#but i feel like that's also kind of important for making me functional enough to be working again

[c0rpseductor]

i think the only thing that bothered me was mom talking about me finding part time work once i have my migraines managed before we even got in to see the doctor, but mostly because i was already stressed. i get that it's important for a number of reasons. i do want to and i know why she puts that forward. but looking for work is Hard and it sometimes feels a little "Hurry up and get better so you can get a job already!!" even though i know she doesn't intend it that way

[ms-demeanor]

Some people on the left are discussing whether the left is kind enough to me. Especially after the results of the election like lots of men of some demographics voting for Trump. Do you have any thoughts on that? Seems more about women should be nicer to men in some people’s opinions. And I am not sure about this discourse

i think that the social atomization that contributes to the radicalization of young men also contributes to, like, tradwifery and the radicalization of young women so I think that people are looking at a deep systemic issue with a shallow lens.

I don't think this is so much an issue of people being "nice" but of spaces making people feel *valued.*

The right-wing space full of toxic masculinity where people call disaffected young men "brother" isn't comforting just because people call you brother, it's because they're framing disaffected young men as valuable members of society who have been dismissed and degraded by the left. It tells them they're important and have worth and are necessary for the future of the world just because of who they are.

Of course they're getting called pussies and cucks and are being bullied in that space, but they're also being told that if they perform a certain standard of masculinity they are the future of their nation/race/species/family/etc. The toxicity of that space isn't something that makes them question their value, or whether or not they're a good person, or if they have something to offer the world. It is something they endure to prove that they are a member of the in-group, and that they belong, and that they do have value and are a good person.

So, there are people dunking on that post because it does kind of read like "i was almost eaten up by the alt right because women weren't nice enough to me" and to an extent i think that it was ungracefully worded. But i also think that it's addressing something that a lot of people feel in a lot of political spaces.

I do not think that whatever the hell we consider "the mainstream left" in America is particularly welcoming to anybody. I think that it very superficially values diversity while not actually valuing people. I think that it says "You are important! And that's why I need you to donate three dollars to my campaign to prevent the Republicans from harming [your identity group]! I am asking for your help as a senator, a mother, and a person who wants to defeat my opponent in two to four years."

I think that what a lot of people are looking for is not acceptance or niceness but is a community and i'm not at all surprised that people feel like they're not getting that from democrats/the mainstream left/whatever.

I mean. My real response to this is:

I don't think that the *actual* issue is that men don't feel welcomed by "the left," I definitely don't think the issue is women being insufficiently nice to men, I think the issue is that all of us are little cogs in a capitalist machine and actually there's very little out there that is saying to anyone "you are worth more than your productivity."

And it turns out that people will put up with huge amounts of abuse if the abuser makes them feel like they belong. People getting sucked into the alt-right pipeline because it is "nice" to them are exactly analogous to people who get sucked into cults because the cult provides community and affirmation and a sense of belonging.

Anyway, I am once again and as always begging people to put together or join any kind of at-least monthly meetup based on your specific interests. Start a radio club. Start a quilting circle. Put together a free store at the park once a month. Literally join a drum circle. Participate in a community garden. Start a walking club with your neighbors. Go to events at the library on weekends.

As a side note: there absolutely are lefty spaces that function by making people feel worthless or feel like bad people. They tend to have high turnover, short lifespans, and explosive fallout. These are shitty spaces and if your participation in a space is primarily motivated by some combination of guilt and self-flagellation, you should leave that space.

[gay-dorito-dust]

I gotchu pookie bear. What about showing Viktor a cute little gadget we made for him from using spare parts while he works?

You know those long distance touch bracelets for relationships/friends? Yeah them and those long distance touch lamps are what the stars are in this fic, touch them twice and the other star will receive said touch.

You were quiet -more quiet then usual at least- as you were hunched over your workbench in the lab and biting your bottom lip in concentration as you looked over the very thing that had been preoccupying your mind for the past few weeks, maybe a month? You weren’t quite sure to the passage of time as you spend countless nights burning the midnight oil, making sure the star shaped trinket basic functions were still working.

It wasn’t much in comparison to the gadgets Viktor had made that you could see scattered across the lab, one was always within your line of sight, each one of them holding a purpose higher then the one you were making; but yours wasn’t made to serve a higher purpose, just one where you could give to Viktor as a way to say thank you for everything and helping you find your passion for creating things.

Not only that but also by being kind and willing enough to teach you the basics of wielding, guiding your hands with his soft, knowledgeable voice and understanding that this wasn’t as easy to you as it was to him whenever you made a mistake. Viktor truly was a one of a kind person and you couldn’t help but be thankful to have met him and have him bless you life in more ways then one. So much so that it had lead to you to this very moment, the trinket you held within your hand was small, no bigger then the palm of your hand and all five of it’s points dug into your skin the tighter you held it.

You then relaxed your grip on it as you looked it over, making sure there was nothing you’ve left unchecked and even tapped the middle of the start twice, which emitted a soft blue light that throbbed like a heart beat, something that had caught Viktor’s eye as he raises a brow.

‘What you working on over there my dear?’ He asks intrigued of the sleek metal star that rested in your cautious hands.

‘Something that I’ve been working on for a while.’ You replied as you rubbed a hand against your eyes, trying to rub away the feeling of exhaustion from the lack of sleep you’ve had as a feeling of doubt began to grow within you, making you second guess enter you should show Viktor your work. However your need to show him that his guidance payed off outweighed the hesitance as you moved closer to him and showed him the gunmetal grey star.

‘I’ve noticed that you’ve been cooping yourself within the laboratory for a while,’ Viktor says as he remembers the times where he’s came into the lab, only to see that you were already there either working hard on your personal project, or fast asleep against your workbench in the most uncomfortable position. Viktor knew he couldn’t say much as he was very much the same with his own projects, but seeing you unable to keep your eyes open as it was obvious to him that you prioritised the project above your own health, why? He didn’t know but he wanted to see what was so important that you’d forget basic human needs. ‘Mind showing me what it does?’ He then asks.

You then wordlessly tapped the star twice and the soft blue glow came back, throbbing like a heart beat, twinkles of blue disperse like a ripple in a ocean or like blinking stars before fading back to gunmetal grey. ‘It’s something that I’ve made so that two people may communicate with one another.’ You said as you put the star in front of Viktor before pulling out a matching sleek gunmetal star trinket of your own, showing him how it also glowed the soft blue of his star, before tapping it twice with your finger as a soft red glow rippled across the surface of the star; responding back as Viktor’s star received it’s message.

‘Fascinating.’ Viktor says softly as he picks up the star you’ve given him, running his thumb across it as the blue glow followed in its wake, causing your star to have a matching blue streak dart across it’s surface like a shooting star. Viktor then looks at you with pride in his amber eyes, smiling softly. ‘This was what you were working so hard on? Such a unique creation birthed from the mind of an equally unique person.’

‘Well I did have an amazing person to teach me the basics of welding and help me discover a whole new way to show my thanks to him.’ You said as you shrugged your shoulders, tapping your star twice and watching as Viktor smiled softly as his star throbbed with a soft red light. ‘He taught me a lot and I wanted to make him something special to commentate it.’ You add and Viktor grabs your hand, intertwining your fingers as he squeezed it in reassurance.

‘It’s for me?’ Viktor asks.

You smiled. ‘For us really, to make sure the other hasn’t died by overworking themselves.’ You joked as you squeezed his hand back, happy to see him happy as he continues to admire the metal star and your efforts that went into making it. It made all those sleepless nights and gruelling days all the more worth it as he places the star next to his notebooks, within his immediate line of sight on his workbench. ‘We do share that common trait of pushing ourselves beyond our limits,’ Viktor chuckles before tapping the star twice, your star responding in kind nearby, ‘but I’ll be sure to use this should I think you’re unnecessarily staying overtime in the lab like you have been as of late.’ He adds as he gives you a playful but knowing look.

You raised your free hand in surrender while the other hand caressed the back of his. ‘I had to make sure they worked you can’t fault me for that surely and besides you’re no exception either mr hexcore. It’s as though you live and breathe the laboratory.’ You defended yourself and Viktor made a face that told you that he conceded, knowing that you were right, but still he wasn’t one to let you get away with such self destructive behaviours similar to his own. He feared that he might’ve rubbed off on you a little too much, but gazing back at the star made his heart warm at the thought of you working so hard on something for him and only him.

‘While I cannot fault you by any means, however that rule also applies to you as well.’ Viktor begins as he lets go of your hand and begins to tinker with his own little project, not like you didn’t mind as you always loved watching Viktor work, it relaxed it weirdly enough but you guessed that was all apart of Viktor’s due diligence to always keep his hands busy and working. ‘You’ve made something extraordinary my dear and I praise your mind and ability to make something to bring people together when they’re miles apart; truly an extraordinary thing that not even I could’ve thought of. You should be proud because I am.’ He finishes.

Your heart fluttered in your chest as you smiled giddily to yourself at his praise. ��I am proud and I’m glad to have made you proud too.’ You said softly.

‘You always make me proud regardless and will continue to make me proud tomorrow, the day after that and so on.’ Viktor reassures, his eyes never once looking away from his work but you knew the small smile gracing his lips were for you. ‘You never cease to amaze me as you shine brighter, like a star.’ He adds and all felt right in that moment as a comfortable silence befell you both as you just existed within the company of the other in harmony.

…

However all that felt like a far away dream now as you sat in the very lab that once warmed you, now leaving you cold and more alone then ever. Viktor’s gadgets looked upon you form their shelves as you attempted to make yourself small within your old chair, metal star in hand as you tapped it twice, watching with lifeless eyes as the star throbbed a soft red light and waited.

And waited.

And waited even more for a response, for a reaction, anything to prove that what you had witnessed was a lie and a horrible dream that you’ll wake up from. Nothing came back to you, the soft blue light didn’t respond to your call and you were left staring at the metal star -that looks about as hopeless as you- before you dropped it to the floor while burning your head into your knees as you silently sobbed into the fabric of your jeans.

Viktor was gone. He had been for a long while and you -in a fit of denial- didn’t want to admit to yourself that you had lost the most amazing, brilliant, most beautiful man you’ve ever met in your entire life. He was a once in a lifetime, the brightest star in the sky that you looked towards for guidance and reassurance but he’s gone now.

You were left alone with everything that he’s ever touched, which all looked lifeless now that he was gone, never to touch a wielding tool ever again. You closed your eyes tighter, completely ignoring the star on the floor as it throbbed twice with a soft blue light, arcane runes scattering across its surface; assumably letting you know that someone was there to respond, even miles away from you.

[snitchbo]

I dont know how to explain why this is important

But let's not forget that Parkour Civilization is a meritocracy. A socialist autocratic meritocracy.

I feel people don't dwell on this fact enough, opting to just focus on the capitalist allegories, which is awesome bc the allegory is strong and well made, but the literal government seperate from allegory is ALSO very well made and unique, i mean I've never seen a fictional government quite like it, and it's impressive.

People often struggle to conceive the thought of another government or societal idea, and Evbo managed to make an entire government and social norm completely different from any of our own.

Like, let's break this government (or lack of) down.

Parkour Civilization has a sole and all-powerful ruler, The Champion. Which makes the society autocratic with a dictator.

The "businesses" ( housing stores, buying food and blocks, etc. ) are collectivley owned, not belonging to a single person but rather the community. Especially in higher layers, people receive as much as they give to their society. If they work, they get food, they do extra tasks, they get blocks. It's essentially a Marxist Leninist socialist society, but one that's heavily affected by the meritocracy, which can make it seem more capitalist leaning.

Speaking of Meritocratic society, people often mistake the meritocratic aspects as being outright capitalistic, like the social hierarchies and needing to parkour for basic necessities. HOWEVER this is because the society is structured based on your merits in parkour, those with a higher skill level are placed higher in the social chain. Thats why the Parkour Champion is a dictator, because they're the person who is THE BEST at parkour, making them the most capable to lead society according to meritocracy.

In any case, the fact that people are forced to parkour ALL the time is pretty understandable, considering this government is based on merit. They're encouraging people to show off and practice their parkour because their skill level is the only thing to get them anywhere in society. Based on their merits, they get their bare essentials, and if they have particularly good skill levels, they can rank up in society and have access to better resources.

People also always talk about how Evbo didn't make food and resources accesable for free without parkour, which is kind of where the capitalist lens takes over because those things ARE free. There isn't a system of currency in Parkour Civilization. it's all just MERITS. The fact they can die from parkour and the fact they use language like "buy" and "sell" makes it seem capitalistic, but they dont work and receive currency. The currency is infinite as long as their SKILL SET allows it. People had to worry about the consequence of dying from parkour, which is what made it scarce and less accesable, people werent willing to try. Evbo, however, gave them the ability to try again without consequence, which pretty much DOES make everything free, as free as it gets. They have infinite "currency" based on their skills, and theres no consequence for failing or trying again.

I also feel that when people beg Evbo or the future generations to turn Parkour Civilization into more of a communist society, they're completely ignoring the worldbuilding. That is an insane leap to make, from a society based on parkour abilities to having nothing to do with parkour? "Well, they can still parkour!" They could, but you'd be removing the vitality of it completely. I mean, imagine asking the states to become fully communist? It's an insane change that their society would never make, and thats not the end goal. Society can be functional and good without our interpretation of a utopic government because every society is different.

I love the government in Parkour Civilization. Please hear this. And ask me questions or talk to me about it.

[get-caitjinxed]

one thing i feel isn't talked about enough is how caitlyn visually changes over the course of the series. from the decorative and honestly kind of silly looking skirt uniform in s1, to her zaunite disguise that strips all of that away, to the commander uniform in s2, to her tactical gear in the final act

THIS change in particular is so important. her commander uniform, with or without her little dracula cape, reeks of status. it's more functional than her original uniform, but it's still covered in decorative ruffles, gold trim, and symbols that represent her role as piltover's commander and the head of house kiramman

it's all gone in act 3. she wears her hair loose. her outfit is incredibly simple. the tactical gear she wears in the final fight is not only practical, but it does next to nothing to distinguish her from the other soldiers. she also switches to wearing much darker colors, deep navy and black, rather than the royal blue of the OG enforcer uniforms

to me, THAT is the real caitlyn. she's not wearing a uniform or a disguise. she's not putting on airs or attempting to make herself look like she's this perfect, put together person. she's being herself for the first time in the entire series. no titles or pretense, nothing unnecessary in the way. just her

[hotchsbabygirll]

“I was mad at you because you shaved And honestly? “Vailed”.

Beard!Hotch X FemOC!reader SUMMARY— For the Beared!Hotch girlies this one’s for us

reader gets upset when Hotch shaves his beard , but she freaks out when he grows it back just for her ..

Genre : Beard!Hotch , angst , silly , comfort ,: warnings : angst , hurt , comfort , reader gets really upset with Hotch about his beard even tho she knows it’s silly . WC: 1.8k

Author notes : I loved writing this honestly because I loved bearded Hotch in needed him in longer scenes.

I hope you enjoy this please be kind if you don’t like it please don’t tell me .. I’m still doing my best as I go long .

@ssamorganhotchner @kiwriteswords @alinathinkstoomuch



It wasn’t anything big—that was the most annoying part.

There wasn’t a fight. There wasn’t a misstep. Hotch didn’t snap at you or give you the cold shoulder or overlook something important you'd said in the field.

No. He just shaved his damn beard.

And for some reason… that hurt a little more than you expected.

It wasn’t even technically a beard, if we’re being honest. More like rugged stubble—a beard in progress. But it had been glorious. It softened his face just enough to make the constant intensity feel warm instead of sharp. It made you look at him and, stupidly, think of things like Sunday mornings. Blankets and coffee and softness you had no business associating with your boss, of all people.

And then he walked into the bullpen that morning with a fresh shave and a casual, “Morning,” like he hadn’t just destroyed your will to function.

You barely looked up. Just muttered, “Hey,” and stared way too hard at your coffee.

Hotch paused. “You okay?”

“Yeah. Fine.”

You didn’t look at him. Couldn’t.

Because if you did, he’d probably be able to read it on your face, the same way he always could. You could already feel him trying to analyze you like a case file. His gaze lingered longer than normal, but eventually, he walked off, clearly a little confused.

You figured it would pass. It was just a beard, for God’s sake. Get over it. Be normal. Move on.

Except… you didn’t.

You stayed weird about it for days.

You found yourself in Garcia’s office mid-week, venting like a lunatic.

“I’m mad because he shaved,” you whispered.

Penelope blinked at you. “Wait. Hotch?”

You groaned and dropped your head onto her desk. “Yes. It’s so dumb, I know, but he looked so good with the beard. Like... rugged FBI lumberjack. I was thriving.”

She leaned closer, totally unbothered. “That’s not dumb. That beard had presence. I would’ve trusted him to chop wood and also hold my heart.”

You laughed miserably. “Exactly. And now it’s just... gone. Without warning.”

“You sound personally betrayed.”— Garcia says ..

“I am.”— you replied..

You didn’t know Hotch had walked by her office right then. Or that he’d paused. Or that he’d heard just enough to leave him... well. Thinking.

That Friday, after most of the team had gone home, he approached your desk again.

“You’ve been a little off lately,” he said gently. “More than usual. Did I do something?”

You looked up at him—clean-shaven, gorgeous, concerned—and immediately panicked.

“No,” you blurted. “No, not at all.”

He hesitated. “Because I overheard something. Earlier. In Garcia’s office.”

You froze.

He tilted his head, a flicker of amusement starting to pull at the corner of his mouth. “You were upset… because I shaved?”

You covered your face. “Oh my God.”

“I didn’t realize it mattered.”

“You looked amazing,” you admitted, voice muffled behind your hands. “I know it’s dumb. But the beard—it was a moment, okay?”

When you finally looked back up at him, he was smiling. Actually smiling. That soft, barely-there smile that felt like a private secret between the two of you.

“If it makes you feel any better,” he said, “I can grow it back.”

Your heart did a very stupid, very noticeable flip.

“Really?”

“If it makes you smile again, yeah.”

You grinned. “It’s working already.”

Two weeks later, you were trying to hold your life together on the BAU jet, and failing.

He was sitting across from you. With the beard. Full force.

It was back. And somehow better than before.

And he was not doing you any favors by leaning back in his seat, flipping through a case file like he didn’t know exactly what he was doing to you.

Garcia caught your eye from across the aisle, smirked, and mouthed, Control yourself.

You glared. She raised her brows. You pretended not to care. Badly.

By the time the case wrapped and you were back in the conference room for a quick debrief, you were barely hanging on.

“Any questions before we wrap?” Hotch asked, glancing around.

You—for some unknown reason—raised your hand.

His eyes flicked to you, a little surprised. “Yes?”

You immediately panicked. “No. Sorry. I—uh. I thought I had one.”

He tilted his head just slightly, that little smirk back again. “Alright.

The rest of the team filtered out, but you stayed behind a few seconds too long. And he noticed.

“You noticed it was back,” he said softly.

You turned to him. He was closer than you thought. Close enough to smell his aftershave—clean, warm, a little woodsy. It made everything worse.

Or better. You hadn’t decided yet.

“Of course I noticed,” you murmured. “I think the whole building noticed.”

He laughed under his breath. “You’re not mad at me anymore, then?”

“No,” you said, smiling despite yourself. “I think you made up for it.”

He hesitated—just for a second—and then said, a little quieter, “You know… I liked that you noticed.”

You looked up at him, heart thudding.

“I didn’t expect it,” he continued. “But it meant something. Having someone… see me that way.”

You swallowed. “I always see you, Hotch.”

There was a pause. The air shifted. Something warm moved between you, quiet and unspoken.

“Would you maybe let me take you to dinner?” he asked. “Not as your boss. Just me. With the beard—if that’s your preference.”

You laughed, heart full, eyes soft.

“Definitely with the beard.”

The restaurant was quiet. Warm lighting. A little rustic. The kind of place you’d always thought Hotch would like—refined, but not flashy. Classy but grounded. It made sense that he picked it.

What didn’t make sense was how surreal it all felt. You, sitting across from him. Not in the bullpen. Not on a jet. But here. On a date.

You were trying to play it cool. Not stare too much. Not fidget. Not make it obvious that you’d spent twenty full minutes choosing your outfit and then another ten wondering if he’d still have the beard when he showed up.

“He did. And somehow, it looked even better outside the fluorescent hell of Quantico lighting.

He’d traded his usual suit for a dark sweater and jacket. Still Hotch, still composed—but something about it felt... softer. Realer. And he was looking at you like he’d been waiting for this just as long as you had.

Dinner went smoother than you expected. Easy conversation, quiet laughs, tiny stolen glances that lingered longer than they probably should have.

But it wasn’t until you were walking out to the parking lot together that the nerves kicked back in. The “what now” part of the evening. You stood by your car, keys in hand, not quite ready to leave.

Hotch shifted slightly beside you, his voice low. “This was nice.”

You nodded. “Yeah. It really was.”

A pause. Then—

“I was nervous,” he admitted, glancing over. “It’s been a long time since I’ve done this.”

You looked at him, surprised. “You were nervous? You’re Aaron Hotchner.”

He huffed a quiet laugh. “Exactly.”

You smiled. And before you could stop yourself, the words just came out:

“Can I touch it?”

He blinked. “Touch what?”

“The beard,” you said, suddenly self-conscious. “I just—I’ve been so good, okay? I haven’t stared that much, and I didn’t say anything during dinner even though it looks amazing, and I feel like I deserve—”

He took a step closer. “Yes.”

Your words caught in your throat.

“Yes?” you repeated.

He leaned down, just a little, his voice low and warm. “You can touch it.”

You reached out slowly, hand brushing along his jaw, fingers lightly grazing the soft edges of his beard. It was warm. Soft but scruffy. He tilted his head slightly, letting you trace your thumb along the line of it.

“Wow,” you whispered. “This is dangerous.”

He smiled. Really smiled. “That’s what you were mad about?”

“You say that like it wasn’t devastating.”

“I didn’t realize it meant that much.”

You met his eyes, hand still gently resting along his jaw. “It kind of did.”

And maybe it was the way you said it. Or the way you were looking at him like he was something you wanted to keep. But suddenly, his hand was at your waist, and he was leaning in, slowly, giving you time to stop him.

You didn’t.

His lips brushed against yours—soft, sure, just enough pressure to leave you breathless. And when he pulled back, you stayed close, forehead resting against his.

“So,” you whispered, “beard stays?”

He smirked. “If it gets me kissed like that? It’s never going anywhere.”

[hollowed-theory-hall]

Ok so Harry has a tendency to blatantly state out loud just how much the Dursleys don't give two shits about him (to the point that the people around him think it's just a typical teenager over exaggerating their complaints), but... Does he realise that the way he is being treated by them is wrong?

Also like, I know that the way the Dursleys treated him plays a huge part in the way Harry behaves and views himself- specifically him not thinking an adult is a reliable source of help and protection + his disastrouly low self esteem + how he doesn't respond to Snape's everything (which is the exact opposite of what James would have done) ... But what are the other ways in which he got affected and it shows? (Someone once mentioned that they hc that when feeling extreme emotions Harry tends to skip out on food and may have nearly wasted away in his second year had it not been for Ron and Hermione- which is also why they act so much like Harry's bodyguards)

Yep, Harry put no effort into hiding his abuse. He literally told anyone who would listen. By 5th year, he was making jokes about it to Ron and Hermione who seemed used to it.

Now, you've raised a few questions and I'll try to answer them to the best of my ability.

Does he realise that the way he is being treated by them is wrong?

I think he does. Most of his comments about his relatives' treatment definitely sound like Harry is very aware that he shouldn't be treated like that.

“I told you, I didn’t — but it’ll take too long to explain now — look, can you tell them at Hogwarts that the Dursleys have locked me up and won’t let me come back, and obviously I can’t magic myself out, because the Ministry’ll think that’s the second spell I’ve done in three days, so —” “Stop gibbering,” said Ron. “We’ve come to take you home with us.” “But you can’t magic me out either —” “We don’t need to,” said Ron, jerking his head toward the front seat and grinning. “You forget who I’ve got with me.” “Tie that around the bars,” said Fred, throwing the end of a rope to Harry. “If the Dursleys wake up, I’m dead,” said Harry as he tied the rope tightly around a bar and Fred revved up the car. “Don’t worry,” said Fred, “and stand back.”

(COS, page 31)

“It was cloudy, Mum!” said Fred. “You keep your mouth closed while you’re eating!” Mrs. Weasley snapped. “They were starving him, Mum!” said George. “And you!” said Mrs. Weasley, but it was with a slightly softened expression that she started cutting Harry bread and buttering it for him.

(COS, page 39)

But Harry wasn’t going to stand for this. Gone were the days when he had been forced to take every single one of the Dursleys’ stupid rules.

(GOF, page 33)

“Excellent,” said Lupin, looking up as Tonks and Harry entered. “We’ve got about a minute, I think. We should probably get out into the garden so we’re ready. Harry, I’ve left a letter telling your aunt and uncle not to worry —” “They won’t,” said Harry. “That you’re safe —” “That’ll just depress them.” “— and you’ll see them next summer.” “Do I have to?” Lupin smiled but made no answer.

(OOTP, page 54)

“You don’t seem to need many qualifications to liaise with Muggles. . . . All they want is an O.W.L. in Muggle Studies. . . . ‘Much more important is your enthusiasm, patience, and a good sense of fun!’ ” “You’d need more than a good sense of fun to liaise with my uncle,” said Harry darkly. “Good sense of when to duck, more like . . .”

(OOTP, page 657)

It seems Harry is very much aware that the way he is being treated is wrong. the younger Weasleys and Hermione are clearly aware of that too. Harry calls the Dursleys' rules stupid, he knows the Dursleys aren't treating him the way they should and that he doesn't have to take it. That he shouldn't have to take it.

Harry is kind of a best-case scenario of an abused kid and Dumbledore was so lucky Harry ended up functional enough for his plans. It could've so easily gone down differently.

Honestly, I'm enraged on Harry's behalf at how Arthur, Molly, and Lupin (and every other adult) just completely ignore his mistreatment. He really does just state plainly what's going on and has Ron, Fred, George, and Hermione backing up everything he says.

What are the other ways in which he got affected and it shows?

I do like when Harry's approach to food is affected by the Dursleys starving him, that being said, there isn't really any book evidence for it. It's an interesting headcanon to explore though. His low self-esteem, willingness to endanger himself, and his thinking that adults be counted on are definitely effects seen in the books. As for other things we do see in the books:

1. Harry is actually really quiet. He doesn't speak as much as Ron and Hermione and he's pretty awkward with social interaction. He mimics Ron in many ways since he never had any friends before him.

His approach to studying is one of the ways he mimics Ron socially. Harry actually read their school books before 1st year, he found Hedwig's name in a History of Magic. And he planned to study at the beginning of Philosopher's Stone. Then he meets Ron and realizes no one in Gryffindor except Hermione actually studies, and she is hated for it. So he didn't bother studying either, even though he planned to because he wanted to fit in.

2. Harry isn't great at emotional regulation, specifically anger. Harry is a pretty angry character and throughout the books, he actually has moments when he completely loses himself to a sense of anger.

A boiling hate erupted in Harry’s chest, leaving no place for fear. For the first time in his life, he wanted his wand back in his hand, not to defend himself, but to attack . . . to kill.

(POA, page 339)

“Madame Maxime!” said Fleur at once, striding over to her headmistress. “Zey are saying zat zis little boy is to compete also!” Somewhere under Harry’s numb disbelief he felt a ripple of anger. Little boy?

(GOF, page 275)

Harry sat there staring at Snape as the lesson began, picturing horrific things happening to him. . . . If only he knew how to do the Cruciatus Curse . . . he’d have Snape flat on his back like that spider, jerking and twitching. . . .

(GOF, page 300)

If Dudley’s friends saw him sitting here, they would be sure to make a beeline for him, and what would Dudley do then? He wouldn’t want to lose face in front of the gang, but he’d be terrified of provoking Harry. . . . It would be really fun to watch Dudley’s dilemma; to taunt him, watch him, with him powerless to respond . . . and if any of the others tried hitting Harry, Harry was ready — he had his wand . . . let them try . . . He’d love to vent some of his frustration on the boys who had once made his life hell —

(OOTP, page 11)

He does calm down the older he gets. But he definitely has a lot of anger in him.

3. Harry, in general, has a disrespect for authority. I assume this is an extension of his distrust of adults, in that no teacher or nurse ever helped him. Harry is so anti-authority and anti-orders, that he can resist the Imperius Curse decently from the first try.

Harry just doesn't do orders or authority. Actually in the earlier books, and even in books 6 and 7, Harry has his doubts about Dumbledore. He repeatedly tells people he's Dumbledore's man, but in his head, he has doubts. Like he has for any other adult with authority over him.

“Dumbledore’s been driven out of this castle by the mere memory of me!” he hissed. “He’s not as gone as you might think!” Harry retorted. He was speaking at random, wanting to scare Riddle, wishing rather than believing it to be true —

(COS, page 282)

“Because the Ministry of Magic’s still after me, and Voldemort will know all about me being an Animagus by now, Wormtail will have told him, so my big disguise is useless. There’s not much I can do for the Order of the Phoenix . . . or so Dumbledore feels.” There was something about the slightly flattened tone of voice in which Sirius uttered Dumbledore’s name that told Harry that Sirius was not very happy with the headmaster either. Harry felt a sudden upsurge of affection for his godfather.

(OOTP, pages 82-83)

He's very distrusting of adults and authority, but also his peers. He doesn't tell Ron and Hermione everything in the earlier books because he is very slow to trust. Which, makes sense for someone who grew up like he did.

4. His occasional impulsiveness is an extension of his issues with emotional regulation, I think.

5. I think Harry's cunning Slytherin streak is a result of his abuse. The Dursleys' mistreatment taught him to sneak around, to lie, to be clever. It taught him to keep a blank face when being yelled at because if he reacted it'll make it worse.

He learned how to insult the Dursleys in ways that go over Dudley's head. His little way to rebel.

6. His response to pain as well. We see it with Umbridge and the blood quill for example:

He let out a gasp of pain. The words had appeared on the parchment in what appeared to be shining red ink. At the same time, the words had appeared on the back of Harry’s right hand, cut into his skin as though traced there by a scalpel — yet even as he stared at the shining cut, the skin healed over again, leaving the place where it had been slightly redder than before but quite smooth. Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile. “Yes?” “Nothing,” said Harry quietly. He looked back at the parchment, placed the quill upon it once more, wrote I must not tell lies, and felt the searing pain on the back of his hand for a second time

(OOTP, page 267)

Harry can hide his pain and not react to it, and he does it well. He learned from the Dursleys that she wants to see his pain, and he isn't going to give her what she wants. Instead, he grits his teeth through it and doesn't react externally.

Even later in the book when Umbridge threatens with the Crociatus Curse, Harry just braces himself for it, not planning to break (in later books too, Harry is very willing to get hurt and just deal with it). He is willing to take torture without reacting, and I think this is something he got from the Dursleys.

These are the some other things that came to mind regarding your question. There are probably more that I can't think of now that I might add later. Harry is who he is in part because of his nightmare of a childhood. So many facets of his personality just link back to it.

[solacescastleglow]

You're Not Lazy, You're: A Daydreamer

So, you're addicted to daydreaming, to the point where you're putting aside important real life things in favour of talking to yourself. You're sitting there, watching life pass you by, desperately trying to fill the void with people you made up in your head. Your outer life is starting to look less and less like how you thought it would be, and the worst part is, there's nothing and no one to blame.

I've been there. In fact, when I was 12, it was so bad I literally didn't care at all about my family, I had no friends, and my grades were abysmal, but I was convinced I would be fine because 'at least I have my mind'. What I didn't realise was that I had lost control of even that. Now I still daydream, but I've become much more able to cope, and I can work around it to the point it no longer affects my day-to-day life. What was maladaptive daydreaming has become immersive daydreaming. If you're in the same situation, here are a few tips to get out of that hole for good.

(Remember, this is much easier said than done, so don't feel bad if this doesn't start helping right away. Also, this is not a substitute for therapy.)

Less daydreaming

1. Eliminating the need

I'm gonna be honest, this is the hardest part. Your daydreaming came about for a reason; it's kept you alive and safe for all this time. Daydreaming is a coping mechanism. The problem comes when it becomes your only or primary coping mechanism, and your comfort zone becomes so small that you're using it all the time. Start with the negative things in your life that caused you to start daydreaming. What are they? How can they be mitigated or resolved? What are some other coping tools you can use to get through them? For me, a big part of the reason was unchangeable (untreatable illness), but some of it could have something done about it. I started medication for my mental health, switched schools, went to therapy. Am I cured? No. Did it take a long time? Yes. But was it worth it? Absolutely.

2. Attention span and comfort zone work

Now that your negative situation is ameliorated, it's time to work on getting comfortable with being uncomfortable. When you don't daydream after a certain amount of time or coming across a trigger, you start to get restless and irritable. You're, unfortunately, just going to have to sit in that emotion for a little bit. Just 5 minutes. If the trigger is media or a conversation topic, try your absolute hardest not to let your mind wander. After that 5 minutes or when the conversation is over, you can excuse yourself to go daydream. Doing this repeatedly will slowly make your brain able to go longer between daydreaming sessions, which means you can function better in your outer life.

3. Don't limit daydreaming, expand your outer life

If you're anything like me, the thought of stopping completely makes you panic. This isn't a great sign overall, but if you feel terrible whenever you don't escape, it disincentivises you from living your life. Instead, start surrounding yourself with people: spending every evening with your housemates, having an accountability partner for work, going on walks in public. The self consciousness alone is usually enough for me to not daydream, so basically I'm just giving myself less time to drift off. Bonus points if it's an activity that gets you where you want or need to go.

4. Grounding

I know, I know. It's uncomfortable when you know that's what you're doing. I personally hate the 54321 method. But you know what does work for me? This one TikTok (I can't find it) where the lady in the video tells you to look at the corner of the screen and tell what time it is, then asks questions like 'what's to the left of the screen?' and 'what are you wearing?' That snaps me right back to the present. The moment you notice yourself drifting off, look at a clock. Then look down at what you're wearing. Then take a second to describe what you're seeing to yourself and do some kind of tactile stimulation (rubbing your hands together or tapping your lap, for example).

More doing

1. Life direction audit

Your daydreams are clues to what you want out of life. Use them to guide how you want your outer life to go:

How does daydreaming make you feel? How can you emulate that without daydreaming?

Related to your daydream self's career, how does it make you feel to think of yourself getting paid to do that in your outer life? What steps can you take to get yourself there, or closer to it?

What can you do to cultivate friendships that are meaningful to you on the same level as your daydream friends? If you have outer friends, what's the most realistic scenario that would play out if you said, "I need more (support/connection/in-person time) out of this relationship"?

Are there any significant personal differences between your daydream self and your outer self? Are you a different gender, do you have a different style of dress, do you have any skills or hobbies you don't actually have? Is there anything that you would do, if only you had the [time/money/energy/certainty that this is the right thing to do/ability to get through hard things]?

Based on what you've written down, make a 10 year plan, then from that a 5 year plan, then from that a 1 year plan. Once you have your yearly plan you have options: split it up into quarters, months, weeks, or some other way. Either way, eventually you'll want to get it down to what you can do on a daily or even hourly basis to make your daydream self your reality.

2. Do it daydreaming, but do it

Now, do it. Sounds way easier than it is, but when I say do it, I mean do it any way you can. Do it upset, complaining, bored, frustrated, scared, badly, adapted to fit your abilities, in a way other people think is weird, crying the whole time, late, embarrassed, inconsistently, from your bed. Do it partway, then decide you want something else out of life. Do it when it's easy, and if you really want it, do it when it's hardest. Do something similar to it if what you want is unattainable. You can even do it with one foot in your daydream world.

As long as you're trying to do what makes you happy (and I mean the real kind of happy, not the kind that's always tinged with the grief that it's all in your head), any amount of effort you put into it is worthwhile.

3. Incentives

I was going to say to follow your plan and not your mood, but that's really hard. What you need is to find a way to make yourself follow that plan happily. For me, that's setting difficult monthly challenges for myself and getting rewards if I complete them. The challenge makes me want to do it because I want to prove my inner critic wrong. Do whatever works for you, because even if it sounds silly, it's not silly if it works.

4. Check ins

Every so often, re-evaluate where you're going. I know I just said to do it bored and frustrated, but if the whole thing is boring and frustrating and there are no upsides, don't keep at it. Check that you're actually happy with the direction your life is going.

---

And that's all I have for you. Remember, daydreaming can still be a healthy part of your life, it's the inability to stop it that's the problem. You can learn to balance it. I believe in you.

[entelodante]

Wanted to figure out how chimera’s wrote and ended up starting on their written language proper. MASSIVE info dump below! 

Writing

They write using four fingers of one hand, usually the right, coated in ink. Think like a stamp almost. The three middle fingers draw with the tips of the teeth whilst the thumb will alternate between tip and back. All words are written simultaneously inward. The remaining fingers grip the source of ink, usually a length of hardened pigment only wetted on one side OR those who write often could invest in a pen. A pen for a chimera is a fanning brush saturated with ink that the writing teeth brush through when needing to reink. It allows for much faster wetting of the teeth, but can be messy when learning or refilling. 

Most chimera are right handed but left handed individuals exist, they will simply need to learn to use the two fingers opposite the middle in reverse of how someone who is right handed would! Luckily all fingers can move pretty independently of each other and it is an easy task.  As chimera mostly communicate through direct broadcast most find the written word lacking, so it is a common occupation among Chimera to write for others. It is an impressive skill to eloquently convey ideas/feelings through writing. Though their language set up lends to it MUCH more than others. 

The Nitty Gritty

All subject to change as this is very first drafty. 

Chimeric is a logographic language, there is no set alphabet and all ‘words’ stem from symbols representing things and ideas. Sentences are kind of two sentences atop one another, with one being the literal and the other the reactionary. It is read from out to in and sentences are written in a circle divided into 4 quarters. We’ll start with the top moving counter clockwise. 

Quarter 1 (Red) is the subject area, now subjects function the same as nouns for the most part, people, places, and things. But something important to note is that there must always be an ‘audience’ for the words being spoken. An audience basically means pronouns though they are a lot more encompassing with: I, You, Us, Them, Them excluding me/you, Us excluding you, Everyone, and a bunch of others. These are all acceptable audience subjects to top off your sentence. For instance you wouldn’t say “This pizza tastes good!” you would instead say “I enjoy the taste of this pizza” or “Everyone enjoys the taste of this pizza” the opinion/emotion needs to be applied to a source to make sense grammatically. 

Quarter 2 (Green) is all about emotions and opinions. Chimeric language is an exchange of ideas but also importantly emotions and feelings. Q2 is dedicated to how the sentence is supposed to be interpreted or felt by the reader, as obviously in ‘spoken’ chimeric speaker and listener technically feel the same about what is currently being said. Listener opinion is very distinct from speaker and in writing the speaker takes priority. So for example the statement “Who finished the box but left it in the pantry?” would instead have to be translated into something akin to “I am pissed and questioning who had the audacity to finish the box and did not care enough to remove it from the pantry thus leaving me to find it and become disappointed?” Basically chimeric lends itself to very long translations due to their feelings.  

Quarter 3 (Blue) is the action section of the sentence. The verbs if you will. This is where things are happening and is VERY tied in with Q1. Subjects in Q1 and Q2 will be linked together with lines that follow the same slice through the circle.

When a subject is linked to an action that means that the subject is the one performing the action, whereas subjects closer to the center and unaligned with an action are what is being acted upon. Like with the audience conundrum though an action needs a subject to actually act, whether it is an individual/s or an object or place. This is usually the least word heavy portion of the sentence as it is almost supplemental to Q1, and in contrast to the thin, crisp lines of the other quarters, Q3 will often be smudgey and more messy due to being written mostly with the back of the thumb. 

Quarter 4 (Yellow) is generally not going to have any words written there, as it functions as the anchor point for the hand. The outmost finger rests here on the page to stabilize the hand as it closes during writing. When writing in a ream of papers this is where the hole to hold them all together is punched through. However in modern fanciful writing styles Q4 is also used as a secondary emotional quarter. This style will use Q4 as the reactionary emotion of the reader, more so the expected reaction and emotion from the reader. This is an EXTREMELY class based writing style and it is a GIANT NO NO to write like this for someone of higher status to read. Typically only Clan heads will freely use this writing style, especially towards each other lmao. The writing style of the passive aggressive power struggle. 

All together Quarters are read at once! And I mean that there is no one word the chimera will start with. Every word of the sentence is absorbed at the same time, no following along a line like how I’m currently typing. But what indicates the order of which things are meant to be perceived is how close they are to the outside of the circle. Things closer to the center come later in the sentence and will be understood to be lower in the hierarchy of words. However only subjects and actions are directly linked to each other, emotion/opinion words are to have a more natural seep throughout the entirety of the sentence with only a loose idea of where they are to be felt. In this way while a subjects actions may be concrete, the writers feelings about them are more fluid and organic. 

Chimeric conlang yay! I wanted to make modern Mirum script but decided I needed to start at the roots. So technically two written languages originate from Mirum, but they are extremely similar with one directly branching from the other. Chimeric is the original and Miran is the derivative, they mostly share characters but their sentence structure is different. Chimeric keeps the circular structure whereas Miran is a zigzagging horizontal and completely drops quarters 2 and 4. Leading to modern Miran being a very literal language vs Chimeric’s emotion heavy focus. But if you know one you can pretty much read the other, albeit with some culture shock. 

[jamiepaige]

Constant Companions Closeup #6: BREEZE BLOWS

(also on spotify!)

Welcome back… to Constant Companions Closeups…. a series of in-depth dives into the songs off of my latest album, Constant Companions…

Last time, we talked about Cadmium Colors! Today, we're keeping the alliteration but moving back a letter in the alphabet! Breeze Blows, with Marcy Nabors and Marlow Jacobs!!

---

oh baby mental health

Last post, I mentioned as an aside that I have OSDD-1b - a kinda complicated diagnosis that is defined by not quite being Dissociative Identity Disorder but being similar enough. And obviously that's super reductive but I'm not an expert on this I just have brain peculiarities. I won't fully explain how this functions, or every intricacy of how I deal with it, but I can try to convey what it feels like.

My sense of self is comprised of parts. Not an exceptionally high number, but nonetheless distinct parts that fit together like puzzle pieces to make a full individual. They talk to and interact with each other, and most times it is one specific part that takes the lead while the others simply follow, but ideally, they all move in sync and work together.

This collaborative effort is relatively new and was an incredibly hard-fought state of being. For many years, it felt much more like there was just me and a bunch of nightmare voices in my head constantly lashing out violently!! My own inner monologue felt completely out of my control... and it ultimately turned out that it kinda was, but not for the reasons I thought.

Showing those voices kindness and starting a conversation was the big moment of revelation for me, that there was this whole other half of me that had been locked in a box for god knows how long. She was scared and lonely and just wanted to be understood, and really, that was all I wanted as well.

Writing these self-directed songs of love and companionship became a really important part of becoming 'whole', in some sense. Not that there are no more individual parts or anything!! Just that my inner monologue these days is far more of a conversation between friends.

...

Constant companions, if you will.

---

As a couple people have pointed out, this song is very much a counterpoint and companion piece to weathergirl, a song by my band FLAVOR FOLEY! Neither song was originally written with the intention of complimenting the other, but the parallels simply emerged naturally, and it only felt right to reinforce them. At 2:14 in Breeze Blows, you can even hear the icy little keys motif from weathergirl front and center!!

On that note, while I would love to make MVs for every song on the album, Breeze Blows is the one song I am dead set on putting out an MV for no matter what... A yellow, very natural aesthetic to contrast with weathergirl... ANRI in a sundress, fluttering in the wind and clutching her hands to her chest...

the fucking yuri...

Of course, this song was a collaboration with some other dear friends of mine, Marcy Nabors and Marlow Jacobs! We've been fastidious friends for freaking forever. Marcy, especially, has been with me through thick and thin - together, we've gone on road trips, worked on Homestuck music, bounced countless ideas off of each other, embarrassed ourselves in front of each other's parents, queued for probably a triple digit number of FFXIV instances, and of course, collaborated on some of my favorite music I've ever released. Not to discredit Marlow or anything!! These two are genuinely some of the coolest people I know, and I love them wholeheartedly. Hopefully we can play some mahjong again sometime so I can kick their asses and feel like I'm even a tenth as cool as them

Our initial ideas for this song came together while we sat at the piano at my parent's house, aimlessly banging out chords together while I left my phone recording on the other side of the room just in case. Ultimately, the voice memo barely sounds anything like Breeze Blows, because the process of translating things to MIDI on Marcy's laptop also introduced a lot of defining creative choices, but it's still at least amusing to hear.

Apologies and/or you're welcome for the shorter post this time around!! Thank you for reading regardless; If you have any more questions, I'd be glad to answer them below!! Tomorrow... we can grow so big.... (aggrandicize)

[absolutely-esme]

Monster!Tim Coraline AU Idea

This idea would not leave me alone.

It’s a cross between a meta!/magic!Tim au and a Coraline au.

Before I get into it, I feel like I should explain.  I was on a bit of an Eldritch!Batfamily and Cryptid!Batfamily kick.  Then I found a collection of supernatural Tim aus.  Then I stumbled across a Coraline au.  There’s probably also some inspiration in there from vampire au fics.

It didn’t really jell until the idea occurred to me of a scene where some frightened villain asks Tim “What kind of monster are you?” and Tim says “The hungry kind.”

...

The idea is that somewhere back along the way, Tim’s family tree includes some kind of supernatural creature which may or may not have been an eldritch entity.

The supernatural heritage allows Tim to acquire abilities from other entities he has defeated, and Gotham is absolutely full of the supernatural if you pay attention.

Of course, Tim’s power isn’t all sunshine and rainbows.  It actually comes packaged with some pretty nasty side effects.

One of those side effects is perpetual Hunger.  Tim is always Hungry.  There is no way to stop it.  He eats enough to stay healthy, but he still feels Hunger at all times.  Increasing his food intake will not help and will screw up his metabolism and cause him to need more for normal function.  If this was allowed to spiral out of control it could eventually reach a point where he was physically unable to eat the amount of food he needed to function and starved to death on a full stomach. 

Fixing it is stupid hard because this particular sort of magical inheritance is really fucking inconvenient.  And, of course, whatever is up with his biology also makes him insanely susceptible to addiction, so no coffee for him unless he wants caffeine withdrawal symptoms all the time for however long it takes to fix that.  The constant Hunger also makes it difficult to get enough sleep.  Have you ever tried to go to sleep on an empty stomach?  Not easy, was it?  Imagine that every night.

The Hunger is fairly central to the nature of the magic.  Whatever supernatural entity he’s descended from, it is the Hungry kind.  The ritual of defeating another supernatural entity, taking a bit of the defeated entity’s power, and incorporating it into himself serves as a sort of metaphorical devouring, (and metaphors matter more to magic than they do to normal biology).  That’s why he’s able to gain power and abilities from defeated foes. 

...

Tim’s relationship with his parents is complicated.  His supernatural heritage comes from his mother’s side of the family.  She did her best to teach him about it and how to cope with it, but a lot of knowledge was lost over the generations due to persecution forcing those like them into hiding more than once.  There may have been a few individuals who spiraled out of control and caused small-scale famines before losing their lives.  It only takes a few cases for people to decide that a specific category of people is simply not worth the risk of having around.  Janet always referred to herself and Tim (as well as anyone else sharing the condition) as “those afflicted with Gluttony.”  This is the closest they have to a name for the condition.

One of the important things Janet Drake teaches her son is to pursue his passions.  It is incredibly important for individuals like them to have things outside the self that they can draw satisfaction and fulfilment from, things that keep them going in the face of the relentless Hunger.  This is what leads Tim to his night-time photography of Gotham, and eventually to his fascination with the Bats. 

Janet’s passions are archeology and travel.  Unfortunately, traveling from dig site to dig site is not a particularly stable or safe environment to raise a child in.  She needs to do these things to remain in good health.  Without her external coping mechanisms, she could start spiraling.  If she starts spiraling, it might trigger her son to start spiraling too because children in their developmental years are delicate, and this type of hereditary magic is fucking inconvenient (there might be ways of managing things that make it easier to live with, but between the knowledge lost and the risks that come with experimentation, they don’t have much info on how anything works).  She comes home as much as she can without the risk of compromising both their health.

She also taught Tim how to calculate appropriate portion sizes based on nutritional data so as not to screw up his metabolism, and how to fix it if he does mess up.  She also stayed and managed the process the first time it happened because the process of returning the metabolism of one afflicted with Gluttony to normal after it’s gotten out of hand is difficult and unpleasant and Tim wasn’t old enough to handle it by himself.  The nanny that had overfed him hadn’t been malicious or unreasonable, she’d just been operating on the assumption that he had standard human biology.  It took months to get Tim healthy again.  It took several hefty bribes to keep things under wraps.  Janet doesn’t know if there are still people out there hunting their kind, but she’s not willing to risk it.

Janet may not know about the aspect of the family magic that lets them gain powers from defeating other entities.  It’s possible that she was holding off on explaining this until he was older and more ready for the responsibility of multiple superpowers.  It’s also possible that the knowledge got lost somewhere along the way and Janet didn’t discover it herself because she didn’t spend her childhood running around Gotham at night and was more the sort of person who would stay home and read when she had trouble sleeping.

...

Tim discovers his ability to gain abilities from defeating other supernatural things fairly early on.  The type of defeat can vary, but it has to be something of significance.  A fight will work for most, but there are other particular challenges that will work for specific cases.

The first things a young Tim is able to beat are these small things, invisible to most, that gain power from learning secrets.  What that power is used for, I couldn’t tell you.  They don’t seem to do much other than sneak around and learn secrets.  Tim doesn’t know if there’s a proper name for these things or not, but he calls them Secret Hunters.  They are absolutely everywhere in Gotham. 

Secret Hunters are invisible to most, but Tim is able to see them.  It might be because of his own supernatural nature, or it might be something else entirely.  If it’s hereditary it must have skipped his parents’ generation.  Neither of them seem to be able to see them.  Tim gains improved stealth and a sense for when something is hidden from catching Secret Hunters until they wise up and start avoiding him.  (Catching them works in place of a fight because secret hunters primarily operate on stealth and evasion.)

He can’t just magically know secrets, but he can tell when there is a secret.  (He still figured out Batman’s and Robin’s secret identities on his own merit.  The most this ability would have done is alert him to the fact that they had secret identities if that hadn’t already been obvious from the fact that they were wearing masks.)

He also gets various other abilities from other things he encounters while scrambling all over Gotham at night.  Nearly doesn’t get out of some of the scrapes he gets himself into.  He gains the ability to cut with his fingernails as if they were razors from something that nearly killed him.  He gains the ability to climb like a goat from a Jersey Devil.  Etc.

...

At some point, Tim is targeted by a beldam.  He doesn’t get the kind of warnings that Coraline does, but his ability to sense secrets lets him know that the Beldam is hiding something, and any child raised in any part of Gotham knows to be suspicious of things that seem too good to be true.  Tim doesn’t have a convenient seeing stone from the neighbor, but he does have the advantage of his own supernatural nature which the Beldam doesn’t know about.

Tim finds a button-eyed doll that looks like him after his parents leave on yet another trip, and thinks it’s a gift they meant to give him before leaving.  They do often bring interesting souvenirs.  It wouldn’t be at all unusual for them to find an artist who sews dolls to look like people and have one made based on pictures of him.  Later on, he discovers the key. 

This Beldam is older and more powerful than the one from Coraline.  She has more power and more past victims to work with, so she’s able to make a larger, more populated world. 

Oh by the way, I head-canon that the Other versions of people in the Other world are actually past victims of the Other Mother, remade and dressed up for whatever role she has them play.  The three ghosts were just the three most recent and not fully processed for use yet.  That’s why the Others are able to act against her sometimes (Other Wybie saving Coraline from the mirror, Other Father tossing the eye to Coraline) or say things she doesn’t want them too (Other Father says “so sharp you won’t feel a thing” and Other Mother kicks him under the table).

The Other Mother doesn’t know all that Tim knows, so the Other World has inconsistencies like Other Batman and Other Robin sitting across the table from Other Bruce and Other Jason.  She doesn’t know they’re the same people.  She just knows that they’re all important to Tim.  She also tries to tell him to “eat as much as he wants” when his real mother was the one to explain the dangers of attempting to eat to fullness for people with their condition.

There isn’t a cat to warn Tim but he doesn’t need it.  He can sense hidden intentions in everything, and he’s fully capable of uncovering the hidden secrets himself. 

Tim doesn’t have a cat, but he does have Other Robin, who might have been made from whatever remained of someone close to one of the people mirrored in the Other World made for Tim.  He doesn’t remember his life, but somehow he feels incredibly motivated to help a boy who cares dearly for whoever and is willing to let him know that they're living a good life out there in the real world.

Tim discovers the nature of the other world and sets out to free the souls trapped there.  He fights the Beldam will all the viciousness and desperation of someone who knows they’ve only got one shot.  He takes everything he can from this fight as he makes sure she won’t ever hurt anyone again.  He doesn’t stop until the beldam is well and truly dead.  Then he unravels Other Gotham and spills all of the souls out into the world where they can move on and rest.

This is how Tim learns to Sew.  He can’t make entire populated worlds like the beldam, but that’s mostly because he refuses to do what she did.  He can control things he’s made (though there’s limits on how much) and even see through buttons he’s sewn (onto cushions and such, he's not the Other Mother).  He also gets some minor illusory powers that let him make things look a bit brighter/nicer/cheerier than they are.  It takes quite some time before he’s comfortable with using these powers.  Trauma is a bitch like that.

Part of the reason this version of Tim was so desperate to do something about Batman losing it out of grief is because he already has Evil Batman trauma from Other Batman, and he doesn’t need that shit happening in real Gotham.

By this point Tim has a collection of powers that allow him to navigate the more dangerous parts of Gotham largely without fear.  Now he has to learn how to manage without using any that he isn’t one hundred percent certain he can sneak past Batman, which means he’ll have to divide his attention between learning from the training and not letting himself do things the supernatural way.  This is going to suck.

It does, in fact, suck.

Oh, it turns out some of the rogues are a bit supernatural.  He gains a bit of an intuitive understanding of the health of plants from Ivy.  He gains the ability to taste emotions from Scarecrow.  (Also, Johnathan Crane is a freaking weirdo, fear tastes like spoiled milk!)  The rogues with supernatural tendencies are freaking terrified of the new Robin because he always seems like he wants to freaking eat them.  The non-supernatural types don’t get it.

Eventually, Red hood breaks into Titan’s tower.  Tim, by this point, is very good at deciphering how supernatural entities work and is packing an extensive inventory of powers.  He realizes quickly that this is some kind of manipulative entity that feeds on rage and pain attached to an unwitting host.  When he realizes that the unknowing (and therefore unconsenting) host is Jason Todd, he tells the Lazarus Entity in no uncertain terms to give Jason back or perish.

Jason, who does not realize he has a malicious, mind-warping, supernatural parasite and believes there to be no one other than himself and Tim present, is understandably confused.

Tim decides that the Lazarus entity has had its chance and springs into action.

Jason is treated to the terrifying sight of just what Tim Drake is like when he’s not expending conscious effort on not being something out of a horror movie.  Suddenly he’s in the middle of a spider’s web and no matter how hard he tries to fight back everything around him is under the control of his opponent.  Furniture flies around on puppet strings.  Getting too close puts him in range of the freaking claws this kid apparently has!?  Trying to get away just leaves him caught in strings and the more he struggles the more entangled he becomes!  The new Robin is skittering and gliding around in a decidedly inhuman way. 

Jason honestly thinks he's going to die when he finds himself bound with Tim standing over him.  He passes out when Tim rips the Lazarus entity away from him and destroys it. 

Tim gains the ability to heal from defeating the Lazarus entity.

Jason is surprised and confused when he wakes up bundled in a handmade quilt with his head in Tim’s lap and a cool compress on his forehead, feeling sore but more well and whole than he has since before he died.

Jason later decides that his memories of the fight at Titans Tower must be some kind of weird fever dream caused by his body purging the last of the Lazarus Water from his system. It goes along with Tim's account of things.

According to Tim, Jason entered the tower, initiated a lock-down, and then collapsed on the floor. Then, Tim moved him closer to a wall where he was less likely to get stepped on than in the middle of the walkway and did his best to take care of him there because Jason was simply too large and heavy for him to carry all the way to the med bay by himself.

This is far more believable and less of a mind screw than what Jason remembers. Obviously this tiny, baby-faced kiddo who played nursemaid for a stranger who broke into the tower and now looks up at him with wide, starry eyes couldn't actually be the terrifying, predatory creature from the nightmare. It was all just a bad dream.

He's honestly glad he collapsed before he had time to do any harm. The poor kid will never have to know what Jason went there to do. Jason knows, though, and he'll do his damned best to make up for it. He may have flubbed first impressions, but he is going to be the best damn big brother that ever big brothered.

...

Tim might or might not go full on feral cryptid when Bruce is lost in the Timestream. I haven't decided. He will probably pick a fight with the Lazarus Pit much to the confusion and alarm of everyone around.

That’s all I’ve got so far.

[claudemblems]

A Kiss to End All Doubt | Albert Moriarty

Summary: When you agreed to tag along with the Moriarty brothers to a grand ball, the last thing you expected was to receive a noble's offer of marriage. Thankfully, Albert plays the part of your lover well, perhaps a little too well for his affectionate words to be fake...

Content: SFW. Fem!Reader. 3,723 words. Pining. Soooo much romantic tension. Albert is a flirt and no one is surprised.

Notes: I have been writing this fic for what feels like forever BUT IT'S FINALLY FINISHED :3 I'm so excited to finally give this to you. I hope you enjoy it 💖 I may also add an epilogue if there's an interest for one...🤭

Did Albert Moriarty, one of the many faces of the Lord of Crime, truly not have the slightest idea of the effect he had on you?

It was silly to even fathom that a man of his stature could be so oblivious, but you couldn’t help but start to wonder once he started giving your flushed cheeks and wide eyes a quizzical look.

That, or he was playing coy with you, which wouldn’t be all that surprising coming from him. He’d long since mastered the art of making noble ladies go weak in the knees.

But that was a skill he’d acquired out of pure necessity. If he had things his way, he’d refuse to give the stuck up women of the nobility the time of day. Unfortunately, he had a role to play in all of his brother’s plans, and so he continued flirting with the noble ladies just long enough to leave them wanting more.

You, on the other hand, were no noble. In fact, you had no good fortune, distinguished education, or marriageable prospects to speak of. Truly, you were nothing but a mere face hidden amongst the shadows, which was perfect for an assistant to the Lord of Crime.

You’d begun to empathize with Albert’s disdain for these royal functions, mainly the lavish balls he and his brothers had little choice but to attend. It was important for them to keep up appearances as a well-rounded noble family who knew how to mingle with the upper-class, whether they enjoyed doing so or not. While they seemed to have gotten used to it for the most part, it proved to be quite the difficult adjustment for you. Thankfully, Albert had patiently taught you the ins and outs of noble life, giving you lessons on small talk and etiquette whenever time permitted.

However, he hadn’t yet taught you how to handle a nobleman’s advances.

“You must be Lady [Name],” the man greeted, holding out his hand for you to take. You briefly glanced towards Albert, taking his nod as a sign to follow through with the gesture. A kiss was placed onto your hand before the man let go, stepping back to better admire the exquisite sights around him. “It’s quite a splendid ball, isn’t it? There’s so many well-mannered and intelligent guests in our midst, such as you, young Lord Albert.”

“Lord Darnley, you are far too kind,” Albert said, placing a hand over his heart and bowing. “I ought to be extending the compliments to you. Your presence here is most welcome, as well as that of your entourage. Would the girl you brought with you happen to be your little sister, Lady Georgina?”

“Ah, I see you’ve made sure to memorize the names of all the guests! Indeed, she insisted on joining me, and no matter what I said, she refused to take no for an answer!” Darnley bellowed in laughter, briefly drawing the attention of the other guests nearby.

“She already seems to be quite the free spirit. I’m sure she has a bright future ahead of her.”

“If you’re so interested in my dear Georgina, I would be more than willing to sit down and discuss a potential marriage between the two of you.”

You swore you saw a flash of disgust appear in Albert’s eyes, but he simply smiled brightly at Darnley, careful that his emotions did not look fake or contrived. “While your offer is certainly generous, I have no plans of marriage at the moment. I’m afraid I’m already plenty busy with my service in the royal army.”

“Ah, what a shame,” Lord Darnley sighed, but his disappointment quickly turned to anticipation when his gaze once again fell on you. Your stomach lurched at the look in his eyes, but you tried to retain your composure, copying Albert’s mannerisms by offering a surface-level smile.

“Lady [Name], I am supposing you are not yet married if you’re attending this function with the Moriartys.”

“That would be correct, my good sir. How astute of you to notice.”

Lord Darnley grinned at the news like a hunter mere moments away from ensnaring this prey. “Well then, my lady, is there anyone that has asked for your hand yet?”

Goosebumps ran down your arms as you swallowed thickly. Anyone with a right mind knew exactly where this conversation was heading.

“I…well…” Should you tell the truth? Should you lie? But then who would you say had expressed a desire in marrying you? “It’s…complicated.”

“So, that would mean no formal question has been posed then, correct?”

“...Correct.”

You heard Albert’s feet shift next to you, on guard for whatever preposterous idea this nobleman could come up with next.

“Well, it’s certainly not good for a lady of your standing to be without a husband. I, myself, am quite the romantic, and I believe a courting period fosters a genuine love between both parties involved. If you have no one currently vying for your hand, perhaps you’d offer me the chance to earn it.”

No. No. On so many levels, no.

But this wasn’t about you—your happiness or married life did not come before the liberation of London. Whatever the brothers asked of you, you would adhere to their words, even if it meant having to be stuck with a man such as…this. Though you knew they’d never even entertain the thought of offering you up to some man who cared only for your beauty and status and nothing for your heart. If you were to refuse Darnley’s advances, at the least, you were confident the Moriartys would respect your decision.

Even so, you didn’t want to cause any more trouble for them. If you couldn’t agree to the idea of marriage, perhaps a date or two would suffice, right?

Just the thought made you feel sick. 

“Well, what do you say, my lady? Will you allow me the pleasure of courting you?”

You knew you had to keep up appearances. You couldn’t allow for cracks to show in the perfect and amicable facade the Moriartys had carefully crafted. You knew that well, and yet…

This was a proposal that not even death itself could bring you to accept.

“I’m sorry, my lord, but I must sincerely refuse.”

Lord Darnley stared at you in alarm. “Come again? You didn’t just say no to my advances, did you?”

Your heart rate quickened as his words grew heated, and in that moment you wanted nothing more than to take off and hide somewhere safe and quiet in the manor’s garden, away from other people who might come up with even more ridiculous propositions.

“It’s just as you heard, my lord. I must decline.”

An uncomfortable silence hung in the air as Lord Darnley stared straight into your eyes, not blinking for several long moments. Your hands had begun to shake as you feared that you’d just begun tarnishing the reputation of the Moriarty family. Truly, there were fewer things more terrifying than a nobleman who felt he’d been insulted, and the consequences for such an offense would be nothing short of dire.

“Lady [Name], you are in no place to refuse my offer. You said yourself that no other man has even brought up the idea of marriage to you! Are you truly so brazen that you would reject the prospects of a life in union with mine? We all know who makes the decisions around here, and they’re certainly not made by women—!”

“My good sir, I believe you’ve said quite enough.”

A small gasp left your lips as Albert sneaked a hand around your waist, still carefully holding his glass of wine in the other. You searched his face for an answer as to what he was scheming, but he simply smiled—a true one this time—wordlessly reassuring you that all would be well.

“You see, Lady [Name] may not have received an offer of marriage as of yet, but that is only because I have been quite busy protecting our beloved country. I wish to propose when I am able to be at home more often and thus can fulfill my duties as a devoted husband to my wife. So I must politely ask that you rescind your offer, lest you make yourself seem as though you chase after taken women.”

Propose? Husband?

If you were afraid of tainting the Moriarty image, Albert clearly didn’t share your concerns.

“Taken? Why, I—! You’re bluffing, Lord Albert! You’re not planning on marrying this woman!”

“And what has brought you to that incorrect conclusion?”

“If that were the case, you would have brought it up the moment I asked if she were single!”

“To be fair, you asked if she’d received an offer for marriage, not if she was currently available to court.”

You could practically see the steam coming out of Lord Darnley’s ears, his face growing redder with each passing minute. He was still unconvinced, and for good reason, too, but you weren’t about to let Albert’s kindness go to waste.

You placed a hand on Albert’s shoulder, smiling up at him as he redirected his full attention to you. “It’s true, my lord. My affections have been reciprocated by my dear Albert, and I am patiently waiting for him to ask me to marry him. It will be a proposal I shall readily accept.”

Darnley scoffed, a hand placed over his heart in disbelief. “And you had the gall not to tell me when I’d begun to question you? Either you’re a terrible liar, or you’re just hoping to humiliate me in front of all these guests!”

“I would never dream of deceiving or insulting you, my lord. I should have made my relationship status clear to you earlier. Please forgive my carelessness.”

“I still think this is some elaborate hoax the both of you are trying to pull off. If not to tarnish my good name, then to convince every noble here that you’re worth the status bestowed on you at birth.” Lord Darnley swiped a fresh glass of wine off the tray of one of the waiters walking by, the man watching in horror as the lord downed all of the liquid in one gulp. His cheeks had started to take on a flushed hue from the great amount of alcohol he’d consumed that night, and with the way things were going, he was sure to be drunk by the end of it. “Perhaps, Lady [Name],” Darnley continued, a lopsided smirk forming on his face, “you’ve been lying about your social status, and you’re hoping that your marriage to Lord Albert will secure you a place in the upper class.”

Anger surged through you at his utterly ridiculous theory. Darnley had unknowingly gotten one fact right: you were a nobody. When you’d been taken in by the Moriarty family, you had nothing to your name but pen, paper, and the clothes on your back. But you knew one thing for sure: you had worth as a human being, and no one, noble or otherwise, would be able to change that.

And marrying a noble for status? What a laughable suggestion. As if you’d stoop so low just for some so-called “honor” among the elite.

“Well, dear sir,” you began, discreetly hiding a smirk behind your gloved hand, “I had no idea you were so foolish as to even come up with such an inconceivable thought. I once held you in high regard as I’ve heard many within the nobility sing your praises, but your current behavior is quite unbecoming of a person of your stature.”

You heard Albert try, and fail, to stifle a laugh next to you. You quietly breathed out a sigh of relief to see that he’d chosen not to reprimand your strong words. If anything, he seemed eager to encourage them.

As Lord Darnley frantically signaled for a waiter to bring him more wine, Albert took the opportunity to lean down next to your ear, whispering a simple yet heart-pounding question, “[Name], would it be all right with you to play further into these roles of enchanted lovers?”

Your breath caught in your throat, butterflies beginning to form in your stomach. “Of course,” you said. If only you knew how I truly felt, you wouldn’t even need to ask.

He smiled down at you, a sight that only stirred up the butterflies even more, and pulled you closer against him. Meanwhile, his eyes bored into Lord Darnley’s frame, darkening with every passing moment. If there was no one else in that ballroom, you had no doubt Albert would have leapt at the chance to get rid of him.

When Lord Darnley had finished downing another glass of wine, his fiery countenance returned to you and Albert. “You both are frauds,” he spat. “Everyone else here might be too dim-witted to figure it out, but I’ll make them aware that you’re not the upstanding moral characters you believe that you are.”

“It’s a shame to hear such vile thoughts coming from your own mouth, good sir,” Albert sighed. “But if I must be honest, I don’t care what any noble in this room thinks of me or the house in which I rule over.”

“Oh? And why is that, good sir?”

“Because,” Albert answered, turning his body towards yours, his visage noticeably softening when his focus returned to you, “the only person I want to please is the woman I adore. Not one person in the nobility is worthy of praise or merit—no one but her alone.”

Setting aside his glass, Albert gingerly took your hand in his own, meeting your eyes to silently ask for your permission. At your nod of approval, he lifted your fingertips to his lips, placing a gentle and almost reverent kiss against them.

“I love her,” he said, his sweet gaze reaching the very depths of your soul, “and when the time is right, I will make her mine.”

His words were like a match igniting the fire blazing in your heart, the flames fed by your deep affections for him, growing with every beat that thumped in your chest.

Your breath caught in your throat as his hand came to rest against your cheek, his touch so light yet so dizzying, more intoxicating than any wine you’d had that night. 

Albert searched your eyes as all the feelings you’d tried to keep at bay finally came pouring in like waves. You were sure he could see it all: the admiration, the yearning, the love you’d kept locked away. But somehow he’d managed to find the matching key, the truth you’d been hiding for all these years finally at his reach.

His fingers traveled along your cheek and down to your jaw, this thumb tracing patterns against your skin. You were still dazed from his words to Darnley, but you brought yourself to meet Albert’s gaze once more, curious to see what truths you could uncover in his own expression.

And you wished you hadn’t, because when you saw the affection so clearly present in them, you wanted nothing more than to throw yourself into his arms and kiss him until the night turned into day.

Albert wasn’t oblivious, and you knew it. Whatever people thought of him as—a genius, a young prodigy, a man of great knowledge—his ability to read people was beyond the average person’s comprehension. And you knew when he’d finally figured out what the person he’d been surveying was hiding. His lips would quirk upwards ever so slightly, the dimples on his face just beginning to show, and he’d cock his head to the side, pleased with his findings.

And that was exactly how he was looking at you.

You’d placed your heart out in plain view of his observant eyes, and he’d figured you out. But now that he knew of your feelings for him, what was he planning to do with them?

Albert’s thumb drifted from your jaw down your lips, careful not to brush off the lipstick staining them. He stared at them for several moments, deep in thought, before he returned his eyes to yours, a single question hidden within them.

May I?

Already breathless, you squeezed his hand once, closing your eyes as Albert leaned in painstakingly slowly, every nerve in your body alight with anticipation. This was the moment you’d only been able to imagine in dreams, on nights where you sat wordlessly under the stars, silently wishing upon them in vain. They couldn’t grant you your desires. They couldn’t give you everything you ever wanted. You were the only one with the power to seize your opportunity and make your own wish come true.

And as Albert’s lips finally fell on yours, you smiled.

Your greatest wish was being granted right before your very eyes.

His lips tasted faintly of wine, and the subdued scent of his cologne still lingered on his collar. Combined with the warm and comforting touch of his hand cupping your face, your senses were overwhelmed in the most wonderful of ways. It felt as if you’d begun to float, brought into a fairy tale-esque trance where the entire world grew still except for you and Albert.

Time had stalled to allow you this moment of pure, undeniable bliss that not even the corrupt powers of this world could take away from you.

With his lips still on yours, Albert’s hand snaked further around your waist, gently pulling you closer against him. You practically had no room left between the two of you, and so in a moment of boldness, you placed one hand on his shoulder, the other on his chest, right above his heart. Even through his suit, you could feel it beating wildly.

It only made you wonder: did he truly mean what he’d said earlier? Did he really harbor such affection for you? Did he really intend…to make you his?

Before you could ponder anymore, Albert finally pulled away, cheeks faintly dusted with rose. He appeared somewhat dazed himself, but he kept his composure, still well aware of where the two of you were at the moment.

But this time when he turned to Darnley, he smirked, practically beaming from head to toe with delight as he spoke. “Well, Lord Darnley, do you believe us now?”

If looks could kill, both of you would have succumbed to that man’s rage.

Darnley’s hands gripped his wine glass so tightly that it shattered onto the floor, the remnants of wine staining his once perfectly polished suit. Other nobles stopped their conversations and turned to him upon hearing the commotion, a few of them even pulling out handkerchiefs.

“Sir, let me get you a new glass,” a waiter spoke, holding his hand out to take the broken one from him. But Lord Darnley was already fuming, and he shoved the waiter to the side, smashing the rest of the wine glass against the floor.

“You will pay for this,” he snarled. Sending you one final glare, he turned on his heel, marching out of the ballroom, hopefully never to be seen again (at least for the night).

“Well,” Albert breathed, laughing as he ran a hand through his hair, “I don’t think he’ll be bothering us anymore.”

“You’re right…Thank you, Albert.”

“What are you thanking me for?” he asked, gaze drifting back to yours. “I’ve done nothing to warrant your gratitude.”

You shook your head. “You have, Albert. You didn’t have to step in and save me from Darnley’s advances, but you did, even though doing so could have tarnished your family name. I’m indebted to you.”

Albert frowned ever so slightly, and you cocked your head to the side, confused. After a few moments, his gaze flickered to the people dancing around the room, his cheeks still tinged a beautiful red. “If you thought I was doing all that just to be a gentleman,” he murmured, “then I don’t know what it would take to make the truth clear to you...”

Well, suddenly you were the one left blushing. 

“It’s not that. I…I don’t want to assume anything more, not when you’re such a precious person to me. I’m just scared of ruining what we have between us.”

Albert turned his attention back to you, using the hand that was still on your waist to pull you close to him again. Taking your other hand in his, he lifted it up to his lips, your faces now just mere inches apart.

“And what if I were to say that I do want something more?”

You almost wanted to pinch yourself to make sure it wasn’t all a dream.

But you still felt the press of his lips against yours, took in the smell of his cologne, and memorized the touch of his fingers running along your cheek. It was not a dream. It was even better.

Albert leaned down next to your ear, his breath fanning against your skin. “If one kiss isn’t enough to convey how much my heart yearns for you, then allow me to kiss you until you’re breathless, and no more words of doubt are left on your tongue.”

Albert smiled as your face grew redder, and with the way he bit his lip, you knew he was struggling not to comment on it.

“For a noble, you sure lack any semblance of shame, Master Albert."

Albert shook his head and chuckled to himself, that mischievous glint having once again returned to his eyes. “Keep teasing me and you’ll find out just how shameless I can be, darling.”

“Is that a threat or a promise?”

“Do you want to find out?”

Despite your flustered state, you couldn’t help but laugh, squeezing Albert’s hand tighter in yours. “If you want to kiss me so badly, do so in a place that’s actually romantic, will you?”

Taking you by the hand, Albert began to lead you outside of the ballroom and into the rose gardens. “Of course, and I’ll take my time to make sure I kiss you properly.”

You made a mental note to thank William and Louis for letting you tag along to the ball. If all went well, they would end up becoming your own brothers-in-law, after all.

But that could wait until you finally had Albert’s affections all to yourself.

[gingerteafairy]

Thank you for doing my little request! I have another one.

Dave with an s/o with a medical condition that causes them to pass out easily if they don't eat or if they get too stressed out and how he would take care of them. In my opinion, I think he would carry some snacks and drinks. Just so he could give it to them if they get dizzy.

I have a medical condition that's like that. It's nothing serious, but if ur not comfortable doing it, it's totally okay!

-L

Hey, how are you? I'm really sorry about this, I hope you're doing well and taking care of yourself <3 i thought a bit before doing this, but I kind of understand since I have something similar. Hope you like it! masterlist

𝐧𝐨 𝐡𝐞𝐬𝐢𝐭𝐚𝐭𝐢𝐨𝐧 ⋆｡ﾟ☁︎｡⋆

"You sure you can do this?" Dave’s voice wavered with uncertainty as he fidgeted with his hands, trying to keep himself from reaching out while watching you stretch. Your head felt weird—light, but also heavy, like your body couldn’t quite decide how to function properly.

"Yeah, I need to move too." You shrugged, more to yourself than to him, rolling your shoulders as you started a quick warm-up. "I know I have my condition, but exercise is important."

Dave sighed, shifting his weight from one foot to the other, clearly uneasy. "But did you, uh… eat properly?"

You froze for half a second—just enough time for him to catch on. When you turned to look at him, the guilty flicker in your eyes confirmed everything.

"Unbelievable." He groaned, running a hand down his face before grabbing your wrist and gently dragging you back toward the park bench. "Okay, that’s it. Sit."

Before you could protest, he was already unzipping his backpack, pulling out a borderline absurd amount of snacks and dumping them onto your lap.

"Eat. Now. I’m not about to let you pass out on me." His expression was all business, but the crease between his brows screamed worry. He ripped open a bag of chips, grabbed one, and held it up to your lips. "Open."

You hesitated, glancing around at the other people in the park, but Dave looked way too serious to argue. With a sigh, you opened your mouth, letting him feed you.

His shoulders relaxed a little as soon as you started chewing. "Good." He handed you the bag, letting you take over while he dug into his backpack again. "Here, drink this too." He plopped a bottle of juice into your hand.

Your eyes widened at the sight of his still-half-full bag. "All of this?"

He smirked, looking way too proud of himself. "Obviously. I never leave the house without emergency snacks when I’m with you. Someone’s gotta keep you in check, right?"

Before you could say anything, he leaned in and pressed a quick kiss to your forehead, then—without shame—stole a chip from your bag.

"Now open up—aaah." He dangled another chip in front of your face, moving it like a tiny airplane.

"Dave, are you serious?"

"Super serious. Now open." He kept making ridiculous airplane noises until you gave in and took a bite.

"Happy now?" You mumbled, chewing.

"Very." He grinned, finally sitting back and letting you eat in peace. "Once you’re done, we can work out. But no overdoing it, got it? I mean it."

You exhaled, nodding. "Yeah, yeah, I got it. And honestly? I do feel better now."

Dave’s expression softened, relief washing over him. "Good." He packed away the extra snacks before standing up and stretching. "Now, let’s go. But if I see you getting dizzy, I swear I’m carrying you, no hesitation.”

The mental image made you laugh even harder. "Okay, okay.” Dave might be shy, but nothing would stop him from taking care of the most important person in his world.

[velvet-games]

he’s so normal :)

I actually drew this before a lot of the recent stuff I've been posting; it was just me trying to figure out a good redesign for vox. I might make a proper redesign explanation later, but here are some quick notes while I'm still playing with it:

vox trapzod and alastor trongle :)

^^ ok but unironically this was kind of a hard decision since I have mixed feelings about vox's body type

stuff I was considering:

1) vox is alastor's foil and has a similar body type to alastor at least in part because you're supposed to be comparing them (It's actually so cool cause I was watching TB Skyen's reaction to ep 2 and he immediately predicted that they would have beef lol)

2) tumblr sexyman bod <3

3) I LOVE @/bestosunglass' way of drawing him, and it made me realize that I kind of love the idea of vox being a little bigger than alastor? it's very big himbo puppy + lithe cat energy

4) not sure what my headcanons about vox's body are in terms of biological vs tech yet, but I think I want to lean toward tech (which is customizable)

I love the angst concept of vox having the freedom to change his body with relative ease, which makes him feel like he has to constantly update and update and update and update and update and it's never good enough because he could always change something and he'll never quite be good enough--

basically being a victim to his own progress-oriented mindset

and also treating himself like a product; if it's not working, if it's not the best, newest model, then it's broken and useless and disposable

tbh alastor's ability to find beauty and art in the old (not necessarily based on function, but on character and care) would be good for him

ooc or not, as someone with dysmorphia issues myself, I really want an "I like your body because it's yours" moment from alastor

I think all of that + toxic masculinity would probably mean vox would make himself comically buff (at least at first) lol

5) but I like drawing him kinda scrawny ¯\_(ツ)_/¯ it's just weird because I kind of want to audience to pick up on the fact that he's not actually hypermasc but vox would totally (mostly successfully) broadcast that to the characters in the show

6) I think a trapezoid is a good shape for him! it contrasts well with alastor being a kind of sly and striking triangle shape. trapezoids are more interesting and dynamic than rectangles, but are still more stiff and business-like than triangles (p sure I am completely misunderstanding shape theory here but it makes sense to me lmao)

vox is such a mess of vibes? like he's a cult leader he's a televangelist he's a hypnotist he's a business shark he's a tech CEO he's a newscaster he's a TV he's a computer he's a literal shark he's a mastermind he's a pathetic fanboy

still not sure which of those is the most important/what should be obvious in his design

obsessed with the concept of TV knobs as buttons but it's kind of old fashioned

I headcanon him as having been a nerdy kid that got kicked in the shins for being obsessed with TV/tech lol

also hc him as being vaguely and very obliviously transfemme; the buffness can also be overcompensating for a lack of masculinity both physically and mentally

[holmsister]

I think one of the things Dungeon Meshi is definitely about is how different people deal with being an outsider/marginalised/neurodivergent/what have you and basically what im getting at is that Kabru is TEXTBOOK "high functioning [insert diagnosis here]". Its that how they say it still? Don't care.

Basically. This man shows up and you listens to him talk and see how his party treats him and you think. Oh this is a cool guy who has his shit together. And then after like two pages you find out that he has constant flashbacks to Utaya that make him completely freeze, anxiety attacks, thought spirals, is incapable of analyzing his own feelings, is a stuttering mess when the stakes are high, has never done a chore in his life, keeps putting himself in triggering situations and re-traumatising himself, and the icing on the cake is when you read the extra material and it turns out he regularly forgets to eat and lives in a depression nest of dirty clothes and self-medicates insomnia with alcohol and also is 22. Which also kind of puts Misilril not wanting to let him go in another light - yeah for sure she's controlling and infantilising and also its not like she was really helping his issues but also she was not entirely wrong in her judgement. This man does NOT know how to take care of himself. He knows how to do the bare minimum so when he shows up at work the next day he can fool his coworkers into thinking hes got it together enough. For a bit.

He is DEEPLY unwell and he knows it but he is carried by the desperate wish to avoid another catastrophe. If he stops for a moment he KNOWS he'll collapse so he doesn't.

I also think this is why him acting nurse to Mithrun is such an important part of his arc. Its like. This person who has spent all of his adult life focused on a single objective disregarding everything else is faced with what happens when you do that for too long. And the result is a wet tissue of a creature who looks like he doesn't know where he is most of the time.

He is a man on the brink. I have no doubt he felt relieved when he decided he could trust Laios - not even in a Labru way, straight up because he knew he could not keep going like this.

But also like. Of all the characters in the manga, I think Senshi and Kabru are the most lonely ones. Except Senshi seems to be OK with solitude - for sure it's not entirely healthy to be alone for as long as he was but he definitely did well enough. He is very good at taking care of himself. Meanwhile Kabru *knows* a lot of people but can you really say he has friends? Rin, maybe, arguably, but even she does not seem to truly know him, you know? He keeps himself hidden from everyone. I think the only time we see him entirely honest is when he says to Laios that he wanted to be his friend, and hes so shocked when it comes out, you can tell he did not mean to say it. And differently from Senshi, he does NOT fare well alone. He likes people, he needs people. Again compare with Mithrun - he has like a squad of people taking care of him. If Kabru had a breakdown of that size can you say his party would go out of its way to help? Im not sure. Not because they're bad people, but because he's simply not that intimate with any of them.

Idk man it just struck me all of a sudden. Laios is weird and offputting and doesn't care about other humans the way Kabru does and YET he is infinitely more successful at building deep, meaningful relationships and taking care of himself as well. I think this is part of why Kabru is so fascinated with him as well. He can tell Laios has something he doesn't have. Wait this is turning into a whole another post I'll write this next time.

[andromeddog]

Do you have any tips for drawing soldiers uniforms?

hi anon! really really long, really really rambling answer for u below the cut <3

i have many thoughts! ig the first thing is, what are your intentions with what you want to draw? are you going for complete accuracy, or is it more of a vibe situation? bc you don’t always need to be perfectly precise with uniforms, sometimes just suggesting what’s there is enough. being completely 100% with them can sometimes be distracting or unnecessary…

LIKE HERE FOR EXAMPLE….. in the snafu piece i kind of only hinted at what he was wearing… the belt, the pants, theyre really all over the place. but that’s not what’s important here or what i was trying to depict, so that’s okay! u want to see snaf being crazy, which i got more w shading and color. whereas in the piece w speirs, being precise in what he’s wearing lends itself to the war dog intensity of the whole guy. he wears that helmet proudly and holds tightly to the strap of his gun, very much IN his uniform in this moment

(do i think either of these r successful? idk. looking back on the work ive made and viewing them as complete “””””art”””””””” pieces is wack. am i in art school again. these certainly are drawings, let’s just assume they are worthy of this sort of analysis and that for sake of argument are “successful”)

buuuuuuut u can also go too crazy with pinpoint accuracy haha. like this pic? maybe it was just bc i was using a monoline brush but there was literally no reason to draw every single fold. it makes this drawing incredibly busy and unpleasant to look at. i think im just obsessive and get too invested in the details and miss the forest for the trees. so u get shit garbage like this sometimes, but that’s a me problem. i would just keep an eye on what the purpose of the drawing is!

if it’s accuracy ur going for (which i usually am) then reference is your best friend. look in different places for them, collect them, caress them like a lover, they are very important. after u look at soldiers a lot u can kind of get a feel for how specific uniforms sit on them (watching shows, movies, hell even gifsets if u r extra online like me) but that varies for whatever era ur trying to draw! spending time researching is kind of a big part of the process haha. be willing to scroll through lots of pics and lots of sources, if ur really dedicated to the cause then maybe buy some reference books!

in general i find uniforms are practical, durable, and layered for utility. everything has a purpose, those fifty straps going cross body are usually attached to fifty pouches, each with their own functional use. understanding the different parts of a uniform, their uses, the WHY of an items inclusion helps build the whole look in ur head and translates to the drawing. uniforms are bulkier than i initially expected bc they are meant to fit as many ppl as possible and typically have little to no tailoring (if we’re talking ww2. ww1 was all over the place w uniforms, especially officers, but that’s another ramble for another friday night). each era and each country and sometimes even each soldier’s uniform has its own little quirks. that’s what’s so appealing about research and drawing them for me! isn’t it neat how ppl’s individual preferences shine through even when they all have to wear the exact same thing!!!!

did any of this help at all??? i am chronically incapable of keeping things succinct! but if u read all of this thank you! i love u 🦆✨