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osamusriceballs · 2 years ago

Text

Private Tour

Tsukishima x fem reader

Warnings: None

Words: ~ 2,1 k

About: Musuem guide Tsukki- idk, he's kinda cute, kinda flirty and mean, and kinda awkward. He's Tsukki~

A/n: The way I looked up actual information about that museum and Sendai city- no way I'm LEARNING THINGS BY WRITING A FANFIC WHAT THE HECK-

"I can show you around, Miss."

You look up at the very first time you've been hearing English words ever since you started walking around in the Sendai City Museum.

A surprisingly tall, blonde guy looks down at you- a pair of stylish glasses sitting on his nose, as well as a slightly arrogant look on his face if you’re being honest with yourself. A look at his name tag reveals that his name is "Tsukishima" and after looking at him dumbfounded for a few moments, he bites the inside of his cheek, exceeding a mixture of annoyance and regret. "Do you not speak English, Miss?"

You blink a few times before you finally nod, feeling embarrassed by how long you have been staring at him. "Uhm- yes I do."

"You've been walking around aimlessly for quite some time. Our security guard put you on the "watch" list, but I figured you simply don't speak Japanese and don't understand the structure of this museum."

You stare at him again, impressed by his flawless pronunciation- and after realizing what he just said, you keep on staring but with heated cheeks.

"Oh... I didn't want to cause problems. I don't speak Japanese, you're correct. I'll take a leave then." You nod and slightly bow, appreciating that he deemed you as "not suspicious enough to get her kicked out by the security guards, but still weird enough to politely kick her out myself". You quickly turn on your heels, avoiding to look at the very security guard that probably put you on the "suspicious" list, as well as that blonde museum guide that apparently wants to get you out of there as well.

"Wait, wait- I didn't mean it like that-" a few big strides form the tall man, and he has already caught up to you, extending his long arm to stop you before he quickly steps in front of you.

You stop abruptly, confused by his effort to catch up to you and the deep irritated frown on his face. "It's fine. You don't need to apologize." You reassuringly smile and lift your palms to show him that it's really fine, it’s not his fault after all, but he bites the inside of his cheek once again. A habit?

"I meant the offer. I can show you around."

It's your time to frown now at his sudden persistence-

You look at him intensely for the first time, trying to figure out his intentions at this point. The sleeves of his white dress shirt are rolled up, and his upper arms seem surprisingly muscular- he generally makes a very fit impression to you. His blonde hair is curled, slightly falling down onto his forehead, and even though it should look messy like this, it's rather cute and handsome on him. He looks really intelligent- probably the combined effect of the intense look in his pretty brown eyes and his position as a museum guide. He's actually very attractive-

"Please." He adds after a few seconds, the word coming heavily from his lips, and you’re somehow convinced that he's genuine with his offer.

"Um... okay. If you insist. But if you're just being polite, there is no need too. I've already seen most of the exhibit, I don't mind leaving now."

He nods after your words and slightly bows, his face looking a bit more relaxed now that you've accepted his offer. "Follow me."

His arm rests behind your back, almost touching you for a second to guide you the way towards the entrance. " My name is Tsukishima Kei. We'll start in chronological order of the exhibit, it's easier for you to get into the topic that way."

"How do you know my age?" You ask him dumbfounded, simply following this man wherever he leads you. "The security guard checked your ID when you entered."

The way he nonchalantly states it makes you stunned for a few seconds, but you're quick to recover from it. "What's your age then? And your birthday?"

He rolls his eyes at your words, but you don't feel real annoyance from him. "Why should I tell you that?"

"Isn't it unfair that you know my birthday and I don't have the chance to know yours?"

He hisses quietly and rubs the back of his head, and you wonder if he already starts to regret talking to you. "September 27. 1996."

"Oh." You nod at his words, actually surprised that he seems so talkative and considerate now. He suddenly stops, and you find yourself standing in a big room that you have passed before. You remember your attempt to read the pretty engraved information on the walls, but quickly giving up when you notice that there were very few words written in English. Is the way you fidgeted with your phone for an eternity and (futilely) used a translator why you were put on the "watch" list?

"Have you heard of Date Masamune?"

You purse your lips to suppress a smile- an embarrassed smile when you recall where you've heard that name before. Tsukishima raises a brow and takes your lack of response as answer.

"You've heard that name. From anime I guess?"

You slowly nod, avoiding looking at him at all cost, but a sudden snort makes you look at him- and you realize that he's laughing. You would be mad at him for making fun of you, but his laugh sounds surprisingly cute and so contrary to the cold persona that he has displayed so far that you don't find it in you to get angry. He regains composure after a few seconds and clears his throat before he turns back to being serious and bored- but the short glimpse at this side of him makes your stomach tingle.

"He actually found the city of Sendai. He was a regional ruler during Japan's Azuchi–Momoyama period and the early Edo period."

"Really? He found this city?" You look at him with raised eyebrows, impressed by the new information.

"He did. However, the Sendai area has been inhabited a very long time before that actually. The story of this city mostly began at around 1600 though."

"With Date Masamune?" you ask, and he nods with a pleased hum. "Correct."

"I would assume that you led me here to show me his battle armor?" you gesture towards the metal suits in front of you, and he nods once again. "Correct again."

"See, I don't need you, I can figure it out on my own." You try to joke to lighten up the mood, and much to your surprise, his lips turn into an amused curl at your words.

"Sure. You want my name tag and show around the next group of visitors?"

"Y/n Tsukishima doesn't sound too bad, does it?" You grin- and freeze when you realize the meaning of your words. He coughs, a slight redness now tainting his pale cheeks, and you quickly avert your gaze.

"I guess it doesn't." Your breath stocks at his words, and now you definitely don't have enough courage to look at him.

"Tell me more about his battle armors. Why are there so many? I can't believe he's worn all of them." You quickly try to turn his attention to something else, and he turns his body towards the exhibition again.

"This is his original battle armor." He gestures towards a black armor with a crescent moon on top. "The design is also used in most anime depictions of him." He side eyes you at the comment but you decide to ignore it, not wanting to tell him that he nailed it. "But some of these armors have only been worn for ceremonies. And the ones in the back are from Toyotomi Hideyoshi." You try to keep your poker face when he drops another familiar name, but he is too smart to not notice how you tensed up for a second.

"I guess you know him too?"

"I uhm... I wouldn't mind learning some historically accurate information about him." You're certain that your cheeks are burning at this point, and you're relieved when he just settles for a small chuckle.

"Don't worry, I'll give you an overview about his life and influence on Japan. I need to make sure that someone who tries to steal my job and my last name knows about Toyotomi Hideyoshi."

"I'm not trying to steal anything here, just to make that clear." You shoot him a burning glare, but he doesn't mind it at all.

"I know at least two security guards who think otherwise."

You look at him blankly, and he returns your gaze with the same blank expression- until you both start laughing.

He has a pleasant laugh and voice- that's what you realize after your conversation with him so far. You're convinced that you could listen to him talking all day- maybe he should voice one of these audio guides?- and you find yourself even more attracted to this man, to his intellect and his wit.

A small group of men suddenly catches your attention though, and you slowly stop laughing- especially when they suddenly gesture towards the two of you-

"Oya oya, what's with that look on his face?"

"I've never seen Tsukishima smile like that- is that his girlfriend?"

"Oyy, Tsukki! You promised us a tour, didn't you?"

"Don't bother the other visitors, Bokuto-san."

You're stunned at the way Tsukishima immediately pales and tries to hide his face- that tall tree of a man with bright blonde hair trying to hide himself with a measly attempt like that?

"Do you know them?" You point towards the group, and he "tsks" and nods finally. "Yes. I didn't expect them so early though."

"Oy Tsukki, will you play with us later? It's been a while, I want to show you my new skills."

"What are you doing here?" Tsukishima's tone significantly changes compared to the way he has been talking to you. No more friendly and polite note, just annoyance and embarrassment.

"We told you we would come, didn't we, Tsukki?" A tall man with black hair and a lazy grin wraps an arm around Tsukishima and rubs his head, effectively messing with his blonde hair.

"And who is that young lady over here? Your girl?"

"Kuroo-san, you're embarrassing him." Another guy with glasses comes up to the front, quickly followed by a very energetically walking man with broad shoulders and white hair.

"Tsukki, introduce us to your girlfriend!" His smile is almost blinding, but you're too perplex after the sudden commotion to answer him- "We’re leaving." Tsukishima shrugs his shoulder until the tall guy lets him go, and you're stunned when Tsukishima suddenly wraps an arm around your shoulder and guides you a few steps away before he removes his arm quickly.

"I'm sorry for that."

He scratches the back of his head and avoids eye contact when he finally brought you out of their reach, clearly flustered by the unexpected situation he just found himself in. "It's fine." You reassure him and try to stay focused on him, and not on the way the guys started talking about the two of you way too loudly, the words "Tsukki's cute girlfriend" making their way too your ears way too often.

"These are... acquaintances from me. Don't mind them. They are fools sometimes."

"They seem nice actually. You should introduce me someday; you don't want to withhold your girlfriend from your friends after all." You attempt to joke to lighten up the situation, and he quickly glances towards you again, his glasses reflecting the white light from the lamp above when he does so.

"I thought you already had my last name? I feel like we skipped a few steps here."

Your cheeks heat up at his words, and you find yourself lost for a suitable reply, only for him to smile again. "Let's start with step one."

His left hand moves into his back pocket, and he fishes for his phone, handing it to you after quickly unlocking it- and you manage to get a short glimpse of his dinosaur background before he presses the contact button.

"I- Can you-" he bites the inside of his cheek- you start to believe that he's suppressing a hiss with that habit whenever he's irritated or doesn't know what to do- and you quickly save him before his cheek turns bloody at this point.

"I still need to learn more about Hideyoshi. If you promise to be my private guide next time too?" You reach for his phone and he willingly gives it to you, now suddenly lost for words. Tsukishima nods, silently watching you while you type in your number, and you read it three times to make sure it's correct before you hand it back to him.

"Here you go. Will you be here tomorrow too?"

"Yes. I'll be here till 5 pm. You can come whenever; I'll make time for you."

You smile at his words and walk towards the exit, shyly waving at the group of men that are still watching you both, and they happily wave back when they notice you leaving.

"See you tomorrow, Kei."

"See you tomorrow."

You finally turn but you don't miss the smile on his face though when he reads your contact’s name.

"Tsukishima y/n."

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gingermintpepper · 2 months ago

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hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

#ginger answers asks #greek mythology #the iliad #the odyssey #okay so now that I'm not recommending stuff I also highly highly HIGHLY suggest Stephen Mitchell's #Fuck accuracy and nuance and all that shit if you just want a good read without care for the academic side of things #Stephen Mitchell's Iliad and Odyssey kick SO much fucking ass #I prefer Fitzgerald's for the busywork of cross-checking and cross-referencing and so it's the version I get the most use out of #But Mitchell's Iliad specifically is vivid and gorgeous in a way I cannot really explain #It's not grounded in poetic or translationary preferences either - I'm just in love with the way he describes specifically the gods #and their work #Most translations and indeed most off-prose adaptations are extremely concerned with the human players of these epics #And so are a bit more ambivalent with the gods - but Mitchell really goes the extra mile to bring them to life #Ugh I would be lying if I said Mitchell's Apollo doesn't live rent free in my mind mmm #Other translations I really like are Stanley Lombardo's (1997) Thomas Clark's (1855) and Smith and Miller (1944)#Really fun ones that are slightly insane in a more modern context (but that I also love) are Pope's (1715) and Richard Whitaker (2012)#Whitaker's especially is remarkable because it's a South African-english translation #Again I can't really talk about this stuff because the ask was specifically for recommendations #But there are SO many translations and adaptations of these two epics and while yes I have also contributed to the problem by recommending #three very popular versions - they are alas incredibly popular for a reason #Maybe sometime I'll do a listing of my favourite Iliad/Odyssey tls that have nothing to do with academic merit and instead are rated #entirely on how much I enjoy reading them as books/stories LMAO

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necrotic-nephilim · 1 month ago

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for the recent ask game, i’m really curious about your take on 7 + 8 :P

for the choose violence ask game!

7. what character did you begin to hate not because of canon but because how the fandom acts about them?

i'll be so honest: Jason Todd. i know there's a lot of argument of "who has the worst fans" and i think that question is flawed and impossible to answer, but i will say Jason fans irked me so deeply. because i read mostly 90s era Batfam, i admittedly didn't have a lot of exposure to Jason for a while, expect for his New-52 runs i'd read years ago. and since i never liked him based on those runs, i could not understand *what* his fans liked about him, or where they got some of their headcanons/ideas from. i've never been more baffled. it ranges from "oh i don't agree but you do you, i guess?" to "what character are you talking about i am BAFFLED". and it soured me on Jason for so long that i actually hate read *most* of his pre-Flashpoint appearances just to understand what on earth people liked about him. and now i can say, i love him dearly, but i can also say, i still don't know what character his fans are talking about sometimes. and i hate the fanon version of Jason who feels almost, Deadpool-ified? with this self-aware slapstick humor but a sad soft interior but also sassy and will kill a man it's just. it feels very hollow to me and it has made me almost tempted to block his character tag more than once over the years bc sometimes certain takes make it difficult to even like him. i just have to tune it out or yell about it for hours.

8. common fandom opinion that everyone is wrong about

i'm going to get particularly saucy with this one: that Dick Grayson has Eldest Daughter Syndrome. or more generally, that he was parentified. not a single ounce of Dick's backstory indicates him as being parentified. to be parentified you have to be a child taking care of other children either emotionally or physically because your parents are not fulfilling that role. and Dick was *never* a child at the time that another child was under Bruce's care. he has been an adult for the entirety he has known every other Batkid. and even then, the *only* one he was something you could akin to being a parent figure to was Damian, and Dick *chose* that. Dick was a grown-ass man in his late 20s who had the facilities and capacity to make the decision to be Damian's primary caretaker. he's never been parental toward any of the other Batkids, nor has Bruce ever forced upon him the role of having to raise them. did Bruce do a sort of questionable job with Dick? yeah. but i would argue Bruce did the best job with Dick of all the Batkids, and even if he was shitty with Dick, he couldn't parentify Dick bc there was no one for Dick to be parenting. and Dick wasn't parenting Bruce either. they just had a normal relationship of loving and caring for each other.

as for Eldest Daughter Syndrome i just.. i Do Not Like calling any male character "female coded" or "female rage coded" or "eldest daughter coded" because they're *not*. especially not in *this* medium. these are male characters, created by men, written by men 90% of the time, and written to be *male power fantasies*. nothing about Dick or Jason or any Batboy is female-coded bc they exist to be badass men. just because they show emotion and have complex relationships with Bruce doesn't make them suddenly women. Dick shows his anger in a very destructive, stereotypically "masculine" way. even if we strip it of gender, Dick doesn't exhibit most traits of Eldest Daughter Syndrome. he easily makes relationships with people his age, he has no issues telling Bruce no, he did not have caretaking responsibilities forced onto him by Bruce, he's not even really hyperindependent. Dick has a support system outside of the Bats, the fandom just ignores it. does Dick force caretaking responsibilities onto himself sometimes? can he be an overachiever? absolutely. but these are internal complexes that just come with making a character a superhero, it's a complex they all have. if i have to hear one more fan call him Eldest Daughter Syndrome-core or say he's a victim of parentification, i think I'll explode a little bit.

#necrotic answerings #ask game #this is regarding canon specifically #if you write fanfic where the batkids are taken in younger #and thus dick is parentified that's valid to explore #but that doesn't make it canon #also here's a take i'll hide in the tags:#if someone has a pfp of wfa jason i. tend not to trust their opinion on jason todd.#i'm so sorry i just can't do it.#you can like wfa and enjoy it for what it is do not get me wrong #but using it as your basis for jason is going to make you wildly off the mark #of everyone i think wfa butchers jason the most #who is that man.#why is he there.#metas about jason from wfa perspectives are always missing the mark for me.#that's just my opnion so no one take it *too* seriously but like #man. i've got feelings #also i'm super passionate about the “female coded” thing #like there are women in comics. yk you can read about them. right-#still never getting over the post where someone was like “who do you think is more female rage coded jason or dick i can't decide omg”#and the notes were just people recommending comics with women in them. bout peed myself laughing.#i do think jason is interesting to view through a female lense and same with dick #but you have to understand that will always be fanon. not canon.

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