#but hey at least i was writing

[synthetickitsune]

today marks the first time in my whole life that i’ve filled an entire notebook and it feels strangely satisfying

[elv-arts]

I put him in hl2 hope that's alright lol. Hl1 is his brother's territory I decided. Mostly I wanted him to beat the shit out of a metrocop :)

He'll probably be fine. He's survived his life so far including one end of the world and his nerd brother's mad science antics. What's a little more of the same old bullshit?

I was just gonna do one or two doodles cuz I couldn't think of much. But then i was having fun :)

@bbg100

[karalovesallthegirls]

Kara has always dreaded the day she’d meet her soulmate. 

There’s relief in knowing she has one, of course. The person meant for her didn’t die with Krypton. That’s something! Even still, it’s hard to feel excited for the moment they meet, because that’s the moment Kara will hurt them. She’s had their exclamation of pain inked into her skin for as long as she’s been on Earth. In some ways it’s better. Most people have phrases like “good morning” or “hold the door please” as their soulmate’s first words. They have to endure hundreds of almosts, breath held just in case that stranger really is the one. Kara won’t have to do that. Her words are far too distinct.

It's agony, thinking about how their meeting will go. She spends years imagining every possible scenario, each one more painful than the last, yet the day it happens she barely even registers it. The words wash right over her, drowned out by the loud crack as her hand makes sudden contact with a stranger's face. The telltale crunch of contact shocks her. She hadn't registered anyone was there during her dramatic retelling, otherwise she would have kept her gestures small. She wouldn't have flung her hand out with such force.

The woman she's hit is hunched over, clutching at her face. She gasped loud and sharp when it hit, and now she's just wheezily breathing in shock. Kara can see blood starting to drip down her wrist.

“Did you," the woman gasps, and her voice sounds wet. "Did you just break my nose?” Kara wants to die.

“I’m so sorry! Are you okay? I am so sorry!���

People are looking at them and the woman keeps cursing under her breath and Kara really, really doesn’t know what to do. Her hands hover uselessly over the hunched figure, desperate to soothe but scared to touch in a moment like this. “I didn’t mean to – I was telling a story and I got too excited with my hands I guess, I didn’t see you there. Are you- can I-”

She looks to Alex for guidance, but she’s just staring at the interaction with a wide-eyed wonder. Typically her sister knows what to do in a scary situation, but now she’s looking just as clueless. They’re both barely awake at this point – it’s six in the morning and they’ve been at this airport terminal since midnight, miserably watching their red eye flight push into a mid-day departure. They’re both half-delirious, which is fun when you’re goofing off but less so when you’ve just broken a stranger’s nose. 

And then it hits her. The words she’s carried on her arm for so many years are tingling, she realizes, and they’ve been tingling from the second her skin met the girl’s. 

Did you did you just break my nose?

“Oh wow,” Kara says, dumbfounded. “It’s you.” The woman falls silent. She must be realizing too Kara thinks as she fumbles with her sleeve, pushing it up enough to show her inked arm. The woman's eyes drop to the tattoo that's brought such shame to Kara for so long. She feels her eyes like a touch. “I – I’m so happy to meet you! I’m so sorry it happened like this.” She laughs and it sounds strained. Her hands are shaking. The woman doesn't look up from her arm.

Even hunched over in pain, it's clear the woman is beautiful. Important, even, considering how she's dressed. She's dressed like she's en route to lead a business conference, her tight black skirt and matching blazer scream business professional. Though the effects are tampered a bit by the splattering of blood that’s dripped down her white blouse. Kara wonders how old she is to be dressed like that. She must be older to look like that. At nearly nineteen, Kara has never had anything more than a graduation to dress nicely for, and even then she wore her stained dress pants. This woman - her soulmate - must be much older than her, which feels strange to think. She looks Kara's age, maybe even younger. If not for how clearly tailored to her body her clothes are, she'd almost look like she was playing dress up.

Kara feels self-conscious then, sharply aware of how she must look to her soulmate. As smart as it felt to come to the airport in pajamas for her all-night flight, standing in rubber duck pajama pants while trying to have a conversation with her goddess of a soulmate did little for Kara's confidence.

When Kara’s eyes finally track back up to her face, she finds sharp green ones staring back. They're the prettiest eyes she's ever seen, and they don't seem interested in looking away. That's fine with her - she's more than content to stare right back.

It's only the soft plop of blood hitting tile that draws her attention back to her crime, and she can see the way the woman's hands have become covered in blood. "Oh gosh, here - let me…”  Kara fumbles in her backpack for a moment with no clear plan. All she knows is she has to do something to fix this. She fumbles about before pulling out a clean t-shirt. “Here. For the-” She holds it out to the girl and gestures at her own face. Slowly, like she’s scared Kara might grab her or something, the woman takes the offered shirt. She wipes the blood from her face and hands, dabbing beneath her nose. The bleeding seems to have stopped, at least, and the shirt helps contain what's escaped. Watching a stranger wipe blood on her high school band t-shirt shouldn’t thrill Kara as much as it does, and yet.

Kara laughs again, the sound nervous and high-pitched, before taking a step towards her. Her soulmate’s eyes go wide, tracking her movements, and Kara's heart clenches when she steps away. The rapid race of her soulmate's heart beats into Kara's ear - she can literally hear her fear. She holds her hands up in surrender, stepping back to where she’d been before. The last thing she wants is for her to be afraid. “Does it hurt?” she asks, and her soulmate shakes her head no. “That’s good. That’s good. I- uh." She has nothing more to say, and her soulmate's certainly not contributing. Kara’s palms are sweating. She hasn’t sweat since she was thirteen, but one look from this person has her rubbing her hands on her pajama pants like a middle schooler at a dance.

The woman finishes wiping up and lets her arms fall, blessing Kara with her first real look at her face. Bloodied and skittish, she’s beautiful in a way Kara can hardly comprehend, in a way she could never imagine. Kara's pretty sure she's blushing now for some reason, and she has to flex her toes to be sure she’s still touching the ground. “My name’s Kara,” she says, and then gestures over her shoulder. “That’s my sister Alex. We’re flying home for winter break. Midvale - Midvale is home for us. Where- where are you flying to?”

The woman stares and stares, and Kara's starting to panic thinking she'd given her soulmate a head injury that's muted her somehow, when at last the woman speaks just barely above a whisper.

“Home,” she says. It feels like her heart might burst just from hearing that one stilted word. Kara wants to hear a thousand more, wants to hear nothing else for the rest of her life.

“That’s awesome. W-where’s home for you?” The woman's lip trembles as she opens her mouth, closes it, and then opens it again.

 “I’m sorry,” she says, and then throws the t-shirt at Kara’s face. 

Kara fumbles catching it, distracted by the shock and gross factor of having a blood-soaked shirt hurled at her face, and it takes her far too many precious seconds to realize her soulmate is gone. Bewildered, Kara looks around before just catching sight of her vanishing around the corner, high heels and racing heart clattering away. She looks at Alex. Alex waves at her, frantic. “Go!” Alex yells, and Kara takes off.

Pretending to be a human has never been harder than it is while chasing after her soulmate. Normal human pace - especially what's acceptable at an airport - is not fast enough for this, not when the woman has already gotten so far ahead. Kara must look ridiculous, bursting into sprints only to trip suddenly into a walk over and over again, her ears locked on to the thudding heartbeat and faint whispers of her soulmate mumbling, “crap crap crap crap,” ahead.

Kara’s thankful they’re in an airport, at least. Her soulmate can’t just run outside, and Kara is fine embracing the romcom trope of following her love onto the plane. Her soulmate stops moving ahead and Kara speeds up, nearly wiping out twice tripping over luggage and small children. Her heart is in her throat as she clears the corner her soulmate is behind and pushes her way into the door she's passed through. All the wind knocks out of her lungs then when she sees her again. The woman looks up at her in shock, as if she didn't think Kara would chase her. As if Kara would just let her go. With a visible gulp, her soulmate flees around a corner and disappears out of sight. Kara manages a single step forward before a body blocks her way, and she looks up to see a massive security guard staring down at her.

“Membership card, please.”

Kara tries to peer around him. He steps in her way, cutting her vision off. Her soulmate led her into some private place you can't just walk into, she realizes, glancing around at the sleek appearance and exclusive atmosphere. “I- uh, left my card in my other bag,” she says, gesturing back over her shoulder. She can hear her soulmate’s breathing and it's all she can focus on. She’s right there. Just out of sight. Kara is so close. “I’m afraid you need your card to enter the fly lounge,” he says sternly. He starts pushing gently at her, trying to nudge her back out of the sliding glass door she’s come in. Kara almost forgets to let him move her. “I- I’m sorry, someone I need to talk to just went in there and I-” She stops in the doorway, hand firm on the wall. She can hear the way the guard huffs against her solid pressure. She’s not acting very human right now and she knows it.

“I’m gonna have to ask you to leave, ma’am," he says, pushing more forcefully against her. Forceful enough that she knows she has to move even as all her instincts war against it. “Can- can I buy a membership? Like a day pass or something?”

The guard looks over at the front desk, making eye contact with a woman who looks like she would rather watch Kara be flayed alive than allowed another step inside.

“A day membership is $189 plus tax,” she whines out in a nasally voice, tone making clear she already knows Kara won’t be affording that. Which is accurate. Kara barely has enough to buy a meal. 

Looks like her soulmate is rich, then.

The man nudges her back again and a flash of panic echoes through her chest. For a moment, she envisions herself throwing him out the open door, tossing aside anything or anyone that tries to keep her from her future. But she’s already scared her soulmate enough for one day, so she smiles with forced bashfulness and allows herself to be walked back out of the lounge.

The frosted glass door marked High Flyers Club Lounge shuts her out mockingly. But it’s fine! Eventually her soulmate’s flight time will be here and she’ll have no choice but to come out and face her. Kara just has to be patient. (Kara hates being patient.)

She takes a seat against the wall across from the lounge entrance. Her glasses rest low on her nose as she stares her soulmate, soaking in every inch of her as she paces in the luxurious lounge. Her heart is racing, she seems on the edge of a panic attack, and Kara wants desperately to be in there with her talking her down. But she can’t, so she’s left to watch – at least until the girl steps into the private restroom. She stops watching after that. Instead, she settles down to listen to the comforting beat of her soulmate’s heart, closer now than it’s ever been.

Her mind wanders as she waits, mentally reviewing every moment of their interaction. Considering where she failed, where she succeeded. Making lists about what to say to her next. She never got her name, for one thing, and she still doesn’t know where her home is. There’s so much for her to learn.

Her mental meandering is so consuming that it takes her a bit to realize the heartbeat has moved farther away. At first she thinks her soulmate is just moving around the club, but no- she’s moving away from the airport.  A quick glance through walls shows her that her soulmate isn’t in the club anymore. The heartbeat is elevating, she realizes, and Kara runs to the glass wall just in time to see the plane - small, private, with an apparent access point from within the lounge – take off. 

Horror and confusion overwhelm her, bringing tears to her eyes. This doesn't make sense. Why would she just leave without saying a word? Why would her soulmate do that? It's almost unbearable, the pain of it. She doesn’t know how long she stands there, face pressed to the glass, listening as the heartbeat grows quieter and quieter before vanishing all together.

Kara learns a lot about grief after that. 

She knew a lot already – far more than any one person should ever know – but that grief carried a different weight. The loss of her people wasn't a choice by them. They didn't want to die. The loss of her soulmate is its own beast, sharp and cruel in her heart, because this time the person she mourns chose to abandon her. Her soulmate chose to leave. She saw Kara that morning and decided that one look was enough, that Kara wasn't worth any more of her time. She left her there with nothing but a bloody t-shirt and a thousand questions. Kara never even learned her name.

She goes through the stages – she feels her anger burning out in her eyes, feels the sorrow take hold. She denies it, she bargains with everyone, anyone. She calls the Flyer’s Club, tries calling the FAA. She tracks flight logs and makes cold calls and still finds nothing at all. She writes about it on soulmate websites and Medium articles, casting a wide net so that someday when – if, her mind reminds her. if if if - her soulmate ever looks she’ll be able to find her.  

Time dulls the sharpness, though, and the years shift that rejected feeling into a more muted anger. Kara doesn't care about the love lost. She doesn't care if the person is her other half. All she cares about is the anger. Finding her feels more like a hunt than a quest for love – she’s got a lot to say to the other woman when they finally meet again. She just wants one more meeting, that’s all. Just enough time to tell her exactly where she can go. Kara doesn’t need a soulmate, after all. Her life is full of love and joy and adventure, and she doesn’t need another person to complete her. She graduates college with a degree in English, minor in Journalism – her attempts to track down her soulmate really ignite the journalistic bug in her, and with Clark’s constant encouragement it feels inevitable. She moves to a big city despite her small-town fears and she gets a job almost no one survives. Kara is thriving.

It almost shocks her, then, the way her heart trips over itself when she sees her again.

They’re watching the trial, her and Alex, and Alex is halfway through a lecture on how she’d always known Lex Luthor was evil by the way he wore his pants – (“Good guys don’t wear their pants that high, Kara, it’s common sense.”) – when Kara's nerves jolt like a lightning bolt has rushed through her. Her gasp is so sharp Alex screams almost in sympathy. 

“What? What is it?” Alex yells at her, looking around for some danger lurking nearby. Kara tumbles to the floor practically crawling to the television screen. Someone new has taken the stand, someone she'd recognize anywhere.

“Alex,” she says, jamming her finger against the somewhat grainy image projected on her television. “It's her.” “What!” “My soulmate!" Kara knows it like she knows herself, even after all this time. She looks different. Six years of struggle sit clear in her hard gaze, her mouth twisted into solemn resignation. She looks almost casual on the stand, sitting comfortably despite the eyes of the world on her. Like it's just a regular conversation. Like she’s not about to help send her brother to prison for life. “Lena Luthor, sister of the defendant” reads the helpful banner beneath her grim face. Even after everything, Kara is struck by her. She's breathtaking. Kara kind of hates her for it. “Hold on, that’s- you barely even saw her when you met! You don’t know for sure.” Alex sounds desperate, which is fair. The younger sister of the man who tried to kill Superman is certainly not an ideal soulmate for someone like Kara, but it doesn't matter. It's her. “I’m sure,” she says, and feels the truth of it deep in her bones.

A giggle hits her then that's so inappropriate for the moment it makes her feel crazy, but she can't help it. As Lena Luthor begins to explain the piles of evidence she’s gathered against her brother, Kara giggles away. She feels almost drunk on it, smug and satisfied. “Found you,” she says, almost like a taunt. She drags her finger over the screen, feeling the static of her ancient television biting back at her as she caresses Lena Luthor's face. The anger that’s long settled inside of her seems to reignite with every charged word Lena speaks against her brother, with every glance she makes at the camera. She can feel Alex’s nervous energy behind her but she doesn’t care. The politics of this, the implications - none of it matters to Kara. What matters is she has a name, and she has a general location. She's so close she can practically taste it. “See you soon, soulmate,” Kara whispers, and for a second it feels almost like Lena is staring right back.

[mellosdrawings]

Now I want to see the losers club. :)

Are you referring to the ACTUAL Losers' Club (aka the Stephen King's Losers Club) or my band of completely unlucky morons ? Whichever the case, you're getting more N2 Squad x)

Here's some random doodles I did to try and get their dynamics for an attempt at fanfic.

(With a very self-indulgent side of Jamil & Ruggie)

[enarien]

hopping on that @kyri45 train ♥

I cannot do amazing art like so many people in here so all that's left is to proclaim my love for shadowpeach bio parents au in text♥♥♥

last few months i've been traveling from one hospital to another and this comic brought me great comfort. The beautiful story and amazing fluffy artstyle is just so heartwarming.

Thank you so much for being in this fandom kyri!!!

[lemongogo]

they should get to kill each other at least twice .i think

[cfffrk]

+ little bonus

I think I accidentally created their son instead of Jeeves when I was drawing the first frame😭

[meamiki]

Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 3

(Ep1+2 | Ep4)

I really wanted to drop this before Episode 4, but the thing is I really really really struggled with this episode. The first two episode were very clear to me, so clear even that I managed binge-write my first post within a single night after having spent the previous night rewatching the episodes and taking notes. I kept asking myself the question "Style does this and acts like this, but why?" and quickly found my answers. But looking at episode 3? I really struggled with the "but why".

But let's get into it anyway. Not that I finish this post only when the final episode drops lol.

~~~ Spoiler warning for episode 4 ~~~

To recap: when we last saw Fadel and Style together in episode 2 Fadel ambushed Style in the locker room and basically declared war on Style. Style launched counterattacks. They did not part on the best of terms.

Pronoun situation: In my first meta post I kept up with their pronoun use on a scene by scene basis. This time I won't do that, because they consistently use the rude guu/mueng pronouns for each other throughout the entire episode without any significant pronoun changes.

No. 1: RAWR

The very first sequence at the heavy metal bar is where my first problem already arises: I am undecided on whether Style went there on purpose to find Fadel or if he went there of his own accord to have fun and just happened to run into Fadel completely by chance. Because you could make arguments both FOR and AGAINST Style showing up specifically for Fadel.

AGAINST: Style does look kinda surprised when walks up to Fadel. When they're chatting by the counter Style says he's here all the time (which is something he doesn't say about the running track or the gym – two spots that we know he only went to for Fadel). We also don't get to see Style looking at the notebook like we do before he bugs Fadel at the running track for the first time or later in the episode when he shows up at the support group meeting. What's more, Style doesn't really attempt to stick to Fadel no matter what until Fadel either physically gets rid of him or just walks away. Instead Style leaves of his own accord to have fun with people who aren't Fadel and also seems perfectly content to do so.

FOR: When Kant looks through the notebook in ep2 after Bison hands it to him we can see that the bar is in there. So Style should know this bar is one of Fadel's go-to spots. Style could be feigning surprise when he walks up to Fadel to make it look like a chance meeting and he could also be lying about being there all the time.

Whether or not Style came to the bar in order to seek out Fadel specifically or not, when he walks up to Fadel and sits down next to him it's all in a friendly manner. His behavior has an air of Oh hey there person that I know, let me say hello! to it.

Style is once again trying to involve Fadel in an amiable conversation despite their confrontation last time they saw each other. Or maybe he's trying to involve Fadel in an amiable conversation because of the confrontation last time they saw each other. Style's friendly approach makes it clear that he's not holding any grudges about it. Fadel is not up for a friendly conversation, though. In the scene by the counter he says a total amount of two sentences to Style (or even just one, if you don't count the "no" as a single sentence). Style tries to get Fadel to socialize, to get Fadel to come out of his grumpy shell and go dance with him a little bit, to loosen up and scream a little bit. Fadel won't budge. So Style gives him his space and walks off, but not without inviting Fadel to follow him just in case Fadel miraculously changes his mind. After Style clinks bottles with his (new?) friends he looks back at Fadel and nods at him before getting busy with his friends.

I want to talk about that nod for a quick moment. Because as an introvert who tends to be quiet and shy in a crowd (especially a crowd of strangers or people I don't know well) I have my fair share of experience of being alone in a crowd. And I adore that Style is making contact with Fadel again, even though he already walked away and their conversation is actually over. As I've mentioned in some tags before, some of Style's core personality traits really remind me of a dear old friend of mine. We had a time in our late (ish) teens where we'd hang out at our youth leader's flat every day. My friend and my youth leader would often play Magic: The Gathering, which is something that's really not my thing and so I'd be "left out" that is I'd be chilling next to them doing my own thing or just watching them, not understanding shit. They'd be in the middle of a game and my friend would sometimes randomly look up and nod at me like that or he would pull faces at me or do some other random shit to communicate with me for a second before focusing back on the game. These small gestures were something I always really appreciated because they made me feel included, even though I had no interest in the game and couldn't really be part of it. The way Style nods at Fadel reminds me of that. He's making contact with Fadel across the room, involving him, including him. It's a nod kind of like Hey, I see you. And yeah, Fadel doesn't really want to be seen, except deep down maybe he does.

Which brings me to the choking scene. Style is having fun with his friends (or random people he just met??). He spots Fadel, excuses himself and walks over. Almost as if he saw Fadel standing there all on his own and decided to talk to him because "You're supposed to have fun with your friends at a place like this". As if he doesn't want Fadel be all alone. So he walks up to him and starts another conversation. We get another confirmation that Style isn't holding any grudges about their confrontation in the locker room, because he actively teases Fadel about it. I'm not even sure Style is purposefully being flirty here, I think he really is going more for a playful callback to the locker room confrontation, mixed with a challenge of "So? Are you gonna go rough on me again? I dare you to do it again!"

What's more, I think at this point his brain is set to I must hit on him, so I must drop flirty shit whenever possible. So when he says Fadel looks sexy, while there sure is some truth to it and he certainly finds Fadel sexy in general, I don't think he really 100% means it in that specific moment. It's almost more as if he's saying it out of habit, just for the sake of dropping flirty shit and compliments at any given opportunity.

All in all, that night at the bar Style isn't really being annoying or flirting with Fadel on purpose. He spends the night trying to make friends with Fadel again, trying to make amiable conversation, trying to involve him in friendly banter, trying to genuinely connect with him. As if to get Fadel to open up and come out of the shell that he has deeply buried himself in. And I think what this interaction also shows is that Style is starting to have positive feelings towards Fadel. It's the beginning of Style genuinely liking Fadel more than he dislikes him. Style is slowly starting to worry and to care about him.

No. 2: The Best Way to Burn Calories

Now for this scene we know for a fact Style is here for Fadel specifically. Once again, Style blurts out flirty shit and once again it doesn't sound entirely genuine as if he actually means what he says. Kant has sent him on a mission to hit on Fadel, but Style still hasn't quite figured out how to get through to him. Fadel continuously ignores or even blocks Style's attempts to make friends with him or to genuinely connect to him and the flirting also doesn't seem to be working. (Oh, Style. If only you knew just how well your genuine flirting at the gym worked on Fadel 🤭)

Style knows very well that Fadel is annoyed by him (Fadel even explicitly tells him that it's a bad morning if he sees Style). And I think at this point Style has decided that if he can't be a positive presence in Fadel's life he'll simply just be a negative presence then. Since that will still bring him closer to his goal than being no presence in Fadel's life at all would bring him. So he just shows up, bugs Fadel to remind him of Style's existence and also drops flirty shit at any given opportunity while he's at it regardless of whether he genuinely means what he says in that moment or not. And while I'm sure there is some truth behind Style's words, I think a lot of the flirting really is more of a routine now, a habit. Since that is what he was hired to do after all.

Side quest: Body and Heart

One thing this scene touches on is that Style definitely isn't in it just for sex alone but that he desires an emotional component as well: he explicitly says he wants Fadel's body AND his heart. As I said, I don't think Style really meant the flirting here, but I do think there is some truth to his words, namely his desire to not just have meaningless sex but to also be in love.

I think, unlike Kant, Style actually isn't too big on casual one-night stands. I think he enjoys flirting around, because Style is an attention hoe, but if I had to guess I would say most of the time he doesn't end up actually sleeping with anyone. Style is charming and I think he has a lot of fun with flirty banter. And he definitely loves the attention: in episode 1 he clearly enjoys it when the girls are admiring his waist that he proudly shows off at the bowling alley, in episode 2 he gives Fadel permission to look at his naked body, and then later in episode 3 he also looks very happy and satisfied after those girls call him "hot" when he's dropping of the car keys at the host club.

Style loves the attention, he enjoys the flirty banter, but I think sleeping around no strings attached isn't truly his kind of thing. We get another hint of this in episode 1 when Kant claims "[Y]ou’re in no position to call me out when you’ve been playing around just the same". Style replies "I don’t know what you’re talking about" in a disapproving tone and with a skeptical face.

In fact, in Thai he says:

อะไรของมึงว่ะ [àrai - kŏng - mueng - wâ] what - of - you - [rude particle]

I haven't checked this phrase back with a native speaker yet, but I've often heard it in the sense of Wtf is your problem? or Wtf is up with you? or Wtf are you talking about? To me, the English subs sound almost more like Style is deflecting Kant's statement while in Thai to me it feels like Style is actively disagreeing with Kant's words (feel free to correct me on this if I'm wrong @happypotato48 🙏).

Like, Style clearly doesn't approve of Kant's accusations and immediately goes attention seeking to highlight that that is what he's all about:

Going with the crop top shot specifically because I'm SURE some of you will really appreciate it lol

The literal translation of what he says here is actually more like "I'm just checking my rating":

กูก็แค่เช็คเรตติ้งกูเฉยๆว่ะวะ [guu - gôr kâe - chék - ret-dting - guu - chŏiie chŏiie - wâ wá] I - only - check - rating - I/my - just - [rude particle]

Style wants eyes on him, not hands, and he wants to be rated the hottest person in town by everyone who takes just one single look at him, thank you very much.

What's more, right before this exchange he also tells Kant to quit his one-night stands and get a real lover, so we know Style is very much team "having a boyfriend is a good thing". Style not being too big on meaningless one-night stands will also be reflected later in episode 3 when Style tells Fadel " What kind of man do you take me for? I might look like I play around, but I’m damn devoted to love. I want to date*" when he complains about Fadel ditching him right after their hook-up as well as in episode 4 when Style tells him "I'm not just anyone. I need clarity" when Fadel points out "Some people [have sex] countless times and never called it anything" after Style asks what their relationship is now that they've hooked up twice. We see it also in the way how enraged and genuinely hurt Style is in episode 4 after the stunt Fadel pulls in the kitchen. For Style, sex isn't just sex and I think as impulsive as he can be he still makes very deliberate decisions about who he actually sleeps with.

Kant may claim Style plays around just like Kant does, but the thing is that night at the bowling alley? It's Kant who finds himself someone to spend a fun night with while we see Style leaving the bowling alley all by himself without his own hook-up. You could even make arguments about how Style doesn't actually like doing the pursuing and much rather prefers to be pursued. But more on that later.

*(Actually, literally he doesn't say "I want to date" but "I want a faen" -> confirming once again Style is Team Steady Boyfriend)

No. 3: Sweet Meat

Just like in the scene at the sports field right beforehand, Style continues to be an annoying presence in Fadel's life, if he can't manage to be a positive presence. For this scene he even turns up his annoyingness level a little more than at the running track. What's very interesting here compared to the meat stall scene from episode 2 is that here in episode 3? Style doesn't give a shit that Fadel turns away and walks off without buying anything. In episode 2 he was very quick to yield in order to keep Fadel from running away, but this time Style doesn't care that Fadel just ditches him. When Fadel has gone, Style immediately hurries after him. He's already got his next move planned.

No. 4: Burger Burger Burger Burger

I think Style tries out a different strategy here: maybe if he helps Fadel, Fadel will finally soften up to him. What's also interesting is that every word out of Style's mouth suddenly sounds a lot more genuine now compared to what he was spouting at the running track or at the market earlier that day. And I think it's because he (thinks he) is helping Fadel.

Style likes to help. We see this in the way he agrees to help his best friend by hitting on some weirdo guy (yes, of course he's also getting a car out of this deal, but I think part of the reason why he agrees to the deal is also because he genuinely wants to help Kant find love), we see this in the way he immediately takes orders from customers no questions asked in episode 2 right before he meets Bison, and we'll see this even later this episode when he throws himself into the fight despite having no fighting skills whatsoever, just because he thinks three against one is unfair and wants to help.

And if we go back to the thought that maybe, just maybe, Style actually doesn't like to pursue others then it's no surprise that his words here suddenly sound a lot more genuine now that he (thinks he) is helping Fadel compared to his half-assed attempts at flirting earlier that day on the sports field and at the market. Helping people is Style's thing. He's back in his comfort zone which means now he can be much more sincere in his words and his actions again, because there is less of a need to pretend to be a type of person that he just simply is not.

Which also results in Style being much more playful again rather than annoying. For example, when he calls Fadel a "good-looking chef" and shoves him with his his gigantic burger bun. Or when he teases Fadel about being shy. Or when he asks Fadel "You hungry?" after they end up on the ground. This time I actually believe Style's words. Where the flirting at the running track and the teasing at the market felt more like a task where Style was mostly just saying words to get the job done, now that he's back in his comfort zone it sounds like he actually means everything he says again.

There is also some sort of sincerity to Style's desire to help. Fadel, however, does not want Style's help and tries to send him away. Style reminds him that Fadel should probably be making burgers instead of wasting time arguing with him and also points out that Fadel's own brother, who is supposed to be here helping him, is nowhere to be found and that he, Style, is in fact right here by Fadel's side helping him, supporting him. I think Style is being a little overly dramatic when he says "All I ask from you is a little decency" in order to get Fadel to soften up at least a little bit and to get him to accept Style's help, but I also think Style does genuinely desire at least some form of recognition for his support as well. But Fadel won't budge and once again just abandons him.

No. 5: This Is A... kitchen

Trouble arises at the diner and once again we see that Style likes being helpful, because he rushes into the kitchen, immediately ready to help serve the customers. And this time his desire to help is real. It might also stem a little from his desire to fix things, because it is his own fault that the restaurant is overrun and so part of him might want to make up for that, too. What matters, though, is that it's not just another attempt at getting close to Fadel like earlier when he was promoting the restaurant. Fadel blocks him once again, but Style insists. And I think he really hits the nail on the head with this:

I haven't yet looked at Fadel as closely as I have at Style (oh how I wish I had the time, though *cries in university student*) but I do think that this is ultimately something Fadel will be forced to learn over the course of the series.

Anyway, Fadel tries to send Style away again, but Style refuses to go and lists a number of arguments as to why he should in fact go serve tables instead of going home. He ends his arguments by telling Fadel to learn to accept help and then then determinedly tells him that he'll go wait the tables himself. Once those words are out of his mouth he looks at Fadel almost with a bit of a defiant expression on his face as if he's waiting for Fadel to object again.

But this time Fadel says "Fine, you can wait the tables" and Style nods and raises an eyebrow in surprise and happiness, like Wait?? I can?? For real?? You're actually letting me?? I don't have to fight you some more?? You're not throwing me out again??

When Style goes to change into the uniform right there in the kitchen, I don't think he's doing it to be flirty or anything like that at first. I think in the heat of the moment he genuinely forgot that changing rooms (or in this case, bathrooms) exist. I think he wanted to follow Fadel's order as quickly as possible so that he could start helping as quickly as possible. That is, until Fadel tells him off and sends him to the bathroom. Style responds by playfully teasing Fadel about being shy. Style is in an excellent mood now because it's one of those rare occasions where Fadel accepts Style's presence rather than trying to get rid of him. And while I do think Style changes in the kitchen anyway in order to tease Fadel, I don't think he's necessarily doing it to tease Fadel for sexy reasons but rather for playfully petty reasons. Because Fadel keeps scolding him and yelling at him and when Fadel tells him off for changing clothes in the kitchen, Style does it out of spite. Like Oh, you don't want me to change in the kitchen? Well, in this case i DEFINITELY have to change in the kitchen, then. I will say, though, that there is definitely a little bit of an Oh, you're NOT shy? Well, prove it, then! in there as well. But I don't think that this thought is Style's main focus here, because apart from this one look that Style throws Fadel right after he's pulled his shirt over his head...

...from what the camera shows us he seems more focused on the clothes and the action of changing them rather than on Fadel's reaction to him getting naked:

We, the audience, were shown Fadel's reactions to Style getting undressed and I think if Style had taken note of these reactions, the series would have made a point in showing us that Style notices Fadel's crisis. And our chatty cat here would have 100000% teased Fadel about it. What's more, Style has no idea just how much of an effect his naked body had on Fadel back at the sauna. Style has absolutely no idea that Fadel went and fantasized about him afterwards. So Style does not (yet) know that his naked body is one of the strongest weapons he currently has in the fight for Fadel. So Style does not (yet) realize that he could be using his body in a much more deliberate manner. And I don't think he realized it in this scene either, because as I said we would have been shown his discovery. So Style leaves the scene none the wiser, but eager to help and absolutely stoked that Fadel actually lets him for once.

No. 6: Death by Spatula?

Unexpectedly, Fadel drops lore of himself and I think that piques Style's interest because Fadel almost NEVER drops lore of himself. Pretty much all the things Style knows about Fadel are things he got from other people (like all the information in the notebook) or things he found out by himself (either because he's picked up on them in all their interactions so far or because he actively did some research like when he looked up Fadel's name). There are only two other instances where Fadel himself revealed something about himself to Style:

When Style finds him at the gym, Fadel drops that he doesn't like it when it's crowded and that this is why he likes going to the gym at night.

When Fadel tells Style that he runs a burger joint in the "sensitive nipples" scene and also mentions that he does everything by himself. Although this incident barely counts, because Fadel didn't really give this information voluntarily but was instead kind of forced to since Style had found the pin of his restaurant.

Usually, Fadel refuses to reveal anything about himself. But now Fadel is overwhelmed by the many customers and in his stress he lets slip that he doesn't need money and that he only runs the restaurant for fun. When Fadel then also claims not to be rich, Style immediately finds it sus. Lucky for him, though, he won't make the right guess until later in the episode and so he manages to escape being prematurely murdered with a spatula. But Style doesn't know that.

Instead, Style just got a lot more intrigued by Fadel. This is one of those incidents that make Style want to get to know Fadel out of his own curiosity and not because he wants to help his friend and is getting his dream car as a reward. Style is starting to take a genuine interest in Fadel as a person and his positive feelings towards Fadel grow.

No. 7: First Bites

When Fadel wordlessly hands Style the burger it's the first time that Fadel is actively reaching out to him. Reaching out to him in a friendly manner that is, not to ambush him in a dark locker room and start a fight. And Style is absolutely delighted that Fadel is finally taking a step towards him instead of walking away from him like he usually does. And Style being Style, he of course has to immediately make a big deal out of it: "Are you finally folding? Was it because of how hard working I am? You like me now, don’t you?"

Actually, I wanna take a little detour to the language side of things again. The English translation has a question tag only on the last sentence, but in Thai Style actually uses question words that give a sense of "right?" or "isn't that so?" at the end of every single one of these questions.

นี่มึงเปิดใจให้กูแล้วใช่ป่ะ [nêe - mueng - bpèrt - jai - hâi - guu - láew - châi bpà] [interjection] - you - open - heart, mind - to, for - I/me - already - right?

I actually really like the expression he uses in Thai: he says เปิดใจ [bpèrt jai] which consists of the words "(to) open" (เปิด) and "heart, mind" (ใจ). To me, that gives me the feeling of Style not just asking Did I manage to win you over? but more of a feeling of You are finally opening (your heart) up to me, right? You are finally letting me in? which I think is a much nicer image in regard to Fadel's character and Fadel and Style's relationship.

มึงเห็นความขยันความตั้งใจกูแล้วใช่ไหมล่ะ [mueng - hĕn - kwaam kà-yăn - kwaam dtâng jai - guu - láew - châi măi - lâ] you - see - diligence - intention, determination - I/my - already - right? - [particle]

I don't know if others feel the same way, but in the English translation the "hard working" part mostly makes me think of Style working hard with helping at the restaurant before this conversation. A more literal translation of what he says in Thai would be "You've seen my diligence and determination, haven't you?" and I'm sure he's actually more referring to his determination and relentless efforts in getting close to Fadel.

I just really like the way Style phrases all his questions here in Thai. Fadel has enclosed his heart deep within him in very thick and high walls and no one gets access to it. And Style's task isn't that he has to get Fadel to simply just fold to him, surrender to him, but what he actually needs to do is to search for a way to reach Fadel's heart. His options are either to tear down Fadel's walls by sheer force or to somehow get Fadel to trust him so much that Fadel will willingly unlock and open up the doors leading to the depths of his heart. And it's like Style is asking You're finally letting me in, right? You're finally recognizing my diligent efforts to reach you, right? You no longer hate me, right? You like me now, don't you?

And I don't think Style is necessarily flirting here and means to ask if Fadel likes him romantically. On the surface, yes, he is definitely also asking if the flirting (attempts) have worked and if Fadel is starting to fall for him. But I think a lot of this is also about how he has on multiple occasion now tried to form a genuine connection with Fadel. Just in this episode alone we can see it in the way he asks Fadel if he likes heavy metal at the heavy metal bar and then tries to get him to socialize, tries to include him. We can see it the entire time at the restaurant just now where he's voluntarily helping because he genuinely cares. There are even more instances in the first two episodes, which I talk about in my first meta post of this meta series. Style has tried to bond with Fadel multiple times now but Fadel has always blocked his attempts and I think a big part of Style also wants to know if Fadel is finally starting to have at least friendly feelings towards Style. That Style is finally going from being an annoying presence in Fadel's life to being a pleasant presence in his life.

But Fadel shoots him down. "Don't get your hopes up. This is your wage." (Fun fact: in Thai Fadel actually tells Style not to เวอร์ [wer], which is a slang word coming from the English word "over" and, if I remember my Thai friend's explanation from a month ago correctly, is used to indicate that what someone is doing/saying is "too much", so what Fadel says here could be taken as "don't exaggerate" or "don't be so overly dramatic" or "don't be so hyped")

Style immediately complains that the burger is too little of a wage, but also won't let Fadel take it away from him again, insisting on eating it anyway. It might not be much of a wage, but that burger is important to Style. When Fadel sends him home, Style dramatically laments being exploited and thrown away. I think this is yet another one of Style's attempt to get some friendly banter out of Fadel. But Fadel isn't having it. Fadel makes it clear that he wants Style gone asap and Style is annoyed that Fadel keeps making him leave. I think Style is genuinely enjoying hanging out with Fadel at the burger joint and also genuinely wants to stay. His positive feelings continue to develop.

Special shout-out also to the way Style loudly goes "Mmh! Mmmh!!" while chomping down on the burger to make sure Fadel knows exactly how much he's enjoying Fadel's food. Which isn't just food in this instance, no, the burger also stands for an unspoken thank you for helping me and symbolizes the first time Fadel has actively reached out to Style on his own and done a nice thing for him. Style is making sure Fadel won't miss just how much he appreciates this gesture.

No. 8: A Fly on the Wall

Oh, how desperately I wish we knew at which point of the conversation between the brothers Style came in exactly! This is going to drive me insane, because I have no idea just how much of the conversation Style overheard, which unfortunately is important information for the interpretation of his interactions with Fadel from this point on. Most of all I really NEED to know if Style happened to hear this specific line:

Fun fact: in Thai he doesn't actually say "you wanted to rely on" but he says (ที่)มึงจะไปอยู่ด้วย [(thêe) - mueng - jà - bpai - yòo - dûuay] which should translate to something like "(that) you were gonna be with" or "were gonna live with" (disclaimer: I didn't double-check this with a native speaker) which sounds much more like a serious relationship to me rather than when phrased as "dude you wanted to rely on". And we'll get the confirmation of an ex-boyfriend later in the episode.

Now the question is: DOES STYLE KNOW ABOUT THE EX-BOYFRIEND NOW?? DOES HE KNOW FADEL WAS IN LOVE BEFORE?? PLEASEEE I NEED TO KNOW 😭😭😭

In my quest to find an answer to these questions I did come across a strange background noise that comes right after this line, though. A background noise that could very well be interpreted as Style sliding open the door. So for the sake of my own sanity I'll go with Style only having heard this part of the conversation for sure:

F: Why did you bring this up? K: I just want you to tell your brother how pipe dreams always end. In this line of profession, no one waits for you.

This is yet another incident that gets Style genuinely curious about Fadel, about who he is exactly. Style will certainly be wondering about what that profession is from now on. And he will certainly be wondering about what that profession could be after he watches Fadel beat up three grown men like it's nothing. And he won't know that he will have hit jackpot with his guess.

No. 9: Private Show

Where the masturbation scene from episode 2 confirms that Fadel feels genuine physical/sexual attraction to Style, this scene confirms that the feeling is mutual on Style's side of things as well. Style, too, finds Fadel's body hot. What's more, he never stops looking at Fadel. And not just at his body, but throughout his fantasy, Style is always searching for Fadel's eyes. In fact, he rarely takes his own eyes off of Fadel's face, and when Style does direct his eyes somewhere else it's always only for a very short moment. I think this once again shows that Style desires an emotional connection next to a physical one as well. Sex isn't just sex to Style, he wants more with it.

It is said that eyes are the windows to the soul, so another reason for the intense eye contact could be that Style also wants to stare deep into Fadel's soul to get to know him better in a quest to find answers to who this mysterious person really is. Because by now Style is genuinely curious. He has genuinely started to care.

Remember how I mentioned that arguments could be made for Style actually liking being pursued more than doing the pursuing and that I would get into this later? Later is now.

At this point I want to plug @clemelntine's extremely interesting perspective on the two sexual fantasies that we've gotten so far and what that means for the storage room hook-up. I'm not gonna reiterate everything, but I do want to pick up on what she says about Style specifically:

No matter how much he annoys Fadel in the day to day and how much he seems to take the upperhand in those interactions, when it comes to sex he likes in the idea of letting Fadel do what he does/wants.

In Style's own fantasy, Style is sitting back, he's letting Fadel take the reins, do the work. This is also in line with @secriden's excellent meta on Style's true desire being to be pursued, which I also really encourage you to read. Again, I won't repeat the entire post, but she highlights how Style will downright create opportunities for Fadel to lay his hands on him and how "every single time Fadel even shows a HINT of wanting Style, he immediately falls pliant, like he can't wait to let Fadel take the reins" (quoted from @secriden). And we see this desire in the fantasy too. Style imagines Fadel being the active one while Style gets to sit there and enjoy. Our little attention hoe here likes it when people are actively after him.

I was struggling to really make sense of Style this episode. In the first two episodes, whenever Style was being annoying there would be some sort of trigger for it. I was confused especially in the beginning of this episode, because I didn't understand how and why Style would go from trying to genuinely bond with Fadel at the heavy metal bar to being annoying at the running track and at the market when nothing seemed to have triggered it. I could tell Style was being annoying on the sports field and at the market, but I really couldn't figure out the "but why?" of it all. But if we look at his behavior through the lens of "Style actually prefers being pursued over doing the pursuing", I think it makes more sense. Style prefers for others to put in the effort of pursuing and now that he's forced to do the pursuing himself he doesn't really know how to go about it, especially when the person he's trying to woo has walls high up to the sky and continuously shoots him down. Style shows up and drops flirty lines but he doesn't even really mean them because he doesn't actually want to do the pursuing. The inauthenticity in his insistent approach is what makes him annoying in those scenes. And it's also not what works on Fadel – it's when Style is being genuine that he actually reaches Fadel, like when he was helping him wait tables (which Fadel recognizes by rewarding him with a burger) or when Style was being playfully flirty in the sauna (which results in Fadel fantasizing about him at night).

No. 10: Mark Style Down As Scared AND Horny

We will later learn that Style doesn't believe Fadel about needing more money for the restaurant and was just acting stupid to gain Fadel's trust, but when I first sat down to take notes for my meta I wasn't sure if Style was being entirely accurate/truthful when he said this, since he witnessed Fadel taking on three grown men only after that whole conversation about the restaurant. So why would he feel a need to gain Fadel's trust before that? At first I thought that maybe Style did believe Fadel for a moment there, especially also because he presented Fadel with an excuse as to why he was working there right away and then also sounded a bit too sincere when he offered support to Fadel. However, on second thought I'm now thinking that maybe he really does distrust Fadel's claims from the start.

Outside the host club Style approaches Fadel and I don't think it's with the motivation to flirt with him but rather to find out why exactly Fadel would be here stripping for some ladies. It's a bit odd that he immediately offers Fadel an out of "You need the money for your restaurant, right?" when he's trying to get answers, but maybe this clumsy approach at digging for answer is already part of Style playing dumb on purpose to gain Fadel's trust. But why would he need to gain Fadel's trust when he hasn't even seen yet what Fadel is really capable of?

While it is true that up until the "why are you working as a stripper" conversation Style hasn't witnessed the real danger that Fadel poses, there've still been enough incidents to make him suspicious of Fadel. It already starts right during their first meeting when Fadel won't let Style get near his car. That's weird, Style finds it weird. Next thing Style knows is that Fadel also doesn't have any papers for said car which is very odd again. In episode 2 Style gets a little hint of Fadel's dangerous side when Fadel ambushes him in the locker room. In episode 3 he learns that Fadel opened the burger place just for fun rather than to earn money and that apparently Fadel isn't rich and yet somehow still has the resources and the time to run a whole restaurant for fun. Shortly after that he (likely) overhears something about a "profession" which clearly can't refer to the profession of being a burger joint owner. Style has enough reasons to be suspicious of Fadel, even before he witnesses Fadel's badass fighting skills. Style has reasons to gain Fadel's trust and to stay on his good side, especially since Style himself is hiding ulterior motives and can't risk Fadel getting suspicious of his own true intentions. So Style plays dumb, offers Fadel an out, and when Fadel takes that out Style raises his eyebrows and hesitates for a moment like Oh, okay. We're going with the lie, then, before he offers Fadel support.

The conversation gets interrupted by those three men looking for a fight and for the first time Style gets to see just how dangerous Fadel can get when he wants to. This is where Style truly realizes that something really is very, very OFF about Fadel. It's no longer a joke or a gut feeling, no, this is confirmation that something here is incredibly shady. And Style wants to get to the bottom of it.

No. 11: Hit by Apollo's Ball of Prophecy

There've been a few incidents that got Style curious about who Fadel really is behind his thick walls and his tough exterior, a few incidents that got Style curious about Fadel's lore. But watching Fadel take on three grown man without any major problems and having them run away in fear was the last straw. Style's motivations officially change. Getting Kant's car is less important now than finding out the truth about Fadel. Style definitely exaggerates a bit when he says that Fadel must be some kind of hitman, is being dramatic as usual. It won't be much longer until Style finds out that Apollo has actually hit him with the gift of prophecy.

No. 12: Rise Up

Style is determined to find out more about Fadel's life and promptly shows up at yet another location he knows Fadel will be at. I'm not sure Style was aware this meeting was gonna be about grief and loss before he arrived and saw the sign. At least from the notebook it's hard to tell because the drawing only shows a group of people sitting in a circle of chairs with the caption "rise up". That could really be about anything. For me personally, my first association (especially in combination with the words "rise up") would be a Christian bible study group, although I doubt that Style, having been raised in a predominantly Buddhist country, would necessarily have this specific association with that image and those words, too. Point still stands that nothing about this image strictly points to loss specifically. (Technically we could say that since there's no address in the notebook, Style might have googled "rise up" in order to figure out where to go and seen on the website that it was a meeting for grief and loss. However, as we didn't actually get to see Style do any research and find this information, I'm just gonna run on the assumption that he genuinely didn't know and that maybe he got the address via Bison or something. Or maybe he actively stalked and followed Fadel, idk.)

Style stops in front of the sign, double-checks that he's at the right place, and then nods in determination, kinda like alright, let's do this, then, before he enters.

Another reason why I don't think Style was aware what this group meeting was gonna be about before he arrived is the way he's kinda confused when the group leader asks him to tell his story. The group leader elaborates ("Something you’ve lost, or the changing point in your life.") and Style, who was looking at the group leader while listening to his explanation, turns his head to look at Fadel right after the group leader says the word จุดเปลี่ยน [jùt bplìian] (= changing point). He stares at Fadel as if he's wondering Did he lose something? Was there a changing point in his life?

Style can't dwell on it for too long, though, because he has just been asked a question and now needs to come up with a cover story.

And this is where Style really starts to get out of line. He dishes out a story about some dog, which I don't really want to get into right now since at the point of me writing this we're only 4 episodes into the series and who knows, something might as well happen later down the line that could recontextualize Style's story (looking at you, Boonterm mention! 👀), but I think it's safe to say that Style isn't too involved in his story emotionally. When he cries, the crying is cringe and it's NOT because Dunk is a bad actor (far from it!!) but rather it's because Style the character isn't taking himself seriously here. This is also highlighted in the smug look and nod he shoots Fadel in the middle of his crying performance:

His behavior is very disrespectful, but I don't think he's being disrespectful on purpose. I think this is another one of his idiot boy moments where he is just really fucking stupid. Style is impulsive and doesn't think things through a lot and I think in this scene he is also so absorbed in his goal of getting to the bottom of Fadel and his mysteries that his tunnel vision on his goal prevents him from realizing the effect his actions can have on those around him, the consequences his behavior could bring. We saw it before that Style sometimes doesn't see things as much of a big deal as they actually are when he doesn't think much of texting while driving (as elaborated in my ep1 meta). Besides, his behavior has worked out pretty well for him all episode, with the worst consequence being Fadel simply just walking away from him, and Style even got to celebrate small victories like when Fadel made him a burger. So why would Style be changing his behavior now? There is no reason for Style to act differently, and so he continues to bug Fadel as usual and it genuinely doesn't occur to him that his behavior could be disrespectful or out of line.

Maybe if Style had had more time to dwell on the thought of Is Fadel here because he's lost someone? he might have realized that the situation was a lot more serious than he had originally thought and that his words/actions were gonna be out of line and that he shouldn't have been doing this, but alas that is not what happened. He didn't have the time and so he immediately gets distracted fabricating an elaborate story to answer the group leader's question and doesn't spend a single one of his brain cells thinking about his behavior and its consequences. He will soon learn about the consequences, though, because Fadel is seriously pissed now.

No. 13: Giving You What You Want (But Is It?)

Fadel is pissed and goes to confront Style in the privacy of a random storage room. Style is obviously lying to Fadel through his teeth. I do think there's some truth to it when Style says "I have my own problems. You’re not the only one" but whatever problems in life Style currently has (especially if there's anything connected to loss and grief), these problem's really aren't at the forefront of his mind right now. We know for a fact that Style is lying when he explains that he found the support group via the internet, that meeting Fadel was a coincidence and Fadel doesn't buy it either. What we, the audience, also know but what Fadel doesn't necessarily guess is that Style is also lying about how he is hitting on Fadel because he likes him and because he wants him. "Nothing more than that" he says, but as the audience we know that this is also bullshit because we know he was specifically sent by Kant and that a car is waiting for Style when he succeeds. What we also know, though, is that Style is definitely physically/sexually attracted to Fadel, so when Fadel offers to hook up with him, who is Style to say no?

I think this nc scene surprised a lot of us because it didn't go the way most of us were expecting it to go. As has already been pointed out in various posts by various people, Style is surprisingly passive during the entire act (at least, that we get to see). They have next to no eye contact, Style doesn't initiate a single kiss and barely touches Fadel except to hold him and to run his hand through Fadel's hair. But why is that?

Many a thing has already been said about this scene and about the characters' motivations and I don't think there is one specific interpretation that is the One Truth. I think many truths exist in this scene at the same time and there are many factors as to why the characters were acting the way they were acting. Emotions are complicated and sometimes you can have many of them simultaneously.

An interpretation that I haven't seen floating around yet is that part of Style's passiveness could also stem from the fact that he was caught off-guard. I don't think he was expecting Fadel to go Alright fine, have me, then. In fact, I think when Style told Fadel "I like you" and "I want you" those were mainly empty words again. Because this time he didn't seek out one of Fadel's usual places in order to to hit on him, but because he wants to find out the truth about Fadel, wants to figure out the reason why Fadel is so shady. But then he ended up pissing Fadel off who then promptly started a fight with him and Style needed to cover up his own intentions when he threw those words into Fadel's face. Style says "I want you", but he doesn't actually mean it in that moment and his actions do not reflect the I want to bang you sentiment at all either. We've all seen the sauna scene, we know how Style behaves when he actually wants to get into Fadel's towel pants. And this isn't it. So when Fadel suddenly and uncharacteristically does let Style get into his pants gets into Style's pants, I think that throws Style off and he momentarily doesn't know how to respond to the situation.

Plus, as @nnnn99999 writes in her meta, there is also the emotional disconnect. At this point of the story, neither of them is in love with the other just yet. Yes, there is mutual physical attraction and yes, by now Style has taken an interest in Fadel beyond the car, has started to develop positive feelings for Fadel and has at times actively enjoyed interacting with Fadel, but they still have their own motives and intentions and emotionally they simply just aren't quite on the same page yet. Style desires both body and heart, but both of their hearts simply aren't properly in it just yet. I don't think Style minds hooking up, he's definitely consenting to it and also enjoying it, but it's just not quite what Style dreams of, not like this. In a way, yes, it actually is what Style has dreamed of because his fantasies of Fadel doing things to him rather than him doing things to Fadel are now becoming reality, as @clemelntine beautifully explained in her meta, but in the real situation there's one important detail missing from Style's fantasy: the intense eye contact. In addition to Fadel's body, Style also wants that emotional connection. We've seen this times and times again whenever Style has tried to make friends as well as to genuinely bond with Fadel, and this desire extends also to the sex.

And lastly I want to leave you with @braceletofteeth's excellent tags on this post, which is something that I think also factors into why Style goes from being proactive to being passive in the blink of an eye:

#Fadel said he would give himself to Style #and Style let him do that #he barely touched Fadel except to hold him and caress his hair #he reciprocated the kisses but did not initiate them #he didn't try to take any more of Fadel than what Fadel willingly gave him #[head in hands]

During the entire nc part I kind of get the sense like Style is waiting. Waiting to see with a certain curiosity what Fadel will be doing next, what Fadel wants to do next, ready to happily take up whatever Fadel offers. Style is letting Fadel control the situation completely and doesn't push him once.

No. 14: Kiss or Slap?

Once again we see that Style isn't too much of a fan of casual hook-ups. And while I do think part of his motivations for saying the things he says and for trying to stop Fadel from abandoning him again is because making Fadel his boyfriend specifically rather than just hooking up with him is his goal here after all, but I do think that Style isn't lying this time. He's just a bit too annoyed when he asks "What kind of man do you take me for?" for it to be an act. I think he is genuinely offended that Fadel would think of him this way. And I think he's genuinely a little upset and hurt that Fadel is perfectly happy to sleep with him and to ditch him immediately after. We get foreshadowing to Style being very much Team Anti Hit-and-Run in episode 1 when he tells Fadel "It ain’t like me to hit and run" in the context of an actual car crash and earlier this episode when he laments "Oh, the nature of man. He will exploit you and then throw you away". Style is very much not happy with this turn of events and it's not purely because he hasn't yet completed the mission Kant has sent him on. We also get another hint of Style looking for a connection in his hook-ups in the way Style is looking at Fadel when they're getting dressed while in contrast Fadel has turned his back to Style completely, avoiding eye contact and avoiding any interaction:

Another thing that I want to point out is that Fadel says "I gave you what you wanted" and "We agreed on it" when Style tries to stop him from leaving. However, they didn't exactly agree on anything? Fadel started kissing Style before they could even come up with any terms and conditions and the thing is when Style said he wanted Fadel, he never said he wanted Fadel only once. And he also never said he wanted Fadel to run away immediately afterwards.

So Style puts up a fight. He firmly stands between Fadel and the door, blocking Fadel's way. Fadel threatens to punch Style if he doesn't move but Style refuses to stand down even though he knows very well from personally witnessing it that Fadel is perfectly capable of punching him if he wished to. Despite that, Style is not scared of Fadel. I think Style takes Fadel's sudden willingness to sleep with him as a sign that Fadel has finally developed some sort of positive feelings towards Style after all, too. And Style is confident enough about it that he trusts that Fadel wouldn't hurt him. When Style says "You like me" I don't think he necessarily means it in the sense of you're in love with me or you're crushing on me. I think he's calling out Fadel's change of heart (that is negative feelings turning into positive feelings) and is making it very clear just how confident he is about Fadel not hurting him. I'm not scared of you. I've become a positive presence in your life now. You wouldn't dare to injure me. It's a counterattack to Fadel's threat. But Fadel's trauma runs deep. And so he punches Style because giving him a bit of a beating is still better than risking to face the consequences of what might happen if he lets anyone get behind those thick high walls. And he punches Style also a little bit to put him in line for his cockiness.

And also, I may be a Style apologist and a Style enabler, but after that shit Style pulled at the group meeting that punch was totally deserved.

Please don't expect me to write a proper conclusion bc my brain is absolutely fried now bye <3

[strong-with-the-sarcasm]

part 16 - but I know where to start

“Feeling my way through the darkness, guided by a beating heart. I can’t tell where the journey will end, but I know where to start.” -Wake Me Up by Avicii

Regent Masterlist Part 15

Was it a cop-out to summon Jazz back to the Far Frozen? Yes. Did Danny particularly care? Nope! 

Jason was comfortable, propped up with a book Ghostwriter who had popped by to personally deliver. How the ghost had known about Jason Phantom wasn’t going to question, but he suspected GW kept an eye on the bookworms that passed through the Realms- or at least those close to the “Royal family”. Phantom wasn’t much for reading, not unless it was space-related, but he enjoyed listening to the Liminal man reading out loud. He had a brash voice, accented with a cadence like those from Crime Alley, but it only underscored the passion he held for reading. Phantom didn’t interrupt him once, not even when the halfa pulled out his ecto-phone and texted Ellie. 

(His little sister was in Kansas, spending time with another clone she’d literally run into.) 

Almost another full day's cycle passed before Phantom realized Jason had fallen back asleep, a book resting open on his broad chest and soft snores coming from the man. 

Yeah, he could see how he and Jazz fit together so well. 

There was just something about the Once-Revenant, a part of what made him Jason, that resonated with the Phantom. It’s what made him talk to the man as Red Hood, feel comfortable enough to stay in his company for so long, trust him with his older sister- the person who raised him. 

(Spent her birthday money to get him those cheap plastic glow-in-the-dark stars.) 

(Taught him how to read.) 

(Held him as the nightmares of his death shook him to his core.) 

(Did not fear him.) 

(Not as Phantom, Danny, or Dan.)

(Loves him.) 

(Mourns him.) 

(He would never tell her, but he understood how Dan could succumb to grief.)

(Jazz was his.) 

(His first friend, his true mother, his rock.) 

(She wouldn’t have claimed Regency without that tie.) 

Remix & Original chat 

Remix: Lol hows weenie Original:   jasons x3 ur size pipsqeak                    Remix:  ur point?  Original:  lol hes ok                                 frosty says he got hurt wth shrpnel                        new healed core + shrapnel = bad time Remix:  sucks 2 b him  Original:               so tru        Whre r u? Remix: omw 2 spain barcelona Original: ooh send pics if u need me call Remix: pics or nay gotcha txt u l8r luv u  Original: love u 2

Safely back in the living Realm and tucked away in Jason’s apartment, Jazz and Danny tried to investigate the bomb- unfortunately there was nothing for them to do but wait. 

On the upside, the Justice League was about to hit the UN full force with all the subtlety of a tsunami and who had front row seats to the drama? 

Yep, the Regent.  Jazz wasn’t exactly thrilled that her presence was requested, even though it was on the path to the desired outcome the Nightingale siblings had fought for, but both her soulmate boyfriend and little brother would be by her side as support. 

The Birds and the Bats Group Chat

Zombie: I lived bitch Spoiler-Alert: Jason!  Fly-Like-A-Dick: Little Wing!  Blood_Heir: Todd. Zombie: don’t sound too excited there demon brat.  Blood_Heir: Never.  Sleep_When_Im_Dead: Where have you been? Zombie: Stayed overnight at my Docs for observation.  Fly-Like-A-Dick: For three days? Blood_Heir: Fail to find that humorous Todd.  Zombie: wasn’t meant to be a joke brat.  I was actually at my Docs.  Zombie: Got a shovel talk from my girlfriends little brother too.                                     Spoiler-Alert:  Whoa GIRLFRIEND!!!! 😱 Jason!  Why is this the first were hearing this??? Fly-Like-A-Dick: Little Wing!!!!!! Quiet_Dancer: 🤗  Zombie:  At least Cass and Dickiebird are happy for me                                    Spoiler-Alert:  Ecstatic! But details! Now.                                                      Zombie: No.                                              Fly-Like-A-Dick: Is she a redhead??? Sleep_When_Im_Dead:  Jasmine Nightingale.                                                      Zombie: Babs.                                               Oracle_of_Gotham:  On it.  [member Sleep_When_Im_Dead has been blocked from the group.]  Spoiler-Alert:  too late!!!!!! Cass  with me! Quiet_Dancer: 🫡 Oracle_of_Gotham: DENIED Batdad:  Welcome back Jaylad.                                                        Zombie:                                           Old man       You and I need to have a talk with words                                              Fly-Like-A-Dick: battle stations everyone!!!

Council of Uncaged Birds

Queen_Regent: Ellie, I want you to meet Jason.  Officially meet him.  WanderingPrincess: eh??? temp said wasnt srs Queen_Regent: Danny No InfiniteStarPrince: Danny YES Frosty said they are  soulmates!!!!!! WanderingPrincess: 🤯😱 wha th fuck!!!1 Queen_Regent: language!  WanderingPrincess: ENGLISH imma get a shovel gotta undead weenie 2 bury.

Template. [user InfiniteStarPrince has left the chat]  WanderingPrincess: coward Queen_Regent: I have many regrets.  WanderingPrincess: u luv us 👻

Lady & Knight chat Lady: Jay remember when I told you I wanted you to meet Ellie?  Knight: She’s bringing a shovel isn’t she.  Lady: I love how brilliant you are.  Knight: I aim to please. 

Lady & Knight chat Knight: you patrolling tonight? Lady: wasnt planning on it Knight: wanna meet me? Lady: same time same place? Knight: you know it

The abolishment of the Anti-Ecto Acts officially happened at three pm on a dreary Gotham Tuesday. Jazz was cuddled with Jason on his couch, dozing off to his heartbeat as he read Pride and Prejudice for the thousandth time. The comfortable silence they had wrapped themselves in only occasionally broken by Jason turning a page was completely shattered when Jazz’s phone rang with the Ghostbusters theme song. 

“Danny?” Jazz answered surprised, “School isn’t out yet, what’s wrong?” She was greeted by Danny’s heaving cries as he replied. 

“Batman, he- he did it!” Danny sobbed, “He saved us.” 

It clicked then. The Dark Knight had completed the task he was entrusted with by a Spirit of Protection, the Once and Future Star King, and unknowingly kept the promise a ghost made to a young Jasmine Fenton. 

One day my son will stop this. All of this. You only need to be strong. Take care of yourself and your brother. I promise. 

She had waited years for the promise to be fulfilled, the sworn promise of the dead to a living child. Jasmine was a patient soul, but she had still been a child that night in Gotham. 

(The Drs. Fenton believing the stories about a ghostly vigilante patrolling the streets, a never aging child by their side.) (Dragging their children with them. ) (Hungry and cold.) (A dead man who swore his son would end their torment one day.)

(She should’ve known it wouldn’t come fast enough to save Danny.) 

How was she to know the ghost was speaking of the Realms inhabitants, not the abused and neglected children of Ghost Hunters? How was she to know that the hope such a promise kindled wasn’t hers to keep?  Jason wrapped his arms around her, the book set aside and her phone gently taken from her grasp to be put on speaker so they could both talk to her little brother. Danny had dissolved from heaving sobs to muffled hiccups, seemingly now that he’d shared the news with his sister. 

“He really did,” she muttered. “He really did it.” 

(The furry fucker actually did it.) (She’d known that he was going to try, but humans are stubborn creatures.)

A/N: Hi! Welcome to an update for the Regent. Just to be fully transparent with each of my readers - The Regent is still on Hiatus.

I have deleted so much of my writing because I don't like the flow/dialogue/pacing. Original ending thrown out and rewritten twice- still don't care for it. Who knew something other than Angst would be so difficult.

(Not me!)

Having said that, this entry is of course beta'd by the wonderful @meditating-cat who has put up with my random messages.

(You are amazing!)

(In all honesty, I wish I could just skip right to the ending because at least I know 100% I can get it just right....eventually.)

Thanks for reading and happy easter!

[adreamfromnevermore]

Ok ok, but hear me out on a Superbat AU

Clark is 14 when Luthor learns the truth about his origin. He goes missing 3 days after school finishes for the summer. His parents search for him relentlessly, for years they beg for the return of their son. But despite the search parties and the press conferences no one comes forward and Clark is never found. A missing persons case that haunts Smallville for the years to come.

On the eve of Clark's 18th birthday Superman appears. Hovering over Metropolis in a pitch black uniform. Martha recognizes her son instantly, and watches in horror as he sweeps through the streets with a single minded focus. He returns to Lexcorp with a thief clutched in one hand and the same eerily blank face he'd had in every clip that had been captured of him.

Luthor heralded him as a superhero, thanked him publicly for returning the thief to Lexcorp to be prosecuted. No one notices when the thief disappears, and though they ask where the Superman goes when he isn't hanging in the sky above Metropolis there is no one who seems to have an answer.

Lexcorp tells the world that they should trust this being that has come to help. That he has shown only kindness towards them. That if he goes after someone, it is only because they must have done something terrible to deserve it.

In Metropolis Superman haunts the golden city, hangs in the air high above them and listens to Luthors orders in his ears. He has never wanted to hurt someone, but he has no choice. He is Luthor's favorite weapon, this he knows. And if he strays, Luthor will know.

Across the bay a Court stirs, they have always worked from the shadows. Hidden in Gothams walls and with their hands in every one of Gothams pots. Metropolis has a hero hanging high above their head, but the Court has done business with the man who pulls it's strings and they believe this is something they can work together on.

So the Court calls for a meeting and they plot their own path.

3 months after Superman debuts the Voice of the Court meets with Lex Luthor and offers a deal.

A decade before Superman debuts the Waynes die, their son is never found. It is a tragedy that haunts Gotham for a decade. It is a warning. The Wayne family has long stood apart from the Court, but Thomas and Martha got in the way. Thomas and Martha hampered the Court's goals, and so they had to go. Their son was a warning.

And now, their son is the warning.

The Talon stalking from shadowed perch. The greatest the Court has ever produced. And so they send their greatest weapon alongside the Voice of the Court and a deal is struck.

Superman meets a Talon. They see another made a weapon, and they begin to wonder.

Must they always be weapons?

[thelonelyshore-if]

Somebody stop me before I conceptualize individual titles and mini summaries for some of Croft's books.

[disappearinginq]

I really wish I could be convinced that more people would be interested in non-ship stuff for fandoms I'm in.

Look, we all know we write for ourselves. I get it. I do. But my desire (ability) to finish things is hinged on feedback. My two longest fics that I wrote the fastest were because of audience engagement. And because I knew I had people I respected and liked reading, and I wanted them to enjoy the read, I wrote better.

Now I feel like I'm just stuck in No Man's Land of fandom, and while I have like a dozen things half finished, they never seem to actually BE finished because if the audience is me, then I know how it ends. There's not much point writing it down.

So this is basically my To Do List.

The Rookie - I just don't care about what 90% of the fandom cares about

1. Series of one shots that establish Angela and Tim's BFF status that may or may not lean Tim aspec because I'm me.

2. Pre series flashbacks to Tim in his time in service when he survives an airstrike that kills two of his friends and almost kills him.

3. Trauma Tim post season 6, because in rapid succession, he loses his job on metro, he witnesses his old team die in a way eerily similar to the way he was almost killed in the airstrike, had a friend commit suicide in front of him after confessing to being dirty, gets accused of being dirty himself, and is again almost killed in close quarter combat (among other things that will remain unmentioned here)

Slow Horses

1. Do not ask me why but I love the idea that Lamb potentially met River was he was a kid because he had to work closely with David Cartwright and River is always where he's not supposed to be

2. River goes missing, and for once, not his fault. Lamb has to come to terms that just because he pretends not to care, doesn't mean anyone buys it

3. Post season 4, somebody finds out that River is the last remaining son of Frank's assassin cult, and it goes about as well as can be expected. I fully intend to have Lamb use this line: "trying to detain you is like trying to nail jello to a tree".

Magnum PI (yes, I still work on these)

1. Finish Wrong Side. I actually have like another 10-15k words on it, but it's not in order or complete scenes, but it does include Thomas’s recovery and discovery that Hannah is the one who sold them out

2. I have like 6 other chapters to Bad Things Happen that I half wrote but then retired the card

3. Crossover with MacGyver because I thought Mac could use some down time in Hawaii after season 4 and the last half of season 3

Tracker 1. Colter goes missing during one of his cases, and I borrow heavily from an episode of Lethal Weapon wherein Colter will be held hostage in an illegal drug trial that he stumbled into and now finds himself an unwilling participant, and I drag Russell into it because that is how big brothers work

Hudson & Rex - honestly, I have the most written for this fandom, even though the fandom itself is pretty quiet, but it's most of a bingo card 1. Finish Oh The Weather Outside is Frightful because damn son it's been years

2. In no particular order, I have Bad Things Happen Bingo It's Not My Blood, Stitches, Caught in a Snare, Falls Through the Ice and three others that fit other prompts - a boating accident, Charlie finally finds himself at the bottom of a well (sort of) and completes his "Timmy and Lassie Scenario" bingo card, and where Charlie realizes he's developed claustrophobia after having a mine collapse on him, being locked in a freezer storage, almost crushed by a shipping container, buried alive, etc and gets stuck in an elevator with Jesse

[jalluzas-ferney]

I don’t think this is an unpopular opinions but lowkey fannon kailor is sm better than cannon kailor.

(Read the tags)

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.