#but good too! because i like where the story is going :)

[nezuscribe]

you should be here.

you really shouldn’t be here.

but you were a good friend, maybe too good a friend one would argue, and one of your girls heard about this underground gig (boxing, fighting?) going on and roped you into going.

and knowing you, this was way out of your comfort range. she was shocked you agreed to it, but you were tired of being perceived as the sheltered on and decided to bite the bullet and tag along.

but now you realize that you should’ve just stayed home and rewatched some stupid show.

because this place was giving you all sorts of signals to just get out.

it was in what seemed like a dingy warehouse that could only be accessed through some sketchy alley. you truly have no idea how she found this place and your betting that it wasn’t some ad she told you she saw on someone’s story.

the vast room was barely lit, with only a few lights flickering as they struggled to stay on. you felt like you’d catch an undiscovered disease if you sat anywhere and opted to stand, but that was another issue.

despite how destitute this place seemed to be, it was packed.

there were so many people standing near the ring, everybody yelling praises or shouts of anger as somebody took a punch. you could hear skin hitting skin, could hear the breaking of tissues and bones even from where you were.

your friend dragged you by the arm, seeming as if there was no worry about this place, and it was too late to go back even though the alarms in your head were going off.

fuck, you start thinking, what is this place? what if you bump into someone weird? what if the cops come? what if the location gets leaked? what would happen to you two? what if….

your mind trails off as your friend wiggles her way through an empty spot, bringing the two of you closer to the ring.

you look at the fighters, mouth going dry at the sight.

one of the fighters, the one facing you, seemed bloodied to no return. his eye was black and weeks shut, nose dripping with blood. his face was salted with bruises, his body sagging as the other fighter, the one with his back to you, took another fighting stance.

“he’s who i wanted to see,” bri mutters excitedly, pointing her finger to the fighter with white hair, “i’ve heard he’s really good,”

you nod slowly, looking around in a skittish way. you knew you should’ve said no, but you really cleave no choice but to support her and her dangerous side quests.

he plants another fist to the injured one’s face, making him stumble back as the white haired fighter angles his body sideways, letting you two get a look at his side profile.

he seemed fine, a little bruising on the cheek but nowhere near the damage of the other guy. he must be as good as bri says you guess.

the people around you hoot and holler, pushing you further into on of the poles as you wince in discomfort, your face twisting in pain a little as some of the men behind you push forward with no concept of personal space.

you look over at bri but she’s just as engaged, shouting for the white haired guy to continue beating the other man up in ways that could only be described as primal and very, very illegal.

it’s only a few more minutes before the match is ended and the two fighters are pulled away from each other, the battered one looking like he was one punch away from becoming limp.

the yells around you grow louder and louder, the sound rattling around in your head. you wince, trying to smile for bri as she jumps up and down. you know this is only the beginning of the night and can’t afford to bring the energy down.

the white haired one turns around, raising his hands as he asks for the noise to grow louder, a smile on his face as his bandaged hands curl into fists, one pumped victoriously in the air.

but that’s not what takes you by surprise.

your eyes widen in shock when you see his face, mouth dropping almost comically when you realize this isn’t a random street fighter,

but the nerdy boy who sits next to you in your neuroanatomy class.

and judging by the way gojo looks around until he sees you, the proud smile on his face faltering for a second before his eyes cloud with utter confusion,

he wasn’t expecting to see you here either.

[honeyedmiller]

A Burning Desire part eight

firefighter!joel miller x f!reader

series masterlist

rating: 18+, minors do not interact.

warnings: fluff, vulnerability, shimmer mention!, brief mentions of past verbal abuse, angst, mentions of pregnancy (reader’s sister), extremely inaccurate descriptions of how insurance / payout works (just go with it, it’s fiction lol), smut (fingering, m!oral receiving, masturbation, phone sex), no use of y/n. if there’s anything i missed, please lmk.

word count: 10.6k

synopsis: joel and tommy are sent on a dangerous work trip.

a/n: fuck. thanks for being so patient with me. there’s hints of foreshadowing in this unrevised (sry) monster of a chapter, and the next chapter will be angsty. i hope you enjoy tho. thx for sticking around and reading my silly little story <3

Getting back into the swing of things after the holidays has always deemed itself to be arduous. You’re lucky you work from home, but you’d taken on the responsibility of getting Sarah out of the house in time to drive her to school. It’s not that you mind at all, you just hate getting up out of a warm bed, especially when you have Joel as your own personal furnace now. 

Having two weeks off of said responsibility was nice because you and Sarah got to sleep in and you made her breakfast with hot cocoa nearly every morning before you had to clock in for work. She’d spend most of her break over at her friend’s house or reading a book either in the living room or her room, anyway. 

She has since gone back to school, and having the house to yourself again is still a bit unnerving, which is why it’s nice on days like this where Joel has off from work and can spend some time with you. Even if you’re stuck in your home office on days like today, he checks in on you once in a while to make sure you’re doing okay. 

Today has been particularly hard, only because the client you’re working with is demanding as hell and your boss is jumping down your throat to make sure you appease said client. Your face is buried in your hands as you sit and decompress for a minute, and that’s when Joel decides to check in on you. It’s like the man has spidey senses for when you’re going through it or something. 

“Hey baby, I brought you some—” He stops short when he sees the state you’re currently in. 

“You okay, honeybee?” His voice is gentle and honestly concerned, and your heart melts yet again at how sweet he is. 

“Work’s just stressing me out a bit,” you answer truthfully. You look up at him from your seat as he stands beside you, setting down a small bowl of fruit for you to snack on next to you on the desk. You softly smile at the fruit before looking back up at him. “Thank you, handsome.” 

“Ain’t a thing, baby. ‘M sorry you’re so stressed. Anythin’ I can do to help?” 

He steps behind you now and his large, warm hands land on your shoulders before he begins to massage them. You groan softly and loll your head to the side, rolling your lips into your mouth before shaking your head. 

“Nah. Luckily this is my last day dealing with this client, so it’ll only be for a few more hours. Thank you though, baby. It means a lot.”

You reach up and grab one of his hands, giving it a thoughtful squeeze before you let go to reply to an email your boss sent you. 

“Well what if I told you that I have a date planned for us this weekend?” 

You look up at him with furrowed brows. “Where?” You ask, excitement taking over your body. 

“Well, I know everythin’s been kinda hectic with my accident and me healing, your sister’s news, you movin’ in, the holidays, and Tommy and Maria’s engagement. We’ve been so busy n’ we’ve barely had any time to ourselves outside of the house in a while, so I wanna take you somewhere kinda peaceful.” 

He doesn’t give away too much, but you’re already on board.  

“You’ve got me intrigued. Can’t wait to see what you have up that sleeve of yours.” 

“Good, ‘cus I also bought you a couple ‘a things to go along with this weekend’s date.” 

“Oh?” You give him an incredulous look, but his boyish shit-eating grin is all you need to see to not ask any further questions, no matter how piqued your curiosity is. 

You smile up at him and shake your head, focusing back on your work. You sit in silence for a couple of minutes as he continues to massage your shoulders while you type away. 

“I’m gonna go on a run. I’ll be back in time to fix you up some lunch.” He kisses the top of your head before you look up at him with a small smile. 

“If I wasn’t glued to this desk right now I’d join you,” you laugh. “Be careful out there, baby.” 

“Always am. Maybe I can exercise you in another way later on,” he says, smirking down at you with mischief written all over his face. 

“You’re insatiable, Mr. Miller.” But the idea doesn’t sound half bad. 

He holds his hands up defensively. “Can’t blame a guy for wantin’ to love his lady right, can you?” 

You roll your eyes with a laugh and tug him down gently by his shirt before giving him a lengthy kiss. You release him and pat his abdomen twice. “Have fun on your run, cowboy.” 

-

After a long week, the weekend finally rolled around and Joel still wouldn’t tell you exactly what you two were going to do on your date. 

He just kept reassuring you that you’d love it, and you’ve slowly learned to just go with the flow and not ask anymore questions. 

He insisted you wear a blindfold this time, and made you get into his truck as he took the next few minutes to put whatever it was in the back seat before you both took off. 

You ride passenger for about thirty minutes or so with soft tunes of George Strait playing in the background before you hear gravel crunch under the tires of the truck as Joel turns left. 

“You aren’t exploring a new kink right now, are you?” You snort, turning your head in his general direction. “Blindfolding me like this just to take me in the middle of nowhere and have deliciously rough sex with me and make me fall in love with you even more, hm? Is this your diabolical plan?” You can’t help but wiggle your eyebrows at your own absolute absurdness. 

He chuckles deeply and you can practically feel him rolling his eyes at you as the brakes squeak slightly and the truck comes to a slow stop. It’s silent for a moment before you hear him move, and you feel the heat of his body right next to you. 

“Not today, sweet girl.” The deep raspiness in his voice sends a shiver down your spine. He huffs a laugh before kissing your cheek and taking off your blindfold. 

You blink a few times as your eyes adjust to the light, the sun shining brilliantly on land—lots of it. Something shimmers in the distance, and you realize it’s a creek that runs along a trail that looks like it’s meant for horseback riding. 

Then it clicks. You look at him with pure excitement in your eyes. 

“Are we going horseback riding?” 

He can’t help but grin at the giddiness in your tone. “Yeah baby, we are. Figured we’d eat first, though. Packed us some of our favorites and thought we could make a picnic of it as we sit by the creek.” 

Your heart absolutely flutters and grows ten times fonder for the man in front of you, if that’s even possible. You try to hold back your tears of gratitude, but one can’t help it and slips down your cheek. 

Joel wipes the tear with his thumb as he leans in to kiss your forehead. 

You grab his face gently in your hands before admiring his beautiful brown irises. 

“Oh, Joel,” you choke out, leaning in for a loving kiss. You rest your forehead against his as you sniffle once. “This is so thoughtful. This place is beautiful. Thank you.” 

“‘Course, my honeybee. Life has been too hectic lately n’ I wanted to treat my woman to somethin’ a little more… relaxing.” 

“What a lucky lady she is,” you giggle, smiling against his lips and giving them one more peck before you pull away. He opens his door and hops out of the truck, jogging over to your side to open your door before offering his hand to you. You take his hand and he helps you out, feet hitting the ground with a thud. 

You both gather the stuff for the picnic before making your way over to the creek that was no more than a hundred yards away. 

You set up the blanket on some soft grass as Joel puts the cooler down beside you both, and you sit down across from each other. You admire the atmosphere, with the sun beaming enough to warm you up some and the song of birds chirping in the trees. The sound of water flowing up the creek adds to the blissful ambience, and you sigh in content before noticing a house off in the distance. 

“Does someone live over here?” You ask, stretching your legs in front of you as you lean back on your palms to hold yourself upright. 

“This is actually my uncle’s land. Tommy n’ I grew up playin’ in these fields and this creek. We’d used to help him on the ranch to earn some extra allowance durin’ the summertime when we got older.” 

You imagine a little Joel and Tommy running around in these fields whose grass sways with the gentle breeze—and then you’re picturing kids of your own. Kids that you’d eventually have with Joel. Hearing their little squeals of joy, chasing them around in the soft grass, making new memories for years to come. You imagine Sarah would be the best big sister, despite any age difference they might have. 

“This place is beautiful, Joel. Does your uncle still own the land?” You ask, eyes shifting back to him. 

He nods. “He does, but he’s had to hire help since he’s a bit too old to take care of the place himself. I know for a while he’d been thinkin’ about sellin’ it, but he says there’s just too many fond memories tied to this place.” 

“That’s understandable. I can just imagine a young you and Tommy causing a ruckus around here,” you laugh, and he nudges your leg with his own. 

“Don’t mean our mama and pops didn’t talk some sense into us,” he chuckles, face tilting toward the bright blue sky. 

“Looks like it did you two some good. They’d be proud of you both, I’m sure. Wish I could’ve met them.” You give him a sympathetic smile, and he gives you a small sad one in return. 

“They would’ve absolutely loved you, baby. I can just hear my mama now: ‘Bout damn time you wanna get settled down with someone nice,’” he sighs and reaches for you, and you maneuver yourself onto his lap. You rest your head against his chest as he wraps his arms around you, giving you a small squeeze while kissing your hair. 

“She sounds like a lovely woman,” you say, nuzzling into his strong chest. 

“She was. I’m very lucky to have had parents that gave my brother n’ I a great example of what true love really looks like, whether it was through their relationship with each other or the love they showered us with. I knew even back then that what Sarah’s mom n’ I had wasn’t true love. It was staying together out of convenience because she’d gotten pregnant. I really tried with her, but nothing made her happy. She became verbally abusive toward me after a while, too. It got even worse after Sarah was born. She didn’t want to be a mother. After everythin’ her and I went through, even after she left us, I’m grateful for her bringin’ my daughter into this world. I love my baby girl more than life itself,” he sighs, taking a breath for a minute as he recounts his past. 

“Raisin’ Sarah as a single dad truly was full of trials and tribulations. I did have help from my family, which I’ll always be grateful for, but I was doin’ it all on my own for the most part. Havin’ the odd schedule I have now and makin’ it work around Sarah’s took a long while, but we finally got it down. Nobody had ever wanted to stick around after a night together because they thought that me havin’ a kid was too… complicated. I can understand it from their perspective, but truthfully, nobody ever gave me a chance to get to show them the real me. They just saw me as someone they can check off their bucket list and mess around with because of my job and the uniform I wear. And then you come along, unexpected, knockin’ me off my feet in the best way possible and showin’ me that love is still in the cards for me. You’re it for me, baby. I don’t think I can ever express my gratitude to you for showin’ me what it feels like to be seen and—god—to be loved the way you love me.” 

You soak his words in before wrapping your arms around his torso. You press a kiss to his stubbled jaw, letting him silently know that you’re here for him. 

“Thank you for opening up to me,” you murmur, tracing your fingers over his back in a soothing motion. “I can’t even imagine what that was like. I’m so sorry you had to go through all of that.” Your voice holds a gratefulness and sadness that isn’t missed, and he shakes his head. 

“Thank you for allowin’ me to be my true self, emotions and all,” he says, and you hug him tighter. You recall him telling you that his ex would tell him ‘real men don’t cry’, and your heart hurts for him even more. How could somebody be so cruel to such a loving man? 

He sighs and lays down, sun glistening against his beautiful golden skin. You admire his handsome features and softly smile as you bring a hand down to run through his curls. 

He pops one eye open before giving your wrist a tug, and you land on him with an oof. 

He chuckles and wraps his arms around you, trailing his fingers down so he can put both of his hands in the back pockets of your Wranglers. 

“I love you so much, baby.” His voice is thick and low, causing butterflies to erupt in your stomach. 

“I love you too.” 

The easiness of which the phrase rolls off your tongue is a beautiful thing, you think. You’ve come so far with opening up your heart to Joel, and he, you. You look down at him and savor the way his eyes look like a smooth whiskey in the sunlight, the way the skin around them crinkles when he smiles at you. 

You lean down and finally seal your lips to his, and you feel him fully relax as he moves his hands from your back pockets up to the middle of your back and back down again. You stay like this for a few minutes, enjoying the feeling of each other as the soft breeze causes the grass to rustle and the sound of water and lips smacking is a harmony lost in the wind. 

It isn’t until you hear his stomach rumble that you pull apart from him with a laugh, maneuvering yourself off of him to sit up. 

“Sounds like someone’s hungry,” you tease, reaching for the cooler. 

“I’m hungry alright,” he says, leaning over to capture your lips in yet another searing kiss. 

“I’m serious Joel,” you laugh against his lips. “You gotta eat.” 

He sighs and puts his hands up in defeat. “Fine.”

You nudge him with a grin before opening the cooler, revealing sandwiches, grapes, chips, waters, two soda cans, and… chocolate covered strawberries. You raise an eyebrow at him as he smiles sheepishly at you. 

“Chocolate covered strawberries?” You parrot your thoughts, moving to sit criss-crossed. 

“I know how much you like them so… I made ‘em for you special.” 

If your heart could burst anymore, this man would probably be the end of you with his unconditional love. You don’t know how much more you can possibly handle, even though you know you’re going to spend the rest of your life with him. It’s the little things like this that he goes out of his way to do for you that has never been done by anyone, so getting used to his kind gestures has been a rewarding challenge. 

“Thank you, honey. This is so kind of you.” You lean over to kiss his cheek before handing his food to him, and you both dive into your meals as you enjoy the serenity surrounding you. Then a pressing thought pops into your head. It takes you a few minutes to conjure up the courage to ask Joel the burning question on your mind, but you eventually find the words. 

“Are you serious about wanting kids with me, Joel?” Your voice is soft as you look around again, then meet his gaze. 

He swallows his food before nodding. “I’m one hundred percent serious.” 

Your heart flutters. “You don’t think the age gap between Sarah and her future siblings would be weird?” 

Joel thinks about it for a moment. “No, I wouldn’t say weird. Might just take some time t’get used to. Ever since she was a toddler she’d been beggin’ me to give her a sibling, but I obviously couldn’t do that considerin’ I didn’t have anyone to… procreate with,” he chuckles at the last part. You laugh with him and nod, swallowing the last bite of your sandwich. 

“I couldn’t imagine growing up without my siblings. Even when there were times we all fought, we all still laughed about it later on and got over it quickly. Bless my mom and dad’s hearts, ‘cus I know we were all a handful.” 

You smile as you reminisce growing up with your brothers and sister. You’d want your future kids to have that type of sibling bond, too. 

“I know what you mean. I remember when my mama and pops told me they were havin’ another baby. I was over the moon about it, ‘cus it meant I’d have someone by my side for life. Tommy might be a grade A pain in my ass, but I’m grateful that he and I grew up so close together and stayed that way throughout adulthood.” 

“I think Sarah would be a great big sister,” you say, and Joel sports a proud smile that makes your heart melt. 

“I think so too, baby.” 

“I never thought I’d be talking about having kids with a partner ever again, you know. I’m happy we’re on the same page about this. I think it’s important to discuss this even before we eventually decide to take the next step in our relationship.” 

He nods in agreement as he opens the tupperware that has the chocolate covered strawberries, taking one out before bringing his other hand to coax your mouth open. He offers you a bite of the strawberry, and he finishes off the rest of it after you take your bite. 

“I’m happy too, baby. ‘S good that we can clarify things now. I’ve never been with someone who can communicate with me so easily, so I thank you for that. I really am just a lucky bastard who got hit on at a coffee shop,” he chuckles, shooting you a wink as you laugh. 

“Thanks for taking a chance on me, Miller. Glad I didn’t disappoint.” And with that, you lean in for one last searing kiss before you both finish off the strawberries and dust yourselves off as you take the cooler and blanket back to his truck. 

You’re about to head for the stables in the distance, but Joel stops you. 

“Wait, I have somethin’ for you,” he says, reaching further into his back seat. He pops his Stetson on and you bite your lip before shooting him a look. 

“Haven’t we already established that you in your cowboy hat drives me absolutely wild?” You cross your arms over your chest as you continue to stare at him incredulously.

“Yeah, baby,” he laughs. “But now you get to match me.” 

He pulls out another hat and spins around, plopping it onto your head. Your eyes also drift down as he hands you a shoebox. 

“Joel, oh my– is this–?” You’re at a loss for words, and he sports a smirk on his face. 

“Open the box, sweet girl.” 

You do as you’re told, carefully opening the box to reveal a beautiful pair of brown leather cowgirl boots with white floral stitching across the front. 

“Joel, these are beautiful. Thank you so much.” 

“Ain’t a thing, baby. Try ‘em on.” 

You slip off your sneakers and try on the boots, which fit perfectly. Joel adjusts the hat on your head before giving you his million dollar smile. 

“Beautiful.”

“You think so, cowboy?” 

“Absolutely. And y’know,” he pauses as he slides his hands comfortably on your hips, pulling you flush against his body. “Every cowboy needs his cowgirl.” 

He gives you a twirl before dipping you, leaning down to kiss you before standing you upright. 

You’re all smiles and giggles as you walk hand-in-hand to the stables, where one of the ranch workers greets you both with a smile. 

“Hey Joel, you’ll be ridin’ Stella and Shimmer today,” the man says. Joel gives him a curt nod as the corner of his mouth twitches up into a half smile. 

“Thank you, Drew.” 

Drew tips his hat to you both before walking off to tend to the other animals near the stables, and you turn toward Shimmer as you begin to gently pet her. 

“Hi beautiful girl,” you coo, stroking her snout. She nudges you gently and you grin before glancing at Joel. 

“She likes you,” he says. 

You beam at him before he chuckles and comes behind you, boosting you by your waist as you situate yourself on the saddle on Shimmer’s back. You continue to stroke her mane as you place your feet in the stirrups, grabbing a firm hold of the reins. 

Joel follows suit as he mounts himself onto Stella, and clicks his teeth twice to lead the way out of the stables. Shimmer follows suit, and soon enough, you’re both riding side-by-side on the trail by the creek. 

“Thank you for all of this,” you gesture your hand around you both before grabbing back onto the reins. “It means a lot to me. I had a lot of fun.” 

“Yeah?” He asks, his voice hopeful. 

“Yeah. It’s been absolutely perfect.” 

You take a moment to admire him and how the sun’s golden rays shine on him as it slowly starts to set, casting a beautiful orange and pink glow in lieu of bright blue. He gazes at you with such a softness you’ve never witnessed before, and you think it’s a thing beyond love. Devotion, compassion, protection—all in a single look. 

A look that has taken care of your heart when it was tender and aching, a look that has pumped it full of love again. It’s a look that flips your world around in the best way possible.

It’s a look that could make you cry. It’s funny, because you never used to be so in-tune with your emotions before. Before Joel, a majority of your life with and after Christian had you feeling so numb and devoid of any feelings or emotions. It was draining, and you didn’t think you’d ever be able to feel so lively ever again. 

Well, never say never. 

There are no words to describe the love and gratefulness you feel for this man riding beside you, but you know you’re going to spend the rest of your life proving it to him, even if it’s wordlessly done so. 

-

A few months down the line, the ranch ends up becoming a small escape for you and Joel. When you both had free time, you’d slip away and drive to the open fields to enjoy the calmness of the water under the starry nights, laid up in the bed of his truck on top of a bunch of blankets. 

It’s the only house around for miles, so it’s super private and quiet. It’s like your own little secret with him as you’d lay there, talking about anything and everything—and sometimes leading to more. 

You’re in the middle of more, trying to muffle your moans with Joel’s mouth on yours as his fingers curl inside of you. You’re aching and needy, rocking your hips against his palm so your swollen clit rubs against his flesh. It’s intoxicating, the way his fingers move so perfectly inside of you. 

You gasp against his lips as a dark chuckle rumbles in his chest. 

“Thas’ it. Atta girl, jus’ like that,” he murmurs his praise as you rock your hips so willingly and meet every thrust of his fingers, so close to your release that your whines start to mesh with your panting. “You gonna be a good girl and cum for me?”

You fist his hair between your fingers and smash your lips to his in urgency, crying against him as a wave of toe-curling bliss surges through your veins.

”Oh, fuck!” 

You gush around his fingers and down his wrist, and he lowly hums as your body convulses a few more times, stomach drawing taut as you come down from your high. 

“Make such pretty messes, baby. So fuckin’ beautiful.” He kisses your forehead as he withdraws his fingers slowly, sweeping them over your sensitive clit to spread your arousal before bringing his fingers up to his mouth to suck them clean. You clench around nothing at the sight as your head falls back against the makeshift pillows, gaze bleary as you try and slow your breathing and heart rate by staring at the stars twinkling so brilliantly. 

Joel dips his head down to kiss you, and you tangle your fingers through his curls once more before dragging a hand down his neck, to his chest, and down to the waistband of his sweats. You palm him through the material, arousal blooming in your core once more as you feel how hard he is for you. Feel how much he wants you.

You stop your ministrations for a beat, separating yourself from his lips as you lick the palm of your hand, only to dip it into his sweats and boxers to wrap it around his length. You give him a small squeeze and he groans, eyes fluttering shut as his head tilts back. 

You huff a laugh and lean up to kiss at his thick, warm neck, licking a stripe from his earlobe down to his pulse point. You suck a little on the skin there, loving the way he twitches in your hand. He feels so heavy and warm, and all you want to do in this moment is take care of him the way he deserves—so you do just that. You slide your body down after giving him a kiss, and the dazzling look in his eye is all you need to keep this going. 

You settle your shoulders between his thighs, now face-to-face with his weeping cock. You hum before giving the silky flesh a few more tugs before leaning forward, licking the salty bead of pre cum from his slit. 

“Such a pretty cock,” you praise, rolling your lips into your mouth before you look up at him. He doesn’t say anything, but you can see the flush that has taken over his neck and face in the pale moonlight. His lips are parted and his breathing is a bit ragged, and he’s just waiting for you to pounce. 

Usually, you love to tease him just to see how worked up you can get him, but you’re too impatient and want to hear those delicious moans only reserved for you. 

You lick a long, wet stripe on the underside of his cock before sucking his balls into your mouth, pumping his length as you gently massage him with your tongue. 

“Oh, fuck me,” he groans, hand shooting out to cradle the back of your head. You hum appreciatively around him, pumping him at a steady pace now before moving your mouth up onto his shaft again. You swirl your tongue around his tip a few times before taking him all, feeling his head hit the back of your throat. Tears prick your eyes as you try to swallow around him and refrain from gagging. 

“Holy fuck, baby, you like doin’ this don’t you?” His voice is a deep, raspy mess, and you clench your thighs together at the sound. 

He pulls your mouth off of him, the tip of his cock coating your lips in saliva. 

“Answer me. You like this, huh?” 

Fuck. The possessiveness in his tone makes you want to roll your eyes into the back of your skull as you moan, but you opt for a nod as you rasp out a yes. 

“Look so pretty with my cock down your throat. Can fuckin’ see it when you take all of me.” 

You suck in a sharp breath before your dazed, fucked out mind conjures up the words before you even realize it. “Like this?” 

You lower your mouth back onto him, and he’s spewing a string of groans and curses together, and he eventually moans your name like a prayer on Sunday when you keep deepthroating him like this. You don’t let up, either. You know your throat is going to be absolutely fucking wrecked by the time you’re done, but it doesn’t matter. 

Not when you get to see him like this. 

He sucks in a breath through his teeth as you let up on his length and just focus your tongue and lips on his tip, making his hips buck up involuntarily. His fiery gaze meets yours and you can tell he’s nearly a goner. 

“So…fuckin’...sexy,” he grunts. You grin as you kiss his tip and flutter your eyelashes up at him, taking him in your mouth and down your throat one more time before slowly coming back up, tightening your lips around him. 

“Fuck, baby, ‘m gonna–” 

He doesn’t have time to finish his sentence before he’s coming undone, coating your tongue and throat with his cum. His body shudders as you slide your tongue up from his length. You swallow and wipe the saliva off of your chin with the back of your hand. 

“You really are somethin’ fierce, woman,” he praises. You’re too dazed to respond, so you offer him a grin and a kiss to his thigh. 

Joel tucks himself back into his boxers and pulls his sweats up, pulling your body up to his so you’re cuddled into his side. He pulls a blanket over both your bodies and kisses you, and you nuzzle your head onto his chest. His steady breathing and strong heartbeat is what does you in before you even know it. 

You wake up in a bit of confusion, amidst hearing a constant buzzing noise. You’re still in the back of the truck with Joel, who’s passed out beside you. His breathing is steady and he looks so at peace, so you try not to move around so much before you finally realize that Joel’s phone is ringing. 

You have to dig around a bit to find it before you lift it up and squint against the bright light, only to see he has three missed calls from Tommy. Your heart drops, because Tommy is a huge texter. He only ever calls if something’s really wrong. 

“Joel,” you rasp, throat sore from your earlier escapades. His brow furrows and he softly groans, and you softly tap his shoulder. “Baby, wake up. Tommy keeps calling you.” 

His eyes crack open and he sits up, grabbing the phone from you. He dials Tommy back and presses the phone to his ear, still clearly trying to wake his mind up. 

You can’t ignore the anxious thrum of your heart. You have no idea what it could be about, and Joel’s face reads worry clear as day. You wrap your arm around him and kiss his shoulder in reassurance. 

“Tommy, what’s going on?” Joel asks, and you can faintly hear Tommy’s voice on the other end of the line, but can’t make out the words. 

“Shit, okay. I’ll be back at the house in 30 minutes.” 

Joel hangs up the phone and scrubs his hands over his face before looking down at you. He gives you an apologetic smile before leaning down to kiss your forehead. 

“Sorry honeybee, we have to go back home. Our captain wants everyone at the fire station in an hour. Somethin’ important he needs to tell us all.” 

You furrow your brows and sit up, starting to fold the blankets and pack them away in the cab of the truck. You ride in silence for about fifteen minutes, your hand on Joel’s as his sits comfortably on your thigh. His thumb brushes back and forth in reassurance, but your mind is reeling with possibilities of what could be so important for all of them to know. 

“Do you have any idea what your captain might say?” 

Your voice is soft with a sleepy lull to it, and Joel looks at you for a couple of seconds with a small smile on his lips. 

“No idea, baby. It has to be somethin’ big ‘cus he only calls us in like this if it’s super urgent.” 

You nod in understanding, giving his hand a squeeze of reassurance. You arrive home fifteen minutes later, and Tommy greets you both at the front door. You give Tommy a hi/bye hug and Joel a kiss before they’re out the door and driving down the street. 

You decide to stay in the living room. Watch a movie or something, and wait for them to come back. You settle onto the leather couch, wrapping a blanket around you as you turn the TV on and keep it at a low volume. Exhaustion sweeps through your bones as you lay still. Your eyelids get heavy, and before you even realize it, you’re out cold once again. 

-

The front door unlocking stirs you from your sleep, and the familiar tread of boots is heard walking into the living room. 

“Baby, I’m back,” Joel says. 

You open your eyes and yawn, gaze landing on the clock. Eleven p.m. 

“Hey,” you say, voice timid. “How’d the meeting go? Is everything okay?” 

You sit up, allowing room for Joel to plop down next to you. He spreads his legs and leans his head back against the couch, pinching the bridge of his nose. 

“I have to leave. Well, Tommy and I have to go. There’s a huge fire that broke out in San Angelo earlier today and it’s spreading fast. They need all hands on deck.”

You take in the information and furrow your brows, pausing for a beat before speaking. “How long will you be gone for?” 

He moves his hand from the bridge of his nose and looks at you with a sad expression. 

“‘M not sure, sweet girl. Could be for a few days or a few weeks. It really just depends on the conditions of the fire and the surrounding areas.” 

You nod in understanding before grabbing his hand, once again squeezing it in reassurance. 

“When do you and Tommy leave?” 

“Tomorrow morning. Captain told us to rest up as much as possible before we head out. It doesn’t look pretty, and it’s a four hour drive for us.” 

“I think you should go wake Sarah up and tell her,” you say. He nods and kisses your head before he trudges up the stairs. You turn off the TV and follow suit, settling into your side of the bed after you wash up and change into your pajamas. 

Joel comes into the room a few minutes later, closing the door behind him. 

“How is she?” You ask, opening the covers for him. He strips down into just his boxers before climbing into bed with you.

He nods. “She’s okay. Sad that I have to leave, but I told her you’d take real good care of her.” 

You huff a laugh and nod in agreement. “That I will, Mr. Miller.” 

Then realization hits you—since Tommy is leaving, that means Maria will be alone. 

“Are you okay if I invite Maria to stay over here while you guys are gone? I know she can take care of herself, but I’d rather her not be alone for however long.” 

“‘Course, baby. ‘S your home, too.” 

And, it is, which is an aspect you’re still getting used to. 

He settles into you, nuzzling his face into your chest as he inhales deeply. He kisses the skin there once before wrapping his arms around you. You rest your head on top of his, running your fingers through his hair. He falls asleep in a matter of minutes, but you remain wide awake, plagued with the thought of him going out to do his very dangerous job.  

You sigh and scold yourself for even thinking about that, because even just the prospect of telling him to stay is so unbelievably selfish. You’d never actually tell him, of course, but you think it and the thought is all-consuming. 

You just worry, like any partner would, but you worry even more especially after the nasty accident he had. You know he’s been doing this for a long time, but you’ve learned that fires can be unpredictable and life doesn’t deal in absolutes. 

A couple of hours pass and Joel is still sound asleep, meanwhile you haven’t gotten a wink of rest. Your eyes roam to the bedside alarm clock—four fifty in the morning. You sigh softly and get up as carefully as possible, trying not to disturb Joel. 

Since you can’t go to sleep, you decide to use your energy to make Joel and Tommy some lunches and a few batches of your cookies that everyone at the firehouse loves so they have something to snack on while they’re on the road. 

You start with the cookies and make enough dough for at least three batches, trying to stay as quiet as possible. You hand mix everything and put the three baking sheets in the oven, setting a timer on your phone. While the cookies bake, you make both of their lunches and pack them away. 

You can’t stand still and need to keep your hands busy to distract yourself from your looming thoughts, so you go ahead and make a fresh pot of coffee, too. 

You pour yourself a cup and put a dash of creamer in it, taking a sip as you lean over the counter and sigh. You close your eyes and rub your temples in an attempt to ease your mind. 

You hear a door open upstairs and some shuffling down the steps soon after, and a sleepy Sarah emerges. 

She rubs her eyes as she gives you a small smile, making her way to the barstool that’s on the other side of the counter from you. 

“You’re up early,” you muse. 

“Couldn’t stay asleep,” she says, and she looks at the oven as she sees cookies baking. She raises an eyebrow. “I’m assuming you couldn’t sleep at all.” 

“You’ve got that right,” you huff a laugh, taking another sip of your coffee. 

“I don’t want him to go.” 

Her blunt confession takes you aback, but it gives you a bit of comfort knowing you and her are in the same boat. 

“I know, sweetheart.” You reach your hand out to cup hers, running your thumb back and forth over her knuckles. 

“I know he’s doing this for good. I just… I don't want to see him hurt again.”

You nod in understanding. “It’s a catch twenty-two.” 

She sighs, and you round the counter to bring her into a hug. 

“I know it’s not much of a distraction, but how about we go get a pedicure later on? Just to relax a little.” 

She nods against you before leaning back to meet your gaze. ���I’d love that.” 

“Great. In the meantime, are you hungry? I can make you some waffles.” 

“Thank you, but I’m not super hungry right now…” she pauses, eyeing the oven. “I’d love one of your cookies, though.” 

You laugh and nod, your phone timer going off at the perfect moment. You take all three sheets out of the oven and set them down on racks, letting them cool down. You serve her one before starting to clean up, and that’s when you hear Joel’s heavy footsteps make their way downstairs. 

“Morning cowboy,” you tease, pouring his cup of coffee as he stares at you two in confusion. 

“Mornin’…you’re both up early.” He makes his way to Sarah and kisses her hair before moving to you, giving you a chaste kiss on the lips. You hand him his cup of coffee and he wraps his arm around you and gives you a gentle squeeze. 

“Thank you,” he murmurs, taking a sip. 

“What time do you and Uncle Tommy need to be at the station?” Sarah asks, biting into her cookie. 

Joel’s eyes glance at the clock on the stove. “Around nine.” 

It’s silent for a moment, and Joel looks back and forth between you both. 

“Y’all still haven’t told me why you’re both up so early.” He raises an eyebrow, looking to you for an answer. 

“Couldn’t sleep,” you shrug. 

“At all?” 

“No. I laid there for a couple of hours before I got up to make you and Tommy some lunch and a few batches of cookies for the crew while you’re on the road.” 

Joel’s eyebrows tug together. He sets his cup of coffee down, circling his arms around your waist. He holds his arm out, silently coaxing Sarah to join in. She hops down from the stool and hugs you both, and you nuzzle into them both. You all stand there for a good minute before Joel is giving you both a squeeze and kisses your heads. 

It’s like the sense of dread and anxiety hung in the air, and he clocked in almost immediately. 

Not much gets past him—you’ll give him that.

“I love you both very much. I’ll be alright,” he says. “I promise to check in every day when I can, okay?” 

His comforting embrace and reassuring words warm your heart. 

You all untangle yourselves from the embrace, and you give him a soft smile. 

“We love you too, Joel. We just worry for your safety.” 

“I know baby, I know. Believe me when I say there’s nothin’ I’d rather do than stay at home with you both, but this is an all hands on deck situation.” 

“We’d never ask you to stay, dad. We know this is part of your job and it’s important that you’re there,” Sarah says, pausing as a tremble overtakes her bottom lip. She wraps her arms around him, voice broken and soft when she speaks next. “Just be careful, okay?” 

You can see a flash of emotion in Joel’s eyes as he hugs her back, leaning his cheek on top of her head. 

“I will, babygirl. I swear to you.” 

-

You’re standing in a small group in the fire station, getting ready to send Joel and Tommy off with the rest of their crew. You’re having a conversation with them two, Maria and Sarah when one of their coworkers—Mark, you think—walks up to you, holding up the bag of cookies. 

“I just have to say thank you for these. They’re the firehouse favorite.” 

You grin and shrug. “Not a problem. Just a small thank you for everything you guys do.” 

He smiles at you and looks at Joel. “She’s a keeper, Miller.” 

Joel wraps his arm around your shoulder and kisses your temple. “I know. I’m a lucky, lucky man.” 

“Alright, it’s time to head out,” their Captain calls. 

You sigh and turn toward Joel. You offer him a small smile as your heart clenches with anxiety, but your expression never wavers. 

Sarah gives Joel a tight hug, expression still a bit sullen. You can tell she’s trying her best to hide it, but it slips through and it’s a look you recognize all too well. You give her shoulders a squeeze of reassurance 

He has that look in his eyes. The one where it’s filled with worry, with anxiousness. The same look that’s probably in yours, too.

You want to lighten the mood, so you tug him flush against your body by pulling the leather strap of his radio holster that sits across his chest. He laughs as his hands land on your waist, and you push your lips to his. 

You separate from him after a few seconds, smiling softly against his lips before you pull apart just enough to see those beautiful, worried brown eyes. 

“Be careful out there, cowboy. I love you.” 

He squeezes your hips. “I will, baby. I love you too.” 

He leans down to give you one more peck on the lips before he moves to say goodbye to Maria. You do the same to Tommy, wrapping your arms around him and giving him a soft little peck on the cheek. 

“Take care of each other, yeah? Life’s a lot more fun when you’re both here with us, unharmed.” You look between Joel and Tommy with a sternness they’ve never seen before. 

Tommy’s eyes crinkle as he smiles at you, his dimple showing up along with a flash of white teeth. 

“You got it, boss.”

He salutes you, and you sidle up beside Sarah and Maria as you wave them both goodbye. They climb into the same truck, and they’re on their way to San Angelo. 

-

Two weeks have passed, and Joel still isn’t home. He keeps his promise on checking in every day when he can, sometimes shorter conversations than others, but you’re grateful nonetheless. 

Today, your siblings all agreed that a lunch was much needed between you four so you could all catch up. It was the perfect distraction, and with Sarah at school and Maria at work, you agree immediately. It’s so odd being in an empty house when you’re not on the clock, and since you’d finished with your clients early, you had the rest of the day to yourself. 

You meet up with them at a local diner, slipping into the booth next to Emily. She has a small belly now, and you lean down to air kiss it before greeting her, Andy and Cole. 

“I’m so glad we got to do this,” Emily says, and you all nod in agreement. 

“I know. It’s been awhile since I’ve harassed you guys,” Andy jokes. You roll your eyes and throw your crumbled up straw wrapper at him. 

“So how goes it?” Cole asks, leaning back in the booth. The young waitress stops by your table to take your orders before collecting the menus, and Emily starts. 

“Things have been great, actually. Baby boy is healthy and Josh got promoted at work.” She runs a hand over her belly, and your eyes light up. 

“I’m so happy for you, Emi. How does Josh like the promotion?” 

“It’s great, really. He gets more time off now, especially to come with me to my appointments, and he got a pretty significant increase in his salary.” 

“That’s so good. I still can’t believe you’re having a kid. My nephew is gonna be a little stud with the coolest uncles,” Andy says. 

“What am I, chopped liver?” You laugh, rolling your eyes. 

“You’re only semi-cool. You’re with a cool guy, though, so I guess that raises your points.” 

“God, you men are so fucking weird with your logic sometimes.”

“Yeah yeah,” Andy waves your words away, before his expression gets a bit more serious. “How is he though? How’s Tommy?” 

“They’re okay. They’re exhausted, though. The fire had spread rapidly because of the winds, and they’re still in the process of containment, but I think it’s almost at one hundred percent.” 

“Fuck. I can’t even imagine. We had a pretty dry winter too, which probably didn’t help much,” Cole says. You shake your head and gnaw on your lip, deciding to change the subject for your own sanity. Emily senses it, because your sister knows you like the back of her hand, and she finds your hand folded in your lap and gives it a reassuring squeeze. You squeeze right back.

“So what’s been going on with you two? Anything new?” You look between your brothers, and the waitress drops off your food before they can say anything. 

Cole’s eyes avert to the basket of fries in front of him, and you raise an eyebrow as you watch him carefully. He finally opens his mouth to speak, but snaps it shut when Andy starts to talk. 

“Not much. Work is good. Can’t complain.” Andy shrugs his shoulders and takes a bite of his burger, and you nod before looking back to Cole. You nudge his foot under the table and his gaze snaps up to yours, and you give him an encouraging smile. 

“That’s good, Andy,” Emily says. 

“I, uh, I met someone,” Cole starts. Everyone’s eyes shift to him, and he sports a small smile. “It’s still pretty new, though, so that’s why I haven’t mentioned it before.” 

“Hell yeah, brother. Happy for you,” Andy claps Cole’s shoulder and he smiles. 

“Where did you meet?” You ask, popping a fry into your mouth. 

“Met her at the bar we went to a few months back. Finally bucked up and asked her on a date a couple of weeks ago, and it’s been going good ever since.” 

Although Cole seems to exude confidence, you know he’s more on the shy side when it comes to romance. You and him have always been the shy kids, while Andrew and Emily were outgoing and bubbly. When Emily first told you to put yourself out there with Joel, the shy shell of a woman you used to be went into fight or flight mode—but she ultimately ended up being right. 

You can hear it now: That’s what big sisters are for.

You’re grateful you and your siblings are all close in age. Although you’ve all fought over stupid, miniscule things that seemed like the whole world when you were younger, you all ended up being very close, which is something you’ll never take for granted. 

“That’s great, Cole. I hope we can meet her when you’re comfortable enough to bring her around our crazy family,” Emily laughs, and you all chime in and chuckle along. 

“I think Josh and Joel can attest to that,” you say. “I told him he could’ve run for the hills before Emi’s wedding, but that man stuck by my side and told me he wanted to meet all of you.” 

“Now that—” Cole swallows his bite of food, “—Is a real man.” 

“And look at how happy he’s made you. I love seeing you together, especially after everything you’ve been through,” Emily says. 

Andy’s face turns sour, frowning at the vague mention of your ex. “If I ever see him in person again I won’t hesitate to deck him in the face.” 

You didn’t have to question who he was. You already knew. “Get in line, Andy. Joel has first dibs.” 

The corner of his mouth lifts up in amusement before he reaches out to you, palm upward, making a ‘give me’ motion with his fingers.

“Give me my ticket.” 

You laugh and push his hand away, and lighter conversation ensues the rest of lunch. 

The waitress drops the check off at the table, and you mumble that you’ll Zelle whoever pays as the other three fight over the check. Your phone rings and you pull it out of your pocket to see who it is.

Your eyebrows furrow as you see your attorney’s name across the screen of your phone. You slide the answer button over and cover your other ear so you can hear him better. 

“Hello?” 

“Hey! Long time no talk. I have some good news,” he says. 

“Hey, yeah, how are you? What’s the news?” 

“I’m good, but even better now—apparently whoever hit you in your accident was some big wig’s kid, and the parents want to pay you out a big amount for your car and, as they said, ‘any emotional damage caused by this accident’.” 

“Oh fuck,” you say. You rub your forehead with your thumb and forefinger. “Sorry, sorry. Uh—how much?” 

In all honesty, you’d sort of forgotten about your accident because so much has happened in your life since that day. You smile fondly at the memory of Joel kissing you in the back of that ambulance, within only hours of knowing each other at that point. 

You had no idea that it would’ve led to this. A good life with an even greater man. 

“They sent out a check to your house, but I think it’s in the hundred thousands range.” 

Your eyes bug out of your head and your jaw drops. 

“I’m sorry, what?” 

Your siblings all look at you in confusion, but you still can’t wipe the look of shock off of your face. 

Your attorney laughs at your initial reaction, but you’re still in utter disbelief. 

You can’t even fathom that kind of money, but you’re sure your attorney is used to those kinds of numbers. 

“Yeah, so keep a lookout for a check in the mail,” he says. 

“Um, yeah, will do. Thanks for giving me a call.” 

“Of course. I’ll touch base with you if anything else comes up.”

You say goodbye and hang up, and you meet your siblings’ gazes. 

And, with a small smile, you pluck the bill from Andy’s hands. “Actually, lunch is on me today.”

-

You almost fall over when you open the envelope with your check in it. 

Half a million dollars. You don’t know who the hell this kid’s parents are, but writing a check for five hundred thousand is fucking insane. 

You stare at the numbers in disbelief as you sit at the edge of the bed, sun casting its brilliant golden glow across the paper in your hands. The paper that reads half a million fucking dollars. It’s like a jackpot lighting up in Vegas or something.

You don’t know how long you stare, but if you did any longer, your eyes would burn holes in the paper. You slide the check back in the envelope and put it in your underwear drawer underneath your sports bras, because you honestly just can’t believe that it’s real. 

And later that night, when Joel FaceTimes everyone to say hi and check in, you don’t say a word about it. 

It’s not that you want to keep it from him, but you have an idea of what you’d like to do with a portion of the money, and you’d rather keep that idea a surprise for the time being. 

You trudge upstairs once more after Maria and Sarah say goodnight to Joel and Tommy, but Joel tells you to stay on the phone. He watches you do your night routine before you slip into an old oversized Texas A&M sweatshirt of his, sliding into bed. 

“I miss my woman somethin’ awful,” his deep voice rings through the phone. You look at the screen and sigh, a small smile settling onto your lips. He looks so exhausted, and all you want is for him to be safe at home again. By your side in bed. 

“I miss you too, handsome. How’s it looking out there?” 

He groans as he settles onto a bed himself folding an arm to lay his hand behind his head. 

“‘S kickin’ our asses. Embers from the original fire sparked a new one. It’s smaller, but these winds ain’t helping a damn thing.” 

“Oh, honey, I’m so sorry to hear that,” you say, gnawing on your lip as your eyebrows furrow in worry. “I feel awful that I can’t do anything to help.” 

“There is one thing,” he says. You recognize the tone in his voice—want. 

“What’s on your mind, Mr. Miller?”  

“You wearin’ my old sweatshirt?” He asks. 

You purse your lips and nod, watching how his expression turns lustful and determined in the confines of his temporary bedroom. 

“Wearing it ‘cus it smells like you,” you confess. 

A groan rips from his throat and scrapes low in your belly, and your eyes flutter shut as you feel slick already beginning to pool from the heat between your legs. 

“Are we really gonna do this?” You huff a laugh, raising an eyebrow at him. 

“I was a touch-starved man before I met you, baby. Then you go n’ spoil me with your pretty hands that can’t seem to keep to themselves.” 

“You could always tell me to stop, you know,” you purr. There’s some shuffling on the other end, and you see his heavy lidded eyes gaze at you. 

“I’d be insane to do so, darlin’.” 

“Would you?” 

He moans softly, and you realize he’s probably rubbing himself up. God, you wish that was your hand. 

“Mhm. Love when your hands are all over me, especially wrapped around my dick.” 

You can’t help but giggle, and a ghost of a smile curls at the corner of his lips. 

“Love that sound, too,” he adds. 

“You know what I love?” Your voice is teetering on the edge of a seductive whisper. 

“Hm?” 

“I love when my big, strong hunk of a man makes me feel so loved and protected. Allows me to delve into my femininity. Uses his strong hands and thick fingers to make me see stars.” 

You realize you’re probably babbling at this point, but your words seem to do the job just fine. Joel’s eyebrows pinch together and that all-too familiar muscle in his jaw ticks wildly. 

“Turn the camera around, Joel. Show me.” 

He doesn’t hesitate to flip the camera around to face the impressive outline of his cock in the gray sweats he’s wearing. Your thighs clench together at the sight, imagining what it’d be like to grind on him until he came undone. Hear his moans and strings of curses as he reaches his peak. 

“Fuck, honey,” you whine. 

“This is what you do t’me, baby.”

His voice almost sounds pained, but you know it’s because he’s held in so much tension the past couple of weeks with no way to release it. You’d do anything to distract his mind from the exhaustion he feels and fires at hand, even if it’s for a brief few moments. 

You decide to be a little raunchy, because fuck, you’re already in this position, and you want to be a good distraction—again—even if it’s brief. 

You make a show of yourself sliding your fingers down the valley of your breasts and down your stomach, wasting no time to reach your desired destination. You swipe your middle and ring finger through your slick folds, coating them in your arousal before you bring your fingers up to show the camera—to show Joel—how much he turns you on. 

You separate your fingers, and a string of your slick connects between the two. 

“This is what you do to me.” 

Joel all but growls at the sight, slipping his hand into his sweatpants to grab his aching cock. You can just imagine how warm and heavy it feels in his big palm, and you sigh at the thought. 

“Fuck, baby. Be a good girl n’ touch yourself for me.”

He’s breathless, but the sound sends shockwaves through your body as more slick gushes eagerly from your aching, needy center. 

You slip your two fingers in your mouth, humming around them as you taste the tangy-sweet flavor of yourself. 

“Shit,” he says, a moan scraping from his throat. You grin like the Cheshire Cat before slipping your fingers down again, alternating between rubbing your clit slowly and dipping your fingertips into your cunt. 

You flip the camera around to show him, and it sounds like he nearly whines from the sight. You suck in a breath as you stop teasing yourself, slipping the two fingers fully into yourself. You pump them languidly, and hearing Joel’s ragged breath and gasps on the other end of the line has you writhing. 

“You don’t know how bad I wish these were your fingers and not mine,” you gasp out, grinding your hips up into your palm. 

“Oh don’t worry baby,” he pants, “‘M gonna give you everythin’ you need n’ more when I come back.” 

“That a promise?” 

“Mmm—mhm.” 

He matches the stroke of his cock with the pump of your fingers then. 

“Can’t wait to be buried in that pretty little pussy. Take me so well. Fuckin’ made for me, baby. So fuckin’ tight n’ warm. ‘S like a dream,” he babbles, and you have to bite down on the collar of the sweatshirt to keep a moan ripping from your throat.

”Need your mouth all over me too, Joel,” you cry, “Love it when you let me cum by your tongue.” 

“Yeah? Next time I’ll have you usin’ my face as a fuckin’ seat. Hold you down so you have no choice but to cum in my mouth over n’ over again.” 

“Oh, god.” 

“You like that, huh? The thought of fuckin’ my face to get you off?” 

The words die on your tongue as you try to speak, but the pleasure that was once a low burn in your belly is now its own full-fledged sun. It’s so white hot and you’re on the edge, gripping the phone in your hand for dear life. 

“Answer me,” he growls. 

“Fuck, yes! Yes yes yes,” you whisper-cry, and you’re unraveling before him on camera. You soak your hand and undoubtedly the sheets beneath you, but that’s a tomorrow problem. Your body convulses a few times and you moan as you see the white spurts of cum land on his stomach. He moans your name like a prayer on Sunday, and it makes you shiver with seemingly untamable arousal. 

He breathes heavily before grabbing a tissue to clean himself up, tucking himself back into his sweats before he flips the camera back around to his face. 

His cheeks and neck are flushed, and you can see the sweat on his forehead as he tries to steady out his breathing. You stretch and roll over on your side, laying your head on his pillow to inhale his scent. 

“I love you, my honeybee.”

You smile at the nickname and yawn, stretching your limbs one more time before curling in on yourself. 

“I love you too, cowboy. I can’t wait ‘til you’re next to me in bed again.” 

“I can’t wait either, darlin’. I hope this is all over with soon n’ I can love on you the way you deserve.” 

You grin sleepily at his words, post-coital drowsiness wrapping around your body like a weighted blanket. 

“Stay safe out there.” 

“I will. I promise.” 

And you’re fast asleep soon after you hang up. You dream blissfully of life with Joel in the fields by the ranch, of your future with him, of the memories you’ve yet to create. 

You dream of Joel happy and safe, not an ounce of the beautiful man troubled. 

But this is real life. This isn’t a fantasy where you can wish good things for people and it just magically happens at the snap of a finger, a rub of a lamp. 

His resolve was slowly crumbling. The weight of the world was sitting steady on his shoulders, breaking him down piece by piece. 

Each broken fragment of him, scattered and fragile, lay in your hands—

and this time, it was up to you to put him back together.

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[greenwitchfromthewoods]

bath. l Joel Miller

Summary: Joel is immobilized and giving you a hard time

Warnings:  nothing much, some intimacy, shared bath, Ellie wants to get rid of Joel, boring conversations

A/N: it's something before something, so it's boring. it doesn't contribute much. if you want to support my tired mind, feel free to . kisses

your feedback is very important to me and I thank you for all the reblogs, comments and likes. 🖤 sorry for all the mistakes

short stories from life. [masterlist]

A broken collarbone wasn't what Joel expected. When the doctor at the clinic in Jackson, where you took him the next day, told him that he would be immobilized for a few weeks, Joel just sighed heavily. He was put in a sling and told to take care of himself so that the bone would heal properly. 

It was humiliating.

Even when you left the clinic together and you took his left hand in yours, he didn't feel any better.

"I'm useless now." he mumbled, watching you choose apples and vegetables for dinner.

"Not at all." you replied calmly. "You'll just rest now. See how good it will do you."

Where did you get that optimistic belief? Joel had no idea. He was glad that your argument hadn't affected your relationship, because his head was telling him all the tragic scenarios, but now he was dependent on others for help. And worst of all, he couldn't help you,

You were the one who brought the box of food home. And then you hung the laundry out in the warm spring sun. You made dinner, and Joel...

"Can you take him somewhere?" Ellie rushed into the kitchen for the third day, a blush covering her cheeks. "He's unbearable!"

"Please, have mercy on him." you sighed. "This is the first time since..."

"He just came asking if I did my homework!" Ellie rolled her eyes and raised her hands in despair. "I'm not eight! Can we abandon him somewhere? In the forest, for example?"

You looked at her with amusement. "Of course not! But this is new to him. You know he doesn't go on patrol now, that he can't do much in the stables either."

"So you're sacrificing me?"

"Hey! I can't drag him around with me forever, he's an adult."

Ellie folded her arms across her chest and looked at you with satisfaction. "Maybe he's getting on your nerves too, huh?"

"That's not... That's not true!"

But sometimes it was like that. Joel was looking for something to do, something he could do with one hand. When he tried to help you with the laundry, it took longer than usual. Things weren't going his way at the stables either and when you went to visit him there, you saw how furious he was. Even Tommy washed his hands and didn't want to come near him.

"Fine." you finally sighed "I'll take care of him. He won't follow you around anymore."

The girl's face lit up. "I'm sure you'll have a great time!"

You didn't know if she was joking or serious.

You found Joel in the bedroom where he had been struggling with his shirt for a few minutes. He was already irritated enough and when you stood in front of him to help unbutton it, he only mumbled something incomprehensible.

"Don't pout like that." you said, smiling "That won't help you."

"Ellie already complained about me?" you nodded "I just wanted to..."

"I know, and she knows it too. Don't think about it now." You carefully took off his shirt, noticing how he winced when you helped him free his arm. "I'll draw you a bath."

"I can do it myself."

"Let me take care of you, Joel." you murmured, kissing his pouty lips.

This was amazing. A completely different level of sensation and pleasure. The bathroom was filled with steam and the pleasant scent of lavender. He could feel your body behind him, your legs were on his sides, and his back was resting on your chest. Joel closed his eyes in pleasure. You slowly washed his hair, massaging his scalp carefully. This made him turn into a purring mess, which he clearly liked.

"When was the last time someone really took care of you, huh?" you chuckled as a soft growl escaped his chest.

"I can't remember. You take care of me, don't you?"

"As much as you let me. Close your eyes." you poured a cup of warm water over his hair to rinse off the shampoo. "You should use this time, rest, get some sleep..."

His hand slid up your calf. "I feel useless." he mumbled. "Like I'm a fucking cripple or something."

"Nobody thinks of you like that." you wrapped your arms around him and kissed his temple. "Sometimes you're just a pain in the ass. Joel!" he squeezed your calf harder and you jumped. "Stop it, or I'll forget you're hurt!"

You both fell silent for a moment, soaking up this intimate time. These were special moments, you wanted to have them just for yourselves, because they made you feel that what you felt, that you were - was real. Only his voice, quiet but deep, tore you from your reverie.

"Do you remember the first time you hugged me?"

"Yes, I remember."

"I would never have dared to dream of being with you like I am now... I was convinced that I would lose you. It scared me. I didn't remember what it was like to have someone so close. I was sure that when you saw what I was like, you would run away."

You ran your fingers through his wet hair. You remembered exactly how tense Joel was then. You were sure that he would push you away, but he didn't. He just patted you awkwardly on the back as if he wasn't sure if he was doing it right. 

"I was scared too..." you said quietly, glad that Joel couldn't see your face. "I haven't done this in a long time... And you were... Yourself. I saw how you were to Ellie, but I was a stranger to you."

His hand found yours, he brought it to his lips and kissed it. "You were the best thing that happened to us, really. And certainly to me. But... You never told me."

"About what?"

"How did you even end up there? You said you were with a group, then you were left alone, but nothing more."

He felt it immediately. Your body tensed, you took a deep breath.

"This isn't a good time, you know. It's not even important."

"But-"

"We should get out, you know. I'll make dinner, you must be hungry."

Joel didn't protest. You could see the consternation on his face, questions swirling in his eyes, but he didn't want to push you. That was wonderful about him, he didn't push, he just waited until someone was ready to talk. 

It was the second time he asked you about it, and you dodged it again. Joel understood that no one wanted to talk about difficult and painful things, but he had a strange feeling that nothing good had happened to you. And that broke his heart.

"Tommy asked me today if I would go on the next patrol with Sam and Anthony." You said as you both sat down on the couch after dinner, and you reached for the book you were currently reading together.

"I was supposed to go with them." Joel noticed.

"I know, but I thought... After that last trip for supplies, I didn't go anywhere further than the beaten patrol paths. It could be fun."

Joel didn't think it would "be fun," but he knew that you cared about feeling active and important again. He talked to Shane, he knew that your joint patrols were peaceful, but there Walsh kept an eye on you. And now?

"If that's what you want." He finally said and saw the smile on your face. "Just be careful."

"I always am." You opened the book and glanced at the next chapter. "Alright, let's get back to our Bennet sisters. I really liked them."

Your calm voice soon filled the living room, but it didn't reach Joel's mind at all. He was still considering your words, strange fears starting to churn under his skin. 

If it weren't for that damned arm...

☆☆☆☆

Thank you for your time.

taglist, i think: @picketniffler @orcasoul @bbyanarchist @o-sacra-virgo-laudes-tibi @somedayheaven @underneath-the-sky-again

[your-turn-to-role]

other things about campaign vox machina i have now decided it's vital for tlovm only fans to know about - so they were all in the slayer's take for a while, there was a whole mini arc about it

and the way slayer's take bounties work are often "so and so magic user needs this magical creature's body parts as spell components, so go find one and kill it, and then bring back everything on their list - money will be taken off the final reward for any parts you failed to recover or damaged in the process"

which is where vox machina learned just how expensive everything on a dragon from its eyes to its teeth to its skin is

and they've got a vex in the party

so yeah they killed the chroma conclave for the good of exandria, and in the case of thordak and raishan, personal revenge

but then with every dragon they killed they stole as much hide and scales and claws and teeth as they could physically fit in their bags of holding/colding (and i do mean that literally, there was a lot of math done over what in there is worth less than dragon skin so they could swap it with yet more dead vorugal)

but they didn't sell all of it

we may get this at the start of s4 we may not, because this time skip is when they had them made

but i feel like it's important to note after this point in the story vex's primary clothing colour was white, rather than blue, because she had a full set of leather and scale armor made from the cured remains of vorugal

and percy grabbed a dragon scale from each dragon for every one of his friends, and commisioned a jeweler they had helped earlier on their travels to make all of vox machina jewellery pieces of their choice (not all were mentioned but keyleth has a clasp holding her mantle/cloak together, vex has a hairpiece, it was suggested grog affixes his to his gauntlet), that were the five colours of dragon scale fanned out and inlaid with gemstones, in recognition of what they'd achieved

(and because percy is percy, as a way to recognise each other if it ever came to that, because each one was in some way unique to the person carrying it)

and while i don't know if the show will do a full costume change for vex (they did for keyleth, so we'll see, but the dragon scale pieces are probably too intricate for animation), i'd love to see more fanart that includes these bc they're really cool

[aversiteespabilas]

I love this analysis!! This twisted, nuanced relationship with the Arcane as an entity and the way they explore the concept of power and agency is definitely the highlight of Season 2 for me.

I hadn't thought about the comparison to LOTR (probably because I'm not the biggest LOTR acolyte myself), but one of the childhood conversations I most fondly and vividly remember with my dad, who is a HUGE LOTR fan (even named me after Samwise's daughter in the book-), was precisely about the One Ring, and I was immediately reminded of it. I must have been 13 or so, and I had just watched the first movie with him for the first time, and I told him "I just don't understand what it is about the Ring that's inherently able to corrupt a good man's mind SO badly, like, it's literally just a ring that makes you invisible, and that's only if you decide to put it on. You might as well have a superhero use invisibility for good, at the end of the day it's just an object that gives you power."

And thinking back on it, I really appreciate that my dad didn't decide to dismiss my point with a cheap "well, the Ring can mind-control people too", and call it a day, because perhaps he decided to take the chance to make it a lesson for me, and it might sound silly but his answer REALLY stuck with me to this day. He said "What would you do, if you could suddenly make yourself invisible? What would be your very first thought, if you knew you could get away with anything and not be held accountable, remain unseen? What kind of deeds would you prefer remained unacknowledged: the good ones, or the ones you know deep down are not-so-good?" And that was, I think, one of my most poignant moments of going "Oh, this fantasy story is maing a point about a very real thing" and I'm pretty sure managed to make my understanding of fantasy media all the more mature and nuanced from then on. The One Ring isn't evil because it "plants" evil thoughts "in" you, it's evil because you already HAVE not-so-good thoughts and it has the POWER that would allow you to carry them out. Then all of a sudden, it is no longer a situation where you're helpless against the Ring's "mind powers", but a question of whether the strength of your morals would or would not overcome the Ring's strength. It is also suddenly a thousand times scarier, because it forces you to face the fact that there's a version of you, hidden in there, that could be the stuff of nightmares and it's only a ring's usage away. It humbles you, in a way. And that's something you can also see them exploring in Arcane with Hextech and the other multiple sources of superhuman power that feature in the show. Is the Arcane entity mind-controlling people? Well... yes. But also not exactly. Not the way you think mind-control works. Do the characters have full agency? Well, yes they do. But they don't fully understand the power they're holding. And after all, if Hextech allows you to go the easy and convenient route to getting what you most desire, wouldn't you take it too, if you didn't know there'd be consequences?

You know, it's probably ridiculous to assume that Viktor is being somehow mind controlled by the Hexcore in S2 of Arcane. Obviously his actions are entirely his own, right?

After all, mind control plotlines can be a tricky to pull off and when it's employed, creators tend to put a lot of signposts in to let you know what's really happening and how the character isn't themselves anymore.

For example, creators might do things like... having the character's eye color suddenly change, since eyes are the windows to the soul.

Or... creators might indicate that the character's voice has changed somehow, to indicate that another will is acting through them and they're not entirely themselves anymore.

Certainly one really common trope in mind control plotlines is the mind-controlled character is hearing some kind of voice in their head telling them what to do, or seeing someone that isn't there who guides them or controls them.

Certainly in a pinch, if you really want to drive home that a character has been mind controlled and hasn't been themselves, you'd make it pretty obvious by having them be horrified by what they've done once the mind control wears off!

Bonus points if their eyes revert back to their natural color and any other signs of a different voice or appearance go away once the mind control is finally lifted! That way it's definitely clear that they've been set free from whatever influence was upon them.

But seriously, without these sorts of really glaring signposts we can't really be sure if a mind control plotline was intended at all!

(Tongue-in-cheek aside, I actually love the subtlety of how Arcane executed the Hexcorized Viktor plotline, and I love how much ambiguity remains. But for anyone who thinks he was totally in control, I mean, come on guys. When I started going down the list of all the things film and tv usually does to signal a mind control plot I literally burst out laughing when I realized how many of them Arcane had hidden in plain sight.)

[midnight-shadow-cafe]

First Meetings – Headcannon Edition

Pairing: Task Force 141 x Civilian!Reader

Warnings: None, just fluff! Some protective behavior, mild flirting

Author's Note: I love the idea of the 141 boys meeting a partner outside of their usual military world. I just love knowing the boys have someone to come home to but here is how they meet you. Let me know if you’d like any of these expanded!

Masterlist

MDNI18+MDNI18+MDNI18+MDNI18+MDNI18+

John "Soap" MacTavish

- You meet Soap while he’s on leave, enjoying a quiet drink in a cozy Scottish pub. It’s one of those places where the locals know each other, and you stick out like a sore thumb.

- He notices you sitting alone and, never one to leave someone out, walks right over with a cheeky grin.

- “New in town, are ya? Can’t be sittin’ all by yourself, that’s just a crime.” He slides into the seat across from you without waiting for permission, his energy contagious.

- What starts as small talk turns into a lively conversation filled with his playful teasing and exaggerated stories (you’re sure he’s embellishing, but it’s entertaining).

- By the end of the night, you’ve both laughed more than you have in weeks, and he’s already trying to get you to meet up again.

- “Tell ya what, next round’s on me—tomorrow night?” He winks, clearly hoping you’ll say yes.

---

Kyle "Gaz" Garrick

- You meet Gaz in the most embarrassing way possible—by tripping right in front of him. You weren’t paying attention, too distracted by your phone or the book in your hands, and next thing you know, you’re falling forward.

- He catches you effortlessly, his grip firm but gentle. “Easy there, love. You alright?” His voice is warm with just a hint of amusement.

- You’re flustered, mumbling something about not watching where you were going, but he just grins.

- “Happens to the best of us,” he reassures you, then playfully adds, “But I think that’s the first time someone’s literally fallen for me.”

- If you meet at a coffee shop instead, he ends up sitting near you, noticing how intently you’re reading. Eventually, curiosity gets the best of him, and he strikes up a conversation.

- “Good book? You looked like you were in another world for a second.” His easygoing nature makes it impossible not to chat with him.

---

Simon "Ghost" Riley

- Ghost isn’t the type to seek out company, but somehow, you end up sitting across from him at a quiet café.

- You didn’t realize the table was occupied when you put your drink down, and by the time you do, you’re already halfway through apologizing.

- “Didn’t see you there. I can move—”

- “It’s fine,” he interrupts, barely sparing you a glance as he stirs his tea.

- Most people would take that as a sign to leave, but something about him intrigues you. Instead, you stay, making occasional comments about the book you’re reading or the pastries they serve here.

- At first, he doesn’t respond much—just nods or hums in acknowledgment. But eventually, after a particularly amusing remark, you catch the slight twitch of his lips.

- “You talk a lot,” he finally mutters, but there’s no annoyance in his tone—just quiet amusement.

- It takes a few more chance encounters before he actually starts engaging in conversation. But once he does, you realize he’s a lot more interesting than he lets on.

---

John Price

- You meet Price when he steps in to help you out of a tough situation. Maybe some guy at a bar won’t take no for an answer, or someone is giving you a hard time at a store.

- Either way, Price intervenes with that calm, authoritative voice that leaves no room for argument.

- “That’s enough, mate. Walk away.” The guy doesn’t even hesitate before backing off.

- You’re left staring at your unexpected savior—a ruggedly handsome man with a soft smile but sharp eyes.

- “You alright, love?” His voice is gentler now, checking to make sure you’re okay.

- If you meet somewhere more casual, like a bookstore, it’s because he helps you grab something from a high shelf. “Didn’t mean to eavesdrop, but that’s a fine choice of tea,” he comments when he notices what you’re holding.

- He’s not pushy, but there’s an easy confidence about him that makes you feel safe.

- “Can I buy you a drink? As long as no one else needs rescuing tonight,” he jokes lightly.

Hope you enjoyed! Please consider liking and reposting! -Midnight💜

[izels-writing]

Hi, I recently discovered your page and I love it! I was wondering if you could do a “to all the boys I loved before” trope with reader and James potter? Like reader is similar to Lara Jean and James to Peter Kavinsky

of course of course!! i’m not sure if you wanted the storyline or just the character-likeness, so i did a little bit of both! tysm for the request my love!💗

also gonna make this more than one part bc I don’t wanna make it super long but I don’t wanna rush it either!!

j. potter — how forever feels ! [1/?]

Pairing: james potter x fem!hopelessromantic!reader

Summary: the stars have aligned and you and james’ futures had intertwined.

Warning: surprise kiss (not in a malicious way!), anxiety, upsetting situation, james potter is a cutie i love him, fake dating trope!!!, let me know if i miss anything!

for as long as you could remember, you'd been a hopeless romantic. every love story, every gesture, and every confession of love in all the romance movies you'd seen were every idea of perfect you could imagine.

except, this idea of love often came with side effect called fear of rejection. so every crush and every feeling that ever developed for someone, you'd never admit it aloud.

so you did the next best thing. you wrote it down.

for the past couple of years, each time you'd fallen completely in love with someone—you wrote them a letter. you'd fallen for them, to you, this was your way of letting them go after the fact. you wrote the letter, pouring out your heart and then some, before stuffing the addressed but never mailed letter in a shoebox and shoving it to the back of your closet.

and from then on, you'd let go of these feelings of love that plagued your every waking moment.

and despite it sounding like many—you only had three letters so far.

the first letter you'd ever wrote was to evan rosier in your first year. before teenage drama and bullshit took over and corrupted his terrible soul, the two of you had shared a class together—potions. he was kind and sweet and very good at potions, always asking to be your partner because you weren't so good at it. it was a puppy love, with him giving you small gifts and offering to help you study. had he not been enthralled by the idea of being exactly like his family, you were sure he was it.

the second letter you ever wrote was to james potter in the fourth year. you two had signed up for a valentine's day hogsmeade trip, where the prefects were to assign everyone a partner for the day—who would then go to different stores and shops, getting into the valentine's day spirit. thinking back now, it seems silly, but to fourteen yerra-old you, it was a chance at love. when you were assigned james potter, you were thrilled. he was handsome and a famous quidditch player, he seemed like the entire package. and he was. he was a complete gentleman, holding the door open for you, buying you a small bouquet of flowers at hogsmeade, offering you his coat—the works. he was pleasant to talk to too, making you laugh and finding him and his stories rather interesting. had it not been for the fact that he was infatuated with lily evans, you would like to think you'd have gone on a few more dates after that.

and now, in you sixth year, you'd written one to benjamin jones—your best friends boyfriend. you couldn't help it, when last year you'd been paired together for care of magical creatures and began to fall for him. his kind green eyes, his sweet smile, and the way you could tell him anything and everything without him judging. he was the epitome of what you wanted. he was a friend, but you were also in love with him.

granted, he hadn't been your best friends boyfriend when you had fallen for him. that came after the fact. and while it hurt, you made peace with it once you wrote your letter.

except, your sibling had made the mistake of stumbling across the wrong box to mail. and your parents made the mistake of mailing the letters. and the mistakes rolled on from there.

and now you were left dealing with the fact that the three boys you still went to school with would read your letter.

——

"they what?!" you blurted angrily.

"they mailed the letters. i didn't realize what they were until now when evan opened his! i'm sorry, y/n!" your siblings exclaimed.

you felt your entire world spin. there was no way you could continue your day, much less your life. three boys in this school now had your innermost thoughts and feelings revealed to them. thing you'd never say aloud, much less tell them.

your breathing quickened and you felt yourself feeling lightheaded. you turned to your best friend, "i'm so sorry, i wrote that letter before you two got together,"

lie.

"i know, i know, it's okay. i know your process. why don't we go back to your dorm, okay?" she replied kindly, helping you stand.

this response eased your nerves a bit, but nonetheless, the panic was still setting in. you nodded, getting up to make your way back to your dorm. you couldn't believe this right now.

as you walked, your breathing kept quickening. you began to see dark spots and hoped you'd make it back to your dorm before any of them had the thought to come up to you.

but realizing your state, your best friend took you to the courtyard for some much needed fresh air. making students were out there, enjoying their breakfast on such a beautiful day.

a beautiful day for them.

she sat you by a concrete ledge, helping you sit properly as you attempted to calm down. you tried to breathe in and out.

"i'm going to go get you some water, okay? stay here!" she said calmly, running off.

you nodded as she left, feeling your breathing slow. there's no way any of them could think to find you out here...right?

wrong.

"l/n!" a voice called out as they ran toward you. the brown-skinned, tall, muscular boy who was the subject of your second letter made his way over to you. in his hand he held the infamous letter. you swallowed thickly.

"uhm, hi," you replied timidly.

he sat next to you, taking a deep breath and likely preparing himself for what he thought was going to be a difficult conversation. "how are you? uhm, listen i wanted to talk to you about this letter you wrote me..."

you turned to james, wishing the ground could swallow you whole. "oh?"

"yeah, listen, you're a great girl—you're beautiful and funny and smart, but uh, i don't like you that way—" james said sheepishly, hoping you wouldn't get upset.

"i don't like you anymore, james, i wrote that letter two years ago. you were never supposed to see it," you blurted your confession. he sighed and smiled.

"oh great, i was afraid—"

"y/n!" a familiar voice exclaimed. your blood ran cold.

benjamin jones.

"i'm sorry," you told james suddenly as you figured out the only escape you could.

"for what?" james questioned, but he didn't have much time to elaborate because before he knew it—you kissed him. roughly, but nicely. for a weak moment, living out a fantasy he'd had at fourteen, he kissed back.

unbeknownst to him, you took a peak and noticed that benjamin and your best friend had spotted you. she chuckled and got him to walk off with her, explaining away the letter to her boyfriend. because while she may not know the letter was not before they began dating, given the contents of it, he likely did.

you pulled away as they walked off. you looked at james apologetically.

"wait.." he muttered in confusion. "you don't like me, right?"

"i'm so sorry," you replied quickly. and just like that, you stood up and ran off.

——

after a emotionally tumultuous few days, you were finally focused back on your studies. as of right now, you were in the library and attempting to take your mind off of everything while pouring your entire brain into completing your DADA essay.

but the universe had other plans for you.

"y/n?" a familiar voice called out. you looked up and felt your heart drop. you hadn't really spoken to him since...well, since you'd kissed him.

"james, hi..." you attempted a smile, but you only looked embarrassed. and to say you felt embarrassed was an understatement.

"you're a tough girl to find, l/n," he chuckled. he took a seat across from you, nodding to your assignment sprawled in front of you. "what're you doing?"

"oh, DADA essay," you said offhandedly.

"i have no idea how to ask this, so i'm just going to ask it," he prefaced, his tone sounding confused. "uh, why did you kiss me?"

you felt your face burn up. "i'm so sorry, look i really am. it's just...you're not the only person i wrote a letter to,"

"i'm not? way to make a guy feel less special," he muttered with a slight frown. "but i was your favorite letter to write, right?" he added hopefully.

"james," you warned.

"okay, okay...but that doesn't explain why you kissed me," he grinned. "did my dashing looks just fog your mind?"

"you wish," you rolled your eyes playfully. "look, i recently wrote a letter to someone who had a girlfriend, and that girlfriend is dear to me. i didn't want to make it awkward you know? so, i thought if he saw us kissing, he'd drop it. and so far, he has..."

james nodded. "makes sense, i suppose."

his mind seemed to drift off until finally, he smiled mischievously at you. you gave him a wary look.

"we can help each other," he grinned, leaning back in his chair.

"and how do you suppose we do that?" you asked carefully.

"well you don't want this guy to think you like him right? and well, i have a problem of my own.." he explained.

"which is?" you asked.

"you know lily evans?" he asked. you nodded. "well, she's dating this tosser, really. she and i had a moment back over the summer and really, i just want her to see we're right for each other..."

you nodded. "you want to make her jealous,"

"exactly! and, if you and i pretend to date, we can get rid of both of our problems!" james added happily.

"would that even work? it's so spontaneous and sudden, people have never even seen us together besides that one hogsmeade trip two years ago," you asked warily. "it's a good idea in theory, but realistically...?"

"we'll plant roots! like i'll say i'm not understanding something and you overheard and offered to tutor me! we'll spend some time here together for like a week or two and then bam, we start going out!" he explained with a grin.

you weighed out the options. eventually you'd have to talk about it with benjamin, but not if you had a boyfriend. and it'd solve james' problem too.

"fine, but we're establishing rules. like no kissing!" you explained quickly as james began to celebrate.

"no kissing? what're you? a nun? surely you've kissed someone before," he chuckled.

you remained quiet, struggling to meet his eyes. it wasn't for lack of wanting to—you just wanted your first kiss to be perfect and special.

"i want it to be special, okay?" you snapped quietly.

"okay, okay, understandable. what else?" he asked.

"we have to spend time together actually, and learn things about each other so we're not blindsided by questions. second, we can't tell anyone—what we're doing, it's so juvenile everyone would just laugh," you added. "and, we have to try to have dates together as much as we can, make it believable,"

james nodded to everything. "i agree. but i have rules too,"

you sighed. "okay, let's hear them,"

"you have to wear my quidditch jersey and attend my games, plus go to parties with me. and, you have to come with me to the quidditch end of year ball,"

the night was notorious for quidditch players sleeping with their significant others. it was meant for sixth and seventh years to attend a ball out of hogwarts, at some other school and chatting with international teams who were scouting for their next players. it was the beginning of the year and surely the ruse wouldn't last that long. which is the only reason you did this:

"okay," you nodded with a smile.

he stuck his hand out, grinning at you. you took his hand and shook it.

"so, we have a deal," he replied.

"we do, now let me finish this essay," you joked.

"yes, ma'am," he chuckled.

[minteagalaxea]

blood . line (p. two) | jy.u

jey uso . part two

genre: smut (minors dni) . a modicum of plot content warnings: oral sex (male receiving) . unprotected sex (please use protection) . daddy kink . dirty talk . afab reader (she/her pronouns) . mild manhandling/strength kink . panty ripping (and keeping) word count: 2.52k inspiration: the concept of a glucose guardian/sucrose supplier . the accountants in the john wick series . the concept of friends with benefits . songs: do i wanna know by the arctic monkeys (slowed and reverb instrumental) (x) . love scene by baekhyun (slowed and reverb) (x) read also: "hot . line" (x) notes: thank you again for everyone who has been supporting the first part! i hope you guys are able to enjoy this part, too! special shoutout (again) to @lov3rla03 and @spiicii for endorsing my insanity <3

she was starting to look forward to her weekly…meetings with jey. she really was.

the routine was simple: every friday, after she finished her work, handling everything she had to for her boss, she would go home, settle and get comfortable, call the bloodline, greet quynh, and then get redirected to have a hot and heavy conversation with jey for about an hour or so. and it wasn’t a routine she was too keen on deviating from, given that her entire work life revolved around schedules and rituals to keep her from losing it whenever changes happened.

hence why she took it strangely when after her call with jey, he asked her to stay on the line, and transferred her back to the main line, where she heard quynh’s steady contralto.

“quynh…what’s going on?” from what she had gathered, any interaction with quynh beyond their initial greeting wasn’t generally good. lex, who gave her the business card, did tell her some horror stories: quynh holding you after your session could be anything, and if you got redirected to roman of all people without requesting it, then it generally meant one was fucked.

fortunately for her, quynh wasn’t giving her a warning, at least not in the traditional sense. “so, it’s been a few sessions, and i trust they’ve been going well?”

“yeah, it has, thank you for asking.” she wasn’t sure about why she sounded so formal, though quynh took it as it came as they explained.

“anyways, i was hoping if you recalled our initial conversation, about in-person interactions.”

her breath hitched at the realization, humming an assent so that quynh could finish the sentiment with long-suffering affection, “this is a bit unprecedented for me, but jey has requested an in-person session with you.”

speechless. that was what jey reduced her to. and apparently, that’s what he reduced quynh to. okay, so she didn’t know quynh that well, but the fact that this was unprecedented was enough. and so, naturally, she accepted.

“excellent, sweetie. since these work a little differently than your usual sessions, you send the session payment as a sort of down payment. i’m sure you know that there’s a bit of an upcharge.”

as she worked through the payment process with quynh, she found herself excited for the upcoming week as she notated the details—the same time as her usual appointment, only this time with a high-end restaurant and luxury suite to match.

it didn’t take her too long to settle on an outfit when the appointment approached—a warm gold dress that hugged her just right and had her undertones glowing, and a smokey eyeshadow and dark nude lip to match the mood of the evening. she felt powerful, pretty, and perfectly excited as she took the taxi to the restaurant downtown, letting the waitress lead her to her table.

and then, naturally, her jaw dropped when she saw the man in front of her.

because there was no way that whatever higher beings decided to bless him with a voice of crushed sin also decided to give him the same blessings to his entire existence like he was some fucking sex god—or well, he probably was, given his line of work. the wolfish, cheerful grin, the messy charm of his hair, and his voice. holy fuck, his voice sounded even more heavenly and hellish now that there wasn’t a phone line separating them.

she felt the heat rise in her cheeks as she shook his hand, admiring the casual outfit that did wonders to the tattoos she saw along his arms with the rolled-up sleeves and the texture of his beard when he went to kiss her hand, his lips warm against the cool sensation of her rings as they took their seats across from one another.

“so…thank you for taking me out,” she started, nervous as she took a sip of her water, “from what it sounded like, this normally doesn’t happen.”

jey responded, voice dripping with silk and poisoned honey, “i thought it would be nice to meet the woman who’s caught my attention these past few months.”

oh, how her skin flared in heat with that comment, internally loathing how she was progressively getting more delusional, falling for his words that may or may not be a reflection of reality. yet, she played along, “it is nice…getting to meet the man i’ve been calling ‘daddy’ for the past month and a half.”

if he noticed her nerves, he made no point to acknowledge it as he requested a bottle of champagne to celebrate after they placed their orders. upon the waiter’s departure, jey started questioning, “so, mamas, what do you do to afford phone calls and fancy dates with me?”

she laughed, his candor refreshing as she explained her career to him, working in her high-running career as a personal assistant to one of the most demanding bosses in the world (in her completely biased opinion). though, he did make an empathetic jest about her struggles as he quipped, “mamas, i work for and with my cousin. who’s also kinda my uncle.” she had never laughed harder as he jested, made her laugh over wine and deconstructed meals that she didn’t understand the premise of.

“waffle house might be more fun next time, mami. i think you’d like it if we went at the right time,” jey remarked casually, and she raised an eyebrow. it wasn’t inherently a bad suggestion, but perhaps, in her view, that it was even a suggestion in the first place.

“daddy, we haven’t even finished this evening and you’re already planning for another one?” she teased, voice incredulous as she tried to mask it with a sip of her champagne.

his response was as smooth as the pen she used to sign off on the receipt when the check came, “well, mamas, you make good company. and now that i’ve seen your beautiful face, i don’t wanna stop seeing it.”

oh fuck, if he kept saying shit like that, she wasn’t going to keep herself (or her body) in control. “daddy, you’re gonna make me delusional thinking you’re like this with just me,” she whispered as they both rose to their feet, his hand on her waist and heated like an iron brand as they strolled towards the fancy hotel a couple blocks away.

and just for him to nail the point home? jey had the actual audacity to whisper in the elevator on the way to the suite, “i am just like this with you, mamas. nobody else.”

her heart fluttered in her bones at the admission; by the time they entered the suite of the evening, she took the man by the shoulders, shoving him down on the bed to straddle his waist. perhaps with the same audacious nature that seems to waft off of the man like his delightful cologne, she inquired, “really? does that mean you’ve been coming every time we talk?”

jey didn’t have to even say anything to confirm her curiosities—the smolder, the firm grip to her derrière was confirmation in droves when he tangled his lips and tongue in a kiss so dizzying that it made her head swim in hues of gold and his scent. she could taste the champagne on his lips and the raspberry on his tongue from his cheesecake as her hips swiveled atop him.

licking off the string of saliva connected their parted lips, she moved down, kneeling on the ottoman at the end of the bed, unbuttoning his trousers and yanking his briefs down in one fell swoop. “shit,” she marvelled at his length, “this is so unfair.”

it was unfair, because this man had to be blessed with a dick as beautiful as he was, pretty and leaking and hard as steel at this point. she couldn’t stop herself from running her lips up and down his cock, whiny and needy as she started to suckle on the tip, wanting to make this excursion worth their while. and as she worked, tongue swirling around the tip and with gentle pressure around the shaft, she got to coax those sounds she became so attuned to over the phone in real life.

she was definitely correct in her thinking that he was going to sound so much more beautiful without technological obstruction. his groans sounded of concentrated lust and voracity, his hand holding her hair firm but not yanking as she attenuated to his cues: how his hips would buck when she ran her tongue along the underside just right, how his sounds grew more pronounced each instance she took him all the way down her willing maw, throat flexing at his girth.

it wasn’t difficult to get him to burst, even though he continuously warned her. however, she knew it was an empty threat of his, with how his lips wove words of absolute filth, about he was right. “knew you were gonna look so pretty on my dick, mami. so fucking good to daddy.”

the praise made her pussy so much wetter, propelling her to work harder to earn those sounds, his praise, because he was—quite literally—fulfilling her fantasies with him. and she nearly came on the spot when jey did, spilling his seed into her mouth with a fervent, heady grunt as he kept her nose brushing his navel, “take it all, mamas. make daddy proud.” she swallowed with pleading eyes, melting into his deep and warm gaze as she milked him for everything he had; subsequently, she let him swallow all of her sounds when he tugged her off of his shaft and slammed his lips onto hers when he deposited her back on his lap.

“shit, mamas, you’re so good to me, made me cum so hard,” he crooned against her swollen lips, one raking through her hair and cradling her close and the other already going down to hike up her dress and fucking yank her drenched panties off her frame. her gasp echoed in his ears, especially when he winked at her to shove them in his pocket before unzipping her dress, letting it pool at her hips before proper extrication. she could only gasp again when he lifted her up so effortlessly and deposited her on her back while he made haste to get all his clothes off, with the additional knowledge that her soaked panties now have a home in his pocket for perpetuity.

in the frantic, fervent pace of their fucking, jey offered a moment of respite, one desperately needed for them both to try and prolong their fun as he pressed his already-hardening length against her slick petals. she supposed there was a massive benefit of sleeping with a man with nearly no refractory period and all energy. “jey, daddy, you gotta fuck me, please,” her voice breathed into his mouth as he slicked himself with her wetness, “i’m clean, just put your dick in.” “i know, mamas—fuck, you’re so wet for me. all that from sucking my dick?” he teased, starting to nudge her opening with a finger, just to stretch her just so she could take him, though with how wet she was, she knew this would be easy.

her voice fell into gentle whines when he slipped in another finger, scissoring her walls, “it’s fine, i’m ready, i’ve been ready since forever.” and, she supposed, begging did give her everything, because when jey retracted his fingers from her heat, he brought them to his lips and licked her arousal off like it was the finest dessert on the planet—and to him, it was.

jey made that message clear as he slid that rock hard cock inside, sheathing himself into her receptive walls as he mused with no shortage of want, “shit, mamas, knew you were gonna look so pretty wrapped around my dick.” wrapped around him she did, hooking a leg over his shoulder as his cadence started deliberate, uncharacteristically slow in the grand scheme of how she’s always known him and his dirty talk.

“fuck, you’re in so deep,” she breathed, back arching into the hand he splayed there and the mouth he had on the junction of her neck to imprint marks and bruises onto for posterity. her hands latched into his hair, yanking and mussing up those soft strands with each powerful thrust of his, gasping with the perfect angle, the perfect amount of pressure from his mouth on her neck, the swipe of his tongue on her breasts when he ventured lower.

her cunt clenched around him with each of his strokes, her moans escalated into a wanton melody of his name, “daddy”, and begging in some combination, breathed against his lips when he swallowed her noises when he kissed her like he needed oxygen. it occurred whenever he ventured lower to deprive himself of said oxygen by burying himself in her chest and suckling and swirling that skilled tongue over her nipples until they prickled with sensitivity and perked with surrender.

“daddy, i’m so close,” she groaned hungrily, the recipient of his increasingly fervent thrusts and their sounds matching in passionate harmony as jey’s growls grew more guttural, becoming a symphony of carnal sex as he ramped up the filth in his words, “come inside.”

her walls clasped around him like a vice when he spewed out. “come for me, babygirl. you’re so fucking hot like this, gonna fill you up just right, mamas.” he punctuated each word with a stroke that felt like it was getting deeper and deeper inside of her, “gonna look so pretty gushing out my cream. so fucking tight ‘round me, gonna cum so hard for me, aren’t you?”

jey was right, as he generally had been throughout the night, when he rubbed her neglected clit and got her to fucking scream in what was supposed to be a respectable hotel room, staking his claim about how damn well he was making her feel as she came, lips parted and body arched into a tapestry of luxury and avarice as her pussy clamped around his cock without any opportunity for movement. that, in turn, triggered his own release, spilling inside with that long groan she had memorized from all their weeks of phone sex. yet, hearing it in person, with no barrier, just did something to her, had her walls squeezing around him like no tomorrow, prolonging their highs as long as possible, shattering them into new precipices of pleasure.

as she panted for air when his hips stilled and her eyes met his with utmost fondness as he pulled out, letting his essence trickle out of her core, she kissed jey again because she could. jey helped clean her with a damp towel, sparing no shortage of adoration in the form of kisses and sweet nothings of “mamas”, “mami”, and “babygirl” that left her floating on golden clouds of warmth and sugar. while she rested into his chest, their whirlwind excursion wearing them out in the best of ways before an undoubted next round, she allowed herself to savor how all those weeks of the phone crystallized into a night of explosive bliss

and another. and another.

taglist ⇢ @yana3sworld . @roseydoesypoesy . @fearlesschimera . @theusotwinzcom

[joelmillerisapunk]

MILLLLAAAAAA I have not known peace since reading this

First of all, the tension. The history. The forbidden desire just simmering under the surface, waiting to explode. Every single moment had me gripping my phone like it owed me money.

The fact that they had all this unresolved emotion and then bam—thrown into the most intimate scene imaginable??

This was SO intense, so raw, so emotional—and the way it all came back to them in the end??? Like, she wrote the script for him. She was always going to find her way back to him.

I am never recovering from this. EVER I am crying in the club, hiding in the bathroom, sobbing into my pillow. okay favorite parts timeeeee - and this is my live reaction so excuse every emotional rollercoaster I hit here....

-> WAHHHHHH FJSDKJSDKLJF already killing me goddamnit He closed it and took a moment before rereading the first page, with the name left blank. It could only be you. That was the only explanation for getting a script without the name of the author on it. And there was no way the scene he had just read, so familiar, so intimate, could be coincidental. Or could be written by anyone else. He grabbed his phone and sent a message to his agent, unable to contain his annoyance.that’s fucked up, Will*Will calling* -> OKAYY I SEE HOW IT IS YOU WANT ME TO CRY ALREADY HUH? “It’s… damn, Will, it’s our story, ok? Or a part of it, I don't know. Anyway I can’t play this. Can’t play me.”

-> WHAAAA I CANT DO THIS I CANT BUT I WILL IM SCREAMING CRYING THROWING UP He didn’t know how Joel used to hold you firmly against the mattress, hands on your hips, lapping at your cunt to make you come again. Because he always wanted more, always wanted to give you more. He didn’t know that pushing his cock in you was the sweetest, most intense sensation he’d ever felt. Even now, years later, he never felt something like that again. Will didn't know any of that, had no idea how intense it had been. Because the only thing Joel told him was “you don’t bring her up. Ever.” -> she is so relatable omfg I would be doing the same You knew what he looked like, you watched all his movies. In need of his voice, his smile, his gestures, his laugh. In need of him. But seeing him for real- not through a screen but in the same room, not some character but Joel, the man you loved more than anyone else, the man you would still call “the love of your life” in your thoughts -, was breathtaking, almost surreal.  -> SOBBING EXCUSE ME SIR? WTF YOU DOING SHAKING HER OFF LIKE THAT NO SIR NO SIR So you approached him, without overthinking it, but as soon as he saw you he gave you a subtle but firm shake of his head. The message was crystal clear - he didn’t want to talk to you, didn’t even want you around. It stopped your hesitant steps in their tracks, and the shy smile you had the courage to build instantly disappeared, and your gaze fell to the floor. Trying to control your breathing, to fight back the tears you felt welling up.

-> my good goddddd im dying over here i am not okay sos help me He shook his head to think about something else and to resist the urge to take the script out of the drawer. Instead, he took a sleeping pill and went to bed.

->idk Milla, i think you write the most beautiful things and you really wanna make my heart fall out of my ribcage. The writing was pure and vivid and as he was reading your point of view he felt like his ribcage was suddenly too small to contain his heartbeats.

-> ooooof THIS IS BUILDING UP OMG OMG OMG SMDFKSDA “Who do you have in mind for the female lead?” he asked finally. “Well… me,” you answered, without lowering your gaze that time.

-> stab me it might hurt less than this In tears in your car, your boxes in the back, eyes fixed on the rearview mirror where Joel’s silhouette was getting smaller and smaller. Until you could no longer discern his clenched fists, his stone face. Until he was only a small dot, until he wasn't in your life anymore.

THE ENTIRE INTIMATE SCENE HOLY SMOKES IM DIZZYYYY

-> I have no thoughts just thots my brain empty but this is delicious “I can feel you clench on my fingers, you’re gonna be a good girl and come again for me?” he asked, before swirling his tongue over your clit again. “Thought about it so often,”

AND THE END AHHH IM SOBBING

Close-up

8k7 | Joel Miller x fem reader | ao3 | masterlist Summary: Joel receives a script that takes him back to the memories of your love story. He realizes that out of protective instinct after the break up, he has not been honest neither with his own feelings nor with you Warnings: 18+ mdni. ex lovers reunited, angst, mostly Joel pov, Joel can act cold out of defence mechanism, he has trouble accepting his own feelings, pining, slow burn, pet names (sweetheart, baby), semi public sex, just the tip, soft!joel, oral (f), piv, creampie. Pic for mood only, reader has no specific physical descriptions. 

a/n:  this is written for @jolapeno 's dear-uary challenge (prompt here) thank you for this challenge Jo, and it was such a cool prompt 😍😍😍 Thank you @aurorawritestoescape for beta-ing and for reading this one soooo many times 🥹😘💕 @/saradika-graphics for the dividers 🙏

I sent you a script, tell me what you think tell me more just read it, trust me

The informal messages between Joel and his agent, Will, were usual. They had known each other for a long time, they were friends, and Will had always found him perfect roles. 

So as always, Joel trusted him- even though the first page of the script, delivered to him by a courier, was not completely filled, making him wonder why. 

In the evening he put his cup on the coffee table, and lay down on the sofa, a soft light lamp behind his head. With his back leaning against the cushions, shirt, jeans, bare feet. Always the same ritual, always the same setup, when he was about to read a new script.

He started reading it, taking a sip of coffee from time to time, until his heart leapt in his chest as he got to a particular scene. 

He closed it and took a moment before rereading the first page, with the name left blank. 

It could only be you. 

That was the only explanation for getting a script without the name of the author on it. And there was no way the scene he had just read, so familiar, so intimate, could be coincidental. Or could be written by anyone else. He grabbed his phone and sent a message to his agent, unable to contain his annoyance.

that’s fucked up, Will

*Will calling*

“Yeah,” he grumbled as he picked up, without even trying to hide his feelings, then he got up to pace the room.

“Look, I know what you’re thinking, Joel. But she’s a great writer and actress, you know it. We’ve been looking for a good drama movie for a long time. This one’s perfect.”

“It’s… damn, Will, it’s our story, ok? Or a part of it, I don't know. Anyway I can’t play this. Can’t play me.”

“Joel, listen to me and think about it. No one would know. And it can be therapeutic.”

“Thera… jesus, you gotta be fucking kidding me.”

Joel sighed as he hung up and threw his phone on the couch. 

Why the fuck would Will do something so stupid and inconsiderate, giving him a script from you? 

At the beginning of his career, his agent sent him one project for a movie in which you were expected to play too. Joel confessed that you two had been together, and added “you don’t bring her up. Ever,” to end the conversation. So Will never did. 

Until today.

He sat back down on the sofa, resting his forehead on his fist, resisting the urge to throw the cup of coffee across the room. He was surprised by his own reaction, his nervousness. His anger. Barely able to control his emotions, he felt so weak, like his heart was about to tear in two again, swallowing him whole. He was affected, years later, as if it happened yesterday.

So, sure, a long time ago he asked Will not to talk about you anymore. But they might have been  friends, his agent might have known about you, but he didn’t know the details. Didn’t know how profoundly the break up had hurt Joel, how much you had gotten under his skin, back then.

And in Will's defense, it wasn't like you never saw each other again, at parties or ceremonies, under Will’s gaze who thought that it wasn't that bad, after all. It was years after your separation, now having the job that both of you dreamed about, talked about, sweaty young adults in a messy bed where he had just made you come.

Will wasn't aware that it was actually that bad. 

Because he didn’t know the way Joel looked at you, when you were together. He didn't know how sweet and caring Joel was with you. He didn’t know how much he loved wrapping his arms around you, and having you curl up against him. 

He didn’t know how Joel used to hold you firmly against the mattress, hands on your hips, lapping at your cunt to make you come again. Because he always wanted more, always wanted to give you more.

He didn’t know that pushing his cock in you was the sweetest, most intense sensation he’d ever felt. Even now, years later, he never felt something like that again.

Will didn't know any of that, had no idea how intense it had been. Because the only thing Joel told him was “you don’t bring her up. Ever.”

The first time you saw each other again, was in a place full of actors, agents, writers and directors.

You couldn't believe he was here, a few steps away from you. Of course, you knew you'd cross paths one day, but suddenly he was closer to you than he had been in years and you felt your heart racing. He was even more handsome than he was back then, if it was even possible. You knew what he looked like, you watched all his movies. In need of his voice, his smile, his gestures, his laugh. In need of him. 

But seeing him for real- not through a screen but in the same room, not some character but Joel, the man you loved more than anyone else, the man you would still call “the love of your life” in your thoughts -, was breathtaking, almost surreal. 

So you approached him, without overthinking it, but as soon as he saw you he gave you a subtle but firm shake of his head. The message was crystal clear - he didn’t want to talk to you, didn’t even want you around. 

It stopped your hesitant steps in their tracks, and the shy smile you had the courage to build instantly disappeared, and your gaze fell to the floor. Trying to control your breathing, to fight back the tears you felt welling up. 

If you had looked up right away, you would have seen guilt sweep through his eyes. But when you finally raised your head, seconds later, he was on the other side of the room. The only thing you could see was his back, which he undoubtedly presented to you deliberately, as if his glare hadn’t been enough to make a point.

All evening, you struggled to keep conversations going, to concentrate, to think of anything other than his dark stare, furrowed brows, and the way he shook his head at you without any hesitation. For years, you had been wondering what he had thought of you, after those years. You just got the most brutal answer to that question. 

The second time, a journalist had done some research and discovered that you attended the same university, graduated the same year. He took the opportunity to bring the subject as Joel was walking by. He probably hadn't seen you amongst all those people, because you were sure he would have gone the other way, otherwise. You didn’t have much choice than to kiss, feigning a friendly closeness that had never existed between you. You had been lovers, then strangers. No in-between. 

His scent, so familiar, invaded your nostrils. He always wore the same perfume, the one you had given him for a birthday. It surprised you but you didn't have much time to think about it, as he ended the hug quickly.

Joel's eyes were shifty when you looked at him, a fake smile plastered on his lips. Which could probably seem real for people who didn't know him, but not for you. Not even years later. You answered the journalist's questions as best as you could, until Joel leaned towards to give you a hug that was as neutral as his eyes on you, cutting off the questions. Then he walked away, leaving you facing the journalist who was delighted with the exclusive material and oblivious to the unspoken scene that had happened in front of him.

Joel thought back to those two evenings, after he’d hung up on Will and before he’d put the script away in a drawer. He needed to regain control of his emotions, and to do that he couldn't continue reading your words, at least for now.

He went to the kitchen for a fresh cup of coffee, and despite him trying, his mind wandered to lazy mornings where he would get up to make two coffees and then come back to the bedroom. He’d put them on the nightstand, before cuddling up to your warm body under the sheets, hearing you moan gently. Sometimes you would fall asleep in one of his shirts, and he loved smelling his scent on you, as if you were marked by him, somehow. It always made him feral, possessive. He didn’t know he had that side in him, until you.

You'd always grab his hand to kiss the tip of his fingers, before sliding them along your folds, feeling his cock harden against your ass and your pussy starting to drool. He would make you come with his digits, his lips against your ear, caged in his arms, then he'd slide his cock between your thighs and your soaked folds, just in time for your last spasms to squeeze his tip. Sometimes he would keep fucking you like that, lying behind you, and sometimes he would roll you on your back, taking his place between your thighs. Until he’d come, grunting, growling, his hair disheveled, and you often fall back asleep, his cock softening inside you, the cups of coffee cold on the nightstand.

He shook his head to think about something else and to resist the urge to take the script out of the drawer. Instead, he took a sleeping pill and went to bed.

The next morning he woke up groggy. He put on a t-shirt and sweatpants, poured himself a cup of coffee, and put aside his good resolutions. He didn’t need the script to think about you, anyway. Time never healed his wounds, he never forgot you or the pain he had felt when you’d left. His thoughts were always hurtful, possessive and raw.

Even years after the break up he couldn’t help but think about you when his wrist fucked his shaft. Even sometimes when he was in a relationship. He hated himself for that but couldn’t help it. He missed your cunt, your hands, everything. But he couldn’t accept the idea that he was simply missing you. 

He always thought that your bodies were made for each other, and you always breathed the same words. He knew you meant it, his cock buried in you, his eyes fixed on yours rolling to the back of your head and his ears filled with your moans, barely able to tell his name.  

Until it was over. 

He knew it could happen, you always told him that you'd have to leave for California one day in hope to live your dream, that you couldn’t do it in Texas. But he brushed it off, not wanting to believe it, not wanting to think about it. He hid it in a corner of his mind, until he had no other choice but to face reality. Until it hit him. That day, he realized that he wouldn’t get to wrap his arms around you for the rest of his life.

He lay down on the couch and started to read. And the more he read the script, the more he realized that you wrote only the moments that had really happened. 

The story, background, was slightly different, probably so that no one could ever make a connection to the two of you. But the moments were real, and it made him dizzy.

You wrote that dance in your small apartment, first for the both of you, that you rented after graduation. You worked as a waitress and Joel was a barista, and you two went to as many castings in Austin as you could, dreaming every day about being actors.

That night you put on some music and danced. He kissed your hand and looked at you. He felt warm. He loved you so much that his heart was aching. He made you spin and you laughed, and it was like a spring breeze in the apartment, filling his lungs with fresh air. When you stopped twirling you brushed his hair and then kissed him. 

The writing was pure and vivid and as he was reading your point of view he felt like his ribcage was suddenly too small to contain his heartbeats.

Over the next two days, he took the script out of the drawer regularly. Slowly touching the paper that already bore the marks of repeated handling, him  lying on his couch, taking his time before opening it. 

He read it all, and the sweetness, the sensitivity with which you described your moments moved him profoundly. The person he had loved, cherished, cradled in his arms, wrote that. 

All the intimacy, the love and care you both felt for each other were there. For several years he made everything to forget the good moments, to focus only on the ending to feed his bitterness, but the fact was that there had been so many beautiful moments. And he could read them, feel them again. Couldn’t deny them anymore.

Your words were so familiar, so true to your love story, that his anger slowly gave some place to something else: nostalgia. Finally allowing himself to miss you and what you two had. He was still wondering why you had written the script and sent it to him, but now he was ready to learn the answer. And he wanted to look you in the eye when he’d ask you this question. But he wasn't sure how he’d behave, when you met. Didn't know if bitterness or nostalgia would fill his heart.

So after two days of silence, Joel picked up his phone and sent Will a message.

Ok, set up a meeting

Because of your busy schedules you could meet only in two weeks. The delay was driving him crazy. 

He made a copy of the script, his copy, which he filled with annotations, dates. Underlining moments or words erased from his mind, out of grief, anger or self-protection.

He got hard several times, while reading some scenes. And sometimes anger would come back to creep into his thoughts, whispering to him that you never should have sent it to him, when your separation had been so painful for him. 

And Will was not the only one Joel said “you don’t…. ever.”

To you, it’d been “If you leave… you don't call me. Ever.”

That morning, as he got used to doing several times a day, he grabbed his copy of the script. He had handled it so much that the sheets were already damaged, some pages peppered with annotations. 

As he was reading, he remembered how you had loved to run your fingers over his jeans when you were watching a movie on your little couch. Playing with him, your hand going higher and higher, just to hear his breathing slow down, just to hear him murmur a needy and low “sweetheart, what are you doing?”, making you smile widely. Knowing that he would manhandle you two seconds later to be under him, pulling your panties to the side and pushing his thick length into you. He remembered the feeling of your breasts against his chest, how you whimpered in his neck while he was fucking you hard and deep. 

He was nervous the morning of the meeting. He took a shower, hoping to get rid of the fatigue and headache from the lack of sleep the night before. He put on a shirt and jeans and grabbed his car keys, put on some music when he started to drive, trying to change his mind, but it didn’t work, he was still anxious. He parked near the building. Once inside he found the meeting room and knocked on the door. He heard you say “come in” and took a deep breath before twisting the handle.

You were alone, sitting in a chair, and he quickly pushed aside the thought of how pretty you were. Joel immediately noticed your hands, pressed together nervously, before you stood up to greet him. He stopped when you walked towards him and your smile faded like that time.

“Wait,” he said, his hand raised in front of him, as he was trying to control his emotions. “I just… Why did you send it to me?” he added without any preamble, his tone harsher than he intended. 

“Oh… ok. Straight to the point, huh?” you said, sitting back down, and removing an imaginary crease on your sleeve, eyes lowered to the desk.

“I never…” you started to say, before stopping and taking a breath. “I think I needed to write our story down.” 

Joel’s sigh stopped you. You tried to keep a low and calm tone, not to show your anxiety. You knew that facing him wouldn't be easy. He had given you a glimpse of his coldness after the situation with that journalist.

“Joel, please, listen to me.” 

You looked at him, and yet you had no idea how his name, escaping your lips, tore his heart apart. He never thought he’d hear it again, and the familiar intonation made him shiver.

“I honestly think it would make a great movie,” you said. “And you must think so too, since you’re here.”

“I don’t know why I’m here, honestly. Except that I want to know why.”

“Would you have preferred to discover it once the movie was out, your role played by someone else?”

His gaze on you, dark and possessive, made you freeze.

“No, I really wouldn’t have appreciated our story, my life, played by someone else, Jesus,” he growled.

He put his hands on his hips, a stance you’d seen him do dozens of times before, searching for words, and then he sat in a chair, pinching the place just above his nose with two fingers. Trying to stop the headache that was threatening to come again. It had started off badly, and he knew it was his fault. He was too stubborn, too cold.

“Who do you have in mind for the female lead?” he asked finally.

“Well… me,” you answered, without lowering your gaze that time.

“You?” 

A part of him, that he thought was gone the day you had left, woke up with a groan. He couldn't imagine the movie being made, you playing... well, you, and him being played by another man. It was unthinkable and made his jealousy and possessiveness stir painfully in his chest.

Unlike you, he hadn't watched your movies. He tried though, when he saw your face on a movie poster for the first time. He went to the cinema, but he walked out of the theater the moment that actor leaned toward you to kiss you. He couldn't stand to see someone kiss you, when he couldn't do it anymore.

“I’m the best person to play this character, aren’t I?” you said softly, interrupting his thoughts. “Just like you’re the best one to play the male lead. Look, I know you’ve been rumored for a role like this for years. I know you’re not opposed to it. So why not?”

“Because it’s not about playing a role here,” he sighed. “It’s playing in front of a camera, things we said, did, years ago. Intimate things that belong to us.”

“I changed some things, no one has to know it’s autobiographical,” you started to say, before he quickly cut you off. 

“I know it is. And so do you.” He walked over to the window to stare at the buildings in front of him. “When you leave someone, you don’t do that. It’s unhealthy,” he said, almost softly. Resigned. He turned to you before adding, “Why stir up something that died years ago?”

He didn't expect to face the sadness that clouded your face, and once again guilt seized him. You were sad, upset, and despite the bitterness he’d been feeling for years, he didn’t want to hurt you.

“Joel… I didn’t leave because I didn’t love you anymore,” you answered, standing up and walking towards him. You stopped a few steps away to respect his boundaries, before you'd see his body stiff. “I left because I had to follow my dream, and it wasn’t working in Texas. And you wanted to stay in Austin, to take care of Tommy. We ended it because a long-distance relationship would have been too painful, because I didn’t want us to be unhappy, barely seeing each other, not being able to feel each other often enough. So I left. And I told you all that. You knew it, you knew why.”

You took a breath, after formulating what was oppressing your heart, waiting for him to answer.

“Playing with feelings is dangerous,” he said in a low voice.

“This isn’t a game, Joel. I'm not playing. I’m sure it would make a great movie. And maybe we need to express all that, even years later.”

“Do you remember what I told you that day? The last day?”

“Of course, I do. You told me not to call you. You told me that if we had to meet again… then it would happen. Well, it's happening, Joel.”

He looked at you, confused, and headed towards the door, brushing past you lightly as he passed. 

Just before leaving, without looking at you, he said in a low voice, “my agent will give you my answer in a few days.” 

Once the door closed behind Joel, you remembered the day you left. 

In tears in your car, your boxes in the back, eyes fixed on the rearview mirror where Joel’s silhouette was getting smaller and smaller. Until you could no longer discern his clenched fists, his stone face. Until he was only a small dot, until he wasn't in your life anymore.

At that moment you were wondering if you had made a mistake. You kept wondering for years. To be honest, you still weren’t sure you made the right choice that day. You followed your dream and succeeded, but it cost you the love of your life.

You didn't know what to think about the meeting. It could have been worse, he could have left after two minutes of being there, you knew it. You could have said more, too, but you didn't want Joel to withdraw more into himself. And for sure, you couldn't have told him that you always thought of him when you were in someone’s else’s arms. That you tried not to let jealousy invade you when you thought of his personal life, knowing that you had no right to be. You gave up on that when you had left.

You knew what he thought, how he reacted. Now he needed time to process everything, and you just had to wait for his agent to contact you. You couldn't do more.

Joel got to his car in a blur. He realized where he was only sitting behind the wheel, too many emotions swirling in his head. Years without seeing you and it had gone by at the speed of light. He blamed himself for being cold, blamed himself for not being cold enough, and he was even more lost than before he saw you. He started to drive, the feeling of having mishandled things weighing more and more on his shoulders.

He took another shower when he got home, as if it could wash off his remorse and regrets, the words exchanged playing over and over in his mind.

“Joel… I didn’t leave because I didn’t love you anymore.”

“I had to follow my dream. You wanted to stay in Austin. To take care of Tommy.”

“You knew it, you knew why.”

Did he really start to believe that the events had happened differently, after you left? Had he really done it, to the point of omitting certain things, because he needed someone to blame, to keep moving forward? 

Had he really been that guy? Blaming you when there was no one to blame, just life and the choices that go with it, that we all have to do?

Had he really denied for years that you had left with a broken heart, too? That he had told you to never call him, after those wonderful years together? He felt like he was waking up with a monstrous hangover, and guilt gripped him. Truth is he let you down, and reality was hitting him hard.

Because you were right, you didn’t leave just like that. He didn’t want to acknowledge it for years, kept sweeping it under the rug, but deep down he didn’t forget it. 

And you were right, he hadn’t been able to prioritize your relationship. Couldn’t prioritize himself either. He had always been protective of his brother, but it reached another level when he came back to Texas after being dismissed. Tommy wasn't the same, and Joel knew that he would have constantly wondered if his brother was okay if he had left for California with you. Worried that he could be in jail after a fight, with no one to bail him out. Or that he could be drunk in an alley, alone, spending the night there. Or worse.

“I can’t leave Tommy here alone, with all his drinking and partying,” he told you, expression determined.

“But you need to think about your future, our future too, Joel,” you replied desperately.

Joel had probably hoped that you wouldn’t have left, that you’d have chosen him, until the end. And you probably hoped the same thing, too. 

Right person, wrong time. Fucking sad, but so banal.

So to forget that he was as responsible for the breakup as much as you were, he let his pain turn into anger, and he never let nostalgia set in, or his feelings show up. 

And everything blew up when you sent him that script and he started reading it. It was impossible to continue to deny the obvious, to keep thinking that his feelings were stronger than yours and that’s why you had left. It was impossible to forget that he had told you, “If you leave… you don't call me. Ever.” That he was the one who had cut everything off, once and for all. To protect himself, of course. But still.

So once you were gone, he did what he had to do, he took care of Tommy. Except that he started going to bars with him, at night. Drinking less than him, but still way too much. He took sleeping pills when he was obsessed with your absence, tired of squeezing your pillow way too tight in his fist, his jaw clenched with anger. He moved to a new neighborhood because he couldn't stand living in that apartment anymore where everything reminded him of you. 

When they were children and then teenagers, Joel and Tommy’s father taught them to work with their hands, and it helped them to find jobs on construction sites. And that he finally pulled himself together and helped Tommy the way he had to. It took him months, but he did it, and his parents would be proud of him, of them, if they saw their sons.

He worked hard, kept doing castings when his work allowed it, and eventually it paid off, even if it took time.

He thought about it all, and realized he needed to see you again before deciding on the movie. Needed to behave normally, to let go of his mask. So he asked his agent your number, then texted you:

it’s Joel. Are you still in LA?  I have some questions about the script can we meet again?  I am. When do you wanna meet? tomorrow night, my place? I’ll cook Sure!

He took a deep breath as he sent you his address. He let his emotions take over on purpose, to dispel the bitter taste in his mouth since you saw each other. Now he had to trust them.

The next day he started to cook during the afternoon, the dish that he hoped was still one of your favorite. He knowingly chose to invite you over to his place, to keep his mind occupied at least while he was busy in the kitchen. 

Once the dish was in the oven, he did a running session on his treadmill and showered. 

Anything to keep his mind busy.

You arrived right on time, a bottle of wine in hand.

“You still like the white?” you asked.

He did. Some things never changed.

As you approached the kitchen it smelled so good that you stopped there.

“Still one of your favorite meals?” he asked.

It was. 

You tried not to show that you were moved. Acts of service had always been his way of showing that he cared, and you weren’t expecting that when you showed up.

You sat down on a high stool in the kitchen and he opened the bottle of wine. You had a few sips, silently. Neither of you really knew what to say, at first. Then everything set into place, naturally, instinctively. A little shyly at first, bringing up things from your respective pasts, or present. You asked him how Tommy was doing, and he told you he was fine, that he was engaged to a woman named Maria and that they were going to be parents soon. You were happy for Tommy, sincerely. You had always liked him.

Joel was trying to act normally, to not pay too much attention to the ease with which you were chatting. How easily he opened up to you, telling you about his years in Austin, then his first ones in LA. His first roles, his doubts.

He was glancing at your hands when you weren’t looking at him. At your hair. 

He loved to see your eyes shine when you were talking about something that was important to you.

But above all, he loved to see them sparkle the first time he made you smile, that evening. It hit him, how much he missed it. Making you smile. 

His emotions were so familiar that his heart was beating a little too fast, like a horse freed from its reins.

And suddenly he wondered how he had been able to spend so many years without you by his side, when you had always been his sunshine, liberating his grumpy, reserved nature. 

A part of his brain told him that he was smiling a little too much, but he felt more alive during those moments with you than he hadn’t been in so long. 

Whether in a relationship or not.

And then he felt the atmosphere change, felt that you got nervous, an impression confirmed when you began to scratch your thumb. A habit that dated back years ago, and he'd always take you in his arms, kiss your thumb and tell you that he was there and that everything would be okay. Today, for the first time he couldn’t do all that.

“Are you ok?” he nevertheless allowed himself to ask.

“Yeah, it’s just… listen, I know you wanted to ask me about the script, but ehm... there’s something you need to know.” You took a deep breath before adding “there won’t be any movie if you don’t want to do it. If you’re not comfortable with it. I’m not saying this to put pressure on you, it's just… I just want you to know that your choice is completely free. I don’t want you to feel like you have to do it, for whatever bad reason.”

“I appreciate that you’re telling me this, thank you,” he said, in a tone you couldn’t quite define, half defeated, half tender. “Listen, I wanted to apologize.”

“For what, Joel?” you asked questioningly.

“Yesterday. I didn’t really know how to handle all of it. Honestly, I’ve been overwhelmed by a lot of emotions since I read the script. Including anger.” He didn't expect to tell you that, but the need was too much to bear. He needed to make things right.

“I know. I expected it to be complicated, after our two previous meetings,” you said, without animosity or bitterness. Just being factual.

He raised his eyebrows, as if to apologize, before continuing. “I wanted to apologize for that too. My attitude.”

“That’s your way of handling things, it always has been, I should have known. But I appreciate it too, thanks Joel.”

He nodded, then added “do you think we’ll be able to do it?”

“To do what?”

“Work together. To be coworkers on a movie?”

He saw your eyebrows furrow slightly, as you took the time to think before answering.

“Well… the evening’s going pretty well, right? You haven't shook your head at me yet, to show me the door.”

“Ouch!” he replied exaggeratedly.

“Too soon?” you asked, lips curled into a smile.

“A little,” he laughed.

He enjoyed it, that little moment. You’d had so many of them before. 

“Aren’t you afraid of what might happen?” he wanted to ask. 

“Aren’t you afraid of reliving things, that I’ll fall madly in love with you again and that the scenes we’ll shoot, my acting, will just express the reality of my feelings?” 

But he couldn’t ask you that.

He wanted to ask you if you had sent him the script because you still had feelings for him, but he couldn’t say that either.

“It’ll be a low budget movie. I mean, if we do it,” you said. There’ll be some outdoor scenes but not that many. Not many other actors either. It won’t be a long shoot.”

He nodded and said, “can I give you my answer in a couple of days?”

“Of course,” you smiled. “Thanks for the meal, it was delicious,” you said as you stood up. “You can text me if you have any questions.”

He thanked you and you complimented him on his house as you put your coat back on. His taste hadn’t changed. The rooms were simply decorated. As you walked toward the front door you glanced inside one of the rooms, and saw a table with a wooden sculpture on it.

“Oh my god, Joel? You still do the carving?”

“Oh… well… yeah. I never stopped.”

“Can I?” you asked.

“Sure,” he opened the door and you slipped through the gap, brushing past him lightly as you passed and you had goosebumps at the familiar scent. Still the perfume you had gifted him once. Reassuring. After all these years, instantly, it was there. Enveloping you. 

You approached the table and leaned over a piece he was working on, admiring the figurine that was being carved. A rodeo cowboy on a bucking horse.

“Wow, Joel… you were already very good at this back then, but now it’s incredible. The level of detail is mind-blowing.”

You looked at the shelves, covered with other sculptures. You approached them: bears, deer, wolves, rabbits.

“This is really amazing, you’re so talented. And… Do you still play guitar?”

“Sure,” he answered, nodding at a guitar case. “I usually play in the dining room. My guitars are over there. This one needed a little TLC. I just got it back. It’s… well it’s the one you gave me.”

You looked at him, unable to hide the surprise on your face.

“You kept it?” you asked, trying to hold back your emotions.

“ ‘ course I did.”

You nodded, your throat tight.

“I should go, it’s getting late,” you said. “Tell me about the movie, ok?” You looked at him hesitantly, but when he leaned towards you and wrapped his arms around your torso, your eyes closed at the feeling, so familiar, before you pulled away, told him good night and left.

Driving your car, you replayed the images of the evening in your mind. Of course, you had felt his gaze on you several times during the evening. And sometimes you could see Joel again. Your Joel.

Did he think about you as much as you thought about him? Did he suspect that you had sent him this script in the hope of getting back in touch with him? Did he know how much you missed him, all those years?

You had wondered so many times if he had been thinking about you. You thought about the hug, as comforting as before. You missed him so much.

Two days later, he texted you

“I’m in”

He kept looking at his phone after sending the message. The read indicator appeared quickly, then the writing bubble.

“Great, I'm so glad! I’m sure it’s gonna be amazing!!”

He hoped it would be. Hoped it wasn’t a mistake. 

He had to leave LA for several weeks for a shooting, and the organization of the film was put in place.

You sent each other a few messages in the next few days. Then the messages became more and more regular, while remaining purely friendly.

Several months later, the day before the shooting started, he knocked on your trailer to say hello.

You had rehearsed some scenes with the crew, and everything was ready.

The less emotional scenes were shot in the first few days. He didn’t ask for it, but he was glad. Every night he came back to his trailer, played the guitar, and thought about you. 

Seeing you every day was a very strange thing that he had trouble to define. He was happy to see you every day, to see the person you had become. And sad that you were no longer his. Filming these moments with you was like constantly reopening a wound that had never really healed.

That night, he took out the script, and reread the scene planned the next day.

EXT. THEIR APARTMENT -- EVENING He parks downstairs at their apartment, it’s dark. He knows she’s back from a week at her parents’. He’s eager to get home and see her again, he’s missed her. He quickly climbs the outside stairs and unlocks the door. INT. THEIR APARTMENT -- EVENING He puts his keys on the hall cabinet, takes off his jacket and hangs it on the coat rack. We follow him as he walks in the apartment, until he sees her in the doorway of the dining room. He smiles, we see love in their eyes as look at other. HER Hey baby He goes to her, they kiss, he takes her in his arms. She closes her eyes. HIM I missed you, baby. He brushes her cheek with his thumb. HER I missed you too. She takes his hand and leads him to their bedroom.

He stopped reading there, before the next scene, that was the most intimate, the one that made him anxious just to think about.

“I missed you, baby,” he said the line. He brushed your cheek with his thumb, like he had done so many times before. His eyes were fixed in yours. He wondered if he was imagining what he was reading in them.

“I missed you too.”

You took his hand and you headed out of the frame.

“Cut, it was perfect, guys! Go get ready for the next scene.”

He picked up his water bottle and took a sip. He felt dizzy.

You were both wearing underwear and bathrobes. Waiting to shoot the scene.

“Ok guys, you’re ready? Great, let’s go.”

The scene was a close-up of both of your faces during a sex scene, at night. You lay down on the bed first, after taking off your robe. He took off his too and lay down between your thighs.

“Is this ok?” he asked.

“Yeah, it’s ok,” you smiled.

“Action!”

You started to kiss, tongues quickly brushing against each other. His hands cupped your cheeks as he rolled his hips towards you slowly, careful that your crotches wouldn’t touch. 

It was overwhelming to feel you against him, your breasts against his chest, with only your bra between the two of you. It was a whirling moment, to kiss you in such an intimate scene, playing something that you had lived for real before. He groaned and slid his hand to the back of your neck to hold you as close as possible against him.

He felt you shift slightly, turning your hips to face his. He wanted to ask you what you were doing but he couldn’t. He was half hard from the moment he laid against you but now his cock was hard as steel. You pushed your pelvis forward and the tip of his cock nestled at your entrance, pointing against his boxers.

He could feel your wet panties through the fabrics.

“Don’t stop, baby,” you recited your line, and he growled.

He couldn’t believe you would act like that while shooting a scene, couldn't believe you were using him.

He pulled away to look at you and you murmured an unscripted “please.” Eyebrows furrowed, he nodded slightly. His fat head found its way, and his tip pushed your panties in.

It was hot, filthy, forbidden. So unprofessional, but he couldn’t stop. He recognized your moans, and the small team around you probably thought it was perfectly faked, when it was music in his ears. The music he thought he would never hear again. 

Your hands tightened on his biceps as you came. So quickly. He felt your walls squeezing his tip and he almost forgot to move, forgot the script, forgot you were shooting a scene. He pulled out, afraid he would come too, and faked his orgasm, neck tense and veins bulging, your hands caressing his hair at the back of his neck.

You said the next line “I love you, baby. I missed you so much.”

“I love you too,” was his.

“Cut!! That was amazing, great job!!”

There was a pounding on your trailer door as you got out of the shower. You quickly threw on a bathrobe and went to open it.

“What the fuck were you thinking?” he growled.

“Keep your voice low Joel, damn… Come in.”

You closed the door behind him, searching for the right words, pressing your hands together. 

“I, huh…” you stammered.

“No! No, talk to me. Tell me. You can’t… you can’t do that and stay silent.”

“I’m sorry.”

“You’re sorry?” he chuckled.

“Having you so close to me, against me… I couldn’t help myself. I’m sorry. It was overwhelming.”

“Everyone could have seen, what were you thinking?”

“I wasn’t thinking, that’s the point, Joel! And they didn’t see, anyway.”

“Jesus christ you can't do that. You can’t just use me like that.”

“I know, Joel. I know, I’m sorry. It’s just…”

“What?”

You sighed, and that time he didn't try to rush you. You felt him soften, giving you time to find your words.

“I miss you, Joel.”

“No, don't…  Please, don’t say that.”

“I missed you the second I left and it never stopped.”

Hearing the tone of your voice and reading your eyes, this time he had no doubt that you really meant it. And he felt all the tensions in his body relax, as if he were freed from everything that had been oppressing him for years. You approached him slowly, eyes raised to his, and you slid your hand into his, and his large palm gently closed over it. You caressed his cheek with the other, and for a moment he shut his eyes, pressing his face against your hand.

“I miss you,” you said again and he rested his forehead against yours. He gently rubbed his nose against yours, before kissing your lips softly. He heard your breathing hitch for a moment, then you moaned slightly as you pulled away, just to look at him, Joel, not the actor, for the first time in years. He pulled you closer to him and brushed his tongue over your lips, as if asking for permission to push inside. Greedily, you slid yours to his, licking his tongue and lips, until he crashed his mouth against yours. His hands rested on your waist while yours moved up his back, pressing your bodies together. You whined when you felt his hard cock pressed to you.

You pulled away from him again, just to look at his face, and he wanted to pinch himself, just to be sure you were not some dream that would leave him disillusioned and alone when he woke up.

You took his hand and led him to your room.

“Undress me,” you said.

He pulled on the knot of your bathrobe slowly, making the two sides of the garment part, revealing the curve of your breasts that he caressed with his fingertips.

Your chest rose quickly as your eyes were plunged into each other, until he lowered them to your pussy. His heart was beating so fast that for a moment he was afraid it would explode.

He raised his gaze to yours, silently asking if you were okay.

“Yes,” you said. As if you knew he would want to hear it, that a nod wouldn't be enough.

He slipped his hands under the fabric of the robe and slid it down your shoulders. It fell to the floor, leaving you naked. So vulnerable, and yet you were the strongest woman he ever knew, following your dream by leaving for a city where you didn't know anyone. And made your dream come true.

But now you were here, in front of him. So pretty, so sure of yourself, of your desires.

“You’re so beautiful,” he said in a low voice.

He pulled you back, guiding you with his hands on your hips as he kissed you, until the back of your knees touched the bed.

“Lie down, sweetheart,” he said. The nickname was so familiar in his mouth, so normal. You did as he asked, moving back until your head rested on the pillow as he watched you, still standing at the end of the bed. Then he took off his t-shirt, unbuttoned his jeans and got rid of them and his boxers.

“Are you ok?” he asked.

“Yes,” you replied. “Haven't felt better in a long time, actually.”

“Me too,” he added, laying on the bed, his hand caressing your inner thighs that he kissed, then he spread them with his hands.

He ran his thumb over your folds, covering it in your wetness until he reached your clit and gently rolled it under his finger. You moaned, spreading your thighs wider. 

He leaned down, his shoulders taking possession of the space between your thighs, the scent of your arousal filling his nostrils. He licked a long stripe from your drooling hole to your clit, then placed his hands on the inside of your thighs, pressing your knees against the sheets, and you willingly let him do it, your hands sliding into his hair. He pushed his tongue into your cunt, growling against your folds. He never thought he would taste you again and an overwhelming feeling was running through his whole body. You were leaking into his mouth, down his throat and he pressed you against him, greedy for what you were giving him as your hips rolled towards him. His nose brushed perfectly against your clit, like it always did before. You clung to his hair as your moans were getting louder and louder.

"I'm so close, Joel," you murmured, hands lost in his curls. "Please, baby, please." 

“Take what you need, use me, sweetheart.”

“Oh my god, Joel… I’m gonna… I’m coming, fuck!”

He didn't let go of you, leaving his tongue buried in your pussy and his nose against your clit, gripping  your waist with his hands, as if they were in their natural place, your flesh welcoming them.

“Joel…” you whimpered.

“Another one, please, baby. Let me give you another one, ok?”

“I’m not sure if I can… I don’t know if I can,” you panted.

“Lemme try, ok?”

“Ok,” you whispered.

His tongue left your pussy, licking your puffy folds before teasing your swollen clit. His middle finger slid along your folds before he pushed it in you gently, immediately adding a second digit. His fingers pumped into you, making your wetness flow down to the sheets. He kept you pressed against the mattress, as he had done so many times, drunk on your taste and smell. His cock ached but he resisted the urge to grind himself against the bed, afraid of not being able to hold back and come on them.

“I can feel you clench on my fingers, you’re gonna be a good girl and come again for me?” he asked, before swirling his tongue over your clit again. “Thought about it so often,” he added, still pumping your drooling cunt with his thick fingers, then licking and sucking your clit.

“Yes, fuck yes,” you whined, just before you came on his diggits, clit pulsing against his tongue.

He crawled over to you, wiping his mouth with the back of his hand, and smashed his lips against yours, your wimpers now disappearing between them.

“I wanna suck your cock, Joel,” you breathed against his lips, but he shook his head. 

“Sweetheart… I'd love it too but I’m gonna come the second you’ll take me in your mouth,” he said. “And I really need to feel you around my cock. All the way this time, not just the tip. You’re ok with that, baby?”

“Of course, need to feel you too.”

“Damn you’re so pretty,” he said, and kissed you.

He grabbed his cock in his hand, the tip leaking, swollen and red, and nestled it at your entrance, pausing there for a moment before thrusting in. 

“Oh fuck…” you whined, making him stop.

“No, no no, don’t stop, I’m ok. Need all of you, please,” you whimpered.

Like years ago, he would give you everything you needed from him. So he didn't stop until he bottomed out. 

“Shit,” he groaned, feeling his balls tightening, ready to explode. He was struggling so hard not to come, but his breath was hitching with every thrust since he felt your pussy around him. 

You kissed, hips rolling towards each other softly and slowly. He loved to feel you around him again, and again he thought that your bodies were made for each other. He was sure of it more than ever. He slid his arms under your shoulders and you licked his neck, right at his pulsating point, then kissed the thin and delicate skin crossed by its veins.

“I won’t last, baby, I’m sorry…” he panted.

You wrapped your legs around his waist, taking him deeper.

“It doesn’t matter, fill me, Joel, please, just like before,” you begged, making him grawl, and he placed his thumb against your clit. It was enough to give you soon another climax and you pulsed around his shaft, digging your fingers into his skin as you came once again. He thrusted in a few times before burying himself, balls deep in your cunt, and shot his cum into your core, filling it to the last drop, his forehead against yours.

“Fuck, sweetheart….”

“I know,” you breathed. “Just like before.” 

For a few minutes both of you were panting loudly, waiting to catch your breath.

Then you caressed his cheek and he kissed you until he pulled away and lay down facing you.

“Come here, baby,” he said, welcoming you against his chest. He wrapped his arms around you, the way he always liked it so much. You stayed like that for a few minutes without talking. He just wanted to feel you against him, to hear you breathe slowly, to feel your skin against his. 

“I should have left with you,” he said suddenly.

You straightened up to look at him then said softly, “hey, no, don’t… Don’t hurt yourself by thinking that. You did what you had to do, and so did I. And we met again, like you said back then,” you added, and kissed him, then curled up in his arms again.

“We did,” he agreed, brushing your hair delicately. “So, that script?” he asked. “Was it to… like… get me back?”

“Of course it was,” you smiled against his torso, and he kissed the top of your head. 

“I’m happy you sent it to me, sweetheart.”

Thank you for reading 🙏

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[fairestbeard]

Carmy Dressing Up Syd

What's the theory?

The story is mostly told from Carmy's point of view. So the ambience of the show is mostly subjective to Carmy's thought process. Sydney, being the object of his affection, is also presented through Carmy's eyes- at least the way she presents in his presence. I'll explain.

-Fans have identified that when she meets him, she is wearing Thom Browne, who is a designer he is theorized to admire a lot.

We know he got into cooking through his love for his brother but it has also been revealed (in his conversations with Claire- where I might add, that he didn't even notice the love of his life was sitting behind him. Interesting!) that he drew clothing designs when he was younger which suggests that at some point he may have considered being a fashion designer. We see how he connects to that desire by collecting and trading vintage denim as an outlet for that interest. The blue apron he choses for them in the restaurant also just so happens to be denim.

-Sydney is his muse. Whatever turn their relationship takes, we know that much. Also, we know Syd is kind of poor and likely unable to afford designer clothing. She's very resourceful so she might be good at thrift shopping for clothes she wouldn't be able to afford of the racks. They could also be from better times when she could actually afford them (having a business that failed literally from too much success?).

But what are the odds that this random person who walks into his life somehow dresses in the designer he likes? It is very plausible that she in actuality had a bunch of Thom Brownes and he recalls her mostly in them because when you like someone you notice the things that connect them to you and always connect them with the things you love.

Carmy's transference

It all started here!

Carmy was so distraught at Syd leaving that it affected his whole demeanor. He wasn't as energetic and as annoying (according to Tina) as he usually was. He seemed like he couldn't care less any more and was just going through the motions. It was so noticeable that Tina had to reach out to him and that's where it happens.

He had already seen her in the new apron at the pre-shift meeting. You could notice where he gives her a once over while she was talking to him then. But it was when she came to his office door that he really sees it because that was a thing Sydney did. This is where he first projects Sydney unto someone else to give himself comfort.

He had very much gotten used to her showing up at his office door for one reason or the other every day. So he must have found the image of Tina at his door in those aprons (remember Syd was the first person he gave them to and he gave her the one that was hanging in his apartment, I might add)- a little comforting to him and it gave him a smidge of happy nostalgia. So touched was he about that moment that he gives Tina the day off to rest.

Sydney through Carmy's eyes

While he begins to get closer to her and tries to make sense of their relationship, you also see that reflected in her appearance.

-she is dressed like him when they get to know each other better and trade career stories

-she is dressed like Fak when he contemplates who his best friend really is

His erotic transfer

This transference also comes into play when he meets Claire again and it has been brought to light by a number of fans here. I think @chefkids especially wrote extensively about this. We see Claire appearing in many ways that can be linked to Syd:

* Claire in a green jacket

* Claire in a jacket that resembles a UPS driver's while delivering mail, routing through Sheridan road

* Claire in a denim jacket

* Claire in blue and white.

Claire is someone he was known to desire in the past and who everyone has told him he wants and should be with. Suddenly here she is in front of him obviously desiring him back. And as Nat said in her monologue, who doesn't want easy? Who doesn't want to just be ok? His relationship with Syd is very complicated and delicate. It's risky and could ruin everything if it goes wrong. So he solves his desire for companionship and his desire for Syd by projecting Syd unto this woman who is clearly into him and who he knows he has been into and could still. That's why he takes her to the restaurant before he kisses her, to simulate that feeling. He probably had imagined kissing Syd in there too. That's why he made the infamous infidelity pasta. That's why he discusses the menu and fire suppression exam with Claire. He needed to find a way to connect the two.

Now this transference starts seeping back to Syd as well. We see her wearing something similar to a doctor's coat and literally handing him, of all things, medication on the day he decides whether his doctor lady friend is his girlfriend. Syd also starts wearing white tees after he sees Claire in his white tee.

At the crux of season two he literally purchases a $2000 outfit for her to wear, different from the rest of the team, directly dressing her up.

S3 is where Carmy reviews his life as a chef and has to decide what kind of chef and person he needs to be and we see that reflected on Syd as well. She starts appearing in more polka dot mirroring the chef who had had the most positive impact on Carmy - not only working with compassion and patience but also gently pushing Carmy forward career wise - Chef Terry. This is important because Syd reminds him of Chef Terry with the way she handles things with compassion and patience while also striving to push things forward. Carmy would be stagnant without Syd, even if he had opened those cans in the first episode. Syd is Carmy's muse, his inspiration and in many ways his leader.

Syd is also seen wearing short pants which he said he had been interested in designing when he was younger.

Another thing I noticed and find very interesting is Syd's reaction to him noticing her clothes. She's never passive when he comments on what she's wearing. In Omelette when he notices the stains on her whites she immediately takes it off because he noticed something negative. Also in Legacy when he says she looks nice she immediately takes off the thing that brings the outfit together (the bow hair clip), probably because the reason she was dressed up in the first place is something he wouldn't approve of?

Also, it could be alluding to his secret desire to see her in a state of undress.

Sydney has become the lens in which he views his world. The man needs that cookie so very badly on a spiritual, metaphysical level.

[mysteryanimator]

Breaking down "Even the Iron Still Fears the Rot" (almost) shot by shot!

The fan-animatic can be viewed here!

HEADS UP: This is a fan-made content. I am a fan. I just love Castlevania/animation a lot and I love storyboarding nuances and making people cry over character dynamics. Also apologises for any grammatical/spelling mistakes!

I wasn't planning to do another breakdown of my own work, simply due to imposter syndrome but I genuinely put so much love and care into this animatic! I want to talk about it! Also, people have been really open to hearing about my inspiration and notes, and why I take the directions I do for my work, even if it's fan-made, so here we go!

(Also the reciprocation of my animatics has been so kind and uplifting, and I'm really glad that there's a lot of love for them as much as I love doing them! I learn and grow with every single board I make, it's been really fun! I hope I get to shine this much passion in the future in actual work!)

Since this is also an adaptation of a fan one-shot by Aquila, (which you can read here!) I knew I wanted to evoke what they had written and interject some of my own nuances/personal readings to their story to elevate what they had! In turn, kind of created this monster (positive) of a fan creation haha. There are some changes/rearranging the placement of aspects of the one-shot to strengthen the existing tension going on!

With this out the way, let's begin!

(heads up, for any shots I completely skip over, it is because I'm reaching image limits here)

I wanted to evoke that strong halo light you see in a lot of media. Often than not, this visual is used to depict the character as a divine force of nature and/or when a character is bobbing in and out of death. It can also be a very very terrifying image, as, for example, s02e8, Mizrak is literally all dark with a brightly lit background. It is scary- BUT people will say hot because it's Mizrak but hey, look, all I can say is I fully understand haha. It all depends on your intentionality and what follows before and after to give context to your scene!

Mizrak is dead. Well, undead now. Olrox is the so-called angel giving him life and love and this halo of light gets repeated a few times!

By the end, not only do their literal positions switch, but their roles shift too so I hoped to convey that visually by also giving Mizrak that halo glow for the second last shot. At the start, Olrox consumes Mizrak’s love, and then it ends with Mizrak consuming Olrox’s love. Guh I love blood themes in vamprisim.

This shot honestly took me a bit to do, since I was going a lot cleaner than usual, the expression for Mizrak was super important for me to get right. I wanted him to look like he was about to die- yet still have an unwavering amount of life in him. (Also I hadn't warmed up drawing in this cleaned-up style so it definitely was me messing around). It was important for me for this to feel like a POV shot to contrast the first scene so we can get inside the mind of Olrox!

This too is where I only have sound effects since I can't have voice so I limit my SFX to the only most vital things to elevate things I personally find better elevate the scene with audio. It only happens TWICE. The heartbeat. His wrist is shown and from context clues from not only S01 of Nocturne with Tera's turning, but a whole bunch of other vampire media- the wrist is a place where the dead accept their new life of immortality!

Also, the pulse effect was definitely inspired by the transformation of Sekmet! I'm not sure personally if this went to a further stage I'd want to keep this since I'd personally want something more unique for vampire turning, more specifically for Olrox, HOWEVER, I think it still does a good job conveying the supernatural pull for the time being!

Wow who saw this coming HAHA

Immediately when I saw the line where Olrox said he went to straddle him immediately, my mind went to go and try to parallel this scene again! I don't have much to say about this shot rather than the feet are purposefully cut out for animation convenience's sake HAHA.

Jumpscare for sudden Olrox character layout (even though he's really off model and sketchy here HAHA)

I was again, wanting to depict Olrox BATHED in light and since this animatic is purely in greyscale (with accents of colour), I could really push for dramatic lighting when it called for it! This is also why some of the scenes just do not have backgrounds at all. I wanted to make some of the scenes as "heavenly" as possible and for Mizrak to be embraced by the light because Olrox is giving him a new a life.

If this were to ever be animated (I won't be since it would take too much of my time, but it's still a good thing to note when boarding anything... maybe I'll do cleaned screenshots since those are a breeze, or animate ONE scene from this animatic... we'll see what I have time for. I unfortunately don't have proper time to try and figure out the layout of s02e8 bgs and paint them. I did consider quickly doing a 3d mock-up but no haha), the light in the background can probably be lit with candles since it was already pre-established in s02e8! Also, the windows can reflect light into the room so there's that too since Mizrak was backlit in that episode too!

Fun fact, this entire scene was the first thing I ever thought up and why I started even making it. I thought about how cool of a visual it would be to have Mizrak's eye in the reflection.

I wanted to imbue the fact that Mizrak does not fear Olrox holding a blade, hell, he's not even looking at the blade. He's looking at Olrox. What is described as a relic from a terrifying past, Mizrak is not scared. Mizrak is not scared of Olrox.

This is where the heartbeat occurs AGAIN. This is mostly to signal to the audience what Olrox actually has planned. He's not feeding Mizrak from his wrist but from his actual chest, especially with how gently Olrox runs his hands over it.

I debated a lot on where the initial cut should go. The heart, for sentimentality, under the breast in the same way Christ had been pierced, etc etc- however I landed on just dead set in the middle so it could form a cross that would grow bigger and bigger as the animatic went on. (Fun fact, the blob of blood turns into a little heart as he squeezes his chest)

I wanted to put some weight to the repressed catholic guilt, so I thought a cool visual way to showcase that Mizrak has only known how to love is via worshipping God which has consumed his entire being and self. God has given him faith, a companion in the hardest of times when the world has abandoned him.

Now, once again, his world has abandoned him. The Hospitaller Order of Saint John of God is gone. In the face of death and fearing the devil will be waiting. Olrox has given him love, and he will be a companion in the hardest of times. He will not abandon Mizrak.

This aspect of the cross in the animatic gets expanded upon as time goes on. Both literally as the cross literally turns into a pool of blood more closely to the symbol Mizrak bares, but also it slowly expands upon Mizrak feeding off Olrox's love! I'll add some more of my personal notes when we get there!

Also by far one of my favourite scenes I've drawn. It's still rough but it decidedly made me go a lot cleaner with the rest of the storyboard!

This is supposed to be suddenly jarring because it cuts midway through Olrox in a midshot to a close-up of a hand! We need to see him actively halt Olrox for just a moment, but also to show that even when it's sudden- its not hostile, it's gentle.

This shot does a couple of things!

It showcases how gently Mizrak is reaching out to Olrox

It helps to continually establish Mizrak submission to vampirism. He is constantly placed on the bottom from the composition, or we as an audience, are always looking down at Mizrak! Seeing parts of Olrox here really cements this fact as Olrox towers over him to the point we don't even see him fully!

It helps to lead into the Fallen Angel reference!

This shot makes me sob because it is so gentle. Despite being placed constantly much higher in the composition in the animatic, therefore making him the most powerful in this dynamic- in no way Olrox is intentionally made out to be an intimidating figure. He is comfort. He is a companion. He will not abandon Mizrak. The act of turning Mizrak might be read as selfish. It may be read as cheating the natural cycle of life, it may be everything wrong and doomed as your mind makes it to be, however, it is done out of love. Morals, whether good or bad, no longer matters because Olrox is in love. Love has such a strong chokehold on this series, so I'm shoving as much love into these characters as I can. Both literally make these characters so sickly desiring love that it will be their doom and saving grace, but also me as an artist deeply putting love and thought into this board because care a lot about how to convey these complex emotions! Sure it is quite easy to churn out boards without care, but without putting care into your boards, your characters and stories lack life (in my personal opinion).

Immediately, this animatic shook me and told me to put in a reference to The Fallen Angel by Alexandre Cabnel!

Also, how does one portray the soul? EYES. Eyes are the window to the soul. Mizrak’s eyes are also considerably the most important/crucial part of his design. His eyes in both seasons ‘glow in the dark’ due to the highlights in his eyes. Mizrak is considerably really emotive too and that was important to me to emphasize. I wanted to capture his essence, his soul if you will, into this shot.

This is also why this shot is done really prettily if you will.

The reflection of Olrox's eye in Mizrak's is important here! Olrox is here to act to comfort Mizrak. Even when Olrox is not on the screen with us, he is majorly present here. He will not abandon Mizrak. Also, since it is coupled with this line, people can choose to infer what they wish with Olrox! It can symbolize Olrox does have a soul, it can symbolize how Olrox and Mizrak are now intertwined together, it can symbolize Mizrak reciprocating Olrox's love. The list can go on! I give that room for open interpretation (same as the rest of the animatic, the only reason I'm going through, breaking down almost shot by shot is that I deeply care about this sort of thing, and I know other people do too!)

This shot, is deceptively simple but it's here to actually initiate a bunch of scenes I wanted to happen after this!

Firstly, I needed a very nonchalant but easy way for Olrox to let go of Mizrak's hand without needing to overcomplicate. I needed something that gave it just enough importance for the hand kiss BUT not too much where it is the sole focus on the shot.

Secondly, I needed a way for Olrox to lean down to Mizrak and initiate him being way closer to him.

Thirdly, it acts to parallel another shot that happens with Mizrak where instead of going diagonally down, he goes diagonally up!

This is one of the points where I visually slightly deviate from the one-shot! I really REALLY wanted to emphasize Olrox's dialogue here so I chopped up and elongated the scene to make it that much more intense and tender. Which is why we get the next two close up shots!

Look it was very VERY important to me to have Olrox cup Mizrak's face and intentionally cut off his eyes. The important part I wanted to focus on solely was his hand and Mizrak looking up because genuinely, Mizrak's eyes are 'distracting' and it would remove the focus on the gesture! Also I am saving Mizrak's eyes for the next shot haha

After this shot too, you may notice the blood from his neck disappears for the rest of the animatic. This is because, after this, it began to take too much of a visual focus away from the blood on Olrox's chest since it is bright red against greys in the shot. We can chalk it up to Olrox wiping the blood off when he goes to cup him.

"The most beautiful soul a vampire can posses."

It was so important to me that we get a BEAUTIFUL shot of Mizrak. I needed the audience to see his entireeee face close up, unobscured by anything. Olrox is holding a beautiful soul in his hands. He's holding Mizrak. Actually makes me sob.

This shot by the way has been repeated 3 times with slight variations by this point. Yes, this is a very pretty shot so how could I not help but repeat it? HOWEVER, I was trying to make a reference to how Mizrak has said Olrox's name only 3 times in the show with a variation of what was said around it. After that, Olrox calls him my love, basically unlocking a new stage in their relationship.

So here, three times when he looks at Olrox, he's mentally calling out his name. After this, Olrox brings him to a new stage in the relationship.

Also in Catholicism, a lot of things are in 3s. One of the major ones is that three times, Christ fell over carrying the cross. On the third hour of that day, he died and on the third day, he was resurrected from the dead. The three sacraments that welcome someone into the Kingdom of God are Baptism, Communion, and Confirmation as they all build off one another! I could go on both those are the main points AND I feel you might get the gist now!

It was very important to me that when Olrox makes this promise, we HAVE to see his full face. This is why it's a close-up.

It lets for no shadow of a doubt that Olrox means what he says here. He's looking AT Mizrak. He's telling the truth to him.

This is a parallel to a much earlier shot of Olrox! He moves closer to Mizrak by going from top right to bottom left, while Mizrak moves closer to Olrox by going from bottom left to top right! You also both see them exit the screen too!

In this shot, we bring back that halo vibe but also this is a reference to S01E04 and S02E08! The curtain! It is BOTH their first-ever shots to establish a new scene, so I wanted to go “Hey this is establishing a new scene- a new life for Mizrak and Olrox.”

The camera is super purposefully cut just below the eyes. You can see them open then closed, but we will never ever get to see the look he had in his eyes, the single decision in his brain that let him indulge. That’s only for Olrox, and only Olrox will know.

From here on out, A LOT of the shots of Mizrak get segmented/have his face hidden for that reason too (except for one shot, also done intentionally).

When Mizrak actually closes his lips around the blood- it’s on the growling sound in the song. Mizrak has turned into the animal that he’s been calling vampires. In this new life, he is now given the choice to be freed from the man-made shackles of shame and guilt. To be untamed and unrestricted. A wild animal so to speak!

Honestly, I spent a lot of my time here (besides the pretty Olrox frames) because I was super particular about how I wanted to portray Mizrak giving into sucking the blood. The way he accepts vampirism is vital because it sets the tone and mood for how the rest of the board feel since his face gets hidden and you now have to infer from when you saw his face last.

If you have seen my analyses or my work before, you will know how much I enjoy having a frame within a frame. I loveeee my boxes! They're in the box! TOGETHER! THE CENTER TOO! There are no real divisions with the exception of Olrox's head which is important because it's not Mizrak we're focused on at this point in time, it's Olrox~

This is because the one-shot, even in third person, is mostly through Olrox's perspective!

Also, the camera is moving around in this shot, and the following subsequent shots! It hopefully gives off the "hand-held" feel, which often is associated with feeling as if you're right there in the moment with them.

Why pillows?

This is me shaking you to say how the blood-drinking is an allusion for sex if that wasn't already obvious enough. So showing pillows coupled with Olrox groaning really goes "Yes they are technically doing it."

Originally this shot (and the previous shot) was supposed to be way more pulled out, but I was saving it for the very last shot of the animatic so I went to pillows with the tinest hint of their body in the frame to make it seem super scandalous. Like what on earth could they be doing for me to cut them mostly out of the frame? Also also, the pillow was supposed to have an embroidery of a painting from 1790s or earlier BUT, for the life of me, I could not decide what I wanted and I did not want to keep reusing the same references I have had in past work. I didn't want to fuss about it for too long since its more of an easter egg rather than adding to the story. The main point is pillow = fucking HAHA.

Side tangent, you can get away with SO MUCH by having blood drinking be an allusion to sex. Like obviously when you have an age rating you must abide by, you must be creative with how you go about mature topics (my age rating is YouTube hahaha)! Not only is blood drinking in vampirism just inherently queer-coded, but the intimacy of it can convey so much more if it was just a regular ol' sex scene! I actually deeply enjoy conveying nsfw topics into art because you can discuss character dynamics at a much more vulnerable, raw state that literally bares them to just their essence and their current desires/needs. However I am getting off-topic, let's get back to it!

This shot was actually heavily inspired by the statue Adoration by Stephen Sinding!

While there are a lot of differences now simply because Mizrak is at Olrox's chest, I still hope that the vibe of that statue is still imbued. It also gives the sense of not only Olrox adoring Mizrak in this very moment, but Mizrak is too despite not seeing his face. Again quite intentional because it's only for Olrox to see.

Also, a lot of people have been telling me how Olrox is breastfeeding him, and in technicality, they're not wrong, he's feeding blood, from his chest. It is the funniest thing ever LOL

This shot was important to really focus in on his throat and how, much like in the one-shot, Mizrak is literally not taking breaths and is just continually consuming Olrox.

Wet sounds fill the room as his throat bobs with each steady gulp...He doesn’t stop, doesn’t take a moment to gasp for breath.

I also just wanted to make this scene feel very slow in order to contrast with a much more passion-filled desire that consumes Mizrak in this animatic! Also hopefully the descent of blood and the descent of the camera helps to strengthen the idea of Mizrak descending into vampirism!

It felt really cheesy to have this close-up shot of his eye HOWEVER at the time, I thought this was by far the clearest way to convey the immediate switch from gentle devotion to devouring devotion and how suddenly rapid it is. In my brain, the stylization for his eyes open would be textured and pulse in the same way Olrox's wrist did, which is why it's just outlined. I'm once again not 100% set on the pulse look and it probably needs some iterations if I ever came back to it again.

Also, the green hearts in his eyes only come through when he's actively consuming blood from his chest! The heart motif comes back later when Mizrak ends up throwing up the blood!

Here's the cross again, except it is growing bigger. This was very important to me that you see how "gentle" the blood-sucking is at first. A gentle devotion despite the "terrifying" shadow of Mizrak. Also, super an excuse to have kiss marks in my animatic, I love painting them in my art because it can say a lot with placement and how aggressively smudged they are!

Also, I thought it would be SO FUN to have Mizrak's turned self literally have his eyes overlay where Olrox's eyes are. It conveys how Mizrak and Olrox are now switching roles in this animatic! For the first half of this animatic, Olrox has been placed pretty high up in the shot composition, or where the camera looks up to put him in a high place of power! It makes him appear way more etheral and otherworldly, while Mizrak was placed lower in the composition, always looking up at him! Which I'm hoping invokes religious imagery of a God and his worshipper/follower!

When Mizrak's transformation is set, the dynamic switches up. For the rest of the animatic, Mizrak is now placed at a more supernatural/otherwordly position, while Olrox is just there passively, letting Mizrak BE in this position. He does not fight it, he embraces it, embraces how Mizrak reciprocates his love, his desire, and all his messy complications, much like how earlier in the animatic, Mizrak embraces vampirism.

Also if you slow it down enough you can see how I accidentally left my perspective grids in it HAHA, but it goes by fast enough it doesn't really matter! (I guess it's also kind of indicative of my natural style when it comes to digital painting too, I genuinely like having my sketch still peek through into the final painting!)

Wow even more shots to cement the new role switch AND how much much of the passionate need to consume is controlling his urges! Free to consume at his leisure, he is no longer bound by human nature (for now)!

This shot and his leg shot help to really strip Mizrak of his humanity. Faces in a shot really help to connect people to the characters because we see the emote, we see them breathe, we see them live. Especially for a character like Mizrak? He's super expressive face-wise and I'm purposefully not showing you the defining features of Mizrak. Here I am basically going "Mizrak is no longer human."

This is why in horror/thrillers with antagonist characters, we don't see their faces much and are saved for only key moments (usually, again your intentionality matters). It doesn't allow us to connect with the character on a much more human level. Think of Count Orlok from Nosferatu (2024). Purposefully a lot of his character is shrouded in darkness, focusing on his hands and other aspects, never his face, and even then it is really hard to make out because so much of him is obscured. It makes him that much of an imposing intimidating character! Otherworldly and something that we cannot fully understand.

This is a flipped version of Mizrak's close-up eye shot much earlier when he asked if his soul would remain. Again to hark on how Mizrak and Olrox are switching roles in this animatic! Olrox is looking at Mizrak's soul as we speak.

Despite us not seeing Mizrak's face, we as an audience noticing how unhuman Mizrak has suddenly become, Olrox looks quite gently at him and that was important to convey!

Woo! Lot's of horizontal lines here! While the camera is moving towards the left, Mizrak is moving right!

Originally this shot was going to have Mizrak's teeth sinking into Olrox like a very cool Olrox throwing his head back and Mizrak's fang reveal HOWEVER, I want to leave the "carnage" and bloodshed of the feeding out of the frame and only have it show up in very specific moments so I can have those moments actually have their proper impacts. I did not want to show any part of the front of his face at all since it would dampen the effect later on, so I opted for this instead. The legs give a sense of "something is happening but we don't know what, but it's to a point where Mizrak's entire body is moving oh jeez." Won't lie, this looks very sexual and I'm purposefully toying with that line again because blood drinking is an allusion to sex.

Also, I'm continuing the concept of having aspects of Mizrak's face only for Olrox's eyes. What does he look like when he's actively consuming him with such passion? Idk, Olrox you tell me.

This is everything I was building up for when I introduced the small crosses! The physical manifestation of how Mizrak reciprocates.

My thought process here was that Mizrak only knows how to love by fully devoting himself because that's all he's done for God. So he applies it here. He is reciprocating love, but it is FULL ON. It is intense. It is all-consuming.

The face once again is obscured for all the reasons I have mentioned before, but also it REALLY helps to really hard cut to Mizrak choking on the blood after because before it seemed like he was doing just fine. He is literally looking DOWN at Olrox, he takes up A LOT of the screen with just his back and head. He literally gets pulled into full focus while Olrox is blurred in the background. He appears like he is in control of the situation, however it could not be further from the truth.

Also, I was mostly inspired by the insane amount of bible verses talking about blood, so I'll drop some of those here!

John 6:53-56 ESV

So Jesus said to them, “Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you. Whoever feeds on my flesh and drinks my blood has eternal life, and I will raise him up on the last day. For my flesh is true food, and my blood is true drink. Whoever feeds on my flesh and drinks my blood abides in me, and I in him.

Ezekiel 16:6 ESV 

“And when I passed by you and saw you wallowing in your blood, I said to you in your blood, ‘Live!’ I said to you in your blood, ‘Live!’

Matthew 26:28 ESV

"For this is my [Christ's] blood of the covenant, which is poured out for many for the forgiveness of sins."

Absolute contrast to most of the other shots, not only because I decided to add way more character acting here, but it's because we actually see his FULL face. It's intentional because Mizrak realizes himself now so we need to see him have this reaction. I wanted to show that he is still a person. He still has a soul. He may not be human, but he does have a mind that can think and a heart that can love. He still retains human qualities.

He's choking on all the blood (a physical manifestation of love) and his body is rejecting it. He's not used to consuming this amount of love and he's not used to being self-indulgent. It's deeply overwhelming.

I wanted to say I LOVED drawing blood it is SO FUN, planning the camera movement, and how Mizrak coughs at specific moments was sooo fun. I wanted this to be MESSY AND INTENSE. I wanted the audience to feel the weight of Mizrak's sudden distraught. I wanted to throw him around and to really hark on this line from the one-shot.

What has he done? What has been done to him? What has he become?

It helps to deeply contrast with how still and gentle the next scene is!

Yes, that is right, Olrox's pupils are DILATED :)

Coupled with the fact that the blood splatters are hearts! They're outlined in cyan! Olrox has a massive heart-shaped blood splatter on his cheek while Mizrak has a few heart-shaped splatters BUT there are gaps in his bloodied mouth that create heart shapes as if Mizrak spewed out those hearts!

Firstly this is because Mizrak literally eats at his chest where the heart is. Secondly, I'm again pushing for Mizrak to consume and throw up his love due to how overwhelming it is. Not only is Olrox's love for him literally beyond his imagination, but Mizrak is trying to love back in with that same amount of passion and utter devotion. A lot is happening for this new-born vampire that is pushing and pulling at him. His emotional state is so overwhelming that it is manifested in physical form.

The green reflections are shown to visually communicate Olrox anchoring Mizrak back, as, throughout the animatic, it is one of the things that ease or calm him down. I could not portray it through voice BUT I can portray it via visual (guys walk with me here, imagine the insane combo of audio and visual, it would be so tasty). The sole reason why I did not have hearts in his eyes here is simply because I reserved the heart motif for when he's actively drinking out of Olrox's chest (so he's literally consuming his love) or when he's spitting out the blood!

Also, the reason why I cut to his eyes rather than pan to them is purely because I wanted the violence of his mouth to be suddenly jarring to the gentleness in his eyes. I didn't want the slow reveal, I wanted the "OMG the blood- aw Mizrak...."

"Lulled into a sense of hazy compliance by Olrox’s voice, the former monk carefully lowers himself and continues though not for long."

This final shot was soooo important to me to include. The “musty inn room” was mentioned much earlier during Mizrak’s transformation but there was a poeticism by having what is considerably the blossoming moment of their complicated relationship be the final shot. With the lyrics also ending with "Take me back to Eden" how could I not? Clearly, both the rooms between s01e4 and s02e8 are parallel to each other. The only difference is that s02e8 has the room be both red AND GREEN, while s01e4 is just earthy/green. Olrox has taken them both back to their earthly paradise. This is their Garden of Eden.

Woo ok and we're done! Also yes I do thumbnails for these, it's half the reason why I'm fast (this entire animatic, cleaned and everything, was done in 3 days good lord. Is that fast? I can't tell) I make the barest of bones chicken scratch of sketches to get a feel of pace/vibe, then I do my roughs/cleans and add/take away shots necessary for the story that needs to be told. I normally would not let this see the light of day because these are AWFUL BUT, this post is also half a documentation of my personal process so I'm going to close my eyes and share this HAHA

If you got this far, thank you for reading me geek out about this! I find a lot of joy in the visual storytelling medium. As much as I do enjoy animating, (wow could you guys tell in the name?) I have a deep love and passion for storyboarding personally and I get sit back, and enjoy crafting the entire picture! I still have a long way to go but I'm having fun and I'm pursuing my passions of storytelling!

I desperately want to make more animatics, dealing with different tones, pace etc, but I genuinely have to go prioritize other things for now that will help me build these skills hahaha. I say this but who knows, seeing my current track record haha, look I can do both. I follow wherever my creativity takes me. I may have missed a few things but I have to wrap this up now!

Thank you again! The final takeaway, go watch Castlevania again and go be inspired by animation <33333

[euphoria-looney]

Uie wait so if ever when they start to go yandere for the reader, what happens to Serena? Or what is her deal basically? Is the entire thing from powers or their own volition or something? Are they being controlled by someone else? I'm kind of invested in the fic now OvO

Or, if ever, would reader go back for one of the love interest once they go yandere or are the love interests still the same? Will they turn yandere too or will they just be the same? Admittedly I just want them all to grovel and I really want reader to make them all suffer 👉👈

Thank you for your 'who said money can't buy happiness?' fic because it activated my neurons I live the manwha concept (no matter how much it boils my blood in the good ptsd manner everytime I read it) but also I really want another crumb of og!villainess/villain!reader because they really softened my heart, the entire thing reminds me of that one manwha with the fmc Penelope Eckart

Sorry for being long! I hope your day goes great and thank you for writing such lovely pieces of literature!! (⁠≧⁠▽⁠≦⁠)/

For the first question, "What happens when they all go yandere on [name], and what happens to Serena?" They still care for her and they still love her but it’s just not as strong as it used to be especially with [name] changed now being the main character of the story her story, Serena will be on a balanced scale whether she still wants to be the center of attention and whether she wants [names] attention only on her and find everyone else as competitors.

The second question, "What's her deal?" Her deal is that that’s just how she behaves and how she acts from the moment she kinda existed in this universe she has a main character role and she obviously doesn’t know that she’s inside a novel so she’s just acting how she normally is. She is the female lead so everything will go her way. She’ll be smart, capable, and a lovable character from the reader's point of view from the og! Novel.

Whenever you read her since it’s in [name]'s POV and I like to portray her character negatively as of now what’s happening in the universe of how she acts we think she’s annoying but when we were in the other world, Serena was the main character of the novel 'I Stole the Villainess Loving Family'. She was the badass MC that you would love to read about but cringe so much that you would have to drop the novel.

On the third question, no, Serena is not being controlled by anybody. She is following the plot which is actually all her own actions. This is how she behaves. This is how she acts from your perspective. If you were in her POV, you would have to understand that she has been the main character everybody around her has admired her, loved her, and worshiped her simply because she was placed in a position as the female lead, which made a ton of people attracted to her.

Fourth, there will be many love interests that go from Serena to [name] or just love interests that simply got created because they have spent and developed with [name].

[name] Unfortunately for now, if there are no changes to my plot, will not fall in love with any of them and avoid them if anything because of how they treated her and how they treated the og! Princess [name] it is because she believes why should love someone only when they start changing and it annoys [name] to a point where she cannot, and will not forgive anybody who suddenly develops attention or attraction towards her because they only change when they start interacting with the new [name].

It just wouldn't make sense why she'd forgive them when she knew what Princess!Reader went through how the people changed around her when they treated Princess!Reader like a joke.

There will be a lot of crumbs of OG!princess [name] because in her world, technically modern old world there’s a version of batfam of their own where they neglected her, which is why the OG!modern!reader is called neglected!reader because in their own world batfam neglected them, and they left. They built a successful business of their own and made friends, and unlike in the historical kind of novel setting we have a modern one where she has never met any of the Batfams enemies or allies so that just opens up a whole other world of love interest for her as well, so sometimes I'll write her, but not a lot as she’s not the main focus of my "Who Said Money Can’t Buy Happiness?" plot.

That is all please do tell me if there are any spelling mistakes or something you're confused about 😍

[facultativeactivity]

Hmm, but why do they have a file then? Just because they were a human? Otherwise the file attribution theory suggests that the game generates a nubered Save File to any entity with enough DT to use it, be them humans, monsters or anything else, which works pretty nicely. Assuming that Chara didn't have the required level of Determination but still had a file muddies the waters quite the bit. It would mean that all humans are inherently born with Save Files, wheter they have enough Determination to use it or not. Monsters on the other hand born without Save Files but they can spontaneously generate one should they aquire enough DT.

While that works, and I'm not saying it can't be the case (also a Chara who lacks Determination is an amusing contrast with popular fanon) I think it's really not the only reasonable conclusion we can draw from canon.

For one, yeah, we know for sure that Saved data survives even if the file's owner loses the ability to Save and Load, but to my knowledge, we have no canon info on what's the case if the owner willingly gives up and, as Flowey puts it, lets the world move on without them.

When Frisk dies in the game we can't just sit back and watch how the rest of the timeline plays out without them before deciding to Load or not. It seams reasonable that it works similarly to other humans dying in universe too - time freezes in the moment of their death and they're given the choice to either Reload a Save or just leave. We know that Chara's Soul was conscious after their death, just like all the other human Souls are implied to keep at least some of their agency and personality after death, as we see in the Neutral Ending. We know that at least some of those humans (and presumably all of them) could Save and Load. So why don't they just do it?

Well, because they already given up. I think for a human Soul to stay behind and be able to be absorbed by a monster, the human has to give up first - that is, die, then renounce their power they have over the timeline, which presumably all six children before Frisk did at some point.

What's up with the empty Save File then? If Chara could (and probably did) save in their life then where is that data?

Let me get even more meta here.

Let's say you just got your butt kicked the seventh times by Whosua and Aaron Sans that day and you had eough. You quit the game and go and do literally anything else. A day, a week or a month later you come back, open the game, and you're still able to continue from where you left off. Time obviously didn't move in the game world.

It can't. Not as long as you have your Save data. Even if you never come back, as long as there's only a theorethical chance of you wanting to continue, that universe in that 640x480 window will wait, perfectly stay, for your return.

So, for Chara's plan to work, for Asriel to be able to absorb their Soul Chara had to make the greatest sacrfice: not just giving up their life, but all the power and control they ever had, bringing themself down from a Player toying with the word and the people within, into a mere Character within its story. And the only way to do that would be to erase their Save data.

(Which again, the other six humans had to do as well. Kind of makes sense - while being in a heart in a jar is not very exciting, it probably beats staring at the Game Over screen. Assuming they all hit an obstacle they couldn't avoid, neither bypass, they probably just grew frustrated and wanted it all to be someone else's problem.)

For why neither Chara, nor Asriel reloaded after their plans went awry, despite being access to both a perfectly good Safe File and more than enough Determination to do it, there are several possible explanations. Following the logic earlier, Chara probably couldn't do it on their own, as they already given up. Asriel might have had the ability to do it, but he had no experience with this power, and he might have been wary using it especially if Chara tried to push him to do so. But honestly, I don't think any of them really wanted to do it. At the end of the No Mercy route, Chara admits to being confused about their own resurrection, since their plan already failed. And the monsters in New Home on a Neutral Route describe Asriel as dying with a smile. Whatever went down between them while fighting for the control of their body, it was a heavy blow to their friendship, and after seeing how disastrously their schemes ended, I don't think they wanted to keep existing trapped in a shared body.

Chara did not have the SAVE power when they were alive

In Undertale, all humans have high amounts of determination compared to monsters.

Considering that Frisk has it, and that it is hinted on multiple occasions that some if not all of the fallen humans also once had that power, one would assume that the answer to the question of wether Chara once had the power to most likely be yes.

But… Looking at it with more attention, its far from being so simple.

For instance, Flowey has been heavily projecting his views and actions on Chara’s past ones. Had Chara been SAVING and LOADING in life, it would seem really very unlikely that Flowey would have never reflected on things Chara did in the past and concluded that they must have been like him too on that regard. He did this regarding many things which Chara did not even really do, would he really have missed something he knows the signs of so well and would have been so glad to pin on Chara if it had it actually been true ?

Well, there are actually a number of things that suggest that Chara did not actually SAVE/LOAD at all during life.

(Note : A lot of the following evidence for this comes from file attribution theory. I would suggest reading that post first in order to understand what’s said in this one better)

Keep reading

[reidsmanuscript]

Seven Seconds

Summary: when Katie Jacob's gets abducted in a Mall, setting the clock for the BAU, who needs a legal favor, and it's been a year since the A.D.A. has know anything about Spencer Reid. Pairing: Spencer Reid x lawyer!reader Genre: pinning, SLOW BURN, maybe right moment?, angst bc i love angst wc: 4.6k! (i know so small comparing to part 1 bear with me) TW: cm canon typical violence, set in 05x3 "Seven seconds" (obviously lol), sexual violence, implied reader's dark past. A/N: my idea for the serie is be taylor jenkins reid and have you question if lawyer reader exists or not (delusional bitch), english is not my first language and let's pretend it's proofread

part I - part II - part III - ...

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Spencer sat on the park bench reading a book while playing chess with Ethan, brilliant kid for his age and good opponent, not good enough tho because when he cheered “I see checkmate in 5, What do you see?” It took Spencer one glance to calculate all the movements necessary.

“I see it in 3” he answered looking at his book again, the kid turned around the board and moved the pieces

“We've missed you out here” he said, staring at the board amazed.

“Thanks. I, uh, I had to take a little break”

“How come?” His hands froze on the book for a second before closing it.

Spencer had been clean for over a year now, it was 14 months and 2 weeks ago that he had freaked out after noticing his stash of Dialud was gone along with his needle. Where could he find more? Who knew about his addiction? Where was his stash? Who the fuck is Dr. Fitzgerald? Did you report him?

His first instinct was confronting you, given that you were the only person who found out his drugs that he knew, the first days he was a complete paranoid, he jumped every time Hotch called his name, or that Gideon looked at him a little too long.

At the end of the week he was thinking where he could find more, and when that thought scared him, he called the number of the card you had left in the same pocket his drugs used to be.

“Hello this is Dr. Fitzgerald” said a calm voice, it was 10 p.m. so there was a higher chance of going to voicemail, but he got an answer and the tremor of his hands got a little worse. Was it the anxiety or the withdrawal?

“Umm hello.. this is.. Dr.. this is Spencer Reid and someon-""I've been waiting for your call Dr Reid” the other line interrupted, he froze for a second.

“I used to play with a co-worker friend of mine. He's probably the best mind I ever went up against. One day, he just decided that he didn't want to play anymore.”

Fast forward, she helped him get clean and stay clean after Gideon left, getting tested regularly, and gave him the contact of the help group of FBI addicts. He was better, he was alive.

“So you gave up, too?”

“Just the opposite. I attempted to play Through every permutation of moves on a chessboard.”

“That's an infinite number of games.”

“It's not infinite. It's just- it's exponentially large.”

“You couldn't have played through them all.”

“There's an average of 40 moves per chess game, And I'll tell you something– the more I played, The more I realized that every single match every single chess game, Is really just a simple variation on the exact same theme. You know? It's aggressive opening, Patient mid-game, inevitable checkmate, And I realized why my friend quit. He was tired of repeating the same patterns And expecting a different outcome.”

“That's because you haven't come up on Fridays or Mondays in a while” the way his eyebrows went up along his voice tone made him feel like he knew something that he didn't.

His eyebrows furrowed “What do you mean?”

“There's this great player who comes around those days, she even brings the best pastries, and her games is similar to yours, always two or three moves ahead, she always beats everyone here… i think her boyfriend called her Buzz or something like that, like the Toy Story character”

“Buzz?… i don't really remember anyone with that nickname”

“It’s probably not that one but you don't know her because she started coming like 8 months ago.. I'm sure you have a lifetime of chess strategy in your head that you're just sitting on, but when you meet her?” He made a dramatic pause “You'll have to play it.”

He glances at his watch to realize his 15 minute break is coming to an end. “I still use it. I just, uh... I apply it differently. I have to go. It's good seeing you.”

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That evening, the BAU was called in for a local case—a little girl, Katie, had been kidnapped from a busy mall. A week earlier, another girl had been taken from the same location and found dead hours later. Now, they were all racing against the clock.

Katie’s parents were desperate. As any parents would be in this situation, right? But when Hotch asked the father if either of them was having an affair—a routine question in abductions—the man took offense. Deep offense. So much so that he refused to let the FBI search their house.

Now, what kind of parent refuses to help the police find their missing child?

In a small surveillance room, Morgan and Reid sat with Garcia, who was visibly frustrated by the mall’s ancient security system. They were surrounded by screens displaying grainy footage from different angles—well, almost every angle. They had a single glimpse of Katie in one video, and then, seven seconds later, she was gone.

JJ and Prentiss were with the mother, aunt, and uncle, trying to get a read on the family dynamic. Meanwhile, Morgan and Reid had conducted a cognitive interview with Katie’s cousin. It had led nowhere.

“The family has refused permission to search the house,” Hotch announced as he stepped into the room.

“What do you mean they denied?” Morgan’s frustration was evident. “Your only child goes missing, and you refuse to collaborate?”

No one disagreed. They were all thinking the same thing.

“The cousin didn’t say much,” Reid added. “He was too distracted in the game room to notice anything.”

Hotch exhaled sharply. “I’ll speak to the detectives, see if we can get a warrant.” His tone was firm, but they all knew time wasn’t on their side.

Garcia adjusted her glasses. “Sir, I mean this in the best way possible, but it’s almost 8 p.m. I don’t think-”

“I’ll handle it,” Morgan interrupted.

All Reid and Garcia turned to him with identical looks. What do you mean you will handle it?

Hotch’s eyebrows furrowed, but after a moment, he gave a small nod and walked away. Morgan was already pulling out his phone.

“I have a contact,” he explained, dialing.

He put the phone on speaker. It rang once. Twice. On the third ring, a voice answered—sharp, direct, and all business.

“A.D.A. Woodvale.”

Reid went rigid.

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It was late in the office; most people had already gone home, including your assistant Molly. All but Austin, who was still there because he had a lead on one of your cases. You knew he was still hanging around because, over a year ago, when someone had snuck into your office to harm you, you’d become a little paranoid. You’d gotten better, but Austin insisted on keeping you company, especially since your car was in the mechanic’s.

You were reviewing a legal brief, pen in hand, skimming the margins to jot down notes when the desk phone rang. Without looking up, you hit the speaker button with the tip of the pen.

“A.D.A. Woodvale.”

There was a beat of silence before a familiar voice cut in—smooth, direct, urgent.

“Alex, hey. We need a warrant. Fast.” You blinked, setting her pen down. Morgan.

Reid and Garcia exchanged glances as Morgan jumped in without hesitation.

“Katie Jacobs. Eight years old. Abducted from a mall earlier tonight,” Morgan started, all business. “Another girl was taken from the same place a week ago—she was found dead hours later. We’re working against the clock.”

You frowned, swirling the pen, going through the multiple scenarios. You had heard about last week’s case, and how slow the police had moved back then.

“We’ve got mall surveillance footage,” Morgan pressed. “At first, we thought she just vanished, but Garcia finally pulled something from one of the side corridors. Katie wasn’t taken by force—she was walking calmly with someone.”

Your fingers tightened slightly around her pen. “Someone she knows.”

“Exactly,” Morgan confirmed. “That narrows it down to family or close acquaintances.” They all shared a silent thought. Family.

We know they’re hiding something,” Morgan corrected. “We just don’t have the probable cause to kick the door down.”

Garcia watched as Morgan paced slightly, his tone firm but urgent.

“That’s thin, Morgan,” Alex’s voice came through the speaker, steady and unyielding.

“We don’t have time for airtight,” Morgan countered.

Your jaw tightened. “You don’t have time for me to get laughed out of a judge’s office, either. Refusing a search isn’t a crime, and suspicion alone doesn’t cut it. I need more.” You understood where the suspicious came from, how are you supposed to help them if they had nothing?

There was a pause. A beat of silence. Then, another voice—one you hadn’t heard in over a year.

“99% of abducted children who are killed due within the first 24 hours” He cleared his throat, willing his voice to stay even. Spencer Reid. “75% within the first 3 hours, and what only law enforcement knows is Jessica Davis joined the 44% of children who are abducted and killed within the first hour. We’re already past the three-hour mark. If we don’t act now, statistically speaking—”

“The likelihood of recovery drops exponentially,” You sighed, already standing up, ignoring how his voice sounded. So different. So… clean.

Your gaze flicked to the clock. 8:06 p.m. Damn it.

You grabbed a blank warrant form from her drawer and reached for a pen. “Send me the address and everything else you have. Give me 20 minutes.”

Click. You didn’t have time for goodbyes.

Austin raised an eyebrow from his seat. “Guess you’re not going home anytime soon.”

You didn’t look up as you started writing. “I never was.”

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The courthouse was mostly deserted at this hour. The fluorescent lights hummed quietly, and the stillness of the evening was only interrupted by the sharp click of your heels on the polished floors followed by Austin’s boots toward the judge’s chambers.

“You sure you don’t want me to take this one? Sweet-talk her maybe?” he teased.

You shot him a look. “You think Judge Holloway is the type to be charmed? Plus, you’re a private investigator, not a lawyer.”  

“She’s not gonna like you showing up this late.”  

You didn’t miss a beat. “If she’s still up, she’ll make time for this.”  

Taking a steadying breath as you stopped in front of the door, you quickly ran through your notes, making sure you had every detail in order. Then, without hesitation, you pushed through the heavy wooden doors of Judge Evelyn Holloway’s chambers.  

Inside, the judge barely glanced up from her paperwork. “You have two minutes, Woodvale.”

Stepping forward, you set the warrant request on the desk. “Your Honor, I apologize for the late hour, but we have a child abduction case we’re working against the clock. A young girl, Katie Bennett, was taken from a mall over three hours ago. We’ve obtained surveillance footage showing her walking with an individual—someone she likely knows. We believe the family is withholding information, and they’ve refused to allow us to search the residence.”

The judge narrowed his eyes, folding her hands on the desk. “And what do you propose I do about it? What evidence do you have to warrant a search?”

Alex kept her voice steady. “We have footage of the girl with someone who wasn’t a stranger, Your Honor. The parents are refusing cooperation, and the father was evasive when asked about possible affairs, which raises red flags about his involvement.”

Holloway sighed, leaning back in her chair. “That’s thin.” You were ready for that.

“I have the full footage from the mall security, including a timestamp showing the precise time the girl went missing. She is last seen walking calmly with someone she knows, most likely family.”

There was a brief pause, and for a second, you thought you were about to lose her. So you pulled Reid’s words from memory, adjusting them just enough to make them your own.

“Time is working against us. Statistics show that 99% of abducted children who are murdered lose their lives within the first 24 hours 75% within just the first three. And only law enforcement-”

She cut you off with a raised hand, signaling you to stop.

The judge exhaled through her nose, it was late and you were rambling about statistics and you knew she wanted you out as soon as possible when you started citing numbers. So pushing himself out of her chair with a slight groan. “Fine. Get me the paperwork. I’ll sign it—but you better have your ducks in a row.”

You nodded, her demeanor unflinching. “Thank you, Your Honor.”

As you turned to leave, you couldn’t help but feel the weight of the hours ahead of you. But you were used to this—fighting against the clock.

“Let’s move,” motioning to Austin. He gave you a small nod. “You got it.”

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Exactly 15 minutes after the call, 5 minutes earlier than promised, Morgan’s phone rang. He answered it without even looking. 

"You got your warrant. I'll meet you there," Alex’s voice came through, crisp and businesslike, just as expected.

Morgan exhaled, his relief barely hidden. "Thank you, Woody."

He paused for a moment before adding, "I owe you one," then hung up, turning to Reid.

“Tell Hotch we’re heading to the Jacobs’ house,” he instructed, already moving toward the door.

Spencer had been timing her. It wasn’t the first time he'd gotten caught up in the tense waiting game of law and order, but the pressure of it had a different weight today. The memory of your voice, clear and resolute, echoed in his mind, sharper than before.

For Reid, part of getting clean wasn't just the physical withdrawal—it was the emotional weight of confronting his mistakes. The memory of how he'd lashed out at you a year ago still haunted him. How could he have been so cruel? The hurt in your eyes, the way he dismissed you, the way it all spiraled… it wasn’t just the drugs that had made him say those things. And the fury he saw when you looked at him, Dialuid in hand, how you looked like a timing bomb when he was trying to see if he could talk to you, the tension in your shoulders, the lock in your jaw, the grip on the file. He’d been battling so much more since then, in his mind, you saved his life by doing what he couldn't do.

He’d rather die than relive that moment again, than say those things. And yet, here he was, standing in the middle of another chaotic case, still carrying that guilt with him. He stayed behind Morgan for just a beat before pushing down his feelings and moving quickly. 

　　　　

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The engine of Austin's bike rumbled to a stop as they pulled up in front of the house, where Morgan and Reid were standing in front of the black SUV. You slid off the back with practiced ease, taking off the helmet and letting your hair fall loose.

Austin followed your lead, taking his helmet off with a groan. “So, what exactly are we looking for?”

You shot him a quick, sidelong glance, handing him the helmet, keeping your expression flat knowing he’s about to be a drama queen. “You’re not coming inside. The warrant’s for FBI and police only. Not P.I.s included”

Austin paused, a mock pout crossing his face. “Excuse me? I just got you here, through all that traffic, risking myself to get a speeding ticket and now I don’t get to search? Do you hate me?”

“If I hated you I wouldn’t have bailed your ass out of jail… twice” you remark the last part. He had a talent for sticking his foot where he shouldn’t be, maybe that’s what makes him good at his job.

“You act like you wouldn’t do it a third time” he was mocking, but he was right, something you would never admit to him. 

You start walking to the house “Mhm.” you hum rolling your eyes, heading towards where Morgan and Reid were. 

You didn't expect him to be there, or maybe you did, maybe you wanted to see him and know what had happened to him since the last time you saw him. They were looking at you, Morgan with a curious already-profiling-you stare, while Reid expression was more… cautious. He looked so different, her cheekbones were prominent in an attractive way and not sickly, he had put on some healthy weight and was not fidgety. You were not mad anymore, because of course at the moment the hurt had turned into rage like it always does for you, but it was more because of phantoms than anything else. 

“Got your golden ticket” you said, avoiding Reid’s gaze as you pulled the warrant from the inner pocket of your gray coat and swung it toward them.

Morgan nodded “You staying?” He gestured with his head to Austin who was leaving.

“I have to make sure you find something, otherwise the judge will have my head for this,” you said dryly, shrugging as though the threat didn’t bother you, but there was a flicker of seriousness behind your words. You were only talking to him, which felt rude because Reid’s stare was locked in your profile. 

Reid was thinking how pretty you looked, how the black vest suited you, and he couldn’t ignore the fact you had changed your brown bag to a black one that looked nothing like his. Your white shirt and gray coat gave you an older, wiser look, but as Reid analyzed your features, he realized he didn’t even know how old you were. You couldn’t be older than him. Serious, sharp, and young... How was it possible for someone that young to be the A.D.A.?

Reid’s mind couldn’t let go of the numbers. The average age of an Assistant District Attorney in the U.S. is 36. You couldn’t be older than 25, and yet you were already in that position.

You glanced at him for a moment before stepping inside the house, feeling the weight of his stare. The look made him snap out of his trance-like state, and of course, his eidetic memory hated him, because for that brief second, he remembered how you had looked at him a year ago.

Morgan nodded and thanked you again before he and Reid walked into the house. You left the warrant on the hall table with a deliberate touch, your fingers lingering for just a moment—as if to remind yourself that you weren’t entirely done with this.

“Somebody lit a fire last night,” you heard Reid say.

“Well, there are dirty dishes for three in the kitchen, so they eat together as a family.” Morgan’s voice carried from the other room as they moved through the house, taking in the details.

If Katie was in danger, the signs wouldn’t be in plain sight. You had to look where they hid—where children kept their secrets. Their bedrooms.

“Hey, my favorite movie from when I was a kid.” Reid held up a DVD, turning it in his hands before pulling it from the player just as you passed by him, tugging on latex gloves before heading upstairs, you did feel a little guilty for not even looking or talking to him, but it was something you did unconsciously. 

“So they watch movies together, too,” Morgan mused. They were starting to build a picture of the family’s dynamic.

“By a fireplace in a house that’s straight out of a catalog,” Reid added. “Norman Rockwell couldn’t have painted this any cozier.”

“That’s what worries me.” There was weight in Morgan’s voice. A tension that sat between them.

Upstairs, you searched through the rooms with careful precision.

When you first became a lawyer, you made a promise—never ignore a sign. Since then, you have gone further. You didn’t just refuse to ignore them; you searched for them. Hollow eyes. Unexplained bruises. Small bloodstains. You looked for them in teenagers, in young adults, in the elderly. But nothing—nothing—was more painful than a child who couldn’t speak up.

Because they were small. Because someone older, someone stronger, was hurting them. There's nothing more hurtful than not being able to speak out, to say something and stand up for yourself. Except when someone did—someone saw the bruises, the fear, the signs—and they looked away deliberately. Because a child’s pain was inconvenient. Because it came with a mountain of paperwork no one wanted to touch.

You had spent your whole life making sure you never looked away.

That’s why you were hunched over the small desk in Katie’s bedroom, flipping through her drawings when Morgan and Reid entered the room. They started searching, their movements efficient and methodical.

“Katie’s been wetting her bed,” Reid said as he lifted the duvet, inspecting the mattress beneath it.

“A lot of six-year-olds do. Could be bad dreams,” Morgan replied, crouching beside you as he sifted through a pile of toys.

You considered that possibility—it was perfectly logical. In a perfect world.

“Some kids won’t get up at night because they’re afraid of the dark,” Reid added, his tone careful. Almost knowing.

“Or it could be a lot more complex than that.”

Morgan had found a doll. Not a Barbie missing a shoe or one that had simply been played with too much. No—this doll was different.

Its hair had been hacked off, jagged strands sticking out unevenly. Red marker smeared across its face like smeared blood. Its clothes were yanked askew, twisted, and wrong.

“Most girls covet their dolls like an extension of themselves.” He took the doll in his hands like it was made of fine glass. 

“Reid, I know these signs-— acting out on her toys, wetting the bed. She's obviously covering up something about that necklace.”

“And her cousin might be holding something back.”

“Well, this looks more like a man than a boy to me,” you said, holding up a drawing of a tall, shadowy figure towering over a small, crying child.

Morgan took it from your hands, his expression hardening as he analyzed the image.

“Psychology says drawing is a child’s way of channeling their inner world. Look at the strokes—how harsh they are,” you pointed to the dark, jagged lines forming the tall figure, then traced your finger over the smaller one. “And this looks like Katie to me. She forgot to draw the hands, which means she feels powerless… helpless.” 

Morgan took his phone out, dialing up “Hotch, we think Katie’s being molested,” Morgan said, his voice clipped. “And we both know the odds.”

A brief silence. Then Hotch’s response, firm and certain. “Most likely by someone under the same roof.”

He hung up, and both men started toward the door, their movements brisk with purpose. But you stayed behind for a moment, rooted in place, taking in the scene. A quiet pause—maybe out of respect for Katie and her pain and for everything she had been forced to endure.

From the doorway, Spencer glanced back. The dim light from the hallway cast your figure in stark contrast, outlining you in shadow—your form dark against the soft glow of the room. He couldn’t see your expression, couldn’t read your face. He focused on the way your hands curled into fists at your sides, the tight set of your shoulders.

And he wished—just for a second—that he could see more.

　　　

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You stood outside, leaning against the wall, arms crossed tightly over your chest. By your side were Morgan, Jeremy, Katie’s cousin, and Reid.

Turns out, Katie’s uncle, Richard, was her abuser. A disgusting son of a bitch who deserved to rot in hell. And you were going to make sure he did. He had destroyed Katie’s childhood, probably more than just hers, shattering an entire family in the process. His own son, standing right next to you, was collateral damage he clearly hadn’t spared a thought for. And then there was his wife. The woman who had chosen to look away. Who had taken Katie and nearly gotten her killed, all for the pathetic, desperate hope that it would somehow stop her husband from creeping into little bedrooms at night. She deserved the same hell he did.

A stretcher rolled past, Katie’s small frame barely visible beneath the blankets as the paramedics guided her into the ambulance. Her mother clutched her tiny hand, whispering something—words meant to soothe, to promise safety.

A young voice cut through the air. “I heard her call my mom’s name. That’s what I remembered before.”

You closed your eyes, your mind already racing ahead. Your attorney brain was piecing it together, sketching out the battle that was coming. If the kid had heard it, that made him a witness to the abduction. His own mother had committed the crime against her niece. And God only knew what else he had seen—what else had been happening in that house—without fully understanding it.

“We get it, kid. That’s your mom,” Morgan said, his voice steady. But you knew the truth: if Jeremy could barely say those words to them, getting him to the stand in front of a jury would be another fight entirely.

The boy shifted on his feet, staring at the ambulance. “What’s gonna happen to me now?”

If God existed, He had already been too cruel. He had let all of this happen. And you knew how these things worked—knew there was a very real chance that Katie’s parents, burdened with their own grief, would resent Jeremy by association. That they wouldn’t take him in. That he would be swallowed by the foster system.

You wouldn’t let that happen.

“I don’t know, Jeremy,” Reid answered, his voice gentle. “But we’re gonna make sure you’re alright, okay?”

Jeremy didn’t look at him. His eyes stayed fixed on the ambulance. “Is Katie gonna be all right?”

You wished—desperately, violently—that you could tell him yes. That you could say it with certainty and make it true. But how could you give him something you didn’t have?

“She will, eventually,” Morgan said, his voice firm.

You exhaled sharply. The words made your skin crawl.

“Is she?” The question slipped from your lips before you could stop it—low, bitter, nearly spat out under your breath. Just quiet enough that the kid wouldn’t hear. Just loud enough that Morgan did.

Before he could respond, you were already moving.

Your feet carried you toward the police car, toward the sick, selfish bastard they were shoving into the backseat. Your hand shot out, slamming the door closed—harder than necessary, just enough that it cracked against Richard’s face.

Morgan watched. So did Spencer.

And for the first time, he realized just how much of a puzzle you really were.

Partially because, throughout all of this, you hadn’t looked at him once. Not when he entered the room, not when he spoke, not even now, standing just a few feet away.

Partially because your eyes, when he finally caught a glimpse of them, were full of something he rarely saw outside of a case like this. Pure, undiluted rage.

Not just anger. Not just frustration. Something deeper. Something personal.

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Feedback feeds motivation! Likes, reblogs and comments are all appreciated <3

[jmdbjk]

January

It's been every which way over here, not gonna lie, I'm ready for a month of nothing happening.

That being said, Hobi is about to unleash some music to get us lathered up prior to embarking on his world tour.

But that's a kind of chaos I welcome. More, please. (see what I did there?) Orchestra Mic Drop needs to be on the set list. Manifesting.

Anyway... Jimin. I can't wait to have fun conversations with you about your military service. I'm positive the stories will keep us enraptured for ages. I can't wait to have you back with us. I see the snow falling in Korea and I am thinking of you and your crew shoveling away, then knocking the snow off your boots and heading inside to the mess hall where Jungkook and his crew have cooked up some steaming bowls of hearty stew or soup to warm you all up.

Soon, the spring days will be here and then before we know it, it'll be June 11 and you and Jungkook will be back. As of today, 130 days left. We will already be on a high from welcoming Namjoon and Tae back.

What will that first day be like? Will you and Jungkook sit on that couch in the Hybe building in your military uniforms with balloons and flowers next to you, and turn on a Weverse live just like Jin and Hobi did?

No pressure, lol. BUT WE REALLY NEED TO SEE IF YOUR ASS IS OUT OF THIS WORLD. YOU PROMISED.

You mentioned that you and Jungkook talk about a lot of things before going to sleep. The things you talk about in those deep conversations are probably becoming more and more real to the both of you every day. Don't be scared. Don't be worried. We only want you to be safe, happy and out of there. Really LUYO 💜 too.

The day is coming when we can all say YOU DID IT! WE DID IT! WE ALL MADE IT! NOW ON WITH THE REAL SHOW!!

And last but definitely not least, the first group live with Yoongi... cue the tears. Will he get out early? Saved vacation days? Would he even show himself if he did? Or will he go by the book all the way to the end? We wait™️.

I heard Kim Jones is leaving Dior. I was not a fan of the last few seasons of his creations. I could not imagine Jimin wearing any of that mess. The new mens creative is supposedly JW Anderson. Not sure when we'll see first glimpses of his Dior menswear. He better be prepared to fit Jimin's sculpted butt perfectly.

And Pharrell has designed a new Tiffany line called Titan that has little spikey things and such...

I have finally realized I have entered a phase where all I'm concerned with is what is happening in real time to all the members. What are their thoughts, their state of mind now while fulfilling their duties? What are their concerns, what are the things that bring them joy and satisfaction? What are the forces and events that are impacting them?

We can glean these things from their brief moments they post on Instagram or Weverse, or when their fellow soldiers or colleagues post things that help us see more.

We know Namjoon is about to die from boredom. He knows what is planned and he knows its going to be big.

We know Tae is very proud that he's met his target goal to join the Bangtan buff-line. But we'll have to be the judge of that because Jimin says they're working out and he has "good things to show us" (see: out of this world butt above).

Jungkook needs a little confidence boosting but is ready to belt out karaoke at a moment's notice. Hand that man a mic please.

And Jimin is nervous because he's immersed himself in his soldier role for the past 1 year and 2 months and now must pivot and make the shift back to his real life.

Jin has worked 3 weeks straight and we don't know what that means.

Hobi is busy melding the LA hiphop scene into his DNA and prepping for a concert tour to blow us away. Can't wait.

And Yoongi... an autograph left somewhere but when? Recent? Not recent? Someone saying they MIGHT have spotted him. He's been a ghost. He said he would be. And that's what will make his re-emergence that much more emotional for all of us, to finally see him and his smile.

Ok, that was a good ramble. Until next time, everyone dress warmly if you live on the top half, dress for summer if you live on the bottom half but all of you stay safe and always look for the positive.

[daffydilled]

On using the Robins

Alright, I know I'm preaching to the choir here, but DC? We gotta talk about the Robins and how they're used. For a company and comic universe with a truly spectacular willingness to explore every possible avenue of a character, if you want to really get to the point of Batman, we're going to need Robins used consistently across media and we're going to need the right ones used.

Why? TL;DR: the Robin you use tells us a hell of a lot about the Batman you're using. If you're going to keep using Batman in everything, we're going to need Robins. And they need to be the right ones. Using the wrong Robin is destroying live action DC adaptations.

Believe it or not, this whole rant started with me playing Gotham Knights on my PS5. Normally, anything that distinguishes between Robins and puts them interacting with others is pretty damn good to go in my book. It's not exactly common, after all. But I got about 15 hours into it and realized what was bugging me so much: it uses the wrong Robins.

Let me clarify. Nightwing and Red Hood are nearly perfect. They're exactly where they need to be. But if that game let Tim Drake detect in the role filled by Batgirl, let Batgirl be Oracle, and put Damian Wayne into the 'young Robin finding his wings' role that Tim plays, the story would have been far more cohesive. Why? Because I would have bought the final word Bruce tells them far more and I would have bought Talia's involvement as well.

This particular Bruce Wayne is an older Batman, one comfortable removing himself from the cause and passing it on to the rest of his family. The balance of Robins (and the misuse of Batgirl) upsets this. This isn't a team that is ready for that step yet, and Bruce in-game would know that. One can argue that's part of the tragedy of it, but the weight of the dynamic is still lopsided. The game feels unbalanced. If a story is going to rest on proteges and inheritors, I need to buy their ability to take over for Batman, and I don't. (And don't get me started on the misuse of Babs in this game. That woman has her own team, her own struggle!

Batman v Superman pokes me too. It's the lack of a Robin in these, though, that really grind my gears. That is a violent, brutal Batman that has fallen so far into 'The Mission's' ass, I kept expecting to see a suited memorial to a dead kid in his batcave and an extremely stubborn thirteen-year old stopping him from breaking a Kryptonian's face open before the dread "Save Martha" can be said.

That is a Batman that screams I just lost my son. He is so angry and bitter and walks around with an armory for a suit. That's a perfectly acceptable Batman to explore, when paired with the context of Jason Todd. Otherwise, it just reads like they made the movie gritty for the sake of being gritty and missed out on piles of nuance for both the heroes.

Frankly, a Batman grieving Jason Todd and a Superman processing the arrival of a cloned version of him mixed with Luthor's DNA would go miles to explaining the mental states of both these guys, but nobody bothered to do that, so I'm just bitter.

One of the oddest mix-ups of Robins I've ever seen has absolutely nothing to do with Batman. It's from Birds of Prey or The Fabulous Emancipation of Harley Quinn, where somehow Stephanie Brown and Jason Todd pre-pit get fused into one character and named Cassandra Cain. That is. Odd. I don't even really know how to address it, but I'm going to try.

Fact one: Steph would have been a perfect kid for Harley to meet in that movie. She's whip-smart, tough as nails, survived having a supervillain for a dad, and could, in the right light, even look a bit like Harley. There's this great potential there for her to remind Harley of a younger version of herself before the Joker got to her and wouldn't have messed with the vibes Birds of Prey was going for at all.

Fact two: Jason Todd also wouldn't have been too odd of a fit, especially if this was happening in a world where he did manage to jack the tires. He's immediately recognizable to the fans, though, which I do think would have pulled focus from the Birds in that movie.

Fact three: That was not Cassandra Cain and it was frankly a bit of an insult to her character to name that character Cassandra Cain. That's a rant for another time though.

Why mention it now? It's indicative of the greater issue DC has with adapting its characters to screen. Namely the issue to actually adapt the characters at all and not turn them into some weird Frankenstein'd versions of themselves. There's no Batman in Birds of Prey, but the world he'd inhabit is. And that world, based on our poor scrambled egg mess of Robins, is a disaster.

I think it's important for DC to remember they are adapting comics here, and those comics do not shy away from using Robins in them. Even in the most bat-shit (pun not intended) alternate universes where there's Cthulhu Batman or Edwardian Batman or White Knight Batman, the Robins are there.

How they're living and dying in those universes is one of the reliable ways to judge things like tone, narrative priorities, and themes. There's nothing wrong with trying a few different version of Batman, but Batman without Robin doesn't work long-term. It hasn't before and it will continue to fail if DC, in their adaptations, don't get a handle on their universes' scale. After all, the heroes only work if they have people to pass the work onto.