#but fuck me it will take time

[hxhhasmysoul]

Hey so i have been seeing this sukuna hates yuji thing very often and i feel like sukuna is still indifferent to him very much as I don't see difference in his behavior even after chp 248 .

Did I miss something?

I think we see Sukuna’s attitude towards Yuuji quite differently. To me, between the two of them, the person who’s been showing indifference, has been Yuuji. 

In the beginning Yuuji had tried to establish some rapport with Sukuna. He even approached him with some dose of sense of humour right after Sukuna ripped his heart out. 

But the moment he realised Sukuna can’t be reasoned with, when Sukuna refused to help Junpei and mocked Yuuji for asking, Yuuji crossed over to cold hatred. He repeatedly doesn’t let Sukuna bait him. Not when Sukuna blames Yuuji for people’s death in chapter 63, not when Sukuna tries to get Yuuji to keep quiet when they meet Angel. Yuuji just dismisses him. Even Yuuji’s reaction to Shibuya isn’t directed at Sukuna. It’s directed inward. He hates Sukuna but in a passive way, he prioritises other things. Trying to do at least something good after Shibuya, getting Gojou out, saving Megumi. Sukuna is an obstacle, but Yuuji tries to engage with him as little as possible.

The opposite is true for Sukuna. He talks to Yuuji, he tries to actively torment Yuuji and constantly questions Yuuji and his worldview. Tries to mock Yuuji.

I personally don’t like the word hate, when it comes to Sukuna’s attitude towards Yuuji. I think Yuuji unsettles him, causes him discomfort, irks him. Yuuji’s existence and especially perseverance go against what Sukuna believes to be true. He believes that only power matters and those who can’t go toe to toe with the strong are insignificant. He deems their lives to be pointless misery. Yuuji on the other hand cherishes human life, it matters to him on a very personal level. 

And even though Yuuji seems weak to Sukuna, someone not on par with him. Still Yuuji has power over Sukuna, he might be the only one apart from maybe Kenjaku and possibly Tengen that has ever had true power over him. Anyone else he can kill and keep his independence from, but Yuuji. He needed a plan, he needed to trick Yuuji into a binding vow to get out. 

When Sukuna was inside, Yuuji unsettled and irked him. But now Sukuna is slightly drifting towards fascination. He’s been introspecting a bunch after he got out from Yuuji, he asked Yuuji directly why he keeps going. He is trying to understand, while he never does that for Yorozu, Gojou or Kashimo. The groupies don’t interest him because they represent the status quo he’s always believed in. Yuuji is its contradiction, a glitch in the system Sukuna’d lived by before they cohabited a body. Sukuna ignores everyone else who’s jumping him. The only other person who’s sparked his curiosity is Maki. Though with her it’s more of a jujutsu nerd kind of curiosity. Yuuji interests him on a far more personal level. 

Of course he’s trying to put on a dismissive front, he constantly insults and diminishes Yuuji, but he’s also constantly thinking about Yuuji. It’s kinda “the babygirl doth protest too much, methinks”.  Especially that Yuuji is still not giving a rat’s ass about Sukuna. It’s kinda like notice me at this point. Like: I can’t get you out of my head, react to my crude cries for attention.

[maeamian]

Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.

They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.

So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.

[gascreates]

a new star

[n0bluev]

Satoru booped Suguru and isnt letting him boop back (insufferable evil brat : [infinity mode])

Bonus: Catoru

[marzipanandminutiae]

I am generally very “live and let live“ about these things on an individual basis, and the furthest thing from anti-femininity. I literally don’t own pants, nor do I ever intend to, for example. I respect that some women prefer to wear make up for whatever reason, and that deciding whether you do it for yourself or because of patriarchal beauty standards is a very case-by-case thing. Some people do the soul-searching and come out the other end with the knowledge that they ARE doing it for themselves!

But… Reading Internet discourse about whether women should have to wear make up at work is making me want to bite and tear and rend

“it makes you look more polished! It makes you look more put together! It looks like you’re taking care of yourself and taking your job seriously!“ WHY. Please explain to me WHY women look like we ~aren’t taking care of ourselves~ if we don’t slap extra goop on our faces every morning. Give me a succinct reason that makes sense and doesn’t rely on the assumption that make up is somehow a natural state of womankind

And then explain why the same thing doesn’t hold true for men

(TERFS get lost)

[bixels]

Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.

Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.

[fauvester]

something something seeing things through different eyes

[girlboyburger]

had an identity crisis, prime time for a slight sona redesign!

it's cow! (again!)

+ a closeup because i'm really proud of the eyes

[taffywabbit]

i have lots of flaws but i do at least take a fair amount of comfort knowing that, if i were a customer NPC in a fast food/retail management game, i would be one of the chill early-level ones that can wait a super long time before they start getting impatient, and you breathe a sigh of a relief when you see them show up in a harder level

[funkle420]

Turbo Granny blunt rotation WIP

[mamawasatesttube]

the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[thevioletcaptain]

i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.

it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.

it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)

it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[ash-and-starlight]

quick psa bc apparently it still needs to be said

DO NOT REPOST ART

idk in which language i have to say this for y’all to understand

DO NOT REPOST ART

i dont CARE if you credited the artist i dont CARE if u found it on pinterest i don’t CARE if you found it on instagram i don’t CARE if u found it laying in the corner of the sidewalk i don’t give a shit. it’s simply not yours to take and post without permission

repeat with me. you can repost only. and i mean ONLY. if the artist has given you explicit permission BEFOREHAND, asking them after you reposted does absolutely nothing. nada. nisba. niente. zero. it’s even worse.

(and permissions to repost are not blanket statements. if an artist is ok with reposting it doesn’t mean that another artist will be too, if you have the go-ahead to repost a certain art doesn’t mean that the permission extends to the rest of the artist’s work as well. “oh but i thought—“ i don’t cARE. ASK EVERY TIME.)

PLEASE begging to show even a crumb of respect for artists/writers/creators and their work it really is not that difficult