#but i love the ending more than my life

[mommyesque]

Me when my found family anime continues to be a found family and have a time-skip cameo where they're still living together and have opened a diner by the sea :

[ruporas]

need to exist in your warmth (id in alt)

[poorly-drawn-mdzs]

Burning Rotten Bridges

[First] Prev <–-> Next

[notbecauseofvictories]

also I've spent the last couple weeks reading some older historical romance novels, and my made up, wholly unverified hypothesis that in the 2000s romance authors finally grasped that the old-fashioned "no, don't! stop, you brute" etc. scenes were not really landing with audiences anymore. So they faced a conundrum about the future of the genre. Ultimately, I think they chose to quietly stop writing those heroes, and switch them out for a more sensitive model. Still dark and brooding! But with limits, often a Heart of Gold, and more general emotional intelligence.

Still, somewhere out there is a parallel universe where these authors decided to take the opposite approach---to write heroines as unhinged, cruel, impulsive, and emotionally ignorant as their heroes. I don't know if I want to live there, but I wouldn't mind a trip to their library sometime.

[ishikawayukis]

s.coups & hoshi ALLURE X NARS photoshoot behind

[theythemmer]

happy 15 years of the duo that moulded me into the being i am today, it’s been a wild 14 years of my life and i wouldn’t have it any other way. love yall

[rottengurlz]

“Sometimes I dream about you. I memorize every detail of your face like a prayer. Those moments seem so real that I grieve whenever I wake up and your spot next to me is cold. Why did you beg me to kill you? I would’ve stopped. Even in death I cannot escape you. I’m not sure I want to even if I was begging for it.”

w/ @kashisun !! (happy birthday 😭)

[mephoj]

taco and mephone have fascinating parallels more people could explore if taco haters weren't biased cowards

[chimerafeathers]

[ on youtube ]

a concept for the type of OP i'd love to see for the second season of Dungeon Meshi! both s1 OPs are great, but i'm really hoping for one that captures both the "dangerous fantasy adventure" and "comedic cooking adventure" aspects of the series in equal measure, because it's the integration of those two concepts that makes the series special to me. the joyous whimsy and the dramatic horrors are equally important!!

[bmpmp3]

finding out ur coworker is way older than you thought and having to very quickly reorient how you talk to them

[redge]

Things I read on the internet that's a declaration of hate for Kana and my reaction (hoping I feel better after typing them all out)

"Kana makes everything about herself"

Did she want to be an idol? Did she want to be a center girl? (Girlie don't even know what a center girl is hahahaha). In Tokyo Blade, did she want the spotlight? That one time Kana wanted anything for herself is when she told Aqua her new dream. She did not even have a graduation concert. She did not have that movie that director told her about. In 137, she was praised for being a handy actor that can uplift others and improve herself and was described as "lacks opportunity" and many chapters after that, she still did not have an opportunity for herself. Kaburagi said they'd sell her as genius actor but that was not addressed anymore. So where is that she makes everything about herself when nothing was sbout her anyway? Not the idol career. Not as an actress. Not as a human loved back by the one she loves. She did not become anything she ever wanted so really how was this all about her? No I really want to know, how did Kana make everything about herself? Like I am really curious where this is coming from ah why do you hate Kana so much? 🥺

"___ best girl compared to Kana who only cries all the time"

Why can't we just go with the "____ best girl." period. Why do you need to put down a character to praise another character I am genuinely curious. I mean my favourite character has always been Kana but not ever did I hate on Akane or Ruby or anyone because why would I when all these characters have different stories of their own? And why do these girls need to compete with each other anyway?! Who's giving out the crown and sash? What's the point??? Your favourite is the best girl for you. Okay! Other's favourite is best girl for them. Okay, too! That's perfectly normal so why are you fighting each other I do not understand 😭

"despicable for slapping a corpse"

Kana slapping Aqua was something that belonged to them. No one knows that conversation except Aqua and Kana (and us, the readers). Miyako's reaction was very valid because she does not know anything about that conversation. Which is why when Kana told that to the dead Aqua, Miyako's reaction wasn't angry anymore. Miyako was in tears. I honestly would have killed Aqua twice if I were Kana really so a slap is nothing compared to the emotional wreck being in their lives brought her. Kana deserves to be slapped for hurting a corpse yes I agree but Aqua deserves that slap too for thinking that him dying is the great solution to whatever problem they're trying to solve.

"Kana is useless"

And what a heartbreak that is. Kana is perservering, patiently working on all the things she want to happen and absolutely nothing went her way. Kana is a representation of someone that tried and tried patiently but everything she did just made her feel useless. She grabs every opportunity, creates opportunity for herself but she is never enough. If killing one's self was a contest, I'd definitely compete Arima Kana as candidate. I would even forgive her if she just goes feral all of a sudden with all of the things that happened to her. She's useless, you say, but was that her fault?

"Kana does not deserve to be happy"

and why not? I say everyone in Oshi no Ko deserves to be happy. So why deny that to Kana?

But really. Why is she getting so much hate?

[virgothozul]

Ok. I have listened to the people. I have watched the thing. It is very wholesome.

Kazu comes home. He is hopeless and tipsy. And he swings between excited and wasted.

[ano-po]

The canon event where you move out of your Asian household and you realize you can throw your single-use plastic bags/containers because you have glass, ceramic, or woven baskets to keep your things. Your mind says "what if there is a new thing you must contain?" but you answer with "I don't have much to contain anyway." You have one eco bag that also works as a tote bag sometimes. It's holding on. It's very sturdy. You use it for books and groceries and gadgets. It's only one and you don't feel the need to buy another. You throw away the batteries (safely) that are empty, because what's the need to keep them around, only to be forgotten? Most of your things are solar-powered and rechargeable anyway. You don't buy clothes that you think you'll use somehow. You only have 5 sets of carefully thrifted clothes or heavily saved long-lasting designers. They're all adjustable. You accepted that the human body is ever flunctuating. You realize you don't have to keep that scrap of fabric. You bought one microfiber cloth you use for every kind of surface. You can squeeze it and it's all dry, not staying in the kitchen wet and slimy. You realize you can throw away the sticks you found in the woods NOPE NOPE I NEED THESE STICKS HERE thaNk you very much these are good sticks see KALI-KALI SIZE WOW nope these are staying!

[aletterinthenameofsanity]

sometimes I see David Tennant's face in Doctor Who as he monologues about time travel/immortality/the eternal loneliness and I go...that's him. that's my rotten lil guy. my wretched wreck of a dude. wreckage in humanoid form. the lonely divine corrupted by himself forgiven by himself made by himself made by his companions made by the universe. horrible and horrifying and far too human and not human enough. the worst thing to ever happen to so many (Martha, Adelaide, Astrid, everyone else who flashed through that whole montage thanks to Davros). a corrupter. a corruption. a cleansing. a man carved out of grief and love and pathos and hatred and grudges and forgiveness who can only make the worst decisions with the best, most selfish of intentions. a man who loved until he lost everything. a man, more than any other doctor, who should never be left alone, and yet he dies alone, with the shortest regeneration speech of any doctor. desperately lonely, desperately tragic, a disaster of a man who is too careless with everything and everyone around him.

And yet I care about him so much, because he is also the man who at the end of it all, after he lost everyone and everything he held dear, after he lost rose and donna and sarah jane and jack and martha and mickey left him and he was more alone than he's ever been, he does the right thing. the kind thing. he stops the time lords from descending on the earth. he once again gives up his people because he understands that the Time Lords Victorious cannot and should not ever be the way to go. he steps in and he saves wilfred mott. he lets himself become the doctor once again. he doesn't want to go, but instead of taking that one final step into godhood, he gives his next self a chance at being a better doctor than he ever could be.

[orchid-n-petals]

So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.

The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.

You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.

And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.

Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".

His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.

But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.

Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.

And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.

I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.

He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.

He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.

He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.

He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.

But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.

I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.

Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.

I don't know, I just have a lot of thoughts about his character.

[iknowwhereyousnoozeatnight]

this one's for all the yuri enjoyers out there — nsft under cut

meronia event prompt(s): scar