#but here I am writing it anyways | Explore Tumblr posts and blogs

clarionglass · 6 months ago

Text

here we go :) part one of three, updates to be released weekly!

---

sam says 4 (game master cinematic universe, part 3)

Ruby was at her mum's for a family dinner she couldn't miss on pain of death, apparently, and the Doctor was many things, but a family dinner kind of guy wasn't one of them—particularly when Carla had already slapped him once in the short time he'd known her. He thought he'd broken his streak of bad luck with mums, but… well, seemingly not. So he was companionless for a few hours, and while he could wait for her to get back, maybe catch up on his reading—what was the point of waiting when you had a time machine?

He ran his hands over the TARDIS console, marvelling at her clean lines and metallic flourishes, the way that even now she felt brand new but familiar, and paused. He’d just pop off for a quick adventure, nothing too dangerous, but—where to go?

He could scan for a distress call nearby, and pitch in to help. He could drop in on Donna and Shaun and Rose, beautiful Rose, and see how they were all doing. Or he could just hit the randomiser button, and jump in feet first wherever he ended up.

He remembered a conversation from a long time ago, when he wore a different face, and his gorgeous TARDIS wore a face too, for the first and only time.

“You didn't always take me where I wanted to go.”

“No, but I always took you where you needed to go.”

He grinned. Who could resist an offer like that? He pressed the button and whooped as the time rotor spun into action, ready to see where the universe would take him.

---

Apparently, he was needed pretty close to where he already was. Earth, 2024. Huh. Same planet, same time—within a few months of where he’d left Ruby, even. The main thing that had changed was the location: he was now in the good old US of A. California, to be more specific, and Los Angeles to be more specific still. And to really narrow it down, the Doctor discovered as he poked his head out of the TARDIS doors, he was in… a broom closet. Not bad, as a parking spot—a bit squeezy, but out of the way. And as he poked his head out of that door, he could finally see he was in the backstage corridors of a studio of some kind. Film or TV, if he was to hazard a guess, it was a different vibe from Abbey Road.

With a shrug, he decided to go exploring.

It couldn’t have been more than a minute before a young woman wearing the full-black outfit, headset, and permanently stressed expression of a production assistant came running up to him.

“Are you the fill-in Sam organised?” she asked breathlessly, and honestly, seeing the look on her face, the Doctor didn’t have the heart(s) to tell her no. And really, what was the Doctor, if not a professional fill-in? This, this was why he had a randomiser button on the control panel, because whatever he was about to get himself into was going to be fun.

“Sure!”

“Oh, thank god,” sighed the production assistant, relief dawning across her face. “When Ally tested positive this morning, I thought we were sunk for the record, because we called around and we couldn’t get a hold of anyone. But then Sam said he could get someone in, and, you know, here you are, and just in time, so—ah, yeah, if you could follow me this way?”

Smiling all the way, the Doctor followed his guide through to hair and makeup, looking around as they went. The studio seemed to belong to a company called Dropout, according to the branding scattered around, and things seemed, at least on the surface, to be… well. Fine. He couldn't tell why he'd been brought here yet, which meant that when he found the reason, it was going to be particularly tangled. He couldn't wait!

And then he looked back at his guide, still engulfed in a miasma of anxiety, and realised he'd been too busy looking for clues to notice the person right in front of him.

“Hey, it's cool, you've found me,” he started with a gentle smile. “You can relax. Hi, I'm the Doctor. What's your name?”

“Oh!” she said, startled. “The Doctor, yeah, of course. Um, hi, I'm Kaylin. Look, sorry, it's just that I've been so busy this morning, I'm so distracted… Shit, and I would've completely forgotten to get your details too. There's paperwork to fill in, but you can do that later. Um, just for now, though, can I get your pronouns?”

The Doctor thought for a moment. “He/him, for now.”

Kaylin nodded, making a note on her phone. “Okay, cool! And do you have any socials?”

“Not me, babes,” he replied. “I'm hardly sitting down long enough to be able to update, you know?”

“On a day like this, I know exactly what you mean,” she said. “That's okay, Lou didn't have socials either for the longest time. Right, so if you go through there, the team will get you sorted, and once you're done, someone will take you up to the greenroom. All good?”

“All great,” the Doctor replied. Kaylin flashed him a quick, relieved smile, then hurried off.

Hair and makeup was a fairly quick process, the sound mixer fitted him with a microphone, and before too long, Kaylin was back to take him upstairs.

“This is the greenroom,” she said, pushing the door open. “The rest of the cast for the episode are already here—they’re great guys, and they’ve both been on the show a lot, so they’ll be able to help if you’ve got questions. And if you need anything else, just come find me or any of the other PAs, okay?”

The Doctor nodded, beamed at Kaylin, and walked in.

---

The greenroom was small but comfortable, and its occupants, two men around the same age as the Doctor appeared, looked up as he entered.

“Oh, you’re new,” the taller of the pair said, clearly giving him the once-over.

The other sighed with a mixture of fondness and exasperation, just as clearly used to his friend’s antics.

“Hey, I’m Brennan,” he said, levering himself up to standing from his perch on a chair arm, and holding out a hand. “That’s Grant.”

The Doctor took it warmly. “The Doctor. Just passing through, and happy to help.”

Grant’s eyebrows quirked. “Doctor… something?” he prompted.

“Or is it just ‘the Doctor’?” Brennan asked.

“Just ‘the Doctor’,” the Time Lord confirmed cheerfully. “You’ll get used to it, everyone does.”

Grant didn’t look convinced, but—

“Copy that,” Brennan shrugged, and settled back on the arm of the chair, returning his gaze to the door.

Grant, in turn, looked at the Doctor and rolled his eyes in a clear expression of ‘no, I don’t know why he’s like this, either’.

“Okay,” the Doctor said after a moment of watching the watching. “I wasn’t going to ask, but now I think I have to. What’s up with the door?”

Brennan huffed a laugh. “Well, the last time there was one of those up—” he pointed to the Out of Order sign stuck to the bathroom door, “—we got locked in here for the game.”

“He’s paranoid,” Grant interjected.

“Well, yeah, maybe,” Brennan retorted. “Or just cautious. Because Sam’s been acting weird lately, and we’re coming up to the last few records of the season, so he’s probably planning something way out of the box for the finale. And the original cast was you, me and Beardsley, so…”

He shrugged one shoulder meaningfully, and Grant nodded, conceding both the point and the potential for chaos.

“So if Sam comes in to give us the briefing, rather than waiting til we’re on set,” Brennan continued, “or there’s anything else weird going on, I’m gonna know about it right from the beginning.”

He turned to the Doctor. “The only reason I'm not quizzing you is because I know for a fact Beardsley was genuinely scheduled for this, so you can't be a plant by the production team. No offence.”

“None taken,” the Doctor smiled. “That sort of thing happen often, does it?”

Grant and Brennan exchanged a look.

“More than you'd think,” Grant answered with a grimace.

“Alright,” the Doctor said slowly, then brightened. “So what is it we're actually doing?”

Grant gave him a disbelieving glance. “You don't know—?”

“Very last minute fill-in,” the Doctor said breezily. “But don't worry, I'm a quick study.”

“Well, you're not that much worse off than the rest of us,” Brennan said encouragingly. “You know about Game Changer, obviously, if you know Sam, and we only find out the rules of the game once we get on set. Hopefully,” he added, with a dark look back at the Out of Order sign.

The Doctor nodded. No, he didn't know Sam, and he didn't know Game Changer, but he could work out the situation from context clues. This was a game show. And with the Toymaker banished, and Satellite Five not coming into existence for another 198000 years, give or take, he found himself smiling. Maybe third time would be the charm.

“Mmm, hopefully they aren't going to throw you in the deep end,” Grant said. “Because Brennan might seem lovely now, but as soon as we get out there, he's a whore for points. He'll stab you in the back and won't even blink.”

Brennan barked with laughter. “Yeah, and you wouldn't?”

“Excuse you, I'm always a goddamn delight,” Grant replied, the very picture of injured dignity.

“Oh, absolutely!” agreed a new voice. The Doctor turned to the now-open door to see a bearded man in a pinstriped suit smiling broadly. “That's why we keep inviting you back!”

Grant bowed sarcastically. “Why, thank you, Sam. Good to know I'm appreciated by someone here.”

“Always,” Sam replied, gently but firmly ending that particular path of the conversation. He scanned the room, and his eyes lit up when they landed on the Doctor.

“Ah, you must be the Doctor!” he said with obvious delight, walking over with his hand outstretched. “I'm Sam—thanks for filling in for us, you've made sure we're going to have a good show. Seriously, it's a pleasure to have you here.”

“Aw, cheers!” the Doctor smiled, shaking the offered hand. “Glad I could help out, I'm really looking forward to this!”

“Well, great!” Sam exclaimed, then took a step back, regarding all three players in turn. “Now, folks, I'm just letting you know that we're just about ready to start the record, so if you can start heading down, that'd be great.”

Grant and Brennan nodded—Brennan, the Doctor noticed, with relief.

“See you down there,” Sam said, smiling. “Have a great show, and—”

His eyes caught on the Doctor's for a second, twinkling.

“Good luck.”

---

Backstage, the Doctor, Brennan and Grant were marshalled into podium order and given a final briefing from the crew. And then, with a thumbs-up from Kaylin, that was it.

Showtime.

“Get ready for a Game Changer!” came Sam's voice from onstage. “Tonight’s guests: he can shoot off a monologue with laser accuracy; it’s Brennan Lee Mulligan!”

Brennan, his back to the camera as the curtains opened, spun on his heel and, with a stone-cold expression, pointed finger guns straight down the barrel, before letting the facade crack open. “Hi!” he exclaimed, and walked over to the leftmost podium.

“It’s his first appearance, but he’s already on fire; it’s the Doctor!”

The Doctor leant against the archway to the stage and flashed a broad smile towards the camera, then in a few skipping steps, had bounded over to the next free podium. What the hell, why not make an entrance?

“And even in the toughest of mazes, you’ll always be able to find him; it’s Grant O’Brien!”

Grant dipped his lanky frame into an approximation of a curtsey, spreading his arms wide, then sauntered over to the closest podium with a grin.

“And your host, me!” Sam announced, a ring of manic white showing around his irises as he beamed down the barrel of the camera. “I’ve been here the whole time!”

“This,” he continued, pushing his microphone shut and stowing it in his jacket pocket, “is Game Changer, the only game show where the game changes every show. I am your host, Sam Reich!”

As he said his name, he looked at his hands, front and back, as if he was pleasantly surprised to be himself, then gestured towards the three podiums.

“I am joined today by these three lovely contestants! Now, you understand how the game works.”

“Of course not,” Grant started. “You know we don't.”

“We can't, Sam, that's the whole point of the theatre you've set up here,” Brennan said over him.

“Not yet,” was all the Doctor said, anticipation starting to drum a tattoo of excitement against the inside of his ribcage.

“That’s right!” Sam said brightly, shooting finger guns at the camera. “Our players have no idea what game it is they’re about to play. The only way to learn is by playing. The only way to win is by learning, and the only way to begin is by beginning! So without further ado, let’s begin by giving each of our players fifty points.”

The Doctor, biding his time, watched the reactions of his fellow contestants. Grant looked at the front of his podium, checking the point total, and nodding approvingly when he saw that yes, it was sitting at a round fifty. Brennan, on the other hand, was starting to frown.

“Players, Sam says: touch your nose,” Sam began, and Brennan sighed the sigh of someone who wasn’t happy to be proved right.

“Oh, no,” he groaned. “Oh, you son of a bitch. Wasn’t one this season enough?”

He touched his nose anyway, as did the others, and Sam smiled encouragingly. “Sam says: touch your ear.”

When they all did, Sam nodded. “Touch your other ear.”

Everybody held still, fingers on the ears they had originally touched.

Sam beamed. “Easy, players, right?”

“You say that now,” Brennan said darkly. “Which makes it worse, because all you're doing is setting us up for failure.”

Sam gasped, pretending offence. “Would I do that?”

“Yes,” Brennan and Grant replied in unison, which drew a grin from the Doctor and set Sam off chuckling.

“And I'm not having it,” Brennan continued, leaning his elbows against his podium and pointing at Sam with the hand not touching his ear. “You better watch yourself, because I know how this game works, and you're not going to get one over on me.”

“Strong words, Brennan!” Sam said, clearly delighted by this response. “Okay, then, let's start making things a bit more interesting!”

The game continued as per Sam Says usual, some rounds done as a group and some individual. Points were won, sure, but lost slightly more frequently, and even the Doctor found he was having to concentrate to avoid getting caught in the host's traps.

It was fun. Genuinely, it was like playing a game with friends, and the Doctor felt himself leaning into it. There wasn't any sign of danger—maybe there wasn't a mystery to solve at all, and the TARDIS just decided he needed a total break.

Well, probably not. But the way things were going, he was able to let himself hope.

“Alright, players,” Sam said a good few rounds in, just as pleasantly as he would start any other question, and the screen behind him dinged as a new prompt popped up. “Survive the death beam.”

For a second, everything was frozen perfectly still.

And then came the crash, the explosive noise of heavy machinery moving relentlessly through a drywall set.

The Doctor was already moving. “Everyone down!”

“Duck!” Brennan yelled at the same time.

The two of them hit the ground within milliseconds of each other, but Grant was still paralysed in the face of the giant, science-fiction type laser cannon that had just ploughed through the wall.

It whined ominously, screaming its way to fever pitch. And then a sharp pain in Grant’s ankle made him stagger, pitching forwards onto the carpet behind the podiums as the Doctor rolled away to avoid getting pinned.

“Sorry, babes,” the Doctor whispered. “But it was either kick you to get you down, or—”

A hideous metallic screech ripped through the air, and all three of them could feel the crackle of ozone as a beam of energy swept across what had, moments ago, been neck height.

“…Or that,” the Doctor finished with a grimace.

“Jesus fucking Christ,” Grant breathed, suddenly very conscious of every inch of his 6’9 frame. “Thanks.”

“Well done, players!” Sam exclaimed delightedly from above them. “But… sorry, I didn’t say ‘Sam says’, so that’s a point off for everyone.”

“What the fuck!” Brennan snapped.

“Are you actually insane?” Grant demanded at the same time, his voice overlapping with Brennan’s.

In response, Sam just wheezed with laughter. “You can come back to your podiums,” he said, cheerfully ignoring them.

Nobody moved.

“Very good!” he acknowledged, and even without seeing his face, the grin was obvious in his voice. “Okay, Sam says: come back to your podiums.”

Although the words were innocuous, and his tone was just as light and breezy as usual, there was nevertheless an edge hiding just underneath the surface. And while the death beam loomed large in the minds of all three players, it was impossible to consider disobedience as an option.

Slowly, they stood, returning to their places. Now they had the time to look at it properly, the death beam was even more sinister, and Brennan and Grant both kept flicking nervous glances its way, ready to move if it looked like it was charging up again.

The Doctor, however, was focused purely on the man standing in front of them. Unbothered, Sam met his gaze like a challenge, a mischievous smile playing about his lips.

“Oh, you’ll love this one,” he said, and the screen changed. “Sam says, starting with Grant: say my name.”

Grant frowned in confusion, but answered quickly nonetheless. “Sam Reich?”

The man himself shrugged tolerantly, moving on. “Brennan?”

Brennan just stared at him coolly. “Do you take me for a fool?”

“Well caught, Brennan!” Sam said happily. “Sam says: say my name.”

“Sam,” Brennan replied, suspicion clear in his voice. “Samuel Dalton Reich.”

He nodded, still with a hint of indifference. “And lastly, Doctor.” His smile broadened. “Sam says: say my name.”

It was easy. Too easy. And as the Doctor looked into the eyes of the man calling himself Sam Reich, he felt his hearts stutter in recognition, because something had changed. He wasn’t hiding himself anymore, and while the face was different yet again, the Doctor would know the shape of that soul anywhere. It was impossible. It was inevitable.

“You can’t be,” he breathed.

Sam smirked, leaning in across his podium. “Oh, but Doctor… I’ve been here the whole time,” he stage-whispered with a wink.

“He said you lost,” the Doctor said, shaking his head, looking wrong-footed for the first time that Brennan and Grant could recall. “You lost, and he trapped you.”

The other two watched, uncomprehending, but Sam just smiled, drumming his fingers against the podium with an audible beat, fast but distinct. Four taps, four taps, four taps. “I’m waiting.”

The Doctor took a slow, deep breath. Set his jaw.

“Master.”

---

missed an installment of the game master cinematic universe?

original idea by @ace-whovian-neuroscientist: x

art by @northernfireart concept: x scissor sisters sketch: x sam and his doppelganger: x

writing by me (!) part one (escape the greenroom): x part two (deja vu): x part three (sam says 4): you are here!

#game master #sam reich!master #doctor who #dw #dropout #game changer #you know what let's chuck some character tags in here #15th doctor #the master #sam reich #brennan lee mulligan #grant o'brien #kaylin mahoney #clari speaks #clari writes #ah darlings i'm putting my chat down here rather than in the post body for once #so i've thought of this whole saga as 'part three' but i will be a) titling them all and b) just keeping on numbering the parts sequentiall #rather than 'part three part one' etc #otherwise we're getting into homestuck act titling territory and that is ground i do not wish to tread #also fuck i hope i've got the time zones right #i'm planning to post this when an episode of game changer would ordinarily be released. to plug the gap. to tide us over.#(the finale trailer is so delightfully unhinged and i cannot wait til next week)#anyway gang this one was wild #the slight but significant genre shift from 'game changer with doctor who elements' to 'doctor who with game changer elements'#it was fun to write! and hopefully fun to read :)#also i MUST say that eugene northernfireart has a baller comic in the works that this entire thing is based on #this is thousands of words of setup and continuation because the sketch idea was so good it possessed me #and we decided that it had to be a proper dw episode #(hey rtd hire me pls)#anyway eugene is on hiatus bc of life so in the meantime go give him love and be Fuckin Hyped for the comic when it appears bc i know i am

1K notes · View notes

twentyfivemiceinatrenchcoat · 1 month ago

Text

it’s suguru and his love for sleepy drunks against the whole entire world

#this image came to me suddenly and has notttt left my brain #he thinks you are sooooo cute :3c #maybe i’ll elaborate tmrw … it’s 3:00 am here i need to sleep #will continue catching up on my tbr tmrw 🙂‍↕️#my mutuals are so talented their writing makes me so happy :’3 feeling verh grateful rn #i haven’t given myself neaaarly enough time to read fics in a good while :<#that needs to change asap #anyway … goodnight dash <33 #sleep tight !!!!!#ari noises ✩

275 notes · View notes

thatdeadaquarius · 1 year ago

Text

Genshin Impact Sagau/Isekai:

You still have acces to characters! ...by possessing them. 👻

PART 2 (you're here!) / Part 1

All art by me! :] leave me a iced coffee?? :0

HEY!! REALLY QUICK PLEASE READ!

STOP tagging my posts as "Yandere Sagau", "Sagau Cult AU", "Sagau Imposter AU" or other related dark content tags.

I'm sick of seeing reblogs that tag my work as dark content, when I'm specifically trying to LIGHTEN UP THE SAGAU TAG 😭😭??

Please be more respectful of this. Actually read the work before you just tag it incorrectly. Tags do matter.

/nm /gen

☆

Sun: Gender Neutral Reader (they/them)

Planet: Misc. Genshin AUs

Orbit: Headcanons, Scenarios

Stars: Tighnari ft. Cyno, Alhaitham, Collei

Comets & Meteors:

Content Warnings: Mild violence (bandit attacks/non-graphic), Reader/you possess people non-consent (mild/consent given eventually)

& Trigger Warnings: Reader/"you" possess people non-consenually for short times, but given consent eventually.

(pls comment if any more!)

Edit 9/7/23: 1,000+ NOTES?? WHO WHAT WHEN WHERE WHY- THANK YOU???

Edit 12/24/23 + 4/5/24:

☆

My goofy ass forgot to put this here .-.

Anyway this is a full length fanfic now ;)

…mistakes were made.

bad decisions were had, and okay, mayyybbbeee you could’ve taken more precautions against people finding out you were “real”.

afterall, you did see the Eremites reaction, even if it was only two guys (one from each camp) that you possessed :/

word spreads quickly amongst the Eremites groups, you guess, bc next thing you knew, after you’d moved closer to floating around Gandharva Ville,

they’d called that entire bit of forest haunted.

BUT IN YOUR DEFENSE-!! how were you supposed to know they’d blab to the whole camp they didn’t remember the past 20 minutes after you unpossessed them?? and immediately be on guard and jump to possession?? (Irminsul works hard but eremites/sumeru people work harder u guess)

And by the time you were happily patrolling with Collei, the forest rangers were just so chill you didn’t really expect anybody would think a ghost was possessing them (or whatever you were now… maybe,, just code?? it’s unclear)

so when u start to see Tighnari squint at people who’ve technically just “woken up” after you possessed them, mumbling under his breath more and more as a file he carries around gets thicker and thicker-

you start to think,,, maybe.

okay, mayyybbbeee,

you’ve fucked up.

◇

You really can’t help it, first it was making sure Collei got back safely from patrols (she’s ur skrunkly okay, you can’t help it, you’re still aware she’s capable but- the urge to skrunkle overpowers you- )

but then-!! You managed to spot Cyno! :D its ur boy!! ur little meow meow, who can throw people over his shoulder!! He really doesn’t need you, hovering around, but eh ¯\_ (ツ)_/¯

what could it hurt! …it’s not like he can see, hear, or feel you anyway…

(unless u possess some animal/machine he thinks is friendly, which. sumeru is not exactly known for cuddly creatures. you don’t feel like experiencing death when possessing stuff just yet-)

imagine ur panic and shock as the General Mahamatra takes on a camp of criminals on the run, only for one of the old ruin machines (the ones that are just LEG and DEATH)

to hear the ruckus and come stomping around a thick patch of trees, it launched missiles!! You can’t warn Cyno, he can’t hear you!! No one can!!! The criminals are unconscious, there’s no other wildlife nearby they all ran off!!! FUCK-

You look at him and try to imagine his perspective as vividly as you can, he’s looking over the criminals, but now he’s turning, so people passed out and the tree-line got it-

Congratulations! You’ve possessed Cyno. 💀

It completely disorients you for a second, but then the panic of dodging the missiles comes back in time for you to make his body dive and roll off to the side, for as long as you can manage a roll too since you remember that’s the best way to dodge missiles in the game

…which works really well! bc he’s so fit and agile tbh

It was weird to finally run again after so long (two months now in teyvat?? wow)

with your feet suddenly in sandals, and feeling the breeze chilling your bare chest (Cyno’s chest??)

yeah its a shock considering most of the ppl you’ve possessed lately have been fully clothed rangers lol

you quickly imagine your ghostly form again, and just like that you’re drifting out of Cyno in ur “ghosty” form, having floated out and away from his back

Poor guy looks so fucking confused, and immediately is wielding his spear again, and is about to get out the crouch you put him in behind the dilapidated stone wall (dammit he better not waste ur efforts to keep him alive-)

until missiles slam and explode against it, he ducks back down (thank fuck) and Cyno just looks around one last time before hopping the wall and running to fight the thing

you notice that when the electro user goes to use his powers, they seem stronger than they were in his fight with the goons??

Maybe he was just going easier on them, since they are only human?

…so why does even Cyno look surprised when he goes to make a simple swipe with his charged spear and a bolt of lightning cracks out from his spear instead…?

…weird.

◇

Tighnari knows you’re here.

You figure he must have collected the reports of people “blacking out” or “sleep-walking” or whatever else and begun to suspect the worst.

…to be honest, you’re not sure what to do.

on one hand, it would be great to have someone know you actually exist, as yourself,

but on the other…

What would Tighnari think?

Of you possessing his rangers?? Temporarily taking ownership of someone without permission??? You’re afraid he’d think the worst of you…

tho u didn’t do so often, as u realized how messed up this could be, and u never did more than make them walk or talk normally for a few minutes before leaving them alone!

… afterall, you missed interacting with people. You were honestly a little worried abt going crazy, which is the only reason u were desperate enough to possess human people in the first place and continue doing so, just to talk to someone and have them look you in the face again like you really did exist as a person here-

(u thought u remember reading somewhere back on Earth that someone can only last 3 days of no other human contact until they start to lose it? but even if that’s not true, at the very least, u dont think talking one-sidedly to yourself all the time is healthy…)

so when Tighnari seems to get that file you’ve seen him adding onto, and gather up supplies, mentioning a day trip to Collei and the others to Sumeru City for some

��further research into these ‘blackouts’, and also contacting some of my colleagues who might know something…”

there’s no way you’re not going with him.

you feel increasingly anxious all day, and at one point when you were sure Tighnari was walled-in by books at the House of Daena, decide to go blow off the anxious energy by possessing an animal to get some food!

…you’re not really feeling comfortable enough to possess a living being into eating yet, that seems hella nonconsensual, and u kinda would be taking the joy of the meal from them tbh-

so u possess a cat!

a ginger cat, bc u like to think if u do anything weird, that ppl in Teyvat have the same type of cats back on Earth and excuse it as just:

“unhinged ginger cats being unhinged ginger cats yep makes sense” lol

you’d managed to be really cute (and wasn’t that weird, having to mimic animal behaviors like rubbing ur side against a person’s legs..)

and convince one of the cooks of Lambad’s Tavern to give u some leftovers, and been about to go off to try out sunbathing before the chore boy, little shit he is, tried to chase you off with a broom!! >:( the audacity!! you clearly have a little plate and everything!!

luckily, you’d finished eating, but still! Ouch!! those bristles fucking hurt-!!!

…you look and see a Sumeru-ified version of a skateboard, and u just know ur little cat face is just ✨v✨

and u steal the little shit’s skateboard as revenge! HAHA thats what you get animal abuser!!!

The kid’s yelling at you as you speedily skate away with ur little cat paws (LMAOO), but the cooks are calling him back in so he can’t pursue, (oh good u hear them get onto him for chasing u off)

and as u slow down to coast along the Sumeru streets,

you feel someone’s eyes staring you down.

You assume it’s just people being amused at a cat skateboarding, obv

but when you look just ahead of you to see a smiling Sumeru citizen or eremite-

Oh. It’s Alhaitham.

and he’s just… watching you.

he’s stopped reading whatever he’s got in his hand, and is slowlyyyy turning his head as you pass by…

You decide to just keep skating away. LMAO

◇

it’s already sunset by the you’re accompanying Tighnari back from Sumeru City, floating along behind him

and you’d been expecting a calm walk back, tbh you’d been feeling a little better bc the ranger hadn’t found much to identify you, yet, luckily-

but bc u can never catch a break:

Tighnari didn’t see the bandits dropping from the goddamn trees BEHIND HIM- and they had like claymores out- those were definitely gonna be killing blows-!!

so yeah.

You possessed Tighnari.

turns out ur pretty good at dodging bc this is second time now you’ve helped dive away for someone in an ambush, ur kinda proud of urself tbh💀

and as you make him take a few leaps back, ur ears twitch in the wind as you duck behind a tree, then float away and out of his body

The poor hybrid ranger visibly sways, then shakes his head out of it, and he flicks his ears in different directions, squinting into the woods, he’s pulled out his bow, so you’re at least reassured he’s aware there are enemies

Like Cyno last week, he too gives up and rolls for the next tree for cover and begins to shoot and take down the bandits

the rest of the week is kinda a blur after that, bc it’s mostly filled with Tighnari running in circles around the camp checking for blackouts, writing letters to Alhaitham and Cyno apparently, and you not possessing anybody out of paranoia :/

Most notably however,

you’ve unfortunately discovered one of the few drawbacks of ur possessions

(y’know, besides not existing essentially, what with no one being able to sense u outside of possessions)

apparently, if someone walks thru you, they accidentally force you to possess them 💀??

while it’d already happened once with a random ranger that you didnt notice was walking up behind you,

you didn’t want to test it again just yet bc it kinda made YOU nauseous and incredibly dizzy when this happened

(as in, u stumbled like a drunk after this poor ranger woman ran thru u, until you were so dizzy and the world spun sm u had to make her sit on the literal ground, luckily she just thought she was just really dehydrated when she came back into herself 😭)

so obviously, you’ve avoided crowds to keep this forced possession thingy from happening all the time

like at the Forest Rangers meetings or something, ur watching off to the side, instead of standing with them or beside them

so needless to say, after about a week and half since possessing Tighnari,

you definitely did not mean to possess Collei.

She’d been in her wheelchair today, the Eleazar flaring up and tiring her body out

so her wheels had been entirely silent when she rolled up to where you and Tighnari were leaning over some strange experiments of his- you were just trying to figure out what all these mirrors were for, didn’t he do plants more-?

you didn’t even know what the hell happened, you just felt that familiar dropping sensation, like a small drop on a rollarcoaster, blinked, and then suddenly you were sitting instead of standing/floating???

Oh god-

before you could even begin to process that Tighnari was in front of you instead of beside you, the world was shorter,

The fox-eared ranger yelled in triumph, grinning with sharp fangs and spinning around to look at you (Collei)-

“Ah-ha! It worked! Finally, I saw you! I saw you, I-?? Oh gods, Collei, NO-!”

And with quick reflexes, Tighnari’s summoned his bow, but he’s clearly confused on what to do about this situation, taking aim, but also holding the air glowing with dendro not as taunt as you’d seen him in the battle with the bandits

You scramble to raise your hands up, brown poofy sleeves rise to your command, light green hair you can feel on your shoulders, everything is familiar, but not-

“WAIT! I’m sorry!! This was an accident, I promise! I don’t intend to hurt Collei, or you!! Please, just, don’t shoot me, I think you’ll just hurt Collei instead…”

You talk him down and decide, that if he’s put this much effort into finding out about your existence, is an incredible leader and friend to everyone around him, and was able to accept the traveler and many other strange things that’ve (probably? maybe?) already happened in Sumeru (god fuck u dont even know where in the timeline you are)

that you can probably trust Tighnari with your existence, and your powers.

…He nearly passes out.

◇

Life has gotten a lot funnier, and happier, since you told Tighnari (and some of the more trustworthy rangers and Collei by proxy) about ur existence (or really, confirmed it)

He’d been wary at first, appropiately cautious and demanding answers, of which you were happy to give and explain yourself

luckily, after a whole lot of “hmm, I see, no, I think I’m understanding-” , finger on his chin and everything

he’s said it’s okay to hang around the rangers, so long as you don’t possess anyone anymore without them knowing about you/with permission (outside of emergency situations that is)

tho he did seem surprisingly understanding and accepting of you doing it before after you explained how u were just unbelievably lonely and were lowkey paranoid of going crazy-

The rangers seem to believe you’re some kind of god/spirit thing, as you had no explanation yourself as to what you were ¯\_ (ツ)_/¯

Tighnari’s also given you the rule to help out around here if you’re going to “ghost-laze around”, as he puts it lol

you’ve redirected ruin machines/feral animals away from rangers many times by now, to the many thanks and gratefulness of the rangers

you’ve even managed to even figure out how to push Collei’s wheelchair around when she uses it!

mostly by possessing tree after tree and using vines, or occasionally a fungi that can fly so you can nudge her along

she has insisted that you possess a ruin guard and carry her just to try it… however, Tighnari overheard her talking to the forest rangers’ dog (you) and immediately knew shit was up and banned you from doing it (at least not yet)

While most rangers are okay with you possessing them for a few minutes (and they’ve developed this bandana wrapped around their upper arms policy of “red = no possess, green = go ahead”)

Collei is the most okay with it and for longer, so you “won’t be that lonely ever again!” :’)

Tighnari is busy with stuff, so you can’t possess him as often, but the ranger has developed a theory that the more you possess someone, the more they can sense your feelings during possession/while floating around in ghost form too,

so he’ll occasionally feel you in the room with him, and start talking out loud in some one-sided convo to make you feel more included to make up for not being able to interact with him sometimes :)

(after taking you off his list of worries he’s still pretty swamped, not that he’ll tell you that, as he’s still not quite sure why he’s so, warm and safe feeling when you’re around, so willing to trust you so naturally, that it makes him want to at leats pretend to be worried abt a possessing ghost god/thing hanging out with the rangers now)

◇

basically everything is great!

the rangers are okay with you, they got a system to interact with you consensually, Tighnari and Collei are fond of you, you get to finally have something to do instead of floating around all the time (joining ranger missions)

and look!! they’ve even been kind enough to build you a little shrine or altar of sorts! Notes about Sumeru life, recipes for you to try, occasionally some books for you to read, and even some snacks/desserts for you to try out the next time someone possesses you and gives consent! (you leave them a little note stuck on their hand with your question for specific actions like that, if there isn’t another ranger there to ask for you when you unpossess them)

and everything is so cool, and everyone is so sweet and accepting

…Until Alhaitham shows up in Gandharva Ville, knocking on Tighnari’s door.

☆

AHHHH idk if this is any good! sorry it took so long, it was mostly the art 😭😭

anyway its not the best (the writing or the art) but i hope it’s at least some content to look at and be entertained for a minute!

also figured it was a good day to post what with the attack on our beloved Ao3 (tho i think it’s back up now?)

anyway, feel free to leave critiques on this one! (which I’ll probably turn this into a real fic one day soon, but not sure what to do with the plot/do a diff setup than this or what)

☆

sorry abt the radio silence! I just needed to close my mailbox bc i had a lot of stuff to answer, ur welcome to send submissions to chat/non-requests!

and also this took time to make (once again, mostly the art, bc thats how it always is with art isnt it 😭)

☆

Safe Travels Stranger,

💀♒

☆

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @justlostintheinternet / @assassinsnake101 /@sun-wokung

If ur tag is here and didnt work, idk why!

Maybe see if your listed as a "searchable blog"?

2K notes · View notes

luxaofhesperides · 9 months ago

Note

Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke

Technically, Danny Fenton is innocent. Technically.

Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries.

It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham.

So.

Danny Fenton is technically innocent.

Duke is trying to prove that he’s not.

Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.

He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native.

There’s a lot about Danny that doesn’t add up.

Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.

He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.

Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras.

But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them…

It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.

A week of analysis in the Batcave and they still don’t know what it is.

Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all.

All these findings lead back to one person who may have answers: Danny Fenton.

According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything.

And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own.

He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort.

It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking.

Duke follows from above, bending the light around him to hide him from sight.

He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds.

He continues to follow Danny on the rooftops, walking along the edge to keep him in sight.

Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—

Danny disappears.

Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground.

The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.

He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading.

It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes.

The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924.

The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom.

He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds.

Everything is still and silent. Danny’s nowhere to be found.

Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?

But no, his ears pick up on the faint sound of clothes rustling.

Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.

Then he moves along the wall, getting around the open door without bumping into anyone or anything.

A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface.

Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air.

There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”

He steps back and bumps into Duke.

Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes.

“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”

“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist.

“I just have a few questions!”

“Well, I have a question: why?!”

“Will you hold still, we’re being too loud!”

Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.

“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.

“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I’m the only one active during the day.”

“All the Bats?” Danny repeats, losing what little color he had in his face.

He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”

Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch.

“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”

There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”

That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.

“I think you’re gonna have to explain a little more.”

“Ghosts are real, alright?”

“Yes.”

Danny stops. Squints at him. “What do you mean, ‘yes’?”

“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”

“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”

“And that’s why you’re stealing random things?”

“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”

Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”

“Yeah, those people were already dead.”

The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure.

“They were…”

“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”

“Okay… What about the green stuff we’ve been finding?”

“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”

Oh. If Danny has ectoplasm, does that mean…

“Are you dead?” Duke asks, heart dropping.

Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”

“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”

“Yeah. Basically. They asked for help man, of course I was going to help them.”

Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts.

“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.

It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow.

He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”

Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions.

Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.

Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen.

“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.

“I’m sure I’ll be able to find you again.”

“Cool. I gonna go now!”

He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before.

As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it.

For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER.

If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.

He can’t wait to see what other kind of trouble Danny can get it into.

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #prompt fill #my writing #could not do a meet cute/weird in this prompt so i made it a meet disaster lol #heres danny trying to focus on his education!! and then ghosts start popping up asking for help bc gotham wont let them leave #so danny has to make a few contraptions to be able to help them (mostly ecto tracking/measuring/containing) and it looks SOOO sus #the ghosts also have a weak ecto sense which is how they find him bc hes FULL of ecto #and that means hes robbing houses during the day/late evening bc the night is for homework and stress #duke is just... trying his best lol.#sorry if the last part of this is rushed or confusing i am slightly sick and can Not focus #anyways i hope u enjoy!!#thanks for the prompt!!

1K notes · View notes

deoidesign · 5 months ago

Text

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

#and people get mad at us about 'short updates' lmfao #the companies are absolutely abusing our passion and our desperate situations #but readers genuinely offer little to no grace #if I am going to be able to leave #then the conditions for me to be able to leave need to exist #and they just Dont right now #I'm not making nearly enough to pay my bills without webtoon #I NEED the job #I dont have a car #I cant fucking afford one #I can't drive anyway #I NEED TO WORK #THIS IS MY JOB #I want to leave I'm being mistreated but I CANT!!!#anyways. whatever #I'm so fucking upset that someone just idk spread misinformation #and now the conversation is about like nooo she was under the same shit conditions as everyone else #she's just a really good writer #like okay that's awesome and I'm really glad #but WOULDNT IT BE NICE IF SHE WASNT ALSO OVERWORKED?#AND ALSO IF GOOD WRITERS WERE ABLE TO WRITE WELL WITHOUT HAVING TO BE OUTLIERS???#god it makes me so so so mad!!!!#fucking ruining a really important conversation to have!!!#we're mistreated!!!!!!!!!!!!!!!!!!!!!!!!!!!!! we just are!!!!!!!!!!1 #I'm not paid enough to build the savings to take risks!#this 6 month break was EVERYTHING #I NEED to start working to pay my bills now #like it's over I ran out of time #its heartbreaking #I hate it here

539 notes · View notes

sunnymainecoonx · 2 months ago

Text

How many people witnessed softie food addict horror who needed something in his mouth or he would actively kill and turn to cannibalism 🧍‍♀️ or was that just me.... anyways honestly it was silly.. he'd maybe get along with cook horror... I just like fanon crossovers guys*sadge

Anyways canon horror is also silly(really silly. What an asshole, man)(no seriously he's actually such an asshole.. I might love him for that but-) I don't think he would get along with the others(loser)

#me when I acknowledge as many sides of an argument as possible which just makes me confused because I am trying to take off of other people #but they're so diverse that I can't mix all of it and so I don't know how to interpret any characters anymore and what makes it worse is my #ahh not actually understanding people or relationships because I got minimum emotions maximum carelessness but I also love emotions so I #love the psychological torture of all of this but I also don't understand it so I'm depending on everyone else but yet again they're so #mixed I get confused and I don't know how to deal with any of it so I'm just here standing confused screaming in my own mind as I try to #understand how to make it all work together and then #....#Jesus fuck #sans au #utmv #undertale au #horrortale #horror sans #UwU #anyways disregard any ideas I may have ever because they will always change and I don't know what to do anymore.......#bro I'm boutta resort to Wattpad fics.... get ready for Wattpad highschool fic😼/j #I want to do that but I lost my fluidity in writing sighs...#I never graduated from Wattpad sorry guys😔#I didn't do that well drawing canon horror tbh but it'll have to do

277 notes · View notes

lucabyte · 3 months ago

Note

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

274 notes · View notes

fatedroses · 2 months ago

Text

Two former military elites taking merc jobs perform absolutely hellish battle tactics together.

#ffxiv #digital art #zenos yae galvus #estinien wyrmblood #adventurer zenos #I will always adore this duo conceptually #because like- socially theyre that aragorn-geralt brooding in a corner of a tavern meme #but in combat they are absolutely terrifying #the azure dragoon and the super soldier legatus are here to fuck up a poachers day #aka zenos is about to crossmap someone's airship cause he knows estinien cant make himself jump that far #why have him try to jump when he can just Olympic-level javelin toss this man #also guys #my dudes #all this time I've been working on adven!zenos being a tank #I... have realized I just write him like a warrior who isnt carrying a weapon- sturdy unkillableness and countering and all #I am only a little bit of a dumbass but orogeny just seems to live in my head rent free #it also gave me the terrifying concept of- after spending time with the scions and after the ultimatum-#of him trying to learn more about dynamis- and zenos being zenos starts learning eventually how to harness it #local calm apathetic man can berserk on command because he's a lot angrier/more expressive inwardly than most people expect #depending on how I look into it- it might be how he fuels most of his shinryu transformations but I'll have to work on it more #but ANYWAYS #I love the thought of these two hunting and working together #and estinien being tossed being turned into a tactic #especially with proper form #this is something ive wanted to draw for a very long time and im very happy I actually have the skill to do so now

206 notes · View notes

theminecraftbee · 1 year ago

Text

Joel turns around. Martyn is standing there. His eyes are a burning red that gives Joel the heebie-jeebies. If anyone would know to be scared, it's Joel! He would! He'd recognize a mad dog if he saw one anywhere!

Anyway, all of that is to say that his high-pitched scream had been totally justified. "Oh my word Martyn what are you doing here?" he says, clutching his hand over his heart, several feet further back than he'd been thirty seconds ago.

Martyn snorts. "Is the sign not for me? Figured there was no one else it could be for."

"The what?"

"The sign."

Joel turns around. Outside his base, the other Mounders have hung a helpful banner: "SORRY EVERYONE YOU LOVE IS DEAD <3".

He'd told them it was kind of rude, hanging that up. Sort of made light of the whole thing, really. His wife and Mumbo and Jimmy had died, guys, don't be idiots about it. Bdubs had loudly told him that he was TRYING to be helpful, Joel, geez, why don't you appreciate his efforts? Pearl had shrugged and said they don't exactly make cards for this kind of thing. Joel's pretty sure they do, actually but...

Sorry everyone you love is dead. Hah.

"My wife is dead, Martyn," Joel says.

"Who, Lizzie or Jimmy?" Martyn says, weirdly dark. "Anyway, my husband's dead, so--"

"Your what?"

"Mumbo and I got married one time. Everyone forgets that for some reason."

Joel has to think about it a while. "Huh."

"Yeah. Anyway, you've still got the other Mounders, huh? Don't know what you're crying about. Thought the sign had to be for me. Thought I'd show up. Get cake. Kill some people. You know how it is."

"If there's a TNT minecart in my base, the first thing I do after I turn red is kill you," Joel says.

"That's not really how it works this time," Martyn says.

"Yeah, well, screw you," Joel says. "Also, they didn't make me any cake. I should ask them for that next. Hah. A cake."

"You know, maybe don't ask for that? Parties tend to go wrong in this game."

"And who's fault is that, huh?"

"Hey, don't look at me! Or, do. Since I'm going to kill everyone, on account of everyone I love being dead and all. Really convenient excuse for murder, that. I should use it more often, if it didn't involve the crippling grief," Martyn says.

"Oh, please. At least you tend to have people to love in the first place," Joel snaps.

"Oh, right, that is your curse, isn't it?" Martyn says. "Sorta broke it last time, but you do tend to get isolated and a bit crazy. Hey, I wonder if we're the ones who traded, actually what with the whole wolf thing."

Joel blinks. "What?"

"Oh, we're all cursed," Martyn says. "After all, They like it better that way. Hey, do you think Jimmy's curse transferred to Lizzie, got cancelled out by the fact Lizzie tends to die stupidly, or got broken? Personally, I'm thinking random fluke, when it comes to canary nonsense."

Joel stares at Martyn. His throat is dry. "What?"

Martyn stares back. "Hey, I'm the mad dog this time," Martyn says. "You probably shouldn't be the one growling."

"Well then, you should stop saying stupid shit," Joel says.

"Stupid? Please. It's obvious everyone is cursed. Nothing to be done about it but to play into the--"

"NO ONE IS BLUMIN' CURSED," Joel shouts, his vision suddenly red and blurry in a way it shouldn't be when he's still on yellow. "NO ONE IS BLUMIN' CURSED. THERE'S NO SUCH THING! YOU'RE JUST, JUST MAKIN' UP REASONS IT ISN'T ALL A TRAGEDY THAT EVERYONE I LOVE IS FUCKING DEAD, MAKING UP REASONS THAT IT--NO ONE IS CURSED! IT JUST HAPPENS! IT JUST HAPPENS! IT JUST FUCKING HAPPENS! AND WOULDN'T IT BE BLUMIN' NICE IF THERE WERE A HIGHER POWER BUT THERE ISN'T SO SHUT THE FUCK UP ABOUT CURSES!"

He's panting. Martyn is staring at him. He stares back, a snarl on his teeth, the echoes of wolves and of grief, grief, grief, grief playing at the back of his throat.

"Joel?" Martyn says, hesitant.

"My wife is fucking dead. My best friend is fucking dead. One of my new possible best friends is fucking dead. Sorry about your husband, I guess? Get out."

"Bold thing to say to the guy who can kill--"

"I SAID GET OUT!"

Martyn stares at Joel a moment longer, and Joel finds he's not scared of the madness in his eyes at all.

Martyn leaves.

Joel realizes he's crying. The tears turn into giant, ugly sobs. Sorry everyone you love is dead. Sorry everyone you love is dead. Sorry everyone you love is dead.

"I blumin' hate caring about people," he says to no one at all through choked breaths, and he kicks a rock at the banner for good measure. It pokes a little hole through it and bounces off the dick-shaped tower behind it.

"Someone really should have made both of us a blumin' cake, they should," he says next, and he sits down until Pearl runs over, having heard the shouting. His face is red and his vision is still swimming. She stares at him, gathers him in her arms, and cries with him, and for the life of him, he doesn't know if that's any better.

#secret life smp #secret life spoilers #a bee fic #joel smallishbeans #martyn inthelittlewood #ONE MORE FOR THE ROAD THIS SESSION HAS INSPIRED ME TO WRITE APPARENTLY.#anyway the life series is a tragecomedy and everyone copes with that differently i think #i am trying to really CAPTURE the simultaneous tragic and comedic vibes here #anyway. opposing views on curses and causality in the face of grief huh?

709 notes · View notes

doomedclockworkdotmp3 · 1 month ago

Text

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

#my art #digital art #digital painting #fanart #resident evil 7 #ethan winters #goddd PLEAAASEEEE #i havent known if i was gonna post this or not multiple times in the process of drawin this. but ultimately i spent too much time on it to #NOT post it. embarrassment be damned #but at the same time what am i even doin yknow. what is this what is goin on pleaaseee PLEASEEEEE #I DONT KNOW ANYTHING ABOUT RESIDENT EVIL!!! I DONT KNOW N O T H I NG I KNOW LESS THAN NOTHING #HOW?? HOW DID I GET HERE??? WHY DID THIS HAPPEN???? i know exactly the answer to all those questions but it still boggles me how fast this #happened. usually it takes WEEKS if not MONTHS for me to start makin fanart. this was faaasttttt TOO FAST and im like. genuinely constantly #thinkin about this game. im ALWAYS thinkin about this game. part of why this took me so long to do is cause i always wanna play re7 or thin #about re7 in a strange and deranged way. ive actually genuinely been SICK WHAT HAPPENEDDDDDD #im losing it!! anyways this took me a looonggg ass time and i redrew it soo many timmmessss #i did like. 3 lineart passes. the album version i did 3 shading passes. i really struggled!! and ultimately i dont know how i feel about it #like i kinda resent it. for takin so long and makin me suffer so much #never again. never again will i spend that much time on a drawing. i HATE when drawins take a long time. i HATE that. it makes me madddd #ive been insane. ive been so insane. and im not gettin better like i cant sleep sometimes cause im thinkin about this game and this guy and #that gal like i think about them!! so! so much!! oh my god!!#in the time it took me to finish this ive done like 10 sketches for other pieces like. and ive had like 3 ideas ive written down.#and like 50 that i havent written or sketched.#IVE WRITTEN POETRY!! P O E T R Y !!!#i write the occasional poem when im feelin some kinda profound emotion but i NEVER write poetry about media SOBBING #anyways thats the post i think this is the beginnin of the end so lets hold hands and pray. ugh sorry if i get sick. im shakin.

148 notes · View notes

dudethatsmyundeaduncle · 9 months ago

Text

Danny’s parents want to kill him and he’s like “f in the chat y’all dinner boutta be so awkward tonight smh”

Ok so I know everyone loves the angsty headcannons where Danny is terrified of his parents cuz they wanna kill him but we’ve had that hot take since 2005 I’m here for a source material revival, the much more entertaining “Danny’s parents want to kill him and he actively doesn’t give a fuck”

CUZ UH, IM REWATCHING THE FIRST SEASON AND I FORGOT HOW GENUINELY BLASÉ HE IS ABOUT MADDIE AND JACK TRYING TO GET HIS ASS ITS SO FUNNY.

Like mom holding a literal ghost gun to his head: eh kinda unphased he even has time to quip, his parents say they wanna tear em to pieces: meh see u guys at dinner, LIKE OUR GUY IS SO UNPHASED HE THINKS THIS SHIT IS FUNNY! (s1 ep. 14 public enemy)

And he’s unphased despite knowing his parents tech works and knowing that his mother is actually a good shot. So like I love angst Danny and y’all should keep up the good work but where is my s1 Danny ‘COULDN’T give less of a fuck about his parents’ Fenton representation?

Cuz think of this, for your DPXDC AU consideration, Danny would fit in so well with the bat gang if only because they could try to stab, shoot, capture, brainwash, and stalk him and he’d be like “oh cool villain of the week shit? Nice, what’re we having for lunch.” He. Wouldn’t. Flinch.

#I’m not saying y’all are writing Danny as pusillanimous #except that I am #give my son his groove back this kid is litterally more afraid of a box ghost then his parents #he’s not a scaredy cat and I feel like rn everyone writes him as one #save the wet cat treatment for Tim y’all let Danny be a funny lil guy again #like he grew up in doofenshmirtz lab he isn’t crying over death threats babes #THIS ISN’T A HOT TAKE SO DON’T TRY TO COME FOR ME #THIS IS ME READING FROM THE DP BIBLE VERBATIM #S1 PRIVELAGES REINSTATED #GET GHOSTED #anyway #like I said I’m rewatching s1 #and I forgot how freaking fun it was #not all modern DP is angsty mind you and I’m also not here to say it’s wrong or bad #I’m here to say let’s get that biodiversity back baby #Danny Phantom #dp x dc #a cold take just the coldest

420 notes · View notes

inkskinned · 1 year ago

Text

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

#writeblr #warm up #i can't write rn but i have SO much words in here bc im reading the chorus of dragons books #(just started book 4)#and this woman's writing is just LIVING in my brain. let me out!!!#(i read roughly like 2-4 books a week usually bc i go on long walks with my dog but when a book is REALLY good like. it eats my life. )#anyway ...... so like here's a story that idk i've tried to explain to other people as being wild #but maybe im the only one who thinks it is wild???#so i play pokemon go (i just started in jan) bc i love pokemon and as i have mentioned i walk goblin for like an hour in the morning #and i don't like a lot of fitness trackers due to the fact it makes me .sad. but i also wanted the little digital rewards. enter pokemon go #anyway so they make you make friends to complete quests. so i used a reddit thread. i do not usually use reddit. i don't have an acct #i lurked. i just googled like ''pokemon go reddit '' and randomly added a bunch of numbers #i was on that page for all of 15 minutes. there are THOUSANDS of responses on that page.#here's what's wild: in that group of people. even though i am not on reddit and it was one random event once #it turns out one of those people lives in the town i live in. or at least very close. i only know this because #when we send each other gifts. it's from the same freaking area.#i can't ask them to meet up bc pokemon go doesn't have a messaging app lol but like . what are the fucking chances that #a random person posts in a random reddit thread and HAPPENS to get added by someone ELSE from their SAME TOWN #who by pure fucking CHANCE is ALSO playing pokemon go and looking for friends #i googled it there's only 42000 people in my broad region. the .......... smallness ! of the world!!!

2K notes · View notes

measurelessdreamer · 3 months ago

Text

One of these scogan Post-X-Men: Days of the Future Past fics where Logan changes things so everyone from the original timeline is alive and he’s back at the school and about to find out somehow that he and Scott are a thing in this new timeline, but first, after Logan is done explaining himself to Charles, Scott is charged with showing him the way to his room and they talk sort of but not really and all of a sudden they both hear a very happy “Dad!” screamed through the hallway and they both turn and there is a little girl of age four (or more), smiling and running towards them and Logan doesn’t get it because he hasn’t seen her before and he had no idea a child so young could even be at this school and someone here is her father but who? Cyke himself? And he’s about tu turn to see if someone else is standing behind them when all of a sudden the girl slams herself against his legs with such force that it wavers his stance for a moment and surely she hurt herself just now because there is adamantium on his skeleton and there isn’t any on hers and she is only a child after all but then he looks at her and not only is she completely okay, she is also staring at him and she is smiling and as much as it doesn’t make sense, it slowly dawns on him and just as he is about to accept it, the girl lets him go and then hugs Scott, more gently but with no less amount of affection and Scott is affectionate right back but he is also trying to send her away. Only for a moment, though, so he can talk with Logan, and the little girl frowns and doesn’t like it but caves in when he promises to get her some ice cream and Logan doesn’t get it yet again and as if it wasn’t already bad enough, the girl finally smiles again and nodds and then she says, “Thanks, papa!” and runs back where she came from, leaving Logan so awestruck it feels as if he’s a mere breeze away from losing his balance.

Part II | Part III

176 notes · View notes

hatsukeii · 3 months ago

Text

fragrance: lazy sunday morning, replica / college!kageyama tobio x reader

notes: lily of the valley (top), iris (heart), white musks (base)

description: fresh laundry pulled from the wash, lazing around in the embrace of linen sheets.

disclaimer(s): faint sillage, poor longevity

wc: 3224

warning(s): mentions of panic attacks, but other than that nothing!!! gn reader too!!!

The first Sunday morning you spend together is at 6am in a residential laundromat. The two of you have occupied the lonely space, watching clothes spin as soap bubbled and sloshed against fabric. You kneel in front of the opening of the washing machine, basket in hand as you lazily yank dripping clothes and soaking sheets out. Kageyama leans on the edge of another washing machine, hip pressed against the side of it with his phone in one hand and the other propping him upright as he waits for his own bedsheets to finish .

You go home with a basket of double sized bed sheets, ones that hang much too loose on your twin bed, despite your many attempts to tuck them beneath your mattress. Kageyama goes home with a basket of twin sized sheets, ones that stubbornly snap off the corners of his double bed as he desperately tries to pull them across.

————————————————————————

The second Sunday morning you spend together is at the same laundromat, at 6am again. A week of sleeping without bed sheets has rendered both of you impatient, itching to reunite with your own. Both of you assume that the other would be at the laundromat again the next week, and both of you are correct in thinking so. This time, you arrive with a duffel bag, alongside a basket of unwashed clothes, and Kageyama enters the laundromat with two baskets, one stuffed with bedsheets, the other with his own dirty laundry.

“Sorry, grabbed them by mistake last week, didn’t even fit on my bed properly.”

“All good, I also slept without bedsheets for the week.”

Bedsheets are exchanged, stuffed into baskets and bags, and the two of you continue your laundry in silence, shoving dirty clothes and towels into separate washing machines. You glance at Kageyama, a D1 volleyball jersey peeking from his basket.

“You the new first year on men’s D1 volleyball?”

He hums in confirmation, tugging the jersey from his laundry as he shoves it into the machine.

“I watched you guys play last Friday, it was good.”

“Thanks. I’m pretty sure you’re in my lecture hall tomorrow too.”

Your eyebrows rise, surprised. You swear you have never seen him in your lectures, only ever on the court. You aren’t even too sure of his name yet. Standing up, you slam the washing machine door shut, pressing lazily at the buttons until a droning beep sounds, and soapy water begins to trickle into your laundry.

“Really? Never seen you there before.”

“I sit behind you most the time. y/n, right?”

You scratch at your frizzy bed head, too dazed to register his question. You hear the beep of a second machine, and the sloshing of clothes and water.

“Yeah. Sorry, what was your name again?”

“Tobio. Kageyama Tobio.”

————————————————————————

The twelfth Sunday morning you spend together, unlike the first, or the second, or the third, or any previous ones so far, is on campus instead, at 8am. Somehow, the both of you have managed to do your laundry during the week, perhaps for the reason of making it to the college’s open day on time. You rub your arms against a school emblem hoodie, and a staff lanyard, whilst Kageyama is clad in full volleyball attire, kneepads and jersey proudly representing the school’s men’s volleyball team as the two of you make your way from the residential quarters to the main campus.

“Don’t you look extra cool today, Mr. D1 athlete?”

“Yeah, yeah, okay, TA nerd.”

You grin, slinging an arm around Kageyama’s neck haphazardly and yanking him down. He yelps as his arm shoots up to your own, wrestling you off. Clicking your tongue, you kick the back of his knee and watch him catch himself halfway into his leg buckling beneath him, snickering vengefully. Ducking down swiftly and picking you up by the legs, he slings you onto his shoulder, arm wrapping around your waist as he continues walking. Kicking and flailing, your fists rain down on his rigid back, a vain attempt at forcing him to release you. His steps come to a stop, just to tighten his grip on your body.

“Let go of me! Or I’ll take your bedsheets again, asshole!”

“Yeah, if you can make it down, that is.”

Offended (not really), you stretch your arm as far as it can go, poking at his side. Kageyama squirms and writhes, the shit eating smirk once plastered on his face contorting into a pained laugh. His arm finally loosens around your waist, and you take the chance to wriggle out of his grip, landing on the ground in front of him.

“D1 athlete, but can’t keep someone half your height and weight on your shoulder, get good.”

Kageyama rolls his eyes. He is good. Great, even. He does, however, wish he could have revelled in the feeling of his arm around your waist for just a little longer.

————————————————————————

The twenty-fifth Sunday morning spent together is, once again, as always, at the laundromat. However, with the months of friendship the two of you have accumulated, a new step to your laundry routine has been introduced. No more are the days of staring at bubbling clothes and spinning sheets through the veil of chatter and gossip amongst the two of you, instead replaced by morning coffees, walks, even the occasional jog. Today, the two of you have decided on a coffee walk, the steaming cups residing within your numbingly cold fingers, their heat emanating into frosty winter air.

You blow at the opening of the lid, wisps of steam puffing from the liquid as you take a sip of the latte (ordered with only half a shot and extra milk with sugar). Still too bitter, you wince, smacking your tongue to wash the caffeine down. Kageyama huffs out a chuckle, before gulping down his own (also ordered with only half a shot and extra milk with sugar), and grabbing yours from your hand, devouring it too. Then, he tilts his head, looking at your surprised expression with furrowed brows and nibbling his lip in confusion.

“You don’t actually like coffee, do you?”

“Well it’s the only thing they have at this cafe. Plus, you like this place, so I keep coming anyway.”

Kageyama stares, baffled. Him? Liking coffee? Where did you get that from?

“I thought you liked it, considering you started these coffee runs? I’m pretty indifferent to be honest.”

You let out a breathy laugh, pointing at him instead.

“I thought I could try to like it, but I only started because I thought you’d be into coffee? Isn’t that what brooding guys like you enjoy drinking on Sunday mornings, while their laundry is running?”

Kageyama hates coffee. He has to order it with a 1:7 ratio of espresso to milk. Yet the hums of satisfaction (or so he thought) that seem to escape your throat at every first sip of hot coffee on chilly Sunday mornings makes every disgustingly bitter swallow of caffeine just this much more enjoyable. You also hate coffee, albeit not needing as extreme of an espresso to milk ratio (1:6 to be exact), yet Kageyama’s fluttering grin makes it clear what you have to do- suck it up and swallow your scathing, sickeningly tart (half) espresso shot, so you can keep, whatever this is, going.

“Yes, brooding guys like black coffees in the morning. But no, I don’t like coffee at all. Wanna go somewhere else from now on, my treat?”

From that Sunday morning onwards, the two of you skip the usual coffee stop, and head around the block for a cafe that serves chocolate instead. Kageyama’s grin would stretch into a satiated smile from the corner of your eyes, and your small, fleeting hums would turn into droning ones of actual satisfaction, much to the delight of Kageyama’s ears.

He wants to keep this going, through winter, then spring, then summer, and autumn too. You want to take the longer walks to the new cafe with him, for hot chocolate, maybe even iced coffee one day, if either of you suddenly develops the palate for it.

“So, you stuck around the cafe only because you thought I liked it? That’s sweet, Mr. D1.”

“What, like you didn’t suggest it because you thought I liked it in the first place? How nice of you, TA.”

————————————————————————

The thirty-fourth Sunday morning spent together, the two of you are perched on the edge of Kageyama’s couch, eyes trained to his laptop as a grey circle spins, and spins, and spins. On the coffee table ahead sits two cups of hot chocolate, stale and lukewarm.

“What if I’m not in?”

“Don’t be an idiot, look at you. You’re so in.”

The circle goes on for an unsettling period of time, and you swear you can hear the veins popping in Kageyama’s head. They can’t possibly reject him, they won’t. And if they do, you’ll be there to make sure the decision is fixed hastily. You’ve seen him play countless games by now, taking sessions of TA work off for the sake of watching a ball hit the ground over, and over, and over. Even for someone who doesn’t know the slightest thing about playing volleyball, you could tell that he deserved this. He was perfect, through and through.

The circle disappears, and the webpage goes blank. Then, twelve portraits pop onto the screen. The two of you inch forward, noses almost touching the laptop as you scan for one particular name.

"No.9: Kageyama Tobio, position: setter”

You barely have time to register his name in the national team roster before strong arms engulf your entire body in a tight embrace. Kageyama’s weight knocks you into his couch, his head buried in the crook of your neck as he finally exhales from relief. He’s close, closer than he ever has been before, and you catch a hint of white lilies and cotton on his pulse. Smiling, a pang of pride surges through your head and heart, and you let your arms wrap around Kageyama, pulling him close. You feel a trail of water trickle down the side of your neck, followed by a flurry of badly hidden sniffles and sobs, and one of your hands moves to stroke the back of his head.

“I made it…I actually made it.”

“I knew you would, Tobio.”

————————————————————————

The forty-fifth Sunday you spend together doesn’t start as a Sunday at all. Instead, it starts as a gloomy, rainy Saturday night, red numbers glaring from Kageyama’s bedside clock while he holds himself close, quivering breaths wheezing from his chest. The bed is damp beneath his sweating figure, hair sticking to his face and neck in his unmoving, curled up position.

The door to his dorm unlocks with a click, and you tuck the spare key back beneath the pot of the houseplant outside, nudging it in until it disappears, before stepping inside. The room is pitch black, spare of the buzzing streetlights seeping through his blinds, dissipating in hospital white threads. Your heart drops at Kageyama’s erratic breathing, his body curled into a little ball and sinking into his linen bed sheets.

“Hey, you called?”

He doesn’t respond, so you shut the door behind you, and shuffle towards his bed. Your hand presses into the mattress, the fabric damp beneath your fingers, and you sit beside him, your thigh pushed up against his back. His back remains turned away from you, yet you can feel the tension loosen ever so slightly. Your thigh nudges into his spine, and your hand taps at him to get up.

“Your bedsheets, they’re sweaty. Go take a rinse, I’ll change them for you, okay?”

Kageyama obeys, getting up for the first time in the past three hours and dragging himself into the bathroom. Pulling open every single drawer in his room, you search for his bedsheets, before finally finding the same set that you accidentally took home once. Water splashes and taps from the bathroom as you peel the old, sweaty sheets off the mattress, tucking in the new ones instead, and giving his blanket a fluff. His room is a mess, a volleyball sitting beneath his bed, scattered papers across his desk, knee pads slung carelessly over his chair. The national team jersey, however, hangs proudly at his door, as if to remind him who he is now. He is no longer just Kageyama Tobio, college student, health major, D1 college athlete. He is so much bigger than that now, reaching so high that his feet might just leave the ground forever.

Yet pain fills your chest as you stare at his new jersey from his bed, the school’s D1 shirt now tucked away into some unceremonious drawer. Is this really worth it? Is this worth hours of panic attacks? Or mornings consumed by training entirely, leaving your Sunday habits behind? You can’t remember the last Sunday you saw him at the laundromat, or grabbed that hot chocolate together, each week a cycle of training, class, training, then sleep. Like the unending spinning of wet laundry in a washing machine.

The bathroom door creaks, and Kageyama finally steps out of the bathroom to see a fresh set of bedsheets on his mattress, cool and dry beneath his body as he crawls in. This time, he doesn’t turn his back to you.

“Thank you, y/n. I’m sorry.”

“Just game nerves, I get it. I’m sorry I can’t be there tomorrow, Tobio.”

A knowing pout creeps onto his face, before it dissipates into a sad smile. He knows you’ve never missed a single one of his games, and that the only reason you won’t make it tomorrow is because of a TA promotion initiative. Of all games to miss though, why did it have to be his first nationals match?

“It’s okay, you deserve that promotion. You have to get it.”

You reach over to grab his broad shoulders, shaking them a bit as you stare him down.

“You are, quite literally, the best player I’ve seen in my life. You’re gonna be amazing tomorrow. Don’t worry.”

Getting up, you grab your phone from the floor, rolling over to leave the bed, when Kageyama’s arm shoots out to grab your wrist. If he can’t have you tomorrow, he’ll need to have you now.

“Can you stay the night?”

Your face flushes. Never have you ever been offered to stay the night before by a partner, let alone a friend. Yet he looks like a lost puppy, eyes searching desperately for some semblance of calm within the harrowing match that looms dreadfully in the near future. Somewhere in there, is a thick cup of hot chocolate, puffing steam from the opening of the lid on a frosty Sunday morning, a basket of clean bedsheets, freshly dried and warmed from the laundromat as the sun rises above the horizon, and the stupid TA lanyard that he searches amongst crowds and lecture halls for, day in and day out.

“Of course.”

The bedsheets shuffle as you crawl back in, making sure to inch away from Kageyama’s body just enough to give him space. You look at him, face pressed into his pillow and eyes threatening to snap shut at any moment, and smile gently. The mask of lilies diffuses into something even softer, like morning dew sitting on iris petals, and pollen wafting into spring air, so delicate that it threatens to drift away at each breath. His fingers shift around the bed to find your own, hooking his pinky with yours as he drifts off to sleep, finally, after two hours of sweating, and crying, and failing breathing exercises.

Your phone buzzes, text messages from your professor popping up to cancel your meeting for sick leave.

The clock by his bed ticks into 00:00. Sunday morning has come.

————————————————————————

Kageyama wakes up before you do on the forty-fifth Sunday morning, national team jersey stretched across his body and a duffel bag hanging from his shoulder. He watches your nose twitch a little, adapting to the warm, now empty spot on his bed. He decides to watch you a little longer, so he can remember your finger wrapped around his beneath his blankets, and the stripe of light on your face as the morning sun shines through the blinds. He swears it will make him better, as long as he knows every detail of your knee touching his own under the covers, and can hear the small, hitched breaths you take in your sleep in his head, and he steps out the door.

You find yourself sprinting out of a taxi towards Kamei arena at 1pm, finally having read the messages from your professor. Wet hair from your morning shower leaves lines of water in the fabric of your sweater, barely having had the time to take it in the first place. The arena is expansive, every corner turned leading you to the wrong sports hall, until roaring cheers erupt from one of them, and you finally burst in through the right door.

Kageyama stands at the serving line, bouncing the volleyball against the ground. If they take this set off this serve, they might just have a shot at qualifying. Warm fingers, hot chocolate, knees touching, fresh laundry, hitched breaths, lanyard. He has to remember it all. Feel it all. He scans the crowd, and a lone figure stands at the door.

“You got this.” He can roughly make out from your lips, now realising that he doesn’t need to remember, or feel, or envision it at all.

He takes aim, jumps, slams his hand into the ball with as much precision and power as his arms can conjure up. The serve hits right on the line, too close for anyone to think to save it, yet in bounds nevertheless.

The referee calls the match point, and the team hasn’t even had the chance to approach him in celebration, before Kageyama sprints off the court, and towards you. He runs into you, knocking you back a few steps as his entire body engulfs your own in an embrace. He doesn’t spare a second, before grabbing your face, and pulling it towards him, planting a firm kiss onto your lips. You hesitate, confused, before your arms find his neck, looping around to hold him as your eyes flutter shut, and you breathe in the notes of lilies, and musk, and irises, mixed with his sweat and adrenaline. The smell of Sunday mornings. The crowd screams. His teammates also scream. His hands pull your face away from his, so he can properly stare at you, irises darting between your eyes. Fuck a trophy, or a medal, or a national title. He would happily pretend to like coffee, just so you could take him to every single coffee shop in the world if you so desired. He would be satisfied with your knees touching beneath his blankets on lazy Sunday mornings, maybe his arms around your waist too, and your legs tangled up in each other, instead of just his finger wrapped around yours. He would willingly do laundry every single morning for the rest of his life, if it meant getting to pull bedsheets out of washing machines with you.

“I thought you couldn’t make it?”

“Wouldn’t miss it for the world, Tobio.”

author's note:

this was ok! i wanted to experiment with vignettes but it's hard to find a balance... but! im 4/7 done with finals, and i finally have the weekend to rest, so i decided to get it over with and finish off this piece!! im so stupid i like accidentally posted it way too early while checking my blog at like 6am so i was very confused when this draft went missing ummmm

anyways! hope you enjoy!! don't let the word count get to you!! please!! i poured a lot of effort into this because 3k words is more than i have written in like weeks!!

tag time!!

@starlysama @chuuya-brainrot @bailey-reeds @fiannee @afyrian @iiwaijime

ok love u guys see u soon bye bye

#kageyama x reader #kageyama tobio #haikyuu kageyama #hq kageyama #haikyuu x reader #haikyuu imagines #haikyuu scenarios #haikyuu au #kageyama headcanons #kageyama imagine #kageyama scenarios #haikyuu!!#haikyuu headcanons #hq x reader #guys i am so tired but lowkey i loved writing the vignettes like they were so cute and fun ngl #kageyama definitely does not like coffee and thinks it tastes gross and stunts your growth #i lie though i do love me my black coffee so for reader to hate it here hmmmmm #anyways i love you guys bye bye xx

175 notes · View notes