and Spencer seemed to see it on your face. “I mean, if you don't have plans this weekend. You can say no if you want."

“I'd really love to,” you exclaimed, so he wouldn't get the wrong idea, and watched his eyes sparkle with joy as he nodded.

The others wanted to make fun of it a bit, but Garcia didn't give them time to when she handed you the case files. When Hotch told you that you were going to fly to Detroit, your partner complained loudly and his gaze inevitably went to you, since you were supposed to have made plans together literally three minutes ago, but knowing that the unsub only attacked during these three days of the year. You had no choice but to accept your fate. You have never gone from feeling completely happy to being so disappointed in such a short time.

"I guess you better forget what I just told you," Reid sighed, as you left the conference room.

"Maybe we'll make it on time, when is the show?"

"This Sunday. The puppet theater is at 9:00 pm, the last Phantasmagoria show is at 11:00 pm. None are sold out yet"

"If we get back in time enough, I'll accompany you both, what do you say?" you muttered, trying to be as positive as possible, as you took your friend's arm with both hands and gave it a friendly squeeze. Spencer was taller than you, but thanks to the boots you were wearing and the extra inches they gave you, your eyes were almost at the level of his “Don't be discouraged.”

"I like your clothes today," he suddenly murmured. Sometimes he would give you those kinds of sweet compliments, perhaps as thanks for the kindness with which you always treated him, and you would almost always blush "The drawings are beautiful. Do you know why pumpkins became so representative?"

"Jack-o'-lantern," you replied, rather proud of yourself for knowing the answer.

"But did you know that in the original story it wasn't a pumpkin but a turnip?" he said and you were silent. But he didn't make fun of you for it, instead he saw a new opportunity to impress you "Yeah, you see, in the original legend Stingy Jack..."

The rest of the team, who was in front of you, shared knowing looks as if they were pitying you for having activated the doctor's rambling mode, but the truth was that you were fascinated with every word that came out of his mouth. Sometimes you couldn't believe how there was someone as intelligent in the world as your cute companion and as he spoke you prayed, perhaps with all your might, that you could catch the unsub in time to be able to fulfill the plans in the ones he had included for the weekend.

Almost as if by divine handiwork, the case was solved just in time for the plane to land and you two to rush home to get dressed for the theater. Hotch was even sympathetic to you and told you that the paperwork could wait for Monday just because he had heard of your plans, which you were immensely grateful for.

Spencer was happy that you agreed to go out with him, especially since the idea of asking you out was completely impulsive. It was true that he had an extra ticket but he never thought of having the courage to ask you to accompany him, much less did he think that you would be interested in it, since he was regularly ignored by his colleagues at work. It was something he had never discussed with anyone, only his beloved and gone Elle, but it haunted him almost every day.

Luckily for him, Spencer had prepared the wardrobe he wanted to wear in advance, and all he had to do was take a warm shower, shave, and put on some cream and cologne to get ready. In addition to, of course, styling his short hair as best he could.

He felt particularly concerned by his appearance that night and he pondered whether you would think he looked silly wearing a 19th century French suit. He had bought it last month and it was stored with his costume collection, which no one on the team knew about yet and he didn't intend for that to change.

He had offered to pick you up and when he got to your building, he felt strangely nervous. The doorman was a kind older man that he had seen a couple of times, so when he said that he was looking for you, the man called you on the phone to let you know.

They were silent for a few moments and he began to rock on his heels to kill some time.

“Will you take her trick-or-treating?” the doorman, Tony, joked. Spencer didn't take it the wrong way, instead he laughed it off.

"It's not the plan, but if someone takes pity on us and gives us some I won't complain" he replied and now it was the employee's turn to laugh.

"I've seen you before, are you her boyfriend?"

“Coworkers,” Spencer clarified, with a smile.

"Ah, so you're also a policeman?" although it wasn't the proper term, Spencer didn't know if you had hidden your real job for personal reasons, so he held back from explaining to the man that you were actually a profiler.

"Yes, something like that"

Tony wanted to ask more questions, but the sound of the elevator caught the attention of both men and revealed your figure.

"No fucking way," you breathed, looking your friend up and down and if he hadn't gone dumbfounded, he probably would have said the same thing "Look at you!"

"Where did you get that?" he asked in amazement. Although Spencer had thought that you would show up in a costume, he hadn't expected to see you like this. 

"You don’t like it?"

"No, I love it" he hastened to say, when he heard the insecurity in your voice "It's just… I didn't expect to see you as a 19th-century French lady"

You were wearing a beautiful black dress with lace details that obviously alluded to the fashion of the time, black satin gloves, plus a discreet hat on your well-groomed hair and boots that Reid had seen before, but they made a great combination with the outfit. The man's surprise was because he had invited you with such short notice and yet you had gotten the perfect costume and not only that, but one that conveniently matched his.

“And I didn't expect to see you as a French gentleman either” you laughed, as you reached out to wrap him in a hug "I guess it was pure fate"

“Or the fact that we are going to see a recreation of a 19th-century show. Our brains thought the same thing.”

“It doesn't sound so charming when you say it like that" you complained amused and he realized it was true "Shall we go? I don’t want to be late"

Spencer nodded and immediately offered you his arm to hold onto as you walked, a gesture that made you believe you were really entering a time tunnel.

“Enjoy your night”

"Thanks, Tony! Don't scare too many kids and don't eat too much candy,” you waved, blowing him a kiss as you followed Spencer out the door.

He guided you to his car and opened the passenger door for you and then he got in himself to start the engine and get going.

"I really can't believe that we got a couple's costume by pure coincidence"

“Couple costume?”

“Yes, they are those costumes of the same theme that you use with a couple. You know, like the people who dress up as Fred and Daphne or Morticia and Gomez”

Spencer didn't know the last couple, but he did have a vague recollection that the first ones mentioned were from Scooby Doo due to the cartoons he came from as a child.

"Oh" he sighed "Yes, get it”

“Honestly this was a last-minute thing. My downstairs neighbor studies theater and we are good friends, so I asked her if she had anything in her curiosities bag that could help me and she pulled out this dress. It was enough to adjust it a little" you told him, putting both hands on the neck of your dress and smiling from ear to ear "I couldn't believe it, it was really a stroke of luck”

"It looks so pretty on you," he said suddenly, looking away from the road just for a moment to check that you had heard him. "I don't think I told you when I saw you, but that's what I thought."

"Thank you then," you smiled, feeling your cheeks warm a little.

Spencer started talking to you about the creation of puppet theaters and, of course, the Poe stories you were going to witness, with you interrupting him only to point out some decoration along the way that you thought was cute. On Halloween you almost always preferred to stay at home to watch horror movies or go down to the hall to distribute candy to the youngest children, with very discreet costumes to avoid the evil looks of adults. But now you were excited to be doing this with Spencer, who was maybe the only person you knew who wouldn't make fun of you under any circumstances. Your relationship was based on a certain complicity, perhaps more than you had with any member of your unit.

Arriving at the site, he reopened your door and offered you his hand to help you down, which you took without complaining. Once you were outside, he repeated the gesture from when he picked you up from your building and in this way you walked to the entrance, where a woman disguised as who you assumed was Berenice (a Poe character) sold you a couple of tickets.

It was a lovely show and when you weren't looking at the puppets you took the time to admire your companion, whose eyes revealed the emotion of a child. You never thought the doctor was fond of a thing like this and now that you had discovered it you found it quite adorable. As you left you asked him if he was a Muppets fan by any chance and, to your surprise, he was. Spencer even told you that he had a couple of Kermit the Frog items that his mom bought him when he was little, but he also told you not to tell anyone or he'd be embarrassed and you pinky promised him.

You still had an hour between the two shows so you decided to go to a nearby park where there were lots of food stalls: candy apples, popcorn, candy, lemonade, and you even got to one where a Hispanic woman offered you pieces of candied pumpkin. You had to take off your gloves (which he kept carefully in his jacket) when you bought a few pieces of this last one for the two of you and when you tried it you agreed that it was delicious. The woman told you that in Mexico, her country of origin, she always served them to her children with a glass of milk.

Spencer spared no expense just to fulfill all your cravings, even though you refused, so when you got in the car to go to the Phantasmagoria your stomach was pretty full. The place where it would take place was a gray tent in the open air, with a dais in front and several wooden benches arranged so that enough people could fit in. As you had arrived with some time, you took a seat on a bench in the second row and waited patiently for the show to start.

Suddenly all the lights around you went out, leaving only the ones pointing to the front of the stage, and a presenter dressed as a magician appeared.

“For many centuries, wandering spirits have inhabited the world unseen by the human eye, always confined to the world of shadows…” his voice was mesmerizing and kept you on the edge of your seat, watching him carefully “but for a certain time of the year, their magic grows and they are able to cross the barrier that separates us…”

The entire tent was filled with smoke and the audience, including you, looked around trying to figure out what would happen. The presenter continued giving his gloomy monologue and, although you didn’t imagine how, you even felt that the temperature decreased a little with each word he said. Suddenly even the lights that were pointed at him began to dim and by the time he finished explaining to you the whole place was in complete darkness.

There was silence for a moment to build tension and then there was an explosion that made you jump in place. To tell you the truth, you didn't expect much from the show, you thought that being a recreation it would have many shortcomings, but when the first figure appeared on the roof your heart skipped a beat.

You weren't a scared person under normal circumstances and your resistance to the horrifying images you saw at work on a daily basis shows this, but this time perhaps all the environmental components of that night were what made you feel that way. A loud laugh resounded and then another pair of specters appeared, this time flying at the height of the audience and even passing through some of you.

Spencer's reaction was nothing like the rest. Despite his fear of the dark he was totally fascinated by all the images, his mind already working to decipher the magic trick that was being performed. What finally got his breath caught was the feel of your hand searching his. He was still shielding your gloves so he could feel the cool temperature of your fingers, as opposed to how warm he was in comparison. Even knowing that doing that was a reflex act due to fear, he stopped paying attention to the show to look at your hand on top of his, with that noticeable difference in size.

Just as you had admired him during the puppet show, he took the time to observe your expressions now. Your face lit up from time to time by the illusions around you and every time you startled you squeezed his hand harder, in addition to adjusting your body against his as if you were looking for some kind of protection. Spencer had gone out with friends many times and of course with the rest of his female colleagues at work, however none of them had behaved like you were doing. He wasn’t bothered by your behavior, but rather intrigued, since you seemed quite comfortable taking refuge in him to feel safe. Although he knew how to identify qualities in people, he sometimes had a hard time crossing the line of identifying them to really admire them. When he thought of JJ, he thought of a charismatic woman. When he thought of Emily, he thought of intelligence. And when he thought of Penelope, he always saw joy and optimism. But when he thought of you, there were too many qualities to focus on just one: he thought of kindness, calmness, creativity, wit, beauty, empathy... what a big heart you had and how at the end of the day you were perhaps the only one who could make him smile. When he invited you to join him, he did it because he knew you had the same feeling towards scary things, but now that you were there, looking so pretty and holding his hand tightly, he thought maybe there was something else going on between you. You were the closest thing he had to a best friend, though he had never said so verbally, and that night he wanted to be nowhere else but by your side.

Only when the lights came back on did he realize that the spectacle had been forgotten to him, since the whole time he had been looking at you.

“That was all for today, my friends. Thank you for these wonderful performances and remember to recommend us to your friends the next time we're in town. Have a spooky night, all of you."

“I can't believe it, did you see all that? It was just awesome! I didn't think it was going to be this good” you said, completely excited, as you turned in his direction. Apparently you weren't even aware that your hands were clasped until he got up from the seat and helped you imitate him with that grip. Though you thought of apologizing for that, you didn't, fearing to embarrass yourself further.

“It was amazing, even for me it was hard to figure out the trick”

“Why do you want to figure it out? admit it's only magic, doctor. Sometimes life is” you laughed, grabbing his arm for the third time like a happy wife would her husband.

You are something magical, he thought, with the words on the tip of his tongue, but not daring to say them to you. 

Although the night was late, the movement in the streets was still the same and Spencer considered asking if you wanted to go somewhere else, but the yawn that escaped you made him think that the best thing for both of us would be to go home to rest. After all, the case had exhausted you.

"Back to your house, right?" he asked, just to be sure and you nodded with a smile.

The road wasn’t long, you only had to take care of the naughty at night so as not to receive any damage, so when you least expected it, you were already in front of your building. Although you intended to say goodbye, Spencer told you that he would accompany you to the door of your apartment just to make sure that you arrived completely safely, because he knew better than anyone how much could happen to a woman alone, even if it was such a short journey, and he didn't want to risk you. Tony was still awake and greeted you nicely as you walked in, so you could then get on the elevator and press the necessary button.

“I seriously have no words to thank you for today, Spencer. Except for that one time I ended up in the hospital for eating so much candy, this has been my best Halloween ever,” you admitted with a laugh, as you leaned in for a big hug.

"Thank you for accompanying me. I'm really glad you had fun, because I had a great time too”

There was a dead space between you, in which you just looked at each other with a smile. It wasn't an exaggeration to say that the night had been wonderful and maybe it was just that you two were trying to drag it out as long as possible.

“Spencer”

"Yeah?"

"Before you go, can I ask you something?"

"Whatever" he responded immediately. He got a little nervous thinking that he wouldn't be able to satisfy your curiosity by ignoring the topic you were going to ask him about and hoped that wasn't the case.

You waited another second before speaking.

"How frowned upon do you think it was for 1800s society for a woman to steal a kiss from her companion?"

Spencer's eyes danced a little in his sockets and you thought he was processing your request in disguise, until he looked at you again and spoke with complete assurance:

“Very frowned upon, surely. At that time, it was usual for men to court women, who were very repressed from making their own decisions or living their sexuality as they pleased. A woman who kissed a man was considered indecent."

You wanted to correct him, tease him or, as a last resort, simply pull him by his shirt and plant the kiss you had wanted to give him all the way. But you didn't do any of that, you just laughed softly and enjoyed his smirk for telling you the right answer.

“I was afraid of that. It's good to know” said this, you carefully approached him and placed a small kiss on his cheek, seeing him slightly surprised by the act “See you tomorrow at work. Call me when you get home”

"I will do that. Rest and see you later"

"Bye”

Just as he said, he called you a few minutes later to announce that he had arrived at his destination so you could sleep peacefully.

Spencer didn't realize that you had explicitly asked for a kiss until Morgan told him and while his friend laughed, he felt like the luckiest guy of all and, at the same time, the dumbest.

taglist: @navs-bhat @reidwritings @tricia-shifting14

[oscconfessions]

hello I have a dissasociative disorder and have been in a dissasociative state for 4? ish years at this point so here are my headcannons enjoy

mephone ii: it's a subconscious coping mechanism. especially when around or thinking of cobs. when that guy is mentioned it feels like he's being punched out of his body. in the final shot of ii 17 he just mentally clocked out when taking cobs hand. the whole thing with him literally removing his memories is actually so real and it mirrors a lot of actual experiences with disassociation and suppressing memory

Liam hfjone: this man can fit so much disassociation In him. especially after the ending. nothing feels real to him anymore. he is so incredibly out of it 24/7. it's the only way he can really keep himself from having a panic attack about his situation every few minutes.

airy hfjone: this man has not felt like a living being in decades this isn't even a question I am saying this is Canon I'm literally cheesyhfj

bryce hfjone: he's dealt with derealization for a while. it's not constant, but it happens when his mood is notably low.

tophat tnm: only actually began experiencing it after GPS died. After episode 4 he begins healing and it slowly leaves with time

suitcase ii: NUMBER ONE DEPERSONALIZATION ICON I am her she is me. her questioning reality can be feulled by the disassociation and it ends up in one big feedback loop god I love her she's actually me

also I can't forget our questionable rep DID warriors yinyang and paper. I do feel it's kind of stupid to treat paper's writing as if it was ever supposed to be rep in the first place, as evil paper was quite literally written by a child (most likely Adam had seen horror movies where a character has an evil jekyll-and-hyde type persona and tried to replicate that with paper) yinyang is one I don't have many opinions on personally. I don't think I have too much area to speak on this honestly since I don't have straight up DID, but I think it's awesome how paper has been reclaimed by those who do have DID

anyways that's my ramble over goodnight chat

-⚫️🖋

.