#but hes kind at heart

[scruncheduppaper]

tf2 shitposting again

[hinamie]

I don't want to regret the way I lived

[poppitron360]

I love how right before the Cupid scene, Jason has to just fucking decide whether he’d homophobic or not. Like he still has very little memory of his past, for all he knew he could’ve been a massive anti-gay activist growing up. He could’ve been a misogynistic, racist transphobe who boycotted drag brunches and protested pride marches. But, in that moment, he’s faced with a choice. He has no idea if he’s even met a gay person before, he has no reason to show them any respect or human decency- it really doesn’t affect him. But he’s faced with that choice, and he chooses kindness.

You see, queerness isn’t a choice. Homophobia is.

Be more like Jason Grace. Choose kindness.

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[henley-reeves]

"You can say whatever you want. You can think...absolutely anything. I will do anything...if you just allow me to save your lives."

[tai-lung]

KUNG FU PANDA (2008) KUNG FU PANDA 2 (2011)

[ohimsummer]

satoru being one of those kids who was picked on and embarrassed with those cruel jokes. the “so and so likes you/wants to be friends with you” ones, and when he goes up to them all excited like “wow new friend!!” they just end up embarrassing him in front of everyone because “why would i like you? or want to be friends with you? you’re super weird.” the entire class is laughing at him. he’s humiliated.

and now, as an adult, satoru struggles with telling when someone is being genuine to him. not many are, most people don’t care to be around him which hurts in and of itself, but it hurts even worse when they pretend to like him only to end up betraying or disappointing him later. so when you come along, and he watches you approach him every day with a big smile and try and talk to him and you ask him if he wants to grab lunch together or hang out, satoru prepares himself for the worst.

he tries not to let himself get attached to you, and your friendly face, and the way you laugh at him because no one has ever laughed with him before, and those knowing stares you always give because satoru just knows one of these days you’re going to grow bored and leave him like everyone else has.

he keeps himself stuck in a constant state of denial, not realizing that your actions are indeed genuine and your motives are pure.

[leoppipi]

Tsukikage when fans ask them to make a heart

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[panthermouthh]

“You doubtless recollect these papers. Here they are. Everything is related in them which bears reference to my accursed origin… the minutest description of my odious and loathesome person is given, in language which painted your own horrors and rendered mine indelible. I sickened as I read.”

[kagoutiss]

pelican town, ‘72

[riddlerosehearts]

Do you have any idea how lonely it is here? How frightening it is to have no one?

[quitesins]

I think I hauve covid.

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[bisclavret]

and people say season 5 is bad