#but i feel like it would be good if the rest of the main cast gets to a be a group of good actual friends for him.

[penultimate-step]

Thinking about it more holistically. I think my overall problem with this finale is that it keeps presenting tragic resolutions as positive things - Aqua's suicide and Ruby as untouchable idol are the big ones of course, but the rest of the cast gets a lot of this too. I think it's trying to go for a bittersweet vibe, saying that these sad things happen but things will get better, and I could respect that, but the speed-of-light pace that this was handled at means that in practice what's happening is more like they're giving us tragic scenarios and then trying to convince us that they were good all along.

A happy ending where all the main cast got to resolve their arcs would have worked, a tragic ending where nobody got the resolution they wanted would have worked, a bittersweet ending Aqua died but the living members of the cast leaned on each other to persevere and find happiness could have worked if it was given a few more chapters to breathe, but what we actually got ends up feeling like none of those.

[unordinaries]

unordinary 340 spoilers

so i’ve been thinking about it and on one hand, isen suggesting they leave john and run is a pretty sobering moment because he really is just clinging to the first real opportunity he has to protect his best friends who won’t stop getting into situations where he quite literally can’t but on the other hand it is also kinda like. (gently grabs isen by the shoulders) hey man. we saw valerie’s level. i think you’re gonna need that guy later

[spacedlexi]

it honestly frustrates me when i see people reduce the ericsons cast down to "just some teens in the woods" acting like theyre no different than any other group of lone teenagers from other existing properties and treating them like an overused trope

it is sooo important to acknowledge the "troubled youth" aspect of the whole equation. theyre not just some random teens in the woods clem stumbles across. these kids were abandoned by their families for their various "difficulties" and fucked up by The System before the outbreak even began. and then once zombies started roaming the streets their familes never came back for them and the adults that were in charge of taking care of them just left them there to rot in that old boarding school (except for ms martin who was like their lee 🥺 the only person who ever saw them as the scared traumatized kids they were and died protecting them)

the whole aspect of them already being fucked up by the adults that controlled their lives is like.....kind of important when discussing the whole "delta is stealing kids to force them to fight in a war they have no real part in and want nothing to do with" aspect of the season. and its important when comparing them to clem and her journey of also suffering at the hands of the adults around her forcing her to become self reliant. AND its important when discussing the "just trying to build a safe home (and future) worth fighting for in this world that wants them dead" aspect of the season as well

these kids were forced to come together to survive. and a Lot of them didnt... theyre the only family they have left and you can tell that even when they argue with each other theyre still a close knit group who looks out for each other. theyre a Real family before clem even gets there (and its why what really happened with the twins and brody and marlon hits them all so especially hard)

all of this is what REALLY makes ericsons such a perfect home for clem. its a Real community of her True peers. theyre not Just teens. they mightve had a layer of safety clem never had by at least having walls to keep them safe. and having the benefit of the school being hard to find. its the only reason theyre still alive when clem shows up. but theyre also some of the only people who can Truly understand where clem and aj are coming from. and its why it hurts so much when they vote to kick them out. but its also partially why she merges back into the fold so easily when she returns. plus the fact that shes Really the only one who has any idea what shes doing. shes their rock and she makes them feel safe because underneath it all theyre still just those scared traumatized kids ("EVERYONE is scared, clem..." vi was Definitely including herself in that 'everyone'), and on some level, so is clem

they saved clementines life. and she saved theirs. "the school was supposed to help them with their trauma, now they help each other" its about the LOVE the COMMUNITY the SUPPORT!!!! and thats the shit that makes good zombie media honestly 👌

[pankomako]

sometimes media serves as an example of what NOT to do. now i say this thinking about a streamer committing too much time to an impossible task when he has more important things to do but genuinely this goes for a lot of media and people need to remember that

[kyatra]

are u hyped for the next madoka magica movie

YES

[guardianspirits13]

And look. Netflix has cancelled a lot of beloved and well-received shows over the years. This is far from their first shameless cancellation.

But this one really feels like a tragedy in a way the rest really haven’t, for me.

If you have not seen it, this show has some of the tightest writing I have ever seen. It explores so many ideas and character arcs in the span of eight episodes, and there is not a dull moment to speak of. Every line feels intentionally crafted for the character it is assigned to, and the actors never fail to follow through.

Speaking of the actors, almost the entire main cast are in their breakout roles but you would never know it because they are phenomenal. Need I remind you that everyone’s favorite homosexual from hell (sorry, Cas) is played by George Rextrew, and is his first onscreen role beyond acting school. It’s easy to forget that considering how seamlessly he melts into such a nuanced and uniquely expressive character.

Steve Yockey, the director/writer/producer who made this show happen deserves accolades for his brilliant creative direction and an adaptation that took an under-the-radar comic property and made it into the show stopping narrative of cycles of violence and abuse and learning how to grow from your past and be loved as you are. In EIGHT EPISODES.

The cinematography is also stunning and combined with the sharp editing decisions make it just as visually impactful as it is narratively.

I have not enjoyed a show as thoroughly as this once perhaps since season one of Daredevil like, a hundred years ago. I’ve watched other shows, I’ve liked other shows, but none without a healthy dose of criticism. I struggle to find something bad to say about this show because it is just that good.

Now I’m not going to go into the fact that this show was unapologetically queer and that Netflix has a history of cancelling any show that features a gay character that isn’t either comic relief or has two lines. However, it is hard not to notice that the less divisive a show is, the more market appeal that it has, and Netflix definitely cares more about a majority audience of passive users with autopay subscriptions than they do a dedicated fanbase excited to have something to call their own.

To quote Bo Burnham, “Art is dead.”

[stickystarspectrumtroll-ocs]

Thinkin’ ‘bout Luna commonalities with Alastor from Hazbin Hotel.

[ellecdc]

HIII!!!!!!!!! first off i wanna say - I LOVEEEEE ALLLLLLLL THE RECENT WORKS SM i came back and i was reading through them and they're soooooo good ur so talented omgomomg

ok so request (take ur time if u want!!) idk if u write platonic fics but i really really love how u write barty and that one fic where reader and reg were fighting and she was bsfs with barty- i loved it smmmmm so can we please get some platonic barty x reader being the main focus? (i dont mind anyyy romantic pairings i just want best friend barty being absolutely insane plsplsplpslsl

of course MY LOVE; this request is from back in March hahaha sorry

poly!moonwater x fem!reader who they find in bed with Barty

CW: fluff, swearing

Regulus had spent the last umpteen years believing himself to be a light sleeper, likely thanks to growing up in a house straight out of a muggle horror film where his fight or flight reflexes were always at the ready to flee from any danger. It appeared, though, that being,  like, loved by and feeling safe with the people you surround yourself with could do wonders to a person’s subconscious…

Who knew?

This meant that though Regulus was typically a light sleeper, he seemed to have slept through your departure from his bed in the Slytherin boys’ dormitory.

Unfortunately, he wasn’t able to sleep through the sudden jolt Remus caused in the bed as he sat up and began panickedly feeling around the bed. 

“What’re you doing?” Regulus groaned as he pulled his pillow over his head and rolled onto his side in order to point his back towards his - currently skating-on-thin-ice - boyfriend. 

“Where’s dovey?” Remus hissed back; an urgent quality taking over his words that Regulus could tell it was far too early to be dealing with.

“What d’you mean?”

Remus groaned in exasperation as he cast a lumos with his wand. “I mean where is our girlfriend, you sod.”

“Have you checked with Barty?”

Regulus almost allowed sleep to pull him back into its sweet, sweet embrace before Remus ruined it again.

“What?”

“Barty, Remus. Have you checked with Barty?” Regulus repeated irritably.

“No? What? Why would I have checked with Junior?” Remus sputtered, though his asinine question was answered by none other than Barty himself.

“Finders keepers mother fuckers.” He snickered quietly.

Remus ripped open the curtain of Regulus’ four poster bed in the Slytherin dungeons to see you sleeping quite peacefully on the opposite side of Barty who was grinning arrogantly at your two boyfriends. 

“What!?” 

“She was too hot over there; I can feel the heat radiating off of you from here, Lupin. What the fuck is that about?”

“She could have taken a blanket off!” Remus argued petulantly.

“You kept tucking her back in saying she was going to catch a cold.” Regulus added helpfully sleepily.

Barty snickered at Remus’ disbelieving scoff. 

“No. Absolutely not; Junior, give me our girlfriend back.” He demanded.

This time it was Barty’s turn to scoff. “Would you shut the fuck up, Lupin; we’re trying to sleep over here.”

And to Remus’s absolute horror, you seemed to stir at the conversation causing you to reach an arm over Barty’s chest and rest your head on his shoulder before you settled back into a restful slumber. 

“Leave her be, Rem.” Regulus chided, causing Remus to divert his malcontented glare to his boyfriend.

“I beg your pardon?”

“You’re always going on and on about how we need to prioritize sleep; she’s doing that.” He explained simply.

“With him!” Remus nearly shrilled, earning him a ‘shut up you stupid sod’ from said girlfriend stealer.

“Well would you rather have both of us be tetchy tomorrow for having our beauty sleep interrupted, or just me!?” Regulus finally barked, pulling his pillow away from his face to shoot Remus a stern glare. 

Remus seemed to consider his options before he begrudgingly relented and sunk back under the covers with a very petulant harumph.

“She’s going to smell like him tomorrow.” He pouted as he pulled Regulus into his arms possessively. 

Regulus sighed and nuzzled further into Remus’ neck. “You can fix that tomorrow.”

Regulus felt the tension in Remus’ body relax as he no doubt imagined all the ways he would be doing just that.

[cera-writes]

Hi! So I recently got into X Men again after watching Deadpool & Wolverine and by god do I love Gambit! I found your blog and your stuff for him is so good! I do have a request for you if you don’t mind. Could I please get a spicy first time with Gambit and fem!reader? It’s not her first time with a guy but maybe there’s been some tension building up and he wants to show her what a real man can do if you know what I mean lmao. I’ll leave it pretty open ended, I trust you’ll make something awesome! ❤️

A/N: Saaaaame! My obsession with this man is unwavering 🫦 Pairing: Remy LeBeau "Gambit" x F!Reader Tags: sex in the water, pining, fluff, shy!reader, pnv sex Summary: Reader decides to take a swim in the lake by the mansion. Having never had much luck with guys in the sexual department, Remy decides to show the reader how good it can really be and joins her in the water.

A Moonlit Dip

The sun was just beginning to dip below the horizon, casting long shadows across the tranquil waters of the lake that nestled quietly at the edge of the X-Mansion grounds. You had slipped away from the main building, seeking a moment of solitude and perhaps a bit of refreshment in the cool water. The air was thick with the scent of pine and wildflowers, a welcome respite from the ever-present tension of mutant politics and training sessions.

As you waded into the lake, the water felt like silk against your skin, soothing the day's stresses. The gentle lapping of the waves against the shore was the only sound, save for the distant chirping of crickets preparing for nightfall. You dove under, letting the cool embrace wash over you, feeling more alive than you had all day.

Emerging from the water, you wiped the droplets from your eyes, only to find Remy LeBeau, aka Gambit, leaning casually against a nearby tree, his eyes twinkling with amusement. His usual smirk played at the corners of his lips, and he pushed off the tree, sauntering towards you. You let out an inhuman shriek, startled at seeing his face looking directly at yours. "Jesus, Gambit..." you huffed.

"Bonsoir, chérie," he drawled as he fought back the urge to laugh, his Cajun accent thickening the syllables. "Looks like I ain't the only one who knows how to find a little peace 'round here."

You felt a blush creep up your cheeks, not expecting company, especially not him. "Just needed a break," you admitted, treading water to keep yourself afloat, suddenly aware of how exposed you must look in the fading light.

Remy chuckled, removing his trench coat and tossing it aside. "Well, since you're already in d'ere, mind if Gambit join you?"

Before you could respond, he was peeling off his shirt, revealing a muscular chest that hinted at countless hours spent training and staying fit. After that came the rest of everything below the belt. Your breath caught in your throat as he stepped into the water, his eyes never leaving yours. The water seemed to part around him, as if welcoming its master back home.

"Ain't no gators in dis lake, mon cher," he teased, swimming closer. "But Remy reckon ya might have somethin' to worry 'bout anyway."

His proximity made the water feel suddenly warmer, the space between you charged with an electric tension that had been building for weeks. You remembered the lackluster dates, the guys who failed to ignite even a spark, and here was Remy, making your heart race with just a look. You'd be lying if you said you hadn't rubbed one out to just the sound of his accent alone as it filled your thoughts when you were by yourself.

"What would that be?" you managed to ask, your voice sounding faraway even to your own ears.

He closed the distance between you, his hands finding your waist beneath the water. "Me," he whispered, his lips brushing against your ear, sending shivers down your spine. "Remy seen you wit' them, chérie. Seen how d'ey couldn't hold a candle to what we could be."

His confession hung in the air, heavy and real. You turned to face him, your hands resting on his shoulders, feeling the strength beneath the smooth skin. "And what is that?" you challenged, though your voice trembled slightly.

Remy's smile was soft, almost vulnerable. "Something real, somethin' hot enough to burn away all those other cold nights." He leaned in, his lips a breath away from yours. "Let Gambit show you, belle. Lemme show you what a real man can do."

The world around you faded into insignificance as his lips met yours, soft at first, then deepening with a passion that took your breath away. His hands roamed your body, exploring, claiming, igniting fires wherever they touched. You responded in kind, your shyness melting away under his confident touch, giving in to the desire that had simmered between you both for so long.

In the water, limbs intertwined, breaths mingled, and the night seemed to hold its breath, watching the two of you explore each other with a hunger that was both new and ancient. Remy broke the kiss, trailing his lips down your neck, his hands guiding you deeper into the water, where the privacy was absolute.

"Tell Gambit whatchu want, chérie," he murmured, his voice husky with need.

You gasped as his fingers found a sensitive spot, your body arching toward his touch. "Show me," you begged, your voice breaking with emotion. "Show me everything, Remy."

With the moon as your only witness, you finally surrendered yourself to him.

With a low growl, Remy obeyed, his actions deliberate, every movement calculated to send you spiraling into pleasure. The water became an extension of his body, caressing you in ways you never imagined possible. You clung hard to him, nails digging into his skin as your world narrowed down to the sensations he elicited, the heat building within you like a dam about to break. You hissed in pleasure when he thrust even harder inside of you, feeling every inch of his hard dick throbbing inside your walls.

"Dass'it, belle," he encouraged, his voice rough with exertion. "Let go for Remy. Lemme see you fly."

And then, with a final, exquisite thrust, you did, soaring through the clouds of ecstasy, your cries mingling with his groans of satisfaction. The world came crashing back, the stars above seeming brighter, the water warmer, and Remy, more breathtaking than ever before.

He held you close, his forehead resting against yours, both of you catching your breath. "Was dat good, chérie?" he asked, his tone raw with emotion.

You nodded, unable to speak, your heart still racing from the whirlwind of sensations he had unleashed.

Remy kissed your forehead, his arms tightening around you. "We should get outta de water, cher. Night's chill settin' in."

You reluctantly had to agree.

His hand found yours as he led you out of the water, the cool night air a stark contrast to the warmth that had enveloped you moments before. The moon cast a silvery glow over the lake, making the droplets on your skin shimmer like diamonds. You shivered slightly, not from cold, but from the lingering thrill of what had just transpired between you. You'd managed to find your clothes in the dark, quickly dressing as Gambit did the same.

"Here, chere," Remy murmured, draping his coat around your shoulders. The fabric was still warm from his body, and it smelled faintly of his cologne—a mix of spice and something uniquely him. "You catch a chill, Gambit'll never forgive hisself."

You smiled up at him, feeling the weight of his concern, and more, the depth of his affection. "Thank you," you whispered, pulling the coat tighter.

He nodded, his eyes soft as they met yours. "Let's walk, yeah? Getchu warmed up proper."

Hand in hand, you strolled along the lakeside, the silence between you comfortable, filled with unspoken words. The crickets had resumed their song, and somewhere in the distance, a whippoorwill, its call echoing through the trees.

"Been wantin' to do dat for so long," Remy confessed suddenly, breaking the quiet. "Ever since dat night at the bonfire when you laughed at my terrible joke and didn't even care dat everyone else thought it was lame."

You chuckled, remembering the event he spoke of. "It wasn't that bad," you defended, though you knew he was teasing.

"Maybe not," he agreed, "but it was enough to make Remy think maybe, jus' maybe, you were different. That'chu saw me, not jus' Gambit the playboy, but Remy."

Your heart swelled at his words, the sincerity in his voice touching a place deep inside you. "I do see you," you admitted, pausing to face him under the moonlight. "All of you. The good, the bad, the Cajun charm... which I love, by the way." You'd confessed.

Remy laughed softly, his fingers brushing a strand of hair away from your face. "And here Gambit thought he was bein' subtle," he joked, though his eyes remained serious. "You deserve someone who's upfront, someone who can give you all de fire ya need, chérie."

You leaned into his touch, the vulnerability between you both palpable. "And you think that's you?" you asked, your voice barely above a whisper.

"Gambit know it is," he replied without hesitation, his gaze unwavering. "I wanna be de one to stand by your side, through thick and thin. To show you every day whatchu mean to me."

Tears pricked at your eyes, moved by his declaration. "Remy..." you breathed, searching for the right words.

He shook his head, placing a finger gently against your lips. "No need to say anything now. Jus' think about it, yeah? Let it sink in."

You nodded, understanding his request. This was a moment to savor, to reflect upon, not to rush through with hasty words.

They continued walking, the conversation lightening as Remy regaled you with tales of his youth in New Orleans, the mischief he and his friends had gotten into, and the lessons he had learned along the way. You listened intently, enchanted by his stories, by the man himself. You didn't think it was possible to fall for him even more but he had that charm all the same.

As the path wound closer to the mansion, Remy slowed his pace, his expression turning thoughtful. "Y'know, dere's somethin' I've always wanted to show you," he said, his tone mysterious.

Curiosity piqued, you looked up at him. "What's that?"

He grinned, the familiar glint of mischief returning to his eyes. "A secret spot, up in de hills. It's where I go when I need to clear my head, or jus' feel...free."

Your interest was piqued. "Sounds magical," you mused, imagining the possibilities.

"It is," he confirmed, his hand squeezing yours. "Maybe one day soon, Gambit'll take you de're. Show you de view, letchu feel de wind in your hair."

Excitement bubbled within you at the prospect of sharing such a personal place with him. "I'd like that a lot," you admitted, smiling.

As they reached the edge of the woods, the lights of the mansion peeking through the trees, Remy stopped once more, turning to face you fully. "Tonight was...incredible," he murmured, his voice thick with emotion. "Thank you for lettin' me in, chérie."

You shook your head, unwilling to accept gratitude for something so mutual, so transformative. "There's nothing to thank me for," you insisted. "It was...perfect."

His smile widened, a flash of white teeth in the darkness. "Perfect, huh? Well, maybe next time we can aim for legendary d'en," he teased, his eyes twinkling.

Laughing, you nudged him playfully. "Oh, is that so? And what would make it legendary, pray tell?"

Remy leaned closer, his breath warm against your ear. "How 'bout we find out together?" he whispered, his voice low and inviting.

Your pulse quickened at his suggestion, the promise of what could be hanging in the air between you. "I think I'd like that," you admitted, your voice catching ever so slightly.

With one last, lingering look, Remy turned towards the mansion, tugging you gently along. "C'mon, chere. Let's getchu inside before you turn into an ice sculpture. Gambit'll cook ya up somethin' to warm your soul."

You laughed, the sound carrying on the breeze as you followed him, your steps lighter than they had been in ages. As you walked, wrapped in his coat and his affections, you couldn't help but feel that perhaps, just perhaps, this was the beginning of something truly extraordinary, like the man himself.

[sansaorgana]

— A SMALL PRICE TO PAY

PAIRING — King Aegon II Targaryen x fem!Reader

SUMMARY — You visit Aegon with your children in his chambers after he nearly lost his life due to his reckless decision to join the battle.

AUTHOR’S NOTE — This is just a very self-indulgent fic where both twins are alive (I haven't described their looks because Reader is their mother – I have only mentioned their hair colour) and Aegon's injuries aren't even half as bad as in canon. 🙈

WORD COUNT — 3,600

ENGLISH IS MY SECOND LANGUAGE.

A SMALL PRICE TO PAY

When your servants informed you about Aegon planning to depart on Sunfyre and that he was getting fully armoured, your heart stopped beating for a good while before you gathered your skirts in your hands and rushed all the way to the Dragonpit. Your sworn guard could barely keep up with your pace.

“My Queen!” He tried to stop you but you remained deaf to his pleas. All that was important to you was to stop Aegon from making a mistake.

You knew what he was planning to do because all those nights when he had been drunk on wine and whining about his council ignoring him, he had been threatening to just hop on his dragon and join the real fight eventually. Something had to happen on that day, which had finally pushed all his buttons and caused him to take the drastic step.

But when you ran into the Dragonpit, he was already gone. You rushed outside and looked up. The beautiful Sunfyre was up in the sky and flying away. You put your hand over your forehead to cast a shadow upon your face.

“The King has already departed, My Queen,” your sworn guard informed you and took a few deep breaths in after the rapid chase.

“May the Gods protect our King,” you swallowed a lump in your throat and whispered a short prayer. There was nothing you could do now, really. You didn’t have your own dragon, on which you would hop on to join him in the battlefield to help him.

That feeling of being helpless was the greatest burden. Therefore, you understood your husband’s frustration. He was the King, after all, and he wanted to feel like one.

But you were the Queen. And all you could do was to wait and pray.

The news from Rook’s Rest came with a raven and you were in the room with the Dowager Queen Alicent when you read that King Aegon had managed to kill Meleys and her rider, Princess Rhaenys. However, the King himself and his own dragon Sunfyre were injured. The letter brought to you did not dwell on the state of either of them.

You finished reading the words out loud and glanced at your mother-in-law. She covered her face with her hand to muffle the sound of a sob coming out of her mouth. Your lips were trembling, too.

“He’s alive,” you tried to comfort both her and your own self. “And a hero, too.”

“My boy…” Queen Alicent stood up to approach the window.

“With all due respect, My Queen,” you stood up and dropped the letter onto the surface of the desk before approaching her. “We both know why Aegon went to the battle. The servants informed me about his drunken state and… An argument… Between you two,” you told her, carefully. You did not want to damage the relationship you had with Queen Alicent.

She was a good mother-in-law and she loved her children, however, sometimes, she struggled with emotions. Which was no fault of hers, especially now, on the verge of a civil war – everyone struggled. But you were also aware of how important she was to your husband.

Sometimes, it felt as if his mother was the only important person in his life. He did not care for anyone else as much as for her – excluding your children, of course. But his mother was often the main subject of his conversations when you two were alone, discussing your problems. And no matter how much love and support you were showing to him, he was still unsatisfied because what he craved and needed truly was her approval. 

“I deeply regret the words I have said to him,” Queen Alicent turned around to look at your face. “But they cannot be undone now.”

“No, they cannot,” you nodded and she sobbed once more. You felt bad for her, so you put your hand gently on her shoulder. “Do not put all the blame on yourself, My Queen,” you whispered to her. “My husband is known for being impulsive and it is not a secret he likes wine more than he should.”

“And who raised him this way?” Queen Alicent asked you with her big brown eyes filled with pain and guilt.

“My husband had a father, too,” you reminded her. “Also, some… Some things… Us, parents, we cannot help them. Our children are not our property but humans of their own and we cannot shape them the way we like. There are often forces stronger than us that mislead and misguide them from our paths,” you comforted her.

When the knights came back from Rook’s Rest, they had Meleys’ head that they were showing off to the peasants as they praised your husband’s victory. You had to admit, the sight of that red beast’s head was gruesome and the smell was awful as well, however it brought some pride to you that it was your husband who had slain her.

Still, he was what you cared about the most. You rushed to his chambers where he would be brought by the knights and where the Maesters waited for his arrival.

You were scared to see what state he was in. You were scared to see the injuries and blood but you were his wife and you couldn’t imagine hiding somewhere else. You just had to endure it and remain by his side. Queen Alicent stood by you as well and you both waited. When you heard the approaching footsteps, she reached her hand out to grab your wrist and you held her hand to squeeze it in a comforting manner. You both needed that.

The nauseous smell reached your nostrils first – metallic scent of blood and the eye-watering stench of burnt flesh. Groaning Aegon was laid down on his bed as Maesters rushed to his side before you could take a better look at his face.

Queen Alicent gasped and turned around to cry but you let go of her hand and tried to stand between all the men gathered around your husband’s bed.

“My Queen, please,” one of the Maesters looked at you pleadingly. “Do not interrupt, for the King’s sake.”

“That is not a sight for the Queen,” another one told you.

“He is my husband!” You pushed him away to get closer to Aegon and the sight of him made your heart clench.

You sobbed just like his mother at the sight of his skin covered in bruises and blood, while the left part of his body was burnt in many places to the point that his armour had melted into his skin – Maesters worked on removing it as quickly as possible. Even Aegon’s face was burnt on his left cheek and his leg was broken, too.

“Aegon…” You whispered and walked the bed around to find yourself on the better side of him, the one less injured. You grabbed his hand to squeeze and he hissed out of pain before laying his teary eyes on you. “Oh, Aegon…” You sobbed some more and fell to your knees to place a kiss upon his hand before pressing it to your forehead. “I have been praying for you, my King. Thank the Gods for bringing you back to me and now might they grant you strength…”

“My Queens, please,” Grand Maester Orwyle looked at Queen Alicent. “We will call for you after we are done with the King. Let us work now.”

You tried to stand up but you stumbled and it was your sworn guard who had to intervene and raise you up from the floor before walking you out with his hands placed respectfully on your shoulders.

You were pacing around your chambers nervously for the second hour now. All the food brought to you by the servants was lying cold on the table because you couldn’t touch it. Every time someone walked past your doors, your heart was skipping a beat, thinking it was some news about your husband.

Finally, a light knock had your head spinning as you rushed to open the doors before your guard even managed to reach out to push them.

“What is it?!” You asked the Maester standing in front of the chambers.

“The King can receive visitors now, My Queen,” he bowed his head in front of you.

“Thank the Gods,” you mumbled to yourself. “How is he? Will he be alright?”

“His convalescence will be a long one but he will be alright, eventually,” the man answered and then he looked away nervously.

“But…? What is it?!” You furrowed your brows.

“The King might never walk again, My Queen,” he informed you, quietly.

You pursed your lips. The news was heartbreaking for you but you knew it had to be even more devastating for Aegon. On the other hand, you’d rather have him laying in bed all day long than have him dead.

“It is a small price to pay the Gods for sparing his life,” you only nodded. “Thank you, Maester,” you added and walked away.

Before going to your husband’s chambers, you went to the nursery first where your silver-haired twins were playing together, unaware of anything that had taken place on that day.

“Jaehaerys,” you crouched down next to the boy playing with a wooden dragon.

“I don’t want to go to sleep yet,” he whined.

“No, darling, not to sleep,” you caressed his hair and offered him your hand before extending the other one towards Jaehaera. “We are going to see daddy,” you told them. “He is unwell,” you added and the eyes of your children looked up at you, worryingly. “He was fighting in a battle on Sunfyre and he got hurt,” you explained in a way they could understand. “He would love to see you now, I bet.”

Jaehaerys and Jaehaera both stood up and squeezed your hands. You walked them out of the nursery and guided them to your husband’s chambers.

Those had been his own father’s chambers before and Aegon did not like them for that very reason. Most of the time he was spending time and sleeping in your chambers but now you believed he would have to stay in his father’s ones for quite a long time. However, you would visit him every day anyway.

You had been young teenagers when you had met for the first time and you had hated him at first. You still remembered that night when you had been crying from dusk till dawn about the fact you would have to marry him one day. But when you had actually arrived at King's Landing to marry him a few years later, you had been surprised by how much you had grown to like him despite his undeniable flaws.

Also, everyone was saying that your marriage was doing him good and you were changing him for the better. It had always been making you feel proud to hear such words and all of Aegon’s attempts to make you like him more had been only causing you to fall for him harder and harder. Even though some of his attempts had failed, they had still been proving to you that he cared about you.

At the sight of you coming, his guards bowed down and opened the doors leading to your husband’s chambers as they announced you.

“Queen (Y/N) with Prince Jaehaerys and Princess Jaehaera.”

You walked inside the chambers carefully and felt your children squeezing your hands at the sight of their father. Aegon was sitting on the bed now with many pillows behind his back but the bruises had not magically disappeared from his skin after all. Nor had the burns or a broken leg that was now propped up to heal properly.

Aegon cracked a smile at you and his children. You let go of their hands and they looked up at you, questioningly.

“Go to daddy,” you nodded your head at them and they ran up to their father’s bed.

“Daddy!” Jaehaera squealed as Jaehaerys climbed up to sit by Aegon’s better side. Jaehaera tried to do that as well but she struggled. You chuckled at that and helped her.

“Be careful with daddy, he’s still in pain,” you told your children and watched them carefully as they sat by your husband.

Aegon raised his less injured hand to brush their arms with his fingers before laying his hand down again and you took it gently and placed it upon your lap after sitting on the edge of the bed.

“Are you alright, daddy?” Jaehaerys asked with widened eyes. “Mummy said you were in the battle on Sunfyre!”

“Yes…” Aegon answered in a raspy voice before clearing his throat. “Yes, I was. And I won,” he added, weakly.

“When will you be better, daddy?” Jaehaera asked as she crawled closer to her father. She cupped his cheeks gently and you knew it had to bring your husband some pain but he didn’t let it show. His eyes filled with tears again. “You have an ouchie here!” She pointed at his left cheek that was burnt.

“Jaehaera, don’t touch!” You gently took her hand away.

“I don’t know when I will be better, my love,” Aegon smiled sadly at her. “But I will be, I promise.”

“And will that heal?” Jaehaerys pointed his hand at his father’s leg.

“Yes,” Aegon nodded.

“And the ouchie?” Jaehaera’s small lips trembled as her eyes filled with tears.

“The ouchie will stop hurting but it won’t go away. Daddy will forever have those marks from being burnt,” you caressed her hair gently and she sniffled. “Ah, don’t cry, little one, that is an honour for a man to carry such scars. Your father is a hero who has survived dragonfire.”

“Really?!” Jaehaerys asked.

“I have slain Meleys, The Red Queen,” Aegon answered him and Jaehaerys gasped. You could see a shadow of pride on your husband’s face.

“Do spare them the details, dear husband,” you interrupted them, “for they are too small.”

“And how is Sunfyre, daddy?” Jaehaera asked him.

“Right, how is he?” You asked with a furrowed brow. You were curious, too.

“He might never fly again…” Aegon looked away sadly and your heart felt heavy at his words. You were aware of the bond he shared with his beloved dragon but it was also a bad omen, you thought. 

If Sunfyre would never fly again, it could mean that your husband would never walk again either. You swallowed a lump in your throat and gave his hand a light squeeze to let him know you would stay by his side no matter what.

“If Sunfyre can’t fly again, I will let you fly on my dragon sometime, daddy,” Jaehaerys tried to cheer his father up with a sweet smile and Aegon chuckled at that. His hand left your lap to ruffle his son’s hair.

Jaehaerys’ dragon was so young that it was still smaller than him.

“I will let you fly on mine, too!” Jaehaera promised. “But not to battle!” She added and Aegon bopped her on the nose.

Her dragon was even smaller than her brother’s.

“Thank you, my sweetlings,” your husband nodded at them and you spotted exhaustion in his eyes, which you were not surprised to see after such a long and painful day.

“It’s bedtime for you, my darlings,” you reminded your children and they whined. “We will visit daddy again, on the morrow, yes?”

“Can I bring my toys here on the morrow and play with them with you, daddy?” Jaehaerys asked.

“Can I, too?” His sister’s eyes widened.

“Yes… Yes… If I am not too tired, that is,” Aegon promised them.

“If not on the morrow, then some other day,” you stood up and helped your children to jump off of Aegon’s bed. “Your father won’t leave these chambers for a long time,” you gave him a scolding look since, after all, it had been his fault that he was lying there. And now, seeing that he would be quite alright eventually, you allowed yourself to have such thoughts instead of drowning in worry.

“Good night, daddy,” Jaehaerys and Jaehaera said in unison before the doors opened in front of you.

“Take them to their nanny and tell her it’s their bedtime already,” you informed your sworn guard who was waiting for you outside, following you like a shadow as usual.

He nodded at you and extended his hands for the Prince and Princess to take them. They held onto him and you watched them walk away before you took a deep breath in and turned around to go back to your husband.

Once again you sat on the edge of his bed and you sighed at the sight of him. His eyes were full of tears now as he avoided your gaze.

“I’m sorry,” he mumbled out.

“You reckless fool!” You exclaimed and then you covered your mouth with your hand and you looked away, too. “I could have lost you…”

“Well, that would have been for the better. Now you have a cripple for a husband,” Aegon remarked.

“It is not known yet,” you pointed out and leaned in to be closer to him. This action made him finally turn his head around to look into your eyes. You spotted a few tears streaming down his cheeks.

“Even if I walk again, I will forever have those scars. And for the upcoming months you will be like my mother when she was taking care of my father…” Aegon’s voice was full of remorse.

“I do not care about those scars,” you assured him and gently wiped his tears away with your thumb. “And I shall nurture you willingly and without complaints. However, I shall never let you forget that all of this is a result of your foolish, impulsive decision!” You clenched your jaw. “Thank the wine and your hot head for the state you are currently in.”

Aegon looked down, not being able to stand your gaze anymore. He was full of shame and you took a deep breath in to calm down before leaning in and placing a soft, tender kiss upon his forehead. You loved him, after all.

“You were here… When they brought me,” he whispered. “It’s all blurry, the memory. But you were here, holding my hand…” He looked up.

“We both were, your mother and I,” you told him. “Of course, how could I… How could we not?” You smiled at him.

“Poor Sunfyre…” Aegon’s eyes filled with tears again. “He lost a wing because of me.”

Your eyes widened at his revelation. You had no idea how serious Sunfyre’s injuries were.

“I’m sure Meleys suffered worse,” you pointed out. “It is a war, Aegon, and the dragons are involved now. However, over my dead body you will go to battle again! You have already proven yourself and the Kingdom needs you alive and inside the Red Keep,” you lowered your voice. “You do not wish to be a puppet, my love? Then you have to live and be strong enough to rule.”

Aegon sighed and you caressed his hair gently. You knew that the crown upon his head was nothing but a burden to him. 

“Will you help me?” He asked, looking deep into your eyes.

His question surprised you greatly because so far, he had often asked you to stay away from the schemes of his council members and the council itself. So far, he had been relying on his mother in such matters.

Then you realised – seeing the pleading and trustful look in his eyes – that you somehow replaced her for him. It was a bittersweet feeling.

“I will, darling,” you nodded. “Of course, I will. I love you,” you assured him and kissed his forehead once more. “Now rest, My King,” you kissed his nose and then lips, very carefully.

You squeezed his hand for the last time and waved at him before walking out of his chambers. You spotted the Dowager Queen Alicent pacing down the corridor and waiting for her turn to see her son.

“(Y/N),” she approached you and held your hands. “I did not want to interrupt you. Is he quite alright?” She asked.

“He is… Well, better than I expected after seeing him right after the battle,” you told her and she sighed out of relief. “You can see him now, but please, not for long, My Queen. I would rather him rest and sleep,” you explained and Queen Alicent nodded at that.

“Thank you…” She whispered and you furrowed your brows because you had a feeling she was thanking you for more than just informing her about her son’s health. “Thank you for loving him… For loving him the way I could not,” her voice broke.

And so did your heart at her words.

“My Queen, I can only pray to the Gods to be a mother as devoted as you are,” you smiled at her gently.

She wasn’t perfect and she had made mistakes she was very well aware of. However, it was not your role to torment her or judge her. Especially that you were playing on the same team and you both had the same amount of love in your heart for the man who had nearly lost his life earlier today – her son and your husband.

Queen Alicent smiled back at you but her smile was one of the sad kind.

“I shall pray to the Gods for them to bless you more than me in that matter.”

MASTERLIST

[acewritesfics]

A Wedding After All  | Tommy Shelby 

Pairing: Thomas Shelby x Pregnant!Reader 

Request: No.  

Warnings: Alludes to cheating [I do not condone cheating]. Pregnancy. Past childhood sweethearts. Brief mention of war. One f*ck.

Word Count: 2,103

Tommy Shelby Masterlist | Main Masterlist

"Is Tommy in his office, Polly?" Y/N asks as she approaches the woman who has always treated her like a daughter. Her cheeks are flushed after walking as fast as she could to the Shelby Company's headquarters. She's come straight from the doctor's office. 

Polly cast a worried glance towards the younger woman. "You alright, Love?" 

"I need to talk to Tommy," she says, her gaze darting towards Tommy's office. "It's important that I speak with him." 

"He ought to return at any moment. I'm sure you can tell me whatever you need to tell him," Polly remarks as she sees Y/N beginning to pace back and forth in front of her. 

"Sorry, but I can't. I won't say anything until I've spoken with Tommy." Y/N is unable to calm herself as nauseous feeling settles in her stomach. 

The Shelby family's Matriarch felt unsure how to handle the current situation she finds herself in. If something bothered her, Y/N would always tell her. She never went to Tommy first with anything since their relationship ended years ago.  

Polly knew the woman Y/N's father married a month after his wife died, and it came as no surprise how viciously she treated the teenage girl, from spreading rumours to physically beating her, while her good for nothing father did nothing to stop his new wife. 

Polly immediately scoured the entire town of Small Heath for Y/N and welcomed her into her home once she learned that she was kicked to the streets when she was fifteen. 

It wasn't long before Polly introduced her to her brother's family. When she met the Shelby siblings, they forged an immediate bond. Ada, the only girl, took to her the most, relieved to have another girl to talk to. The two women are still as thick as thieves to this day. They have a sisterly relationship that not even Tommy could disrupt. 

From the moment they met there was an obvious immediate attraction between Y/N and Tommy.  It didn't take long for their friendship to grow into a romantic love. Their romance was a whirlwind of passion, excitement and love. The two of them only had eyes for each other. Everyone knew she was Tommy's girl, and no one dared to touch her. Even though Tommy had little in common with his father, the Shelby name came with a not-so-great reputation.  

Tommy and Y/N weren't hesitant to call each other out on their foolishness, their confrontations occasionally attracting unwelcome attention. But they never went to bed angry with each other, which sometimes resulted in restless nights spent talking and making up. He had been her first love. 

However, their romance eventually ended when Y/N travelled to London shortly after turning 21 to pursue becoming a nurse. Tommy wanted to promise that he'd wait for her to return to Birmingham because he knew she was the one who he was supposed to marry and spend the rest of his life with. She urged him not to make any promises to her, fearing that their parting would only cause more heartbreak. But Tommy never gave up on her, writing almost every day to persuade her that everything would work out between them. They both held hope that it would until the letters eventually became less frequent as they both became busy with their lives.   

The war broke out two years into her training, and she and many other nurses were deployed to France to care for their countries' wounded. There, she was reunited with her former love. In the midst of tending to the soldier's wounds, their love for one another was rekindled. 

But as the days passed, Tommy's once beautiful vibrant blue eyes turned dull, emotionless, and void as they witnessed people die in the most horrific ways. When the war was over and they were sent home, they went their separate ways once more. 

It wasn't until six months ago that Y/N returned Birmingham. She'd been assigned to work in Small Heath's hospital. She preferred working at this hospital to the one she previously worked at in London. It moved at a slightly slower pace which she enjoyed.  

She reconnected with Polly and the brothers once she had settled back in and called Ada at least three times a week to keep her updated now that she was living in London with her son. Despite Ada's displeasure at Y/N wanting to return to Birmingham, the younger of the two women supported her decision knowing that their hometown was where Y/N belonged. 

Y/N had missed Polly and the brothers and was overjoyed to have them back in her life, as well as to be back in theirs. 

She enjoyed being back in Small Heath, even if her heart was crushed by her own past decisions. She assumed she was over Tommy, that all they'd ever be is friends, and that all her old sentiments for him had vanished. Tommy was her first and only love, so learning that he was now engaged saddened her. Polly attempted to convince her that Tommy never stopped loving her and that this marriage was a waste of time and money once he realises, he's making a mistake.  

But all Y/N saw was the way Tommy's soon-to-be bride looked at him, the way her eyes lit up when he walked into the room, the way he makes her smile. It was the same way she would look at him. The only difference was he never looked at her the same way he looked at Y/N. He never looked at anyone the way he was before the war. Y/N didn't know if Tommy loved his fiancée, but he was marrying her and that was enough for Y/N to know that her and Tommy will never be more than friends again.  

Y/N didn't want to get in the way of their relationship, so she kept her distance from Tommy. Which had been working until one night nine weeks ago. 

Polly pulls out a cigarette, places it between her lips, and lights it while she continues to watch Y/N pacing the room. She takes in the younger woman's form, seeing the small curvature of her belly as her hands rest over her stomach as if protecting it. 

Then it dawns on her.  

Leaving her cigarette in the ashtray, she moves towards Y/N and stops her from pacing a hole into the floor. Y/N seems surprised as Polly reaches out and gropes her breasts, feeling them for a few seconds before letting go. 

"You're with child," she exclaims, not bothering to hide the smile on her face. She is not a fool. This baby can only belong to one man, and it would be the push the former lovers need to come back together. Tommy, after all, would never abandon the woman who is carrying his child, especially when it's the woman he's been hopelessly in love with since he was sixteen 

"Fuck me," Y/N murmurs more to herself since she should have known Polly would notice. Nothing can ever get past the Romani woman. "Please don't say anything until I've spoken with Tommy." 

"My lips are sealed," she assures as she places her hand to Y/N's belly.  "Is she Tommy's then?" 

"She?" Y/N raises an eyebrow in response. She wasn't going to bother responding to Polly question since she already knew the answer. 

"Did you forget who you are talking to?" Polly beams, eliciting a smile from Y/N, who appears to be more at ease. "She'll be beautiful, Y/N, and you'll love her more than you've ever loved anyone, even Thomas. There is no deeper love than that between a mother and her daughter." 

They both have a saddened expression on their faces as they recall who they've lost. Y/N lost her mother, and Polly lost her daughter, but they found what they were looking for in each other. Polly always believed that her daughter and Y/N's mother brought them together knowing that they needed one other. 

"You understand that she'll call you nan, right?"  Y/N says, making Polly smile this time. 

"Of course she is," Polly says, hugging her adopted daughter. She lets go of her, looking over her shoulder as someone walks into the office. 

Y/N becomes tense once more. She doesn't have to turn around to find out who it is since she can always feel Tommy's presence before she sees him. She turns around with a timid smile, the nauseous feeling in her stomach intensifying as she swallows the lump in her throat. 

"Y/N," he says a little taken aback to see her. 

"Good afternoon, Thomas," she says formally, trying not to seem too anxious. Since the night they spent together nine weeks ago, the two have barely spoken. Polly simply stands between them, smiling. "Do you have a moment? I need to speak with you." 

"I do," he replies and leads her into his office hearing the urgency in her voice. 

He glances worriedly at Y/N after closing the door. "Is everything okay?" 

"I saw the doctor this morning."  

As he gets closer to her, he grows increasingly worried. "Are you ill?" 

"What I have does cause sickness." She claims unable to look at him. The amount of thinking she did on her walk to the office did not help her at all. 

"What do you have?" He tilts her head so she can look at him. He notices tears welling up in her eyes. 

She takes a deep breath in and out, gathering all her courage to tell him as h er tears begin to fall. "I'm pregnant, Tommy." 

The Peaky Blinder remains calm as thoughts start running through his head. His eyes never leave hers. Y/N searches his eyes trying to find a hint of what he could be feeling or thinking. 

"You are the only one I've been with, Tommy. The baby is yours and I know you are to be married so if you want, I will leave. I'll go back to London and raise her by myself. I just thought since you're the father, you have the right to know and decide what you want to do," She rambles. Removing Tommy's hands off her face, she steps back from him, her arms going around her stomach, bracing herself for his rejection.  

"Or," Tommy finally speaks. "Or, you can stay here, I can marry you and we can finally be a family." 

"Tommy, you're engaged to someone else," She looks at him as though he's delusional, not believing what she's hearing. 

"Not a single day goes by where I don't think about you and what it would be like if we stayed together," he admits. "Because of that, I ended my engagement. I can't marry someone else when the only woman I'll ever love is standing right there in front of me." 

"Tommy, I-"  

"We are going to get married, we are going to have this baby and we are going to be a family," he steps towards her cupping her face again. This thumbs brush away her fallen tears. "I have never stopped loving you," he whispers before kissing her. 

"I love you too, Tommy," she replies when the kiss is broken and Tommy pulls away from her. She watches him go over to his desk, pull something out of the draw and walk back over to her. In his hand is a red velvet ring box. He opens it revealing the gold ring with three red ruby stones surrounded by diamonds. She gasps recognizing his mother's engagement ring. "Your mother's ring." 

"I've been saving it for you," he tells her. "You're the only one I want to wear it. Will you do me the honour in becoming my wife?" 

She nods her head, as the tears start to fall harder. Tommy smiles a rare smile, one that was only reserved for her, and slides the ring onto her finger before he kisses her deeply wrapping his arms around her waist as her arms go around his shoulders. 

"Well it's about bloody time," Arthur's gruff voice comes from the doorway causing the reunited couple to part. 

Y/N's cheeks flush red. Tommy can't contain the smile on his face. "Brother, there's going to be a wedding after all." 

"Who's getting married?" John asks missing what Arthur just walked in on. The younger of the three takes in the scene before him, seeing Y/N and Tommy wrapped up in each other. "You two are getting married?" he then asks, looking confused. 

"We're getting more than that," Tommy smiles lovingly at the woman who stole his heart when they were sixteen. 

[fanficlolsblog]

THE CO-STAR PART 2

back to my main masterlist

pairing: actress!reader x jenna ortega

summary: the day after a tense kiss scene, Y/N and jenna ortega face awkwardness on set. jenna's avoidance creates discomfort, but a heartfelt conversation helps clarify the situation. jenna reveals she's dealing with personal issues, easing the tension and allowing them to start rebuilding their professional rapport.

warnings: personal and professional tension, emotion discomfort and awkwardness, strained relationships and personal issues which are not implied.

a/n: i posted this on wattpad to, i would appreciate it if you would go check it out :) loversxoxoxo.

part 1

The second day of filming after that infamous kiss scene was a tightrope walk between professionalism and personal tension. I arrived at the set, my stomach a knot of nerves, hoping the awkwardness from yesterday would fade into a distant memory. Instead, the atmosphere was thicker with discomfort than I'd anticipated.

Jenna had been distant since that intense scene. While we managed to exchange polite nods and forced smiles, every interaction felt strained, like an unspoken barrier had been erected between us. I caught her glancing my way occasionally, but whenever our eyes met, she quickly looked away, as if afraid to reveal whatever thoughts were tumbling through her head.

The day began with a quick wardrobe check. I tried to ignore the prickle of tension as Jenna walked in, her movements precise and focused. I offered a friendly “Good morning,” but she responded with a curt nod, her eyes already focused on the script in her hands. I followed suit, trying to bury my anxiety in the lines and stage directions.

Our first scene of the day was an emotionally charged dialogue. As Jenna and I took our positions, I couldn’t help but notice how she maintained a physical distance, avoiding any inadvertent touches or brushes of our shoulders. It was odd, given that we had shared such an intimate scene yesterday, and now even the smallest gesture seemed to be scrutinized.

The scene played out with an almost mechanical efficiency, the rawness of yesterday replaced by a clinical detachment. After the director called “cut,” I tried to make small talk, hoping to bridge the gap that had formed. “That was good, right?” I asked, offering a half-hearted smile.

Jenna’s response was a brief, “Yeah. It was fine.” She didn’t elaborate, and the silence that followed felt heavier than the lines we had just delivered. I wanted to ask her if everything was okay, but the look she gave me—half guarded, half apprehensive—made me hesitate.

Later, during a break, I watched as Jenna mingled with the rest of the cast and crew. She seemed engaged and animated with them, but when it came to me, she was avoidant. I understood, of course, that the kiss scene had been charged, but I didn’t expect the fallout to be so personal.

As the day wore on, I found myself increasingly disheartened. Jenna’s avoidance left me feeling exposed and uncertain, wondering if I had somehow crossed a line or made a mistake. The directors and crew members went about their work with the usual efficiency, but I was preoccupied with Jenna’s discomfort and my own lingering embarrassment.

During one particularly long stretch of waiting, I sat alone in the green room, trying to focus on my lines. Jenna walked in, and for a moment, our eyes met. I saw a flicker of something—regret, perhaps—before she turned her gaze away and took a seat on the opposite side of the room.

I took a deep breath and decided to approach her. It was a risk, but I needed to clear the air. “Jenna, can we talk for a minute?” I asked softly.

She looked up, her expression a mixture of surprise and wariness. “Sure,” she replied quietly.

I sat down across from her, the distance between us palpable. “I know things have been a bit tense since yesterday, and I just wanted to make sure everything’s okay. I mean, if I did something—”

“No, it’s not you,” Jenna interrupted, her voice steady but tinged with fatigue. “It’s just... I’ve been dealing with some stuff on my own. It’s been hard to separate personal feelings from work lately.”

I nodded, trying to process her words. “I get that. I just didn’t want you to feel uncomfortable. Our scenes are really important to me, and I want them to be as authentic as possible.”

Jenna looked relieved, though still uncertain. “I appreciate that. I do. It’s just been... a lot. I’ll try to do better. It’s not about you.”

We shared a tentative smile, the unspoken understanding bringing a measure of relief. It wasn’t a complete resolution, but it was a start. As we returned to our respective places on set, the atmosphere felt a little lighter. We still had a long way to go, but acknowledging the tension was the first step towards mending our strained relationship.

As the day progressed, Jenna and I managed to find a new rhythm. It wasn’t perfect, but it was progress. The scenes felt less mechanical and more genuine, and I clung to that as a sign that we might, with time, navigate this awkward period and find our way back to a more comfortable place. Even be somewhat friends…

[springtyme]

𝐂𝐨𝐥𝐨𝐫 𝐓𝐡𝐞𝐨𝐫𝐲 ♡

Spencer Reid x reader || Main masterlist || Spencer playlist

summary: You spend a lazy sunday with Spencer.

word count: 765

𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝐂𝐡𝐚𝐥𝐥𝐞𝐧𝐠𝐞: 𝐃𝐚𝐲 𝟏𝟕) 𝐋𝐚𝐳𝐲 𝐒𝐮𝐧𝐝𝐚𝐲

You stretch out on the couch, snuggled in a soft blanket, letting the warmth engulf you. Sunlight streams through the window, casting a golden glow across the living room. It’s a lazy Sunday, and the world outside seems to slow down, matching the rhythm of your day.

As you glance over at Spencer, who’s sprawled in the armchair, you can’t help but smile. He’s buried in a book—one of those dense, scholarly tomes that only he could find leisurely. His hair is tousled, and there’s a forgotten mug of coffee on the table nearby, steam still curling lazily into the air.

“Spence,” you call softly, your voice almost a whisper.

He looks up, his brown hazel eyes sparkling with a mix of curiosity and amusement. “Yes?” he replies, shifting in his chair, his attention torn between you and the captivating pages.

“What’s the topic today?”

He beams, the sparkle in his eyes intensifying. “It’s about the psychological impact of color on human behavior. Did you know that studies show blue can create a sense of calm?”

“No, I didn’t know that, but it’s interesting.” You chuckle, shaking your head playfully. “Only you would spend a Sunday learning about the psychology of colors, Spence.”

“Do you want to know more?” he asks, his voice animated, and you can’t help but love how passionate he is when he talks about his interests.

You sit up, pulling the blanket tighter around your shoulders. “Sure, but first, there’s something we can do to test out that ‘sense of calm’ theory.” You gesture to the blanket, the soft blue fuss of fabric draped around you, inviting him over to join you.

He hesitates for a moment, torn between his book and you, but your smile is irresistible. With a small laugh, he sets the book down and pads over to the couch, slipping in beside you. You nestle against him, resting your head against his shoulder as he wraps an arm around you.

“This is much nicer,” he muses, leaning his head against yours.

You close your eyes, enjoying the peaceful atmosphere, inhaling the comforting scent of his shampoo. The world outside fades away, leaving just the two of you in this cozy bubble. “So, tell me more about how colors affect our mood,” you say, nudging him gently to continue.

Spencer goes on, the words spilling out with delightful enthusiasm, but you find yourself drifting in and out of his explanations, comforted by the cadence of his voice. His talk evolves into a blend of colors, emotions, and the psychological associations various hues evoke. He mentions how warm colors, like red and orange, can elicit feelings of excitement and energy, while cooler colors, such as green and blue, promote relaxation and calmness. You listen, occasionally catching snippets of data and studies, but even more so, you’re enchanted by the sound of his voice and the way he lights up when he discusses his passions.

“Did you know,” he continues, his fingers gently stroking your back, “that yellow is often associated with happiness and optimism? But too much of it can actually lead to frustration and anxiety. It’s a delicate balance.”

You nod, slightly drowsy, but still invested in his words. “Sounds like colors are more complicated than I thought,” you murmur, a soft smile playing at the corners of your lips.

As the afternoon rolls on, you both decide to take a break from deep discussions, opting instead for a movie. Spencer adeptly picks one from your collection, and you laugh when he chooses a quirky classic rom-com, probably unaware of the irony.

As the film plays, you snuggle deeper into the blanket, resting your head against Spencer’s shoulder, feeling the warmth radiate between you. The opening credits roll, and you can’t help but smile at the familiar soundtrack—the kind of feel-good music that reminds you of lazy  afternoons spent on the couch together.

Spencer’s hand finds yours, fingers intertwining effortlessly as the movie unfolds. The lighthearted banter on-screen makes you chuckle, and you steal glances at Spencer, whose eyes twinkle with amusement. You appreciate these moments, finding joy not just in the film, but in the shared experience, the little moments of connection that weave your lives together.

As the credits roll, you find yourself wondering how you got so lucky. The day has been simple yet perfect, filled with laughter, warmth, and a sense of easy intimacy. You turn to him, brushing a stray hair from his forehead, and he looks at you with a gentle smile, his eyes reflecting the soft glow of the afternoon light.

[fandomapocalypse]

Love and relationships in Hazbin Hotel

Episode 7 has something interesting and in the song that is called "Out for love" is sung by a character that is referring to a type of love different from a romantic or sexual one, Carmilla is openly talking about familial love. Vaggie of course relates this to her romantic feelings towards Charlie and how she wants to help her. But something else interesting happens in episode 7, Rosie is properly introduced as Alastor's bestie. This leads to showing another type of love: platonic love.

Now to the main point of this post: Alastor. It's canon that he is aroace and as an ace myself (I'm still questioning whether I'm aromantic or demiromantic but this post isn't about me lol) I'm extremely happy to see myself through him. Plus, the fact that the perfect Tumblr sexyman is aroace is genius and hilarious, you can't possibly top this type of humor.

Alastor for me has been a great ace representation and I've seen myself mainly in how he acts around his friends or other people.

When it comes to Niffty it looks more like a relationship between someone with their feral cat or their crazy little sister. But it's still a genuine connection and a fun chaotic one at that, he even lets her touch his hair and climb on him. In regards to Mimzy, he has shown he cares about her and welcomes her with open arms. He openly hugs her, which shocks everyone in the cast. This is extremely important because Alastor usually only starts physical contact to mock others or to pretend physical closeness as a manipulation tactic (like he often does with Charlie). When it comes to people he hates Alastor may touch them but will quickly wipe his hand on his clothes, like what he did with Lucifer. Personally, I don't like personal contact and only accept it if I start it and usually I use it as a way to show affection with close friends. Also, they have known each other since they were alive, so Mimzy probably knows a lot about Alastor that the rest of the cast doesn't. Mimzy also says that they used to dance together. But that doesn't exclude the fact that she uses Alastor's friendship and affection to save her own ass and taking into account how Husk reacted to Mimzy, this isn't the first time she does this. Also, the relationship between the two starts to crumble after what happened in episode 6 and Mimzy seems to be the kind of friend who will pretend that they are still on good terms and still ask Alastor for favors in the future.

Now jumping back to Alastor's true bestie: Rosie. They probably bonded at first over their cannibalistic natures but it's clear that it evolved beyond that. Personally, I don't ship Alastor with anyone, but when it comes to Rosie I headcanon they are in a QPR.

There are various reasons why this relationship is so great and wholesome, the first one being that there is no power imbalance, they are equals. Both are cannibalistic overlords and are on equal footing in terms of power. When Rosie first sees Alastor she is genuinely happy which is something new because most people react badly to him out of fear or hatred.

Alastor respects Rosie, he even compliments her, in her introduction he says she is "the most darling, delightful, and dangerous Overlord of this side of the pentagram". Considering how self-centered and narcissistic he can be, it means a lot. Alastor would rather die again than compliment another Overlord who isn't Zestial, which he respects but out of fear. Alastor respects Rosie as his close friend. When they stand next to each other they give an air of equals, something that never happens thanks to Alastor's ego and sadism towering over everyone else. With Rosie it's different and Rosie can openly tease Alastor with the "Look at you, so polite! Alastor you can learn a thing or two" when comparing him to Charlie when meeting her, or "I'm just kidding, I know you're an ace in the hole" to tease him about his asexuality. This is something that not a lot of people can do because Alastor is obsessed with control and respect. After all, we see how badly he reacted when Husk insulted him.

He also harmonizes with her, he willingly makes a duet with her in "Ready for this". He isn't interrupting her, instead, he agrees with her and they sing together in unison. This is the first time he doesn't openly hijack a song or fight for control over it, like he did with Vox and Lucifer (although this also happened because this is Charlie's song, but who cares the point still stands). Also, this is the first time we see him dance with someone, instead of forcing them to join his musical number (like he does with Charlie on various occasions). Alastor and Rosie are in perfect sync and it's so wholesome and precious to see him being so openly happy with her. Many have pointed out that the only times Alastor is genuinely smiling is when he is with Rosie and it shows by his expression in his eyes.

Finally, Rosie is the only one capable of bringing the most human emotions out of him, the most obvious one being confusion. In the scene of "ace in the hole" Rosie manages to confuse and surprise Alastor for a solid second, which is a huge change of his persona around everyone else of control and manipulation. Also, it's hilarious that Alastor doesn't know what being aroace is, he probably thinks he is above all that.

He is openly relaxed around Rosie and lets her touch him in an affectionate way, something that not even Mimzy can do. It may be because of the height difference but Mimzy only touches Alastor to hug him and to emphasize he is a "heartless son of a bitch" and Alastor clearly gets irritated by her touching him that way and even moves her finger away from him. This never happens with Rosie and he even welcomes her touching him by not having any walls with her. It's Rosie the one starting the physical contact and Alastor doesn't seem to mind and he never tries to use physical contact to take advantage of her like he does with other characters. Rosie is one of the few people who can touch Alastor without losing an arm and instead have a positive reaction out of him.

The most genuine relationship Alastor has is with Rosie, he even has the confidence and comfort to stop his elegant and reserved persona of not swearing. Which he only does when he is truly angry, like what happened with Lucifer. Or when he is threatening someone like he did with Adam. Or when he is shocked when his microphone breaks. He swears to insult Susan, which is someone they both despise equally. Something that you would only do with your closest bestie.

Finally, let's talk about Alastor's breakdown in the last episode. We've already seen that Alastor is capable of having friendships that aren't based on an end goal. Alastor knows this but he rejects it because he is at the hotel originally for selfish goals and doesn't want his emotions to get in the way. He is terrified of ruining his reputation as a sadistic killer and becoming an altruistic who cares about his friends. Alastor wants to stop himself from starting to care about the crew the same way he cares about Rosie, Mimzy, or Nifty to some degree. This is confirmed by his conversation with Niffty, where he admits he has grown accustomed to the main crew and perhaps he is growing feelings of affection towards them in his own way.

In regards to shipping him with Rosie, I see it as a platonic ship or a QPR. Some people have a headcanon that if they had known each other when they were alive they would have married for tax benefits and to avoid the social stigma, which is the only right answer. When they first met in hell they probably had dates in cannibal town where they ate human flesh while gossiping and trash-talked about the other overlords. Which is exactly what an ace person like myself wants from a close friendship.

As an ace, I really like Alastor not because he is the ultimate Tumblr sexyman or see him as hot but because he is an extremely fun character that I can relate to. I'm grateful for the crew and VA that take into account he is aroace and take seriously that aspect of his character. I don't mind that the aroace representation in Hazbn Hotel is a narcissistic psychopath, if you want a more wholesome ace representation you can check Todd in Bojack Horseman or Saiki in The Disastrous Life of Saiki K.

I don't mind people shipping Alastor, after all, it's just people having fun, but you can't ignore that he is aroace and how this affects his relationships. So yeah have fun and respect and aroace community :)

ok thanks for hearing my rant bye

[cassandraclare]

*sighs a bit* Okay. Guys. I have been asked this question a lot, and answered it a lot. I don't know how to give a better answer — Dru & Ty&Kit share significance as main characters — so I guess I'll talk a little about comparison and structures.

First, all series have different structures. I don't think it's super useful or predictive to try to map an upcoming, unknown book series onto an existing series. In TLH the main character was Cordelia, everyone else was secondary to her, and people's roles and the significance of them altered from book to book. It was a big ensemble cast and they mostly stayed put in London especially in book 1.

TWP focuses on a smaller group of people. It also has a very different structure. In book one, Dru is not with Kit and Ty. They are in different places, both of which have their own stories that are significant to the plot. There is no way to see Place One without following Dru. There is no way to see Place Two without following Kit and Ty.

I know that TWP is a long way off. I know there are people who are very angry with me that there's such a gap, but there isn't anything currently I can do about that, or about the fact that I don't yet have the schedule for my upcoming books. That rests in the hands of several different publishers who must coordinate the release times and production schedules for four different series. I am not withholding any information about when these books come out. I simply don't know it yet.

I understand that TWP being a long way off makes for anxiety, and that those who are worried Kit and Ty will somehow be secondary are looking for tiny clues in microscopic details — micro-reading the of placement of the word "and" in my newsletter and such — that are meaningless, but I get that it all comes from anxiety. (FTR, those worried Dru will be secondary are equally anxious.)

I think there is only so much I can say. Because there's a big gap between TLH and TWP everything I do say or every image or hint about it is freighted with a weight of assumption it can't really support. Anxiety is always going to trump reassurance. And truly, at the end of the day, if you only care about Kit and Ty and find the idea of a Dru story tiresome, you will feel like they got shafted because when you absolutely hate a plotline, you will always feel like it's taking up way too much space. That's just how our minds work.

I've been doing this long enough that I know no book can survive a hostile reading. I know that Book Three of a trilogy is the one people hate until they don't. (When Clockwork Princess came out people hated it so much I considered quitting writing!) I know that it's wonderful to love a character but can also be a problem for people when I put out books that aren't about that particular character or dynamic. I know that for a lot of people, Sword Catcher and Ragpicker King are just tiresome things that have no business on my schedule because they're not Shadowhunter books. And I get it. But I also have to block it out, because I've been writing a long time, and I've gotten to a point where I know that I have to write the thing I want to be writing, because if I don't, if I sit down and try to force myself to write something I'm not feeling like writing at that time, I'll be making myself physically and mentally sick. And that's no good for anyone, really.

I suppose the positive thing is that, while this would not have been true five years ago, I am at the place where I want very much to be writing Wicked Powers. I missed these characters and am glad to be back with them. I consider this a story in which there are three main characters. And that is all I can say right now because it's all that I know.

(And this was much more of a general response to a lot of things than a specific response to this question, but I did feel like it was stuff that I needed to say. Creators are at the end of the day, just people. Sometimes we are powerless to reassure. Sometimes we are tired. Sometimes we are wrong. Sometimes we try things and they don't work. Sometimes we can't explain to you what our story is going to make you feel, because only reading it is going to tell you that. This may be one of those times.)

[splonk-fox]

The flaws of Jax and Ragatha, and why they matter to Pomni's character arc.

Within the two episodes of The Amazing Digital Circus that have been released so far as of writing this post, there have been two characters who have been given the most attention and depth out of any of the cast (ignoring Pomni obviously), and those two characters are Ragatha and Jax.

The duo consisting of the kindhearted optimist and the meanspirited pessimist have without a doubt become some of the most interesting characters to analyze within this series so far thanks to how much meaningful screentime and character depth they have been given within the the two episodes that we viewers have been fortunate enough to witness with our very eyes.

But why is this? Why is it that these two have received special attention from the writers so far, and what role do they play in Pomni's character journey? Well I believe I may have found the answer, and it's unfortunately one that does not spell a good future for these characters. But to truly understand where I am coming from, we must first understand who these two characters are and how they relate to our main protagonist.

To start off with the kindest of the duo, we have already learned quite a lot about Ragatha thanks to the two episodes she has been featured in so far.

Her most prominent character trait is without a doubt her kindness. She is the first person to really be genuinely nice to Pomni upon her entrance to the circus and spends the rest of the episode showing her around the place and trying her best to help her get settled in.

She's also someone who doesn't like to be overly blunt with her responses, such is shown when Pomni asks how they leave the circus, to which Ragatha, instead of just saying that she couldn't, phrases it in a way that makes it sound as if they simply haven't found a way to leave yet, this was obviously done in an attempt to not freak Pomni out too much, though this doesn't really go anywhere thanks to Jax.

Now that's great and all, Ragatha's a nice person, you can easily observe that through casual watches of the show, looking deeper however, you can see that there is a lot more going on with Ragatha than she would like to make you believe.

Insecurity is another trait that Ragatha has that, while not shown off as prominently as her optimism, is still very important to Ragatha's character.

As we see in episode 2 of the series, one of Ragatha's biggest fears is not being liked. She vents to Kinger about how she feels like Pomni doesn't really like her that much, and that clearly scares her. And why wouldn't it? The end of episode 2 makes it clear that one of the most important things in this show when it comes to keeping the main cast mentally stable, is their sense of community.

They're all in this together, they have each other's backs and will do their best to be there for each other when it's needed. That is what is communicated to us within the second episode through Kaufmo's funeral.

This segment of the episode, while somber in its tone, is also one that instills hope within Pomni and the viewer. Because it shows that despite everything, the circus members do care about each other. That abstraction is something that affects everyone and it isn't something that is just brushed off immediately, which if you recall, was the crux of Pomni's fears as seen at the beginning of the second episode, the fear of being forgotten, the fear of no one caring.

"I don't even remember her name honestly" - Dream Jax.

So with how the importance of community has been firmly established within this show's messaging at this point, it should be no surprise that Ragatha's biggest fear is not having that community. Of people not liking you, of people hating you. So how does Ragatha solve this?

Repression, that's how. Of all of Ragatha's personality traits her tendency to not display her true feelings towards things are without a doubt the most damaging.

The best example of this is how she reacts to Pomni abandoning her for the exit. The pilot would lead you to believe that she was mad at Pomni for doing this, that she didn't trust her anymore because of this selfish act.

And yet, that's all brushed to the side in the following episode. Ragatha is back to her optimistic self and is saying that everything is fine! That it was completely understandable and that there was no bad blood between them. Yet you can tell that isn't the whole truth, that Ragatha really didn't get over what Pomni had done to her that easily.

Now do I think Ragatha hates Pomni or secretly resents her? No, not really. I do think she's being honest when she says that she doesn't hold anything against her for doing this. But that doesn't mean she wasn't hurt by it. We can see clear as day from the pilot that this did affect her, so why does she act like she doesn't?

Because, from her perspective, her feelings do not matter. The only thing that does is to make sure Pomni is able to adjust, to make sure that everyone is happy, that everyone is still somewhat sane within the circus, and so she compromises her emotions in order to do this. Gooseworx has even said it herself that Ragatha often says things she doesn't necessarily mean in order to ease tensions. She doesn't want to cause conflict, she doesn't want people to fight with each other because she understands how important community is to the members of the circus persisting.

Yet in the midst of all of this, what Ragatha fails to realize is that with how she currently handles things, she is paving the way for her own mental break.

Ragatha, in her attempts to be there for others, has walled herself off from others being there for her. By lying about how she really feels about things, by acting as if she is fine, she is not allowing herself the emotional vulnerability necessary for others to be there for her when she needs it.

The closest thing we have had to this so far is with Kinger, and while having someone she feels comfortable enough to lament her feelings around is a good thing, this is one person, one person who is... not exactly mentally stable, to put it lightly. Is not exactly an end all be all solution to her problems.

Kinger being the only person who Ragatha can rely on is only gonna work for a limited amount of time, the more she represses, the more she hides her true emotions and clear mental instability, the closer she is to meeting a cruel fate, one that no one would be able to save her from because no one even realized there was something wrong with her. For in her pursuit to make everyone else happy, she has sacrificed her own happiness, as a result.

And then there's Jax.

Jax, in a lot of ways, is pretty much the polar opposite of Ragatha. While her leading trait is kindness, Jax's leading trait is being a complete and utter asshole. And while Ragatha is all about answering things in a roundabout way to ease stress, Jax is all about the blunt answers.

This is best shown to us in the pilot when, in the same scene where Ragatha tries to answer Pomni's question of "how do I leave?" in a way that wouldn't stress her out too heavily, Jax goes straight in with the "you can't". Jax is a pessimist, he has accepted that there is no way out, and is simply riding things as they go by.

Jax's leading character trait is all about causing as much chaos as he can for the sake of his own satisfaction. He doesn't care about how others feel, the only thing he cares about is causing as much chaos as possible simply because he can.

Yet that isn't all that's going on with Jax, there's something deeper here, something more complex.

When it comes to the scenes everyone points to when saying that Jax has a lot more going on with him than meets the eye, the scene where he reacts to Kaufmo's funeral is the one everyone looks at with an analytical lens, and that's for a good reason.

For I think this little scene might just tell us a lot more about Jax than we think.

One thing that I've come to notice about Jax's brand of chaos is that it's very reliant on others' reactions. All of the chaos he causes, all of the absurd and awful things he does are for the sake of seeing how others react. From throwing Pomni over the side of a truck and attempting to use her as a human bridge, or literally everything that he does to Gangle, it's all reaction-based, and that made me realize that, despite how selfish and uncaring he acts towards everyone else, community is still the one thing that truly matters most.

He needs the others so that they can react to his hijinx, as they are what give said actions meaning. If he had no crowd to watch as he acts like a shitty person, then he has no reason to do anything. But that is also where Jax's true character flaw comes in, his selfishness.

With how Jax is constantly pushing others around for the sake of his own amusement, Jax is very clearly a self-centered person. He is someone who is in it for himself and no one else. Who cares if others don't like him? Who cares if others despise him? As long as he gets to see funny things happen to people, he is gonna be okay.

But what happens when that method is no longer effective? What happens when the others don't give him the reaction he wants? What happens when he can no longer use chaos as a way to distract from the pointlessness of his reality?

Well, as scary as this may be to think about, Jax won't really have much of anything to fall back on. His cruel actions have wrote him into a corner. No one likes him, that much is obvious. And while Jax seems content with this now? What happens when he is put in the position of needing someone else's help?

Well, then he'll have no one, and it's ironically for the exact opposite reason to Ragatha. Ragatha's problem is that she is constantly repressing her emotions, despite the fact that she has people who care about her, she doesn't open up to them because in her eyes, her feelings are secondary to others'.

Yet Jax is the opposite, he's honest, he is self-centered, and that's also why he is one of the members who are in this most danger.

In a show that seems to be about how important community is and how important it is to stay together and be there for each other? To have a character who is the complete opposite of that. To have someone who doesn't care about others, who won't be there when someone else is hurting. To have someone who is actively making things harder for everyone... that just spells out demise.

Jax's true weakness is that he does not have a community who will be there for him when he needs it, he was never there for others so why should they be there for him? Meaning that when Jax is at the end of his rope, crying out for help, no one will listen, because as cruel as it sounds, most of the members would probably be happy that he's gone.

While this does admittedly rely a bit on speculation, I think what I've stated above might be the true reason for why Jax looked sad for a moment when the other characters were talking about the funerals held for those who have abstracted. Because in that small moment, he realizes he might not get a funeral of his own when he "dies", or if he did, no one would really have anything nice to say about him.

And that fear, that knowing of how the way you've built yourself up by putting others down has lead to everyone hating you, to everyone not having a single good thing to say about you... that is terrifying. And yet he hides it, he walks away, he refuses to attend the funeral because then he will have to be confronted with the uncomfortable reality of the fact that he won't die as someone who was remembered for doing good things.

The only thing he'll be remembered for, is how much everyone hated him. And all of that brings us right back, to Pomni.

I said at the beginning of this post, as well as with the title itself, that Ragatha and Jax matter to Pomni's character arc, but why is this? Sure they're both main characters so obviously they're going to influence her journey going forward, but how exactly does any of this matter to Pomni? It's simple really.

Ragatha and Jax represent two extremes, they represent what happens when you lean too far in one direction. In one case, it is caring too much about others and not caring about yourself, and in the other, it's caring too much about yoursef and not caring about others.

Pomni has already shown traits of both Jax and Ragatha. She has shown an empathetic, kindhearted side as seen in her interactions with Gummigoo, and she has shown a selfish side, as seen when she abandoned Ragatha for the "exit" in the pilot.

Pomni has shown herself to be both selfish and selfless. But what part of her matters more? Simple answer, both. It is important to care about others while also taking time to take care of yourself. Ragatha and Jax show what happens when you forget to do one of these things.

By always taking care of others, you're forgetting to take care of yourself, and by always taking care of yourself, you fail to take care of others. To find a healthy balance is to do both. To be aware of your own mental health while also making sure that others are doing okay too. And this is something that Pomni will need to realize if she is going to make it in the circus.

And this is where Jax and Ragatha become important. I believe these two will show Pomni how important it is to keep a balance of things. To not lean too far in one direction, as if you do, it spells bad news for you either way. And how will this be communicated to her and the audience?

Abstraction.

Think about it. If Ragatha and Jax's harmful practices continue without change and they end up abstracing because of it, that will be a wakeup call to Pomni, it will show her the flaws of being too selfless, and too selfish. Is it an extreme way to communicate such message? Sure, but it's also one that can't be ignored.

We, the audience, and Pomni, would see first hand the consequences of leaning too far in either direction, that if you don't find a balance, you will end up like Jax and Ragatha did.

And that's why I think these two in particular have been given so much screentime and attention these past two episodes. Because they are meant to show us the most extreme versions of Pomni's most prominent character traits.

The ability to care about yourself, and the ability to care about others.

Of course, I might be wrong in this assessment. We are far too early in the show's runtime to truly predict any big events like this. But from a narrative standpoint, I believe this interpretation makes the most sense in the way of showing us the audience, and Pomni, what truly matters. It's not just about you, it's not just about others, it's about both.

Thank you for reading.