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poguehearted77 · 3 days ago

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Lights, Camera, Action!

Summary-> It's your first day on set and your nerves are through the roof but the cast makes you feel at home. You practice your lines, but the sparks between you and Drew are unscripted.

Belongs to my: OBX Season 5: Payback for Maybank Series

These can be read in any order!

You're jet-lagged, but your body has no idea. Too distracted from the abundance of nerves pumping through your veins as you walked around the enormous film lot toward the set.

You stand on the edge of the bustling Moroccan set, heart pounding as you clutch your sides. The scarf draped over your head feels both like a costume and a shield, helping you blend into the character you’re about to bring to life. Even with the months of preparation and the script readings under your belt, this moment feels surreal.

Everyone hustled across the set with purpose, knowing exactly what their job was and how to do it. You had only a fraction of that confidence as you were approached by a familiar face, one of the directors, Josh Pate.

"I can sense your anxiety from a mile away." He teases and it pulls a smile and a small breath of relief that he was friendly. With a comforting hand on your shoulders, "Take a deep breath, go grab a muffin from craft, have some water and I'll see you back here for your scene in 20, alright? I don't need any more faintings on the clock."

Once the words process, he's already gone. Fainting?? More??? With dazed eyes, your eyes scan the environment, dozens of people dressed just like you. Some sitting on the sidelines while others got into place on set. You'd even spotted Madelyn off to the side, a make-up artist lightly padding her face to protect it from the lighting as she prepared for her scene.

You took Josh's suggestion seriously, and promptly, or at least you tried to. You had no idea where to find crafts services or even if you'd be able to find your way back. "Craft Services is the first door on your left." Your head whips around with a face of slight terror in your eyes at the mind-reader from behind you. It's JD.

"How did you know?" It's the first thing you say, slight amusement and a hint of awe evident in your voice. He shrugs, "You were either looking for craft or the bathroom. It was a 50/50 shot, to be honest." He laughs and it calms your nerves a little. After a little while and a good conversation with JD, you glanced at the clock on the wall.

It became apparent you didn't have much time left. Quickly you end the conversation and head inside the room he'd directed you to. The studio was warm, credit to the Morrocan heat that surrounded you on the outside.

"Cups, cups, cups.." You mutter to no one in particular as you desperately scan for the item you need. "Here you go," A big hand is outstretched in front of you with a new cup dwarfed in its palm.

Your eyes followed up the length of the arm until they met those famous ocean-blue eyes that owned your TikTok feed for months last fall. Drew. He has the infamous buzz and soft smile as he looks down at you.

"Thank you," It's a simple response but it's the best you can do in a situation like this. Turning away from him, you fill your cup and finish its contents in nearly one sip before tossing it and rushing back to set not wanting to be late.

You rush back to set, still feeling the phantom warmth of Drew’s presence. For a moment, you wonder if this strange mix of tension and excitement is something all new actors feel or if it’s just you. The scarf draped over your head has now become a makeshift security blanket, as much for your nerves as for your character.

Josh greets you with a reassuring thumbs-up as you step into position, the antique shop set sprawling around you with meticulous detail. Dusty shelves lined with ornate trinkets, cracked pottery, and rusted brass figurines fill the space, dimly lit to convey the musty atmosphere of a forgotten bazaar. The air smells faintly of incense, which only adds to the immersion.

As the Pogues enter the set, Madelyn offers you a friendly wink, her playful energy making the tension in your shoulders ease. You remember bumping into her at one of your meetings with the writers. She's as pure as her character and it was relieving to see a friendly face on set.

Chase gives you a nod of encouragement, while Jonathan seems almost shocked to see you, probably since you'd never mentioned who you would be playing. He sends you a motion of acknowledgement anyway and you smile back.

The cameras start rolling, and suddenly, you are no longer you. As though it were a chemical reaction to the words 'Action', your brain switches to the character you've studied for months in anticipation. No longer Y/n, now Piper.

You busy yourself behind the counter. Attending to the tasks that depend on you as the owner of your antique shop. Your focus is set on the vase in your hands as you sweep over its rim with a cloth.

The bell of the shop chimes as six foreigners enter the shop, standing in a crowd with some of the most grim expressions you'd ever seen. "Vases on the left, woodwork on the right. Let me know if you have any questions." The phrase sounds ingenuine as it has only been repeated every day for the last three years.

"We're not here for some fucking pottery-" Rafe claps his hands down on the counter, you don't react. Sarah corrects him, "Rafe." You look back to the bunch, now standing at your full height,

They were filthy, covered in sand, dirt, and essentially any other grime that could find them. "We need supplies." Sarah says and you shrug, "What did you have in mind? Glasses? Lamps? Clocks?" The group lets out a frustrated set of sounds.

Pope clears his throat, "We need weapons, and we were told to come find you... the pied piper." You tug down the fabric that'd been covering your face to the bridge of your nose. Unveiling the full length of the scar that begins in the center of your forehead, runs down over your left eye and reaches your cheek.

John B whispers, "Just like he said," You make him speak up, "Just like who said. Who sent you?" He steps closer, "Mr. Alami, the merchant from Agapenta. He said you would be able to help us." Your expression elicits a sign of understanding but quickly returns to disinterest.

"I don't help foreigners." The explosive one outbursts again, "You sound just like we do, clearly you're not from here either, so stop shitting us and give us the guns." Those cobalt orbs penetrate the window of your soul but only bring out the sinister grin on Piper's face. "Fine," Swiftly reaching behind your back, revealing the weapon they so desperately wanted, you hold them at gunpoint.

"-And Cut!" You place the gun down on the counter and Drew approaches the counter once again. "That was really good, I even got caught up in it." He places a hand on his chest to add sincerity.

"Thank you so much. I was really nervous for today, I had no idea what to expect." Someway somehow your conversation moves off to the side of the set, seated on those acting chairs.

You laugh as he brings up your fleeting encounter earlier, "I had no idea you were playing Piper. One second I handed you a cup and I turned around and you're gone." Your stomach hurts from laughing. You take a deep breath of air to stop yourself from dying. "Stop stop stop," You beg, neither of you sure what you were laughing about anymore.

There wasn't much time until you would resume the scene but in the short time, Jonathan and Carlacia invited themselves over, giving a proper introduction, sparking a lively group conversation. Being 26 put you somewhere in the middle of the cast's ages, but no one got treated any differently because of it.

This current moment was proof. You and Carlacia posed for a selfie she insisted on taking, honouring the 'newest member' into their family. Both leaning in over the image on her screen you share a hearty laugh. JD is captured in the background in the middle of a gnarly yawn.

"Give me the phone, Lacy. That picture is a federal offence." He threatens, not an ounce of seriousness to be sensed in his voice. "I demand justice." You're almost certain you'd have a fully developed six-pack by the end of filming just from all the laughing.

Before you knew it the break was over and you were back where you'd left off. Went through the scene once more, adjusting anything that needed to be altered and carrying on. "I'm only going to ask you once, what do you want?" You've got a tight grip on the weapon and a crazy look in your eyes.

For the first time, Kiara breaks her silence. "Chandler Groff killed our friend! We can't let him get away with it." Her pleas pique your interest, and it's evident in your expression. "Chandler Groff, The conman?" They nod slowly and you begin to fume.

"Come." You wave them over, whipping open the curtains and entering the back of your shop. Four walls filled with various weapons from swords to machine guns. "Feeling like a kid in a candy store." Cleo beams, looking at the options, nothing but revenge in mind.

"Is that a canon?.." Pope trails off, "You've gotta be ready for anything. Expect the unexpected." Pope wholeheartedly agrees while John B begins questioning your knowledge about Groff. "He wronged some friends of mine. He got away before I could get to him, and that was a good call. I would've blown his brain to bits if I got my hands on him."

Kie smiles at that mention, "That's the dream," John B mutters. "Last time he was here, he was after some magical relic, a mythical one might I add. The blue... crest?" The item is lost on you when Sarah fills in. "The blue crown." It dawns on you at the mention.

"It's real," Kie admits and all the pogues turn to her with horror at her honesty. "Groff has it and god knows where he could be with it." You think, "If what you're telling me is true... then that crown is worth hundreds of millions of dollars. He can't just sell it at any auction. There's only one person with money like that. Mr. Finch."

"Where can we find him?"

"He's far. A two-day journey at minimum. You'll be forced to cross enemy territory and only locals know how to navigate the oasis under the radar. If you really are set on killing Groff, I'd be happy to lead you."

You notice an exchange of various looks between the group. "We need a second." Suddenly there's an exclusive huddle that leaves both you and the tall man at odds. He was sending daggers towards you. "Too cool to be part of their little club, are you?" Rafe stalks towards you, long intimidating strides. Displeased with your little joke.

Your faces were close enough that you could see his pupils dilate and contract now in the light from the window. "Listen. I've heard everything you said, and I'm not buying it. I don't trust you, and if you think for even a second I'll let you get in my way, you've got another thing comin'."

You noticeably gulp, it was unscripted but your nerves propelled it. He towered over you, your dark brown eyes searching his blue ones for any signs of insincerity but none was to be found. Every word he said, he meant it.

"And Cut! Drew, Y/n, amazing," Josh adds, and it's only when you hear your names called that you both back away from each other. However, it felt a little harder than normal, as if something was drawing you in.

Madison calls you over, and your feet are already on the move. With one last glance over your shoulder, your eyes meet his for just a moment.

His piercing eyes hold yours, a mix of curiosity and something unspoken flickering behind them, making your chest tighten with uncertainty. You can see it—he feels it too.

Taglist: @percysley, @lilithblackkk, @rafegf-real, @eternallovers65, @drsza

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dp-marvel94 · 2 days ago

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Real -Chapter 1

Summary:

While hiding from his parents in Gotham, an ill-timed encounter with his neighbor, Jason, has Danny pretending to be his own twin. Fortunately for Danny, the more he pretends the easier it gets. Until he is not pretending at all. Or: Danny names a duplicate and via ghost logic, said duplicate ends up becoming real.

Next->

Also on AO3

Notes:

This story was written thanks to @jackdaw-sprite who commented on a Tumblr post a wrote asking what I should write next with "I haven't read nearly as many of your works as I'd like to before saying which ones I'd like to see continued, but there's one where Danny names a duplicate, and because of ghost logic, the duplicate becomes real. It feels like such a neat idea to play with!" So here I am writing a whole fic about it! Structurally, this is still very much half-fic outline with some important scenes written out. I'm not planning on expanding it beyond what it is. Still, I hope you enjoy the story. :) A note for readers, those here for the DC content especially: this is very much a Danny heavy fic. The focus will be on Danny and Jamie's relationship as the clone goes from just a duplicate without its own life, to a real person with his own identity. The Bats, Jason especially, will be present, and important for Jamie becoming his own person. But those relationships are definitely secondary to Danny and Jamie's.

After a reveal gone wrong, Danny runs from his parents and the GIW. Soon, he finds himself living in a crummy apartment and trying to keep a low profile. He doesn't have very much, so he is very excited to find an actually in decent shape couch that someone was throwing out. It's late so, figuring no one will see him, Danny duplicates to have two pairs of hands to get the furniture up the stairs and into his apartment.

Of course, Danny does get spotted by his neighbor, Jason, who offers to hold doors open and help with the unwieldy couch. Names are exchanged: Danny and, after a pause as Danny realizes he has to come up with something for his duplicate, Jamie. The "three" manage to get the couch inside. But now Jason is worried about what appears to be a pair of twins, 16 years old at the most, living alone in the apartment with one ratty couch and a bookbag between them. Jason isn't pushy or overly concerned, but he does make a point to check on his new neighbors regularly.

After the second time running into Jason and being asked about "Jaime," Danny realizes he's going to have to pretend to be his own twin. Duplication is very helpful for that, though he tries not to do it too often and for too long; it does use a lot of energy. He'll just have the "twins" make regular, short appearances together. It's not like he's trying to get close to anyone in Gotham

But inevitably, short appearances escalate into having dinner with Jason. The first is a one off; man claimed he made too much and Danny didn't really have money for food. Plus it was really good. Accepting the hospitality just this once wouldn't be that bad. Of course, "Jamie" has come to dinner too.

One dinner leads to more meals with his neighbor, to Jason trying to teach "the twins" to cook more than easy mac.

Jason's youngest brother meets the "twins" when he pounds on the door during dinner and barges in, complaining that "Father is being unreasonable" and had ground him.

Damian and "the twins" end up huddling in Jason's apartment during Danny's first rogue attack since he arrived in Gotham. Jason ran off as soon as the alert went off, claiming that he was needed at the fire station where he worked. He pointedly says that Damian can stay and look after his non-Gothamite neighbors since he's grounded. The preteen is prickly but does stay put. Danny starts to get restless, unable to re-merge and starting to fear that his energy will waver and "Jamie" will pop out of existence. He nervously eyes the door and Damian threatens to stab him if he tries to leave, saying that "Todd is apparently fond of you both and will be quite peeved" with Damian if something happens to Danny and Jamie.

Well.... Jamie will definitely disappear if Damian stabs him. So Danny manages to maintain his duplicate for five hours, more than twice as long as any time before. By the time the threat is over and Danny can go back to his apartment, he is straining, desperately trying to hide how exhausted and shaky he is from the excursion. He loses hold of the duplicate as soon as the door is closed.

Despite the hardship, maintaining a duplicate is somehow so much easier after that. He can stay duplicated for longer and gradually, he realizes controlling the secondary body is becoming easier. At the beginning, he needed a lot of effort and control to pilot the duplicate, having to mentally direct it to speak or move. He played "Jamie" as being shy and quiet, so there was less talking to dictate. But overtime, the need for mental prompting becomes less and less. Playing "Jamie" became more automatic, more instinctual. Almost like the duplicate runs on auto-pilot, mostly acting how Danny himself would, though more reserved. To an outside perspective, it looks like "Jamie" is finally getting comfortable and coming out of his shell. But to Danny, this was a relief, spending less energy running his duplicate and less time worrying about being found out.

Slowly, Danny meets more of Jason's family. One of Jay's brothers, Tim, runs into him at his coffee shop job and, blinking sleepily, asks which twin he is, before realizing that Danny is wearing a name tag. This leads to Danny's coworkers finding out about "Jamie" and his "twin" visiting him at work.

As the act grows and more people end up meeting "the twins," Danny spends more and more time pretending to be a pair of twins in more and more ridiculous situations. Playing both of them gets easier and easier, more and more comfortable until the twins can banter, share inside jokes, and tell stories from their childhood. Maybe it is intentional, maybe it's subconscious. But slowly, differences develop to differentiate the twins. "Jamie" is growing out his hair. He loves toast and watching documentaries about history. Danny, more and more convincingly, pretends to have a brother until at some points... it no longer feels like he is pretending.

Despite his new friends, Danny is still so lonely. The apartment is still almost bare, the money he gets from his job barely enough. It's never the job he wanted; he wants to be in school now, applying to colleges so he can get into NASA. But he can't do anything to draw attention to himself, not with the government breathing down his neck or the danger of the vigilantes running him out for being a “meta”. And he misses his friends and sister so badly.

One particularly hard night, when he is heartbroken and hurting, Danny lies on his second-hand mattress in the dark, weeping. He mourns his parents turning on him, his heart aching for Sam, Tucker, and Jazz. He wishes more than anything that he was not alone right now.

Suddenly, there is a yanking on his core that leaves his gasping. A full body pulling sensation that almost feels like being peeled, except somehow it does not hurt. A second later, it is over and through his blurry eyes, Danny can barely make out a figure kneeling in front of him. Arms coax him into sitting up and pull him into a hug. Danny cries for a long while, not thinking about what just happened, not thinking about what... or who... is holding him. He just accepts the comfort, savors the feeling that he is not alone.

Finally, after the tears slow, Danny pulls back and looks. He lets himself realize what he is looking at. And as he takes in eyes like his, the feeling is something between awe and fear. There is a light in the blue eyes, a spark that he does not recognize.

And as the brow wrinkles in confusion and the mouth slowly works, words spiral out. Words that Danny could never have predicted.

"If we... if you keep doing this..." Each word is slow and deliberate, as if each takes great effort. "This...." One hand motions slowly, vaguely, as if un-used to movement. "Jamie won't be a lie anymore."

Danny is stunned. He stares for a long while, unable to process. He does not understand what the words mean, why the spark in those eyes makes him just as elated as it makes him afraid.

So he takes the duplicate's hand and pulls the ecto-energy back inside himself. He reabsorbs it and "Jamie" disappears. And Danny thinks.

Slowly, he realizes how easy staying duplicated has become, how distant and foggy memories from his duplicate's perspective are. He replays the words in his head. 'If you keep doing this... Jamie won't be a lie anymore.' He wonders if they mean what they suggest, and most startlingly.... he wonders where they had come from, if not from himself.

For a few days, he avoids anyone who has met the twins or claims that his "twin" is busy whenever someone asks. But inevitably, his trusty neighbor Jason notices the avoidance and invites himself over to cook dinner. Reluctantly, Danny duplicates; there is clearly no avoiding this conversation.

The dinner is awkward. Danny has a hard time looking at Jason.... and an even harder time looking at his seeming twin. None of the three say much and by the end, their neighbor huffs a sigh and says his piece.

“Look. I know that no one, especially two teens, live in a shitty apartment in Crime Alley if they can avoid it. I don't know if you got kicked out, ran away from home, are hiding from something. And I don’t care. I won't ask. But I was an alley kid. I lost my mom younger than both of you, ended up on the street. I know what it's like just scraping by, trying to survive all on my own. That's why I look out for the kids here. I want to help you guys, no matter what your story is.”

Danny stammers out a disbelieving thanks. He is touched, really, despite the fear of discovery, of vulnerability quivering in his heart. Jason is a good guy and it feels good to have someone who cares. But... the maybe-not-a-lie sits on the couch beside him. A story he could never hope to explain...

Jason smiles, ruffling both of the twin's hairs. He stands to leave. "Take care," he says, almost afterthought. "You're lucky to have each other."

"Jamie" seems to lean, just the tiniest bit closer to Danny at the words.

Jason leaves and it is just Danny and his duplicate. The half ghost releases a breath, letting some of the tension release. He reaches to reabsorb his double and-

A shaky hand grips his forearm. Danny looks, meeting the blue eyes. The spark is back, just the smallest hint in the posture that something is different. Slowly, the brow wrinkles, becoming something worried.

"What is it?" Danny finds himself saying, as if he expects a real response.

"Have... each other." Again, the words are slow as if just the act of thinking is hard. "Not a lie."

Now Danny's brow is wrinkled. "Not a lie? Are you saying that's true? Or asking if it is?"

"Not a lie." The words repeat. "Jamie not a lie."

Danny's stomach knots. He’s heard his duplicate speak dozens of times, even been surprised by some offered puns. But this…

“Not a lie.” One more repeat, this one faster, surer, almost desperate.

Danny looks up again. “Jamie.” He says the name. He’s spoken to his double before in front of other people, as part of the act. But this… it feels as bizarre as it feels right. “Jamie…. Are you�� real?”

For just a second, there is something like hope in the other’s eyes. Then, the brow furrows in great effort. “Yes… No….” One more longer, unsure pause. “Becoming.”

“You’re… becoming real?” The words are breathy. Danny isn’t sure whether they make him feel that same hope, or if he feels sick.

The half ghost looks away, staring down at his lap. He doesn’t know what this is, how this is happening. A moment of panic stabs. Is he sick or insane? Or… is it a trick? A trap?

Danny reaches with his mind, trying to feel. A parasite infecting him? Another ghost, trying to overshadow. There is a connection, a bundle of a dozen fine threads. It is a link to… something not quite separate. Danny feels the almost presence at the end, the not-quite himself he is speaking with. And… It is like cradling a baby bird. Small, fragile, and so young. No malice, just pure innocence.

The half ghost looks up again. His hand shifts, feeling the cold flesh. His fingers press, the almost flutter of a heart beneath the skin.

The awe from that late night rises, a question echoing in his head. What happens if he lets this continue?

He… won’t be alone. Danny remembers that night, crying on his mattress and desperately wanting comfort. And all those times hanging out with Jason. The jokes and banter started as an act to sell the lie. But… weren't they so much more now? Danny had pretended to have a brother and in pretending had imagined one… Now that brother, that twin sat beside him.

But at the same time… fear spiked. What would happen if he didn’t stop this? Could he even stop this if he wanted to? It feels inevitable, unstoppable. Not if he stays living next to Jason. But… if he tells the truth? Or if he runs, starts again somewhere else. He could reabsorb his duplicate now and let this whole thing fade into memory. Jamie would disappear…

A wave of fear surges from outside himself. Danny meets terrified eyes. Something in him softens, crumples.

“Jamie?” Danny asks again and can almost feel the heart-flutter solidifying. “Do you want to be real?”

There is a pause, the fearful face becoming something narrowed eyes and sure. “Yes.” So much determination. Danny feels the one thread of dozens snap.

“Alright then.” Danny heaves a sigh, deciding.

He will hold out as long as he can. He will stay duplicated, keep Jamie here until he’s not a duplicate at all. Jamie will be real.

#Danny Phantom #dp x dc crossover #dc x dp crossover #dpxdc #dcxdp #my fic #Danny Phantom clone

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visualtaehyun · 2 days ago

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Since it's already the 21st in Thailand now and I'm impatient to release this lol-

Today is ZeeNuNew's official 4th anniversary! 🐶🐱

So to celebrate, I worked on a little something, as promised: All deleted scenes from the Cutie Pie boxset, subbed and translated by yours truly (to the best of my non-native ability 🙏)

You can find the individual clips by either clicking on the links or, if you're on desktop, I've added them to the header images as well. My hope is that tumblr won't flag this post because any NC scenes aren't embedded. The clips are all hosted on tumblr and you can easily download them like this, too. If this post does get flagged- Welp, we'll cross that bridge when we get there. But the clips themselves shouldn't be affected since they're all hosted separately.

RULES: - This is arguably transformative content now because of my translations and the amount of audio fixing I had to do 🤡 But, please, if you share this post or any of the links off-site, do so privately so Domundi don't sound any sirens lol - Do NOT re-upload these clips anywhere! See previous point, plus I do not appreciate having my translations stolen, as is often the case online - If any link doesn't work or ever goes down, feel free to send me an ask or dm and I'll look into it 🙏

Now that you've read all of the above and promise to stick to my rules 😇🔪 you may proceed to the actual content~ Have fun, enjoy, and maybe come talk to me about it <3

clip 1+3 - Get out! clip 4 - Lunch & Lecturing clip 5 - Football

Four scenes of the gang's shenanigans at university. Clip 1 continues into clip 3 so I edited them together. They likely fit into ep.8 which has that same classroom setting with P'Aof's cameo as their lecturer. Clip 2 is entirely the same as in the aired version so I omitted it, even though it would fall under this category of scenes. Clips 4 and 5 are mostly about NuerSyn butting heads~

clip 11 - Start Over

An alternate cut of YiDiao's NC scene in ep.10. The boxset clip includes the entire conversation beforehand which I cut out because there's no difference to the aired version. I also adjusted the volume of the placeholder song because it's deafening at times.

clip 8 - First Time

A longer alternate cut of LianKuea's NC scene in ep.8. There are entirely new angles and cuts in this one! I adjusted the audio levels a bit.

clip 6 - Pillow Talk

Continued from after ep.8's NC scene. This scene is so so dear to me. Fair warning: the audio at the beginning maybe shouldn't be played without headphones lol

clip 7 - Bathtub

A LianKuea NC scene. This one might fit into ep.9 because it was definitely filmed during the same Q as the bathtub scene in ep.9. I did a lot of editing to get the audio levels of the different angles and cuts to be roughly the same volume.

clip 9 - Homophobia

A cut scene from ep. 11. Some lady at Lian's father's birthday party has a whole lot to say about Kuea, Lian, and their families.

clip 10 - Mystery

A LianKuea NC scene. I call it a mystery because I cannot for the life of me figure out where this scene was supposed to go! Logically, it must have fit somewhere between ep.8 and 12 but their outfits never show up again anywhere else. All I know about it is that it was filmed during Q16 and that it uses the same placeholder song as in clip 11. My only evidence- two photos P'Aof apparently shared a few days after that Q + a promotional still from a week before the show premiered.

#cutie pie the series #zeenunew #liankuea #yidiao #maxnat #nuersyn #tutoryim #bella and the blorbos #local woman harps on about znn

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eregyrn-falls · 2 days ago

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^^^^^^ !!!!!

There's so much I'd like to add but it would be carrying coals to Newcastle. Great post! (And a lot of great tag-rants in the notes, too.)

I did want to add one thought to this set of tags from @achromaticegoist, about the punch in particular.

It took me a long while to realize it, but not only is the punch reflective of a whole lot of things about Ford's state of mind on his arrival back through the portral... but, it also serves as some really interesting closure (and I'm not even sure the writers realized it).

In the episode, it's told out of order, so we see the punch FIRST. But later in the ep, when we see the fight that led to Ford going through the portal in the first place, what happens is that he and scan are scuffling, and there's that moment when Ford pushes Stan off with his foot and inadvertantly presses Stan against the glowing (apparently red-hot) symbol on the side of the control panel.

Stan screams in pain, of course. And immediately, Ford is suddenly worried, and contrite. He says, "Stanley! Oh my gosh! I'm so sorry! Are you alr-"

And Stan punches him in the face.

That punch is what sends Ford stumbling out into the portal room and falling against the activation lever; and landing inside the danger zone. Ford does get up, but before he gets a chance to say anything else, Stan shoves the journal into his chest, Ford begins to float, and the disaster unfolds from there.

We don't spend enough time thinking that, basically, from Ford's point of view (if he replayed those last moments over and over in his head, as he probably did), the last things that Stan did to him was: punch him in the face, and then shoving him into the portal. The latter was accidental (though disastrous); but the first kind of wasn't. Ford stopped fighting, switching to concern and apology. While Stan lashing out due to the pain is understandable, Stan's punch is what prevents the fight from being over.

Ford coming out of the portal 30 years later and immediately punching Stan in the face kind of creates a book-end with that earlier punch from Stan, doesn't it? Ford getting to hit back the way he didn't (wouldn't?) 30 years ago. (He stands up, but he just stands there angrily staring at and listening to Stan as he approaches. He doesn't try to leap at Stan again or try to wrestle him for the book, etc. Was Ford, effectively, done fighting the moment Stan got seriously hurt?)

As I said, I'm not sure the writers were thinking about that consciously. I don't remember hearing them comment about it (i.e. that Ford's punch was a mirror of the punch that Stan gave him 30 years prior). But I do like to look at what's written and think about it in terms of, these scenes are deliberately written, the way it goes and the details included are chosen, often at the end of a long process of collaboration. I think that what's chosen for the final version is always very interesting.

And I just don't often see people discuss that moment where Ford stops fighting, and immediately becomes worried and apologetic. Not least because, like... up to that point in the series, we haven't seen Stan be apologetic very often. A few times, yes! And it's always notable when he does it. It clashes with the exterior he presents to the world; the man for whom saying "Please" gives him physical pain, etc. Some of which is meant for laughs, too! And some of which is just the product of being hardened by experience and so on.

It tells us something, I think, that Stan truly getting hurt, and screaming in pain, is enough to end Ford's desire to fight. That even after 10+ years of estrangement, he's that ready to be concerned for Stan; and that he's that ready with an apology. Later reads of Ford (post-portal) will portray him as the man who won't say "thank you", and I have other thoughts and feelings about that. But getting back to this, it's the show's choice to have Ford stop their fight and make a slight turn towards a sort of reconciliation. When they could have easily just had him and Stan keep fighting and struggling and the portal turn on because of that. It's such an interesting writing decision; and I just don't hear people dig into what it means for the characters very often.

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

#gravity falls #stanford pines #stanley pines #meta #i've been around for so many years arguing in Ford's defense #so in this latest outbreak of discourse i've just been... so tired #it often feels not worth it to try to argue when you've made the same arguments so many times over the years #but there's always a new person popping up to disparage Ford who hasn't ever seen those arguments #you get tired of whack-a-mole after a while #but bravo to the folks still willing to tackle it!#long post

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gothnitsa · 2 days ago

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"Bioware's writing has gotten worse"

Ok, so I'm going to rant post about something and make it everyone elses' problem.

So, I recently came across a video that compared a scene of a queer character interacting with an unsupportive character in Dragon Age: Inquisition and a similar situation Dragon Age: the Veilguard. The video and the comments seem to imply that one scene is markedly worse than the other in a way that is immediately apparent. I want to push back against this.

Aside from the transphobia/anti-nb shit that is suggested by the video's framing and rampant in the comments, saying one scene is worse than the other is a mischaracterisation and discounts a lot of queer experience.

The scene in Inquisition is very dramatic: the language is flowery and elaborate, the performances are intense, it is a very compelling and dramatic scene. The framing for the scene and visual tone communicate a great deal of intensity and anger from Dorian: there are heavy shadows and dim lighting from torches that flicker, creating a scene that visually has a darkness and instability to it. The blocking of the scene puts a great deal of distance between the player character, Dorian, and his father, representing the distance in their relationship. It is very much a well crafted scene.

Now, the scene in Veilguard is much different: it opens with a very casual tone and atmosphere, the lighting of the scene is very warm and saturated. It feels like we are at a dinner table having a friendly conversation. Then, when the bomb gets dropped, we start to get close ups of each of the characters, interrupted by wide shots of the whole table. The shot of the table reminds us of the physical separation between these two characters, an echo of the rift that exists between them. We then get various close ups of each of the characters which get progressively closer, mirroring the intensity of the scene and the emotions.

Ok, so now we have the "Dialogue," the actual matter under discussion and point of comparison for these two scenes.

As mentioned above, Inquisition's style in this scene is deliberately intense and dramatic. It feels almost Shakespearean. We are given exposition on why Dorian's homosexuality is frowned upon, we get a tug of war between these two characters and the pain they both feel is palpable in the performances: the way Dorian's father speaks with such pain in his voice and Dorian's ferocity and anguish illustrate how this conflict isn't what either of them want, how the values and cultural circumstances have burned this bridge between them.

Now lets look at Veilguard. Right off the bat someone might feel critical of the sort of awkward start to this conversation. I won't lie, it was quite funny to hear someone go "here are some vegetables...so I'm non-binary." It's clunky, it's awkward, it's a strange way to introduce the topic but if you call this "unrealistic" or "bad writing," frankly I don't think you've seen many people come out.

Coming out is often awkward, painfull, and full of conflicting feelings. There's so much hesitation and anxiety baked into the very concept that there isn't anyway to bring it up that isn't awkward. This is actually a pretty realistic way to depict it. Furthermore, the actual conversation is also what I would call pretty realistic for an outing: the child tries to put it in as simple of terms as they possible can, lay it out in a way they think anyone can understand only for the parent to simply reject the explanation. What follows is a brief exchange that rapidly increases in intensity that is brought to life by some well done voice work (though, personally I think the music was a bit over bearing and did a little too much heavy lifting; I would have preferred the scene silent).

You can feel their frustration that is only further compounded by the mother's past behaviour and general presence. Even in this short video clip you can tell right off the bat that this mother child relationship isn't the most healthy, so this is just more fuel to the fire for them. The exchange is brief, harsh, and loaded with baggage and past bad blood between these two. You don't need to even know who these characters are to feel that. This is a much more realistic example of a character coming out to an unsupportive parent. It is laden with tension, awkwardness, unresolved anger, the burden of past expectations. There is, bluntly, a lot going on in this scene. Even just from this short clip you can get so much from these characters and their relationship while at the same time conveying a pretty impactfull and, honestly, real feeling queer experience.

So, no, one scene is not "worse" than the other. One scene has a deliberately awkward moment to convey the difficult and uncomfortable nature of coming out while at the same time communicating a great deal of character and struggle.

The other scene is an intense and dramatic confrontation that is meant to be more instep with the dark and intense tone that this scene holds within the narrative.

Both are well crafted scenes with deliberate directorial, cinematographic, character, and music choices that successfully convey what these moments are supposed to represent.

#dragon age #dragon age veilguard #dragon age the veilguard #rant #writing #writing critique #veilguard spoilers #dragon age inquisition #dorian pavus #These kinds of people know nothing about being queer or writing or cinema and pretend to and it drives me up a wall #it is literally everyone elses problem now

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cr4zy-cycl0n3 · 12 hours ago

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Yo! I'm doing a Heroes of Olympus rewrite!

I'm not a huge fan of how some scenes go in canon and how the characters esp the gods are handled in Hoo, and after reading one too many rewrite/AU fics, I've decided fuck it, imma make my own.

I'm changing quite a few things, like:

- making Piper's memories not be tampered with and as a result be way closer to Leo (credit to Heroes of Juno by @queenjunothegreat for this idea!)

- MOTHERLY HERA/JUNO WHO PSEUDO-ADOPTS JASON FTW also parental Lupa but that'll be more apparent in a Jason prequel/sequel(depends on how I wanna format it) I’ll write after TLH is done

- slowburn valgrace instead of comphet jiper

- Leo and Piper QPR(+Jason when Piper stops being his #1 opp). Jasipereo ftw babyyy

- the whole series is just gonna have a good deal of focus on the Lost Trio. I'm not gonna shaft anyone ofc but my favorite punching bags characters are just gonna get extra love :3

- Jason's gonna be considerably more feral cuz CMON MAN WAS RAISED BY WOLVES(this is more prominent in the later books cuz in TLH he was alr feral, going at 2 giants with his BARE ASS HANDS)

- Jason has more bite cuz DAMMIT HE DESERVES TO BE ANGRY/BITTER AND CLAP BACK. HIS LIFE IS SHIT, LET MY BRO BE MAD

- more exploration into Jason's character cuz man was shafted so hard :(

- exploration of characters' powers in general, def buffing the Big Three kids to be as strong as Percy cuz holy cow he's OP. I love Percy and his OP-ness, but the other Big Three kids should be just as OP

- Zeus is the God of Justice, which we don't see much of in PJO's characterization of him, but Jupiter is Roman and hence is much more strict in the RRverse, so consequently I think his domain of law and order is more central to Jupiter than his greek counterpart, so I'd like to explore Jason having powers related to that and being an absolute powerhouse when it comes to debates and politics despite hating them

- characterizing the Gods differently from canon as I'm a Hellenist and writing them as they are in canon makes me like. Kinda uncomfortable. I will be using mythic literalism as that is what PJO/HoO's based on and I'm not rewriting the very foundations of the series, so they will still have committed the things they did in mythology, though I'm keeping them largely unaltered from the Og greek mythos and unsanitized as this isn't intended for a young audience like PJO is. Their behavior won't be exactly like their depictions in myths nor how they actually are irl, it's a mix of both(Ex: Zeus has still done heinous shit so he won't be as great as he is irl, but he isn't supremely petty and bitchy like he is in PJO.). This uhh. Will probably mean that PJO events would go differently which would influence HOO but if I think about that too much I'm gonna wanna do a PJO rewrite too and akbhdhd so just imagine that everything that goes on in PJO goes as canon (for now at least) for some reason or another.

- Octavian and Jason are were best friends cuz I said so. This change is inspired by To Storm and Fire(a Heroes of Olympus rewrite) which I am in LOVE with. The antagonistic side characters(like Drew and Octavian) got very little development or character exploration so l'm definitely giving them that in my rewrite!

- The Seven feel and are much closer together

- delving more into the sevens' trauma pre-camp, might also do a one/two shot for each of them. Jason’s a given cuz I’m writing a whole ass fic or even series dedicated to his past, Leo and Piper definitely, probably also Hazel and Annabeth, not sure on Percy and Frank cuz for Frank I’m def going into the trauma that comes with growing up in an Asian household but don’t have too many ideas on how to execute that, and for Percy I don’t have all that many ideas in general outside of the little we know in PJO(I used to think we knew a lot but honestly, we really don’t? Like we know Poseidon left, Sally had to work a lot, Gabe sucks, and he got kicked out of 6 six schools in 6 years and the reasons, but we don’t have any concrete details. There might be more in HoH, I haven’t read it yet so lmk if there is). Open to any ideas for this!

- camp is. Tense. It's been only a few months since the war, grief is still fresh, and Jason being tall, blonde, and blue-eyed with a scar ain't helping 💀 some people think Silena was a hero, others think she was a villain, some people sympathized with Luke, others despised him, there's a lotta differing views.

I have loads more ideas that I won't get into here cuz the post'll get way too long, but l'd love to hear what you guys think! What scenes/characterizations should I change? What topics would you like to see handled differently? What should I add? I'm open to any and all suggestions!

Currently outlining TLH, will start posting it on my ao3 once I have the first chapter and 4-5 buffer ones written so I'll prolly start posting it in a month or two? Idk, depends on my workload irl and if I get hit by writer’s block. Maybe less, maybe more, who knows. I'll be writing a bunch of shorter stories for specific moments, time between books, and namely a prequel/tih sequel focusing on Jason's past and who he was before Hera wiped his memory. Open to any suggestions for additional works too. Feel free to drop any questions and suggestions bout the rewrite here or in my ask box!

#percy jackson and the olympians #heroes of olympus #pjo #hoo #riordanverse #the lost hero #the lost trio #lost trio #jason grace #leo valdez #piper mclean #valgrace #jasipereo #ao3 fanfic #ao3 #rewrite #canon rewrite

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raayllum · 23 hours ago

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Analysis of the cube scene

Because it's like 0.2 seconds and I still have thoughts, so here we go.

First things first, I want to talk expression change, since we see Callum while speaking when you heighten the exposure on the clip's beginning that his eyebrows are a lot more raised, and then it hardens not quite into full-on anger maybe, but resignation.

We can also see the tip of Callum's hand gloves as he apparently holds the cube up. It's not absurd for him to hold the cube in his hand, as he has done many times before, but it seems more likely now in S7 that it's a reference back to this post from his pawn intro.

As for the background, whereas last time Callum being corrupted in the trailer featured Finnegrin's office (hence it + the overt framing of Aaravos) made it clear it was a nightmare, this background is a little more ambiguous. In my big trailer breakdown analysis, I noted that maybe the group would try to collect their allies, and the mushrooms look like the big ones we see near Zubeia.

So if Callum is standing or on sitting up on eye-level with some, that makes sense. His background also looks a little like the entrance to the Pit of Despair for the smooth blue shape, but it doesn't have any of the red mushrooms, so I'm ruling that out and putting it closer to Zubeia.

There's a few reasons we could be going to get Zubeia! We could be going to get her for her help, or mushroom salves if the Sunfire elves decide to try and purify Lux Aurea / themselves again in order to thwart Aaravos' plans if he needs both Sun and Moon to be actively corrupted (it does seem like Lux Aurea becomes safer later on in the trailer). Callum could be having a nightmare on his way to the Mushroom mage for that purpose, brought about by the knowledge that Aaravos is out, or Aaravos messing with his head again.

His nightmares previously seemed more induced by the corruption/Aaravos' hold on him (6x01) and his direct worry about it (6x03) when he knew being possessed was an option, as it is no longer, but they could retread ground from S6. Janai is seemingly receiving nightmares from Aaravos despite having no connection with dark magic, so it's certainly possible even if it I think it's less likely (more on that in a bit).

I've also wondered about what the "darkness and corruption will overwhelm you" would look like. Is it instantaneous, or is it slow-going? If it's the latter, Callum could be on his way to the mushroom mage in hopes of purifying himself before it takes over him completely, and has the vision of the cube going dark magic-y red during a night of fitful rest.

One of the things that makes discerning whether this is a dream or reality especially hard is that we know that dark magic dreams can be prophetic (the rune cube in Callum's in 2x08 highlighting ocean and moon, highlighting that he would use dark magic again in S5 Ocean and for his Moonshadow elf; little Claudia saying she's following in Viren's "footstep" (singular) or walking out into the ocean; Aaravos seemingly revealing information to Janai for whatever reason).

So Callum's 2x08 dream with the cube could reference the cube itself being corrupted somehow, and turning Aaravos' book into the ultimate guide to dark magic rather than primal magic. Perhaps the whole screenshot is based in reality.

The other thing that's tricky is that we know that dreams and reality can be blurred, tying into the prophetic aspect from before.

So aspects of it could be a dream / nightmare (Callum sees the dark magic cube, we do a wide cut to see he's corrupted - though he can't see it, maybe he could feel it?) or it could be fully reality, or a mixture of the two. I'm probably leaning towards the mixture option unless we discover the cube itself can be corrupted (which it presumably is tied to primal magic if not deep magic, so conceivably it Could??).

I'm also deeply curious about the context of Callum's "however dangerous, however vile". Unlike Viren or Claudia, it's not a refrain he's said before in a dream or otherwise, nor would he presumably have ever heard any of them say it. Perhaps he and Aaravos have a conversation, and Aaravos taunts him with the phrase or brings it up? Or he could hear Claudia say it in their duel in S7.

And there's our 500-ish words on a split second scene, what do you think is happening in it?

#tdp #the dragon prince #tdp spoilers #s7 spoilers #the key of aaravos #s7 speculation #predictions #analysis series #analysis

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rocksibblingsau · 2 days ago

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The TBT got me thinking about the movie's writing again, so here's some thoughts. Clay being the only one to get an on-screen apologize doesn't make any sense narrative wise.

When you look exclusively at what's implicitly canon (so no 'he was at the tree that whole time' headcanons, even if they make some sense), Clay is the least in need of apologizing compared to the other three. Bruce is slightly more in need of apologizing than him because he was the second eldest and second to leave, but this point is not about him, it's about how it should have been either JD or Floyd (ideally it would be all of them apologizing actually, but again, not about that rn)

John Dory is practically the main force behind the movie's plot and emotional conflict, so we're talking about him first. John Dory in the movies, well, he kinda sucks a lot of ass. During the Brozone days, he was very bossy, overbearing, lowkey emotional/verbally abusive and the first to leave them all while being the oldest and implied to be their only caretaker outside of their elderly grandma. And even though some people give Clay and Bruce shit for how they behaved towards JD during the Rhonda fight scene, they were RIGHT, he was being bossy and a dick during that scene, and while all the bros were at fault about how they treated Branch during it, he was also the worst of them (like he was the only one who not only denied they would stay together after saving Floyd, but also actually made fun of Branch for even thinking so). And that is without mentioning how he got the the three of them trapped later in the film in the stupidest way possible.

This is NOT to say that he is some kinda of unredeemable abusive monster, no, even if its not said out loud in the movie, its left pretty implicit that he had his reasons for acting the way he did and that he was under a lot of stress himself running the band and caring for his 4 younger brothers while likely being a kid himself during the Brozone days. BUT, after all that, it feels so strange to have the time for one singular apologize apparently and to not give it to HIM of all people. He giving Branch the lead during the Family Harmony is the only thing he does that implies he changed his way after ALL of that, even Venner gets more redeemable qualities than that!

It just makes his storyline feel incomplete honestly, like the movie only bothers to drop slight hints that this man doesn't completely suck and then turns around and both doesn't build up further on those hints AND doesn't make him do anything to redeem himself with Branch and any of his other brothers.

And if for whatever reason it wasn't going to be John, why not Floyd??? I don't even care that much that we don't get a reason for why Floyd never went back, its kinda even implied that he never intended to come back and was just trying to comfort Branch by lying, but again, if you're going to set aside time for one-on-one apologizes after everything is set and done, why not use it for tying up one of the main story points set in the begging of the movie.

Is like they even forgot that they set up Floyd promising to come back and never doing so, because as far as I remember (could be wrong tho), after the introduction, Branch only refers to Floyd as "the only one who said goodbye". With for Branch's character makes sense really, but for the narrative feels plain unsatisfactory. It sets time aside to set up out loud that something was supposed to happen and it never did (crucially affecting the trajectory of the main character's life) and it just... never brought up again. No excuse, no Im sorry for that actually, no anything. Instead we get Clay, which in the movie, has no special relationship or plotline with Branch compared to the rest whatsoever, being the one that gets to have on-screen closure. Why?????

In conclusion, the movie could have an 100% better script and tighter emotional conclusion if they had just let the writers have two even ONE extra rewrites. But not, instead we get two plotlines that likely will never get resolved because got forbid this franchise actually has a proper continuity between films yippeeeeee

(Im truly sorry for this ramble, I just have too many thoughts and too little friends that even know what Trolls are, and by too little I do mean actual zero. Hope you enjoyed it at least, if not, Im sorry again)

I agree that Clay was the one Troll who had a good reason he never got to go back and visit or anything. It was definitely weird that he was the only one who apologized for never getting to see Branch grow up, but I think it says a lot about his character that he did.

#sibblings qna

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ohsohoney · 1 day ago

Text

When it comes to love you're just as blinded.

Part Fifteen

Eminem x Musician

Summary: It starts with a drunk embarrassing video, it spirals into something a whole lot more.

Note: Sorry sorry sorry for how long it's taken for me to update!! Had a lot on and then I got real sick. Hope this is an alright update though:) Continues on from the last scene where they were at the cinema!

Enjoy seeing the articles I tried to make too lmao, they're there not too far down after the first couple paragraphs. Idk what I was thinking w that one, but it felt necessary after the long wait!

| Set in 2014, just after the release of LP 2

taglist: @thelastemzy @helloitsme1223 @geekchic48

Masterlist

It was Saturday, and Saturday typically meant that the weekend had finally come. And both of those things had yet to occur whilst I’d been staying in Detroit. Which, in truth, wasn’t the only thing to throw me completely off my game this morning.

Although honestly, it was a really big change.

Rosie wasn’t around yet. Apparently Saturday’s were sacred days within the Mathers household, seeing as the pre-teen liked to sleep in on the mornings she had off from school, which also meant that Marshall got to finally have a lie-in. Or, at least it seemed that way when I’d decided to venture from the confines of my room around about nine, after having had a brief breakdown over everything I’d woken up to.

The media was in meltdown mode.

Every news outlet from here to Beijing was talking about the pictures that had been captured last night in the car park to the theatre, as well as the one’s I’d taken with that particular girl outside of the women’s bathroom. It seemed that other fans had connected all the dots in the time between my head hitting the pillow and now.

I had zero idea as to what I was meant to do about it all. My phone was blowing up with notifications from every account that I held, as well as friends and even some family members I hadn’t spoken to since I’d told them where they could shove it the last time they’d come sniffing round looking for a payout.

It was the most nauseating feeling, believing that you’d lost complete control over a situation.

But it was just as I’d gathered up the courage to go knock on Em’s bedroom door that my phone rang once again. Only this time, it was one of the names I’d been hoping to see.

“Elia, you there?”

A shaky breath escaped me as I pressed my phone closer to my ear, hastily turning on my heel to head down the stairs.

“Mila.” I exhaled, but even I could hear the anxiety that lined my voice and it wasn’t because Mila and I had barely spoken since the whole argument we’d had over Lottie. No, this was down to me knowing that things had to be really fucked up because my manager had shared that same wavering tone. “I don’t know what to do. Everything– it’s all just blown up in my face.”

There was a long pause which followed my clumsy reply, I used it to slip out of the back garden door to escape the sudden confining feel the house had started to give me. Which seemed so stupid in hindsight, what with how big it was, but that thought alone allowed me to take another deep breath.

I shivered at the cold that overwhelmed Detroit in the early throes of winter but didn’t care enough to head back inside to grab a cardigan or even a pair of shoes. My mind honed in on the way my life seemed to be crumbling piece by piece, first with Lottie and her dad, then that whole back and forth thing with Marshall, and now this.

“It’s not as bad as you think.”

Rolling my eyes at the answer Mila gave, I could only huff out a mirthless laugh, stressed beyond belief.

“Yeah, it’s not like my face is plastered over every gossip rag across the world– oh wait, it is.” I sniped back, “And they’re all painting me out to be Marshall’s next big fling, and if not that, then some fucking groupie. Like I’m not a nominated artist too, as though all I am is someone to mooch off of his fame.”

Mila sighed softly, even after my heated retort, and I could hear it clearly over the rustle of leaves as well the birds that seemed to be chirping in the distance. I tried to let them ground me. “I didn’t mean it like that. It probably does look pretty bad from your end–”

I cut her off with a scoff– so much for trying for a bit of calm. “Bad? Mila, bad would have been me spotted leaving Detroit and people conspiring over why I was here in the first place. Not this.” I dragged a tense hand through my hair, “Em is gonna flip his shit when he sees everything.”

She sighed, again, and I could only rub tiredly at my eyes. “Babe, listen to me. You’ve not ever really had any publicity like this,” Mila started, and before I could think to lash back at that remark, she was already beating me to the punch, “And no, before you say anything, not like that. I know that you don’t want anything out of this whole fiasco, believe me the amount of times I’ve had to suffer through just because your ego wouldn’t let you take anything for free is insufferable. But anyway, I simply meant in the way that you’ve not really had many big knocks or hits like this throughout the press. Sure, your family and your background’s been brought up a lot, but babe, those are just conversation starters for you now, it sort of was back then too. This is all just scarier to you because it’s new.”

I had to take a second to really hear Mila’s words, for them to sink and settle before I could analyse them. In a way, she wasn’t completely wrong. I could at least admit that. Didn't mean that I hadn’t faced my fair share of backlash though, just maybe not on this level? And not over someone I was supposedly dating either, my brain unhelpfully supplied.

I closed my eyes, silently wishing for a cigarette I didn’t have, and then unclenched my jaw.

“I don’t know what I’m supposed to do.” I confessed to her quietly, then shivered when another harsh wind blew through the garden. I wrapped an arm around myself, to shelter me from the cold air or how exposed I felt, I didn’t know.

Mila stayed silent too, until I heard a large intake of breath and the sound of a door closing on the other side. “Here’s what you’re gonna do. You’re going to talk to Marshall, you’re going to figure out what it is you want, not just him or his team.” She added as a forethought, knowing me far too well. “Then the pair of you, you and him, can decide how and where you want to take this.”

I exhaled slowly and watched as my breath clouded the air, it made me wonder how cold it might have been over in London. “Right.”

Mila continued on, her familiar lilt taking back the weariness which had homed it minutes earlier, “I mean it’s not like anything’s actually happened, if you want to you two can just ignore it easy, wait for this all to blow over. It’s just gossip.”

My eyes widened and I stilled at her words.

But I must’ve been quiet far too long though, because Mila called my name and suddenly I was forcing myself to blink as I attempted to swallow back the memories of that kiss, of him holding my hand with all the care in the world.

“Right,” I repeated again, then cursed the way my voice cracked on the vowel.

Mila caught it right away and I felt rather than heard her internalise exactly what that could possibly mean, “You haven’t done anything– right?”

My mouth worked over words that wouldn’t quite come out and then winced when I heard my manager drop the phone to curse heatedly in Spanish.

It took a long minute before Mila had seemingly calmed herself enough to return to the call, time in which I spent worrying my knuckle between my teeth and wondering if everything that had happened with Em was even worth mentioning. If it mattered enough to him for me to voice it now.

“How long have I been telling you that you need to get back out there, to meet somebody and have some fun? I’m glad you took my advice, really, but I didn’t quite mean wrangle the biggest old-school rapper into your bed whilst holidaying in his mansion!”

I let my head fall into the hand not holding my phone and pinched at the bridge of my nose. I didn’t want to regret it, the things that had happened with Marshall, but Mila was sort of right. What had I really expected to happen between the two of us? He was a Dad, more famous than anyone could hope to be, and a tad bit older… Okay, a fair bit older– a decade, sue me. Hollywood had seen worse.

That wasn’t even it though, how had I yet to consider what the media, the press, the fans would think of it all? I supposed I’d pretty much found out.

“I didn’t sleep with him.”

Mila made an odd sort of noise at my admission which sounded tinny through the speaker, “Don’t lie to me now! Those photos don’t offer much, I’ll give you that, but babe, there was some sort of connection there.”

I fish mouthed again.

Mila didn’t seem to note the silence, “People are in actual awe over the look one picture managed to capture on his face! There’s no way you haven’t got that man wrapped around your finger.”

Blinking, I tried to recall what image she could possibly be talking about. I hadn’t seen anything of the sort. “I wouldn’t lie to you, Mils. Nothing like that has happened. It was just–” My mouth felt dry, the sort of dry you’d experience after being lost in a desert for days or just swallowed a spoonful of flour.

“Just what?” Mila prodded.

And I forced myself to finish my sentence, stare caught on the dampness that clung to the soles of my feet, “A kiss.”

–

I had a list now.

Of tasks to complete, one of which warned me to stay off all social media for my own good. Mila’s orders, not my own. But still, I couldn’t quite part with my phone even as I stepped back through the garden door into the kitchen, shivering at the rapid change in temperature and the sick feeling of anxiety that welled inside of me.

Even with that though, I noticed how the house now seemed to buzz, in a way which had me figuring that I was no longer the only occupant awake. So I swallowed back the lump of worry that sat heavy in my throat and made to trail my way further inside, ignoring the slight chill of tile that followed my feet.

I found him stood at the very top of the stairs with Rosie hanging off his hip, the silliest of grins plastered across her face which only appeared to brighten upon seeing me. “El!” She called out in excitement before she turned to fix her father with a ‘told you so’ glare, “See, she is awake!”

Marshall rolled his eyes at the rebuttal, but did evidently blow out a huffed chuckle in turn, choosing to let his daughter slip down his side and out of the captive hold he’d had her in for my supposed sake. He shook his head at her before he then turned to me, the exasperated look he’d gifted her disappeared the moment he saw my face. “You good?” He asked me, brow furrowing as Z peered between the pair of us.

“Where’s your phone?” Is all I answered him with.

His expression deepened at the nonanswer, but he scratched his head in thought before he recalled, “Chargin’ downstairs, I think. Died when we got home.”

Home, home, home.

I realised, not for the first time, that I’d taken to thinking of it that way too. Calling it London and not home each time it got brought up.

Swallowing once more, I felt another wave of nausea overwhelm me. Rosie’s head tilted in confusion as she quietly made her way down the staircase, hand sliding over the wooden rail. “I–” I tried, but fumbled for the right words to say. If there even were any. I let go of another breath, “You should go take a look.”

Marshall greeted my words with a look of reservation but did move to step down off the landing, making it to the bottom just as Rosie crowded me, her smaller figure slotting into my side with ease. I allowed a hand to come up and cradle the top of her head, hoping that whatever transpired from this wouldn’t sour things enough to send me back to London early.

And why was that my only hope? Instead of the way this could all impact me and my career, or the people around Marshall?

I didn’t move to follow Em as he made his way into the kitchen, socked feet padding over the tiled floor, much preferring the warmth that radiated from Z as I fought not to worry at my knuckles once more. I didn’t know whether or not I wanted to bear witness to his reaction.

“You’re freezing.”

The words caught me by surprise and so I blinked away from where I’d just been staring off into the distance, then peered down at the girl whose arms were wound around me. Rosie had her head tilted back, chin resting on the curve of my arm as she waited for an explanation.

“Sorry, just stepped outside for a minute,” I apologised to her whilst simultaneously answering the unasked question. It was subconscious, the action to rub a gentle hand up and down her arm in hopes to warm the pair of us up a tad, and Z countered her previous words by burrowing in closer.

“Are you leaving then?”

That next question immediately had me frowning, wiping away all the previous doubts that had just been running rampant through my mind.

“No, not yet.” I assured her softly, peering down at her once again. Her face was half-hidden, blonde hair mussed by sleep, and in that moment she looked so much younger to me. “Why you asking, hoping to get rid of me?” I teased sweetly, hoping that the method wouldn’t send her skittering into her shell and instead give me something of an honest answer.

The girl shook her head against my arm, then shrugged, “Just, you looked sad.”

A sad smile slowly eased over my features at that and I couldn’t help the way I squeezed her tighter. “Busy morning, I think.” I said in comfort, then thought about my next words, “But even if I was sad, doesn’t mean I’d just pack up and leave. Me and you, we’ve bonded, gonna have a hard time getting rid, okay?”

I pinched her side playfully with that, a move that had her squeaking and tripping over her feet to get away from my attack whilst still staying plastered to my side. “Don’t! You’re actually the worst!”

Laughing as she dissolved into giggles too, I relented on the tickling. And it was just as I went to reply that a sound had my head snapping up and over towards the kitchen doorway, heart stilling in my chest at the sight of Marshall stood there, phone in hand, his face void of any emotion.

“We need to talk.”

Rosie appeared to be all too aware of the sudden tension that dragged between us then, as well as the coil of nerves which straightened my spine, because she let her arms slip from my waist and took her hand in mine, squeezing ever so as she turned to look up at me. Obviously confused, she had no words to offer but the sentiment was clear anyway, she cared enough to stand against her Dad without even knowing what was going on.

It threw me completely.

Marshall seemed to catch on to the silent protest too, his blank expression flickering with evident surprise before he managed to unclench his hand from around his phone and drag it over the top of his head. He slumped, the ridgid stress he’d just been wearing melting ever so slightly. “We just gone talk, Z. She ain’t goin’ nowhere, I swear it’s work stuff. Something happened and now we gotta work out how we gone fix it, baby. That’s all.”

Z stared long and hard back at Marshall and the man met her eyes dead on, showing her he only meant the truth. His words seemed to appease some part of her, I deemed, enough to have her tightening her hold on my hand once more before she reluctantly pulled away.

I only wished that they’d had the same effect on me.

“That mean we’re not having pancakes then?” She wondered as she trailed across the hallway to head towards the kitchen, Em’s shoulders dropped slightly when she approached and he moved to run a hand through her hair.

“Promise is a promise. Jus’ have to wait a little longer, cool?” He answered, gazing down at her before he finally allowed her to slip by after she’d given him a nod. It was with that in which he turned to face me again and I had no idea what was going to go down, let alone how he was going to react. So when he silently gestured his head off to the side, I could only force my feet into following behind him.

We ended up in a small office just off of the living room, one I hadn’t really been in before now and that was decorated sparsely enough to ensure that no one else did either, at least not often.

Marshall took perch at the desk in there, large and mahogany, and leaned across it to start up the computer monitor stationed on its top. I found myself trailing after him, shuffling awkwardly on a dark rug for a second over where to sit before I just rolled my eyes at myself and moved around the desk to sit on its corner, uncaring for the way Marshall’s brows lifted in slight surprise. Because honestly, if we were going to do this then I wanted to see what the fuck the media was rioting over too, and how was I meant to do exactly that from the upholstered cushion sat on the desks opposing side?

He didn’t comment on it, though his eyes did trail over me for a split second before the screen flickered through the usual start up and login. I watched him type in his password, noting how he didn’t much seem to mind me peeking, before my eyes flitted back down to his face, taking in the way the monitor's light flickered over his skin and how his tongue darted out to wet his lower lip.

I wrung my fingers together in a way that would occupy my mind, mouth pursing at the sight of the slightly reddened knuckles I’d abused earlier. My stare must have caught Marshall’s attention too because I startled a tad when he reached out to pause my fidgeting, gaze lingering on the raised skin before the pad of his thumb moved to soothe it.

Suddenly my tongue felt too big for my mouth and all I could do was stare before his startled gaze flickered up to meet me. It almost appeared as though he hadn’t even realised he’d done it.

“Z’s okay, right?” I found myself asking him as I cleared my throat after he’d withdrawn his hand.

His sniff filled the silence as his arm jumped over to grab the mouse, now focused on the screen. “She um,” He coughed lightly, the click of the keys filling his tense pause, “She gets a little weary about shit like that, I guess. People leaving. Had a lot of ‘em come in and out of her life, figure it fucked with her a bit.” Marshall admitted gruffly, purposely paying attention to the computer now instead of meeting my eye.

I continued to watch him though, content to wait. My patience earned me a little more.

“Thought she’d grown outta it though, you know? Used to cry for her mom when she’d drop her off, or when I took her to school. Shit was always worse when I had to tour. Couple years back, she even got upset when Maria, our cleaning lady, moved States. Didn’t come outta her room for days.” He shrugged lightly as he recalled it, acting as though it didn’t much bother him anymore, but I could tell that it was eating away at him still, how much he blamed himself for Rosie’s struggle. “Figure she likes you enough that it’s sort of– I dunno.” He sighed, then waved it all off, desperate to move on it seemed, “You know what, don’t worry about it. I’ll figure it out.”

I wanted to sigh then too, because how could he think that I’d allow that to just slide?

“I’m here for her too, you know.” I heard myself say after a second or two had passed and kept myself from looking over at him to garner his reaction to that particular statement. This was meant to be work. I was just here to work. Though, that reminder had long since grown old. “I get it, being scared to attach yourself to new people in fear that they'll hurt you by leaving too. And Rosie, she’s not messed up for feeling that way, it’s just a coping mechanism. One a lot of kids experience–”

Em scoffed at that and my eyes instantly snapped over to find him shaking his head at me.

I narrowed my eyes a tad, but not unkindly or in defence, just a little perplexed.

“It’s true. Sure, they might not all have had a childhood like hers or mine, or even yours.” I acquiesced, “But even the kids who have that apple pie type life and grow up with cookie cut families can still be scared about those they love leaving. Like because their Dad works abroad a lot so they don’t see much of him, or how someone forgot to pick them up this one time and made them wait so now they’re fucked up forever.”

I smiled at the small laugh that escaped from Marshall at that, probably thinking over how normal that had probably been for him as a kid. I got it. “Mind’s weird, man. Kids are adaptable, but they get just as scuffed up as the rest of us. Z’s the same, but she’ll figure it out.”

“Or, jus’ do what you did and hold onto it so tight that people have to fight their way into her life.” Em countered easily, earning an audible gasp from me before he was smirking away and reaching out to poke a finger into my knee, assuring me that it was all in jest, “And don’t call me man, that shit’s weird.”

“Why not? What’s wrong with man?” I protested, grinning now as I started to pester him, “We’re homies, aren’t we? Buddies? Brothers?”

I cackled when he reached up to crowd a hand over my mouth, shaking his head all the while, even as I shimmied to try and escape his onslaught.

“What about bud?” I asked him from over the top of his hand the second I could, trying to steer my head away as I swatted him with my foot in retaliation, “Or dude? Hey, how about bro? Bro’s a good one!”

“Elia.” Marshall warned in a low tone once he finally caught my wrists in his hands, stilling me completely. Though I could see the tiny beginnings of his smile.

My eyes flashed upwards to meet his when he stood up from the desk’s chair, “Yeah?” I only continued to push, hoping that it would get me somewhere. Where though? I had no idea.

“You talk too much.”

My smile was far too smug.

“First time I've ever been told that.” I rebuffed, letting myself lean a little further into his hold.

“Somehow I don’t believe that.”

Humming, my eyes flickered between his own. “What do you want me to call you then?”

Marshall stared back at me unblinkingly for a long second, before his gaze dropped to my mouth then away again. “Guess that’s jus’ another thing we can go ahead and figure out.”

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blackcatnip · 2 days ago

Text

The blue sky in your eyes

Soukoku Ok, you know about when you are crying and it’s the most beautiful day outside, so you think like, “the sky should be as sad as I am”. With that in mind this scene came up, and it’s more of Dazai having that thought, and deciding to latch on another anchor to validate his mood.

Dazai doesn’t remember when it changed. One day, before he could realize, he wasn’t looking up to calm him down anymore.

It was a thing that had stayed in his body almost like a program inside a robot. Whenever he felt overwhelmed, trapped, or just wanted to be gone, he would look up. And see the sky.

It was a dangerous gamble. He knows that, but what is life without a little danger? Look up when you want to burn the world, and if the world apparently wants you to burn it too, it would respond with a shitty sky.

For some really annoying reason, it was rare, and when faced with the most common blue sky sprinkled with some clouds, he would just decide to lay down and do some cloud watching. — If sometimes he happens to be in the middle of the road, what can he do? It’s the system.

It was in that situation that Chuuya appeared one day. Thinking about it now, Dazai is almost sure it was then that it changed.

It was a bad day. He had fucked up, big time, he had too many subordinates killed, the drug he was suppose to retrieve was shattered on the floor, all that piled up, with the dooming notion that, on top of everything, he would have to report back to Mori at the end of the day. He was not afraid of the man, never. But, and with a lot of buts, Mori was his boss, and he, despite how Dazai hated to admit it, had power.

So he laid down, this time in a park, and looked at the sky. Cussing once more at the view of the overwhelming blue with those stupid fluffy clouds.

“What are you so angry about?” A voice popped up beside him and Dazai just closed his eyes.

“I’m meditating, could you please leave? It would be nice.” The guy just hummed at that.

“You fucked up real bad this time uh.”

Leaning on his elbow he glares at Chuuya.

“I did not. They were incompetent and now the one facing the consequences is me.” He groans and lays back down. “I’m here, alive, in the shit while they managed to die, how is that fair?”

After some minutes of silence he hears some shuffling beside him and when he looks over, Chuuya is laying down at his side.

“So? Why are we angry at the sky?”

“We?”

“I hope he didn’t do much, cause it really sucks to fight, the… you know, the infinity blue.”

Dazai chuckles. “You can attack it at night when it’s black then.”

“But I have to see to make it a good fight.”

Dazai looks up at a little cloud with a beautiful shape, he pulls his arms up and tries to grab it.

“I know what you are thinking, that does not look like a hanging rope”

“You are so mean, if it wasn't, how could you know that was what I was seeing, hm?”

“Because I know how crazy you are.” The boy puts his arms in the back of his head and continues to scan the sky. “You want backup?”

“For what? To talk with the boss?” He scoffs at that. “We aren’t kids being reprimanded by our fathers.”

He can sense Chuuya shifting to the side and staring at him.

“No, it’s worse.” He waits some more minutes and when Dazai doesn’t dare to respond he continues. “It’s okay to be scared.”

“I’m not.”

“Bullshit.” At that Dazai looks at the redhead. And is caught by the depth of his eyes.

They are more gray than blue now, even with the sun right upon them. Somehow, that was comforting, to look at them and see something other than just clear blue. Chuuya seemed mad, probably at Dazai, but at the same time it didn’t feel quite that.

“Just a crappy day. It will pass eventually, like any other.”

“You can talk shit about crappy days you know? Instead of..” He waves his hand at Dazai. “Picking a fight with the sky.”

Dazai gaps at that and puts his hand dramatically on his chest.

“For your information, he was obviously taunting me.” Chuuya rolls his eyes at that. “He should be suffering just like me, with rain pouring on us, or with fog, or at least cloudy, this-” He points accusingly at the sky. “Is just outrageous.”

He sees Chuuya slowly getting back up and brushing off some grass from his clothes before walking to him and offering a hand, to which Dazai just glares suspiciously.

“You are blocking my view.”

“Come on, nothing will come out of just sulking in the park, the weather forecast says it will be a sunny day all the way up.”

“And what do you propose?”

“Get it over with and then, I don’t know, open a bottle of wine.”

“I prefer whiskey.”

“I’m not drinking that.”

“So you are drinking too?”

“Well, duh.”

Good enough, Dazai takes Chuuya’s hands and they both start walking to the Mafia building. Before entering he takes one more glimpse of the sky, and sighs, blue as always. And so he turns to Chuuya’s eyes that were already changing their shade again.

So much better.

#bungou stray dogs #soukoku #dazai osamu #chuuya nakahara #bsd #bsd fanfic #skk fanfic #writing #fanfic #skk

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