#but i do know about it lmao that's not a joke

[cheyisagirlkisser]

Hello I was wondering if you could do Jackson ellie x bestfreind reader and like they have had a crush on eachother for a while and have a sleepover where they smoke or drink maybe or play some type of game like truth or dare and find out they like eachother and get kinda freaky idk. Thank you!

EEE I am so excited for this one watch me cook on this request. This is a rlly good request and I wanna write something just as good!! Also I want to recommend you an ao3 fic with this EXACT plot it's tagged here actually my favorite Ellie fic ever.

Content: 4k words, bestfriend reader, Jackson setting, pent-up feelings, nipple-play (r! receiving), fingering (r! receiving), tribbing, Ellie puts a finger into your mouth how fun!, a lot of dialogue before the actual sex sorry but I loved writing Ellie to be funny, reader likes pink a lot (couldn't help myself) and is afab, reader and Ellie 18+, NOT PROOFREAD LMAO

You're far from safe from liking people you shouldn't like.

That doesn't even cover the multitude of feelings! Like doesn't cover it. You're pretty sure you love Ellie.

Maybe in another lifetime, you and Ellie could've met and went on a date. You could've loved her freely. In this universe, she is your childhood best friend.

You know it could ruin the best thing that has ever happened to you if you tell her, or if she finds out in some way, but fuck; when she looks at you, it's like you forget how to breathe. You just wanna breathe her in, you want to share the same air and feel her lips on yours.

Ellie is unlike anyone you've ever known. She's sweet for you. She's impulsive to others, and honestly sometimes an asshole. That only makes you fall more and more in love for her. You didn't know it was possible to be attracted to someone's flaws, but you want every piece of her, even the bits that others in Jackson label as "annoying."

Ellie has always been there for you since you were just 15 and she moved to Jackson right by Joel's side. You just seemed to click. She was brash, foul-mouthed, and told ironically funny dad jokes. You were the type of person who liked having adventures and never shut up. Ellie always listened. She held you while you cried, let you borrow her book of puns, and volunteered to do patrols with you just so she could have fun adventures with you.

You couldn't ruin a good thing. You don't know what you would even do without Ellie in your life. You didn't wanna freak her out or make things weird. You feel like such a coward, but even thinking about Ellie distancing herself from you because of your stupid crush on her? It just makes your stomach churn with dread.

Little did you know Ellie was equally obsessed with you.

You're like a fucking ball of sunshine to the girl, always there laughing at the stupid things she says, defending her when she gets in trouble for something minor, and your smile should be considered warfare for how easily it could kill her. She tries to keep her feelings to herself, but it is so hard to when you look at her with bright eyes and the sweetest smile like you're trying to give her a toothache.

It's a recipe for a bomb, and it only takes one game to set it off.

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You're sitting criss-cross on your bed and Ellie is in your floor. It's a Saturday, which means both of you get to have a sleepover. No patrol, and no major chores to be done around Jackson.

Ellie just got back from a multiple day lasting patrol and she missed you so much while she was gone, it's not even funny. Seattle is beautiful, but boring when there isn't a sunshine girl in awe about how the verdure clings to the buildings. But at least now she is here, back in your bedroom which she loves so much.

Ellie's room is vastly different from yours. Well, her garage is. Her bedsheets are grey and minimalistic, and her make-shift kitchen is lined with posters. Her favorite is the one with the punk green-haired man holding a guitar. Her closet, however, it quite impressive. Her shelves are lined with comics and space movies, and her hangers are lined with flannels, of course.

Your bedroom, in contrast, has white bedsheets and a cozy pink blanket. You have a few raggedy plushies from scavenging around and your shelves are filled with lighter-colored clothing. White curtains decorate your windows and frilly pillowcases (that end up in the floor most of the time) compliment your bed. You have a full-length mirror in the corner of your room and a shelf of DVDs you usually just bring over to Ellie's garage, since she has a much nicer tv than you do. Ellie glances up at you from the floor, squiggling her eyebrows.

"I'm so fucking bored!" You groan, making Ellie laugh in the process.

"And how is that my problem?"

You flip her off and she clutches her stomach.

"Seriously, Ellie. I wanna actually do something and not just eat grilled cheeses and read your nerdy comics."

She scoffs.

"Excuse me? It's not my fault you have bad taste in literature."

You snort at that. "Starlight Savage and Raven Mouse are not literature."

"Oh, then what are they, huh?" She stands up, amusingly offended.

"Comics!"

Ellie grabs one of your pillows and pretends to suffocate you with it. You're laughing and trying to pry it off of your face.

"Hey, quit! You're actually gonna kill me!" You giggle, your voice muffled from the cushioning.

Ellie finally relents, laughing along with you.

"Better think twice before disrespecting Starlight Savage." She is wearing her signature shit-eating grin.

"Oh, whatever.. Hey!- You got me off topic." You groaned.

Ellie laughs at that. "And what was the topic?"

"I am bored out of my fucking mind," you complain, your voice rising in pitch to sound whiny, which she pretends to absolutely hate.

Really, she just hates that it makes her stomach clench when she hears your cute complains, and the tone of your whines only makes it worse.

"Okay, okay, fine. We can do something fun." She feigns reluctance, setting down on the bed beside you.

"Great!! So, what should we do?"

"Seriously? You don't even know what you wanna do and you gave me whiplash bitching about being bored?"

You scoff, jumping to your own defense. "I was tryin' to get you to come up with something," and then you add to complete your argument, "I wouldn't be bored if I knew what we could do."

Ellie sighs, and you smile because you know that means she has had enough of your bullshit and she just wants to throw in the towel.

"Fine. Well, we can play a game perhaps?"

You groan in protest at the suggestion. "You're a dirty cheater when it comes to Monopoly!"

Ellie only lets out a sheepish laugh at that, because she knows that you're being 100% truthful. "That is what makes the game fun!" When she sees your glare, she sighs once more. "Fine. How 'bout Truth or Dare?"

That sounds intriguing; the game begins.

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You and Ellie sit across from each other, and the game has been going on for around 10 minutes now. It's getting quite boring - always questions like "What's a secret you haven't told me?" or Ellie dares you to do something she knows you won't do, like lick the toilet bowl.

Then, she asks a question that brings the game onto another level.

"What's your favorite sex position?"

You stare at her, your jaw practically in your lap. You don't wanna talk sex positions with the girl you secretly wanna do sex positions with.

"What the fuck, Ellie?!"

She looks a bit guilty, but shrugs with a smirk that doesn't go unnoticed.

"What? I wanted to spice things up. C'mon, don't be a pussy."

You think it over, but finally, with a heated face, you say fuck it and give into her bullshit. "Missionary."

Ellie bursts out laughing.

You're sitting there not knowing what to do! She is laughing like a hyena at this point, tears in the corners of her eyes. She slaps her knee. What the fuck?!

"What's so funny?!"

Ellie just laughs, falling over and she is snorting like a pig now before she finally settles down. "It's just.." she tries to stifle a giggle, "that is the most boring thing you could've possibly said.”

You know that, but you're keen on defending your word. Ellie loves that about you, how you're always quick to stand up for yourself. "It's romantic!"

"Okay, okay," she shrugs. "Enlighten me on how missionary is more romantic than any other position that actually feels good."

You don't hesitate to list off the facts. "First of all, it does feel good! You just haven't tried the pillow method. Second of all, you can kiss your partner and actually talk to them." You sigh, getting a bit flustered (and turned on) by the conversation at hand. "Imagine fucking someone and getting to kiss all over their face while doing so, or on their neck or their tits. It's about the intimacy."

Ellie looks just as flustered as you now. She is silent for a moment before giving you the benefit of the doubt. "Okay, I guess you can rest your case now. But there is much more intimate positions than missionary, you know. You're just thinking vanilla ones like riding the strap-on, or from behind."

You raise an eyebrow at that. "Okay, I'll bite. What's more intimate than looking into someone's eyes while they cum?"

Ellie laughs at your vulgar question, pink tinting her freckled cheeks. "Tribbing." Her voice is more quiet, and that only makes you more aware of the slight tension.

You quickly brush it off with a laugh.

"Of course your gay ass would say that."

She grins and sits up at that, quick to defend herself. "Hey, you have no room to be talking, little miss 'my gay awakening is Rose from Titanic.'"

Your jaw drops and you look at her like she has said something crazy. "Hey, Rose is hot!"

She giggles. "Yeah, Sherlock, thanks for pointing out the obvious."

You roll your eyes. "Okay, okay. Can we get back to the game?"

She nods, and it continues.

As time passes, the questions grow more and more...uncomfortable to answer. You're still asking her the more casual things, but Ellie is daring you to do stupid, impossible stuff, or to answer questions like "what was your first time like?", "do you have a friends with benefits situation with anyone in Jackson?", and "if you could kiss anyone in Jackson, who would it be?" (which you brushed off jokingly by saying old man Eugene. She didn't press any further, only mocking you).

Then, she leans forward after you choose truth, and she whispers something you can't really brush off.

"Who do you like?"

You're fucked. If she asked "do you like someone?", you could answer without revealing who it is. She knows she has you trapped. Sneaky cunt.

You don't answer right away. Ellie is so close, your knees touching. The air in the room is insanely hot, and you want to leave your own house, you want to hide under your blankets or cover your face, but you can't.

Ellie doesn't wait for you to answer.

"I know you like someone, I can tell when my best friend is in love. Who is it?"

"That's way too personal, I.."

She scoffs, but it's not a rude sound. Just shocked, maybe slightly hurt. "You have always told me your crushes. Why won't you tell me now?"

You feel guilty now because she doesn't understand. She doesn't get why you won't tell her. She can't understand that it's because you like her. You want to scream it: I'm in love with you, Ellie! But those words won't be the next you utter.

"I just...I feel like this time it should be private." You know that your reasoning is weak, for once in your life, the defense is slipping and it's ugly. You internally wince.

She just stares in silence, not really meeting your eyes. It makes you panic, and then, then the words slip from your mouth seeing the hurt on Ellie's pretty face.

"It's you."

She stares at you like she didn't quite hear what you said, even though it was shaky, nevertheless loud and coherent.

"What...?"

"I..I'm in love with you, Ellie." You repeat yourself.

She leans into you. "Fuck.." Her breath hitches. "You better not be fucking around with me, I swear to-"

"No!", you shout loudly and quickly try to compose yourself. "I mean..I'm not joking. I like you. I hope this doesn't fuck with our friendship, or like.." You trail off, not wanting to think about what could happen now.

"I'm in love with you, too." There, now Ellie has gotten it out too.

Ellie didn't even fully understand why she asked you that. She knew she could've gotten her feelings hurt, that you could've liked someone else or that it would definitely mean you did like her, and then she had to be vulnerable and confess it back. Still, she was so exhausted, so fucking tired of pretending like hugs and casual touches were enough. They were never enough.

"Can I kiss you?" She doesn't even give you the proper time to react to her shared confession before she springs that onto you. You don't complain, only nodding quickly.

Her breath is warm against yours, and you can tell how shaky it is. You've never seen her so nervous, it makes your own stomach flutter with butterflies. Then, Ellie's grasping onto your face and smashing her lips against yours. Her mouth is warm, and the kiss doesn't even start out gentle. It's all devouring, all need and passon.

You quickly move into her lap, thighs on either sides of hers, and both of you are desperately pulling each other closer, finally sharing the same air. She tastes like everything natural, something so unique it can't be described but you immediately know you need more of it. Her tongue moves inside of your mouth, devouring you just like how she has been dreaming of for who knows how long, and when you're forced to pull away for a breath, her lips are sloppily trailing down your jaw to your throat, her hands grasping your hips to pull you closer.

"I've wanted you for so long, you know that?" Her voice is warm against your sensitive skin, and you think you could just burst with how it feels to be practically intertwined with her.

"Show me how it feels, Els.." You gasp and tilt your head back for more, but Ellie pulls away to look at you.

"How what feels?' She doesn't sound rude, only confused with her lips swollen and wet.

"The intimacy..the intimacy you talked about.." Oh, that.

She nods quickly, and her mouth is all over your shoulders, leaving soft pecks between words, "We can do that, but I wanna do something first..is that okay?"

"Yeah, go ahead."

With that, she pulls your shirt over your head and stares at you like she has never seen a pair of boobs before. Her eyes are wide and she takes you in before her.

"You're so pretty," she mumbles with conviction, kneading your tits through your bra. You can only moan when she sticks a hand into your bra and rubs her palm over your nipples, her other hand deftly undoing the clasp of the fabric.

That was the hottest thing you could do for a woman, Williams..

Her lips quickly find a nipple, pulling it into her mouth to swirl her tongue around the bud. Your fingers tug at her hair, begging for more. You need her closer. She reluctantly pulls her mouth off off of its new favorite place and leans back up to face you, planting an affectionate kiss on your cheek before smiling sheepishly.

"I'm gonna say something I want to do to you, but you can't laugh.."

That makes you already giggle, despite the heat building between your thighs. That is something you love about Ellie, the way she can make you laugh even when you aren't supposed to be.

"I'll try my best. What is it?" You ask, and she fiddles with her fingers nervously.

"I wanna use my fingers on you," she says it so quietly, voice nervous but filled with hunger before she quickly adds, "if you want me to. It's okay if you don't wanna go any further-"

"I want you to finger me, Els."

That was easier than she thought it would be.

She nods now, slowly unbuttoning your jeans and watching with an intense gaze as you hop off of her lap to shimmy them off. Now you're in nothing but a cotton pair of panties and you look so gorgeous.

Ellie has always found you to be beautiful. During patrols and on lookout, your hair had a shine to it that most people wouldn't care to think too much about, but Ellie always noticed it. Ellie always noticed the way your lips parted when you were zoned out, or how you walked like you always knew where you were going even on the paths that were mainly uncharted. You were so lovely-looking.

Now, nearly naked for her, she doesn't know if she can bare to blink even for a second. She is currently having a never-ending starting contest with your body, and she has to stop herself from pouncing on you. She wants to love you, not just fuck you.

Ellie is on her knees between your legs, hooking her fingers into the waistband of your underwear. Her eyes flicker over your body before looking to yours for confirmation.

"You sure you want this?"

"Please, Ellie. I want you." You know you sound desperate for her, but it can't be helped. You were soaked through your underwear, clit beating with need, and Ellie is just eyeing you like she wanted to devour you. She probably would, but she wants to save your clit for later.

She nods and slips your underwear down your legs, pulling them off of your ankles and throwing them behind her. The action made you giggle, but Ellie quickly squashed your outburst.

"Somethin' funny?" She asks, slipping a finger through your slick folds. You gasp and jolt.

"Hey, where the fuck is the warning, you cunt?"

She has to stifle her own laugh at your outburst, but she is growing tired of the cute giggles; if you laughed one more time, she'd be fucking you until you were limping-

"Sorry, pretty. I'm gettin' impatient." Her tone mkes you involuntarily clench. You rarely hear that tone, the serious one when she is either around someone she doesn't know and is keeping it professional or just not in the mood to joke. Now, you discover it's her horny tone, too.

You nod, tilting your head back to rest it on your frilly pillow. Finally, she slips two digits past your lips and you resist the urge to let a whorish whine slip past your lips. When she easily slides into your heat, you then can't resist.

Ellie's eyes are glued to your pussy like it's magic, watching your hips try to rise for more, feeling the way your walls tighten around her intrusion.

It's too much for her poor, fucked head to bare.

She is already as wrecked as you are. She wants to taunt you for the way you already look like you're going to cum from her barely brushing at your spongey g-spot, but she can't. She is probably in rougher shape right now.

"You feel so warm." It's all she can manage to get out, and she curls her fingers inside of you into upward, making you moan.

"I wanna cum, Els..please, more. Give me more." Ellie has never seen you this dumb for pleasure before, but who is she to deny you?

Her fingers aren't thrusting in and out or finger-banging you, just slowly sliding through your cunt, her fingertips stroking where you need them to. You feel so full, so complete. You hope she does this every single day from here on out.

It doesn't take long to get you into a state of complete bliss, and you haven't even climaxed yet. Your legs aren't clamping down, rather spreading wider as if you're begging for her to take you in the most obscene ways possible, fill you up with more than just her fingers. If only she you two were currently at her house, she has that unopened strap-on box... maybe for another day.

The knot that builds in your stomach, the temperature of it overheating your insides is about to snap. You're begging as if Ellie is teasing you or something. You're whining, and you look like you're about to start sobbing if she pauses her pace even for a nanosecond. She just wants to gives you everything, thinks you deserve the whole world, so she leans forward and intertwines her fingers with yours as her other fingers pump deep inside you, and you swear it's rearranging your guts. You wanna be wrecked so damn badly.

"You keep fluttering around me, gonna cum?" She asks, and you whine and nod.

Your orgasm soon hits you like a tsunami, once in a crash and then it simmers throughout you in waves. This is probably the hardest you have ever came. You gasp onto her hand tight, squeezing her fingers. You can't even speak or you'd be howling her name. It feels so euphoric and you wonder how it can get any better than this.

When you come down from the peak, she eases her fingers out of your tender insides and licks her ring finger clean. Then, she settles her hips between your legs, bringing her soaking middle finger to your lips.

"Open up."

You do so without question, tasting yourself on her digit before she swiftly pulls her finger away with a "pop!"

"I taste weird," you mumble and she rolls her eyes, mumbling a little "fuck you" before sitting up to strip out of her flannel.

You feel maybe a little nervous before. Something about the thought of feeling her in such an intimate way makes you feel even more fluttery inside. You've been with women before, you are far from a virgin, but you've never clashed clits before (omfg what). Most girls thought it was just a porn thing.

"You okay?" Ellie pauses, her flannel on the bed and a black t-shirt layer underneath it.

"Yeah," you mean it, "just a little nervous."

Her eyes soften, and she takes your hand and squeezes it. "I promise I'll be slow with you. I'm not gonna rush you into this, and if you want, we can always stop."

You feel more assured now, and you smile. "Okay."

When she finally strips out of her clothing, you take her in. She is breath-takingly beautiful. Her body is pale but covered in tan freckles, and her nipples are perky with arousal. Her shoulders and collarbone look so fucking kissable. You're still in a daze as she hooks a leg over yours, her warm cunt only an inch or two away from yours. She hovers.

"You ready?"

"I want you, so yes."

That makes her smile, and she slowly eases down onto you, her folds rubbing up against yours and both of your neglected clits finally getting the attention they deserve. Both of you are already moaning and Ellie leans down onto you, her tits brushing against yours as she kisses you deeply.

This kiss is slower than the first, less desperate but just as emotional. It's hungry and consumes you in a sensual way. Her hips grind against yours, her slick mixing with your soaked pussy to make you only whine into her mouth.

Now you understand how intimate this is. You feel so connected to Ellie in a way you hope you never get to feel with anyone else. You wanna always be this close. You think that even after this ends, you'll feel that tie to her body and heart, always leading you back to her.

When you both cum together, it's much different than what she gave you before. You can feel her tense up with you, hear her shaky breaths and moans, and you feel a warmth inside of you reminding you that she feels this way because of your pussy, because of her feelings for you. It's making you obsessive to feel this way.

When the high fades, she collapses on top you. You're both breathing heavily for a few minutes. Her breath is against your neck and it feels like a kiss. Your brain is thinking of something stupid now that the horniness is over.

"Isn't it obvious that I'm your girlfriend now?"

Ellie laughs and squeezes you tightly.

"Yeah. You're my girlfriend now, and I'm not letting you go."

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[ghouljams]

In the myths Hephaestus and Aphrodite are married so the other gods don't fight of her!!

Imagine Ghost and Soap dancing around one another because Soap thinks Ghost doesn't want a god like him while Ghost is head over heels but has a terrible love life despite being the god of love (lmao)

Soap knows that Ghost didn't marry him voluntarily so he "gives him space"

Soap runs off to his workshop and Ghost thinks "Oh no he hates me" and avoids him in return which only complicates things more

(Ehehe rubbing my mythology nerd hands together)

I know!!

Hephaestus!Soap who's a little deaf from the bang of hammers in his workshop, who's loud and dirty and generally not allowed in the hallowed halls.

Aphrodite!Ghost who's beautiful, but takes one look at the gods' relationships and wants nothing to do with it. Rebuking every attempt to woo him until Price "marries" him to Soap just to keep the peace.

Ghost and Soap having no objections but only because they assume the other will put up some sort of fuss about the marriage. Soap spending hours in his workshop making trinkets and trophies for Ghost. Ghost taking the mask Soap made and making a joke about "You know most people like lookin' at my mug." And Soap can't admit that he's getting no work done with how much he stares at Ghost.

Soap dropping off a gift and running away.

Ghost feeling his heart clench and shutting that shit down immediately. Keeps having to zap the love away but every time Soap scuttles over with some new knife or contraption it bubbles back.

Both of them avoiding each other so much that rumors spread of Ghost having an affair. Somehow Soap doesn't believe it.

[impactrueno]

Hi! I really love your comics, and art in general! Your Hey Arnold and Simpsons stuff was fire, and I've been loving your Beetlejuice comics (Lydia and Juice's falling out got me tearing up lmao) As far as your Beetleverse comics go - idk if this is something you've mentioned somewhere - I know they're probably meant to be, like, separate canons and stuff, but if they were to take place in the same kinda "timeline", what would the order of events be?

Does CartoonLydia meeting older MovieLydia - a Lydia who's had some really negative experiences with MovieBJ and preaches that ToonLydia SHOULD NOT trust ToonBJ - have any impact on her getting fed up with her BJ and breaking it off with him?

Again, thank you for making these comics - they're dope as hell, and I'm excited for what comes next!

thank you so much!

the beetleverse comics are just a "what if" where we pull each duo out of their respective canons (unceremoniously) and force them to be in their little white void enclosure that i made for them lol

so the events in the story i'm currently doing haven't been influenced by any of that. but if they were to take place in the same timeline, it'd happen some time before the end of the show (maybe even before season 4,) and i think movie lyds telling her to be wary of toon bj would make her doubt herself and her beej for a moment, but then would be proven wrong or realize that movie lydia was wrong about him. and this would not make sense in a real life situation (in fact, it would be concerning) but here's the thing:

something i've found interesting to think about with the beetleverse comics is that each duo operates on different logic. movie lydia is closer to real life logic aka "why the hell are you letting this child hang around so closely with this weird old man" but cartoon bj and lyds work under saturday morning cartoon logic, meaning none of the things movie lydia is fearing would ever happen, because it's a show for kids. so in their little universe, cartoon lydia is perfectly safe with her beej, who as we all know would sooner die all over again than to cause her any harm, so she has nothing to fear. they'll just be best friends forever (with a few bumps along the road of course) and that's it. movie lydia can't even wrap her head around that.

now going back to the current story of them 30 years later; i'm still writing them under cartoon logic for the most part, but with a bit more realistic flavor. so their relationship is still too weird to happen in real life, only now we're seeing the consequences of the friction between them that was already there in the cartoon, and he can't joke his way out of this one or have silly incidental music and sound effects to lessen the blow. movie lydia's warnings wouldn't have had much of an effect on them because this was something that was going to happen either way, and cartoon lydia's problem with bj was never "you're a creepy old man why are you obsessed with me" (real life logic) and more so "you're supposed to be my best friend in the whole world but all i do is babysit you and solve your problems for you while you try to scam some sucker out of their money and i've had it" (cartoon logic)

i hope all that makes sense lol

[iwantmochisoup]

mochi soup's sappy happy crying session

i'm so sorry, please bear with me, but i really need to be super sappy rq. (it's gonna be a long one, so imma add the read more here)

i just recently hit 10k likes and lost my shit over it qwq;; i was overthinking a lot, i wanted to run away, and it kinda hit me because honestly, i don't think i deserve all this ;; like i'm just being silly on here and having fun ;;

but that aside, i have been thinking how to properly say thank you, since words are really hard for me (wow big shocker ikr lmao) but i realized it's thanks giving, despite me not being from america i saw all the love today and i thought maybe i can try, this time, to put it to words. (i'm sorry if i don't make sense at all, and honestly don't mind me honestly, i've always been super scared of talking on here but i need to ramble)

so, idk how to start this, i honestly quit art for good like 4 years ago, won't comment on it but this year i tried to pick it back up. i am so scared of people, especially online but i thought why not, so i made a lil acc on here, i wanna say i'm so lucky to have met you all and seeing people like my art, seriously it's what keeps me going. (that sounds so sappy but for what feels like the first time in my life i am genuinely being myself and i am so happy idk what to do) this is way too long of an intro...

i'm gonna start off my twin of course, it feels fitting hehe ;; so, @saltedbiscuiit you know how shit i am at words, and you know how thankful i am for you, and we talked so much about it already so i'll try to keep this short ;; i am genuinely so happy to have met you, kinda feels like it changed my life back then, it honestly hasn't been that long really, since the art trade back in july, i honestly feel like i found my other half (that's so sappy pls don't cry but i'm being honest) thank you so much for everything, you do so much for me, even if you don't know it and i am honestly so so grateful and happy. thank you so much <3 hehe, salty soup salted mochi

the next one is @cryptid-juzou we just recently met, but i fell in love with your writing, almost instantly!! you're such a great friend, and it's sm fun talking and playing games with you!! and i'm so happy and grateful to have met you!! Really, thank you so much for all you did for me and for accepting the collab! To be working with you on our thing (i won't go into detail, yk big surprise and all) honestly, i'm so so happy and i can't wait to finish it!!

next!! @k-aez !! you've been haunting me in dreams, scolding me and i still think about that raw chicken art you did. okay jokes aside, i'm so happy to have met you and i feel the need to thank you like forever for creating the server and everything you've done. you've been supporting me and pushing me to get out of my ass and kept encouraging me sm. i can't put it into words, but i will be forever grateful for everything!

big big thanks to @ohhcinnybuns, @anticidic and @ediblepandas ya'll have been feeding my brain so many good ideas and enabled some brainrot i will thank you forever for. cinny, you know how much i love your fics and your massive brain in general, i'm so happy i was brave enough back then, and did some art of your ideas, idk if i would even tried to join the server if i didn't see your reblog. rosie, you know how much i love your fics, i'm not about to fangirl in public but i'm truly thankful, you've inspired me so so much, i love with your writing, your kitsunezai au and your scream in phasmo still is the best scream ever! pandas, hehe yk i need to thank you here too! your yapping about dresses and in general talking to you is so much fun! i love your brain sm! thank you so so much for enabling me so much, and please send me more dresses, i love them all!

and, ofc i have to give big thanks the chaos trio too @thatghostinyourbog @spccts & @msshinylemon !! yes, i'm calling you that, that name is fitting, shovel fight if you disagree, losers >:3 i have to thank you three a lot, ya'll are so fun to hang around and play games with, i seriously love what you all do, be it drawing, writing or just the way ya'll yap nonstop! it's sm fun hanging out and i love how we bounce off each other so well and ya'll inspire me so much!! also tysm @nolongerforthetainted for babysitting them!! i really love your writing sm and it's always sm fun yapping with you, and also pls make more coleslaw beds!! i need them! but honestly, thank you so much, i am so happy to have met ya'll and i always look forward to talking and hang out with ya'll!!

WAAAAA THAT IS SO LONG OMG BUT!!! I also need to thank each one of you, all my moots and everyone that just takes their time to look at my art, leave a like, reblog, comment what ever really, i appreciate each and every one of you so so much! thank you all so much, from the bottom of my heart, i can't explain how much it means to me! i also want to give a lil thanks to @noakiie @nevertheblood @altruistic-meme @artsyaudience @konbupie @jellyphink & @lethargyinafishbowl i wanted to tag more but i'm so sorry but i'm too scared, really ;;;

idk how to end this, honestly, i feel like i wrote too much and rambled way too much. i guess i'm just gonna-- *runs*

WITH MUCH LOVE AND A BIG HOP STEP JUMP -mochi soup

[mysteryanimator]

Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!

Breaking down episode 06 / Breaking down episode 08

(Word count 6.3k I am so sorry HAHAHA)

I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.

By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.

(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)

To introduce people who may be reading my analyses for the first time:

I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!

These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.

Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.

--

Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.

Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.

The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.

I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds

We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.

This is a subversion.

Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.

(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)

The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.

Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.

This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).

This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.

It's simple.

It's straightforward.

It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.

The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.

It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.

The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.

This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.

This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.

Now we're actually getting into the meat of their actual discussions, knowledge, if you will.

By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.

This midshot of Mizrak's back is so much important then you think.

I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.

Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.

You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.

It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.

This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.

Olrox is right.

Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.

Close-up shot of Olrox!

Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...

(drum roll to the next shot)

This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.

He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be

VULNERABLE!

By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.

Mizrak though?

Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.

Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.

Multiple.

Times.

This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."

What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."

The stark difference here is crazy in this medium shot.

Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.

Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.

Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.

Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)

Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.

This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!

This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.

Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.

And they both look horrifically sad. An emotion we have not seen either of these characters make.

This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.

This one specific close-up is very important because it comes back to us in episode 08 and episode 06.

It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.

The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.

A moment that Olrox has to go through once again for episode 08.

In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."

This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.

I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.

So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.

While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.

Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.

Which while we're at it:

He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA

Ok lets jump back to the bed scene!

So this follows up the "So we use our heads." "Or lose them."

This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.

Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.

Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.

Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.

Props to everyone who worked on this shot he just looked really pretty here.

This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!

He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.

Also thank you to everyone who worked on this shot, Olrox is very pretty here too.

Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"

Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.

This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.

This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...

This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.

This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.

He's reacting to the conversation unlike how he has before.

Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.

Lol you thought I was done talking about divides and boxes, you are WRONG.

Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.

Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!

I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!

Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.

Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.

Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.

Ok, I have to skip some more shots to get to here.

"One God. And you think he can protect you?"

This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.

Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.

Psalm 102:19 NIV: The Lord looked down��from his sanctuary on high, from heaven he viewed the earth,

Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.

There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.

Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”

Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.

(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)

Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.

It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.

To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.

Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB

(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)

If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.

A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?

Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!

Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!

[deny-the-issue]

More Emmrich and Davrin Shenanigans

Davrin: I heard a strange thing, Emmrich. Emmrich: It's simply not true that Manfred's doing my laundry. He got tangled in a bedsheet, and Taash mistook that for— Davrin: Not that. I heard you're preparing for some big necromancy rite. Rook: I didn't say anything. Emmrich: I believe you, Rook. But how… Davrin: You talk out loud to yourself a lot, Emmrich. Emmrich: Ah. Oh, dear. The rite is a difficult delicate thing. I promise to explain it… if I succeed. Davrin: I get you. Good luck.

LMAO Emmrich! I would do anything to have seen that interaction with Taash, Manfred, and the bedsheet. But I am fixated on this conversation for another reason.

Emmrich's last line is honestly the funniest thing to me. He promises to explain Lichdom to Davrin if he succeeds, but if he fails he will be dead????

The man is willing to joke about his greatest fear just to sass Davrin. And the fact that only Rook knows is the cherry on top 😂

[jules-ln]

Didn't know if I should make a post about this because there are people already talking about it but what the hell lmao

Personally; I'm something of an Ace myself (I'm Aegosexual AND Pansexual because I can do whatever I want) so let me tell you, what Christian Linke is doing isn't right

I'm going to stop spinning Viktor in my head like a Rubik's cube for a moment because what in the JK Rowling levels of bullshit is whatever Christian Linke is saying

I'm not so much mad because he's trying to get people to stop shipping JayVik, I'm mad because he's throwing Asexual people under the bus to justify his shit

If Christian Linke wanted to talk about Asexual representation, the right time to do it was when the show was being written so it could be incorporated into Viktor's characterization, you know, maybe not make it a central part of it, but at least acknowledge it in the show. Heck, even a joke would've been good

But that didn't happen, you know why? Because it's something Christian Linke made up during a random interview to get people to stop interpreting Viktor and Jayce as Queer, and that isn't representation, it's just bullshit

And as other people have pointed out, being Asexual doesn't make Viktor any less queer, more than that; I think it's harmful to act as if being Ace negates any queerness Viktor might have when there are still Acephobic people today that don't accept Ace people as part of the queer community

Lastly, I swear this guy meant Aromantic and just mixed up being Aro with being Ace, because he hasn't fucking talked to anyone who identifies as either Aro or Ace ever in his life

But considering that Viktor line in the game that said "Neither friendship nor love will stop what's necessary Jayce" I think Riot knows what they're doing and they're willing the bait the hell out of all the queers to get more money. I just wish someone at Riot would tell Christian Linke to shut it already

Anyway the author is dead let's find meaning on our own without listening to the voice of "God"

[tmos-time]

Do you have any Erisol fanfic recommendations?

i can scrounge up a few!

come as you are by theressomanyusernames - humanstuck + college au, slowburn (46k, 2018, T)

theres a couple other erisol fanfics by this same author that i enjoy going back to as well, but this is the one that i can look at and go, "oh, yeah, no yeah, this writer had influences in how my headcanons evolved" lmfao. if your local legal drinking age is also +18, you can kind of let your eyes glaze over the underage drinking tag LOL

drafts by roundandtalented - humanstuck, established relationship (1.3k, 2015, G)

this one is just really a cute concept as a whole; i like going back to this to just get stupidly feet kick-y about the text drafts shown lmao. sollux isn't as entirely emotionally constipated as i like to read him being, but i can deal with it for a sappy fic like this <3

(don't) come home by halsey - humanstuck + college au (1k, 2020, T)

i keep coming back to this one because i happen to scroll past and go "oh yeah that one, that's fun and quick to read, ill look at it again" and then lowkey wish it was part of a multi-chapter fic lol

needed by roundandtalented - post-game + post-sprite, pale romance (2.6k, 2015, G)

one of the more prominent erisol fics that i think of when i think about pale depictions of them! simply fun when eridan is depicted as very caring lol

inconsequential august by avisceration - humanstuck (6.5k, 2013, T)

okay. if you've been reading up to this point going "well goddamn it cooper, i wanted awesome mature compelling fics that read like homestuck proper" idk man go read a urgaylol erisol fic. i skip sex scenes in erisol fics in particular so i dont know what you expect from me lmao. anyways. if you feel compelled to read something where eridan and sollux are repressed crass teen assholes who mention something sexful for the bit every other minute, i sometimes go back to this one to chuckle about the "grade-A dicks" joke

dreaming in binary by blacksparrow - no sgrub session au, helmsman sollux (51k, 2013, T)

its been about three years since ive read this one tbh! its probably for the better, its absolutely one of those fics i could binge in one day and get the bingereader's fatigue after, considering how good i remember it being. one thing i remember is REALLY being compelled by sollux's internalized ableism he expresses in particular in this fic. ill have to read it in full again sometime! i know a couple other people have been recommending it lately too lol

besides those, suppose i could also suggest looking through my own erisol fics of various qualities from the past four years if you havent looked already, i don't necessarily have any in particular i'd point out over the rest these days lmao

[blackenedsnow]

HII I was wonderin if you could write something for pickles the drummer where his s/o (gn) is possesive/protective of him?? I feel he deserves some doting I'd love to sucker punch Seth lmao

It can be a fic or hcs whatever is easiest pls and thank you 🔥🔥

pickles the drummer with a protective s/o ; headcanons

WARNING: None

PAIRING: Pickles the Drummer x Reader

NOTE: Hiii!! Thank you so much for this request—Pickles 1000% deserves some dotes, and Seth definitely deserves a punch or five, lol. Hope you enjoy this! Wishing you all the best!!

Let’s start with the obvious: you get it.

Pickles has that undeniable energy—he’s reckless, impulsive, and way too good at making bad decisions seem like good ideas.

But, man, he’s your reckless little rockstar, and that’s something you make known.

Anytime someone gives him a hard time (which is a often), you’re right there to step in.

Seth, especially, seems to test your patience.

The second he starts one of his “better brother” rants, you’re practically at his throat.

Pickles doesn’t even try to stop you.

He just watches like it’s a front-row seat to the best show he’s ever seen.

When it’s not family drama, it’s usually industry people looking to exploit Pickles’ talent or his tendency to… overindulge.

You’re sharp as a knife when you see them sniffing around him.

Whether it’s shady producers or party-goers trying to push something on him he doesn’t need, you have no problem cutting them off at the pass.

You know how people joke about those people who say, “They’re taken” when someone flirts with their s/o?

That’s you, but in the most unapologetic, territorial way possible.

Someone gives Pickles that look across the bar, and you’re sliding right up next to him with a grin that doesn’t quite reach your eyes.

“Hey, Pickles. You making friends over here?”

Nine times out of ten, the flirters back off.

The tenth time?

Well, they learn quick.

Pickles isn’t used to being looked after like this, especially since so many people in his life expect him to be a trainwreck 24/7.

It’s honestly kinda overwhelming for him, but he loves it.

He might brush it off with a joke at first (“Aw, babe, you don’t hafta scare the roadies for me!”), but you catch him sneaking little smiles at you when you’re not looking.

He LOVES how much you hype him up.

You think he’s gorgeous, talented, and worth fighting for, and he soaks that up like a sponge.

On his more vulnerable days, though, when life weighs heavy on him, that’s when your protectiveness means the most.

He’ll sit with you on the couch, his head resting on your shoulder, and you’ll remind him he’s more than what the world tries to reduce him to.

Oh, and if Seth tries to start shit again?

You’ve got a punch with his name on it.

“Man, you really do love me, huh?”

“Pickles, I would burn the world down for you.”

“Aw, babe, that’s the nicest thing anyone’s ever said to me.”

[bitkahuna]

Remus sat up straighter, seeing the boy’s distress and embarrassment. "While it’s good to … have normal teenage experiences, perhaps we do need to have a talk about safety."

Harry's eyes widened in horror. “No no no no no! I-I, it’s I- I know what condoms are!” He was frantic. This was probably the most thrown-off they’d ever seen Harry in his life. Hell, this was the most normal they’d ever seen him. He’d never been more of a normal teenager until now. “Please don’t do this to me.”

But Remus only laughed at the sight. “Who taught you about condoms?!”

“Seamus.”

“Seamus Finnigan?!” Sirius asked with wide eyes.

“N-No, this was when we were fucking thirteen! I- it was when I was figuring out I liked guys, and he said … he said the talk is different when it’s two guys, and this was before I had anyone taking care of me, so he was just trying to help.”

Remus leaned forward, his amber eyes warm with concern and amusement. "You shouldn't have had to rely on a peer for this. That's our job now. "

“What if I just pinky promise to be celibate?” Harry sank fully in his seat, hiding under the table.

Sirius barked out a laugh. "Nice try, pup. I'm afraid you're not getting out of this that easily."

“I’m going to drop out of school, and I’m going to sell drugs and do tattoos for a living if you make me have this conversation.” For the first time in his life, Harry Potter sounded like a normal whiny teenager with a normal family.

Harry's threat only made Sirius laugh harder. "Merlin's beard, you sound just like James when Euphemia tried to have this talk with him!"

“Well maybe he had a point!” He called back from under the table. “Look, I-I know consent and condoms, and I know to keep it in my pants and not be a dick, and anything is possible with enough lube and determination, can’t we say that’s enough?”

Harry was a teenager. He was a stupid. dumb, teenager, and this was the first dirty joke either had ever heard Harry make. Despite the context, it was delightful to see him acting like a normal, embarrassed teenager.

“Harry James Potter!” Remus choked on his wine, coughing as he tried to regain his composure.

Sirius, on the other hand, was howling with laughter. "He's definitely James' son!" He wheezed, wiping tears from his eyes.

The lycanthrope tried to put on a serious expression, but a grin tugged at the corners of his mouth. "I think we've created a monster, Padfoot."

-----

chapter 36 is gonna go fucking hard, too bad I'm only posting chapter 18 tomorrow lmao

[bat-the-misfit]

what if i told you guys i remember my life before this one huh??? that i know my name where i lived when i was born and how i died huh??? would you guys believe me if i said that???

[skeletonlover69]

what did you think they were doing (•ิ_•ิ)

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[art-from-the-juice-box]

wonderlust stuff :]

[juney-blues]

meat roxy is so funny because that whole thing is indicative of how homestuck is such a deeply transfem story that if you try picking a random character out of a hat to make transmasculine it's basically a coin flip as to whether you're overwriting a transfem narrative of some kind (and it's extra funny because the writers just so happened to roll Snake Eyes, Two Ones, critical failure, and did it to the character with perhaps the most blatant transfem coding of all time that just so happens to beautifully enhance her entire arc)

[kagoutiss]

green beetle black beetle