#but i don't really know how to talk to anyone about it.

[themaveriqueagenda]

this is really interesting! though parts of it seem slightly contradictory, because there's this

please apply them at will to yourself based on your own ideas about what it means to dress femininely or dramatically or androgynously etc.

but also this:

describing [...] a presentation others might consider masculine/feminine

is it up to one's own interpretation or about how others see you? particularly as an apothibinary person i have a lot of trouble taking on other people's perceptions of me as a self-descriptor, because they're usually binary(-adjacent). i'm also flat out just not going to give people power over my words like that. (i'm not saying that anyone who identifies as masc/fem because that's how others perceive them is wrong btw. i know many do it for simplicity as well as for self-empowerment. i just personally cannot.)

i also take issue with the

masc---fem scale

because if we can acknowledge that the gender spectrum itself isn't linear like that, we must acknowledge this about the spectrum of gender presentation too. you can be outside of the masc---fem scale or you can just simply not label your gender presentation at all.

another thing that feels a little off to me is that fox is described as an

androgynous, fluid, or combined presentation

while also being described as

[not resembling] the other sides of the spectrum

that latter definition is actually broader than androgynous, fluid or combined, as it does technically also include anything outside of that scale or nothing at all, but it's not truly accounting for that.

i'm aware the chart exists mainly for lighthearted silliness, but also you can say that masculinity and femininity are up to interpretation all you want, the chart is once again very stereotypical and doesn't really leave wiggle room for people with broader definitions of masculinity, femininity or androgyny. for example, i sometimes like wearing dresses which most would consider swan/feminine, but i feel deeply uncomfortable calling myself or my dresses feminine or swan (because let's be real, swan here is just another word for feminine).

i know this post is over 7 years old so how we talk about nonbinary presentation has evolved a bit. i'd be curious if anyone ever expanded on these terms to account for other gender presentations.

nonetheless, if i had to put myself on that scale, i'd probably be a crow-fox, because not resembling the other sides is the most how i conceptualise my gender presentation.

however, at this point, i don't really use any gender presentation terms, not even maverine or other outherine terms, because i no longer find them personally helpful to me. i could dress in exclusively skirts and dresses and i would still not consider my gender presentation feminine because i consider that to be misgendering. most people would perceive me as feminine though if i did that, so at that point, i wouldn't really be communicating anything if i called my presentation maverine when everyone else sees someone feminine. at this point, my gender presentation is synonymous with my gender. i'm maverique, so everything i wear is also maverique.

hopefully other people can get more use of this spectrum though and i'd be curious where all the maveriques & friends fall on this.

Non-binary Presentation Terms

Although words like butch, femme, masc, and fem have been applied to nonbinary folk since their inception, they don’t always meet the needs of non-binary people in comfortably describing the way we look. 

So here are a new additional set of options! We’ve considered two different “axes” here – one that relates most closely to the masc—fem scale, and one that considers “effort”, or a level of… drama or ostentation in a look. They can be combined as one pleases or used individually! 

Additionally, please apply them at will to yourself based on your own ideas about what it means to dress femininely or dramatically or androgynously etc. These words are not to be held hostage to cissexism or gender roles. These words also describe presentations that are inherently not binary – the only reason we’re using words like “masculine” and “feminine” to describe them at all is for ease of communication. They can and should describe particular looks, including those that people are inclined to gender, without actually gendering them. 

Note: These are not coined with the intention of being gender identities. They have nothing inherently to do with gender identity. You can be a demigirl stag, etc. (That said, if someone wants to use them as a gender because you feel it’s tied closely to your presentation, we’re certainly not stopping you.) 

Here they are!

Stag: A “masc”, “butch” or “tomcat” equivalent, describing a presentation one considers to be associated with ideas about masculinity, or a presentation others might consider masculine. 

Fox: Describing an androgynous, fluid, or combined presentation; can be applied to any presentation a person feels doesn’t resemble the other sides of the spectrum.  

Swan: A “femme/fem” or “doe” equivalent, describing a presentation one considers to be associated with ideas about femininity, or a presentation others might consider feminine. 

Sparrow: A casual, minimalist, muted or low-effort presentation. For example, for those folks who just roll through their closet and go. 

Crow: For presentations that are in-between, combined, or fluid along a scale of effort/ostentation. 

Peacock: For presentations that are high effort. Glam, dramatic, flashy, flamboyant, attention-drawing, etc. Dressed to the nines, so to speak! 

so anyway tag urself

(chart meant purely to be silly and fun, not to suggest actual criteria or associations. Disregard entirely if you resonate with the terms but not these goofy tidbits.)

Keep reading

[redeyeyuna]

WHEN THE CAMS ARE OFF

So, Nandor and Guillermo are canonically doing some things when when they're not being filmed. With knowing this, I wanted to recap a few things from the season.

This post will mainly focus on how Nandor in particular handled himself subliminally towards the camera in certain situations. Also, that Guillermo faked to leave the vampires in E11 just for the documentary got me thinking which other things could be made up too. Giving a false view of facts just to make the audience think otherwise or to distract them from something specific... This specific thing they wanted to keep private, and didn't want it to be anyone else's business. Cause they wanted to solve and figure it out for themselves without having it exploited to the full in front of the camera. And this is the relationship development (secret affair) between Nandor and Guillermo that ran its course and has been cooked in the background during the sixth season.

[Sorry in advance for grammar mistakes and typos. English is not my first language]

The first hint is alreay in the first episode!

Nandor necessarily has to emphasize that he hasn’t seen Guillermo since he left, and Guillermo immediately throws in that he is telling the truth. But Nadja seems already to know what’s going on between these two idiots.

Also, Nandor trying to help Guillermo by searching for a flat and then suggest him to move into the VERY NEAR garden shed… A practical temporary solution if you don't want to be disturbed by the other housemates. I can well imagine that Nandor already thought of a better place for the two of them at this time. *Caugh* Secret underground lair *Caugh*

/|\ ^._.^ /|\

What about Nandor having a crush on the Guide?

... did he really ever have that, though?😏 What if Nandor’s crush on the Guide was made up by himself just for the documentary to distract the crew/viewers from himself and Guillermo, so that they don't keep following them to catch some shots? Yes, I know Nandor’s sudden crush on the Guide was at first caused by the sleep hypnosis… But for Nadja, the hypnosis seemed like a dream��� Perhaps Nandor also thought he had dreamt that he suddenly had a crush on the Guide (or maybe Guillermo just told him) and Nandor was like: “You know what? That’s perfect! I use this to distract the doc crew and viewers from me and Guillermo!”

Nandor had one or more love interest in almost every season that he had a crush on. Why should it be any different now?

Due to this the film crew weren’t focussed on following them and wouldn’t wondering if Nandor could actually have something going on with Guillermo. Nandor’s crush on the Guide in general seemed very odd and just pretended for the camera/viewers. Over time, it seemed to appear more and more obviously and artificially.

In E4 "The Railroad" before Nandor said goodbye to the Guide, he looked suspiciously over his shoulder before making his flirtatious move towards her. It seemed as if he was aiming at it. Shouldn't he have been eyeing up his crush instead of making sure he was filmed flirting?

In E7 "March Mandess" Nandor looked very obviously into the camera during the scene used for the flashback, while Nandor is talking to Charmaine about the guide.

I also wonder why it was so important to Nandor that Charmaine would keep the thing of him and the guide to herself. Cause it’s made up and he just mentioned that he would has a crush on someone so that the film crew could add flashback? Generally, threatening to kill her in her sleep just because of that felt a bit too excessive, doesn’t it?

When the Guide finally rejects him perfectly in E9 “Come Out and Play” (you go, Girl!), Nandor seemed to fully ignore her destruction she has thrown at him.

He purposely ignored what she said. Even though he is normally so easily outraged. Especially after these true words that his supposedly "big love" said to him, he should’ve been at least a bit upset.  

Just remember how devastated he was, when Gail rejects him, and she had rejected him way more nicely.

And please just directly compare Nandor’s “look of love” towards the Guide with how he looked at Guillermo in E3…

And the Oscar-worthy performance, in which Nandor fell on his knees saying overdramatically that the Baron should take his life instead of the Guide seemed totally forced.

Also, Nandor knew very well that the Baron wouldn't have killed anyone…

In E11 “The Finale” Nandor and the Guide is only a short topic at the beginning of the episode, when Nadja asked him if Laszlo could use some parts of the Guide for the Monster. Nandor didn't seem to be listening anyway with his mind somewhere else.

After it was announced that the film crew wanted to end the documentary, he didn't even flirt or interact more intensely with the guide in the entire episode.  As if he no longer needed to fool anyone now that he knew the movie crew was leaving.

/|\ ^._.^ /|\

What about Nandor still saying mean things towards Guillermo?

I also want to cover up the thing of Nandor remaining to say mean things towards Guillermo and wiping his hand on him after the intense hand clasp cause it was a bit clamy.

I I have read criticism of it in some WWDITS negatively posts. And this opinion is valid, no question. But I could imagine that Nandor only continued to do this for the camera, or it is just a normal thing between them cause they are a very fucked up toxic couple anyway ;)

Look at the slightly unsettled grin on Nandor's face when he gave towards the camera. As if he was worried that this very unusually long-lasting hand clasp could lead to more while the camera is still rolling. So, he had to come up with a quick excuse to end it. This facial expression from Nandor looking directly into the camera is so different from the looks he gave to the camera while interacting with the guide. It is just a short glace towards the lens before he puts his eyes back to Guillermo.

Guillermo looked as if he was sad not to express his gratitude to Nandor the way he would like to (cause of cameras as well maybe?)

/|\ ^._.^ /|\

The Finale

Nandor was so obviously happy that the documentary crew were going to leave. He was excited to shoot B-roll footage all the time and he sassily said this when Nadja told him about Guillermo being sad about the end of the documentary:

Looks like someone was really excited to no longer be constantly followed by the camera so that they could continue to focus on "other things"... Also, this reference to the will they/won’t they dynamic of Nandermo is insane.

Colin and Nadja suspecting Guillermo of having a secret relationship with one of the crew members could be an indirectly hint of a secret relationship with Nandor as well. @barren-heart already did this post about it which has made me to create this summary (hope you don't mind me mentioning you here :3).

Nadja possibly saw Guillermo making out with someone who looks like Nandor and maybe it was actually just Nandor!

She just don’t recognised it that fast cause they might quickly disappeared somewhere OR it was just another hint from Nadja, because she knew. She had become a bit of a nandermo shipper this season ;)

In the last speech of Nandor for the documentary it was so clearly to notice that the lair is only a metaphor for Nandor’s private life with Guillermo after the film crew would be gone...

This directly glance into the camera during the speech pause... As if he explicit wanted to make clear that he wanted to say something different when the cameras would be off.

And Guillermo’s reaction during that scene is so fucking funny. He seemed to have a moment of hope that Nandor would actually reveal their affair, but no it is the superhero lair again.

/|\ ^._.^ /|\

The Final Scene

In the background, there was played the same song that was used in the pilot episode for the post-credits. I like that really much!

🎶“Tonight in the Moonlight” (Morrie Morrison Orchestra)🎶 Tonight in the moonlight When silver blends with blue We'll do the thing all lovers do Lingering on till dawn breaks through Tonight in the moonlight with you

And again that offensive look into the camera from Nandor in the middle of his speech and Guillermo trying to get something specific out of him...

If, by this time, someone still does not consider Nandermo to be canon, then I can no longer help them xD

Subtext is their thing! That's always been the case throughout all the seasons! And in such a way that it was already too subtle to be subtext.

However, even Guillermos love sick puppy eyes and his cute “What about one… one of the other reasons?" didn't caused Nandor to spit it out. He bravely continued to avoid eye contact and was trying very hard not to become weak.

When Guillermo said that he won’t be here anymore after Nandor would wake up, Nandor’s description of their secret lair feels forced, which again supports the thesis of an actual love cave: “But what about us joining forces and fighting crime in a coequal partnership? Operating out of a hidden underground lair accessible exclusively by a top-secret coffin elevator.”

Of course, Nandor believed that Guillermo wouldn't leave and was just putting on a show for the camera. He knows his Guillermo better than anyone else...

And THIS look of Nandor’s face when he wanted Guillermo to sit with him inside his coffin comparing with a confirming deep voicing “Mm-hmm”

Oh boy, as if they are going to do very spicy things in that lair...

Then finally the relevation of Nandor’s masterpiece...

During the whole season Guillermo had a problem with sexual things in front of the camera while Nandor had a problem with expressing deep and meaningful feelings while the crew was filming. And because of that they prefer do both things IN THE SHADOWS!

/|\ ^._.^ /|\

So, this my view of Season 6 and the Finale and also my special tribute to my most favorute show! 🦇♥️

It has become longer than expected. Thank’s to everyone who has taken the time to read it this far!

[jayktoralldaylong]

One of my favourite things about Arcane is that all the couples can be read as toxic, which is GREAT.

I'm tired of people bringing morality debates into dark media. Let dark media be fucking dark. You guys wouldn't survive a day in the TMA fandom, needing everyone to be as good as gold. How are they going to make for enjoyable complex characters if they're not morally grey. In fact, I wish there'd been more expansion on just how morally black they can become!

"CaitVi is so toxic" According to lesbian statistics, that sounds just about accurate. 💀 Heck, I wish Caitlyn had done more (Not really, but it would have been nice to further explore the darkness in her heart). Isn't it adorable how she immediately folded as soon as Vi called her cupcake? Caitlyn's like one of those villains that will consistently do the most....until it comes to someone else hurting her girlfriend. The only one allowed to hurt her girlfriend is her. 💀

Then let's talk about Vi. Someone pointed out how Vi never cared about Zaun's independence in the first place and many people yelled that they were wrong. But actually, they were right. Vi never wanted Zaun. Zaun was Silco's dream, and Jinx inherited that dream cause Silco would never shut up about it. Vi wanted Piltover to take responsibility for all the shit they allowed to happen in the Undercity. That's a part of the reason she joined up with Caitlyn in the first place. Let's not forget she wasn't dissuaded when she dragged Jayce down to fight with her and he killed a child. Children been dying, it's been her whole life. Someone needed to do something about it, and Zaun would have just isolated the people from all the privileges that Piltover SHOULD have been providing for them. Some people just can't accept that Independence cannot in fact solve every problem, and sometimes independence is colonisers running away from the responsibility of fixing the mess that they started in the first place.

Besides, we all know Vi joined up with the Enforcers because "I feel like I am worthless if I can't be of service." She'd already run out of family members to serve, Caitlyn was the next best thing. She's just like Jayce.

And speaking of Jayce, let's talk about his violent levels of codependency with anyone who'll give him attention. People LOOOOVE to talk about Mel, but it's there with Viktor too. When bro wasn't basing his worth on his inventions, he was centering it around Viktor.

Viktor who decided at some point in his life that he would not LIVE without Jayce. He was fine dying without him, but living without him was unacceptable. Oh how healthy. 🙄😂 Viktor be the kind of toxic ex to threaten divorce 500 times over, then burn the world when you actually leave him. Jayce is no better cause he's the kind of guy to keep going back to his toxic Ex.

Yes, Mel is manipulative. That's what I love about her. How are you guys failing to give this woman the praise of being an outsider in Piltover, but running their entire council. 💀 Girl raises her hand once and the whole government starts spinning. She was the best sugar mummy Jayce and Viktor could ever ask for. She kept the whole city running. Literally the entire of Piltover dancing on her palm. And yes she manipulated Jayce but let's not forget she thought that was a love language. 💀 You wanna be mad at someone, be mad at Ambessa for raising her that way.

I also don't think it's fair to blame her for the Undercity situation, she's not native. Monkey see, monkey do, and not a single one of those Council members actually cared about the situation down there, it was deplorable. 💀 Jayce did way more in his two weeks as Councillor than any of those drug pushing, money laundering, Piltovian heads of government.

And that just covers MelJayVik, we don't even need to get fully into TimeBomb, cause we know what's wrong there. 💀 Surely we have not forgotten the many teammates Jinx has killed, but making sure to never kill Ekko cause that's her man. Ekko has a lot to unpack, like how his consistent and unwavering love for Jinx is an indication of a lot of doors he might not be ready to open. I know they dynamics go crazy and I love to see it.

Ambessa and Sevika are a crack ship but I'm sure we all know bedroom dynamics go crazy with Mrs. Warlord and Miss Liberation. I love it when characters clash in a toxic heap. It's insane and should be explored.

Quit saintifying my toxic ships with your woke morality debates. If you want everyone to be sunshine and rainbows then you should be watching literally anything else. 💀 "It's not healthy." GOOD, I like it that way. 💀 Angst, spice and trauma are the recipe for a plethora of explorative fanfiction. Any of their dynamics can be taken in any toxic direction and I want that EXPLORED.

[heavenorhella2001]

This had never occurred to me way back when when I first watched playthroughs of the game/played it myself, but;

Seeing this post made me remember Max's nightmare, when she was trapped in her own mind/a broken version of reality.

And seeing this now?

Max definitely has PTSD.

Everyone always primarily discusses/ focuses on Chloe's trauma (which is understandable. I'll always be a Chloe defender and don't want to downplay her trauma by any means.)

But, unfortunately, Max's is overlooked.

Now, a lot of people might view this skeptically, question the idea of Max having PTSD. To many, it might seem like Max doesn't really have any lasting form of major trauma after the events of the game. Maybe she really was content and at peace and happy-go-lucky. (I've always scoffed at that scene at Chloe's funeral, when Max smiles at the butterfly.) And I'll admit, within the context of the story maybe we aren't supposed to think so. But if that's the case I just have to assume that's due to the developing team's lack of knowledge, experience with mental health and how it works, the impact things like this have on someone. Not that they are coming from a malicious place, of course. But very rarely does a person 'get it' unless they've been through it themselves. The average person simply won't understand.

But if you see everything I've described here as it's laid out, it makes total sense;

Let's talk about Jefferson. He is just one of many elements in the game contributing to Max's trauma. He was her teacher, someone she looked up to, respected, and was supposed to be able to trust. She truly felt safe around him. It's implied she had a crush on him. But her image of him completely shattered. After the truth about him was revealed, she was no longer able to trust her own judgement of people, her perception of reality.

He drugged her when she was vulnerable, and she was helpless to watch as he shot and killed the love of her life right in front of her. He kidnapped her, and she was thrown from the frying pan right into the fire. When she woke up she was tied up in a basement, helpless, and he had burned all her photos. Not only precious memories, but also one of her only means of going back and fixing things. He then took photos of her, over and over, this went on for who knows how long, while she was drugged, tied up and helpless, in order to satisfy his own perversions. Throughout, he mocked and tormented her.

Then, let's go into what happened with Chloe. Having to watch her best friend, the girl she loved, die over and over and over again. Max felt responsible for fixing it, preventing it, because she was the only one who possibly could. She would blame herself, think of it as a failure on her part each time Chloe died.

After watching her die in various ways, so many times, I'm sure Max questioned if she really even could save Chloe- or if Chloe was supposed to die from the start, and the universe was determined to restore the balance, no matter what Max did or how hard she tried.

And then there's Kate. This could go one of two ways depending on your choices, one of which is infinitely worse and more traumatizing, but either way it would definitely have haunted Max and left an impact on her.

Imagine how you would feel, knowing one of your closest friends was being bullied. Knowing they have been drunk/drugged and taken advantage of at a party. Yet instead of anyone coming forward, doing the right thing and helping Kate out of that situation, everyone at the party instead weaponized it, used it against her, slut-shamed her even though she wasn't in her right mind, was barely even conscious and was in no way able to consent to anything that was happening. Not that slut-shaming her would have in any way been okay or excusable even if Kate was acting of her own volition. Knowing that, even though you don't agree/don't identify with that, that your friend is deeply religious and clings to faith as a means of comfort. Knowing that she feels like a failure, that she feels like she's betrayed her faith, everything she stands for, and her family, even though she was in fact a victim in her situation. Being able to read letters, watching her family victim-blame her, hide behind their beliefs as a means to tear down someone they should feel obligated to protect, to support. Watching your friend be alienated by everyone around her, including her own family. Watching the school bullies write obscenities about your friend on the walls, and in the bathroom, make jabs at her and taunt her at every possible opportunity. Your friend's light has begun to dim, she starts pulling away from you, begins hiding away in her room more, which now feels like a dark, oppresive void. You know your friend is depressed, and you're trying to be supportive in any way you can, but there's a distance building between you you feel you can't bridge.

Then it happens. She kills herself/tries to kill herself. In front of you, and everyone who tormented her. Even then, the people who hurt her have no shame, laughing and recording her when she's in crisis. You begin to question and blame yourself, blaming youself for not noticing something was severely wrong earlier, not recognizing the impending signs for what they were. You want to help your friend, to save her, but your powers at failing you at the worst possible time. You only get one chance to do this, like everyone else, and you have to do it the right way.

If Max managed to talk Kate down, that's still an instense emotional weight, still a serious event to work through and process.

If Kate jumps…well…

Max feels like a failure. Like she contributed to Kate's death just as much as everyone else. Like she may as well have pushed Kate off that ledge herself. Not only watching your friend die in front of you, but knowing that it was self-inflicted in a moment of desperation, that they chose to do so and your words had no effect…

Now, the end of the game. Depending on what you choose, Max either has to to feel an immeasurable weight on her conscience, the responsibility for the destruction of the town where she was born. Where she grew up. Where she has countless memories, despite its' faults. The deaths of almost everyone there she's ever known.

Including (especially) Joyce.

The guilt of feeling like she took Chloe's mom away from her too, after Chloe had already lost her dad.

Oh. And that reminds me.

It was an incredible miracle, Max discovering her ability to go back through time via photos. Being able to go back 5 years, to when she and Chloe were only 13, before all the horror had happened, and save William. The sense of sheer relief, happiness and accomplishment she felt. She felt like a hero.

Only for it to all blow up in her face in the worst possible way.

Seeing Chloe, now a total shell of her former self. Completely disabled, and paralyzed. Helpless. Unable to live on her own. Seeing firsthand the emotional and financial stress William and Joyce are going through as a result of the accident. Chloe having so little quality of life that she pleads with Max to kill her, because she can't even do it herself.

(This is not my narrative or opinion on Chloe's situation, by the way. This is how it's portrayed. Quality of life, determining whether your life is worth living to due a life-changing accident or consequent disability is the choice of the invidual whom it effects. I'm not saying that anyone in Chloe's situation, who is paralyzed would inherently have no quality of life or no reason to live. That really depends on the invidiual, what that person needs in order to truly live and thrive, whether that person has family and friends and an emotional/practical support system in their life, etc. For Chloe, for me, and for many other people, though not all, living that kind of life would not be worth it.)

Max, depending on your choices, having to kill Chloe, to choose the merciful path, allow Chloe to exercise her autonomy in a world in which she can no longer do so and put her out of her misery. Knowing that she's doing for Chloe what she'd want someone to do for her if she were in that situation, yet still full of pain and regrets.

Max then having to go back and undo it all. Allow William to die again. Watch Chloe experience that horror and trauma again, knowing now she could've prevented it. But at what cost?

Lastly, if you chose to let Chloe go. To let her die.

That makes it immeasurably worse in my opinion.

The week she and Chloe spent together, reconnecting and rebulding their friendship, everything they went through together, would essentially never have happened.

Chloe, in this timeline, died alone in a bathroom. She never recieved any sort of closure, never got to know what happened to Rachel, questioning if Rachel perhaps just abandoned her, similarly to how Max did.

She never got to resolve things with Max, never heard from her again. She never got to know that Max still loved her, still cared about her and thought of her, but was too scared and guilty to reach out.

She never got to patch up things with her mom, or with David.

Everything Max went through. Everything she experienced.

To recap:

Having to watch her best friend, the woman she loves, die over and over again, feeling helpless, trapped in this endless, hellish cycle of death.

Being lulled into a false sense of security, betrayed and abducted by someone she thought she could trust, someone she looked up to.

Witnessing firsthand Kate's suicide/attempt, feeling like she failed her.

Being forced to let William die again, and force Joyce and Chloe to suffer that loss again.

Having to watch Joyce mourn her only daughter, after already losing her husband. Knowing she could've prevented it.

Everything that happened would still exist, but only in Max's mind.

She has no one she could ever confide in, talk to, or open up about it.

Chloe, for her, was that person.

No one would believe her, albeit understandably.

It's implied her powers vanish after she goes back that final time to let Chloe die.

She'd have no way to prove her story was true.

Carrying the weight of that burden, that knowledge and trauma, alone, would drive anyone insane.

Feeling like everything she went through, all the efforts she made to keep Chloe alive, were pointless.

I don't believe there is any way Max could be okay after that.

She'd be a hollow shell, just going through the motions. Totally disconnected from the world and the people around her. (Understandably. Who the hell could she connect to? Who would understand her?) Everyone at Blackwell, and their student lives and petty drama would feel so insignificant. So incredibly stupid and shallow to Max after what she's been through.

In fact, I've always felt - years after the events of the game, were you to choose to let Chloe die - that Max likely killed herself.

Over time, she probably began to question herself, to feel crazy, and begin wondering whether any of what happened, actually did, or if it was just something her mind created.

Max's trauma, her thoughts and emotions in regards to all of this are reflected in this part of the game, her mental breakdown. You can see her self-loathing, the way she blames and criticizes herself, in her interactions with herself and in her distorted journal entries.

Anyway. I never really liked Max all that much as a protagonist.

I thought she was a pushover, a little shallow, cared too much about what people like Victoria thought of her. I thought it was pretty unforgivable the way she ghosted Chloe, at the most traumatic, formative time of Chloe's life, when she had just lost the most important person in her life, besides Max. I understand anxiety, feeling awkward, helpless and flailing in that situation and not knowing what to say or do to make it better, but it just doesn't matter to me. Nothing excuses that.

However…

Max, did ultimately (well, depending on your choice at the ending,) make it right.

This has given me some perspective, and I have a lot more empathy for her now.

     you thought you could control everybody and everything, huh?      —   twist time around your fingers?

[love-byers]

we all know about the parallel of mike hugging karen when he feels like he's lost will, but i've never seen anyone talk about the other parallels in the s1 and s3 heroes scenes. there are more than you think!

will's fake body being pulled out of the quarry VS will (+ the others) pulling out of the driveway for california

a close up of mike looking at both

mike leaving the scene on his bike after 'losing' will

in one, he has no hesitation. he gets his bike and doesn't look back. not at wills fake dead body, not at el (which would be odd if he knew he was in love with her then...), not at dustin and lucas, not at anyone. he keeps moving forward.

in the other, he is full of hesitation as the other bike away, not looking back. mike stays back and takes one last look at will's house, looking nervous, before hesitantly tearing his eyes away and biking off, trailing behind dustin lucas and max.

do i really need to explain the implications of that....

mike entering the wheeler house visibly upset after losing will, and karen immediately noticing

mike seeking out a hug from karen, something he rarely does

mike hugging karen

note how both clips end with mike moving/sinking deeper into the moment. i'm not sure what the best way to describe this is, but im talking about mike shoving his face into karen's shoulder in the s1 scene and his eyes flicking down in the s3 scene. i know it seems like it doesn't matter, but it does. sprinkling things like that in as a director is purposeful! it's showing how mike is processing the events. in s1 he sinks deeper into karen's comfort, further breaking down because he thinks will is dead. in s3 he doesn't do that. he is extremely still, eyes not moving as he is in shock. then his eyes do move at the last moment, showing he is further processing whatever event has occurred, transitioning from shock to really processing whatever happened.

raw emotion vs icy shock.

and oomf @reo-bylerwagon who is a film major told me that the way the camera tilts upward in the s3 clip is used to show that a realization has occurred, or that something new is being revealed. does that not PERFECTLY line up with:

1. the way mike seems extremely shocked as though he has realized something huge

2. the fact that LITERALLY over that moment is a hopper voice over where he says "to turn back the clock, to make things go back to how they were"

and 3. the way he behaves in s4 (being weird about touching will, rink o mania, etc.)

so yeah, these are definitely parallels through and through and it's really interesting. mike has lost will in both, but in different ways. his reactions say a lot about how he's processing the events and how he views them/his relationships.

also reminder that this is not delusional in the slightest because heroes has only played twice and it's in these two sequences.

and to anyone thinking "well they're just trying to show that mike deeply cares for will, just not in a romantic way!"

......

why in the fresh FUCK would they eat up SO MUCH screen time to show that mike platonically cares about will, rather than use that time to develop his relationship with el and, i don't know, show that he loves her??? why would they feed into will's unrequited love like this??? spoiler alert: THEY AREN'T.

that would be doing WAY too much for a relationship that will end in an amicable split so one can get married and one can get over his deep seeded love for the other and navigate the (extremely homophobic) world alone.

like yall are very clearly not writers or creatives in the slightest 💀💀💀 any writer (or anyone with the faintest creative/analytical bone in their body) will immediately understand why that's fucking dumb and makes no sense. yall are just heteronormative af and instead of admitting that it's greatly affecting your perception of the characters you double and TRIPLE down until you sound like a homophobic disaster

also

season 1 - heroes plays (when mike feels like he lost will)

season 2 - heroes does not play

season 3 - heroes plays (when mike feels like he lost will)

seasons 4 - heroes does not play

season 5 - heroes will play...? perhaps the original david bowie version? and byler will finally kiss as though nothing could fall and the shame will be on the other side? and they can be heroes? just for one day?

so yeah anyways byler endgame

[fushiguruuzzzz]

ALL I WANT 4 CHRISTMAS .ᐟ

What are the jjk & aot boys doing this Christmas season?

Somehow, mistletoe is left in his wake like a trail of breadcrumbs. Nobody knows exactly how he acquired all of this, but as he continues to swerve the advances of anyone else he meets under the green and red decoration, his intent grows more clear. There's also a mysterious bundle of it in his pocket, which he explains as his "just in case" backup. Before you knew it he was taking you by the hand and leading you through the house, much less subtle at scanning the doorways above than he thinks. At first you're oblivious, wondering if someone had spiked his eggnog or something of the sort, but no. When he halts abruptly and you follow his gaze upwards, every oddity of his behaviour makes much more sense.

"Would you look at that? Mistletoe. Wonder how that got there."

You can still feel his proud grin against your lips, even after he kisses you.

⤷ Satoru, Jean

He’s lounging on the sidelines, eyeing you over the rim of his mug as you enjoy the winter day, unaware of his lingering eyes. The hot chocolate sears his tongue, but he can't find it in himself to react. How could he care, when you're laughing across the room? What was so funny? What was so special about those people that prevented you from talking to him? He's got plenty of other people gabbing in his ear, they always end up flocking to him, as odd as it seems. He only feigns interest in their words, but if it were you, he'd hold on to every syllable like they were life's greatest treasure. he'd take note of every shift, of every breath you took. But for now you were across the room and all he could do was stare, frozen in place.

⤷ Suguru, Eren, Toji

Ah, yes. The personification of Christmas, your very own worker elf at your side. Clad in a ridiculously festive sweater and some reindeer antlers, Santa Claus might as well have thrown up on him. You're sure that if it weren't for you, he'd be wrapped in Christmas lights and singing carols on doorsteps. "It's holiday spirit! Don't you like Christmas?" he'd say. He makes you out to be some sort of grump, but you know deep down that he's just a total dork.

⤷ Toge, Yuji, Connie

Your boy isn't one for grand gestures, he never has been. Even around the holiday season, his love is quiet; soft. His chunky sweater wrapped around your shoulders, a steaming mug in your hands because he noticed you were chilly. A batch of sugar cookies made just for you, icing of your favourite colour decorating the tops. A pretty little box with a ribbon tied into a bow (or at least it was supposed to be) atop it, even though you made him promise not to go out of his way more than he already has. He just can't help himself. A photo snapped of you when you're looking particularly docile, just for safe keeping. He looks at his little album of you when you're apart, but he doesn't tell you that part. His affection is a collection of small sweetness, like a box of trinkets filled with the little things you hold dearest to your heart.

⤷ Yuta, Armin

He’s doing all of the sappiest things without even realizing it. Who would expect this big, beefy oaf of a man to be so whipped? “Yeah, those decorations are really pretty. I’d rather look at you, though.” “Sorry for staring, baby. You just look so pretty. If you were the only present under the tree I wouldn’t mind.” He’s buying you reindeer plushies just because they’re cute, and when he gives them to you his eyes shine with something so sweet it’s hard to believe it’s him. So you take them, you accept all of it, every little thing teetering on the fence of cute and corny, because maybe that’s what love does to you.

⤷ Reiner, Choso

You know how I said Toge, Connie, and Yuji are the personification of Christmas? Yeah, he’s the grinch. No, he doesn’t need another candy cane. No, please don’t turn up the radio, if he hears another Mariah Carey song he might implode. It would be easier to hide his disdain if you weren’t so adamant, so pushy for him to “get in the spirits.” Get that damn hat away from him, he tells you he won’t allow himself to be subjected to your childish antics. But when the festive shine in your eyes dulls ever so slightly, when you retreat with a defeated huff, he doesn’t know what changes. He doesn’t understand why, but he knows he doesn’t like it. So he tugs you back with an annoyed huff, grumbling under his breath as he falls victim to your will. He always ends up doing that, somehow. Always ends up at your mercy, even though if it were anyone else he’d have blocked them out long ago.

⤷ Megumi, Levi, Sukuna

He seems like something straight out of a hallmark movie. Okay, maybe he isn’t as cheerful as your picture perfect husband, waltzing around like Buddy the Elf. Maybe he’s got that passive expression on his face, the one that’s just barely grown easier to read over the years you’ve grown to know him. But he’s cooking you meals and massaging your back, he’s sliding you his card over the kitchen counter before he leaves for work and telling you to do something nice for yourself. He doesn’t care, as long as he gets to see the results; see how happy they make you. He trusts you, he trusts that you’re just as his as he is yours, and that means all of his work benefits him just as much as you. Because he gets to see your face light up, see the subtle curl of your lips with every act of service, and knowing he’s the only one is well enough for him.

⤷ Kento, Erwin

a/n — I wrote this randomly at 4am because one of my mutuals asked if I was doing a Christmas special. Yes apparently I am. Also Gojo fit a few of these but I decided on that one :3 I was thinking about doing more fandoms but I’m not 100% confident in my characterizations for hq, hxh (been a HOT minute since I’ve watched), etc. so aot and jjk it is <3 most people are only here for jjk anyway so

[1425fivefive]

if you’re still doing kink prompt asks, can you do piercings/tattoos with Carlos Sainz and Oscar Piastri?

yes!! carlos is a piercer in this and oscar has a pussy for unexplained reasons. there is an actual genital piercing in this, so don't read if you're squeamish about that 💕 (for the kink prompt asks)

Carlos sucks Oscar’s clit into his mouth, moaning when Oscar lets out a desperate whimper of Carlos’s name, thighs trembling.

Oscar’s always been sensitive, always liked having his clit sucked and played with. Most of the time, Carlos feels like he barely has to do anything to have Oscar coming, shaking and whining, falling apart on Carlos’s fingers or face or cock. Carlos knows he’s good with his hands, has to be because of his work, but he’s not delusional enough to think he’s some sort of sex god. He knows Oscar is just like that. Too sensitive for his own good.

Carlos had brought up the piercing sort of as a joke. Pinched Oscar’s clit between his fingers and said, “Imagine how sensitive you would be with something sparkly here. You would never stop coming, I think.” Oscar’s mouth had dropped open, blinking up at Carlos with a shocked expression, and he came with a shuddering moan, clit twitching between Carlos’s fingers. Oscar hadn’t wanted to talk about it after, had just shoved his face against Carlos’s neck, thick thigh slung over Carlos’s waist.

Oscar hadn’t brought it up again for ages and Carlos figured he’d forgotten about it. Mindless dirty talk, in one ear and out the other.

But Oscar had turned up at the shop one day, hoodie pulled over his head like he was trying to avoid being spotted, like anyone would care about a random engineering student walking into a piercing studio. He’d barely been able to get the words out but he’d asked Carlos to show him pictures of clitoral piercings.

Carlos had pulled out a binder and they’d flipped through it together, Carlos resting a soft palm on Oscar’s lower back, pointing out which ones would increase sensitivity, which ones were easiest to heal.

Oscar lingered on one picture. “What’s this one called?” Oscar asked, voice so soft Carlos almost couldn’t hear him.

“Ah, that one is a vertical clitoral hood piercing,” Carlos said. “VCH for short.”

Oscar hummed, a pink flush rising in his cheeks.

“It is pretty, no?” Carlos asked, watching Oscar closely.

“Yeah, uh, really pretty,” Oscar said, still barely audible. “And does it—feel good?”

Carlos laughed softly, leaning in to press a kiss to Oscar’s neck. “Very good, cariño. The people I have given it to are always leaving me very nice reviews.”

Oscar let out a little squeak, a shiver running through him.

“If you want,” Carlos murmured, tugging Oscar closer to him, sliding his hand down to cup Oscar’s arse. “I could do it for you.”

Oscar moaned, shuddering against Carlos. “I have to—I need to—” He trailed off, letting out another little moan. “Let me think about it, maybe?”

“Of course,” Carlos said. “Take as long as you need.”

He’d eaten Oscar out on one of the display counters, after, made Oscar come three times on his tongue, imagining the taste of metal in his mouth, how easy it’d be to make Oscar come.

In the end, Oscar had only taken a week to think about it.

They’d been in Carlos’s flat, Oscar in Carlos’s lap, Carlos helping Oscar bounce on his cock, when Oscar had panted, “I want it. Please, Carlos. Want you to.”

Carlos had come on the spot.

And now he has Oscar in his bed, naked and flushed, thick thighs splayed apart, pussy dripping onto Carlos’s sheets. Carlos’s piercing tools are next to them on a tray, along with the little bar Carlos picked out for him with two white jewels on either end. The little bar that’s going to be pressed up right against Oscar’s clit, keeping him sensitive and wet and needy, desperate for Carlos.

Carlos moans against Oscar’s cunt, sucking hard on his clit. It’ll be easier if Oscar’s turned on, his clit swollen and easy to pierce. And it’ll be less painful if he’s just come. If he’s still riding the endorphins of his orgasm. Oscar also won’t be able to play with his clit for a few weeks, has to leave it alone to heal. Carlos can’t even imagine how desperate Oscar will be at the end of it, how good that first orgasm with the piercing in will feel. Carlos sort of wants to see if he’ll finally be able to get Oscar to squirt.

“Carlos,” Oscar gasps, back arching off the bed and thighs spreading wide in the way they always do right when he’s about to come. “Carlos, fuck, oh, please, Carlos.”

Carlos whines and drags a flat tongue over Oscar’s clit, keeping the pressure steady and even, making sure his tongue’s covering Oscar’s entire clit, that Oscar can feel him everywhere.

Oscar’s thighs are shaking and he’s gone almost silent, nothing except little gasping breaths, tiny hitched whimpers. It only takes one more drag of Carlos’s tongue for Oscar to come with a hoarse scream, cunt twitching rapidly under Carlos’s mouth, wetness flooding onto Carlos’s chin, Carlos’s sheets. Carlos groans, licking Oscar through it, hoping his sheets will smell like Oscar for days, a reminder of the pleasure Carlos brought him.

Oscar hasn’t even finished coming when he gasps, “Do it.”

Carlos moans, giving Oscar’s clit one last suck, but he sits up, grabbing for the needle.

Oscar’s still shaking a bit, still trembling, but he goes still when Carlos pinches Oscar’s swollen clit between his fingers, letting out a whimper that sounds aroused and frightened all at once.

“Deep breath, cariño,” Carlos murmurs, positioning the needle. He feels focused, in control. He’s done thousands of piercings, he knows he’s good at this, knows he won’t hurt Oscar. “Deep breath.”

Oscar whimpers again but he takes a shaky breath in, looking up at Carlos with desperate eyes.

“Good,” Carlos soothes. “Now let it out.”

Oscar starts to exhale and Carlos pushes the needle through, quick and efficient, one smooth movement.

Oscar lets out an anguished scream but it turns into something else halfway through, a cry of pleasure, and then Oscar’s shaking, toes curling, hands twitching, letting out little gasps of, “Oh, oh, oh.”

“Oh my god,” Carlos moans, watching Oscar come just from the feeling of being pierced, just from the brush of metal against his clit. “Oh my god, Oscar, oh my god.”

Oscar’s still coming, cunt gushing onto the bed, trembling and crying out, desperate chants of Carlos’s name.

“I’m here,” Carlos breathes, pressing a kiss to Oscar’s knee, keeping the needle steady, keeping Oscar’s throbbing clit between his fingers. “I’m here, baby, you’re okay.”

“Carlos,” Oscar sobs, one last shiver before finally going lax against the bed.

Carlos takes a shaky breath before reaching for the jewelry, slipping it through and screwing the gems on either end. Carlos can’t hold back a moan at the sight of Oscar’s puffy cunt, his swollen clit decorated with little jewels. Carlos had thought Oscar’s cunt was pretty before, but now—

“Beautiful,” Carlos murmurs, staring at Oscar’s pussy. “So pretty.”

Oscar whines, thighs splaying open, even as he whispers, “Hurts.”

“I know,” Carlos soothes, running a palm over Oscar’s thigh. “But I think you like that, no?”

Oscar lets out a tiny, anguished sob, but he nods, once.

[sunnywalnut]

I also would like to add as someone who takes medication- ask other people if it seems like your meds are working.

Especially if you take antipsychotics/stimulant drugs.

A lot of meds do have side effects that can be pretty mean. Or not work at all. But they also could just be working so good that you don't notice because you're so used to struggling that getting used to a new normal is ALSO a struggle.

"but why would you stop taking meds if they're working?" We're human. If something worked, and has worked for a while, we don't think "oh goodness I should keep doing this even though there's no increase of Good just to make sure the Bad doesn't come back!"

We think "damn this thing really isn't working the same as it once did. Idk if it works anymore. Maybe I should stop"

And to that I tell you WAIT!!

Talk to your roommates, your friends, your family. Ask them if they remember how you were struggling before your medication. Ask them if it seems like you're struggling still or what symptoms might look like they're starting to show up again.

"but how would they know what goes on in my brain?" Ohoho my friend that's the wonderful part! Mental health HAS PHYSICAL SIGNS!!

Forgetfulness can show up as losing your keys or phone even though they're in the same chair beside you.

Clustered brainspace/"confused thoughts"/brain static can look like struggling to do house chores or having to tear things apart in order to sort through them correctly or even changing tasks seven different times even though they don't make sense to anyone including you.

Depression or problems with executive function can look like not being able to take a shower even when you sit still for half an hour obsessing and feeling guilty about it.

And of course this is only three examples. There's so much more that could happen and show up in different ways(which I absolutely encourage people to add on their own) but please. Before you decide to go off your meds, go through the process of figuring out if they ACTUALLY don't work

Lest you turn out like me, three years of no meds on a steady decline.

Thank you.

Local PSA: invisible disability does NOT mean you can live your life like a "normal person" invisible disability meant that if a stranger looks at you in public they wouldn't know what's going on.

Like if a wheelchair user were to decide to run into a corner store to grab a candy bar because they know that their legs can last that long without, the cashier wouldn't know.

Or someone with "mild" scoliosis walking upright through their shoulder leans slightly to the left. Maybe they just have bad posture. The lady in the next isle thinks to herself.

The person with EDS or POTS or whatever sort of condition wearing compression gloves out and about. Perhaps it's a fashion statement?

Or what about the people with intestinal issues? They can look like "normal people" too.

You never know what someone is going through.

You never know what they might need to survive or if they're on the edge of a flare up or even if they are currently going through one just by one look.

I think both disabled and non disabled need to realize this. You're not "no longer disabled" because you can "live without" disability aids. They're there to help you. To make your life easier. If living without a cane is going to make it more likely you'll fall over and hurt yourself, use the cane.

If you need to sit down to do dishes or cut vegetables because you need to save your legs for taking out the trash, sit down.

If you need a shower chair because you don't know if you'll pass out, use the shower chair.

People are going to judge you regardless for multiple reasons out of your control.

I'd rather they judge you while you're being safe.

You don't need to struggle to be "normal."

You can just be you.

However that looks for you.

Use your disability aids.

[mamawasatesttube]

kon sweetie im so fucking sorry that someone would even say something stupid like that oh my god.

[acid-ixx]

last night, i just had a terrible nightmare where someone sent in a really long ask that was straight up hating and criticizing every part of my writing. calling out the insecurities/faults, plot inconsistencies, and insulting my writing style—

which i admit: yeah, it's wordy and really long, sometimes i focus too much on one scene or on the emotions solely, and i focus on every single detail; i'm a very emotional and hypersensitive person who likes to overanalyze on the scenes and characters. i acknowledge that it's unconventional and unprofessional at times; but it's what makes me happy and it's up to readers to continue reading or not despite the length. it's my own writing, i write content for free and everything i post are indulgent on my part, hence why i explicitly state i don't really wish for constructive criticism since again, it's all for free and it's all done for fun.

though, in that dream, it came to the point where the ask straight up told me i should just quit writing, that whatever i'm writing for is utter trash (overrated, it says. there are better writers out there and, yeah, i agree. i've the passion and drive but not so much for talent) and not worth the effort to read. so i did what was told and deactivated my account and went on to never write anymore fanfics after just how shaken up i was, then i woke up HAHAHAH.

and it genuinely felt so real, ngl. i couldn't get it off of my mind even until now, so here i am rambling about it. sorry if anyone expected me to post a drabble, or a fanfic; but right now i need more time to ponder upon whether or not i should change my writing style 'cause chapter five pt 2 will be posted soon but it's longer and who knows? maybe my worst nightmare may come true if i post it and it's subpar, not up to expectation.

and if people don't really wish for something long that borders on boring or filler scenes, then maybe, maybe not i will change how i write (but i probably won't lmao). either way, i have to remind myself that i am writing for myself, and posting it to simply archive in this account. i just hope people won't be as cruel as that mystery person in my dreams if i ever do

it's genuinely the audience's choice to read my works or not if the length or style bothers them. and as entitled as i may sound, i wish to remind some that writing a chapter with more than 10k words is my choice, and it's an arduous process too that takes hours of my time. writing fanfics is for me is purely indulgent and are reflections of my real life experiences, if it's lengthy, then yes i chose it to be, but it's not like i'm writing a thesis or an essay, i'm writing a goddamn fanfic with stereotypical tropes (most especially yandere) because it what makes me enjoy my passion as an author.

i apologize again for the long ramble, i really just need this out of my thoughts. this is my own blog too so yeah 😭. if you guys follow me solely for my fanfics, then filter out the "🍨... yael's talking" tag if you wish to avoid these types of talks.

[natsboygirlfriend]

୨ৎ CHRISTMAS TREE FARM — 🌲

summary : christmas for your girlfriend is uneventful and frankly boring, so you invite her to come with you to your grandparents' christmas tree farm for the holidays

pairing : natalie scatorccio × fem!reader

not proofread and uhhh 1.6k words jesus christ

a/n : uh uh uh this is my first fic so don't make fun of me... this is like a montage thing because i got bored when the scene was too long. ALSO tell me if nat is ooc pls. like I TRIEDDDD but idk. this is absolutely a taylor swift reference, but it's very loosely based on the song itself but I tried

you tap on nat's shoulder before the beginning of class, her head whipping back as if she didn't notice you beforehand.

"what are you doing for christmas?" you asked curiously, leaning over the desk with your knees on the edge of the seat.

"nothing much..." she shrugged.

"really?" your eyebrows quirked up, not really believing her. there's no way she was doing nothing at all for christmas.

"really." she nodded. "we didn't even put a tree this year."

your face contorted into one of surprise, not even a tree? "seriously?" you questioned again, to which she just nodded.

you felt bad for nat. she seemed so okay with doing nothing to celebrate, like it was normal.

she noticed the sympathetic look on your face, sighing as if she were used to it. "it's fine. I don't like christmas that much anyway." she assured, shrugging again.

you scoffed, immediately jumping to offer her a better christmas. "how about you come with me for christmas?"

"every winter break, my dad ships me off to my grandparents in pennsylvania. it's fun." you smiled, hoping she'd say yes.

"I don't know..." she repiled, trying to let you down gently before you cut her off quickly.

"come on, pleaseeeee!!! it'll be so much fun with you there!" you plead, leaving no room for interruption as you continued. "there's so much festivals and parties, and I never have anyone my age to be with pleasepleasepleaseplease—"

as you berated nat with pleases, the bell rung signaling class has now started, the class silencing, you now getting stares for your loud voice.

you found yourself blushing with embarrassment, sitting back correctly in your seat before the teacher started talking, nat stifling a giggle as she looked back to the front of the class.

after class and not very much convincing she agreed to go, and a week later, you two were in pennsylvania.

"so, what are we doing today again?" she asked, stuffing her hands in her jackets pockets, watching you tie your shoes.

"uhh well, first we gonna go eat and then go run errands for the party." you explained, standing up, meeting her at eye level.

she nodded with a grimace at the mention of 'party'. "do we really have to be at the party? can't we just stay in your room? we can watch that one movie with the turbo dude." she asked with a chuckle.

"what's with the push back on the party? you like parties." you smiled back, walking to open the door, letting her walk through first.

"christmas parties are completely different. It's just fruitcake and awkward questions about school." she scoffed, walking past you.

"it's not that bad." you followed behind her, closing the door and walking beside her. the cold biting at your faces and snow crunching under your feet.

you two made a b-line for the car, rushing in and turning the heater on.

"can we at least leave if it's as bad i know it will be?" she asked sarcastically with a shiver in her voice as the warmth hit her, her back hitting the passenger seat.

"fine. but you will enjoy it." you answered, relaxing in the car before you started driving. "sure i will." she scoffed as she smiled.

all you could hear was christmas songs on various speakers, adults chatting, and kids screaming and running like animals.

some were in the barn where it was warmer and smelt like food and pine, others we dancing under the pretty warm string lights hung on the trees and pillers.

nat clung to your side, only talking when it was to you or when your family members pestered about who she was in your life.

"y'know, I'm not sure how I feel about you call me just a friend." nat taunted, sipping on her apple cider that was still warm.

you scoffed and rolled your eyes at the tease. "shuddup." you push her with no real force.

"so you like it?" you asked, changing the subject. she tilted her head slightly in response. "the party." you clarified, making her click her tongue and nodded as she understood.

"its pretty, I guess." she shrugged nonchalantly. you looked at her with unimpressed expression. "nat."

"it's cute! not as annoying as I expected." she answered. "so you like it?" you raised your eyebrows with expectatance, and she sighed. "just a little." she smiled, looking around before quickly kissing your cheek.

after a week filled with christmas movies, parties, and festivals, it was finally christmas morning, and you were awoken by nats body warmth contrasting the cold of your room.

you sat up with a yawn, rubbing your eyes as the holiday spirit waited to invade your brain. you turn your head to look at nat sleeping comfortably on her side, and you had half a mind to just cuddle back to her and rest for longer, but you know your grandparents were early birds and would come to wake up any moment.

"nat." you croak out, your voice soft from just waking up, shoving her lightly in a half assed attempt to wake her.

"nattttt." you continue, shaking her shoulder before she started whining, waking, curling more into the blanket to where her fried blonde hair only peaked out.

"come on. it's christmas." you stated, shoving her again. you moved your body so you were sitting on your legs, facing her. "come onnnnnnn." you murmur, laying your body weight on top of her, hearing a muffled groan from the covers.

she poked her eyes out of the blanket, looking at you with a sleepy look on her face. "fine. get off." she mumbled, pushing you off of her with a smile, sitting up.

"I don't even see the point of me going down. you're the one opening the gifts." she argued, stretching her back.

"I got you plenty of gifts. obivously." you scoffed, acting offended at the notion of you leaving her giftless on christmas.

"okay, my bad then." she grumbles with a smile, giving you a quick peck on the lips.

the whole scene was pretty domestic. waking up on christmas together, getting her loads with gifts? adorable, right?

you sat back up with her, getting out of bed, urging her to do the same. she followed suit, the cold hitting both of you.

you both made your way downstairs, the warmth of the fireplace growing as you stepped closer to the living room.

getting gifts for nat wasn't that hard, not when all she talked about was rare cds and merch from artists that she couldn't afford to get herself.

"holy sh— moly..." she stuttered, whipping her head behind at your grandparents watching you two open gifts and the game simultaneously.

she looked back at the signed cd copy of 'bleach' from nirvana. "how did you get this?" she asked with wide, grateful eyes. "I dunno ask santa." you shrug with a proud grin.

she rolled her eyes, setting the cd next to her like it was made of glass. "well, thank you, santa." she played along.

you and nat glanced at the tree, and the torn wrapping paper and gift bags around you. "I think that's it?" you guessed with a shrug. your girlfriend copied you before gasping, scrambling to her feet. "wha—"

"just wait a sec!" she yelped, running back up the stairs.

"she's odd." your grandpa mumbled once she was out of ear shot. your eyebrows furrowed at the criticism. "don't be rude." your grandma scolded, hitting his shoulder lightly.

nat came rushing back, sitting back in her former spot in a huff. holding out a tiny gift bag. "it's just a little thing." she shrugged off before you got the chance to say anything.

the edges of your lips quirked up at the bag now in hand. "thank you, nat." you smiled. you took away the tissue paper, digging your hand in the bag and pulling out some of your favorite candy.

"that's not it." nat pointed before you could react. you continued digging in the bag, finding various trinkets and small toys that reminded nat of you. honestly the bag was pretty stuffed with things.

but the main thing that caught your eye was the cd that had a printed picture of you and nat, posing while you were mostly likely tipsy or high. or both.

nat watched silently as you looked and smiled at the gifts, trying to act calm, yet she looked at you with approval seeking eyes.

"I know it's kinda dumb bu—" she admitted before you cut her off. "no no no! it's great, nat. I love it." you assured with a chuckle, opening up the cd to see a handwritten track list of sings from various artists.

the gift was obviously very heartfelt, and you found your checking warming at the songs she chose.

she sighed and nodded in relief at your approval.

-

you sat on the couch, as nat laid her head on your lap, both of you bundled in blankets infront of the fire as you watched home alone.

"hey nat?" you murmur, breaking the comfortable silence.

nat picked her head up, looking at you. "hm?" she hummed.

"did I give you a good christmas?" you asked softly, your hand continuing to play with her hair.

a smile appeared on her face before nodding. "yes. you gave me a pretty good christmas." she admitted.

"do you still not like christmas?" you questioned more with a slight smile.

she grin grew as she nodded again. "I like it a little more now." she she sighed. you couldnt help hut feel a little proud that you were the reason she liked christmas more.

"I love you." she blurted causally, and you couldn't help but laugh a little at the sudden declaration.

"I love you too, nat." you smiled back, running a hand through her hair. she hmed and grinned before moving to lay back on her lap, content with your response.

you furrowed your eyebrows in amusement before sighing and going back to the movie.

-

okay boom done go away. I didn't even mean to post it rn my app just glitched whatever I'm gonna kms bye

@pinkcatsthatfly wanted to be tagged

[werevampiwolf]

Yeah. At 19, I was finally diagnosed with autism and as unable to live independently without years of occupational therapy and my mother said "fuck that" and threw me out of the house two days later. She'd fought the doctors my entire life to stopbe from being diagnosed, because then that would mean there was something "wrong" with me.

I was homeless for over a year. I'm no longer homeless, mostly due to getting very very lucky with circumstances outside my control (like the fact that I was young enough and had been homeless long enough while continuing to take classes at the local community college to qualify for a government grant for Unaccompanied Homeless Youth, which allowed me to get an apartment. And i was only able to take classes because I was poor enough that the classes were free, and because i had a broken laptop and it never got stolen AND i already knew how to fix computers so I was about to Franken-Computer it into it being and staying at least slightly usable AND the fact that the nearest Starbucks was understanding and didn't throw me out or call the cops when I spent hours in there to do coursework), so my mother takes this as a win. Obviously, the doctor must have been wrong because when I was forced to sink or swim, I've stayed alive (very literally in this case).

I would argue that even now, going on a decade later, I'm not so much "living on my own" as I am "barely surviving", but I try to make it very clear, both to her and to people I tell this story to, that the problem with "Sink or Swim" is that people who sink fucking DROWN.

Because even as someone who was forced, and who managed to just barely keep my head above the water... I'm a very staunch opponent to the idea of Sink or Swim. What I had to live through was horrible, and I wouldn't wish it on anyone else. But not only that, I was very acutely aware that my only options were to figure it out or to quite literally Die.

As someone who survived the extreme of the other side of this coin that OP is talking about... the idea that I or anyone else could manage to survive such circumstances and then turn around and insist that the ends justify the means is both baffling and appalling to me, though I know that it very much happens. I cannot see it as anything other than "I suffered, so you should have to suffer too." It's awful to be on either side of this coin, and if you think it's okay for force people to Sink or Swim, whether you've been in that situation or not, than you can fuck right off with that shit.

Side note, I'm someone with support needs on the higher end of medium. I still can't manage to brush my teeth independently, and I don't manage to feed myself consistently, though I at least manage to do it often enough to get enough calories in me to stay alive (and that's ignoring anything other than calories that make up a healthy and balanced diet, because that's not an option for me. It's eat whatever junk food I manage to get into my my mouth or starve). I have to rely on schedules, because my brain doesn't really understand what hunger feels like. I just eventually feel like I'm going to throw up, and if I'm lucky, my brain figures out that I haven't eaten in all day and that's probably why. But there are days when, even if you put a plate of food in front of me, it wouldn't occur to me to eat it. I will just sit there and stare at it (or into space) without outside promoting to eat. I maybe manage to take out the trash or do laundry every two weeks if I lucky, and sometimes it's only once a month, or less. I have plastic bottles that haven't been taken out in at least six months, and probably closer to a year. Perhaps the only reason I can see the other side of this coin is because I basically live as close to edge as is physically possible without going over the edge, but I really hope that's not it. I don't think people should have to be constantly teetering on the knife-edge of this reality to understand that It's Really Fucking Bad to force people to Sink or Swim, or as I prefer to call it, Survive Or Die.

I don’t think people understand how it is to have been behind on EVERY milestone. Learning how to walk? Late. Learning to read? Late. Learning to use the bathroom independently? Late. Every single milestone was late.

And when you have this, people ask questions. People bully you. Why can’t you shower by yourself at 9,10,15,20? Why can’t you brush your teeth independently and frequently? Why can’t you tie your shoes? Why can’t you do math? Why can’t you do this, or that.

And then there’s the people on social media. “Well I was forced to.” “Well I didn’t have a choice” and that’s understandable and completely valid, but there are people that no matter how much you force them, or neglect them so they “figure it out” they won’t “figure it out”. They’ll die. They’ll starve. They’ll not bathe and be dirty.

Higher support needs people don’t just “figure it out” our brains are wired differently. Our brains don’t get that we HAVE to do these things just to survive. So we don’t. And that sucks.

It’s disheartening to constantly hear people say “well i was forced to” because so was I!! I was forced to do things too! I was neglected too! And guess what? I still didn’t do those things. I STILL wasn’t able to meet those milestones.

The big one that I see is “well I’m forced to talk.” And I get that, but me, a person that’s nonverbal, can’t be forced to talk. No matter if I’m neglected, no matter if my device is taken away or I have no way of communication. I still wouldn’t be able to talk. I CANNOT force myself to talk. Get that through your heads. This is my reality, and although yours sucked there are still some people who cannot do things, and saying that they could if they were ���forced” is invalidating of them.

[mattslilies]

✩ criminologist!reader - lets matt comfort her after seeing a bad scene ✩

-----------------------------------------------------------------------------

warnings: general descriptions of human remains/bodily fluid such as blood in context of a crime scene

------------------------------------------------------------------------------

you couldn't sleep. you'd been laying awake in bed for god only knows how many hours, your boyfriend sleeping soundly beside you. he'd fallen asleep ages ago, curled up against your warm body.

you reached for your phone, seeing that the time read 3:56 am.

sighing you put your arm out to put it back onto the nightstand, your heart jumping when you accidentally knocked over matt's phone and water bottle, hearing them clatter to the floor.

swearing under your breath, you immediately got out of bed to pick up both items, as well as putting your own phone back onto the charger.

getting back under the covers, you were just about to thank all the gods that matt was a deep sleeper, when he started shifting next to you.

he rolled over to face you, blinking his eyes open and trying to make sense of the darkness surrounding you both.

"babe?"

"sorry, sorry, just knocked over some stuff off of the nightstand when i was trying to put my phone back." you quickly apologized, hating that you had woken him up.

you didn't want matt to know that you were having trouble sleeping, knowing that it would cause him to worry, and you hated when he did that, despite knowing it came from a caring place inside of him.

"what were you doing on your phone? 's the middle of the night."

you just shrugged, laying back down and resting your head on the pillow.

squinting, matt reached over and flicked on the lamp next to your bed. when the dim light shone on you two, he could very clearly make out the rapidly darkening circles under your eyes from lack of sleep.

"you never went to bed, did you?"

your silence was enough of an answer, and he sighed, but not a disappointed or annoyed sigh, a quiet one, filled with concern.

it wasn't often you had nights you couldn't sleep, or that you saw a case or a scene bad enough to rattle you, but matt had seen you through a few of them, and he knew what this meant.

you didn't often talk about your cases with matt, knowing he didn't stomach them as well as you did, but on nights like these, exceptions were made.

"cmere, baby." he wrapped his arms around you, pulling you into his chest, and it didn't take much more than that for you to begin crying. sobbing, really, which you would have considered embarrassing around anyone else.

"there was just so much blood, matt. and it wouldn't have bothered me so badly, but it was a kid, and their mom, just laying there. you're not supposed to realize how much blood can come out of a child."

he didn't say much, letting you cry, a hand rubbing your back and another one gently caressing the back of your head.

"and i can't sleep. i can't sleep because i can't get that image out of my head. they should be sleeping, safely, and they're not."

he kissed the top of your head, softly whispering. "i know, i know. it's horrible. i'm so sorry, baby. i'm so sorry you had to see that."

"i love my job, matt, i really do. this one just hit hard."

he gently lifted your face from his chest, pressing a soft kiss to your forehead before kissing your lips, and wiping tears away with his thumbs.

"i know you love your job, and you're damn good at it. cases will stick with you, baby, you see horrible things every day. i don't know how you do it, because i wouldn't be able to handle it. it makes you human. i'd be much more concerned if they didn't ever stick with you, although i hate that it gives you trouble sleeping."

you let out a small sigh, enjoying the comforting words and presence of your boyfriend. he really was your rock when you had difficult nights like these, and never failed to make you feel a little bit better. as you laid in his embrace, both the late hour and the exhaustion of crying caught up to you, and you let out a large yawn.

matt smiled down at you, kissing you again, before getting comfortable himself and pulling you against him.

"i've got you, baby, try to rest. it's going to be okay, tomorrow is going to be a better day."

when you closed your eyes for the final time that night, all you saw was peaceful darkness, clouded with love from your boyfriend, and you finally fell asleep.

[30somethingautisticteacher]

Christmas Reconciliation

In case anyone was wondering how Buck and Tommy's Christmas is going today 😆🥰

****

The warm glow of Christmas morning filled Maddie and Chim's living room. Buck sank into the couch, surrounded by the aftermath of gift-opening chaos, crumpled wrapping paper littering the floor

Jee Yun sat cross-legged on the floor, completely absorbed in her new toys.

"Hey, little brother. You doing ok?" Maddie asked, her voice soft with sisterly concern.

"Oh uh yeah. It's Christmas. Why wouldn't I be?" Buck responded, his smile not quite reaching his eyes.

"Buck," Maddie said in a warning tone. "You're staring at that phone awfully hard. What's up?"

"Connor sent me a Christmas text with a picture of him, Kameron, and Simon," Buck said, holding out his phone and showing the image to Maddie.

"Wow, he really does look a lot like you," Maddie observed, taking in the details of the photograph.

"Yeah, he does," Buck agreed. His voice softened, tinged with a deep, aching sadness. "I guess I'm just feeling jealous. I want that. I want to be a Dad on Christmas morning. I want to make Christmas breakfast and wear matching Christmas pajamas."

He paused, his eyes distant. "I saw that future. I could see it as clear as day. Me and Tommy snuggled up on the couch with two kids, drinking hot cocoa and watching a fire burn in the fireplace. And now? My future is just a blank slate."

"Maybe that's a good thing?" Maddie offered gently. "Full of possibilities."

"I don't want possibilities," Buck said, his voice trembling with raw emotion. "I want Tommy."

"Oh, Buck," Maddie said, pulling him into a hug.

She caught Chimney's eyes over Buck's head and nodded.

Buck let himself be held by his sister for a few more minutes before standing and taking a deep breath. "Okay, that's enough of that. It's time to ice my cinnamon rolls." He headed to the kitchen and fell into his chosen form of distraction. His focus was so complete he nearly missed the knock on the door.

"Hey, Buck?" Chim called out, a hint of something suspiciously like excitement in his voice. "I think Santa had one more gift for you today."

Buck wiped his hands on a dish towel, a puzzled look crossing his face as he walked toward the door.

"Tommy," Buck whispered.

"Merry Christmas, Evan. Can we talk?"

Buck nodded, unable to form words. Tommy looked worn and tired but still devastatingly handsome. Buck's heart skipped a beat as he looked into those deep blue eyes.

"Why don't you two go have a chat on the patio?" Maddie said.

"Thanks, Maddie," Tommy replied. He and Buck walked through the house and out the back door, the weight of unspoken words hanging between them.

"Why are you here, Tommy?" Buck asked, the words coming out more harshly than he meant for them to.

"I miss you," Tommy whispered.

"What?" Buck said, confusion and hope warring in his voice.

"I miss you, Evan. I miss you. I miss you so damn much that it hurts. I'm not sleeping, I'm barely eating. My captain even temporarily pulled me from air support because he said I'm not safe to fly in this condition." Tommy took in a deep, ragged breath. "I am so sorry that I broke us."

"Then why? Why did you do it? Why did you leave me? I wanted it all with you. I was willing to give you everything, and you just walked away," Buck said, his voice a mixture of pain and desperation.

"You don't know me, Evan. Not really," Tommy said, vulnerability seeping through his defensive words.

"And whose fault is that?" Buck challenged. "I want to know you. All of you. Not just the shiny cool guy that you let the world see. I want it all. And there were times that you trusted me enough to show me glimpses."

"I'm a mess," Tommy murmured.

"Hello! Have you met me?" Buck replied, a hint of humor breaking through the tension. "I don't care about that. You were my mess. We were each other's messes."

"Do you think there's any chance-" Tommy trailed off, leaving the possibility hanging between them.

"You're it for me, Tommy, and I'm sorry if that scares you, but it's true. I love you, and you are my endgame. Do you think maybe you can try to see me as yours?" Buck said, his eyes filling with tears.

"Oh, baby," Tommy said, gently wiping away the tears as they began to spill down Buck's cheeks. "I love you too, and I am never letting you go again."

They kissed gently at first, but then with more heat, pouring out everything they had been holding back.

"Ahem," The two men broke apart as Chimney appeared in the doorway, a knowing smile on his face.

"Now that that's all settled. How about some Christmas breakfast?"

They grinned as Buck grabbed Tommy's hand intertwining their fingers, and steered him inside.

They still had lots of work to do to repair the cracks in their relationship, but it was a start. And Buck knew that they were just going to get stronger because they were in love - messy, complicated, beautiful love, actually.

[mantequillamcwhoremick]

I always believed that the reason why Kenny never tried to tell butters at all about his “curse” was never that he wouldn’t believe it in fact I think he would whole heartedly believe but because Butters would get like VERY paranoid & stressed about it and that Kenny doesn’t want to put any more baggage on him than butters is already dealing with

Well, the reason Kenny never tried to tell Butters about his curse first and foremost is because Matt and Trey haven't figured they should make this into a canon interaction yet, but when we talk about hypotheticals I think there's a lot to unpack.

Kenny and Butters aren't significantly close in their current canon age, so the reason Kenny might not have told him is because he just doesn't see the point, plus he doesn't really care about Butters and his opinion. Post COVID and "Going Native" have proven there's very much an insanely big potential for their dynamic, so it might be an interaction that could happen in the future sparked by a number of things in different ways.

Mostly, I think Kenny would tell Butters in a moment of weakness. This was the case in my fic Chaos Plan (sorry to bring Chaos Plan into this lmao but my writing is how I explore certain headcanons/interpretations of characters so bear with me), because I doubt that Kenny would usually try to convince anyone again, so as to not be disappointed when they don't believe him. The line "I knew there'd be no point in telling you guys" (s14's "Coon vs. Coon & Friends") is pretty much proof to me for this, as is Kenny's apathy towards his curse by the end of the trilogy. But I think it's necessary that Kenny and Butters are close friends for this to happen, because Kenny should want to confide in Butters in the first place.

The point you make about Butters being paranoid & anxious is a pretty interesting one, but I doubt this would be a reason Kenny wouldn't tell him. Butters may have a lot of baggage, but at the end of the day I think Kenny wouldn't see why BUTTERS would be anxious about KENNY'S curse.

Butters mirrors other people's emotions a lot when it comes to getting hyped or scared about something, (like how in "Poor and Stupid" he gets very "psyched" because Cartman is lmao), and Kenny isn't in any danger for Butters to be worried about him. He just has a pretty shitty situation going on that won't go away, and Kenny would treat it as such. All that Kenny needs here would be emotional support & someone who listens to & believes him, and I think Butters would recognize that.

Think of how Butters comforted him in "Major Boobage" when Kenny was addicted to cheesing. Butters definitely has the stuff to be an emotional crutch when he sees someone in distress, like in "A Boy and a Priest" or "Worldwide Privacy Tour" when he reaches out to Kyle after he sees him upset.

He's much less anxious and paranoid than people give him credit for, because most of his panicky moments are usually sparked deliberately by Cartman or his parents with unnecessarily scary threats of consequences that he's sadly learned to believe to be true. But Butters is actually awesome at emotional support, without letting the other person's problems get to him. He's more so than a rational problem-solver, which is where Kyle's strength lies, and is the reason Kyle isn't the person Kenny can confide in for this particular problem.

Butters, however, would be perfect. Kenny's problem doesn't need solutions, he needs someone to listen to him, believe him and maybe give him a hug so he can cry a little (a lot). And we've seen Butters is an incredibly emotionally intelligent guy, especially in the episodes "Raisins" and "Butterballs".

For all these reasons, I highly doubt Butters would get paranoid and stressed over Kenny's curse. Especially because he'd recognize there's no use in stressing about it, and I think he'd know right off the bat what Kenny actually needs.

Now, allow me to introduce a different hypothetical where your theory could definitely hold truth; another fic wip I have (sorry) where Kenny loses his immortality and develops a panic disorder. The premise is that Kenny can't stop seeing possible death causes anywhere he goes, and with his immortality gone, he's in constant fear that he's always on the verge of death.

(screenshot from season 3's "Tweek vs. Craig")

In this particular fic, Kenny and Butters are already together, but Kenny's never told him about his curse, or that he's lost his immortality. So when Kenny starts panicking about all the ways he thinks he could die, Butters mirrors this fear and unknowingly makes everything worse for Kenny, because he's accidentally reinforcing Kenny's irrational fears.

What I'm saying is; Kenny could very well THINK Butters would be stressed and paranoid if he knew about Kenny's curse, based on reactions Kenny's seen Butters have whenever Kenny is scared about a possible death cause. He could accidentally give Butters fears that Butters didn't have before because, again, Butters MIRRORS these kinds of emotions when someone convinces him it's rational/threatens a consequence that is supposed to inspire fear.

In these kinds of scenarios, your theory could very well hold truth. I think it's an interesting darker side to Kenny and Butters' possible dynamic, and I'm happy you pointed it out. I'm also excited to get that fic I mentioned out someday and hopefully spark more conversation about Kenny's possible anxiety issues originating from his curse >:)

[loonysama]

I have to agree with everything above. I'm not saying the fic that made me want to stop writing was just because only 1.75% of hits got kudos, but I'd be lying if I didn't say how much that hurt, especially for imo one of the best fics I've ever written that I was already barely able to write due to such small kudos to hits ratios lately. I get that it might not have been something everyone was into, but damn. It made me feel like shit. I'm so grateful for everyone who has supported me over the last few years - especially those who have created art for my fics and read and left kudos on everything - but I think the sting of having my writing be unliked by so many people has been really hard to get over. It shot my confidence and I've had trouble writing ever since. And over the years, I have known several writers who have stopped writing altogether because of this, and even left the fandom because of it. I do not plan to do either, but to be honest, it has been a struggle not to be able to do something I really love doing because it just made me feel so bad to do it.

I wish so much that readers didn't use kudos as a measure of how much they like something. I wish so much that it meant, "Hey, it's so cool that you worked so hard on this so I could devour more content about my favorite ship without paying for it," rather than, "This was amazing, one of the most amazing things I've ever read, so I'm going to reward you with the coveted heart of approval I only use to let the most special of writers know they're the best because they deserve it more than everyone else." This can create competition amongst writers when there really shouldn't be. And more than anything, I wish I could just turn kudos off altogether, but I can't because every single kudo I get lifts my spirits just a little, and that's a really hard feeling to walk away from, even though I suspect most of them come from "guest" bots.

It is a dark truth, and writers aren't really allowed to talk about this because we are supposed to be so grateful for every single heart, and talking about this makes us come across as entitled. We provide a free service for our readers, and I consider a kudo to be a way to acknowledge that, and it costs readers absolutely nothing! In the US, we leave money in tip jars for practically everything. Kudos are tips you don't have to pay for. And it's not like anyone's keeping track and judging readers for leaving hearts for fics that might not be the pinnacle of greatness in their opinion. That's what bookmarks are for, and they can be made private. However, people do judge fics for not having that many kudos and some will skip over fics if the kudos-to-hits ratio is too low. So instead of rewarding only the very best fics with kudos, not leaving kudos actually hurts writers. Not to mention the very personal cost of putting ourselves out there and making ourselves completely vulnerable for everyone to judge us against our fellow writers. Many writers write about very personal things, and tbh, not getting kudos can feel like it's not just our writing being rejected, but ourselves.

So if anyone wants to accuse writers of feeling entitled for being upset about not getting enough kudos, please consider how entitled readers who don't leave kudos are for reading our free labor and not clicking a freaking button (that costs them absolutely nothing) in acknowledgment of the service we happily provide, and how ungrateful they are for not appreciating what we do. We don't have to post our writing. We could just "write for ourselves," but we don't; we share what we write with our readers because that give and take relationship should be rewarding for both writers and readers. But not getting kudos does more to discourage writers from writing altogether than to encourage them to provide more content. You wouldn't pay for a fancy coffee or overpriced cocktail drink without leaving a dollar in the tip jar, would you?

So at the very least, I wish people would stop making writers feel guilty for feeling this way, and I wish writers wouldn't buy into this way of thinking rather than valuing all of our hard work and countless hours that go into writing fanfic. Our feelings are valid; we're allowed to feel like shit when our hard work and vulnerability go unacknowledged for the mere reason that it was judged against someone else's work and found wanting. Wouldn't most readers feel that way if it was the other way around?

Is leaving kudos on fanfics not common courtesy anymore?

Something I've noticed on AO3 in the last two years is the lack of kudos and comments left on fanfics.

Fanfics have an increasing number of hits, but their kudos and comments remain minimal.

I understand that leaving comments is daunting, but kudos is the easiest thing you can do to show support and appreciation for an author.

Part of me wants to blame BookTok and the commercialized consumption of books.

Readers are more demanding and impatient for content, but they're quick to move on once a book is published. It's a constant demand for 'More, more, more' without appreciating and/or supporting authors. And these readers are now getting into fanfic.

I don't want to complain because it's not productive. But if you're new and getting into fanfic: Support writers.

Support means leaving kudos on AO3, and if you're able, leaving a comment. It's simple courtesy.