#but i hope its helpful anon! thanks for asking

[yaniiiiism]

hi can I request anything about minho PLS ur newest story of him was so cute I’ve read it like 6 times so far 💗💗, but can it be fluffy pls :) thank you x

hihi love <33 so glad u loved the minho bd oneshot !! tyvm for the req too!! also YES I LOVEEE writing about minho. esp fluffs. so here you go, your wish is my command hshshshshshsh; its a pretty short one cuz it rly was sitting in my drafts for a loooong for now and w the 'just fine' series+other writing schedule i cant rly write more for now hah😭😭😭 hope you like this one >< !!

our moonlight. ꒰ a l.mh imagine ꒱

✦ ִ 💌 ⁔ ⁔ ۪ ⊹ ֗ ꫂ

masterlist > schedule > main directory

♪┆pairing : lee minho x fem!reader ͏ ♪┆info : established relationship, domestic fluff, tooth rotting fluff, cute, loveeee ♪┆ personas: lino idol!au , reader is doing masters+wears spectacles, but career isn't mentioned and hobbies either so add yours !! ♪┆word count : 0.9k ♪┆warnings : sm fluff. ty for the req anon <3

The hum of the city outside was a comforting backdrop as Y/n sat in her apartment, her eyebrows furrowed in concentration. She adjusted the brown frame of her glasses, staring at the glowing screen in front of her.

Assignments always had a way of consuming her time, but tonight, her thoughts kept drifting elsewhere.

The sound of keys jingling at the door snapped her back to reality. She smiled to herself, knowing exactly who it was.

The door opened quietly, and the guy stepped inside, the dim light of the apartment highlighting his newly dyed dark brownish-scarlet hair. It suited him perfectly—soft, warm, hot, and too fine. 

He noticed her immediately, sitting on the couch in one of his tees- fitting her loosely, paired with shorts that barely peeked out from under the hem. She looked effortlessly cute, and his heart swelled at the sight. 

"Busy, hmm?" Her boyfriend asked, his voice gentle yet teasing, as he closed the door behind him.

She looked up, her eyes lighting up at the sight of him.

"You’re home," she exclaimed, pushing her glasses up her nose. "And you look so fluffy today. I can’t get over how perfect this hair color is on you."

Minho cringed at her words, his face turning into mock-disgust, running a hand through his soft locks. "You think so? I thought you’d like it." 

"I love it," she replied, her tone affectionate. "You look like a hot rockstar who's secretly a red velvet muffin inside."

"Interesting choice of words.." He chuckled, shaking his head at the nickname. "A red velvet muffin? Really? I was going for something more...mature."

She giggled, setting her laptop aside. "Oh, trust me, you look very mature," she teased, her eyes trailing over him. "But I can’t help it, you’re just so adorable."

Minho made his way over to her, his movements slow and deliberate. He leaned down, brushing his lips against her forehead before whispering, "And you, look way too good in my shirt."

Y/n smirked, pulling him down by his hand to sit on the armchair nearby. "You mean my shirt now," she corrected, her voice playful.

"Is that so?" His eyes sparkled with mischief. He sat down, pulling her with him so that she ended up on his lap, straddling him. 

She gasped softly, her hands instinctively finding their place on his broad shoulders. "Someone’s feeling bold tonight."

"Bold?" He tilted his head, his expression innocent. "I’m just getting comfortable."

She rolled her eyes, though her heart was racing. "Comfortable, huh?"

He nodded, his hands resting on her waist, gently tugging her closer. "Very comfortable. I mean, how could I not be when I have you right here?" His voice dropped to a whisper, lips brushing against hers.

She couldn’t help but smile, her hands moving to play with the soft strands of his dyed hair. "You really do look good with this color," she murmured, her lips hovering just above his. 

"Then stop talking about it and do something," he challenged, his voice low and teasing.

Her smile widened as she accepted the challenge, closing the small distance between them. Their lips met in a slow, deliberate kiss, the kind that sent shivers down her spine. His hands tightened around her waist, pulling her even closer as the kiss deepened.

Her heart pounded in her chest as she melted into him, every inch of her body aware of his presence. She could feel the steady rhythm of his heartbeat beneath her fingertips, and it was comforting, grounding her in the moment.

His hands slid up her back, his touch gentle. He broke the kiss just long enough to murmur against her lips, "You taste like strawberries."

"You look like one," She chuckled softly, brushing her nose against his. "But you taste like trouble."

"Is that a bad thing?" he asked, his voice pouty, laced with amusement.

"Not at all," she replied, capturing his lips again. 

The world outside her apartment faded away, leaving just the two of them, lost in each other. Their kisses stayed soft, more calm, as if they were making up for all the time they’d spent apart. 

Minho's hands roamed over her body, his touch setting her skin on fire. He loved how she responded to him, the way she clung to him, the little gasps that escaped her lips between kisses.

Her hands tangled in his hair, pulling him even closer, as if she could never get enough of him. She could feel the smile on his lips as he kissed her, and it made her heart swell with love.

Eventually, they pulled apart, both of them breathing heavily, their foreheads resting against each other. 

"You really need to come over more often," Y/n whispered, her fingers tracing the outline of his jaw.

The guy only chuckled, his breath warm against her skin. "I’m not going anywhere, not when you look at me like that."

She blushed, feeling the heat rise to her cheeks. "Like what?"

"Like I’m the only person in the world," he replied, his voice soft, sincere.

She smiled, her heart fluttering at his words. "That’s because you are," she whispered, leaning in to kiss him once more.

This time, it was better, more tender, a promise of all the moments they would share in the future.

And as they held each other, wrapped up in their own little world, they knew that nothing else mattered. Not the assignments, not the schedules, not the outside world—just the two of them, here, in this moment.

a/n. ୨ৎ

LOVED writing this. ginger/red/brown lino has me on a chokehold (clearly). originally thought of seungmo but minho fit too so !! thanku to my first req, dear anon, once again, hope u love it bae <3 if u liked this lmk by commenting or liking <3 check out my post-schedule/masterlist/taglists/etc right here ! channie late bd fic soon ! thank you for reading >< !! — love, yani ♥︎

thank you for the dividers! ♡︎ @adornedwithlight

[yasmindifference]

Heeey, I was wondering if you can help me find a JayTim fic? I'm goin crazy trying to find it bc I swear I just read it the other day and now i can't find it, lol. The whole story is done through texting bc Jay asks Tim for a favor to go feed it sourdough starter and it progresses from there. I'm hoping im just loosing it and can't find it and it wasn't deleted, lol. Thank u for ur help!

NEVERMIND!! I found the fic! its "A word, a look, will be enough" by Feyburner. Bruh i even had it on my faves @.@ Thanks anyway and sorry for crowding ur askbox

not crowding my inbox at all, anon, you're always welcome to drop by ♡♡ sorry for the delayed reply, I was at work 💀

but I'm very glad you found it!!! especially because I haven't read that fic and wouldn't have been able to help lol...maybe I'll check it out ♡

[aisiedaisie]

Heyo!

I noticed you take asks, but after lurking for a bit, I saw you haven’t done any yet. No worries if you’re not ready! But do you write _ x reader? Because I was thinking it’d be a super cute idea if the reader has a crush on their TA, who happens to be one of the Marauders, in the most boring class ever.

Oh, and if you haven’t had any designated anons yet, can I be ☁️?

Hello hello~ !

I do take asks!!! This is actually the first ask I’ve received and I am so happy. Thank you for sending it in and of course you can be my ☁️ anon! As for _ x reader fics… I’ve actually never written a reader fic before but I’ve tried my best! I think it leaned more gender neutral more than female reader, but I hope its okay.

Also, as someone who normally writes in third person, second person is difficult!!!

TA! Sirius Black x GN! Reader WC: 1.1k

You can’t remember why you signed up for this class. Maybe you thought it would be easy? Or even interesting…

But no.

The only thing remotely worth your time is the observation lab every Friday. The rest? Well, that’s just a blur of uncomfortable lectures, ticking clocks, and the distant hum of other students’ barely contained frustration.

No one would expect you to have perfect attendance. Most of the class doesn't even bother showing up, since attendance isn’t mandatory. They only show for tests, and even then, some skip those. You can’t help but wonder if they dropped the class, or if they just don’t care anymore.

Unfortunately— or, depending on your perspective, fortunately— something other than the lecture has caught your attention. You can’t help but quietly admire the TA at the front of the room, his presence oddly magnetic amidst the dull hum of the class.

Sirius Black is as punctual as you—if not more. He’s always there before anyone else, scanning IDs with a detached efficiency as students shuffle past. Then he settles into the front row, laptop open, his fingers dancing over the keys. He posts notes on Canvas for the absentees, though you suspect it’s more out of routine than necessity, since the lectures are always recorded and uploaded that evening.

He doesn’t seem like the type who’d voluntarily spend his free time sitting through intro-level astronomy lectures. With his shoulder-length, wavy dark hair—often loosely pulled into a half-bun—and his signature worn black leather jacket, he looks more like someone who should be out of a 50s film than a lecture hall. His casual blue jeans and plain white T-shirt complete the look, giving him a James Dean vibe that seems a little too effortless, a little too cool for this room.

You try to refocus, your eyes drifting back to the lecture. Professor Fancourt’s voice drones on in a monotonous lull, and he scribbles another formula on the whiteboard. “With this equation, please find the orbital velocity of Neptune,” he instructs, his back turned as he walks toward the desk by the door where Sirius is absorbed in his typing.

You glance back at the formula, but it might as well be a foreign language.

You’ve never been good at math, and when you signed up for Basic Astronomy, you didn’t think it would be an all-out battle of numbers. You thought you’d be learning about planets, maybe some stars, a little science history. But math? Why did they have to throw that in?

A knot tightens in your stomach as Professor Fancourt starts pacing. You know what’s coming. It’s only a matter of time before he picks someone—randomly, of course—to come up to the whiteboard and answer the question. You have no idea what’s going on with that equation, but you’re pretty sure it’s going to be you.

You don’t want to be called on. Not today.

With a resigned sigh, you gather your things, leaving your notebook open on the desk. A quick break—just enough to clear your head.

You make your way to the TA’s desk. Sirius looks up as you approach, his brow quirking in mild surprise.

“Look at that—someone’s actually moving from their desk,” he teases, and you manage a tired, half-hearted smile, nodding in acknowledgment.

“Just need a break,” you mutter, pulling your ID from your pocket and handing it to him.

He scans it without a word, his fingers drumming absentmindedly on the scanner. “If you’re grabbing something, make it quick,” he says, his voice laced with a playful chuckle. “And don’t forget—bring me something back, yeah?” He adds a wink for good measure, making the suggestion feel almost like a dare.

You step out into the hallway, the noise of the lecture hall fading behind you. For a moment, the weight of the class lifts from your shoulders, and you allow yourself to relax. You focus on the vending machine in front of you, half-stalling, half-actually needing something to take your mind off the dull lecture and the growing pressure of the equation you still can’t wrap your head around.

You scan the rows of snacks—chips, candy bars, granola. You grab the chocolate bar you always go for when you need something quick. You buy it, but as you clutch the candy and step away from the machine, you remember Sirius’ words, his playful tone still echoing in your mind. “And don’t forget—bring me something back, yeah?”

You pause, eyeing your snack. An impulse hits you, and you decide to grab a pack of sour gummies from the row below. It’s different from what you’d normally get, but you figure it’s a safe bet. Plus, you’d hate to go back empty-handed after he asked, even if he was joking.

With both snacks in hand, you head back into the lecture hall. The familiar hum of the room greets you, but this time it feels different. The pressure in your chest has lifted, replaced with an unexpected calm. You’re grateful to find the professor already discussing the next topic when you return.

You make your way to your seat, but before you sit down, you glance toward the front of the room. Sirius is still hunched over his laptop, typing with the same detached concentration as always. His attention is on the screen, but when he hears you approach, he looks up just in time to catch your eye.

You raise the pack of sour gummies slightly, as if to confirm you heard him. “Brought you something.”

His eyebrow quirks in surprise, but the smirk that follows is unmistakable. He leans back in his chair, crossing his arms with a quiet chuckle. “Well, I’ll be damned. You actually came through.” His gaze flickers between the gummies and your face, and you can’t help but feel a little self-conscious under his attention.

“They’re for you,” you say, offering him the pack. “Hope you like them.”

Sirius grins, his fingers brushing against yours for a brief moment as he takes the gummies. “Thanks. This’ll make the rest of this lecture bearable,” he says with a wink. “Thanks, love.”

You smile, a little shy, your cheeks flushing at the nickname. You return to your seat as he rips open the pack, popping a gummy in his mouth. The subtle exchange is enough to keep your mind from wandering back to the looming equation on the board.

The rest of the class goes by in a blur.

Professor Fancourt drones on as usual, but you don’t mind so much now. For once, you actually feel... lighter. Sirius hasn’t left his post at the front of the room, but every so often, you catch him glancing back at you with a quiet grin, as if he knows exactly how much of an effect he’s having on you. It turns your cheeks even darker, and your eyes quickly dart away when you make eye contact.

By the time the class ends, you’re no longer dreading the idea of coming back next week. In fact, you might even look forward to it a little, and not just because of the observation lab on Friday.

[dee-writes-anime]

ehhh, i'm not sure if you do Platonic, but if you do, could i request Aizawa x (student)reader who sometimes struggles w Japanese? If you don't do platonic that's fine, i hope you have a great day nonetheless!! <33

It Just Takes Time

FEATURING Shota Aizawa x Reader (PLATONIC)

SUMMARY Turns out that learning Japanese is really hard. (thank you for the cute request, anon!)

CONTENT WARNINGS reader being self critical, academic struggles, reader comparing themself to others.

AUTHORS NOTE I think this ask is actually really fitting for how I'm currently feeling. So, for anyone else out there struggling, listen to daddy Aizawa and know that everyone learns and grows at their own pace, just keep on working hard and don't give up!

You sit at your desk, papers and textbooks scattered around you in a haphazard pile that hints at the hours you’ve spent struggling. The Japanese characters on the page blur together, no matter how hard you try to focus. It's like they’re taunting you, reminding you of every time the words haven’t come easily, every time you’ve stumbled or hesitated in class.

A familiar presence shifts beside you. You glance up, and there stands Aizawa, hands in his pockets, his posture relaxed but his gaze as sharp as ever. He regards you with that cool, assessing look he’s known for. “You look like you’re ready to snap your pencil in half,” he observes, and there’s a faint, almost teasing lilt to his tone.

You let out a sigh, feeling a hint of embarrassment. “It’s just… hard. Everyone else seems to understand so quickly. I feel like I’m always the last one to get it.”

Aizawa doesn’t reply right away. Instead, he pulls a chair next to yours and settles into it with a deliberate, calm ease. He waits a moment, as if he’s letting your frustration settle before responding. “Comparing yourself to others won’t help you learn,” he says, his tone firm but not unkind. “Each person has their own pace. Yours happens to be a bit different. That’s all.”

His words, as straightforward as they are, bring a strange comfort. You hadn’t expected him to sit down and tutor you directly, but now that he’s here, the pressure to be perfect seems to lighten.

He shifts his gaze to the paper in front of you, scanning the sentences you’ve been wrestling with. “Alright,” he says finally, his tone decisive. “Let’s go through this together. You read the first line, and I’ll help when you need it.”

You hesitate, feeling the weight of his attention as he watches you. Aizawa’s presence is intense but not intimidating; his patience seems infinite, like he’s willing to sit here as long as it takes for you to get it right. With a steadying breath, you begin to read, stumbling over a few characters.

He stops you gently, pointing to a specific word. “Let’s break this down. Each character has its own structure and meaning—if you can understand that, it’ll make more sense in context.” He explains the origin of each character, his voice low and even, helping you see beyond just the lines and strokes.

As he talks, you find yourself drawn into his explanations. He speaks with such clarity and purpose that the words start to come alive. His hand occasionally hovers over your paper, tracing a line or pointing out a radical, making the language feel less foreign, less impossible.

When you falter, his eyes remain steady on yours, grounding you. “Focus on one part at a time,” he advises, his voice a calming murmur that somehow cuts through the tension tightening your shoulders. “Learning a language isn’t about speed. It’s about understanding.”

Minutes turn to hours, and outside the window, the sun dips lower, casting the room in a warm, amber glow. You realize you’ve started to pick up on patterns in the characters you didn’t see before, small tricks and connections that make each word seem less intimidating. With Aizawa’s guidance, your confidence begins to grow, even if it’s just a flicker.

Eventually, he leans back slightly, his eyes never leaving you. “Try reading this line again,” he says, pointing to a sentence you struggled with earlier. “And don’t rush. Just… read.”

You take a deep breath and begin, carefully sounding out each word. This time, something clicks. The words come more easily, the characters less like strangers and more like acquaintances you’re beginning to understand. When you finish, you glance at Aizawa, half-expecting some kind of correction.

Instead, he gives a small nod of approval. “Good,” he says, his voice softer than usual. “You’re getting there. It may not feel like much, but that’s progress.”

You feel a warmth spread in your chest, a mixture of relief and gratitude. “Thank you, Aizawa-sensei,” you murmur, almost shyly. “I… I don’t think I could have gotten through this without you.”

He watches you with a look that’s hard to interpret, a quiet depth behind his eyes. “Don’t thank me for doing what you were already capable of,” he replies, his tone gentle but unwavering. “You put in the effort. I was just here to make sure you didn’t doubt yourself.”

A comfortable silence settles between you as you begin packing up your things, the weight of his words lingering. Aizawa’s encouragement isn’t effusive or loud—it’s grounded, like the support of a solid foundation. And though his words are few, each one is intentional, reminding you that you’re capable, that your pace is your own.

As you stand, he offers a parting piece of advice. “If you ever need help, don’t hesitate to ask. Language isn’t easy, but it’s worth learning.”

With a small, grateful smile, you nod. “I will, Sensei. Thanks… really.”

He nods back, his expression softening just slightly as he watches you leave. And as you step out of the classroom, you carry with you not only the knowledge he shared but also a newfound confidence, one that makes the challenge of learning feel just a bit lighter.

[storytellering]

if it's okay, would you mind sharing your art process? your style is SO gorgeous dude. keep it up spardacest nation!!!

Thank you so much anon, and of course! I kinda posted about it on twitter a while ago, but for anyone not also on there, here's a paraphrasing of what I said there! (under a cut bc it's gonna get a bit long)

(speedpaint video from procreate mostly bc like I also said in that post, it's one of the few pieces I've done entirely on procreate and thus entirely recorded kdfjhdk I usually don't do the sketching + painting parts on there but every now and then I get lazy and want to get it all done quick in one program lol! It's not as good as it would look if I were using krita to render (which is what I normally use) but it gets the idea across decently of what it is that I do)

The short version of my process is: sketch, clean up sketch for lineart, then flat colors, then paint over the flats (i make the flats my shadows and paint on the light), then a multiply layer for skin details (like lips, eyebags, etc), then an overlay layer for skin transparency details (red over the ears/nose/fingertips etc), then i do hair over the lineart, then a multiply layer with the contact shadows in a light beige/grey/neutral tone on top of everything else, and then i unify layers, paint over the details, and color correct the HELL out of it The longer version is: SO, first of all, I will say, my entire process for a finished/fully redered piece is pretty scattered and uses a lot of different apps, because after many years of trying out different drawing apps I found that I just worked better when I could incorporate the parts I liked best from each individual one rather than having to adapt to another app entirely! In total, what I use is: autodesk sketchbook and procreate for the first half I do on my ipad, then krita and photoshop on my computer when I'm actually rendering (but any photo editing app instead of ps will do, I'm just used to photoshop bc that's what I learned as my first drawing app WAAAY back in the day lol), and then meitu on my phone for color filters (also any phone editing app with filters in it will do), AND also optional just for references: blender and daz3d on computer + magicposer on my phone The actual step by step of what I do: First of all, if I want to do a detailed, well rendered piece I will start by getting my references ready. That means either just grabbing a screenshot from the game if it's like, a simple portrait, or a photo reference, taking a picture of myself in the right pose/lighting, and if it's something more complex I will recreate the scene in Daz3D to simulate a realistic lighting, OR even just blender (i have the game models for the dmc characters downloaded, so I can just pop them in, pose them and change the lighting to get a realistic idea of what shadows their faces will cast in that specific angle/lighting.) Note: references are pretty essential to me, and there's nothing to be ashamed about for using them! Personally I don't struggle a lot with the drawing/sketching part of art, but my tiny little pea brain cannot fathom how to make an object 3D in my mind, and how to visualize shadows realistically... thus the reliance on 3D programs to do that for me, and then all I have to do is draw what I'm seeing lol. My art improved significantly ever since I started making 3D refs so I could get /exactly/ what I needed - there's still a lot of leeway you need to learn though, because as realistic as the lighting will be in a rendering program, you'll never really get a fully natural looking image, as far as stuff like the body stretching/squishing/pulling when it's in movement, facial expressions, folds in clothing/fabric, etc... so really it's more a guide than something meant to be followed 1:1.

Then, once I'm confident I know exactly what I'm gonna draw/have the idea in my head, I start sketching it in sketchbook. Not really getting very in depth, just blocking out rough shapes - I like sketchbook and to be on my ipad for that because it feels very reminiscent of traditional sketching on paper to me, which while I'm not super confident on my traditional art abilities, I do get the most natural/fluid/non-stiff figures out that way. Then when I think I have the general idea ready, I export the sketch layer as a png and import it into procreate - which is where I kinda start picking at the sketch and polishing it like i'm carving it out haha. Lots of liquify tool, flipping the canvas to check if it's even, blending out some of the lineart to help out with the rendering later, and then polishing up what was once the sketch into serviceable lineart. I usually reimport it back into sketchbook at this stage - while I like procreate for drawing I don't love the brushes I can use for lineart there, and so I usually only draw the "base" naked figure in there - when I'm in sketchbook I use a hard pencil to refine the details, then on a separate layer add all the things "on top" like hair, clothing, etc - usually I can get it pretty easily in one go, and once I'm satisfied I erase the naked body under the clothes and unify the lineart layers. Then I will just do the flats with a hard brush, turning the lineart layer into an overlay layer and coloring things in with the shadow colors. At this point, I export the file as a psd and import it on my computer - I give it a once over in photoshop first to see if there needs to be any adjusting (like whether any layer that has an effect needs to have a different effect, if all the colors look right since the ipad screen isn't the most faithful, if i wanna change the background color, etc), and once I think it's ready enough, I open it up in krita, where I do the actual bulk of the painting/rendering (as to why specifically krita: it's because I've gotten very comfortable with the brush/painting brush dynamics there and cannot seem to get as good results anywhere else, it's just the goldilocks spot of a brush for me haha.) If anyone's curious, here's the brushes I usually use for painting:

The one in the middle is my go to painting brush, left one for tinier/more refined details, right one for blending out soft shadows (though I learned the hard way to not overuse it, or it will look like I went ham with an airbrush tool lol). (I don't change any of the settings on these brushes, so if you wanna try out the exact ones I use! Just fresh off how they come out the app haha) I paint on the lights on top of the shadows, and just focus on that for the time being - once I'm done with the basic painting, I'll make a separate multiply layer for details like lip color, eye waterlines, makeup if there is any, eyebags, etc, and then adjust the opacity until it feels right - then I'll make an overlay layer with skin translucency details (like, when you hold your hands in front of a light and see the tips of your fingers become bright orange - many parts of your body are always a bit translucent to the blood underneath, specifically parts where the skin is thin like noses, cheeks, joints, knuckles, etc, and I found it makes the character look a lot more alive to add that subtle coloring in) - then usually I do hair on a separate layer on top of the lineart (because that way I can add small flyaways, more details, etc, and just use the lineart as a guide) After that, I'll usually make a multiply layer on top of everything where I'll add contact shadows in a neutral color (usually pretty pale, it'll be darker anyway since it's multiply), and once I feel like I've rendered everything out properly, I save the psd and re-open it on photoshop.

In photoshop, I'll mess around with the layers a little bit more (changing hue/saturation, opacity, etc), fuck around with the background to make it look pleasing, and once I'm happy with it, I'll unify the layers and start color correcting - usually by duplicating the unified layer and messing with the curve/hsl of the image and then changing the opacity of that edited layer until it's as strong or muted as I want it to be - then I also edit the RGB curves individually and adjust the opacity of that also (because I just really like how it ends up looking if I give a bit of a red/warm tint to the shadows lol), and at that point often I will reimport the finished image into procreate for some finalizing touches! Like, blending out shadows that came out too harshly, painting over anything that came out not the way I wanted it, redefining the lineart if it got messy during painting, and adding any extra small detail that might have gotten lost like catchlights, hair shines, hair flyaways, tears, etc. I also do one last round of flipping the canvas and liquify if needed! At this point, I export the finished image both to my computer and my phone - on my phone I open it up on the photo editing app, and add a bunch of different color filters - I don't hesitate from going completely balls to the walls here, and just kinda applying as many filters as will make an image look pleasing to my eye. Once I think it looks good, I'll export the edited image to my computer - and then open both the version without filters and the one with them on photoshop, and use the filtered version as an opacity layer, and adjust it until it doesn't look as crazy anymore lol. One last step I recently started incorporating was also changing the image to grayscale after I'm done, and doing one last round of curves in greyscale to make sure the values look right, and nothing is getting too lost because the values are too similar (because i know i get a bit swept up in getting repulsed by harsh contrasting lighting and can end up washing out all of rendering if I don't check myself kjdfgk) AND that's it! Yes it's a pretty long and chaotic process, but it's coming from years of trial and error and realizing I can just let myself fo whatever makes me happier with the results, and I don't have to stay constrained to one program if I don't like every tool it has to offer/don't have to accept the final image fresh off the painting app as the "finished" image with no adjustments allowed after, lol. I don't find it takes a lot more time than if I didn't do it this way, but YMMV. Hope this was helpful and sorry for taking so long to explain! I just wanted to give a thorough explanation dfhdkhkx

[kate-bot]

OKAY SO I've gotten two asks about my Noisette cosplay AND THANK YOU SM FOR THE KIND WORDS !!!!!!!! It was sm fun to make this cos, so I will gladly explain everything I did in hopes that it might help someone else!! also both anons please share your cosplays with me when theyre done i would love to see them....

I've tried to link everything where I can, where I got stuff etc... I only rarely cosplay (although I am thinking of going as the noise in May Comiccon) and this was my biggest ever project so!! It's very trial-and-error! But without further ado

KATES EXTENSIVE(ish) GUIDE TO COSPLAYING NOISETTE FROM THE HIT GAME PIZZA TOWER!!!!!!! (warning its kinda long)

THE HAT

Okay i’m gonna be real my mum helped me so much she basically did all the sewing for me. Sewing is the fucking bane of my existence I hate doing it so much so we planned it out together and she basically executed it. Props to her for that she’s so real… She also wrote down what she did!! So i’ll just paste and colour that in for you to read!!

“The black material (seen in the above image) was originally a beanie hat that was picked apart to use as a template…

This was game changing basically. We had experimented with making the hat from scratch but it was far too difficult and we were both too stupid so we just unstitched a pre-existing hat and stole the template. The hat we cut up was one we had lying around for years so i cannot tell you where to get one from, but any beanie that is stitched together will work i guess! So I would recommend finding a hat that fits you snugly and doing the same thing!

…and the wool fabric that was utilised gave the finished product was stiff enough to be structurally sound.

I just got this from my local fabric shop, I would recommend wool over something like felt because it’s super sturdy and I was pulling on my mask a LOT.

Once sewn together, I attached a stiff card facemask to the front to help provide some structure, and to locate where the eye holes should be cut.

I think this picture shows it pretty well, my mum was able to curve the shape of the fabric to fit a pre-existing mask- we got ours from Hobbycraft, just one of those stringed white template masks yknow. We cut off the string, made the eyeholes a little bigger and just stuck it straight on!! I should mention this was pretty much all done with a sewing machine as well!

After that, we made two ears from a paper pattern, stuffed them and put some wire inside to allow them to be positioned, before sewing them onto this headband, which was then sewn into the hat. The bottom of each ear was also stitched to the crown to give it some additional stability and to secure the headband correctly in position (having fitted it on the wearer).

Yeah it was actually less of a mask and more of a headband!! That was what gave it most of the support and meant the ears would stay up, I’m not sure how it would work without it!! The ears were the only part that I could actually help with LMAO i just freehanded a little template, stuffed it, and then put in some modelling wire to make them able to be posed :)

Then it was a lot of hand sewing, and glueing the eyeholes to the mask to create a cohesive look.

AND YEAH that’s pretty much all it was! I also attached some little felt eyelashes to add to it as well. Honestly I could never come up with a step-by-step guide for the process because it was such a trial and error thing (i’d made two test-hats before we even came up with the method) but it was so fun!!

I would 100% recommend if you want the ears to stay UP to stuff them AS MUCH AS U CAN and/or put wire in them!! :) I also made some cute little bows to clip into my wig in the same fabric to make it more cohesive!! I also put a bow (and a bunny tail heheh) on the back of the dress too!!

THE DRESS

Super simple! I just found one online (okay for some reason the link has been taken off of the website, but just look up "overall dress" on google shopping and you will 100% find something super cute)- I made sure to buy the dress first, and then take it to the fabric shop to try and colourmatch the mask fabric as best as I could. Then it was just buying some big ol buttons off eBay and sewing them on!! (I could actually do that bit by myself, I'm bad at sewing but im not THAT bad)

EVERYTHING ELSE

Cute patterned knee-high socks cuz shes cute like that. Leg warmers, I think I got them both off of Amazon... Converse I got from Depop and I had wanted to buy a pair anyway so I was super stoked to get them cheap!! I chose converse over a pair of high-heels or Mary Janes just for comfort reasons, I was walking around loads at the con so... Everything else apart from the shirt was from Amazon or just. Somewhere online(I have no idea where to get fancy white gloves LOL) and the shirt was from Depop as well! I liked how frilly it was, re: Noisette is cute like that!!

oh yeah and the wig. I hate wigs it was awful. I have no idea how to style them. underneath the hat was the most awful bowl cut ever I just. It wasn't my best moment. Dont ask me about wigs please .

Also I should mention I got this bag for the cosplay (which I now use all the time cuz its so cute) because i needed space to store shit and I wanted something on-brand with her cafe... this isnt the exact link I used but I just got it off of ebay :P

PROPS

Unfortunately I don't have a lot of WIP pictures of my props but they were pretty simple to make!! The coffee cup was literally just spraypainting over a reusable coffee cup and using POSCA pen to draw on the front! Fun fact the cup says "To Peppino" because originally my boyfriend was gonna go with me as Peppino before the Cruetly Squad brainrot got to him so. YEA

And the tip jar was also pretty simple, I just painted on the lid a plastic jar (can't be glass, not allowed at ComicCon) and cut out a bit of vinyl to work as the sign. The cobweb was just hot-glued 3D printer filament, and the spider was made with foam modelling clay (literally the best thing ever if you're making small models like that) and i stuck him to the lid of the jar with Kandi string so he'd bounce around :]

AND I THINK THATS IT!! i may as well post a pic of the full cosplay since I dont think many people would have made it this far.... But I think it turned out pretty cool!! I got recognised a few times as well which was amazing!! (cropped out my bf cuz idk if he wants his face on tumblr gfhhfg)

SO YEAH!!!! if anyone has any questions please let me know.. but GOOD LUCK IN UR COSPLAY MAKING FRIENDS!!!! :D

[itty-bitty-sunshine]

I know this is random but reading your blog and seeing your art made me so motivated I made my 1st animation ever (not counting pixel art ones), after not drawing digitally in months and it looks kinda basic and it isn't colored but I made it and I'm really happy with it so I guess what I'm trying to say is thank you for motivating me to make digital art again! I hope you have a wonderful day/night :)

MKJSJWJW HI!!! THANK YOU SO MUCH FOR TELLING ME THATS GREAT!!! Animatics need time and patience so the fact you went straight for it is so cool!!!! I bet it looks lovely!

Hope you have the greatest day/night too!

[cepheusgalaxy]

Oh you're Brazilian, correct? *saw ur bio*

I was wondering if there's anything I should or shouldnt do when making a Brazilian OC.

Oh hi!

First of all, thank you for the ask :) I'm very happy you decided to make a brazilian oc, whatever is the reason (if any at all lol) 👍 Keep up the good work.

Now, generally, what you should avoid are the most common stereotypes assossiated with latin people in general (like the Latino Lover stereotype), and some specifically assossiated with us a lot:

The Soccer Player ("every brazilian [black] guy obv plays soccer"), the Samba Dancer ("every brazilian black girl dances samba"), the Sexy Brazilian (everybody has their preferences ig but try to step away from fetishization--also falls into the latino lover a little) and the Carnival Party Person ("brazil is a very big carnival party all of the time") are some examples of stuff you should avoid.

Some things I would advise you to consider aside from this are A. Their race, B. The area they're from and C. Cultural differences (I'm gonna list them in a bit).

I mention race here because a very common thing in Brazil, actually (at least if you don't consider the South/South East) is the miscigenation phenomena. Long story short, some centuries ago, the colonizers had an... "idea" of toning down the population of black people in the country, so interracial relationships were very incentivated to "breed" lighter skinned black people. Results: On this day, most brazilian people in the Northern areas are not 100% black, but very very mixed (like me). A lot of people have dark skin, though.

Now, the area where they are from would also play a big factor in the things you want to consider, because Brazil is big, so we generally divide it into five areas (this division was made in 1969 i think, by the IBGE--the brazilian institute of geography and statistics): The North, North East, Central West, South East and South. If you search for a map with this categorization you'll be able to see it.

Culturally, these areas are very different, but I'll go through them briefly here.

North - most of the indigenous folk are concentrated here (for many historical reasons) and here is also the Amazonic forest (a bit of it is in other countries' territorries but I don't remember exactly which). The demographic density (which is the amount of people per say, mile) is very sparse, and despiste it being the largest area out of the five it isn't the most populated. Indigenous cultural heritage is the strongest here.

Nort East - warmest area in the country. The majority of people here are black or brown (for a lot of other historical reasons i unfortunately can't go on about here but they are very interesting if you wanna search up) and African cultural heritage is the strongest here.

Central West - has a very little amount of states here, and also the Federal District--aka the capital, Brazilia (fun fact: Brazilia isn't localized in any state, like the capital used to be, it is separated, so that's why we say Brazil has 26 states + one federal district). I don't know a lot about this one, so I'm gonna rely on Google a little, but basically:

That's the only area that is not bathed by the Atlantic, so no sea here at all, and back in Colonization Days, it was a very explored area for mineration (one of the states here, Minas Gerais, was named because of that, fun fact). Most of the population here is white (50,5%) and brown [mixed race] (43%) source (wikipedia page for the Central West in portuguese).

South East - as we go down here, the areas start getting cooler and whiter. The biggest cities of the country are here: São Paulo and Rio de Janeiro. White population, as I said before, is strongly concentrated here, because Back In Colonization Days, a lot of europeans (mainly italians and germans i think, although i might be wrong on this one) migrated to there and the South because the climate is more like in Europe than in the northern areas. This is probably what most people think when they say 'Brazil' (that or the amazonic forest, ofc), because media wise, it covers mostly carioca Carnival (Carnival from Rio de Janeiro) or the super urban city of São Paulo. Fun fact: One of the Seven World Wonders, the Christ The Redeemer statue is located there, in the RJ.

South - smallest area in the country. There are literally just three states here. It's also the coolest area out of the five, and there is even snow here! The European heritage is very strong here, also because of the migration from a few centuries ago.

If you want more insight on a certain specific area for your character, I'd be very happy to help! :) I myself am from the North East, so I have the most information about that, tho.

Now about the cultural differences in general.

A few important things that really differ are:

The culinary (depends of the area, though: up north it will have more african and indigenous dishes, down south there will be more european dishes and stuff)

The climate (if your character is from the northern areas, they will have a hard time adapting to any cool areas they might be in now--in the North East we're used to an average 25º C, or 70º F, for example, so if things go cooler they're gonna want to be very warm)

The measurements (celsius degreees vs farhenheit, miles vs kilometers, centimenters vs feet and inches, etc.)

The calendar: In the South Hemisphere, unlike in the North Hemisphere, summer is on the last and first months of the year and winter is in the middle. Basically, the seasons are inverted up there in relation to here

The school year also works a bit differenly, for that matter: Janurary and the first week of February are summer vacations, and then the year starts. A few weeks later, we have a few more weeks off for Carnival, so no school then too, and *then* you could say the year actually starts. In June (winter), we have a 10-day break for São João festivities (at least in the North East because São João is a cultural "festival"--if that's the right word), and then summer break starts around the end of November or the end or December, depending on the exact school.

Oh yeah, and one more big difference your character might find strange assuming they're in the US or a similar country now: In Brazil we have a thing called SUS - the Unique Health System (Sistema Único de Saúde), which is a free health service for everybody, funded by taxes. I heard that in the US all medical care is private, so I wanted to highlight that in Brazil we have free public healthcare and then also the private hospitals, so that could cause some cultural chock, lol

Same thing for college: There are a lot of public universities. There are actually many differences between usamerican and brazilian education system, but the main ones are that.

If you have any further asks, feel free to send them, I'd love to go deeper into one single thing if you want it. Good luck with your oc <2

[mitcheechee]

Hey, new follower here! (I'm actually in the wrong account so please don't mind me being anonymous!) I really love your art and I mainly wanted to say that your art and style is amazing and beautiful! Secondarily, do you have any tutorials or tips on drawing bodies, hands and I noticed you do blood? I understand if you'd rather not answer that; if so just only the first half! Love your art! Thanks for existing (if that makes sense)❤️

wah... first i just wanna say tysm!!! youre so sweet 😭

i unfortunately dont have any tutorials or anything made already and i dont really want to make any as of right now because i feel like i have a long way to go in terms of learning how to properly draw a lot of things. since i don't know what im doing id feel really lousy putting out a tutorial when i dont even have a lot of the basics down yet...

im gonna blab under the cut about tips (not really tips on drawing bodies themselves as a guideline, but what has helped me practice and thus allowed me to get better at drawing bodies in my own art), so u dont have to read all that if it doesnt interest u! but regardless thank u again for being so sweet!!! sorry i couldnt give u what u wanted.. maybe one day... 😭

again this is just how i practice, but its GENUINELY helped me get so much better.

all i can say as far as tips is to definitely practice with references as much as u can, it really will help u improve. i know people often dont like that advice too much but its really true... every time i use references to practice for a bit i can tell it helps me, and looking back at older art i know its true. i dont often use guidelines (i really need to...), or at least not in the sense that i do in most of the guides i see so i feel like i cant give much else in terms of advice tho, other than that.

anyway, its one thing to just use a reference, but really trying to get it down and learn it (learn the body, anatomy, how to draw it all) so u carry that knowledge on is sorta different, for me

what has helped me to really learn is this method of practice where i

draw a reference photo based off what i see

trace the photo

overlay both my trace and the first drawing i made

go back and choose key points on the photo/trace where i was very off and mark them as a little dot/line and then try to fix the original sketch with those dots/lines to match the photo (look below to understand what i mean LOL sorry)

try and draw it again from scratch based on what i see visually

and for number 4, what i mean is this:

lets say the 2nd is my visual (rough) drawing based off of the original

overlaying my original sketch on the reference i can see where a lot of points are off!

ill make note of a few of the areas that were very off and mark them, then get rid of the reference underneath. ill still look at it as a guide on the side, but overall try to just change the original sketch to match it instead of directly tracing!

i feel like this may not have been exactly what u mean as far as tips for drawing bodies, but ive found that in order to grasp them better in a way that helps u draw them on ur own, doing studies like this really helps! for me, at least, it allows me to better store things in my memory--because looking at the image and practicing doesnt feel like it really CEMENTS any knowledge, but seeing where i went wrong and then working backwards to try and alter it shows me where im lacking in skill, and helps me use that information later!

doing this allows me to understand how bodies take up space. it has helped me to see the body as more of a tangible thing while i draw freehand, and do it more accurately as well, instead of it feeling like its. a limp noodle i cant grasp LOL

i will say, tho, that for hands especially i almost always use my hands as a reference for what i want. like i dont even have a guide for that in terms of what i do to draw them out or guidelines i follow, i just straight up draw them based off what i see or imagine, i dont really do those step by step guidelines...

im sorry again i couldnt rly give u what u wanted, i just dont think im at that level where i can truly give any advice since im not good enough (yet ! we hope) for a genuine tutorial. if u mean something as far as like... body shapes and stuff im still not rly there yet either. i hope this helps even a tiny bit tho, if u read this far!!!

[deoidesign]

wait so does that mean you'll end up with 600 copies of book 2 total????

yes (grimacing emoji)

yeah, I ordered 300 of each book cause I sold 150 of each, and I figured I would sell probably 150 more once the series returns from hiatus and I can advertise to the majority of my audience...

Plus, with 4 books, that makes 600 books in my apartment! I have room for 600 extra books.

And, the amount it costs me to get 100 books if I sell out of one is a couple dollars more per book, but the profits from my previous sales will cover a reprint with no issues!

so I mathed it out really well between the space in my apartment and costs and everything and then I got 300 extra books that were wrong HAHA

all good though! since they're "free" for me due to the printer replacing them, I can sell them at a reduced cost without issue. As long as I actually can get them out of my apartment eventually... 300 books is a LOT!!! I still have copies of my 100-200 print runs of earlier first comics...

[skeletalheartattack]

If you were a chulip character how would players kiss you?

find and present to me a working copy of Dragon Ball Z Budokai 1 for the PlayStation 2 and you can kiss my stupid ass

[cozylittleartblog]

do you have any advice/tips for posting art on tumblr for the first time?

I’m not new from twitter, I just don’t wanna fuck up somehow

really the two keys to posting art is 1. knowing how to use tags, and 2. having a dedicated art blog

tumblr only tracks the first 20 tags on a post, everything after that is Just For Funsies. tracked tags will show up in search, both for the whole website and on your blog.

if you're not sure what tags to use, see what other popular posters are using! i think i mentioned this in my tumblr guide post, but generally you want to tag fandom, characters, ships (if applicable), and any AUs or similar things. oh, and content warnings if those apply, too. then if you want you can try stuff like mediums and other general tags, that'd be your #art, #illustration, #fanart, #fanfic, #digital art, #(program you used), etc etc. you don't really have to use those, but if you want to keep your blog Super Extra Organized or if you're posting original content with no fandom tags to lean on then they are good options. (you can use things like #ocs, #original characters, #character design, #concept art, and genre tags for those!)

really tagging comes down to: if i wanted to find content like this post, what tags would I look in?

You want to have a dedicated art blog so you can keep your art front and center, if people have to dig to see your art or you post a lot of content they aren't familiar with aside from your art, they are less likely to stick around or follow you! this goes for all social medias really, not just tumblr. it's okay to make the occasional non-art related post, you don't have to completely separate art and artist here, but if you have an art blog you want it to be 95% things pertaining to your work. I have a main blog where I post everything that isn't my art, but occasionally I will reblog important things here or share other artists work because it's good that artists support each other :D

TL;DR - Get familiar with tumblr's tagging system and what the popular tags are for the types of artwork you want to post, and have a dedicated art blog! 💖

Bonus tip: Not everyone is online at the same time, and many people don't scroll to the bottom of their dashboards to catch up on every post they missed. You can schedule your posts so you post consistently at the same times, and you can schedule a reblog of your post later in the day. I for example will make all relevant art posts at 12PM CST, and I set the post to reblog at 8PM CST. The tumblr userbase is more active in the evenings, so if you don't post around that time it's definitely good to reblog things then!

[faaun]

hi! this is unrelated to the situationship but i’ve been going through a crisis about whether i’m bi or a lesbian for like six months now lmao and iirc i think you went through something similar once, so i was just wondering if you had any tips or advice about how you figured it out? tysm!

hiii i did ! i went thru this crisis like 3 times b4 i figured out i was bi, it can genuinely rly be difficult to figure it out it :)

i'd say keep in mind that it's not important to have a label rn - just keep urself open to exploring new feelings ! but also if u want to figure it out faster, spending more time w both men and women - esp those u think you might find more attractive - might help ! for me it was having guy friends, going to clubs, dating, etc, but it can truly be anything :) since starting a hinge profile i've been seeing quite a few men that i found super pretty which confirmed things even further for me (if you go down this route remember that dating app algorithms take a while to adjust)

also remember that ur standards for men may be different, and you may have an intense preference for women which wouldn't make you any less bi ! similarly, if you genuinely cannot imagine a future or conceive of any romantic/sexual attraction between u and a man, then you may be a lesbian ! the point is that u can date ppl and find out !! ♡ also labels can change as u learn abt urself over time so it's all good if you can't land on one definitive label rn forever, it takes time and life reveals new things to us all the time 🩷

while i like knowing that men are like...within my dating pool now, since realising i'm bi basically nothing has changed for me bc i still find women so so much more attractive, so it's good to remember there truly is no rush ! take ur time experiment have fun x

[savage-rhi]

been trying to conjure the words for a while, but as someone who’s got family who’s also going through some really tough shit involving mental health work, i just wanna say i’m so sorry you lost your job—but you won’t ever have to work with these people again, at least!

definitely look into legal routes, don’t be afraid to ask for support, and don’t give up. and be sure to rest and recuperate, etc. ableism is insidious as fuck, but you can rise above the lows it throws your way!

(hopefully that all was worded somewhat gracefully. i just am so sorry you’re experiencing this shit, man. but you’ll make it out alive! ❤️)

You don't have to worry about wording things gracefully hon. I know you mean well and didn't see anything here that was warranted as an offense.

Thank you for the condolences. This is one thing I'm hanging onto, that I don't have to work with these people ever again.

I will do everything within my skillset and empathy to never dehumanize or treat anybody the way I was treated as a mental health provider. I'd like to think I do a good job of that already, creating a brave space for people, and this experience nailed it in that I won't allow myself to stoop to this level of being insidious as fuck to a human being.

I don't know the full context of what your family member is going through, but hearing that, I hope they get through the ordeal especially if they are dealing with folks who do not have their best interests in mind.

Thank you again for the condolences and for checking in 💙🫂

[warriorfujoshi]

kurokumo hong lu blade lineage yi sang anon here. i must speak my truth. each of their dynamic with dante is so different and its so cute⁉️ with yi sang its teasing with a (not. subtle.) trace of lust....what color is pink pather you are so stupid taking my clothes off kinda way....but with hong lu its like omg!!!! hi!!! ^^ omg youre finally here!!! <- covered in blood. the type to say yippee!!! when dante praises him or something. uh. where was i going with this? oh yeah dantes like omg guys stop fighting!!! so hong lu n yi sang take one look at each other and start double teaming dant(i am forcibly dragged away from the facility)

ME PROTECTING U FROM THE PPL WHO WOULD DRAG U AWAY FROM THE FACILITY UOWJWOHSOAJSOWJOQJSOWNSO WHATS IT LIKE BEING A GENIUSSSSSSS 💥💥💥 ur so sick and crazy but I like it thank u anon ur feeding me delicious treats ^o^🫴🐴 like a horse with a sugar cube

i agree w that blade lineage yi sang characterisation so bad hes like a big cat thats batting dante around… toying w his food… just a silly… (dangerous)

my image of kurokumo hong lu is a little different kinda (?) to me he’s kind of less yippee! yay! than normal hong lu? more subdued? but simultaneously more affectionate to dante in specific… like… lcb hong lu is lonely but not aware of the specifics of it and seeking affection in general while kurokumo has identified that loneliness in himself and is specifically going in on dante … twink about to pounce… HE’S LIKE… the vicious predator who will only roll over for them~ lcb would be shocked if dante pet him (but still enjoy it) while kurokumo would bow his head and be like (waiting for his reward~♡)

also indeed they should double team dant- /SHOT

(idk how good they would be at sharing tho…) (🧐📝)

[ispyspookymansion]

You do probably need a plumber but a possible temporary fix is if you have a zip strip use it then run some water down the drain for a bit

thank you ily