#but he’s trying to reach her!

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[h0estar]

every now and then i look back on this GIF i have of nalu during tartaros arc and cry about how this particular scene alone solidifies the beauty of their relationship (natsu holding lucy's hand gently in the face of chaos and panic did wonders to my heart)

[clairesbeauchamp]

2.08 | 3.04

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[ofswordsandpens]

I rewatched Zuko and Azula's Agni Kai recently and it's left me wondering – when Zuko begins to goad Azula into striking him with lightning, was he making the decision to kill her?

Because had Azula shot lightning directly at him like he planned and not at Katara, the most forthright implication to me is that he was intending to strike Azula with her own lightning. And Azula, for all her mastery, would not have been able to counter that.

On the other hand, maybe he wasn't planning to kill her at all and was simply planning to redirect it elsewhere (similar to what he did with Ozai). But given the tone of tragedy throughout the Agni Kai, the fact that they both acknowledge that this fight will be "the end" to them, I don't think it's inaccurate to read Zuko's actions as him preparing to kill Azula, even though an Agni Kai doesn't have to end with death (and in canon it didn't). Also, why goad her into striking him with lightning if he wasn't planning on doing something intentional with it? If anything, it adds another layer to the tragedy to me, because I don't believe Zuko wants to kill her. And it stands in such contrast to the way that Azula desperately wants to kill him.

I also think that there would have even been something sadly poetic in that sort of demise for Azula should the Agni Kai had gone this direction: Azula, struck down by her preferred sub-skill. Azula, struck down by the very bolt of lightning that she intended to kill her brother with. Azula, struck down by her own power.

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[quijotine]

friends i am deep in the dandadan brainrot and it just occurred to me (i have not read the manga yet so idk but ok):

so. Okarun doesn't actually know why Momo calls him Okarun, right?

And I was thinking about this whole thing about the names. How the names they choose to call each other is the reflection of how much they accept the love they have for each other, which is all nice and cute but.

What if Okarun thinks the reason Momo doesn't call him Ken/Ken Takakura is that she thinks it's SO INCREDIBLY EMBARASSING that he is named after an old famous actor?

and it would be so true to form that they hold onto this misconception and that they get confused by it once they get to talk about the love confession (yes THAT love confession)

like imagine Momo grills him for never calling her by her name and Okarun argues back like "well you're no one to talk! MISS AYASE. you're so embarrassed of my name being the same as some dumb actor that you had to give me a nickname!"

"come again??? :D ..."

"You're embarrassed that my name is like that one actor Ken Takakura! >:( why else would you never want me to say my name! >:'((("

and then momo is stuck with the mortifying ordeal of explaining that she has this HUGE crush on beloved 20th century actor ken takakura like "nonono you got it all wrong okar—sorry hnnggg k e n. i. had a crush. on ken takakura :l "

"????? I'm Ken Takakura."

"i know :l so is Ken Takakura."

"so. you. you have a crush. on Ken Takakura. the actor. You couldn’t say my name because you had the hots for Ken Takakura."

"I do. I do have the hots for Ken Takakura."

"the actor."

"no. The real one."

"so the actor? "

"no :l Ken Takakura. the other one"

"ah. I see, the other one."

WAIT. DBDHWSHDBDBDB I'M THE OTHER ONE?!?!!?!?!?!!!@@!!!!!!!

and once okarun's brain restarts and momo asks him why he'd never call her by her name either, he just goes like "i have a crush on momo ayase. 💀 i am an awkward fellow after all 💀"

[jellyfishcandyy]

being a timebomb fan in these trying times is so detrimentally hazardous because one second, I'm looking at a wholesome fanart or edit of baby timebomb playing together and the literal next moment, I'd see someone bring up the fact that Jinx calls Ekko 'boy saviour' because he tried to save her from silco and it's like a lethal shot into my psyche

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[youngpettyqueen]

Julian and Keiko headcanons because Keiko gets sidelined so much and deserves the world and I wish we got to see them interact more

when they get stumped on their respective projects, they'll do late night work sessions together and bounce their research off each other to see if the other can help them figure out where the problem is. they'll do this in person when theyre both on the station, but also over call if one of them is away, and after the O'Briens move back to Earth

they edit each other's papers (Keiko marvels at Julian's ability to spell out complex chemical compounds with his eyes closed, and somehow use 'their' instead of 'there') (in his defense he wrote that bit at 4 in the morning after going 2 straight days without sleep) (she threatens to sedate him)

Julian sometimes brings back plants from planets they explore in the Gamma Quadrant and gives them to Keiko. sometimes he does it because the plant has medicinal properties and the two of them can do a joint research project, but most of the time he does it just to give her a nice gift

when Miles goes away for particularly dangerous missions, Julian will keep Keiko company and help keep her mind off of it. sometimes she has trouble sleeping because shes so worried, so he'll hang around and start rambling on about whatever he's currently working on until she falls asleep. he jokes he's boring her to sleep, but it actually means a lot to her

they have a weekly tea date. this is their prime gossip time. sometimes Jadzia is invited

when Keiko's mad at Miles she'll rant to Julian about it. Julian learned very quickly that this is not a time where advice is wanted, so he sits back and lets her get it all off her chest, because she really just wants someone to listen and let her blow off some steam

Julian makes a concentrated effort to learn more about plant husbandry and care after the incident where he accidentally killed some of Keiko's prized plants because he actually does feel very bad about it

Julian hovered over Keiko nearly as bad as Miles did when she was pregnant with Kirayoshi (and then he hovered over her even more after the pregnancy transfer, and he wouldnt tell anybody why, but Keiko knew it was because nearly losing her shook him up pretty bad)

when Julian gets outed for being augmented, Keiko goes to him and gives him the tightest, warmest hug he's ever gotten in his entire life

Julian gets invited to girls nights with Keiko and Molly (steady surgeon's hands make him the best one to paint nails) (he pretends to complain but he loves it)

anytime Julian has to go away for a scientific conference of any kind, if he gets to bring someone with him, his first choice is always Keiko

in short: theyre besties they told me so themselves <3

[to-be-a-dreamer]

Not to get too involved in discourse but “Agatha is a deeply traumatized person who is acting out of a place of hurt and deserves sympathy for the pain she's had to endure and understanding that the majority of her wrongdoings were committed out of desperation for survival” and “Intention doesn’t erase outcome and her pain doesn't undo the trauma and horror she's committed against others; her victims don't owe her forgiveness before redemption and it is reasonable for people who know nothing about her past to distrust her based on her reputation and the persona she displays” are both true statements that can coexist.

Please remember that "morally gray" means a person is neither good nor bad. Please do not reduce this incredibly complex character to entirely evil or entirely innocent because she is neither. She has done truly terrible, unforgivable things and is also a victim of cruelty and injustice. Let her be both.

[horsechestnut]

AU to add to the list of AUs I'll never write: All of the Robins are de-aged to the age they were when they became Robin. Their memories are also reset to that point, and somehow they're in their Robin suits.

So you have a 16 year old Steph, desperately trying to wrangle 4 feral children who look nearly identical and won't tell her their names because "you do know what a secret identity is, don't you Stephanie?"

[vir-bellanaris]

Replaying DAI and Solas' romance, I had forgotten how cold he is to Lavellan post breakup. How that hurt more than the actual breakup.

When she confronts him about it he basically says "it was a mistake, use your anger to help kill Corypheus."

Like...use the shard of your heart I shattered against our enemy.

Jesus, Solas.

And at that point it is doubly painful knowing he intended to finishing tearing down the Veil once Corypheus was defeated, fully aware Lavellan would very likely be a casualty.

[screechingfromthevoid]

that was an exercise in "who's going to tell Orym and Dorian to fuck" chicken

[thekittyokat]

sucks that saw 3d's weird 2010 misogyny makes some people interpret hoffman as a misogynist when 1. it goes against everything we know about him up until that point / the whole premise of rigg's game and 2. it's SO much funnier to imagine him as one of those annoying but well meaning soapbox meatheads who seems to be beefing with the very concept of periods

[shitpostingkats]

Okay I'm back on grinding out money pins in NEO (as you do) and I'm sorry was anyone going to tell me that the overpowered Gatto Nero pins are each named after a season and the flavor text says they're engraved with the words "seasons greetings"

Implying they were released as seasonal promotions, And, someone in the UG, who had access to pins, would be able to collect them, and be able to tell what time of year it was, perhaps important because their grasp of the passage of time is shaky, wherever they are. And perhaps they could read the pin, and be protected, not just by the power of the psychs, but by knowing that, somewhere, somewhere in the real world, the person who made the pin is trying to say hello?

Or was I supposed to notice on my own and come up with this elaborate headcanon on my own?