#with the human threats making appearances too
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honourablejester · 15 hours ago
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I don't think that you are a troll or stupid, but I do think that you spent too much time thinking about watsonian explanation and forget that in real life symbols mean things
Well. Thank you for clarifying.
It’s not that I’ve spent too much time on the Watsonian explanation, it’s that I don’t think the Doylist explanation is that fantasy writers universally (and specifically in this instance Pathfinder writers) want people to believe that the real world crusades were good and/or want to convert readers/players to a fascist cult. Which would appear to be what people in this thread are saying any fantasy depiction of a crusade against an actual supernatural threat would be intended to do.
Symbols do mean things, but so does context. It’s why, to use an equally fraught example, the swastika means something very different in India than it does in Europe. Now, obviously, that’s not directly comparable, as that symbol’s religious use came first, and its appropriation by a completely foreign fascist regime came later, but still. Context alters meaning. It’s why so many fantasy allegories break down. The physical realities as presented in the world of the story alter the interpretation of the real world symbol. Marvel’s mutants as an allegory for any number of discriminated-against peoples, for example, when there are mutants in the story that are a genuine and active genocidal threat – the existence of characters like Magneto make the discussions of the theme/allegory at the very least more complicated. That works exactly the same in the other direction. So a context where the threat is supernatural and is real genuinely can alter the interpretation.
If, granted, you are willing to give it more than surface thought. And here I’m going to put two of your other points together:
We live in a real world and in a real world crusades are a political symbol, and portraying "this time justified" crusade is giving credibility to real-life fanboys of templars and potentially signaling to them that you are on their side. You yourself say that allegory is a tool of fantasy, and fash very much can and do use it to obfuscate the fact that they mean people.
And:
having fantasies of being a bigot only indicates that people who have them are already bigoted.
The people who are going to interpret the fantasy crusade against actual literal demons as ‘proof’ that the real world crusades were also justified are the people who were already going to do that, regardless of context or internal cues within the story. The people who hold the real world crusades as a political symbol are already the people who don’t care about the crusades as anything but that symbol. They don’t care about the historical context of the real crusades any more than they care about the fictional context of the fantasy ones either.
I don’t agree that those people just get to claim a vast swathe of extremely complicated human history, as well as lock off a huge theme for fiction to explore in relation to that history, for fear that examining that symbol will ‘signal’ to a bunch of fuckheads that you might agree with them.
Because, the thing is, the fantasy of this game is not to play a bigot, unless you were already planning to. It does examine the morality of the crusade, even in a context where the enemy is a literal supernatural force of evil, and it also examines whether they are. One of your companion characters explicitly rejects the holy justification of the crusade and believes that even demons can be more than pure evil and should be given a chance to show it, and she can be proved right. And, in the canon result of the crusade beyond the game itself, was. Several of the characters on your side would also give the worst demons a run for their money. However, a country has still been invaded and its population slaughtered, so you also still have to do something about that.  
The fantasy of the game is, I would say, for most people, a fantasy of facing and fighting an overwhelming force of evil. Which is not too far away from the much more politically acceptable fantasy of, say, punching a nazi in the face.
Because yes, if we are exploring which portrayals of violence are good and which are not, we do have to discuss the ethics of war.
Yes, there are very much people who want to play a ‘crusader’ so they can act out murdering people different from them and being lauded for it. But there are also people who want to play out the gothic horror tropes of fighting supernatural foes, or examine the morality of religion in a context where the gods are, in fact, very much real, or who want to play the knight errant of Arthurian myth as if the heroic image of them was real instead of significantly more complicated than that.
I just don’t think it’s useful to say things like ‘all fantasy writers are secretly fascists’ or ‘all paladin players are secretly fascists’ or ‘you can never show this symbol in a positive light no matter what the context’, because all of that is just reductive, and stops people examining the stories we tell (and the symbols we hold) on anything more than a surface level.
And ourselves, maybe, from examining what biases we might be bringing to the story.
Further, fantasy does make supernatural physical reality, but even then it doesn't justify religious wars. Physical gods of fantasy are like real-life kings, and killing someone for not serving your king is still inexcusable.
So, yes. Very much an atheist point of view, then?
Also, like. That’s all of human history? We’re back to the ethics of war. Either killing someone for any reason is inexcusable, or we’re just picking and choosing what causes we’re willing to make exceptions for. Again, if you have a fantasy about killing a nazi, how is that different from a fantasy about killing a demon?
I’m not saying don’t examine every story and see what parts of it hold up and what parts of it don’t, or poke at what unrealised biases the writers might have, I’m saying maybe don’t make blanket statements like ‘fantasy as a genre thinks the crusades were morally good’ and ‘anyone who portrays a crusader as a good person is secretly a fascist and wants to kill people’. Because I’m pretty sure that’s not true, and I’m also pretty sure it doesn’t help to say it’s true. And I also don’t think locking off an entire period of history behind ‘this is evil and ever choosing to portray it is also evil’ is helpful either.
And, with all of that said ... Pathfinder as a setting genuinely does have some ... interesting worldbuilding in relation to real world ... There are a lot of real world conspiracy theories of less-than-laudable origin that Pathfinder uses their fantasy world to examine 'what if something like this was true in the context of another planet'. Since you mentioned the evil lizard people. Golarion straight has the evil serpent empires who ruled the world before man. It has the ancient super empire of Atlantis ('Azlant'), which was destroyed by Cthulhu monsters who telepathically infiltrated humanity, and said Atlantean empire was the origin of the human-turned-god who basically inspired every human empire in the history of the European-analogue of this world to go on an expansion spree. Part of Pathfinder's whole vibe is 'what might it look like if all the crackpot conspiracy theories of our world were actually true on a fantasy planet', as well as 'what would some of the worst and most complicated periods of our history look like if played out in a fantasy world with magic and gods'. 'What if the crusades but with actual demons' is only scratching the surface of what Pathfinder's setting decided to tangle with. And I get that how successful they have been, both on a case by case basis and overall, is very much a 'your mileage may vary' sort of situation. I also get that for some people, the fact that they do this at all, and also consistently, is very much grounds to write the setting off immediately.
Personally, I'm not opposed to using a fantasy world to essentially play out human beliefs and lies to see what might happen if they were true, as pretty much this entire post will show. But I do also understand if other people don't want to engage with it.
I just don't agree with writing off anyone who does choose to engage with it as 'automatically a fascist'. As, well. This post should also show.
kind of concerning how married the fantasy genre is to "crusades as a basically good thing"
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chimerafeathers · 8 months ago
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[ on youtube ]
a concept for the type of OP i'd love to see for the second season of Dungeon Meshi! both s1 OPs are great, but i'm really hoping for one that captures both the "dangerous fantasy adventure" and "comedic cooking adventure" aspects of the series in equal measure, because it's the integration of those two concepts that makes the series special to me. the joyous whimsy and the dramatic horrors are equally important!!
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rxttenfish · 9 months ago
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while aaravi remains firmly within "yeah miranda has a difficult personality and isn't very easy to get along with + has many rough edges which are slowly being worked on but still going to be an issue" after having been very much so within the camp that miranda is a Vexing Bitch upon first contact/getting to know her, she DOES go from "miranda is unpredictable and dangerous as a merfolk and large macropredator and her emotions are inscrutable and random" to "merfolk aren't very hard to understand or predict and it's very easy to stay on the safe side if you keep basic rules in mind and don't freak out the second something unexpected happens"
#all the care guide says is 'biomass'#miravi.txt#just. thinking about it!#thinking about specifically how merfolk (like most other animals) growl/hiss specifically as a deterrent#like if you start really upsetting miri and she wants space and you to Please Stop#she will probably turn her face away from the other person or turn her body away from them#while growling or hissing and pulling her fins back#and will open her mouth to bare her teeth or gape her mouth open to show her teeth (including heavily panting)#where the point is ''i will hurt you if you touch me/get closer/dont stop so please dont do that''#but a lot of people read it as her being either obtuse (if she turns away from them)#or outright aggressive for the showing of teeth and growling#when shes really not. shes being very polite in merfolk terms in giving multiple chances to avoid violence#shes going ''i am worried i might have to hurt you so please reconsider'' in a way thats very readable if youre another merfolk#who will then step away or give her her space and switch the tone of the conversation#to see whats wrong#whereas her being more deliberately aggressive/violent usually comes with minimal vocal cues at all#or (if shes specifically threatening someone such as in the case of getting aggressive over perceived threats to her social bonds)#she will often turn towards them and open her mouth and flare her fins#often deliberately closing the distance and making herself appear Extra Large#she WILL growl here but will never hiss (hissing being a more defensive sound)#and will often smack her tail against the ground or show her claws or otherwise demonstrate how large and how scary she is#as a deliberate point of ''you crossed a line and this is what is going to happen to you if you dont make it up right now''#which! both require VERY different responses but might look similar to a human!#and might end up coming off as unpredictable or random in her actions and cruelty!#when shes not! shes just doing things the way a merfolk does them#which means aaravi realizes VERY quickly after learning about all of this#just how many cues miranda gives that people are starting to make her uncomfortable and feel Not Okay#that are ignored or written off because theyre merfolk cues#merfolk are very tolerant of stress but have basically no concept of escalation of violence for that reason#because if youve ignored every chance to prevent something dangerous up until the point it goes too far
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areislol · 1 month ago
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ㅤㅤㅤㅤㅤㅤyandere monster harem
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pairings. various m! yandere monsters x gn! reader
warnings. yandere themes, toxic obsession, 18+ dark themes
a/n. i love my sillies!!
wc. 6.1k
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imagine a dark, mystical forest where you're the lone human, fated to cross paths with a group of terrifying yet obsessively devoted monsters.
each of them is unique in their appearance and abilities, but they all share one thing: an unrelenting desire to make you theirs, no matter the cost.
the werewolf
a hulking figure with sharp claws, wild amber eyes, and a low growl that vibrates through your very bones. he encountered you when you wandered too close to his den during a full moon. despite his primal instincts, he resisted harming you, instead captivated by your bravery—or foolishness.
he tracks your scent everywhere you go. if you so much as step outside, he’s already following from the shadows, ensuring your safety (and warding off anyone who dares to come near).
he marks your belongings with his scent and doesn’t hesitate to bare his teeth at anyone he deems a threat. you’re his mate, and he’ll challenge anyone who thinks otherwise.
though rough and wild, he becomes uncharacteristically gentle when he sees you hurt or scared, licking your wounds and curling protectively around you.
the werewolf is a wild, untamed force of nature, his obsession with you rooted in instincts so primal he can't suppress them even if he tried.
he watches you from the shadows, always nearby but rarely letting himself be seen at first. your scent drives him to madness—earthy, warm, uniquely you. it's comforting and addictive, and he can't get enough. he's stolen pieces of your life to keep close: a scarf left behind, a mug you drank from, anything that holds your essence.
his possessiveness is terrifying. he won't let anyone else near you if he can help it. if someone gets too close, he intervenes, his voice low and threatening, his golden eyes burning with barely concealed rage. no one dares challenge him; there's something in the way he moves, the way he looms, that screams danger.
he doesn't understand human boundaries. if you're speaking to someone too long, he'll step in, claiming he needs to talk to you or finding some excuse to drag you away. if you protest, he'll growl—not at you, never at you—but in frustration. you're his; why can't everyone else see that?
but with you, he's soft. gentle. when he's sure you're not afraid of him, he'll let you closer, let you see the man beneath the beast. his touch is careful, almost reverent, as if he's afraid he'll break you. when you're upset, he wraps himself around you, his warmth and presence enough to shield you from the world.
his affection shows in small ways. he brings you gifts from the forest: flowers, feathers, shiny rocks he thought you'd like. he watches your reaction closely, his heart swelling with pride when you smile. if you ever thank him, he becomes almost shy, looking away with a faint blush creeping up his neck.
jealousy is his constant battle. if he sees someone making you laugh or smile, his claws dig into his palms. he won't confront you about it, but the person who caused his jealousy might find themselves on the receiving end of his wrath later.
at night, he lingers near your home. the thought of you alone, unprotected, drives him crazy. he paces, his instincts screaming at him to stay close. sometimes, he leaves small signs that he's there—a paw print in the dirt, a tuft of fur snagged on a branch—as if he wants you to know he's watching over you.
his biggest fear is your rejection. he knows he's more beast than man, and the thought of you being afraid of him keeps him awake at night. if you ever flinch or pull away, it shatters him, and he'll retreat, his golden eyes filled with pain. but he always comes back, unable to stay away, his obsession too strong to overcome.
you are his anchor, his reason for fighting the beast within. he doesn't care what it takes; he'll keep you safe, even if it means keeping you all to himself. his love is overwhelming, suffocating, but he doesn't see it that way. to him, it's devotion—pure, unbreakable, eternal.
his growl rumbled low as kael draegon stepped from the shadows, his golden eyes fixed on you with that same wild, desperate intensity.
"don't be afraid," kael draegon whispered, his voice rough but steady as he offered you his hand. the cold breeze tugged at his hair as he stood beside you, his voice soft as he murmured, "you're safe now, with me."
kael draegon always seemed to appear just when you needed him, his presence both calming and terrifying. his hand lingered on your shoulder for just a moment before kael draegon pulled back, his voice almost apologetic. "old instincts, i'm sorry."
the vampire
elegant and poised, with glowing crimson eyes and a voice like silk, the vampire first saw you in the dead of night. he was drawn to the purity of your blood but became enthralled by the purity of your soul instead.
his pale, marble-like skin seems to glow faintly in the moonlight, untouched by time or imperfection. his crimson eyes burn with a smouldering intensity, framed by thick lashes that only add to his magnetic gaze.
his raven-black hair falls in soft, silky waves around his sharp cheekbones, perfectly complementing his aristocratic features. his tall, slender frame moves with a predatory grace, and his voice—smooth as velvet—wraps around you like a dark lullaby.
he loves to watch you sleep, marvelling at your vulnerability. He’ll slip into your room at night, not to harm you, but to leave gifts—a rose, a letter, or even a piece of jewellery from an unknown era.
the vampire despises anyone who captures your attention. Friends, family, or even strangers—they’re nothing but distractions. He may use his hypnotic gaze to erase their presence from your life.
he gets flustered when you show him kindness, like bandaging a wound he sustained in your defence. he tries to hide his blush, but his pale complexion betrays him.
the vampire is as elegant as he is dangerous, his presence suffocating yet alluring, like the pull of a siren's song on a lonely traveler at sea. his crimson eyes gleam in the dark, reflecting centuries of wisdom and hunger, but when he looks at you, they’re soft, desperate, and entirely devoted. you’re his obsession, his muse, his reason to exist in a world that has grown cold and lonely with age.
he first saw you during one of his midnight wanderings, his attention drawn by your scent, a sweet, intoxicating mix of vulnerability and warmth. you were an easy target at first—a stranger out on a walk, unassuming, untouched by the weight of the supernatural world. but then he watched you, from the shadows, and the hunger in him shifted. you weren’t just food, not in the way he expected. you were you.
his obsession grew quickly, a slow, crawling thing that nestled in his bones. he has a habit of appearing when you least expect it: slipping through your window as you sleep, standing at the end of a dark alley when you’re walking home, always close but never intrusive enough to harm you. he studies you with endless fascination, watching how you move, how you smile, how you react to the smallest moments of life. you are his everything.
he is a master manipulator, charming and patient, with a voice like silk and words that dance between honeyed promises and half-truths. he always knows just what to say, always seems to be exactly where you are, making sure you feel safe.
but beneath the charm is something ancient, something sharp—a predator who has learned how to play the long game to get what he wants. you are his, and he has all the time in the world to make sure you know it.
his jealousy is sharp and swift. the moment another person shows even the slightest interest in you, his eyes narrow, his smile turns colder. it doesn’t take much for him to make his presence known, weaving himself into your life, into your conversations, until the other person is left with nothing but fear or confusion. you are his, and he’ll ensure that no one else tries to stake their claim.
he doesn’t simply show his obsession through manipulation. he is far more intimate, far more human in the moments where he can let his guard down. he’ll leave you gifts—roses with petals as red as blood, antique trinkets from his many years of wandering, or old letters written in his perfect, flowing script.
he tries to convey his feelings subtly, his words wrapped in metaphors and promises, but they always come from the deepest part of his heart.
he’s possessive in the way only a centuries-old predator can be. he touches you often, with a hand to your cheek, brushing a stray strand of hair from your face, or lightly grazing your hand as if you might slip away at any moment.
he isn’t violent, not by nature, but his love is all-encompassing, wrapping itself around you like a snake squeezing its prey. you belong to him in every way, and he has no intention of letting you slip out of his grasp.
his dark powers allow him to watch you from afar, slipping into your dreams, invading the quiet moments of your subconscious. you’ll wake with his voice lingering in your mind, his whispers promises of eternity, of a life spent with him, of safety, beauty, and endless nights. he wants you to rely on him, to lean into his presence, to crave his touch, until you can’t imagine your life without him.
when you show kindness or affection toward him, his calm, elegant mask slips. his eyes soften, his voice trembles slightly, and he finds himself speechless.
he’s terrified of showing too much, of letting you see the raw hunger that lies beneath his smooth exterior, but he can’t stop himself. your smile, your laughter, it means everything to him, more than centuries of darkness and isolation ever could.
he would give you everything. his life, his immortality, his heart. but he struggles with the weight of his own nature—the bloodlust that lies just beneath his perfect, pale skin. he’s not just obsessed with you out of a need to control or dominate; he truly cares. he wants you safe, protected, happy. but his fear of losing you makes him cruel, calculating, and relentless.
you are his forever, and he has no intention of sharing you with anyone else, not with the world, not with time, not with destiny itself. his love is suffocating, but it is eternal, and as much as it terrifies him, he knows you’ll never escape his grasp. he’ll make sure of it.
his voice was like silk as dorian vale leaned against the window frame, his crimson eyes glinting in the moonlight
"you shouldn't be out here alone," dorian vale said smoothly, stepping closer, his voice as soft as a whisper. dorian vale’s gaze was piercing, unyielding, and you could feel every moment of his attention as he looked at you
he handed you a single red rose, his pale fingers delicate as he said, "for you, my dear.
his presence lingered, and you could feel dorian vale’s words in your bones as he whispered, "you were always meant to be mine."
the ghost
a shadowy figure with hollow eyes that glow faintly in the dark, the ghost is a tragic soul who found solace in your warmth. his attachment to you began when you unknowingly lingered in the house he haunts, speaking softly to the empty air as if sensing his presence.
alaric’s form is translucent, a faint, glowing silhouette that shifts and flickers like mist. his features are soft and hauntingly beautiful, with a melancholy that clings to him like a shadow.
his once-vivid eyes are now pale, like the reflection of a full moon in still water, and his long hair drifts around him as if caught in a gentle breeze. though incorporeal, he retains the faint shape of his elegant hands and tall, lean frame, an echo of the man he once was.
his presence feels like a cool touch on your skin, a constant, bittersweet reminder of his undying devotion.
he manipulates the environment to keep you close—doors creak shut when you try to leave, and objects mysteriously disappear, only to reappear where he wants you to stay.
if anyone hurts you, the ghost unleashes his wrath. lights flicker, temperatures drop, and your assailants are haunted until they’re too terrified to approach you again.
he’s deeply moved when you acknowledge him, even if it’s just a whisper to the air. your willingness to accept him, despite his incorporeal nature, solidifies his eternal devotion.
the ghost is a tragic, ethereal figure, bound to you by a love that death itself couldn’t sever. his form is translucent, shimmering faintly in the moonlight, and though he may no longer have a heartbeat, his emotions are as raw and overwhelming as they were in life. he exists in the liminal space between the living and the dead, obsessed with you in a way that is both haunting and heartbreakingly tender.
he doesn’t remember how or when it started—only that one day, he found himself drawn to you, unable to leave your side. whether it was your voice, your laughter, or the way you brought life to even the smallest, most mundane moments, you became his light in the suffocating darkness of his afterlife. he watches you from the corners of rooms, a faint chill in the air marking his presence, his spectral form always lingering just out of reach.
his love is quiet, but all-consuming. he whispers your name into the night when you sleep, his voice carried on the softest breeze. he rearranges small things in your home to make his presence known: a book left open to a meaningful passage, a flower you swore wasn’t there before resting on your windowsill. at first, it’s subtle—gentle signs that you’re never truly alone—but as his obsession deepens, the signs become harder to ignore.
jealousy eats away at him when others capture your attention. he can’t bear the thought of you being close to anyone else, of you laughing or smiling with someone who isn’t him. when you’re out, he follows you like a shadow, unseen but ever-present, and if someone gets too close, the air turns cold, the lights flicker, and an unshakable unease settles over them until they leave.
he craves your touch, but his incorporeal form makes it impossible. this frustrates him endlessly, and he spends nights lingering near you, reaching out as if he could somehow feel the warmth of your skin, the beat of your heart. his desperation leads him to try anything to bridge the gap between life and death, no matter the cost.
despite his possessiveness, he’s deeply protective. he uses his abilities to shield you from harm, warding off danger with an almost primal ferocity. if someone threatens you, they’ll find themselves plagued by unexplainable misfortunes—objects falling, shadows moving, and an unrelenting sense of being watched. he doesn’t harm them directly, but his presence is enough to terrify even the boldest.
when he speaks to you, it’s with a voice like the echo of a forgotten melody, soft and tinged with sorrow. he tells you things you shouldn’t know—secrets from your past, glimpses of your future, things only someone who’s been watching you so intimately could know. he wants you to feel his devotion, his undying love, even if it frightens you.
there’s a tragic loneliness to him. he knows he can never truly be with you, not in the way he desires, and this realization drives him to the edge of despair. his love is obsessive, yes, but it’s also painfully pure—an eternal yearning for a connection he can never fully have.
if you acknowledge him, his devotion only deepens. the smallest smile, a whispered “thank you” into the empty room, is enough to make his entire existence worthwhile. he clings to these moments, replaying them endlessly in his mind, as they are his only solace in an eternity of longing.
he follows you everywhere, unseen but ever-present, his translucent form flickering in the corner of your eye or casting a fleeting shadow against the wall. at first, his presence is subtle, almost unnoticeable: the faint creak of floorboards when no one else is home, a cold breeze brushing against your skin, the lingering feeling that someone is watching you. but as his obsession deepens, his presence grows stronger, more impossible to ignore.
he learns everything about you. the way you hum absentmindedly when you’re focused, the scent of your favorite tea, the books you read late into the night. he listens to the sound of your heartbeat as you sleep, a steady rhythm that lulls him into a state of peace he hasn’t felt since he was alive. he treasures these moments, hoarding every detail about you like precious relics of a life he can never fully be part of.
his jealousy is a storm that rages within him. when others come into your life, his calm demeanor shatters. he can’t bear the thought of you sharing your smiles, your laughter, or your attention with anyone else. the air around you grows colder when someone he deems a threat is near, and they often find themselves inexplicably uneasy in your presence. lights flicker, objects fall, and whispers echo in the corners of the room, driving them away with a fear they can’t explain.
but with you, he is soft, almost fragile. he speaks to you in whispers, his voice carrying the faint echo of a forgotten melody, full of longing and sorrow. "don’t be afraid," he murmurs into the quiet of the night. "i’ll always protect you." his words are laced with an aching devotion, a promise to guard you from harm, even if you don’t fully understand where the comfort is coming from.
he leaves you gifts, though he has no tangible hands to place them. a single white flower on your windowsill that wasn’t there the night before, an old, weathered book that appeared on your desk, or a faint message written in the condensation on your mirror. they’re tokens of his affection, his way of reminding you that you’re not alone, even when he can’t be seen.
despite his protectiveness, he’s painfully aware of his limitations. his incorporeal form frustrates him to no end—he longs to touch you, to hold you, to feel the warmth of your hand in his, but the barrier between life and death is unyielding. he spends countless hours watching you, reaching out with ghostly fingers that pass through you, yearning for a connection he can never truly have.
he’s haunted by the memory of what it felt like to be alive, to love and be loved in return. his obsession with you is his only solace in a world of emptiness, but it also drives him to desperation. he begins searching for ways to bridge the gap between your worlds, delving into the supernatural, seeking answers, rituals, or bargains that might bring him closer to you.
when you acknowledge him, even in the smallest ways, it’s everything to him. a whispered “thank you” when you notice the flower he left, a hesitant glance toward the flickering light he caused—it fills him with a joy so profound it nearly breaks him. he clings to these moments, replaying them endlessly in his mind, as they are the only proof that he still exists to you.
his love is all-consuming, a desperate and eternal yearning that leaves no room for anything else. he doesn’t just want to protect you; he wants to be with you, to share in your life, to have a place in your heart. he knows his love is overwhelming, even suffocating, but he can’t stop. you’re his reason for lingering in this world, the one thing that makes his cursed existence bearable.
in his more vulnerable moments, he confesses his feelings, his voice trembling with a sorrow that spans lifetimes. "i’m sorry," he whispers, his spectral form flickering like a dying flame. "i didn’t mean for this to happen. but i can’t let go. i won’t." his words are both a plea and a promise, a declaration of a love that will haunt you forever.
his devotion is eternal, unyielding, and consuming. he doesn’t see his obsession as wrong; to him, it’s the purest form of love, a connection that transcends life and death. and though his presence may sometimes frighten you, you can’t deny the strange comfort it brings, the knowledge that someone—something—is always watching over you. he is yours, now and forever, and nothing, not even death, will change that.
you are his reason for lingering in this world, his obsession, his eternity.
alaric drifts soundlessly through the walls, his form a faint shimmer of light that barely disturbs the air
"you called for me," he whispers, his voice like the rustle of leaves on a quiet night. he hovers just out of reach, his longing evident in the way he watches you with those hollow, mournful eyes
every creak of the floorboards, every cool breeze brushing your skin—it’s alaric, a constant, invisible guardian, desperate for you to feel his presence.
the demon
with horns curling from his head, molten eyes, and a smirk that could tempt even the purest soul, the demon is as charming as he is dangerous. he first appeared to you when you were at your lowest, offering power and protection—but only if you stayed by his side.
azrael is striking in his infernal elegance, his beauty sharp and dangerous like a blade. his obsidian horns curl menacingly from his head, gleaming faintly in the firelight, and his jet-black hair is cropped just enough to frame his angular face.
his glowing amber eyes burn with an intensity that’s both mesmerizing and terrifying, framed by dark lashes that soften their predatory edge. his physique is perfectly sculpted, with broad shoulders and sinewy muscle wrapped in dark tattoos that pulse faintly with infernal energy.
a long, spaded tail flicks behind him, a subtle testament to his demonic nature, while his sharp, claw-like fingers could destroy—or cradle.
he infiltrates your dreams, filling them with his voice and his image so that you can never forget him. no matter how far you try to run, he’s always there, whispering promises of eternal love.
the demon doesn’t share. he’ll make deals or threats to ensure no one else dares approach you. his flames flare dangerously when he senses competition.
when you challenge his overbearing nature, he’s secretly thrilled. Your fiery defiance makes him want you even more. but when you show fear or sadness, he’s quick to reassure you with surprising tenderness.
the demon is a dangerous enigma, a being forged in fire and darkness who is utterly captivated by you. his obsession burns hotter than the flames of his infernal home, an all-consuming desire that transcends mortal understanding.
he’s not a creature of softness or restraint—his love is raw, primal, and possessive, and he would raze the world to ash if it meant keeping you by his side.
he first noticed you in a moment of vulnerability, a flicker of something pure and radiant that pierced through his otherwise unrelenting darkness. maybe it was your kindness, your resilience, or even your imperfections—whatever it was, it stirred something in him he hadn’t felt in centuries.
for a demon who thrives on power and domination, this feeling was alien, unsettling, and exhilarating.
at first, he tried to ignore it. love, after all, is a weakness—a chain that binds. but the more he watched you, the deeper he sank. you consumed his thoughts, invaded his dreams, and stirred emotions he didn’t even know he was capable of. the line between fascination and obsession blurred, and before long, you became the center of his world, his greatest desire and his ultimate possession.
his presence is overwhelming, even when he isn’t visible. the air grows heavy when he’s near, crackling with an unnatural energy that makes your skin tingle. shadows twist and writhe in the corners of your vision, and faint whispers echo in your mind, promises of devotion spoken in a voice as smooth as velvet.
he’s not above manipulating your emotions to keep you close. he knows exactly how to twist words, how to play on your fears and insecurities, all while making it seem like he’s your only sanctuary. "no one will love you the way i do," he purrs, his voice a blend of seduction and menace. "no one will protect you like i can."
jealousy consumes him with a ferocity that borders on madness. he doesn’t tolerate anyone vying for your attention or affection. if someone dares to come too close, they often meet with mysterious misfortunes—car accidents, sudden illnesses, or even inexplicable disappearances. he doesn’t see these acts as cruel; in his mind, he’s simply ensuring that no one can take you from him.
despite his darkness, his love for you is genuine in its own twisted way. he’s incapable of expressing it in soft or traditional ways, but his devotion is absolute.
he treasures every interaction with you, every fleeting smile, every word you speak to him. he hoards these moments like a dragon hoards gold, replaying them endlessly in his mind.
he’s endlessly fascinated by your humanity—the way your emotions shift like the tides, the fragility of your body, the warmth of your skin. he often marvels at how delicate you are compared to him, a creature of immense power and near-immortality. this contrast only deepens his obsession; you’re a treasure, a rare and precious thing in a world of chaos and darkness.
when he does reveal himself to you, it’s always dramatic and intentional. he thrives on your reactions, whether it’s fear, awe, or even anger. he’ll step out from the shadows, his horns catching the dim light, his dark eyes glowing with an otherworldly intensity. "you belong to me," he’ll say, his voice leaving no room for argument. it’s not a question, not a plea—it’s a declaration, an unshakable truth in his mind.
he uses his demonic powers to bind himself to you in ways both subtle and overt. you might find strange symbols etched into the corners of your room, or feel an inexplicable pull toward him that you can’t resist. he’s always there, in your dreams, in your thoughts, in the very fabric of your reality.
but for all his power and confidence, there’s a vulnerability beneath his fiery exterior. he’s terrified of losing you, of you rejecting him or finding someone else.
it’s a fear he doesn’t understand, one that gnaws at him and drives him to even greater extremes. he’ll do anything to keep you, even if it means breaking every rule, defying the laws of heaven and hell, and binding your soul to his for eternity.
in his own way, he tries to be gentle with you. he knows his nature frightens you, that his obsession can be overwhelming, so he tempers his intensity—at least, as much as a demon is capable of. he’ll appear to you in dreams, his voice soft, his touch feather-light, weaving fantasies of a life where you’re his and his alone.
but make no mistake—his love is as dangerous as it is consuming. he doesn’t see you as a partner, but as something to be claimed, protected, and possessed. you’re his light in the darkness, his one weakness, and he would destroy anyone—or anything—that threatens to take you from him.
"i’ll burn this world to the ground for you," he tells you, his voice a low growl, his eyes glowing with an intensity that’s equal parts terrifying and mesmerizing. "just say the word."
to him, you’re not just his obsession—you’re his salvation, the one thing that makes his existence bearable. his love is eternal, fierce, and utterly inescapable, binding you to him in ways you might never fully understand. you are his everything, and he will stop at nothing to make sure you remain his. forever.
azrael appears in a flicker of shadows and embers, his smirk sharp enough to cut
"did you miss me?" he purrs, his voice dripping with sinful charm. his burning gaze never leaves yours, an intensity that feels like it could consume your very soul
when he steps closer, the scent of smoke and spice fills the air, and the room grows impossibly warm
"you can’t escape me, little one," he murmurs, his words a promise and a threat all at once.
the sea monster
a towering creature with scales that shimmer in the moonlight and eyes as deep as the ocean, the sea monster saved you from drowning during a storm. since then, he’s watched you from the water’s edge, longing to pull you into his world.
his body a perfect blend of human and sea creature. his skin shimmers with an iridescent sheen, scales glinting faintly with hues of green, blue, and silver that shift like sunlight on water. his long, flowing hair resembles seaweed, dark and sleek, cascading down his back in waves.
his eyes glow faintly, like bioluminescent creatures of the deep, their piercing intensity revealing his ancient power. his hands are webbed and tipped with sharp, claw-like nails, and his muscular frame is marked with jagged scars from battles in the ocean’s depths. his lower half bears fins that ripple with movement, giving him a grace that belies his massive size.
he collects things you’ve touched—seashells, pieces of cloth, even footprints in the sand. his underwater lair is filled with these treasures, each arranged like a shrine.
he hates when you leave the shore. If you venture too far inland, he’ll create storms or tidal waves to draw you back to him.
he becomes surprisingly bashful when you willingly approach the water to speak to him. your trust in him, despite his monstrous appearance, makes his heart swell.
the sea monster is an ancient being, born of the ocean’s depths, where sunlight never reaches. his obsession with you is as vast and unfathomable as the waters he calls home—a love born of isolation, mystery, and an insatiable hunger for connection. to him, you are his beacon, a rare and precious light in the endless darkness of his world, and he is utterly captivated by you.
his first encounter with you was serendipitous—a chance meeting by the shore, or perhaps a daring moment when you ventured too close to the water’s edge. he saw you, a fragile creature of the land, and was instantly enthralled.
your movements, your laughter, even the way the sunlight caught in your hair—all of it was alien and beautiful to him. from that moment, you became his fixation, his reason to rise from the depths.
he watches you from the water, his massive form concealed beneath the waves, his glowing eyes ever watchful. at first, his presence is subtle—the gentle lapping of waves against the shore, the inexplicable pull of the tide whenever you’re near.
but as his obsession deepens, his signs become harder to ignore. strange treasures wash ashore: seashells, polished stones, and other trinkets that seem too deliberately placed to be coincidences.
he is a creature of contradictions. his love for you is as tender as it is overwhelming, and while he longs to be near you, he’s painfully aware of his monstrous appearance. his body is a fusion of scales, fins, and sinewy muscle, a form designed to survive in the crushing pressure of the deep sea. he fears your rejection, that you will see him as a monster rather than the devoted being he has become.
despite this, he can’t help but draw closer. when you venture into the water, he’s there, just beneath the surface, his presence a dark shadow that follows you. he revels in these moments, the closeness, the illusion that he’s part of your world. the saltwater clings to your skin, and it drives him mad with desire—it’s as though the ocean itself is marking you as his.
his jealousy is as fierce as a storm at sea. anyone who dares to draw too near to you risks his wrath. fishermen speak of sudden squalls that rise from nowhere, boats overturned by unseen forces, and sailors vanishing into the depths. he doesn’t see it as cruelty; to him, it’s protection. the ocean is his domain, and no one else has the right to take what belongs to him.
he dreams of pulling you into his world, of making you his in every way. the thought of you joining him beneath the waves consumes him, and he begins to weave fantasies of a life together in the depths—a palace of coral and bioluminescent light, where you would be his queen, his eternal companion.
but he knows it’s impossible, and this knowledge torments him. he can’t survive on land for long, and you can’t live beneath the water. this barrier between your worlds drives him to desperation. he begins seeking forbidden rituals and ancient magic, anything that might allow him to bridge the gap and bring you into his realm—or transform himself into something that can walk beside you on the shore.
when he speaks, his voice is a low, resonant rumble, like the distant crash of waves on a rocky shore. his words are filled with longing and reverence, a declaration of a love that spans the vastness of the ocean. "you are my light," he murmurs, his glowing eyes fixed on you. "without you, i am nothing but the endless dark."
his love is consuming, a tidal wave that sweeps away everything in its path. he doesn’t understand restraint or boundaries; to him, love is absolute, and his devotion to you is all-encompassing. he sees your hesitations, your fears, but he can’t stop himself. you are the first thing in centuries to stir his cold, ancient heart, and he will not let you go.
when you acknowledge his presence, even in the smallest ways—a whispered word to the sea, a touch to one of the treasures he’s left for you—his heart swells with a joy so profound it’s almost painful. he clings to these moments, replaying them in his mind during the long hours when he’s alone in the depths, waiting for the chance to see you again.
his protectiveness is as fierce as his love. the ocean itself seems to bend to his will, rising to shield you from harm. storms part in your wake, currents carry you safely to shore, and even the most fearsome predators of the deep seem to bow before you. you are his everything, and he will guard you with a ferocity that defies nature itself.
but there’s a darkness to his love, a possessiveness that borders on madness. he doesn’t just want you to love him; he wants you to need him, to see him as the only one who can protect and cherish you. "the land will never understand you as i do," he tells you, his voice a low growl, the waves crashing behind him. "they will never love you as i do."
his obsession is eternal, as deep and unyielding as the ocean itself. you are his heart, his treasure, his reason for rising to the surface. and though his love may be overwhelming, even frightening, there’s a strange beauty in it—a devotion so pure and unshakable that it defies the boundaries of worlds. you are his, now and always, and he will never let the tide carry you away.
mio watches from the waves, his body a dark silhouette against the moonlit water. when you finally meet his gaze, he speaks your name like it’s a prayer, his voice low and reverent
"you don’t belong to the land," he says, his tone both pleading and possessive. "the ocean calls to you. i call to you.
his fingers trail through the water, creating ripples that mirror the emotions surging in his chest—desire, devotion, and an unshakable determination to make you his.
while each monster is fiercely possessive, they begrudgingly tolerate each other’s presence because they all agree on one thing: your happiness comes first.
you’re not just a human to them—you’re their everything. whether you accept their twisted love or try to escape, one thing is certain: they’ll never let you go. you’ve awakened something primal and eternal in their hearts, and no force on earth or beyond could sever the bonds they’ve forged with you.
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priafey · 1 year ago
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“Yes, it would be worthwhile to study clinically, in detail, the steps taken by Hitler and Hitlerism and to reveal to the very distinguished, very humanistic, very Christian bourgeois of the twentieth century that without his being aware of it, he has a Hitler inside him, that Hitler inhabits him, that Hitler is his demon, that if he rails against him, he is being inconsistent and that, at bottom, what he cannot forgive Hitler for is not crime in itself, the crime against man, it is not the humiliation of man as such, it is the crime against the white man, the humiliation of the white man, and the fact that he applied to Europe colonialist procedures which until then had been reserved exclusively for the Arabs of Algeria, the coolies of India, and the blacks of Africa.”
– Aimé Césaire, Discourse on Colonialism
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jaythes1mp · 4 months ago
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Shallow
Yandere Batfam x Merfolk Reader ♧romantic♣︎
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Aquaman, Aqualad, Mera, and any other underwater hero’s and creatures don’t exist in this.
||-→ I tried to make each pov a different style of writing ||
There was something so captivatingly beautiful about observing the humans from below the surface, as they went about their daily lives, traversing the Metro-Narrows Bridge. The elders had always warned you to keep your distance from the world above, but you couldn't resist sneaking glances at the peculiar, moving metal boxes zooming across the streets, or the striking figures donning vibrant spandex who soared through the skies at night.
The bridge, illuminated by the soft glow of the moon, cast an ethereal light across the water of the river. This sight, enhanced by the night, would always catch your attention, especially when they appeared. Moving in and out of the shadows, darting around or simply standing on the railing, lost in their own worlds.
You had grown fond of observing them as they soared through the night sky, reminiscent of the graceful movements of swans. Their elegance was effortless, seemingly defying gravity as they traversed the air. It was in those moments, watching the sky people glide past, that you were struck by the rawness of their beauty.
You never dared to come too close to the surface during the day, the haunting tales from your pod serving as a constant reminder of the horrors that existed above the water. But the night was a different story; it’s when you were more willing to take risks. The darkness provided the perfect cover, shrouding you in obscurity as the humans slept.
Though you supposed that the real reason you continued to venture up to the surface was because it was the time that they emerged, gliding through the air and gracefully traversing the buildings. Their shadows, illuminated by the silvery light of the moon, seemed to dance in perfect harmony with the night. Always seeming to captivate your attention in a way that no underwater creatures could.
However, on this particular night, you noticed something out of the ordinary. One of the usually lively land creatures was sluggish and listless, moving with none of the fluid grace that you had come to admire. A deep crimson liquid seeped through the fabric of his suit, spattering across the spandex and staining it a dark, ominous hue.
You cautiously approached the surface, swimming closer than you had ever dared to before. Slowly, you emerged, peering just above the water's edge.
You couldn’t see the human clearly, obscured as he was by the sizable drop between the bridge and the water below, but the scent he carried was undeniable. There was something utterly alluring about his aroma. It was a stark contrast to the familiar scents of salt and oil you were used to underwater. You haven't come across anything even remotely similar to it before.
The land dweller was undeniably beautiful.
A loud crash shattered the silence, jolting your attention back to reality. Your gills flared out in alarm, and in your surprise, the soft bioluminescent glow of your tail dimmed down, a natural response to the potential threat.
You backed away, submerging yourself down into the safety that the depths of the water provided. Your gaze fixating on the figure in the distance, decorated in his familiarly vibrant red and yellow attire. This one hastily making his way to the blue-clad human's side, concern decorated across his face, his actions imbued with urgency. Mask torn from his face.
With a heavy sigh, you turned your back from the scene unfolding above, releasing a flurry of bubbles that rose to the surface. Your pods stern warnings echoing in your mind, a constant reminder of the dangers that lay in the world above.
You make it no more than fifteen feet before a thunderous splash shatters the silence, the seawaters ripples rolling across your skin and triggering an involuntary shiver, leaving goosebumps in their wake. Your tail instinctively sprung into action, propelling you back with a rapid, powerful flick.
With a sudden movement, your arms encircled the man's sinking frame, securing a firm grip on his sides. Your eyes widening in shock at the contact, your webbed fingers digging into his flesh, anchoring him in place.
For a moment, you paused, studying him. Your eyes absorbing every little detail. From the man's soft, almost spongy flesh under your touch, how soft and almost squishy his land dwelling arms were, how they seemed to just give way to the touch of your webbed fingers. Then to the way the baby blue suit of his that clung to him, was torn and tattered, ripping away underwater. Your gaze lingering on the deep red liquid seeping out of his torso, staining his skin and leaving a trail of ominous scarlet. And then, your gaze travelled to the two bizarre, elongated limbs extending from his waist. A stark contrast to the streamlined grace of your own tail.
His lips parted, releasing a stream of bubbles, each one ascending to the surface before vanishing from sight. You watched as his body suddenly went limp in your arms, reminding you of the dire situation you had inadvertently involved yourself in. With a powerful flick of your tail, you swiftly propelled yourself to the surface, bringing him up so that he could breathe. Your gills flared out, working overtime to filter oxygen from the water while you waited, your hearts hammering in your chest.
When the human made no attempt to improve, limp and unresponsive, you couldn't suppress the deep hiss that escaped from the back of your throat. Your grip tightening around his frame, your tail coiled tighter around his legs, an attempt to stabilise and bring some form of response from him. Your eyes grew large in desperation as you shook him back and forth, each movement growing more frantic with the passing seconds.
You directed your attention to the deep red liquid that was oozing out of his abdomen, its thick, almost oily consistency spreading out in little waves around you in the water. Coming out in shallow pulses. You tilted your head slightly, noting that the fluid's flow didn't seem natural. It felt wrong, a gut feeling of sorts. You hastily reached for the pouch tethered to your hip, pulling out a woven bundle of seaweed and a salve prepared by the elders of your pod.
You delicately began to layer the salve over the gaping wound, taking care to press the woven seaweed into the lesion. The salve, a rich green and purple, had a cooling effect as it made contact with the human's skin. A crucial aspect due to its high iodine content, which helps to close the large gash. As the ointment came into contact with the blood, it began to congeal and bind the tissue together, halting the bleeding.
However, you were acutely aware of the human, who remained unresponsive. His chest, which should've been rising and falling with each inhale, lay still. A sudden panic clutched at your hearts, threatening to overwhelm you. You weren't sure what the proper human anatomy was, but it was abundantly clear that he needed to breathe.
You placed a webbed hand on his chest, the flesh there surprisingly firm. You pushed down, then up again, attempting to mimic the breathing motions you had seen him and others do. Your heart pounded in your chest as you pleaded for him to respond, a silent mantra running through your head. With urgency, you placed a firm grip on the back of his neck, tilting his head back, the gills on your neck flaring out to pull in as much oxygen as they could. Your tail coiling tightly around his waist to keep him afloat.
Despite the pressure you exerted, there was no response from him. His chest remained still, no signs of life. Your breath hitched at the sight, a sense of desperate desperation washing over you. You were frantically trying to keep his head tilted back while the water was washing over his face, the cool liquid creating small ripples that mirrored the urgency of the moment. His body remained motionless, unresponsive to your frantic attempts. You could feel the pressure building in your own chest, your gills working overtime to extract oxygen.
In a final, desperate attempt, you lean in closer, positioning yourself to allow your webbed fingers to forcibly pry open his parted lips. You took in a deep breath and expelled it through the opening, pushing every ounce of air you could manage into his unresponsive lungs.
You repeated the action multiple times, exerting every ounce of effort to force air into his trachea. Each breath, heavy and laboured. You finally pulled back, allowing yourself a moment of respite. Your breaths came out ragged and sharp, a stark contrast to the steady, undisturbed water around you.
As he remains unresponsive, his body frighteningly limp, your body goes slack, a wave of disappointment washing over you. Reluctantly, you release your grip on him and let him go, his body now floating eerily close to yours. You close your eyes tight, trying to swallow the lump in your throat that was rapidly forming.
You flinch at the sudden and unexpected contact, your eyes fluttering open. An alarmed hiss escaped once again through your lips, more out of surprise than anything else. Just as you were about to submerge yourself underwater, a firm hand grasped your shoulder, its grip strong and unwavering.
"Y-you're...alive.", you stuttered out, a mixture of disbelief and awe laced in your raspy voice. The hand on your shoulder felt firm and real, a stark contrast to the nightmarish scenario you had just been a part of.
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“Nightwing?” Red Robin's voice cuts through the quiet night, bouncing off the empty alleyways. Frustrated, he takes off his comms, readjusting them to try again for the sixth time in the last ten minutes.
"Dick, come in," he practically growls out, tapping on his device with a little more force than necessary.
“Where the hell are you?” he mutters, staring up at the tall buildings. Dick’s always late, but this was getting ridiculous. With a sigh, he leans back against the wall, crossing his arms as he waits.
A low, familiar voice crackles on the other end of the comms. “Stalker.”
Tim rolls his eyes, recognising the voice immediately. It was too late in the night to put up with him. “Jason.” he sighs, “What do you want. Have you heard from Dick?”
“Not a word.” The response is curt, and the annoyance in Jason’s voice is obvious. He rarely joined in their patrols, preferring to stick to his own methods of dealing with things.
Tim lets out a frustrated huff, tapping his fingers impatiently against his arm. Of course Dick would pick now to go radio silent.
He ran his fingers through his hair, closing his eyes for a moment to let out a frustrated groan. He was stressed enough as it is, none of this was helping.
“You’re patrolling the Narrows?” Jason’s voice breaks through Tim’s thoughts, pulling him back to reality. He looks around, taking in the surroundings with a frown. The Narrows was never a good place to be alone.
“Yeah.” he responds, not taking his eyes off of the shadows. “I’m sure you’ll be happy to know, Dick’s nowhere to be seen. In or out of uniform.”
There’s a pause on the other end, and Tim can practically hear the smirk in Jason’s voice.
“Need backup?” he offers, amusement clear in his tone. The elder boy mocking him.
Tim scowls, shaking his head even if he knew Jason couldn’t see him. “No.” he replies curtly. “I’m not a child, I can handle this myself.”
“Sure, kid.” Jason’s response is just as dismissive. “I’ll come check on you in a bit anyway. Make sure you haven’t gotten your ass kicked.”
Tim’s scowl deepens at Jason’s reply, not appreciating the offer of help — or the nickname. “I don’t need a babysitter.” he grumbles. “I’m going to find Dick, and I don’t need your help.”
There’s a pause, and Tim can practically hear the eye roll from Jason. “Whatever you say, Replacement. I’ll be there soon.”
“No—” Before Tim can protest, the comms go silent. Damn it, Jason.
He lets out a frustrated sigh, biting at the inside of his cheek. The last person he needed to see right now was Jason. The last time he’d come face to face with the man, things didn’t go so well.
Tim grits his teeth and pushes himself off of the wall. He had better things to do than get into a fight with his older brother. Like finding his other older brother.
With a huff, Tim starts walking, making his way through the narrow alleys of the Narrows. It’s quiet, eerily so, and his instincts are on high alert.
Everything feels off. The air is still, and he can’t shake the feeling of being watched. His breath stutters in his chest, but he pushes the feeling down. He had work to do.
“Dick?” he calls out, his headset’s blinking green light signalling the message going through. He glances around cautiously as he moves. “Nightwing, come in. Can you hear me?”
There’s no response, and Tim tries again. Nothing but static. His shoulders tense, the unease growing in the pit of his stomach. This wasn’t like Dick. The man was always on top of communication.
Tim continues forward, his footsteps quick and light. He keeps his eyes scanning the shadows around him, but the silence is deafening. Where the hell is he?
A muffled crunch breaks the silence, and the boy freezes, his breath hitching. It was faint, coming from somewhere off the alley in front of him. His heart rate quickens, and he carefully shifts on his feet, trying to pinpoint the source.
There was something across the street. Someone.
Tim squints, his eyes trying to make out what it was. It was too dark to tell. Damn it, why can’t Dick be here to deal with this..
He’s too used to working in a team, having the security of someone else there to watch his back. The someone’s in question usually being Batman or Nightwing.
He steels himself, slipping into a fighting stance and taking slow steps forward. He can’t let his guard down, not now.
As he moves, the shape across the street shifts. It’s still far away, but from the size and height, he could tell it was definitely a figure.
His comms device beeps, startling the boy and nearly causing him to stumble. He quickly scrabbles to check it, hoping for some sort of answer or communication.
“Red.” Jason’s voice comes through, static breaking up some of the message. The device was clearly reaching a limit. “Can you hear me? Dick’s in trouble.” The voice, as crackling as it was over the broken comms, sounded dishevelled and panted. Jason rarely called for help.
With a final glance at the figure across the street, Tim’s eyes flicker back down to the comms in his hand. Jason found him.
“Where are you?” he asks, not wasting a second as he sets off at a sprint. He didn’t care what kind of trouble Nightwing had gotten into, he just needed to get there.
“Don’t worry about me. Get to Metro-Narrows Bridge.”
The urgency in Jason’s voice has Tim’s heartbeat racing. He doesn’t question it, just continues sprinting. He knew the bridge, and knew it was far.
“...” he grits his teeth. “I’m on my way.”
Tim hits the wall with a pained gasp, eyes squeezed shut as he doubles over coughing at the impact. His vision swims. Shit.
He lets out a sharp gasp, the breath knocked out of him as he’s smashed against the hard bricks. The pain doesn’t have time to register, as his mind is sent into a panicked frenzy.
He sucks in a low breath, trying to clear his head and figure out what the hell just happened. There’s a shuffle of feet, and the distinct sound of metal being unsheathed.
The attack was too precise, too sudden. He grunts, trying to push himself back away from the wall, but a large hand keeps him pinned.
His head finally stops swirling, and he can focus on the large figure in front of him. Not good.
He’s a towering wall of a man, arms bigger than Tim’s head. He’s muscular, clearly built like a brawler. The metal that had unsheathed was a knife, the sharp, gleaming blade being held firmly in the man’s large hand.
“No more running.” the man growls, his other hand still keeping Tim pinned against the wall.
Tim glared up at him.
He’s been in situations similar to this before. He’s fought and won against opponents bigger than him, more experienced than him. He needed to stay calm, and assess the situation.
With a pained grunt, he pushes against the man’s arm, struggling to break free. The man just leans closer, his breath hot in Tim’s face.
The smell of smoke and old alcohol fills Tim’s nose, making him want to retch as the man sneers at him. “Struggle all you want, kid.” he drawls. “You’re coming with me one way or another..” Tim clenches his jaw.
He analyses the situation quickly. His equipment was in his belt, but pinned tight against the wall left him with very little mobility. He had to find a way to get away swiftly, before the man could do him any serious harm.
Tim’s mind races, trying to work out a way to get himself out of this. He’s too close quarters to the man, and any attempt to get away would lead to him getting a knife in his gut.
The man’s grip tightens, making him gasp as the knife is held closer to his skin. His eyes darted around, searching for anything useful. He would have to time this right. “Stop squirmin.’” The man’s gruff voice rang out.
Tim ignores him, grunting as he struggles against the hand pinning him. There had to be something he could use to—
A gleam of something metal catches his eye, and he glances down, spotting a metal pipe sticking out of an open garbage bin. It wasn’t much, but it might be enough.
Tim takes in a shallow breath, his mind racing for a second. “Why are you doing this?” he asks, trying to keep the man talking and distracted.
“Don’t try any shit, sidekick.” He tightened his hold on the boy, using his other hand to get out a walkie-talkie from the pouch on his chest.
Sidekick? Tim’s teeth gritted, a spark of anger flaring up in the back of his mind. He wasn’t just a sidekick.
Tim’s eyes glance down again at the pipe, trying to calculate his next move. He watched as the man brought the walkie-talkie up to his mouth, his heart rate increasing as he prepared to act.
“I got a bird out here,” the man grunted into the device, keeping his eyes fixed on Tim. “Found him in the-“
He barely had time to react before Tim acted. With a sudden burst of strength, he jerks forward, wrenching himself free from the man’s grip. He immediately drops down, grabbing the metal pipe and brandishing it like a weapon. Flinging it into the man’s hand that held the radio. The impact caused him to drop it, as he let out a cry of pain, stumbling back.
Tim didn’t hesitate. He quickly used the momentary opening of shock and pain to his advantage, striking the man hard in the stomach with the pipe. The man grunted, his hand instinctively going to where he’d been hit.
He wasn’t about to give the thug any time to recover. He brought up a leg and kicked out fast, nailing him hard in the knee. The man yelled out again, staggering back.
He raged, stumbling forward and landing one hard punch against Tim’s face.
The younger boy’s head snapped to the side from the hit, the force of it knocking his mask askew, cracking and splitting as he reeled back. His vision swims from the impact, but he can taste the distinct taste of blood in his mouth.
He stumbled back, bringing a hand up to his face and cursing, blood seeping down his face.
His head hurt. A lot. That one hit had left him dizzy, and his cheek stung like hell.
The pain is enough to clear his mind though, and he refocuses on the man in front of him. His lip is split, and his cheek feels like it’s on fire. His mask hangs half off of his face.
Tim grits his teeth, glaring at the man with a new found fire in his eyes. He wasn’t going to let some random thug take him out.
The perpetrator lets out a huff, spitting out a glob of blood onto the floor next to him. An ugly sneer plastered his face, and he stepped forward, reaching down for the knife that had been discarded on the ground. “You little shit.” he spat. “I’ll make you pay for that.”
His eyes flickered down to the knife held flimsily in his hand. He needed to get out of this. The man was bigger and definitely stronger, but obviously nowhere near as experienced as Tim was. He’s surprised that the thug had even managed to get in a decent hit to his face.
His mind is too preoccupied, caught up in the whirlwind of thoughts, and he fails to notice the man’s approach until the moment he's already upon him. The thug's fury makes him careless and ill-prepared, the sound of his stumbling footsteps betraying his presence due to the injury on his knee.
Tim quickly raises his arm instinctively, attempting to shield himself as the man’s towering frame comes charging at him. He’s tackled to the ground in a single swift move, the impact crushing his ribs against the concrete floor.
His back hits the ground, the air getting knocked out of him for the second time that night. The man’s weight pinned him to the ground, the air leaving his lungs in a loud gasp as he struggled.
The man had the knife clutched in his hand, the gleam of the blade reflecting the lights of the city as it was raised up, aimed to strike.
Drake nearly sneered at the sight. He’s an amateur. Over confident in himself and relying solely on force.
Tim’s eyes darkened, his glare locked on the man above him. He was not going to be defeated by some two-bit mugger.
He kicked out at the man, aiming for his still injured knee. The man grunted as he took the kick, shifting off balance for just a second.
It was enough of an opening for Tim to react. He pushed up on the man, using the momentum to roll them both over, switching their positions and taking the top. He wasted no time in smashing the man’s head against the ground, knocking him out stone cold. Blood pooling down against the pavement.
He paused, breathing heavily as he stared down at the man. His lip stung as blood still trickled down his face, the adrenaline in his system beginning to wear off.
Tim sat there for a moment, letting out a hiss of pain as he lifted a hand and gently touched his split lip. He gingerly moved his fingers through his hair, grimacing as he felt the beginnings of a bruise on the side of his face.
Dick was still in trouble. That was the thought at the front of his mind, the reason he was out here and why he had to get to that bridge.
With a wince, Tim pushed himself up, staggering for a moment as a wave of nausea passed over him. He was pretty sure he’d developed a minor concussion from being thrown into the wall.
Everything ached, and his body was screaming at him to just stay down. He ignored it. Nightwing was his priority.
He swayed for a moment, his vision going white around the edges as his head spun, before he managed to stay standing and start moving again.
He didn’t think, he just ran.
He’s still panting as his feet hit the concrete, his body protesting the movement. The nausea from his concussion was becoming very real, and he had to stop to take a deep breath to steady himself.
Fuck, he was going to throw up, wasn’t he?
Tim bit his tongue and started running again, forcing himself to push on and ignore the pain. He had to keep moving.
The cold, night air hurt his lungs, but he didn’t stop. Not even as the pain from the beating began to make itself known with each hard footstep against the concrete. He had to get to the bridge.
He kept going at a brutal pace, ignoring how his vision swam and how every breath he took just made him feel like he needed to puke.
He’s not sure how long he had ran, his mind focused entirely on just moving. One foot in front of the other, he just kept going.
As he rounded the corner, he noticed the bridge in the distance. His eyes widening, watching Dick stagger back against the railings edge.
Tim stumbled for a moment, but pushed himself back up, keeping himself moving forward. He could barely see straight, but nothing else mattered. Nightwing’s tall and dark silhouette was leant against the night light of the bridge. Even from a distance, he could see the blood on Dicks skin, staining the side of his face, his suit’s front ripped open, a large gash in his abdomen pooling out onto the ground.
Tim’s speed quickens, every muscle in his body crying in protest but he continues on. All he could focus on was the sight of Nightwing. In the low light, he could see Dick’s shoulders moving with each heavy breath, looking seconds away from collapsing.
In a desperate attempt to save his mentor, Tim lunges forward and grabs onto Dick's arm. However, the fabric of the torn and damaged suit simply tears further under the force, causing Dick to slip free from Tim's grasp and fall into the dark, ominous water below.
"NO—!" The cry escapes Tim's mouth in a choked rush, the sound filled with anguish and fear. With a desperate burst of energy, he lunges forward, his hand reaching out in a desperate attempt to cling to Dick's suit, to anything that would keep him from falling.
But it was too late. He was too late.
His heart hammers frantically against his chest as he gazes down into the dark depths below, his eyes wide and searching desperately for even a glimpse of Dick in the river's deep murky water.
His breath hitches, a silent sob wracking his frame as he slumps over the edge of the bridge, his hands shaking as he brings them up to his face. His blood-slick fingers thread through his hair, his eyes wide as they stay fixed on the dark water where Dick had fallen.
The sound of a vehicle approaching in the distance catches his ears, but he doesn't acknowledge it. He doesn't turn to see who it is or check to see if it's a threat. He just keeps staring down into the water, the sound of the river below the only thing he can hear over his panicked breathing.
Jason came to a crashing halt at the side of the bridge, the panicked urgency in his voice clear. He stumbled off his bike, nearly falling as he yelled out.
"Where is he--” His hollow eyes darted around at their surroundings. "WHERE IS HE?!"
Dick.
Tim's eyes widened as Nightwing's head broke the surface of the water, his body floating limp against the current. He's alive.
His shoulders tense as he quickly scrambles to his feet, his body protesting in pain with each movement.
The relief he feels is quickly drowned out, however, as he notices the large bioluminescent tail wrapped around his older brother's lower half, keeping him from crashing with the harsh currents. 
Jason quickly approached the bridges railing, his heavy boots thudding loudly against the concrete, his heart racing thunderously against his chest, deep sapphire eyes following Tim's wide gaze down into the water. As he saw the sight in front of him, his eyes widened in disbelief.
He gripped the rough stone ledge, leaning over to get a better look at his brother. "What the fuck is that?" The older boys voice cuts through the ringing in Drake's ears.
Tim couldn't respond, his eyes glued on the large tail, his jaw slack. He took in the sight of the long powerful appendage wrapped around his brother's waist. It was beautiful. The long black scales seemed to glow a soft purple even in the dim moon’s light, as if the creature attached was glowing itself. The bioluminescence was something that one could only describe as ethereal.
Tim's heart raced as he took a step closer to the edge of the bridge, his eyes darting around, trying to catch a glimpse of the creature. He couldn't believe his eyes. Neither of them could.
Tim's mind reeled, trying to comprehend what they were seeing. His heart was pounding, his breath coming in short gasps as he tried to process the situation. He knew that he should be scared. His mouth was dry, his tongue felt heavy and thick as he finally managed to speak, his voice low and shaky. "I..I don't know." He croaked. 
A ragged breath escaped his lips as the sea creature met his gaze.
He was frozen as he locked eyes with the creature. His mouth went dry, everything around him seemed to disappear into the background. The only thing he could focus on was the deep piercing eyes peering up from the darkness of the river.
Everything about the creature was attractive – its long shimmering scales, bioluminescent glow, and even the large dorsal fin along its spine.
The flutter of the creature's gills when its eyes met theirs didn’t go unnoticed by the brothers. Jason's lips parted into as much of a smirk as it could given the situation.
The Mer's features slowly disappeared under the surface, as it made a sudden exit. Both of the boys' eyes flicked towards the water, but the sudden gasping from their elder brother drew their attention away once more. 
Dick was struggling, coughing up water as he attempted to pull himself up and out of the water. His large hand was grasping desperately to the creature's shoulder, as he pulled himself up.
Tim's heart leapt into his throat as he watched Dick gasping for air, his body shivering as he struggled to grapple himself out of the water. He was so focused on his older brother's struggles that he almost missed the flicker of glowing purple as the creature’s tail disappeared beneath the surface of the water.
Tim moved forward to help Dick, but a hand on his arm stopped him. He turned to see Jason with a grimace on his face.
"What are we going to do?" Tim asked, his voice filled with worry.
Their conversation was cut short, however, as Dick's coughing subsided, replaced by a strangled gasp for air, his eyes wide and frantic. 
"I'm fine," he rasped, his hands trembling as he tried to pull himself up onto the bridge, his body shaking violently. His sharp ocean eyes focused on the crushed seaweed-looking salve used to treat his wounds.
Tim was about to respond when they heard a shuffling from the water, the faint sound of something scratching against the concrete. Tim's gaze snapped down to the water, his heart starting to pound against his chest.
Jason had already stepped back and drawn his weapon, his eyes fixed on a spot in the water a few feet below them. The sound of sloshing water echoed around them again, the dim light from the moon making it difficult to see anything except the faint bioluminescence.
And then, you were gone.
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This is the result of the poll -> link.
Don’t judge my random fighting scene with Tim I was trying something out🦖🦖
All likes, comments, and reblogs are appreciated and encouraged!
I rewrote everything, so I apologise that this took so long to come out💚
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green-butterfly-writes · 17 days ago
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Little Thief (Part 2)
Part 1 Part 3
Summary: Red Hood has a new informant, and nobody likes it. Two of the bats meet them. It’s not what they expected.
Trigger Warning for starvation and animal/child abuse. Read at your own risk.
Also, there is angst, but I promise it will get better soon 💚
I'm Dyslexic, and don't have a beta, so spelling mistakes are likely to happen.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Red Hood had a new informant. One he would not name. And nobody liked it. This mystery individual had given him the location of Cobblepot’s new scheme a month ago, a warning about a big bank robbery two weeks later, and a tip to look into what the Black Mask was doing five days ago. It was good information, but Batman (being paranoid as he was) didn’t trust it, and neither did anyone else. It was likely a trap, but Jason protected his informant with such passion that nobody could get anything out of him. At least, not until today.
Jason was out of commission for a week, and Gotham was in deep trouble. The Joker had broken out of Arkham and despite thoroughly examining every inch of every abandoned or rundown theme park, amusement center, and playground in Gotham, they hadn’t found a trace. It took a mix of bribery, black mail, threat of bodily harm and a significant amount of painkillers for Jason to agree to give them instructions on how to get the information they wanted. Which is how they ended up on a random rooftop with a bag of fast food.
~~~
Two figures made an unwelcome arrival at your designated meeting place. Instead of a single pair of feet softly falling on to the roof, and the air being filled with the familiar scent of sweat, gunpowder, and campfire cologne mixing with deep fried chicken, the wind sent a wave of overpowering floral detergent, mint shampoo, and citrus no-tear soap to assault your senses. The sounds of two individuals landing harshly on the roof stabbed at your sensitive ears, and even though the moonlight glowing from behind them obscured their appearances, you could price together who had intruded upon your night.
They both scanned the roof from their vantage point, and you crouched closer to the ground and leaned against the brick box that functioned as an access point to the roof, hoping the shadows would hide you long enough to make an escape plan. 
After seeming to confirm there was no human in sight, the taller of the two figures turned to examine the surrounding buildings, and the smaller crossed his arm over his chest and huffed.
“I don’t trust this,” the smaller one petulantly mumbled, quite enough you weren’t sure the man behind him could have heard, “Everything about this is suspicious, the secrecy, the location, the set up… who trades information for a burger of all things.”
“I heard you the first seven times Robin,” the taller of the two answered, dropping a familiar looking paper bag on the ground before arching into a handstand, “but this is the best — and currently the only — shot we got.” The words hung in the air for a moment before he added, “and it’s not a burger, Jay was very particular about that”
The boy huffed in frustration and looked ready to lose his temper, but with the cargo confirmed as food, your plans of a quick quiet escape were all but abandoned. Even with the smaller one — Robin — facing away momentarily to glare at his upside down companion, the temptation of food was just too strong. You hadn’t seen Red Hood in three days, nor had you eaten in just as many, and your stomach ached with need. Under better circumstances you could have dove between the two and stolen away with the food, but the past several days had been brutal, and every movement hurt. You opted to stay where you were, in hopes a better opening may present itself.
The taller of the two righted himself to his feet, and looked around at the surrounding building again, before lifting one hand to his ear, “you sure we got the right place? I don’t see anyone… no I checked, I’m sure. What do you want us to do,  just wait around? For what?! Yes… Yes! I understand that, but is this really — no, I promise. And who’s fault is that?…” he spoke heredity and harshly, and with all the standard Gotham street noise closer than it could be, it took you a moment to register the mumbling of another voice. You scooted closer in hopes of hearing the other side of the conversation, but due to a mix of pain and exhaustion, you stumbled, disturbing some of the debris around you, and while the taller of the two remained seemingly oblivious to your presence, Robin’s piercing eyes locked on you your location, still obscured in the shadows.
He grabbed hold of the sword on his back, and confidently stepped forward. You hesitated for a moment, before carefully extracting yourself from the dark, staying close to the ground in hopes of seeming as small as possible. Robin froze for a moment upon first impression, though his face was unreadable. He slowly sheathed his sword, and in turn you rose from the ground to stand. He took a soft step forwards, and you did not back away. He took another slow step towards you, lowering himself slightly, trying to appear less frightening, and in turn you made a small shuffle forward. By this point Nightwing had fallen silent, watching your careful dance with his companion. A delicate back and forth until you were three feet apart.
“What are you doing here thalabun?” he asked softly, more rhetorical than anything. You weren't sure how to answer the boy, how to explain your relationship with crime ally's guardian, so you stayed there, looking at him, examining is spiky hair and soft skin, familiarizing yourself with the citrusy smell that wafted off him, listening to his faint, controlled, rithmic breaths. 
“Give me the bag,” his voice was sharp and stern again, head aimed at his elder.
“No way,” came a swift response, “we need it for the informant, remember?”
“I'll only take a little, look at it!” Robin exclaimed gesturing to you, “plus we've been here for almost twenty minutes. I don’t think they’re coming.”
Nightwing seemed to mull it over, carefully examining you, before picking up the bag and launching it at a waiting Robin. Robin unwrapped the chicken sandwich, and pulled off a piece of the patty, tossing it at your feet, where you quickly lapped it up. Nightwing wandered over to where his partner was sitting on the ground and dropped beside him.
“Ok Robin. What's next? The informant is a no-show, and we still need to find the joker. Where else could he be?” they both sat in silence considering the question, pondering what — or rather where — they missed. A small, strangled ‘yip’ echoed into the damp cold of the night, and both vigilanties snapped their attention back to the fox. It yipped again, tail wagging, as if to say ask me. 
“You wouldn't happen to know where the joker is, would you?” Nightwing asked, almost sarcastically. He got a yip in response, and a head bob that resembled a nod. That made him pause…
“You do?” he repeated, beginning to doubt his vision and sanity. But as if to assure him of both, the creature repeated the gesture. “Could you show us?”
That… was a bit more difficult. Your body hurt and you were tired, three days of no food, little sleep, and constant harassment from kids, store owners, and wild animals alike had taken a toll. But you wanted to help. To be useful. At least to pay back the kind souls for feeding you, but also because doing good felt nice. And very little seemed to feel nice these days. So you summoned what strength you had, and launched yourself at them, leaping between, and landing on the hard floor with surprising grace. You pushed all your energy, all your hope, and strength, and thankfulness, into your legs so that they would go, go, GO!
You made it just short of the edge of the roof before your legs gave out and you were consumed. By darkens. By pain. Your back hurt, burning with every cut and bruise you had ever received. Your legs stung and ached. Your stomach clawed at your flesh begging to be filled or released from its prison. You were surrounded by darkness. Deep and unending, it was cold and quiet, yet all too loud, swallowing you, leaving you with nothing but pain. Everything hurt. So, so much. And you were alone, with no one to treat your wounds or hug your suffering heart. There was no warmth to reach for, no soft blankets or squishy stuffed animals. Just you, alone, cold, and in pain.
Two small, steady hands buried themselves beneath you, before carefully leaning you against something soft and sturdy. A kind hand shifted to run from the top of your head to the base of your tail, before repeating the motion. It was soothing, inside and out. Slowly the pain alleviated, and your breathing evened out. The dizzy feeling lifted, and you summoned all of your will power to crack open your eyes just a bit. You were met with the soft concern of Robin, worry visible even though the mask he wore. Robin’s steady breathing softly lifted you ever so slightly, and you focused to match his breathing: in and out, in and out. He smelled clean and strongly of oranges. It reminded you of the girls home you had lived in for six months before it was shut down for feeding the kids expired food. It was not a good place, but it was kinder than many others. You had missed the smell. 
“How about I carry you and you point to where we need to go?” he recommended softly, still running his hand down your spine. You basked in his warmth and soft touch for a moment longer, trying to regain your strength, before shifting in his hold and pointing at Gotham’s skyline. 
“That way?” You briefly nodded in confirmation, and both boys launched themselves off the roof and into the night air.
You had never seen Gotham from this perspective. Sure you climbed up fire escapes, and sat atop many buildings, but it was nothing like this. Nothing like soaring through the air, skyscrapers flying by. The way the wind licked freely at your hair reminded you for a moment of a trip you had taken with your mother long ago. She was driving on an empty dirt road, heading to the beach. The air was sunny and warm, the breeze swayed the trees in a methodical way, and your mother had let you stick your whole upper torso out the window. Distant street noises brought you back to reality, and looking down you saw the cars and people, they reminded you of Mr. Knox’s toy train display, the one that nobody but him was ever allowed to touch. They all looked so small from here. 
Eventually you all landed outside a junkyard with a broken front gate. You led them inside, between piles of broken cars and rubbish, around the sharp metal and spilled oil, all the way to a faded, rusty, ice cream truck. Its hood was dented, the paint was chipped, and it was missing its two back tires, but a distinctive, infuriating, familiar laugh radiated from the inside.
The two vigilantes exchanged a look, before Nightwing turned to you and held out a crinkled paper bag.
“I guess you were Hood's little informant,” he breathed out. You gladly accepted the payment, and retraced your steps out of the junkyard and into the concrete jungle of Gotham.
Once you were long out of view, and hidden in a grimy abandoned back alley, you softly plopped the bag on the ground. Your food was in a bag and wrapped in foil, you’d need thumbs to get it out. You didn’t like being in human form, not right now. You were skinny in both forms, but without the fur coat being a fox provided, the wind and cold seemed to sink right into your bones. It didn’t help that your small amount of clothing had definitely seen better days. But food is more important than momentary discomfort, so you shift, trading your tail and matted fur for arms and skin. 
You unwrap your chicken sandwich and sink in your teeth. The bread gives way softly, and a delicious crunch sounds as the lettuce brakes away into your mouth. The tomato bleeds its sweet juices onto your tongue, and as your mouth finally closes around the first bite of food you’ve had in days, you realize that by some miracle, despite the hour weight and cold conditions, the center of your crispy, chewy chicken patty was still warm. You barely finish chewing the first mouthful before taking a second, desperate for food and warmth.
You wonder if Red Hood is ok.
Thank you all so much for reading! Let me know what you think 💚
Notes:
Nightwing and Robin intentionally landed loader than they normally would in hopes of alerting the informant they had arrived, since they were expecting a human.
Jason, on the other hand, always tries to be especially quiet when coming to meet you because he knows your ears are sensitive.
'thalabun' is fox in Arabic according to google translate. if this wrong please, please let me know, as I intend to use it with some consistency moving forward.
ALSO!! Illustration
tag list:
@4rachn3
Let me know if you want to be added 💚
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creatingblackcharacters · 3 months ago
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“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror
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TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape
Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.
There are two things, I think, that are important to note as we start this conversation.
One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.
Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.
There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:
One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.
Two: The idea that Black characters and people deserve the pain they are experiencing.
Three: The disbelief or dismissal of the pain of Black characters and people.
You Better Start Believing In Ghost Stories- You’re In One
I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.
Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:
12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup
When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.
Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.
Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.
It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:
“They Shouldn’t Have Resisted”
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Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:
“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”
Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.
Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.
You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.
My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?
Hippocratic Oath
Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:
If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.
I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.
As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.
“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”
Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:
“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”
If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.
What’s My Point?
My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.
There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.
There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.
“So I just can’t write anything?!”
Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.
The Black Guy Dies First
The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.
Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.
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Black Horror/Black Thriller
We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.
Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.
“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”
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For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!
In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.
The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.
The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.
Isn’t Violence Stereotypical or antiblack?
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That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.
Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.
Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!
But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.
I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.
Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!
Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!
“But if Black violence bad, why rap?”
The short answer:
“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”
Marwhan Makhoul, Palestinian Poet
First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.
That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!
Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?
Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!
Conclusion
I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.
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I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.
That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!
@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!
If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!
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stick2vamp · 6 months ago
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.. sebatsian meets an old friend again (reader) after he was put in prison and taken by urbanshade… reader was sent to the blacksite by urbanshade but they don’t recognize sebastian (i’m in need of angst)
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𝜗 ˖ ❝ why can't we laugh now, like we did then? ᵕ ♡
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— in which time has flown by: you look the same, yet he looks so different. ✧
↷  sfw 𓈒 decided to lump these two asks together cause they're similar 𓈒 angst 𓈒 sebastian backstory spoilers 𓈒 lowkey (highkey) rushed
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12 years.
It's been 12 years since they took him away for good.
12 years since he died.
You knew he couldn't have done it: sure, SEBASTIAN has a bit of a smart tongue, but he would never actually harm another person. Let alone kill 9 others. Yet, the charged him for it. Yet, they sentenced him to death row. Yet, they electrocuted him to death.
And only 2 years after they killed him, did they finally realize he wasn't the murderer. 2 years after they took him from you, did they finally realize they made a mistake.
How old would he have been now? 32? No, 31: his birthday hasn't passed yet. Speaking of his birthday, you should probably celebrate for him soon.
But it's hard to celebrate when you ended up in prison yourself.
Same as your late friend, you had been falsely accused. Same as your late friend, you had been sentenced to death row. Same as your late friend, you were going to die.
You wondered: would they put you on the same chair he once sat on?
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You would never find out.
A company—Urbanshade, as they called themselves—showed up within your final days. They offered a way out, a chance to live, a chance to redeem. Of course, given the awards, it was nothing short of sketchy. It would be a big risk.
You signed up, along with many others.
It didn't matter anyway. Worst case scenario, you would die either way. You had to try and live for Sebastian. To make it to his birthday, and celebrate it for him.
Suited up in diving gear, a collar-like mechanism attached to your neck, you were ready to go.
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You passed door 31.
While you were expecting the dangers that came with a mission like this, you weren't expecting them to be.. well, this.
Entities whose entire body was simply a face rushed up and down the halls, mangling everything in their path. Their razor, jagged teeth could easily tear your human flesh to shreds. Shrouded squid-like entities that scream as you shine your light at them or stand too close. A deformed bull shark with its thousands of eyes pulling you, ushering you to look at it. All entities that didn't make sense, yet still existed before your very eyes—and ears.
Door after door, you awaited a threat to show up. Would the lights flicker? Would they already be off? Would a giant window be looking into the whole room?
None of those.
Instead, a vent flew open,
—and for once, you heard a humanoid voice.
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The thing—person, you reminded yourself—in the vent was not human, though. His voice did not belong to... his appearance.
His skin was a grey-blue color, matching the color of a fish more than a human. He had hair, though, and front-facing eyes. Predators eyes always faced forward, didn't they?
The.. being looked up from his tail, glowing cyan eyes scanning over your figure. He suddenly fell silent, loosing whatever words were on his tongue—well, if he had a tongue.
A look of recognition flashed in his eyes as if he had found something familiar within you. Admittedly, you found his voice fairly familiar yourself.
His tail lowered, no longer flaunting the items on display.
Eventually, he spoke up.
"[Reader]?" His name escaped his mouth (which, you now realized he did in fact have a tongue) as an almost hushed whisper. He hesitated, his mouth staying open for a few seconds more as if about to say something else before it slowly closed. He continues to stare, stare and fall silent once more.
The way he said your name was a tone that screamed yearning.
And it pulled at your heartstrings.
The way he said your name as if he had known you for his whole life, made you pause for a second.
He knew you—or, at least thought he did—but you didn't know him.
"I'm sorry," you started, speaking before you could realize just how wrong you were, "But, do we know each other?"
He blinked.
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You learned his name was Sebastian—and you figured that was probably why he seemed a bit familiar to you. He reminded you of your friend, of course. Same name, similar voice, snappy tongue.. It's as if you were looking at a reflection of your late friend.
Sebastian let you stay for a bit and buy from him, occasionally making small talk. You were amazed by how low the prices were. Only 30 for one battery? You were sure it'd be something like 75 instead!
As you picked up yet another battery, he spoke to you. "Wise choice to stock up on those. There aren't very many of them down here."
"Really? I've found quite a few," You mumbled as you stuffed it into your pocket, simultaneously taking out some research and placing it on the table.
"Of course you did," Sebastian mused, grumbling slightly. He fiddled with his claws, glancing away from you.
You paused, "What's that supposed to mean?" You casted a narrowed glance over to him.
"Nothing, nothing."
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Of course he couldn't expect you to recognize him. Not when they had turned him into a monster. Mutated him until nothing but his voice was slightly recognizable. Even then, years of smoking and being stuck here made his voice more gravelly than it used to be.
Sebastian knew this, but it still stung when you looked away from him without any indication you knew who he was.
Nothing was left between the two of you anymore.
But his heart, bruised and bleeding, still wished for you.
Maybe that's why he gave discounts to you. Maybe that's why he contained his snappy tongue for once. Maybe that's why he casted you an almost desperate look when you told me you were going.
And maybe that's why he wished he reached out for you—but he didn't. He let you crawl back through that went. Sebastian let you leave him just as he left you.
So when you met him again, in the dimly dark room where he slid you a file,
—maybe that's why he vowed to make sure you make it to celebrate his birthday with him.
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evilminji · 1 year ago
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You Know How There Are Those AU? Where SUPER Injured Ghosts Need To Retreat To Their Core?
No one seems to be USING that to its fullest potential! For SHENANIGANS! Because! Who?? Could POSSIBLY carry a Halfa's Core safely... but another Halfa?! A FULL ghost would KILL them. A human would be killed! What terribly precarious peril we find ourselves in! Oh nooooooo!
Well, no worry!
As much as Dani fuckin HATES this. That there is her brother. Her Template. Her Clone Daddy and Bestest of Bros. Like HECK she's gonna let him suffer for centuries and possibly DIE. She can take it, Doc! Pop him in! We'll go road tripping and-
What do you MEAN "No"?
Unstable??! Of course she's unstable! But the-.... Oh.
Turns OUT? Dani? Can hitch a ride in DANNY for Emergency Medical Aid... but NOT the other way around. Her body is too loosely held together. He would parasiticly consume her from within. Instead of feeding off her Ecto System like injured ghosts are supposed too, because she's a CLONE? AND an unstable one at that? His Core would just... see her body as free ectoplasm. All of it.
He'd eat her.
Which mean Frostbite can not and WILL NOT allow that.
But he's HURT! That big, off screen, cataclysmic Fight To Save Everybody From *cough cough mumbles* and settle us all in the DC universe, REALLY messed him up! What are we supposed to DO!? He can't STAY like this!!!
Enter-> My FAVORITE DCxDP Trash Ship! Vlad&Lex!!! *horrified screaming from the crowds, someone shouts "oh god, no! Please!"* Ha! There are no gods here, silly billys! Only two terrible, terrible HIGHLY Dramatic, self serving, incredibly damaged, gay peacocks. In Business Suits that cost more then your house is worth.
They're AWFUL~♡
And! Vlad was sent ahead to lay the ground work. Insure there would be no GIWs. Also because no one could stand him and his EXTENSIVE criminal record. But that's besides the point.
But!
You know what he found? A Business Nemesis. Who he routinely dates and/or Dramatically Hate Fu-*coughs* I mean, attempts a Corporate Take Over(tm) off. You know how it is. Business. He ALSO gets to make it no secret he's a "Meta", thanks to the INCOMPETENCE of one Jack Fenton, because that- *seething rant*
Yet? Dispite his STILL burning hatred for Jack? And his finally letting go of Maddie? You know what he STILL wants?
For Danny to be his Son.
*Gets a call from Frostbite*
...............soooooo........ what you're SAYING is..... I can be pregnant with Daniel.
You, Frostbite, need ME, Vladimir Masters, THE ONLY OTHER HALFA, to carry Daniel around inside my body, in what to all appearances resembles a pregnancy, in order to heal him. Because I am an Older And Stronger Halfa Upon Which He Relies.
:)
*instantly begins plotting*
Just? Imagine. Vlad is a FUCKIN LIAR. No one but him would even KNOW what was going on! He just? Rocks up one day, like? *falsely demure* "oh I couldn't POSSIBLY has any scotch, Lex! >:) I'm eating for Two~☆" and just? Deals the MAXIMUM amount of psychic damage he can.
Probably says it at their weekly, public, Veiled Threats Brunch.
It makes front page news. Luthor choked on his eggs. The paparazzi lost their SHIT. Vlad is doing the FULL Celebrity Mom Thing. The classes. The photo shoots. The Gucci sunglasses as he peruses high end strollers. All while HEAVILY suggesting that not only is "The Baby" Lex's.... but that he's going to withhold the child and deny Lex any access.
Danny isn't even aware. He's in a lovely lil medical coma. Dani is trying to find a good spot to plop down Amity. She just know Vlad is being... Vlad. Meh. He can handle it. Dan? He's not even IN the human realm and is not sure he wants to be.
But over in the LEAGUE? Everything's on fuckin FIRE.
Kon is losing his SHIT and Clark is thousand yard staring into the void. Kon's half brother is in the hands of a... Less Then Ideal... Meta that Batman is PRETTY sure is highly suspect. Might be a deliberate weapons experiment. Certainly is a hostage. And the DRAMA.
Lex has never been worse.
He might actually stab his...partner? Vlad. At the hospital. The SECOND the child is born. There are already long term kidnapping plans in the making. He's hiring lawyers. Getting VICIOUS. There have been talks with DEATHSTROKE. By BOTH OF THEM.
Clark wants to cry.
@hypewinter @ailithnight @nerdpoe @hdgnj @the-witchhunter @mutable-manifestation @babbling-babull
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serpentface · 4 days ago
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The pylidaigh, a type of vampiric snow ghost, as imagined in folklore in and around the Highlands.
This is a ghost believed to come into being when a person dies in the snow and their body is not found before their soul (still trapped without its funeral rites) 'freezes' inside of it. The body then reanimates into a pylidaigh's twisted form. It looks like someone who slowly died of starvation, just a thin layer of flesh over bones. Its skin is as white as the snow itself, so pale it can blend seamlessly into a blizzard. Most of its body appears subtly stretched and lanky, save for its exceptionally unsubtle long, skinny arms, which drag on the ground behind it when it walks. After a big meal of blood, its belly swells like the abdomen of a tick.
A pylidaigh can only tread across snow and ice, and so doorways and windows are best kept clear of snowfall during the winter in order to prevent it from reaching inside. It mostly comes out to hunt during blizzards when there is little that can prevent it from catching its victims.
In spite of its fragile appearance, a pylidaigh is supernaturally strong, and can run at great speeds when it wants to. No mortal weapons can pierce its body, nor can any bonds known to craftsmen hold it in place. It is usually said that chains forged like iron but made out of ice can bind a pylidaigh and render it immobile, but this smithing technique remains tragically elusive to the average joe.
This ghost is either cast as a wildly dangerous but tragic figure, or one that is more simply malicious. In either case, it is described as experiencing nothing but bitter cold. It shivers endlessly. It retains distant memories of what it was to be alive, and it is motivated by a futile desperation to experience the feeling of warmth again.
In more sympathetic framings, it is described as using its freaky gibbon arms to capture its victims and pull them into an embrace, rather innocently trying to warm itself against their body. This inevitably fails, and the embrace becomes a bone crushing squeeze. When that too fails to warm the ghost, it rips out the person's throat and drinks their blood until the victim is as cold and drained as the pylidaigh itself.
In other cases, this more pitiable narrative of a ghost seeking warmth with no comprehension of its actions is discarded in favor of making it purely monstrous. Here it is a type of vampire with an insatiable thirst, practically a physical manifestation of the worst of winter itself. Some tales acknowledge both variants, suggesting a pylidaigh's violent attempts to warm itself may be initially devoid of malice, but turns into an act of furious jealousy of the warmth of the living after years of suffering.
The only (more or less) surefire method to permanently kill a roaming pylidaigh involves trapping it with fire. They are attracted to any source of heat, and will attempt to warm themselves with the flames (if not tempted away by a juicy living human body). The fire itself cannot kill them (as the sheer cold of their body is more powerful even than flame) but they can be trapped if kept near the fire long enough for the snow it depends upon to melt. This does not kill the pylidaigh either. The monster will remain in stuck in place (and potentially become a threat again if it snows more) for the duration of the winter. Only when the spring comes and all the snow melts does it revert into a normal human carcass (though mysteriously invulnerable to decay), at which point it can be cremated.
Pylidaigh in the wilds also revert to a human corpse during the snowless seasons, but will roam again each following winter unless it is burnt in the interim. It is of critical importance that any human corpse found in high mountain pasture is cremated- not only out of respect for the poor soul trapped as an earthbound ghost, but to prevent the threat of the possible dormant pylidaigh emerging next winter.
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dark-konohagakure2 · 7 months ago
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Since your writing for black butler now how about sebastian x younger naïve reader maybe like ciels older sister
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tw: dub/noncon, age difference, corruption, abuse of power, size difference, risky sex, virginity loss, blackmail, period typical misogyny
All characters depicted are 18+
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Sebastian, despite not being human, isn't immune to sexual desire entirety. While demons don't experience attraction in the same way that humans do, they still feel it, and Sebastian's primary sexual attraction is towards those whom he can take advantage of.
While the terms of his Faustian contract prevents him from doing anything to harm his young master Ciel, there is a loophole, he technically wouldn't be harming or betraying the Earl by taking advantage of his elder sister, so that is exactly what Sebastian plans to do.
It isn't too hard, Sebastian has nearly unlimited access to his young lady given how busy Ciel is and how dimwitted the other servants are, and she's a naive and trusting young woman who's oblivious to Sebastian's true nature, so he can take advantage of her as easily as he can breathe.
He's tasked with assisting her in getting dressed every morning, so Sebastian is very accustomed to seeing her naked body, and he very much likes what he sees. It's a morning like any other when the demon butler finally decides to strike. He'll be helping her get undressed, but then he'll 'accidently' forget to give her a dress, but she has nothing to fear, because Sebastian has a solution to this mundane little problem.
"Ah, my apologies My Lady, but it seems I've forgotten to bring you your clothes for the day. Well, no matter, you can simply assist me with finding you the correct one in the closet..."
As soon as the closet door is shut behind them, Sebastian makes his move. He'll firmly force his gloved hand over her mouth, gently shushing her as she spreads her now trembling legs apart, testing her wetness with his skilled fingers. The naive young lady doesn't fully understand what he's doing, but Sebastian insists that she can trust her dutiful butler.
Despite his appearance as a tall and lean man, Sebastian is a very well endowed demon, so his thick cock will stretch her poor untouched hole to its limits as he bullies it inside of her, but he's an attentive butler, so he'll soothe and shush his young mistress if she's struggling and crying too much, reminding her that denying a man's needs is very unladylike.
Sebastian can just barely keep up his gentlemanly persona when he's balls deep inside of the object of his dark desires, the red color in his eyes glowing and becoming more pronounced as he pounds away at the poor girl, his hand still clamped over the young woman's mouth as he moves in and out of her, hardly able to hold back his primal demonic urge to bite down all the way into her throat.
Sebastian doesn't bother to pull out when he finally climaxes, he's almost certain that a demon can't impregnate a human, and even if he's wrong, she's at childbearing age anyway, so he'd be doing her a favor. When he's finished with her he'll almost instantly assume his butler persona again, but not before giving her some friendly advice.
"Th-There... I must say that felt great, my little lady... Do run along now, and don't speak of this to anyone. We don't want the Young Master to think his dear sister is a strumpet now do we?"
Sebastian's implicit threat seemed to work, as the young Phantomhive keeps her mouth shut about what happened between the two of them in the closet, this pleases the demon greatly, and now he gets to have a new human plaything to use as he sees fit.
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just-some-user-hunny · 7 months ago
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The Cannibal bonded with a bastard targaryen reader ...
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This is heavily inspired by @mangled-parasite writings on their yandere hotd stuff. I wanted to go more in depth about the relationship a bastard princess reader would have with the cannibal, because the dynamics could be so diverse and interesting. The cannibal is a really interesting dragon to me as well, he's not been tames nor shows any interest in it, so I always wonder what he'd be like with a rider!
(fem! Bastard princess reader X the cannibal)
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. If you are bonded to him, he would be ruthlessly protective over you. He can feel every flicker of distress and discomfort from you, and he bares his teeth like a guard dog at whoever draws too close. Once he had decided that you were his, and he was yours, his fury when it comes to protecting you rivals hellfire. You will never have to feel fear again, nothing can even dream of touching you- lest they want to experience the nightmarish wrath of the Cannibal. It matters little to him if this threat is human, or dragon. In fact he almost welcomes it. He loves the rush of destroying whatever threatens you, the pride that fills him when he charres their remains and feasts upon them In front you- because look princess. Look how mighty he is, look how well he can fight and protect you. After his gory feast, he'll lower himself close to your little form for his praise- purring till your blood fizzles as he enjoys your pets and attention.
. Cannibal has never been a tame or passive dragon, but around you, he'll make an effort to behave. He'll stave away his urges to salivate when he captures glimpses of the smaller dragons, if it makes you happy. He'll heed your voice, your words, if only to amuse you and keep you content. However, he still has a temper- and although he may not engulf everything with wildfire, he will surely growl and roar to make people bend their knee in your presence. His bond to you is tightly knitted, so he can pick up those who are irking you or upsetting you. He shares your hatred for your father, often bearing his frightening jagged teeth at the pale man who can only endure the monstrosity of his daughter's dragon. It'll take only your word to engulf him in burning emerald flames, so for once, your father will hold his tongue.
. He is not an obedient dog, more like a feral alley cat who's taken a warming to you. There's not a force in heaven or hell that can convince him to confide anywhere near the dragon pits, not to mention his monstrous size cannot even imagine squeezing itself into that little ditch. He'll take to sleeping upon the beach, preferably away from vhager, if he wants to remain close to you. However he is known to fly off and disappear for days on end, returning when you least expect it. He is a wild dragon at heart.
. He may not melt into a big passive puppy, but he will surely let you know he likes the attention you give him. He'll croon with his snarling scarred grin, his eyes glinting as you speak to him and stay close. The attitude he has around you is stark like night and day- with others he glares ferociously and mean, but with you, he's bound by your heels.
When you approach him upon the sand of the tide, he'll lower his head to gaze upon you. he'll feel content as he looks you over, appearing docile and calm in your presence.
Your family find it terrifyingly odd whenever you approach him with so much casualty, and he simply looks at you so fondly. The dragon who has devoured oh so many wannabe dragon tamers is now treating you like a precious little treasure, and it's both awe-inspiring, and frightening. His striking emerald green eyes focus on you as you speak sweetly and softly to him, his purrs can be heard from the dragonstone gates.
. The cannibal is an ancient dragon with many years of experience, so to him, you are little more than a child in his eyes. His child.
If anything, he is more of a loving father to you than Daemon could ever be.
It's puzzling to him, at first. He has never possessed a single maternal bone in his body, having no objection to devouring unhatched eggs and even young hatched dragons to satiate his hunger- but perhaps he sees a part of him in you. That wildness to stray, the desperation to free yourself from the thorns of the targarians that dig deep into you. You may be a little gentle weepy thing, but the fact still stands. You want to be free. He can grant that.
As you claim him as a child, he'll watch you grow. Watch your face and hands become weary from the anxiety and ache of constantly being caged. You'll gradually become more and more beautiful, dripping in gems and jewellery and ornate gowns, but the sadness in your eyes hasn't changed since you were a tearful little child. He sees what they are doing- trying to keep you satiated with material desires, but he understands you deep down that nothing of that matters. You want to be anywhere else but here...
. He is an old dragon, and has a temper to him. His hunger for flesh and fire has not made him weary, and although he is scarred and withered, he is still towering in all his obsideon scaled glory. Emerald flames engulfing the sky as you ride upon his back, soaring above the clouds as pride and glory consumes him. He always despises the idea of being 'claimed' and ridden like some show pony, but he finds himself enjoying the company of his little human experiencing the rush of gliding through the heavens. He can feel your thundering heart, the flutter of butterflies in your stomach as he dips and soars between terrific heights, and he can't help but grin a scarred and twisted smile, egged on by your delight of the views and freedom. Yes! This is freedom, my little princess. Let us not be chained by those targarians, this is what living is!
He certainly likes challenging you, obviously not to the point he puts you in any danger of course- but he'll dive at gut churning speeds to see what'll make you shriek. It's almost like He finds amusement out of it, perhaps getting a little kick out of challenging his rider. Once he has landed however with you safely back on the ground, he'll look at you with his gnarled smirk and expect just a little push from you. Don't take it to heart though, his princess. You'll get gently prodded and nudged by his snout to check on you to make sure you're alright. He is still protective over you, after all. His cruelty will not extend to your pain. Besides, you are more often than not riding him bareback, so he would never fly so recklessly that you'd get bucked off. Most of the time he's holding back, really.
. That is not to say that each time you climb upon his back that you will endure terror, because that is surely not the case. He loves flying with you, loves feeling your awe and wonder. It fills him with unbridled pride and ego. You can both feel freedom, and freedom is all he wants for himself and his rider alike.
. As his rider, you have a good chance of escaping the talons of your family. Who is to stop you? The mad prince, Daemon, and his blood wyrm? Cannibal could laugh at the mere thought of this deranged man challenging him with his little red pest. Even the one eyed prince and his ancient she-dragon, Vhagar, will be a welcomed challenge. When it comes to you, he'd do anything.
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valtsv · 2 months ago
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I know people who don’t like alt fashion often think we are annoying or think we think too highly of ourselves/ are attention seeking. I don’t think they understand that more often than positive reactions people are genuinely cruel and sometimes violent about it. “Attention seeking”…The attention I get is getting harassed on the bus for the crime of wearing an outfit some stranger thinks is weird.
honestly. i was actually talking to some friends, several of whom are more visibly and openly queer than i am, at a party last month, and at ond point the topic turned to the struggle of choosing how to present yourself and weighing up the benefits of that against the potential risks of being identified as a queer person and hatecrimed for it - wearing a skirt outside the house when you're still in the early stages of transition, cutting your hair short, etc. and i expressed solidarity with them by pointing out that, although i wasn't trying to compare our experiences because theirs were undeniably more serious, i understood to an extent what they were going through because i've also experienced harassment for the way that i dress and my general outward physical appearance. which led to us discussing that, actually, although being free to express fundamental parts of your identity in a society where those aspects of you are marginalised and oppressed is without question more of a human rights issue than being able to explore alternative fashion styles, they're both rooted in the same foundational attitude - that being that any deviation from the norm is perceived as a threat by some people, who may decided to uphold that status quo with violence because they're confident that the majority will support them and blame the victim for inviting it upon themselves through their "lifestyle choices". there's a reason so many alt fashion styles have their origin in specific subcultures - they're a way of showing belonging, but also a way of openly demonstrating difference, and rejection of certain normative ideals. which is important to understand if you have a genuine interest in alt fashion - you will be perceived as making a provocative statement by some people, whether that's your intention or not. it's good knowledge to have if it's something you want to commit to.
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ready-to-read7 · 23 days ago
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The Ice Prince
(I am not the best writer But I’m doing my best)
the nuke that the GIW had created, was devastating and catastrophic, destroying Danny’s entire home universe with only a few survivors and unfortunately none of them were human only the halfas had survived.
And the blast had even reached the infinite realm, but the ghost King Phantom/Danny had used his own power to stop  it from causing any devastation to the realms but in return he was weaken and badly injured, every ghost was terrified of what would happen to the king but clockwork had a solution, he used his powers to de-age Danny down to maybe a month old so that his body would have enough power to keep him alive in a  smaller form. Every ghost was terrified for the safety and well-being of  their king especially considering he was not fully ghost so they knew he couldn’t stay in the ghost zone for long especially now, so while clockwork and the  yetis was looking for a dimension for Danny to stay in Vlad, Dan and Dani as his only remaining family were making preparations for his new living circumstances, preparing caretakers creating a layout for his new home and even picking out and having toys and clothing created.
 Clockwork in the end with the help of the yetis end up successfully finding a dimension that will both meet Danny’s ghost needs and human needs perfectly and with the designs provided by Danny’s family, they started creating a beautiful ice castle for him, and once it was finished it was transported to the dimension in the Arctic.
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Meanwhile at the watchtower the alarm started going off alerting the justice league on a unknown entity/entities in the Arctic near the fortress of solitude, alarmed supermen wants to immediately go to the Arctic but Batman refuses him to go alone offering to go with him.
Once they reached the fortress of solitude, they do not notice anything out of the ordinary, but as they search, they find a small Castle not too far away in the crevice of a cave, Superman at first tried to use his x-ray vision to see you what or who was inside but something was preventing him from doing that so both determined to figure out if the beings inside are a threat they enter the castle.
As they explore Batman and Superman come across many different rooms, first they find a kitchen, then they find the storage room, a living room, and a few more before they hear footsteps, they decided to hide in the closet nearby and what they see is a bunch of living ice statues walking past them with trays blankets and many other things, they decide to go in the direction opposite to that of the living ice statues.
They eventually come across a large room with two green-skinned humanoid creatures with dragon-like features inside, the two creatures were looking down at something that neither Superman and Batman could see what it was, after a few minutes, one of the Dragon like creatures turned off the lights and unfolded there large wings, gave a few flaps and flew out alongside their companion out of a large window.
Once Batman and Superman were sure the Dragon like creatures were gone, they entered the room, and, Batman would be looking around while Superman would look for the light switch, and once he did what they found was confusing, the largest room in this building was a nursery with a  crib in the middle with a space theme mobile above it, and they both would be confused why the largest room in this building was a nursery, they would then approached the crib to find a baby more shockingly a human baby by its appearance,   Black hair with the faintest of freckles across his face accompanied by his light skin that could mistake him as dead, wrapped in the finest silk blanket they have ever seen  while wearing some sort of Greek clothing.
Batman terrified that the child might be dead turns to Superman to silently ask whether the child has a heartbeat or not. Superman would take a moment to listen and would then inform Batman that the child does have a heartbeat and unnaturally slow one but a heartbeat, nonetheless.
While Batman’s trying to figure out what the situation is, Superman is fearing that the child was kidnapped, he would pick up the baby wanting to take him back to the watchtower to have a proper checkup done on the child, when Superman told Batman that he wants to take  the baby back to the watchtower for a proper checkup Batman would counter saying that the  Dragon like creatures are probably his parents, before Superman can protest they hear the Dragon like creatures returning, and in panic they both flee and Superman not realizing that he still has the baby in his arms carries the baby away from the castle.
Somehow neither Batman or Superman realized that Superman had the baby until they reached the JL base, and once they do realize Batman start scolding Superman for stealing a child especially from a species that they aren’t fully aware of or know anything about. Superman counters that the child had no features from either of the possible parents and could be an infant that the two Dragon-like people stole from Earth so that they could playhouse.
While the entire Justice league is split on siding with either Superman or Batman who are both giving valid reasons for why their point of view is correct, the Green Lanterns are trying to find the origin of the Dragon-like people or more specifically where they are from.
As they argued the volume continued to increase eventually resulting in the child waking up still cradled in Superman’s arms. The most beautiful pair of blue eyes like ice shards reflecting the beauty of the sky looked up at them and as the infant yawned it gave a cute grumpy little face indicating that he was upset that they interrupted his nap time.
Once everyone noticed the baby was awake, they started cooing and absolutely adoring the baby and the flash that was literally vibrating from excitement would run up to the baby so he can hold the infant, but the moment Danny spotted the slightest amount of electricity coming from the flash he immediately started crying and wailing.
The cry was loud, not loud enough to destroy the JL base but loud enough that anyone with enhance hearing had to cover their ears to try and avoid going def, Batman then immediately grabs the child from Superman and thanks to his years of experience with helping calm down small children and infants he calms the baby down, which is a relief to everyone.
After Batman managed to calm down the baby until he was only slightly whimpering, a very pale and panic Constantine,Dr. fate and  zattana burst into the room, as they entered they started searching and scouring each nook and cranny of the room until their eyes landed on the whimpering child still in batman’s arms, Constantine immediately goes even paler something no one knew could happen and in his frazzled state he would scream demanding to know why there was a child of the infinite realms in batman’s arms. but nobody knows what the infinite realms are so while Constantine was drowning in his own panic, Dr. fate and zattana would explain to everyone what the infinite realms are, and Batman would explain the situation back telling them how Superman had taken the baby from an ice castle near the fortress of solitude.
Superman realizing his mistake offers to take the child back immediately but before he could the alarms at the base started to go off again, cyborg who was the closest immediately started typing across the computer in order to see if there was any world ending threat but what they see made all the magic users take a double take on what they were seeing.
A man with a blue skin tone whose hair is unbound by gravity and behaves like fire and blood red eyes alongside two more people, one of them who looks like a vampire who also has a bluish skin tone and the other one looks like a female version of the first one but younger and also with green eyes and a more humanoid skin tone.
Zattana would then stutter out loud and ask herself why on earth King Phantom is destroying government facilities alongside the Count Masters as well as Princess Spector, of the Infinite Realms. she would also ask herself why they were specifically targeting government facilities.
But then a giggle along with some clapping of tiny hands would catch their attention as they turn around to see the baby still in Batman’s hands happily giggling and clapping their hands as they started grabbing out towards the screen specifically towards the three people on the screen.
Constantine would look at the screen and then at the child  and he would see similarities between King Phantom and the child, the dots will then connect in his head and he would start having a strata panic attack and before anyone could realize what was going on Constantine would scream at Superman telling him that he just kidnapped the son of the king of the infinite realms.
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Dan, Vlad and Dani were all frantically searching for Danny since he randomly disappeared from the ice castle and due to past experiences, all three of them thought it was some form of government who took him so they immediately start destroying every government facility they could find so that they could find Danny.
They had gotten through 15 government facilities with no luck of finding Danny, until they were approached by three weirdly dressed individuals who addressed dan as King Phantom Dan was obviously confused at first and so was Vlad and Dani but Dan eventually realize that they probably think that he is Danny because of their similarities and the fact that no one knows that Danny is now in infant, Dan thinking that it would be funny decided to play along and he used his core to communicate with Vlad and Dani.
Funny, play along, funny, help find Danny,
Dan would then float over to the three weirdly dressed individuals and ask them what they want because he’s kind of busy,
The very strong looking woman would bow down to him and ask him if he is looking for his child.
Dan then applies himself properly telling them that he is indeed looking for his child and if they try and stop him, he won’t hold back.
The strong looking woman then introduces herself as Diana/wonder woman and reassures Dan that they are not here to stand in his way, she instead tells him that she actually knows where his child is.
Dan raises an eyebrow, and addresses wonder woman telling her to describe the child, so he makes sure that they are talking about the right kid.
Wonder woman would then talk describing Danny, black hair, blue eyes, pale skin with freckles and she would even mention the unbelievable loud cry that left many members of the JL disorientated.
Dan realizing that they actually have Danny and would ask her who they are and why they have Danny, wonder woman seeing the rage billed in his eyes would invite him back to the watchtower so he could retrieve his child and that they can explain the situation to him, dan agrees.
As they were going up to the watchtower dan, Vlad and Dani would speak in ghost dialect to each other.
Dan: so, these people think I am phantom, and I think we should keep up the act because it’s safer for Danny if they believe I am him and that he is my son.
Dani: that makes sense but what am I then?
Dan: while we don’t have to change the fact that you are his sister so just continue just pretend to be his older sister.
Dani: ok :D
Vlad: what about me?
Dan: I don’t know old man pretend to be his grandfather.
Vlad: ok :/
once they reached the main room of the watchtower, Dani immediately zooms into the room right in front of batman politely asking him if she can have her little brother, batman who had gotten Danny to fall asleep again would then give the baby to her.
 She would then float over to Dan and gives Danny to him, Dan and Vlad then look over Danny to make sure he has no injuries and then Dan would address the group asking them what happened and why his son was here, Batman would then explained that they got an alert about something near the fortress of solitude and that alert would be the castle where they found the baby and Superman thought it was a human child that was stolen so he ended up accidentally kidnapping the baby.
Dan would have given Danny to Vlad as he uses  his fingers to rub his nose in annoyance before giving a sigh of relief thanking the ancients that it wasn’t some government facility that kidnapped him wanting to experiment on him, the justice league especially the magic users would get very concerned by the comment and dani realizing that they might be confused, would explain that in another world a government facility had labelled all beings from the infinite realms as not sentient  and started kidnapping and experimenting on them, but that universe no longer existed mainly due to the idiotic actions of the government facility blowing up their own universe.
Dan would then turn to Vlad and tell him that they’re going to need to move the castle and maybe add a bit more security, Superman would then speak up saying that they could keep the castle where it is and they will make sure no one will go near it without authorization.
Dan would look at Superman and nod his head, but would still remarking to Vlad that they still need to increase the security since no one should be able to get near his little sunshine (he holds back the need to throw up after saying that), batman  would look at Dan wanting to ask questions but even he knew now was not the best time also he could feel someone staring daggers into the back of his neck something that didn’t bother him nor cared about but he didn’t want to give Constantine a heart attack not yet at least.
Dan would then open a portal directly to the ice castle and would give his farewells to the Justice league as he went through Vlad with Danny in his arms following close behind and dani  just after them and once the portal closed all the magic users in the room gave a sigh of relief along with a few of the other heroes who based on Constantine’s reaction understood the severity of the situation
And in the meantime, Dan, Vlad and Dani would be settling Danny back in his room and would be arranging more security and more caretakers since they do not want another situation like this.
@unadulteratedsoulsweets
(If there are any grammatical errors or spelling mistakes or anything like that just ignore them I'm not going back to fix them)
Original prompt here 
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gloomwitchwrites · 1 month ago
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You've shown them as parents....but what about the 141 guys as first time dads? Like how are they during the delivery or the first time they held their baby? It doesn't have to strictly be a hospital setting, maybe it's a home birth?
Surprisingly, you're not the only person who asked this. I had two others ask for something really similar to this. So, this is me combining them all into one post!
cw: childbirth, fluff, pregnancy
Soap who is playing video games on his phone during the early stages of labor. Soap who also sets the video games aside when you go into active labor. Soap who is nervous but does his best to not show it (and does a terrible job not showing how nervous he is.) Soap who tries to dissolve the tension and anxiety by cracking jokes. This earns him a smack over the back of the head and a verbal threat of divorce. Soap who is locked in and focused during delivery, doing his best to encourage you as you push. Soap who grimaces when you squeeze his hand too hard but doesn't complain. Soap who watches the baby emerge with shock, awe, disgust, and fascination. Totally makes an inappropriate joke about it. Soap who is grinning from ear to ear once that baby is placed skin-to-skin in your arms. Soap who never stops smiling the rest of the time while in hospital and on the way home.
Gaz who supported your choice for a home birth over a hospital birth even though he disagrees. Gaz who does everything possible to assist the midwife and doula but still makes sure you have his entire attention. Gaz who does his best to speak calmly and soothingly to you even though he's anxious. Gaz who packed bags just in case you have to be transferred to the hospital. Gaz who allows you to cling to him and moan into his shoulder as you push. Gaz who cradles you in his arms as you’re handed the baby. Gaz who cherishes the skin-to-skin contact with his newborn when it’s his turn to hold them. Gaz who is realizing his whole world is starting to shift to surround this tiny human.
Price who tries to appear like he's in control of himself and his emotions Price who does his best to make sure you’re as comfortable as possible. Pillows fluffed? On it. Back rub? He won't stop until you say so. Anything, and he'll see it done. Price who severely overpacked and brought far too many things to the hospital. Price who constantly holds your hand, refusing to let go. Price who worries that the worst might happen even though he knows you have a great team taking care of you. Price who is so ready to be a father but is also terrified. Price who is in awe of you for going through this process and vows to cherish you even more every day for the rest of your lives together. Price who can't stop admiring the tiny little human that came out of you. He's obsessed with the itty-bitty fingernails and toes.
Ghost who is outwardly calm, cool, and collected, but internally is a mess. Ghost who is hyper focused on you. Whatever you need or want, you get. Ghost who is the first voice in the room to advocate for your health and safety. Ghost who appears scary and ominous to those around him, but is completely gentle and encouraging with you while you labor. Ghost who never flinches or complains when you squeeze his hand too hard. Ghost who never leaves your side during the whole ordeal. Ghost who tells you how proud he is of you while stroking your hair as you cradle your newborn against your chest. Ghost who, when he finally gets the chance to hold his child in his arms, doesn't want to put them down for anything. Ghost who realizes he now has the chance to be the father that he wishes he had growing up.
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