#but for now it's a decent placeholder

[kiealer]

I've been thinking about Solar Storm as I've been watching JJBA and HxH, and I finally have outside references to compare it to in order to give a better explanation:

Solar Storm is like a 70%/30% mix of Hamon and Killua's Godspeed form. Which is to say, yes, Solar Storm is just basically a giant JoJo's reference before I even knew what it was. (and now it's entirely intentional--)

Overdrive is more often than not used for defense since it covers her entire body, and any touch will evoke a sharp and massive electric shock to the one who touches her. She cannot use ki attacks in this form, it will drain her instantly, or potentially even kill her with how much energy she's outputting. Shock (I think I called it) is the lesser form, centralized to specific parts of her body (more often her arms or hands than not), which is more for offense because it's more focused and meant to be used for accurate strikes. It takes less energy but more concentration. Yes, ki attacks can be used, though it still takes a chunk out of her. I'd say her ki attacks are electric-based, and maybe she can even absorb ki in this state to keep for herself or to use as a counterattack, but I'll think more about that.

[starlingfawn]

on my phone beneath the sky

[icewindandboringhorror]

One of the interesting bits of trying to resume working on the game after so long is looking back at my ancient Draft Placeholder versions of an image from 4 yrs ago trying to remember what the hell I meant back then, to hopefully interpret it into some more final (ish..) form of the same thing .. making slow progress lol

[oschonseleven]

blog & blogger

ty @lavampira aha this is cute 💖

and feels a bit on the nose now I'm looking at it side by side....

uhhh idk who else to tag bc brain fried but if it looks like fun, feel free to consider urself tagged :)

(picrew)

[whoslaurapalmer]

i cannot name the train in this fic the flying pussyfoot. i cannot. i mean i would love to. but it's just not gonna work

[stonedopossums]

i have a sideblog that i keep around literally just because im attached to the url. it was my original url on this blog. thinking of deleting it tho

[peavhyshy]

⋆˚ 𝜗𝜚˚⋆ - AFRAID

ᯓᡣ𐭩 paring ─ ୨୧ ─ dark!boyfriend!rafe cameron ⋆ reader

ᯓᡣ𐭩 summary ─ ୨୧ ─ in which Rafe hatches a plan to ensure you stay by his side, by making you dependent on him.

ᯓᡣ𐭩 warnings ─ ୨୧ ─ explicit language noncon/dubcon, smut, rafe drugs reader, substance abuse, toxic relationship, emotional abuse, baby trapping/forced pregnancy, possessiveness, controlling behaviors, threats of violence, loss of virginity, corruption, breeding kink, dirty talk (like a lot), abandonment issues, manipulation, rough sex, hairpulling, fingering, unprotected vaginal sex, powerplay, choking, semi public sex, car sex, creampie (please dni if your sensitive to these topics your mental health should come first)

ᯓᡣ𐭩 wc ─ ୨୧ ─ 8,960

⋆˚✿˖° a/n ─ ୨୧ ─ is there a plot not really, it may seem long but 80% of this is smut. this is unrelated but i think his season 1 & 2 rafe hair were elite to me but I just hate buzz cuts on everyone so my opinion doesn't matter here. The ‘Lila’ is now edited I use it as a placeholder (because for some reason I hate putting y/n while writing) before I replace it with y/n but of course my dumbass forgot to do that when I published this.

°❀⋆.ೃ࿔.:･Afraid･:.ೃ࿔.⋆❀°

(༝༚༝༚ lana del rey)

─── ⋆⋅☆⋅⋆ ── Outer Banks Masterlist ─── ⋆⋅☆⋅⋆ ── Navigation ⋆⋅☆⋅⋆

Rafe sits across from you at your usual table in the country club, his jaw clenching rhythmically as he watches you flip through the college applications. His fingers drum against the polished wooden table, creating a nervous pattern that matches his increasing anxiety. The sight of all those prestigious university names makes his stomach turn - Harvard, Yale, Princeton - each one threatening to take you further away from Outer Banks, from him. He barely touches his plate of steak, too preoccupied with the growing unease in his chest.

"Why the fuck are you even looking at schools that far?" He snaps suddenly, his voice carrying a sharp edge as he reaches across to snatch one of your fries, popping it into his mouth with more force than necessary. His blue eyes darken with barely contained irritation, especially when he catches Topper's wave from across the room. He returns it with a curt nod, his attention immediately returning to you. "You know there's perfectly good schools right here in North Carolina. UNC's got a decent program."

You glance up from your binder, your eyes meeting Rafe's intense blue ones. You set down your fork carefully on your half-eaten Caesar salad, a soft sigh escaping your lips. The sunlight streaming through the country club's windows catches on your hair, creating a halo effect around your skin. "Baby, we've talked about this," you say gently, "These schools have amazing programs for what I want to study. And it's not like I'm making any decisions yet - I'm just looking at options."

The afternoon sun streaming through the floor-to-ceiling windows catches on his rings as he reaches up to run a hand through his disheveled hair, a telltale sign of his growing agitation. The country club bustles around them with the usual crowd of Kooks - women in tennis whites gossiping over martinis, men in polo shirts discussing their latest yacht purchases. But Rafe's focus remains fixed on those damned college applications, his jaw working overtime as he grinds his teeth.

The cocaine from earlier isn't helping his paranoia, making his thoughts race faster than he can process them. The idea of you leaving, of losing control over this one good thing in his life, sends a fresh wave of anxiety through his system. His free hand unconsciously reaches up to rub at his chest, a nervous tick he's developed. The country club suddenly feels too small, too confined, and he can feel his breathing getting slightly erratic. "Just... just put those away for now," he demands, trying to maintain his composure despite the rising panic in his chest. "We're supposed to be having lunch, not planning your fucking escape route."

You reach across the table with your free hand, your fingers brushing against his chest where he's rubbing anxiously. The familiar scent of his cologne mixed with something sharper - probably remnants of whatever he'd been doing before lunch - fills your nostrils as you lean closer. "Rafe, you're spiraling again," you observe quietly, mindful of the other diners around them. Your eyes flick briefly to Topper and his mother as they pass, offering a polite smile before returning your attention to your increasingly agitated boyfriend. "And you know that's not fair. I'm not trying to escape anything, especially not you."

"Besides," he continues, his tone taking on that manipulative edge he's so good at, "You really want to leave all this behind? The island, the parties, me?" He leans forward, lowering his voice to that dangerous whisper he uses when he's trying to get his way. "You know I can't follow you out there. I've got responsibilities here, the family business..." His hand shoots out to grab your wrist, not painfully, but firmly enough to make his point. "And what about us? You're going to throw away what we have for some fancy degree you could get right here?"

The weight of his intense stare makes you shift in your seat, your sundress rustling against the plush cushions. You can see the telltale signs of his growing panic - the clenched jaw, the rapid breathing, the way his fingers keep twitching against the table. Part of you wants to close the binder, to give in like you usually do when he gets like this. But another part, the part that's been dreaming about life beyond the island since you were little, keeps your hand steady on the applications. "What about a compromise?" you suggest, your voice taking on that soothing tone you learned to use when he's on edge. "What if I apply to both - some schools here in North Carolina and some out of state? That way we have options to discuss later?"

Your free hand moves from his chest to his face, your thumb gently stroking along his clenched jaw. You can feel the tension there, the way he's grinding his teeth. The chatter of the country club fades into background noise as you focus solely on him, knowing how quickly his mood can shift when he feels cornered. "And hey," you add, your voice dropping to a whisper as you lean even closer, your lips quirking into a small smile, "No matter where I end up going, you know you're the only one I want, right? These other Kook boys could never compare to my Rafe Cameron."

The familiar weight of the promise ring he gave you three months ago sits heavy on your finger, catching the light as you move. You learned over your time together that sometimes Rafe needs this - needs to be reminded that he's your choice, that you're his. Even if the possessiveness sometimes scares you, even if his mood swings leave you walking on eggshells, you can't deny the way your heart still races when he looks at you like he is now - like you're something precious he's terrified of losing. "Can we at least look through them together? You might see something you like too."

Rafe lets go of your wrist his hand shooting out to slam your binder shut with enough force to make nearby diners jump. "Don't fucking patronize me," he growls, his voice low and threatening despite their public setting. The gentle stroke of your thumb against his jaw only heightens his agitation, like a match to gasoline. "You think I don't see what this is?" He leans forward, invading your space across the table, his blue eyes wild with a mixture of possessiveness and barely contained rage. "First it's just 'looking at options,' then suddenly you're gone, probably fucking some ivy league asshole who doesn't know you like I do." His breathing becomes more erratic, the hand on his chest pressing harder as anxiety mingles with his growing anger. The familiar scent of your perfume - usually calming - now seems to mock him with its potential absence.

"You're trying to leave me, just like everyone else. Just like my mom, just like Sarah..." His voice cracks slightly on his sister's name before hardening again. "Well, I won't fucking let you."

You tense at the sudden shift in Rafe's demeanor, your heart rate picking up as you watch him slam your binder shut. The warmth drains from your eyes, replaced by a flicker of fear you try desperately to hide. Your skin prickles with goosebumps as he invades your space, his paranoia rolling off him in waves. You’ve seen him like this before, but never quite this intense, never quite this threatening in such a public place.

"Rafe, please," you whisper, your voice trembling slightly as you glance around at the other diners who are now openly staring at them. Your sundress suddenly feels too thin, too exposed under his wild-eyed gaze. You can smell the mixture of his cologne and sweat, and see the way his pupils are dilated - clear signs he's high again. "You're making a scene. Can we please just discuss this somewhere private?" 

A laugh escapes his throat at your suggestion of talking, the sound drawing more concerned glances from nearby tables. "Discuss? There's nothing to fucking discuss." His voice takes on that manipulative tone he knows works so well, mixing threat with vulnerability. "You belong here, with me. Do you think any of those places are gonna love you like I do? Understand you like I do?" His eyes flick to the promise ring on your finger, a visible reminder of his claim on you. "Or maybe that's what you want - to get away from the crazy boyfriend, right? Is that what this is about?"

The cocaine-fueled paranoia reaches a crescendo as he suddenly stands, his chair scraping loudly against the floor. He towers over you, his presence intimidating despite the public setting. "You're not going anywhere," he declares, his voice dropping to a dangerous whisper as he leans down close to your ear. "And if you try, I'll make sure every single one of those fancy schools loses your application. Don't test me, baby." His lips brush against your ear as he speaks, a twisted mixture of threat and affection that's purely him. "Now get your shit. We're leaving." His hand moves to grip your upper arm, ready to pull you up from your chair, his entire body vibrating with barely contained violence and possessive need.

The promise ring feels like it's burning on your finger as tears start to well up in your eyes. "I'm not trying to leave you," you plead, your voice barely above a whisper. I'm not trying to leave you, I love you, Rafe. You know I do. But you're hurting me right now." You can feel your body starting to shake, whether from fear or adrenaline, you're not sure anymore.

You let him pull you to your feet, knowing resistance will only make things worse. Your college applications lay forgotten on the table as you stumble slightly, your legs weak from the sudden movement. "Okay," you concede, your voice small and defeated. "Okay, we can go. Just... please calm down. Please." Your free hand comes up to rest on his chest again, feeling his racing heartbeat under your palm. "Let's go to your family's place and talk about this properly. Just you and me, baby. Like we always do."

Rafe feels you trembling beneath his grip, and something in your tear-filled eyes pierces through his cocaine-addled rage. His breathing is still erratic, but the feel of your hand against his racing heart starts to ground him. The familiar scent of your perfume begins to cut through the paranoid haze, reminding him of lazy mornings in his bed, of your soft sighs against his neck. His grip on your arm loosens slightly, though he doesn't let go completely.

"Fuck," he mutters, running his free hand through his disheveled hair as reality starts seeping back in. The stares of the other country club patrons finally register, and he can feel his father's disapproval even in his absence. His jaw clenches and unclenches as he struggles to regain control. "Yeah... yeah, okay. Let's go home." His voice is still rough, but the dangerous edge has dulled somewhat. He reaches past you to grab your binder, shoving it under his arm - he's not leaving it here for you to come back to later.

The walk to his truck is tense, his hand moving from your arm to the small of your back - still possessive, but less aggressive. The cocaine is making him jittery, his thoughts racing between paranoia and guilt. Once you're inside his truck, he slams his palms against the steering wheel, making you jump. "I just..." he starts, his voice cracking slightly. "I can't lose you too, baby. I can't." His blue eyes, when they meet yours, are still wild but now tinged with desperation rather than rage. "Everyone leaves. Everyone always fucking leaves."

He reaches across the center console to pull you closer, burying his face in your neck. His breathing is still uneven, but slower now as he inhales your scent. "Stay," he whispers against your skin, his voice taking on that vulnerable quality that only you get to hear. "Just... stay with me. Please." His hand slides up to cup the back of your neck, his thumb stroking the soft skin there. It's the closest thing to an apology you’re likely to get from him, this moment of raw vulnerability between the storms of his temper.

Rafe paces anxiously across Topper's home gym, his footsteps echoing against the polished hardwood floors as sweat drips down his bare chest from their workout session. The late afternoon sun streams through the floor-to-ceiling windows, casting long shadows across the expensive exercise equipment. His muscles are tense not just from lifting weights, but from the constant anxiety gnawing at his insides about your potential departure. The cocaine from earlier is still coursing through his system, making his thoughts race faster than he can process them.

"I'm telling you guys, she's fucking leaving me," he complains, running a hand through his sweat-dampened hair as he continues his relentless pacing. The familiar panic starts rising in his chest again, making him rub at it absently. "All these fucking college applications... Harvard, Yale, Princeton. She's planning her escape and I can't... I can't fucking let that happen." His blue eyes are wild as they dart between Kelce and Topper, sprawled across the leather bench press seats, watching their friend's mounting distress.

Kelce exchanges a knowing look with Topper before speaking up, his voice careful as he watches Rafe's increasingly agitated movements. "Man, you need to chill. Maybe if you weren't so fucking intense about it-" Rafe's sharp laugh cuts him off, the sound bouncing off the mirrored walls. "Intense? You think I'm being intense?" Rafe's voice rises as he spins to face them, his hands clenching into fists at his sides. "My girl's trying to leave the fucking state, and you're telling me to chill?"

"Well," Topper drawls, wiping his face with a monogrammed towel, "you could always do what my cousin did when his girlfriend tried to leave for college." He pauses for dramatic effect, a smirk playing on his lips. "Got her knocked up. Can't exactly go to Yale with a baby on the way, can you?" He's clearly joking, but something in Rafe's expression shifts, his eyes taking on that dangerous gleam that appears when he's formulating a plan.

"That's..." Rafe stops pacing, his mind racing with possibilities. His jaw clenches rhythmically as he processes the idea. "That's fucking perfect." He starts pacing again, but this time with purpose, his movements predatory rather than anxious. "She'd have to stay. She'd be tied to me forever." His voice takes on that obsessive quality that appears when he's fixating on something. "No more fucking college applications, no more threats of leaving. She'd be mine, completely mine."

"Dude," Kelce sits up straighter, realizing Rafe's actually considering it. "I don't think that's what Topper meant-" But Rafe's already lost in his world, his cocaine-fueled paranoia latching onto this new solution like a lifeline. "She's still a virgin too," he continues, more to himself than his friends, his rings catching the light as he gestures animatedly. "Waiting for the 'right moment' or some shit. Well, guess that moment's coming sooner than she thought."

"No, no, this could work," Rafe continues, his voice taking on that edge that suggests he's spiraling into one of his episodes. "Her parents are traditional as fuck, they'd make her keep it. And Ward's always going on about wanting grandkids to carry on the Cameron name..." He's fully pacing now, his movements jerky and aggressive as the plan solidifies in his mind. "She's been hinting about wanting to do it soon anyway. Valentine's Day is coming up..."

The gym falls silent except for the sound of Rafe's footsteps and heavy breathing. Neither Kelce nor Topper dare speak, knowing from experience that trying to talk Rafe down when he's like this - especially when he's high - is pointless and potentially dangerous. They watch as their friend works himself into a frenzy, plotting the permanent capture of his girlfriend with the same intense focus he applies to everything he wants to possess.

"It's perfect," Rafe finally declares, stopping his pacing to face his friends. His chest heaves with excited breaths, sweat making his skin shine in the fading sunlight. "She'll never leave me then. She'll have to stay here, raise our kid, be the perfect fucking family." 

The thought of you, permanently his, unable to leave him, sends a rush of possessive pleasure through his system. "You guys didn't hear any of this," he suddenly stops, fixing both Kelce and Topper with a threatening stare. "Not a fucking word to anyone, got it?" His voice carries that dangerous edge that reminds them why people are scared of him, why even other Kooks think twice before crossing him.

"Jesus Christ, Rafe," Topper mutters, running a hand through his hair as he watches his friend's descent into this new obsession. "This is fucked up, even for you." But he knows that look in Rafe's eyes. Once Rafe sets his mind to something, especially when he's high, there's no talking him out of it. The gym feels smaller suddenly, charged with the energy of Rafe's newfound determination.

Rafe stands at the door of the l/n estate, his tall frame cutting an imposing figure in his tailored black suit. His blue eyes are slightly dilated from the line of cocaine he did in his truck to calm his nerves, but he's made sure to eye drop and cologne himself thoroughly. The velvet box containing the surprise he has planned for later weighs heavy in his pocket as he shifts anxiously, his rings catching the light as he reaches up to adjust his tie.

When Paul opens the door, Rafe immediately straightens his posture, forcing his most charming smile - the one he uses when he needs to impress. "Good evening, Mr. L/N," he greets, his voice steady despite the cocaine making his heart race. The older man's scrutinizing gaze reminds him uncomfortably of his own father's disapproving stares. The foyer behind Paul gleams with old money - crystal chandeliers, marble floors, and family portraits that speak of generations of Kook legacy.

"Rafe," Paul acknowledges with a slight nod, his eyes narrowing as he takes in the young man's appearance. There's something about Ward Cameron's son that has always set him on edge, though he can't quite put his finger on what. Maybe it's the occasional wild look in his eyes or the way his daughter seems to walk on eggshells around him sometimes. "Y/N is still getting ready. Come in." He steps aside, allowing Rafe into the pristine foyer.

The sound of Rafe's expensive dress shoes echoes against the marble as he enters, his hands sliding into his pockets to hide their slight tremor - partly from the drugs, partly from anticipation of what he has planned for tonight. The house smells of old money and fresh flowers, much like his own family's estate, but somehow more sterile, fitting for a plastic surgeon's home. His fingers brush against the small packet of powder in his pocket, next to the ring box - just enough to keep him steady through dinner.

"I trust you'll have her home at a reasonable hour," Paul's voice cuts through Rafe's thoughts, making him turn to face the older man. "Of course, sir," Rafe responds, that practiced smile still in place even as his jaw clenches slightly. "We just have reservations at Le Rivage, then maybe a walk on the beach." What he doesn't mention is the rest of his plans for the evening - the champagne waiting in his truck, the blankets he's laid out at his secret spot on the beach, the pills dissolved in one of the champagne glasses that will make sure everything goes according to plan.

The sound of heels on marble draws both men's attention to the grand staircase, and Rafe's breath catches in his throat. You descend like something out of a dream, your skin glowing against the deep red of your dress making his hands itch with the need to touch you. His blue eyes darken as they track your movement, his mind already racing ahead to later in the evening, to all the ways he plans to claim you completely.

"You look fucking perfect," he breathes out when you reach the bottom of the stairs, catching himself too late to censor his language in front of your father. But he can't help it - the cocaine making him more impulsive than usual, and the sight of you making his blood run hot. He steps forward to meet you, one hand reaching out to brush against your waist, proprietary and possessive even under your father's watchful gaze. The scent of your perfume mingles with the lingering chemical taste in the back of his throat, making him dizzy with want and anticipation.

Tonight's the night, he thinks, his grip on your waist tightening slightly as Paul insists on taking pictures. Tonight you become his completely, permanently. No more college applications, no more threats of leaving. The thought makes him pull you closer, his lips brushing against your ear as he whispers, "Ready for your Valentine's surprise, baby?" His voice carries that dangerous edge that anyone else would recognize as a warning, but he knows his sweet, innocent Y/N won't catch it. Not until it's too late.

Rafe helps you into his truck, his hand lingering possessively on your lower back as you climb in. The interior smells of expensive leather and his cologne, mixed with something chemical that makes you wrinkle your nose slightly. He slides into the driver's seat, his movements are precise despite the cocaine coursing through his system. The engine purrs to life, and he immediately reaches for your hand, intertwining your fingers as he pulls away from your family's estate.

"You really do look fucking incredible tonight," he murmurs, his blue eyes flickering between you and the road. His thumb traces circles on your palm, a gesture that would seem sweet if not for the slight tremor in his hand. "That dress is driving me crazy." His rings catch the streetlights as you drive through Figure 8, passing other massive estates and perfectly manicured lawns.

"Thank you, baby," You respond softly, your free hand smoothing down the red fabric of your dress. "You clean up pretty nice yourself." You glance at him, admiring how the streetlights cast shadows across his sharp jawline. "So, are you going to tell me where we're going for dinner? You've been so secretive about tonight."

Rafe's grip on your hand tightens almost imperceptibly. "It's a surprise, remember?" His voice carries that edge of control he can never quite hide. "But first..." He reaches behind your seat with his free hand, pulling out a small gift bag. "I got you something to wear at dinner." Inside is a delicate diamond necklace, the stones catching the light like tiny stars.

"Oh, Rafe," You breathe, reaching for the necklace. "It's beautiful. You didn't have to-" You are cut off by his laugh, that sharp sound that always makes your stomach flip. "Of course I did. Only the best for my girl." He pulls into a secluded spot overlooking the water, putting the truck in park. "Here, let me put it on you."

His hands are slightly unsteady as he fastens the necklace around your throat, his breath hot against your neck. "Perfect," he whispers, his fingers trailing down your spine. "Just like you'll be after tonight." There's something in his voice that makes you shiver, though you can't quite place why. "What do you mean?" you ask, turning to face him.

Rafe's eyes are darker now, pupils blown wide as he stares at you. "Just that I've got big plans for us, baby." His hand comes up to cup your face, thumb brushing across your bottom lip. "Tonight's gonna change everything." He leans in closer, his other hand sliding up your thigh, pushing the fabric of your dress higher. "You trust me, right?"

"Of course I do," You whisper, even as something in your gut tells you something's off. You can feel his heart racing where your bodies are pressed together and you can smell something sharp and chemical on his breath beneath the mint. "Rafe, are you okay? You seem...different tonight."

"Never better," he responds, his smile not quite reaching his eyes. "Just excited to give you all your surprises." His hand moves higher up your thigh, possessive and demanding. "Now, how about we have a little drink before dinner? To celebrate Valentine's Day?" He reaches behind the seat again, pulling out an expensive bottle of champagne and two glasses.

Rafe pours the champagne with calculated precision, his hands steadier now as he hands you your specially prepared glass. The moonlight filtering through the truck's windows catches the diamond necklace at your throat, reminding him of how perfectly it marks you as his. His blue eyes track your every movement as you accept the glass, noting how the red fabric of your dress has ridden up slightly from your position.

"To us," he proposes, raising his glass with that dangerous smile playing at his lips. The cocaine makes everything feel more intense - the way your perfume fills the confined space of his truck, the soft sound of your breathing, the sight of your lips touching the rim of the glass. He watches intently as you take a sip, something predatory flickering in his eyes. "And to all the surprises tonight has in store."

"Mmm, this is really good," You comment, taking another sip. You don’t notice how Rafe barely touches his glass, too focused on watching your drink. "But shouldn't we head to dinner? We don't want to lose our reservation." You move to check the time on your phone, but Rafe's hand shoots out to stop you, his fingers wrapping around your wrist with practiced possessiveness.

"We've got time," he assures you, his voice dropping lower as he leans closer. His free hand comes up to trace the line of the necklace, fingers ghosting over your collarbone. "Besides, I want to enjoy this moment. Just you and me." He can feel your pulse racing under his fingers where they press against your wrist. "Finish your drink, baby. Then we can talk about dinner."

He watches as you obediently take another sip, then another. "You know what I love about you, Y/N?" His voice is rough now, heavy with want and something darker. "How fucking perfect you are. How innocent." His fingers trace patterns on your inner thigh, making you shiver. "How you trust me completely."

"Rafe," you breathe, and he notices your words are slightly slurred now. Your eyes are starting to look unfocused as you blink slowly at him. "I feel... strange." The champagne glass slips from your fingers, but he catches it smoothly, setting it aside. His heart is racing with a mixture of cocaine-fueled excitement and dark anticipation.

"Shh, baby," he soothes, pulling you closer as you start to sway slightly. "I've got you. Always got you." His lips brush against your neck, just above the diamond necklace. "And after tonight, you'll always be mine. No more college applications, no more threats of leaving." His voice takes on that possessive edge that would normally frighten you, but the drugs in your system are making everything feel distant and hazy.

"What did you..." you try to ask, your head falling back against the seat as your limbs grow heavy. Rafe's hand comes up to cup your face, his thumb stroking your cheek as he watches the drugs take effect. The moonlight casts shadows across his face, making his expression look almost demonic as he smiles down at you.

"Just making sure tonight goes exactly as planned," he whispers, his other hand already reaching for the blankets he has stashed behind the seats. "Don't fight it, baby. Just let go. Let me take care of everything." His lips crash against yours, swallowing any protest you might have made as the drugs pull you deeper under their influence.

Rafe watches with dark satisfaction as your movements become increasingly sluggish, your normally bright eyes growing heavy-lidded and unfocused. He shifts in his seat, reaching to recline both of your seats back to create more space in the truck's cabin. The moonlight streaming through the windows casts ethereal shadows across your skin as he positions your body how he wants.

"Rafe..." you mumble, your voice thick and confused as he spreads the blankets beneath you. "What's happening? I feel so..." Your word trails off as he captures your lips in another possessive kiss, his hands already working at the zipper of your red dress.

"Just relax, baby," he whispers against your mouth, cocaine making his movements more aggressive than usual. "Let me take care of you." His fingers trace the newly exposed skin of your back, savoring how you shiver under his touch despite your drugged state. "You look so fucking perfect like this. So helpless. So mine."

Rafe's hands slide possessively over your body as he peels the red dress from your drugged form, revealing the black underwear underneath. His blue eyes darken with predatory hunger as he drinks in the sight of you laid out beneath him in his truck, the diamond necklace glinting at your throat like a collar. The softness of your skin, the way your chest rises and falls with each shallow breath, the little whimpers that escape your lips as you try to fight through the fog in your mind.

"Shh, baby," he soothes, his voice rough with desire as his hands roam over your exposed flesh. "Just let it happen. You know you want this." His fingers trace the edge of your lacy bra, teasing your hardened nipples through the delicate fabric. "Been waiting so fucking long for this moment. To make you completely mine."

"Rafe, please," You slurred, weakly trying to push at his chest. "Something's wrong... I can't..." Your protests are cut off by his mouth crashing against yours, his tongue forcing its way past your lips as his hand slides between your thighs. He groans when he feels how wet you are through your panties, his cock straining against his suit pants.

"Look how ready you are for me," he rubs circles against your clit through the lace. "Your body knows what it wants, even if your mind's trying to fight it." He pulls back to admire his handiwork - your lips swollen from his kisses, your pupils blown wide from the drugs, your chest heaving as you struggle to focus. "Gonna fill you up so good, baby. Gonna put my baby in you tonight."

Rafe’s fingers hook into your panties, slowly dragging them down your legs as you weakly try to squeeze your thighs together. The moonlight catches on the wetness between your legs, making him groan. "Fuck, look at that pretty pussy," he breathes, his fingers spreading you open. "All perfect and untouched. Not for long though." 

Rafe's fingers work methodically between your thighs, spreading your wetness as he watches your face contort with unwilling pleasure. His other hand pins your wrists above your head, his rings cold against your feverish skin. The truck's windows are starting to fog up from your heavy breathing, creating a private cocoon around you.

"That's it, baby," he growls, sliding two fingers into you, feeling how tight you are around them. "Gonna stretch you out nice and slow before I fuck a baby into you." His cock throbs painfully in his pants as he watches you arch beneath him, the drugs making you more responsive even as you try to resist.

"No... Rafe... please," You whimper, your head thrashing weakly against the leather seat. But your body betrays you, hips rocking against his skilled fingers as he finds that spot inside you that makes you see stars. The diamond necklace glints at your throat as you gasp, reminding him of his ownership.

"Look at you, taking my fingers so well," he praises darkly, adding a third finger to stretch you further. "Can't wait to feel this tight little cunt around my cock." His thumb finds your clit, rubbing circles that make your whole body tremble. "Gonna fill you up so good, baby. Make sure my cum stays deep inside you until it takes."

The way your walls clench around his fingers, the little sounds you make as he works your body, the perfect arch of your back as you fight between pleasure and resistance. He leans down to capture one of your nipples in his mouth, biting down just hard enough to make you cry out.

"Please," you beg, though whether you're begging him to stop or continue, even you don’t know anymore. Your body is on fire, every nerve ending singing from his touch as the drugs make everything feel more intense. "Rafe... I can't..."

"Yes, you can," he demands, curling his fingers inside you as his thumb speeds up on your clit. "Come on my fingers like a good girl. Show me how much you want my cock." His blue eyes are wild with possession as he watches you fall apart beneath him, knowing that after tonight, you’ll never be able to leave him. 

Rafe’s fingers work relentlessly between your thighs. His free hand moves from your wrists to grip your throat, right above the diamond necklace, applying just enough pressure to make you gasp. "Let me feel that tight little pussy squeeze my fingers."

Your body betrays you even as your mind tries to resist, waves of unwilling pleasure building under his skilled touch. The drugs make everything feel heightened - the stretch of his fingers inside you, the pressure of his thumb on your clit, the heat of his breath against your neck. Your legs start to tremble as you approach your peak.

"That's it, baby," He watches your face contort with pleasure and confusion. His cock strains painfully against his suit pants, demanding attention. But he forces himself to wait, to savor this moment of taking your innocence piece by piece. "Give it to me. Show me how good I make you feel."

The sound of your heavy breathing fills the truck's cabin, mixing with the wet sounds of his fingers working between your legs. Rafe's eyes are dark with possession as he watches you fight against the inevitable, knowing that each moment brings him closer to his ultimate goal. The moonlight catches on the sweat beading on your skin, making you glow ethereally.

"I... I can't..." You whimper, your back arching off the seat as pleasure builds to an unbearable level. The drugs make everything feel like too much and not enough all at once. "Rafe, please..." Your fingers clutch desperately at his shoulders. "You can, and you will," he commands, his voice taking on that dangerous edge that brooks no argument. His fingers curl inside you, finding that spot that makes you see stars while his thumb circles your clit with practiced precision. "Come for me now. Let me feel it."

Rafe watches with dark satisfaction as your body trembles beneath him, your back arching off the leather seat as pleasure builds. His fingers work relentlessly inside your pussy, stretching and preparing you for what's to come. The way your walls clench around his digits, the little gasps and moans you can't hold back, the perfect arch of your spine as you fight between resistance and ecstasy.

"That's my good girl," his free hand moving from your throat to grip your hair, forcing you to look at him. "Watch me while you come. Want to see those pretty eyes when I make you fall apart." His thumb continues its relentless assault on your clit as his fingers curl inside you, hitting that spot that makes your whole body shake.

Your eyes flutter open, glazed with drugs and unwilling pleasure. The moonlight catches the tears gathering in your lashes as you stare up at him, unable to look away from his intense blue gaze. Your lips part in a silent scream as the pressure builds to an unbearable level, your body tightening around his fingers.

"Please," Her hands clutch desperately at his shoulders, leaving crescent marks through his expensive shirt. "Rafe, I can't... it's too much..."

"Yes, you can," he demands, his voice rough with desire and dominance. "Come for me now, baby. Show me how good I make you feel." His fingers speed up inside you, the wet sounds of your arousal filling the truck's cabin. "Let go. Let me see you fall apart before I fuck you properly."

The combination of his skilled fingers, the drugs in your system, and his commanding voice finally pushes you over the edge. Your whole body goes rigid as pleasure crashes through you, walls clenching rhythmically around his fingers as you come with a broken cry of his name. 

"Beautiful," he breathes, working you through the aftershocks as you tremble beneath him. "But we're not done yet, baby. Not even close." His free hand moves to his belt, the sound of the buckle loud in the confined space. "Now it's time for the main event. Time to make you completely mine."

Rafe takes his time unbuckling his belt, the metallic sound echoing in the confined space of his truck. His blue eyes never leave your face as he watches you come down from your high, your body still trembling with aftershocks. Your chest heaves with each breath, the glisten of sweat on your skin, the slight quiver of your thighs as they remain spread for him.

"Look at you," he grunts, finally freeing his throbbing cock from his pants. "All fucked out from just my fingers, and we haven't even gotten to the best part yet." His hand wraps around his length, stroking slowly as he positions himself between your legs. The head of his cock brushes against your sensitive folds, making you whimper. "Been waiting so fucking long for this moment."

"Rafe," You slur, your drugged mind struggling to focus as you feel his size pressing against your entrance. "Wait... I'm not ready..." Your weak protests only serve to fuel his desire, his grip tightening on your hip as he holds you in place. The diamond necklace at your throat catches the moonlight as you try to shift away.

"You're more than ready, baby," he counters, using his free hand to spread your wetness along his length. "Your body's begging for it. Been begging for it all night." He leans down, capturing your lips in a possessive kiss as he starts to push inside your entrance. The stretch is intense, making you gasp against his mouth. "Gonna make you take every fucking inch."

His cock inches forward slowly, savoring the way your walls resist his invasion. The truck's windows are completely fogged now, creating a private world for just the two of you. Rafe's breathing grows heavier as he feels your tight heat enveloping him, his control starting to slip. "Fuck, you're so tight," he groans, his fingers digging into your hip hard enough to leave bruises. "Taking my cock so well, just like I knew you would."

Tears stream down your cheeks as he stretches you open, the mixture of pain and drugged pleasure making your head spin. Your hands clutch at his shoulders, nails digging into the expensive fabric of his suit jacket. "Almost there, baby," he pants against your neck, his hips still pushing forward relentlessly. "Just a little more and you'll have all of me." His free hand slides between them to rub your clit, knowing the added stimulation will help your body accept him. "Gonna fill this tight little pussy up with my cum, make sure it takes. Make sure you can never leave me."

Rafe's hips finally meet yours as he bottoms out inside you, a groan of satisfaction rumbling deep in his chest. Your walls flutter around his length as you adjust to being completely filled for the first time. The truck's cabin is thick with the scent of sex and sweat, the leather seats creaking beneath them with each subtle movement.

"There we go," he pants against your neck, his teeth grazing the sensitive skin there. His hands grip your hips possessively as he holds himself still, savoring the moment. "Been dreaming about this for so fucking long, baby. About claiming you completely." You whimper beneath him, your mind is hazy from the drugs as your body struggles to accommodate his size. Tears continue to stream down your cheeks, your fingers clutch weakly at his shoulders as you feel him throb inside you.

"Please," you manage to gasp, though your drugged state makes it hard to form coherent thoughts. "It's too much... I can't..." Your protests are cut off by his mouth capturing yours in a demanding kiss, his tongue invading your mouth just as his cock has invaded your body.

"Yes, you can," his hips starting to move in shallow thrusts. "And you will. Gonna fuck a baby into you tonight, make sure you can never leave me." His movements gradually become deeper, and more purposeful, as he establishes a rhythm. "Watch me while I do it. Want to see those pretty eyes when I breed you." One hand slides from your hip to grip your jaw, forcing you to maintain eye contact as he fucks into you. "That's it," he praises darkly as your body starts to respond despite your protests. "Take it like a good girl. Let me feel that pussy squeeze my cock."

Rafe's movements become more intense, his hips snapping against yours with increasing force as he chases his release. The truck rocks with your movements, his hands grip your hips bruisingly tight as he pounds into you, watching with dark satisfaction as pleasure and pain war across your drugged features.

"Fuck, you feel perfect," he groans, one hand sliding up to wrap around your throat just above the diamond necklace. "So fucking tight around my cock. Like you were made for this." His thumb traces your bottom lip as he continues his relentless pace. "Made to take my cum, to carry my baby."

Your head thrashes weakly against the leather seat, your body overwhelmed by the mix of drugs and unwilling pleasure. Your walls clench around him involuntarily as another orgasm builds, making him grunt with satisfaction. "That's it, baby," he praises darkly. "Squeeze my cock just like that. Show me how much your body wants this." His free hand moves between them to rub your clit, determined to make you come around his cock. "Gonna fill you up so good," he pants, his rhythm becoming more erratic as he nears his release. "Gonna pump you full of my cum until it takes. Make sure everyone knows you belong to me." His fingers speed up on your clit as he feels your walls starting to flutter. "Come for me now, baby. Let me feel that tight little pussy milk my cock."

Rafe's grip tightens on your hips as he feels his release building, his thrusts becoming more desperate and erratic. "That's it, baby," feeling your walls clench around him as another orgasm builds in your drugged body. "Come on my cock like a good girl. Show me how much you want my cum." Your back arches off the seat as pleasure crashes through you against your will, your walls squeezing his length rhythmically. The sight of you coming undone beneath him finally pushes Rafe over the edge. With a guttural groan, he buries himself deep inside you, his cock pulsing as he empties himself into your pussy. "Fuck," he pants against your neck, grinding his hips to ensure his cum stays deep inside. "All mine now."

He collapses on top of you for a moment, both of you catching your breath in the steamy confines of his truck. The diamond necklace glints at your throat as he finally pulls out, watching with dark satisfaction as his release drips from your used pussy. "No more college applications, no more threats of leaving. You're stuck with me now, baby." Without a word, he starts fixing his clothes, already planning your next encounter in his mind. 

"Let's get you home, baby," he says, his voice rough as he helps you dress on shaky legs. "Don't want your daddy getting suspicious." His hand rests possessively on your thigh as he starts the truck, knowing that after tonight, everything has changed. The drive back is silent except for your occasional whimpers, the drugs still making your head fuzzy as she processes what just happened.

A week later,  

Rafe lounges against his truck at the Boneyard, The beach is relatively empty at this hour, just a few surfers catching the last waves of the day. His blue eyes track your movement, noting how pale you look, and how your usual confident stride seems shakier. A smirk plays at his lips, though he keeps his expression carefully neutral.

"Hey baby," he calls out, pushing off the truck to meet you. His hands immediately find your waist, pulling you close as he studies your face. "You sounded weird on the phone. Everything okay?" The concern in his voice is perfectly crafted, masking the satisfaction he feels as he takes in your distressed state.

Your hands tremble as you pull away from his embrace, wrapping your arms around yourself protectively. "Rafe, I... I need to tell you something." Your voice cracks slightly as you speak, tears already gathering in your eyes. "I went to the doctor today..."

"What's wrong?" Rafe steps closer, his hand coming up to cup your face with practiced gentleness. Inside, his heart races with anticipation, but his expression remains one of innocent concern. "You've been sick all week. Did they figure out what's wrong?"

"I'm pregnant," you whisper, the words carried away by the ocean breeze. Your eyes search his face desperately for any sign of recognition, any hint that he remembers your Valentine's night. "But I don't... I can't remember... The last thing I clearly remember is having champagne in your truck..."

Rafe's eyes widen in perfectly feigned shock, his hand dropping from your face as he takes a step back. "You're... what?" He runs a hand through his hair, the picture of a young man receiving unexpected news. "But we've never... I mean, I thought you wanted to wait?" His voice carries just the right amount of confusion and disbelief.

"That's just it," Your voice rises slightly, panic evident in your tone. "I don't remember! Valentine's Day is just... fuzzy. But the doctor said I'm about a week along, and you're the only one I've been with..." you trail off, tears now flowing freely down your cheeks.

Rafe pulls you into his arms, hiding his triumphant smile in your hair. "Shh, it's okay," he soothes, one hand moving to rest possessively over your still-flat stomach. "We'll figure this out together. I'm here for you, baby. Always." His voice drops lower, taking on that dangerous edge you're too distraught to notice. "Guess those college applications won't be necessary anymore, huh?"

His hand tightens possessively around your waist as you tremble against him, his other hand still resting on your stomach where his child is growing. The setting sun casts long shadows across the beach, the sound of waves providing a backdrop to your quiet sobs. His blue eyes gleam with dark satisfaction as he feels you collapse further into his embrace, exactly where he wants you.

"What am I going to tell my parents?" You whisper against his chest, your voice breaking. "My dad... he's going to kill me. And all my college plans..." You pull back slightly to look up at him, mascara running down your cheeks. "Rafe, I can't remember anything from that night. How did this happen?"

Rafe's jaw clenches as he maintains his facade of confusion and concern. "Hey, look at me," he demands softly, tilting your chin up with his fingers. "Your parents love you. And my family... well, Ward's always talking about wanting grandkids." His thumb wipes away your tears as he studies your face. "Maybe this is a good thing, you know? You and me, starting our own family."

"But I had plans," you protest weakly, your hands clutching at his shirt. "Harvard, Yale... I was supposed to get out of Outer Banks..." You don’t even notice how his grip tightens painfully at your words or the flash of possessive anger in his eyes.

"Fuck those plans," he growls, before quickly softening his tone. "I mean, things change, right? Sometimes for the better." His hand slides up to cup your face, forcing you to maintain eye contact. "You've got me now. Got us. Isn't that better than some fancy college where you don't know anyone?" He’s super hyper-focused on every detail - the way you unconsciously lean into his touch, how your body fits perfectly against his, the slight swell of your breasts that's already becoming noticeable. His other hand remains possessively on your stomach, imagining how it will grow with his child.

"I'm scared," You admit, your voice small against the sound of crashing waves. "Everything's happening so fast, and I can't remember... that night is just blank, Rafe. Doesn't that bother you?" You search his face for any sign of recognition, any hint of guilt.

But Rafe's expression remains carefully crafted a mixture of concern and determination. "What bothers me is seeing you upset," he lies smoothly, pulling you closer. "We'll figure this out together, okay? You and me and our baby. "No more talk about leaving, though. You belong here, with me. Got it?"

"We should tell our parents soon," he says, his voice carrying that edge of control he can never quite hide. "Get everything out in the open. But first, promise me something, baby. Promise me you'll stop looking at those college applications."

Your eyes widen with fresh tears as you stare up at him. "But Rafe, I can't just give up everything I've worked for..." Your voice trails off as his grip tightens slightly on your chin, his blue eyes darkening with barely contained possession.

"Those dreams were for the old Y/N," he states firmly, his thumb brushing across your bottom lip. "The one who didn't have a family to think about. Things are different now." His other hand presses harder against your stomach, a reminder of what's growing inside of you. "You've got bigger responsibilities. To me. To our baby."

The waves crash against the shore behind them as silence stretches between them. Rafe can feel your pulse racing beneath his fingers where they rest against your throat and can see the moment you start to break under the weight of reality. His plan is working perfectly - soon you’ll be completely his, tied to him forever through your child.

"I... I need time to think," You finally whisper, trying to step back from his embrace. But Rafe's grip remains firm, keeping you close as the last rays of sunlight disappear behind the horizon. His expression shifts into something darker, more possessive.

"No more thinking," One of his hands slid up to tangle in your hair. "No more plans that don't include me. You're mine now, Y/N. The sooner you accept that, the better." His voice carries a threat wrapped in velvet as he stares down at you. "Or should we talk about how convenient it is that you can't remember Valentine's Day?"

Rafe's threat hangs heavy in the air as your face drains of color. His fingers tighten in your hair, cocaine making his movements more aggressive than usual. The darkened beach feels suddenly oppressive as he towers over your trembling form.

"What... what do you mean?" You whisper, your voice is small and frightened as you search his face. The familiar warmth in his blue eyes has been replaced by something cold and calculating that makes your stomach turn.

"You really want to know what happened that night?" he asks, his voice dropping to a dangerous whisper. His hand slides from your stomach to your hip possessively. "Want me to tell you exactly how I made sure you'd never leave me? How I watched you drink that champagne, knowing what was in it?"

You try to pull away, but his grip is iron-tight as realization dawns on your face. "No," she breathes, shaking her head in denial. "You wouldn't... you couldn't..." But the predatory smile spreading across his face tells you everything you need to know.

"I did," he confirms, pulling you closer until your faces are inches apart. "And now you're carrying my baby. No more college applications. No more dreams of leaving. You're mine forever now, baby." His thumb brushes away a tear from your cheek with mock tenderness. "And if you ever think about telling anyone... well, who's going to believe the girl who can't remember her own Valentine's Day?"

The waves crash behind them as your world crumbles around you. You can feel the weight of the promise ring on your finger - once a symbol of love, now feeling more like a shackle. Rafe watches you process everything with dark satisfaction, knowing he's won completely.

"Why?" you finally manage to ask through your tears, your voice breaking on the single word. The hand in your hair tightens as Rafe's expression turns almost tender, though his eyes remain cold.

"Because you're mine," he states simply as if it's the most obvious thing in the world. "And I take care of what's mine. You'll see, baby. This is better than any fancy college could ever be." His hand moves to rest on your stomach again, possessive and threatening all at once. "Our little family, together forever in Outer Banks. Just like it should be."

[quartings]

I translated and analyzed the leaked Pokemon Theogony diagram!

Here's the non-spoiler version from the Sinjoh ruins Arceus event! The leaked spoiler version with specific and leaked names is below the cut!

Things to note:

1) Tex is Regigigas maybe because it sounds like "Tectonic" + "Rex"? Since it moves the continents? (Dumb joke about how the Regi family can be found below Clay's Driftveil City in B2W2)

2) Despite appearences, the notes say the pink circle is for the god of time, and the blue one is for the god of space- could be cool to see Dialga and Palkia with swapped colors! Also note that Giratina isn't in the original version, but has a circle for it awkwardly added in the final version.

3) Pseudos have their own section- weird that Latias, Latios, and Gyarados are Pseudos but Salamence isn't. They're all bunched up in a section called "Supporting Legendaries". The three gen 4 placeholders for "Dahabu", "Saan", and "Gordon" could be for Garchomp and two other lesser legendaries like Cresselia and Darkrai or something. Or since they omitted Salamence, they could also not include Garchomp and the circle could be for something like Heatran instead.

4) Note that "Supporting Legendaries" are different from the birds, beasts, and regis, which are called "Servant Legendaries".

5) Also "Smilay" (Smile>Gratitude>Shaymin) and "Birthly" (Egg/Phione>Manaphy) are my speculations on the mythicals, but no confirmation, obviously.

6) Also there's a decent chance most of this is now moot since this diagram is from 2005 and we've had over 5 generations since then.

[vaadazen-codes]

How To Get Started Making Visual Novels

Wanna make a visual novel? Or maybe you've seen games like Our Life, Blooming Panic, Doki Doki Literature Club, etc. and wanna make something like that? Good news, here's a very basic beginners guide on how to get started in renpy and what you need to know going in! Before you start, I highly recommend looking at my last post about writing a script for renpy just to make it easier on you!

LONG POST AHEAD

Obviously, our first step is downloading it from their website

thankfully, its right on the home page of their site. Follow basica program installation steps and run the program. I highly recommend pinning it to your task bar to make it easier to access.

From there, you're met with the renpy app, it's a little daunting at first but let's talk about what all these buttons are for.

Projects

This part is simple, it just lists the current projects in the chosen directory. You probably won't have any in there of your own. You should still see Tutorial and The Question!

Both of those default projects are super helpful in their own ways, i highly recommend testing out the tutorial and playing around with it just to get comfortable with some of the basics.

Create New Project

The first step to actually making your game into a game!

You'll be met with a prompt letting you know that the project is being made in English and that you can change it. You can click Continue.

From here, you'll be asked to input a project name! Put in your games title, or even a placeholder title since this Information can be changed later! (this is also the title the folder will be in your file browser, be sure to name it something you won't overlook)

Now we get to choose our resolution!

If you have no idea what to choose, go for 1920x1080! This is the standard size for most computer monitors and laptops, but it will still display with moderately decent quality on 4k monitors too!

You can choose 3840x2160 as well. This is 2x the measurements of the default, with the same ration. These dimensions are considered 4k. Keep in mind, your image files will be bigger and can cause the game to have a larger size to download.

Now we get to choose our color scheme!

Renpy has some simple default options with the 'light mode' colors being the bottom two rows, and the 'dark mode' colors being the toop two rows.

You can pick anything here, but I like to choose something that matches my projects vibes/colors better. Mostly because depending on how in depth you go with the ui, it minimizes the amount of changes I need to make later.

Click continue and give it a minute. Note: If it says "not responding" wait a moment without clicking anything. It can sometimes freeze briefly during the process.

Now we should be back at our home screen, with our new project showing. Let's talk about allll that stuff on the right now.

Open Directory

This just opens that particular folder in your local file explorer!

game - is all the game files, so your folders for images, audio, saves, and your game files like your script, screens, and more.

base - this is the folder that the game folder is inside of. You can also find the errors and log txt files in here.

images - takes you to your main images folder. This is where you wanna put all of your NON gui images, like your sprites, backgrounds, and CGs. You can create folders inside of this and still call them in the script later. EX: a folder for backgrounds , a folder for sprites for character a, a seperate folder for spirtes for character b, etc.

audio - Takes you to the default audio folder. This is empty, but you can put all your music and sound effects here!

gui - brings up the folder containing all of the default renpy gui. It's a good place to start/ reference for sizes if you want to hand draw your UI pieces like your text box!

Edit File

Simple enough, this is just where you can open your code files in whatever text/code editor you have installed.

Script.rpy - where all of your story and characters live. This is the file you'll spend most of your time in at first

Options.rpy - Contains mostly simple information, like project name and version. There aren't a ton of things in here you need to look at. There is also some lines of code that help 'archive' certain files by file type so that they can't be seen by players digging in code however. Fun if you want to hide some images in there for later or if you just dont want someone seeing how messy your files are. We've all been there

Gui.rpy - where all of the easy customization happens. Here you can change font colors, hover colors, fonts, font sizes, and then the alignment and placement of all of your text! Like your dialogue and names, the height of text buttons, etc. It more or less sets the defaults for a lot of these unless you choose to change them later.

Screens.rpy - undeniably my favorite, this is where all of the UI is laid out for the different screens in your game, like the main menu, game menu, quick menu, choice menu, etc. You can add custom screens too if you want, but I always make my own seperate file for these.

Open Project - this just opens all of those files at once in the code editor. Super handy if you make extra files like I do for certain things.

Actions

last but not least, our actions.

Navigate Script - This feature is underrated in my honest opinion, it's super handy for help debugging! In renpy you can comment with # before a line. However, if you do #TODO and type something after it, it saves it as a note! You can view these TODO's here as well as easily navigate to when certain screens are called, where different labels are (super great if your game is long, and more. It saves some scrolling.

Check Script (Lint) - also super duper handy for debugging some basic things. It also tells you your word count! But its handy for letting you know about some errors that might throw up. I like using it to look for sprites I may or may not have mispelled, because they show up in there too.

Change/Update GUI - Nifty, though once you start customizing GUI on your own, it isn't as useful. You can reset the project at any point and regenerate the image files here. This updates all those defaults we talked about earlier.

Delete Persistent - this just helps you delete any persistent data between play throughs on your end. I like to use it when making a lot of changes while testing the game, so that I can reboot the game fresh.

Force Recompile - Full disclosure, as many games as I've made and as long as I've been using Renpy, i have never used this feature. I searched to see what it does and this is the general consesus: Normally renpy tries to be smart about compiling code (creating .rpyc files) and only compiles .rpy files with changes. This is to speed up the process since compiling takes time. Sometimes you can make changes that renpy don't pick up on and therefore won't recompile. In these cases you can run force recompile to force it. Another solution (if you know what file is affected) is to delete that specific. rpyc file.

The rest of your options on this right hand side are how you make executable builds for your game that people can download to extract and play later!

Sorry gang! that was a whole lot of text obviously the last button "Launch Project" launches an uncompiled version of the project for you to play and test as you go! Hang in tight because my next post is about how to utilize github for renpy, so you can collaborate easier!

[guesswhoisofftheirmedsagain]

A Dead Birds Chick

Instead of wanting to kill him, Jason goes to recruit Tim instead, because what could be more poetic than the first bird you lost, taking away his own replacement, and keeping him happier, healthy, and safer than you ever could?

(Jason would learn of, and weaponize Tim’s hero worship of him back when he was Robin.)

——- (little snippet)

Jason hesitantly placed a hand on the kids shoulder, his body stiff. “By doing this, by doing nothing but giving him a placeholder Robin, you’re not fixing the issue. What happens if you get hurt, or worse, who’s left to keep him in check? To really make things better in the long run, you need to get to the root of the issue, or else everyone looses.” Tim’s eyes stayed trained on the city below them, the wind bellowing in their ears. His legs swung slightly as they both sat at the edge of the building. “But I can’t just leave him! What would happen to Gotham? Batman needs a Robin, he needs- one.” The eyes of Tim’s domino mask gave away his feelings as he spoke. ‘Me’ was a word the kid couldn’t bring himself to say.

“He lost Robin, putting yourself through this type of treatment is only going to end up worse for both of you in the end.” Jason hoped to whatever god that was out there that whatever bullshit was coming out of his mouth sounded halfway decent, god why didn’t he prepare for this more? “How can you be sure of that?” Tim sounded hesitant, and a bit weary. He knew who Jason was, Jason had told him on their second meeting. It was a bit of a gamble, but the kid had kept quiet. Slowly building a relationship with the kid was key.

“I was Robin, remember? I’ve seen it first hand. I remember the freedom it gives you, and I am not asking you to give up that freedom.” Tim was, quite obviously, neglected by his parents both growing up and now, it was so easy to tell, even from an outsider’s perspective. Jason could imagine that taking Robin away from this kid would be taking away his lifeline. “But- how could I be Robin without Batman?” The kid sounded defeated, this was it. This was the moment Jason been building up to. God, he can’t fuck this up.

“Be my Robin.”

A beat of silence.

“What?” Tim’s voice was almost blank, confusing leaking through his failed attempt at masking it. “You heard me Tim, be my Robin. Whoever said that Robin had to be Batman’s partner?” Jasons smirk could be heard in his voice, by the kids change in body language, he got him. Hook, line, and sinker. Or well, floater? He was trying to save the kid, after all. “I could work with Robin?” Yes that’s it, distract him from the original goal of this conversation. The pure hope in Tim’s voice almost made Jason regret manipulating him a little bit during their meetings, but all would be made up for in the end.

“Yes, how would you feel about working with your predecessor?” Jason latched onto that, he knew the kid looked up to him, especially back when he was Robin. He would use it against the kid without him knowing. Tim lit up, his whole body turned to face Jason. “I- I would be honored-!” Tim’s mind ran so fast his words couldn’t keep up. Jason genuinely smiled, this was going perfectly. “Great. You’re coming with me.” Jason stood up, dropping the last of the Robin suits trackers onto the ground and crushing it beneath his boot. He had been subtly snatching them during their conversation, and was sure the big bad bat had been on his way sense Jason broke the first one.

“Wait, like now?” Tim was frozen to his spot on the roof, staring at Jason as he started walking away. “Yep, let’s go.” Jason didn’t look behind him, and satisfaction took over as he heard the sound of Tim scrambling behind him, and the soft taps of small steps rushing to catch up to him. Tim was his bird now, and he was going to do a much better job taking care of him than Bruce could ever dream of.

[elodieunderglass]

In preparation for reading your WIPs on AO3 I’ve watched the first 6+ eps of Delicious in Dungeon. It’s silly and light and frothy and lovely and then I get smacked between the eyeballs with Faligan and it made me want to wrap them all up in blankets and not have them worry about stuff for at least the next whole day. Poor kids.

Anyway, enjoying the heck out of Chilchuk. Would you recommend reading any of the manga to get a better read on his character/ history or is the anime a good prep course before diving into your fics?

Ahahaha Oh NO! sorry about all this! you're under no obligation to do so!

Both "Weasel Heart in Defiance" and "His Delicious Materials" have been read - and reportedly enjoyed - by people with less knowledge of the source material than that. I think they're both fairly accessible. It was important to me that HDM not spoil season 2 of the anime, so it doesn't - just gestures at it in places.

Weasel Heart in particular is almost a standalone. While married firmly to the elements of its fusion, it has its own full novel-length novel-weight plot, which is so independent from the canon plot of Delicious in Dungeon that I made a serious attempt to decouple it from canon, and structure it a standalone original work. I made a decent whack at writing it out, using an OC as a placeholder - as someone gets their friend to pose for them, to model the drape of fabric, in order to paint the light. That didn't work, and Killie ran away like a beautiful startled horse, leaving only a faint Easter egg behind him. So, I decided to follow Weasel Heart in the spirit it came to me in - as a fanfic - and that has been the right choice, even if I'm now in the position of juggling three WIPs and IRL friend/ beta reader Sweetlyfez in particular is probably raising a significant eyebrow at me. Pour one out for her.

But Weasel Heart really is ALSO its own animal (Weasel.) And it even has an appendix in the middle where I explain what's my own worldbuilding, what is Philip Pullman's, what's a personal fight with Tolkien, and what canonically belongs to an innocent manga artist who'd probably be rather puzzled. So i think it's ok to read and won't spoil anything but conversely, IT HAS AN APPENDIX.

Also the friend I was originally writing HDM for (as a gift - something for her partner to read during treatment and she couldn't follow published fiction very well) is now out of active treatment! And Sweetlyfez cooked up an entire baby!!!! The world turns!!

[nights-at-crystarium]

Fragments - episodes 47-52 author notes

You can find similar breakdown posts on older episodes in my pinned!

Time to recap the first proper wolgraha miniarc. See what you might’ve missed, or simply enjoy the extra content in form of my rambling.

47 stands out as a bit disconnected, floaty, introspective episode fully focusing on Exarch’s pov. I’ve scattered some breadcrumbs for him throughout the entire comic, time to pick those up. He may be an oblivious fool in certain moments, but I believe he wouldn’t keep insisting on staying deaf and blind when evidence’s shoved in his face. So, this moment of recollection and rethinking marks the start of the canon divergence, all of his future actions are colored by this.

Vivi has a dire effect on some people even without trying to manipulate them.

The composition forms a star here :3c

This panel should make their likeness even more obvious, they’re mirror reflections, albeit deliciously twisted ones. Also, the V sign is literally something that Vivi. Just. Does.

Exarch's heard from Vivi himself that they might be the same, Urianger literally tells him to go to a mirror and ponder, but when he does, and tries to look a bit more like he imagines Vivi, he can't stand what he sees in the mirror. They still aren't the same in his heart of hearts, even if reality itself tries to prove otherwise.

Hidden Angst Time! I can only hope that most readers are familiar with the flashback bubbles by now, and that this panel reads as it should: Feo Ul embraces Exarch while pointing out that they’re also being ostracized by their kind. Though the ultimate fae wisdom lies in accepting something the way it is, and just not caring too much.

More under the cut~ 

*rewinds all the way back to episode 1* hehe

“Does a hero have to be happy about his job” is one of my personal fav lines so far, I think it hits hard, pointing not only at Vivi, but at Exarch as well, and the visual supports it. I think this encapsulates Exarch’s ideology.

Exarch’s GASP could be interpreted as saying GASP out loud, which only makes it funnier.

Vivi carefully plans his entrance in order to make the atmosphere less formal. Approaching normally just wouldn’t do it. Also he just feels relaxed and safe to be silly. Remember how lowkey he was since his arrival to the First? His behavior all but contradicted what I said and showed about him in the ARR arc and outside of the comic.

Well, that’s in the past now. He’s finished assessing the situation and concluded that it’s okay to be more himself.

Feo Ul's upset that Exarch used his “radar” to detect Vivi’s ambush while they’d just used a similar ability to make sure that no emet-selchs are around.

If you catch a flirty vibe from Vivi in this episode, you're correct.

Vivi when he's remotely interested in a man:

My flavor of lampshading the obvious exposition dump. Oh Exarch, you asked for this, no take-backsies.

Another few hard-hitting questions from Exarch. It's easy to gloss over these, but if you slow down and think, it's decent angst material. Has anyone ever been concerned about Vivi's feelings, or was it more convenient to look away, even if intently, even if both sides knew they're better off not talking about that, for there's indeed no wol replacement. What good does acknowledging the situation if you can’t change it.

This's Vivi's memory, thus he appears small against the looming forms of the world leaders. Rigid, formal, impersonal. Raha's memories of the Ironworks seem to have a different vibe, despite all the parallels of the duty imposed by the world on one special guy. Also yeah I do wanna make my own version of the 8UC timeline and characters someday, for now these are just random characters that I consider as placeholders. And the dunmeshi cameo x’D

Yes, he mocks the people that he's saved. He's VERY frustrated with his job.

I offer you a fun game: spot all the mannerisms that make Vivi and Emet so alike. I genuinely never thought about this until this year, while this scene's pretty damn old, i.e. Vivi's always been like this, it precedes my Emet brainrot.

I swear that this line also was there before my Emet brainrot, but now it makes for a hilarious kind of foreshadowing.

You could already tell how "fit" he is for solving trolley problems.

This’s his “oops I talked too much shit” face.

The way Exarch just quietly TURNS and LOOKS at Vivi cracks me up. Don't undermine the tone with random jokes, dammit. But is this random? I’ve already analyzed this moment somewhere but for the sake of keeping important things in one place: they wrestle for control here. Exarch winds up for something serious, while Vivi wants to steer the convo towards more casual. It does somewhat lower the tension, though Exarch doesn’t relinquish his lead in the convo.

This doesn’t save him from becoming Frank forever from here on.

This miniarc’s rich with raw, hard-hitting words, so I’ll bring this up again.

We’re finally getting the explanation and context for a lot of previous episodes:

And the following episodes only help driving this point home. Vivi already sees the First as a viable escape from the Source with all of its shitty people and endless problems.

"This's why I... enjoy my time away from the Source": even at this seemingly high level of trust between them Vivi won't openly tell Exarch about his plans to stay here, a variable he doesn't want to become a risk.

Yes, he does an entirely calculated and strategic flop. A literal thirst trap.

Meme provided by my discord server:

Vivi casts provoke, it's..... not effective

^ This’s one of my personal fav exarchs I’ve ever drawn DADDY PLS

A panel that everyone loved to bits :>

I pair angst with other flavors to make it fun and non-repetitive. It's not "boohoo I can never kiss my hero, the world will end if I do, I'm so aggravated with myself", it's the hooded Exarch (duty) being mad at the unhooded Exarch (human), and delivering the same notion in a fun exchange. You can't help but laugh at the comical chibi violence, at the same time you acknowledge that it's a pretty fucked up act of suppressing one's innate human desires.

It's not a date, they just sit and talk <- the water in which Exarch is being slowly boiled.

I rarely talk about the visuals, but here I intended to make it look like a magical moment frozen in time. It's immersive, whimsical, full of color and movement. Despite the perceived warmth, the composition splits them apart, they're alone together. It’s still Raha’s pov, Vivi doesn’t seem to have any fond memories of the Source at all, we only hear about the past from his current jaded self.

An in-universe acknowledgment of the ARR arc lasting only 11 episodes x’D Though it’s all by design, it was meaningful only to Raha, while being a forgettable blip in time for Vivi.

Episode 52 opens with.... *drumroll*

NIP SLIP

I lovingly rendered that nip and I’ll make you look at it.

Ibuprofen meme would be the first thing that comes to mind, but consider the better/worse caption: "come to daddy". In all seriousness though, it’s a cool panel that I wanted to appreciate again. This IS Vivi’s pov.

The grimy beaten up Vivi creates questions that are answered in episode 53, which is yet to be released publicly at the moment of writing this. Some episodes, like 52-53 and 42-43, come in pairs that only make sense together due to the non-linear storytelling.

Yes this’s Aymeric, no I won’t say anything else :’> One thing that’s worth noting is the face Vivi makes here. And the distant, emotionless tone with which he recalls the moment of his own near-death.

Lemme spell it out even more plainly: Vivi romanticizes the moment he almost died. Exarch just happened to be present in that moment, and Vivi latched on to him as someone who would grant him escape, freedom, peace.

“A kindly wizard from fairytales”. I regret to inform you that we have two delusional fucks on our hands. Both see each other as some kinda dreamt up, idealized, mythical figures.

This miniarc isn’t over yet, but I’m wrapping up the recap here. Thanks for reading till the end~

[angel-calypso]

Mistaken part two

Okay i'm sorry for taking so long!! I tried my best to quickly write something but I'd rather put something decent out rather than a quick ending. I did my best i hope everyone likes it as much as the first part.

Erik lehnsherr x mutant!reader part two !! just a little angsty. mention of depression. Reader is just a little sad

For the next couple weeks, you reverted to keeping to yourself. Only coming out of your room to eat or tend to the garden. You had fallen into a small depression. You sincerely believed that you were simply a placeholder for Raven. That no one truly liked your company, but just missed hers. You couldn't have been more wrong. Every day, when you would creep out of your room, Erik would watch from a distance. He missed you deeply and couldn't understand what had happened. Every time he tried to talk to you, you would apologize and say you had to go somewhere. On the days where you didn't come out of your room at all, he would tend to the garden for you. Raking the leaves, trimming bushes around the property. He and Charles would always have a glass ready for you during their nightly routine.

Charles knew what had happened. But he wanted to let things unfurl for a while longer before he intervened. He hopes that Erik would finally tell you of his feelings. You two would just play around the fact, it almost made Charles annoyed sometimes. He loves you both and wants you and him to be happy but you both can be incredibly naive. Charles would check up on you during the day, knocking and cracking the door open. You felt like you were in a hospital with Charles performing checks on you. Charles would bring you food sometimes, with Erik waiting in the hallway. You never say the intense worrying Erik was doing for you. The pacing and the sleepless nights. His appetite almost gone as well.

“Y/n.” You were outside, just breathing in the air, growing flowers around your bare feet. They were sad, nothing compared to what you used to grow. They almost shriveled up when he said your name. That didn't go unnoticed to him

“Oh! I'm sorry Erik, I got to go, I can't talk, i'll catch up with you another time. sorry” You say your rehearsed and reused apology. He's heard it over and over. Every time stinging more than the last. You slipped your shoes back on. He didn't even say anything, he held himself back, he wanted to rip the metal from the fence and wrap a cage around you. He cursed himself for thinking that. He just wants you to look at him. Say something other than that damn same sentence. He watched you leave then looked at the darkened dead flowers where you stood. He wanted to scream at you, ask what he did wrong to deserve this treatment. Why you avoid him at every turn, he thought you had felt the same towards him.

That night you went to the kitchen to make some tea. You knew they were sitting in the office, you could hear them talking. You tried to imagine yourself there, you knew you would be happy with your best friend and the man you were deeply in love with. The laughing, the drinks, even the chess. Everything you missed just in another room. The kettle whistling brought you out of your mind, you went to take it off the stove, when it slowly lifted itself. You kept your back to him, knowing Erik was standing behind you. You thanked him and finished making tea. You grabbed the tray full of the milk sugar and tea. You finally turned to see Erik, for the first time actually looking at him. His eyes were pleading with you to say something else. His brows furrowed. You realized you couldn't move, frozen, you missed him so much. Just as quickly as you were frozen, you snapped out of it. Erik was standing in the doorframe. Blocking your way out, you walked up to him. You were the closest you two have been for a month now. You looked up to him and excused yourself. Hoping you could get out of there before the tears came.

“No.” He was looking at you, watching your every move. He needed to know why. He felt the metal in the tray, used it to move the tray out of your hands onto the counter.

“Erik. i'm tired, i need to go, i'm”

“No.” He cut you off before you could apologize. He was done with it. But it only made you mad. How could he sit here and torment you? Why couldn't he just leave you alone?

“No what, Erik? Just let me go to my room. I don't want to see you right now.” You avoided his gaze and tried pushing him out of the way. Erik stood his ground. He wasn't going to let you get away tonight. He needed answers.

“Please just talk to me, tell me what i did, why you won't even look at me anymore. What? what is it please I can't keep doing this.” He begged you desperately. His hands had found their way on your shoulders, holding you in place. You were shocked, you didn't expect him to care this much about you. You kind of just stared at him for a little bit. Trying to understand what's going on. You were embarrassed. You didn't want to tell him your feelings, why you locked yourself away.

“I'm sorry Erik.” Suddenly he wrapped his arms around you. You stood there for a while with your arms at your sides. You returned the hug, but with that came your tears. First slowly prickling your eyes then streams. “Erik. I just don't want to see you and her all over each other okay? I can't do it, it just hurts. I walked in that night on you two in the office when she came home. My whole heart sank. I can't do it, i'm so sorry. it's not your fault at all Erik. You didn't do anything wrong. I'm just selfish.” Once you started talking you couldn't stop crying, you told him everything, how you thought he felt the same. How you had fallen in love with him. everything. He had grown stiff and you had felt it, it made you cry even more. You had made a mistake telling him, you just knew it. He slowly let go of you, he chuckled to himself which only made you hurt more. He was laughing at your pain? Is it all a joke?

“Oh, mein armes mädchen, I don't know why you didn't just talk to me or Charles about this. I feel so foolish, I didn't even think about Raven inadvertently causing all this.” It almost seemed like he was talking to himself. He took your face in his hands sweetly. “There is nothing going on between me and Raven. She is like a sister to me. She's a bit touchy, but if you stuck around us, you would realize she's like that with everyone. I thought you knew her and Hank were together, Meine Liebe?” You were confused, how could you have missed that detail? Your face was growing hot with embarrassment again. You apologized for the tears. He wiped them away softly. You two stood there for what seemed like forever. Your bodies were close, you could feel the warmth radiating off his body. He closed the distance between you. His lips meeting yours felt like the most right thing ever to happen to you. You returned the kiss, deepening it. His hands moved to your hips, pulling you closer. After a few minutes, he pulled back. He looked into your eyes, you swore there was a tear in his.

“I love you, Y/n. I truly love you.”

translations:

Mein armes mädchen - My poor girl

Meine liebe - My love

taglist; @mostlymarvelgirl @mirrorball-6

[fairyhaos]

How To Fucking Write: a guide by fairyhaos

[masterlist]

this post details:

STARTING A STORY

PACING A STORY

hi gays and gals and welcome to "how to fucking write", a post (series) where i talk about how i brainstorm for writing, plan for writing, write the writing, and everything in between. nothing too serious here lmao, but i'm definitely planning on making at least a couple posts on this bc a) it's fun and b) i wanna help! so if you find this useful then pls lmk by reblogging + drop an ask if there are any specific things u want me to give my two cents on ^^

okok and now without further ado,,, let's look at the topics i'll talk about in today's post!

#1 - HOW TO START A STORY.

.. bullet point one : have an idea

the first big thing is that you need an idea. doesn't matter if you're a pantser and don't plan out your writing before you start. that's totally fine! but before you begin, you need at least an idea: maybe it's a vibe, a character personality, a specific journey you want the characters to go on. maybe it's a piece of dialogue. maybe it's the ending- the point you want to end up at after however many thousand words.

whatever it is, it's best to have some inspiration, some idea of what you wanna do. no point in writing if you don't know what you're writing, you know?

(of course, that brings up the issue of Having An Idea in the first place, but finding inspiration to write is a whole other can of worms we can open in another post.)

.. bullet point two : practice

okay, so now you have an idea. how do you put that idea to paper? how should you actually start your story?

it’s all to do with practice.

it’s the most annoying piece of advice in the world, but it helps so much. you just have to write lots and lots and lots, to find the way that works for you. whether you wanna start your stories with pretty scene descriptions, with dialogue, with dramatic one-liners. finding your voice, your style, what’s most comfortable for you, is really really important. and takes practice.

an example, though: for me, i prefer either a line of dialogue, or one-liners that a) help immediately establish a character’s personality or can b) introduce an interesting setting.

[chan + swingset] — one-liner example

[hoshi + silly] — dialogue example 

but of course, everyone’s style is different. so i’d recommend playing around! find a list of one-word prompts and just write a few that inspire you, writing the beginnings. it’s important, also, that you’re having fun, because if you’re already struggling with starting to write, it’ll be even harder if you’re doing it while feeling stressed.

.. bullet point three (mostly just for longer fics)

maybe you don’t find a style, in the end. maybe you’re comfortable with all of them, which is totally fine! but then you look at your writing, and you think, “oh… this isn’t as good as i thought.” 

and it makes you want to give up. what do you do, then? how do you carry on with your start?

just put words to paper. it doesn’t matter if the words are terrible, if you’re making up shit and using placeholders for description words or whatever. just carry on, get to a place you’re happy with, like the end of a scene, or maybe a dialogue exchange you really like.

because now, guess what? you’ve successfully created a first draft.

making first drafts is actually so important. seriously. first drafts allow you to fuck up, allow you to write terribly. they help you fumble and trip your way to the finish line (or at least a rest point) so that you can go back and do better.

even if your first draft is terrible, it’s helped you make your way to a point you’re happy with. now you have a vague idea of what you want, even if the description or characterisation or something is way off. because now, you can edit it, or even scrap it and use only a few words from that draft in your next one. or maybe, if you look back at it, maybe it’s even decent enough for you to use. 

whatever it is, when you first start writing that story, think of it as ‘The Worst Draft’. because it probably won’t be as good as you want it, and it’s okay. just write, with no fears of it being bad, because that’s literally fine. it’s not set in stone. the backspace button exists. after your first draft is made, make another. and another, and another, because i promise, after that first draft, it only gets better from there.

#2 - PACING A STORY.

.. bullet point one : adding things

pacing is always really tricky. however, i do think that slowing a story down is easier than speeding it up, so here we go,,,,

finding out the exact way to slow down a story really depends on what type of story you're writing, but there are a few all-round things you can do which can help pretty much any setting.

if it's a scene with loads of dialogue, and things feel like they're jumping to the end topic too quickly, add descriptions. your readers are blind, writers, and they depend on you to be able to see what's going on. are your characters having a conversation on the street? take a break to describe what they see. are they in a coffee shop? maybe someone comes in with a huge noise, or their coffee arrives at their table. are they hanging in midair with nothing around them? well, describe the actions of the character they're talking to, then.

example: (from my seoksoo fic bc it's the only long fic i'm working on rn)

by adding character descriptions, movement, thoughts, instantly everything seems to have slowed down. it thickens time, allowing you to move at a more leisurely pace.

if it's a scene full of action, you can do the exact same thing. maybe there's a high-tension moment and something significant happens. slow down time there, describe something small in great detail. talk about the thoughts they're having.

and even if it's just an ordinary scene, describing is important. the setting, the characters' actions, their thoughts. it's okay to write too much. then you can delete things which make things feel like they're moving too slowly.

.. bullet point two : delete

not gonna lie, finding out how to speed up the pacing of the story can often be really specifically tailored to the setting of the story.

with stories that have loads of action (spy, apocalypse, etc) i'd recommend adjusting sentence length. you'll want short, punchy sentences, without loads of commas and clauses, but you'll also want to experiment with having those short sentences gradually get longer. it helps with tension and suspense.

it has to be short. running fast. something to elevate fear. quick, but also desperate, before they then spill over each other, picking up pace, all of the thoughts blurring together and going faster, and faster, and faster, and then-

then the penny drops.

people use the metaphor of music a lot, and it really does work that way. it needs to ascend to its climax: gently, cautiously, before sprinting upwards and only describing things like the barest emotions (the fear they feel, the panic, anger, anything) before everything reaches its peak and comes crashing down in a flurry of action descriptions.

but of course, the easiest way to speed up something is to delete. delete swathes of setting description. delete unnecessary dialogue. delete an entire scene and rewrite with only the things you remember (which can help make sure you only have the essentials in your scene, btw. very helpful).

it might take a bit of adjusting, rewriting, moving things around, but ultimately, quickening the pace of the story depends on the way in which you write things. be concise, be dramatic, and don't dawdle.

... and that's it ! if anyone has anything else they want advice on (how to structure, how to write dialogue, how to plan etc) then just shoot me an ask, because i'd love to help however i can :)

tagging: @selenicives who asked for this in the first place hehe ^^

[tf-es-unbreakable-au]

Synopsis;

Takes place a bit after season 1, except starscream finds himself in G.H.O.S.T captivity much earlier this time (still deciding how that's gonna go down). At first, he plots to escape but the isolation begins to wear him down, and tea parties with corpses stopped working awhile ago...

so he tries to escape by re-watching old memories... only to realize that all his memories had ever been was a cycle of subservience, pain, and utter humiliation. Not only that, but his own past actions begin to wear on him, and strangely enough; he can't seem to pull himself away from watching for too long.

So he watches them back, over and over again, a marathon of all his blunders, betrayals, and deceits. Over the course of the next few earth months, he goes into a spiral.

Meanwhile, G.H.O.S.T. accidentally blows the lid on everything via a wistleblower, and the existence of cybertronians is exposed but doesn't go over as badly as initially believed, leaving human-cybertronian relations in a decent spot minus the still-active decepticons.

Somewhere along the line, with the help of human scientists the autobots manage to get the space bridge to cybertron working again, not only increasing the roster of fighters I will be working on, but also decreasing the necessity for cybertronians to stay on earth (most are very eager to start rebuilding)

With these factors, the autobots are able to capture many other decepticons (many of which aren't actually in earthspark, but I will be using anyways for diversity) AND get in touch with other autobots around the galaxy.

So the WBC (World Boxing Comission) saw giant robots with giant-robot-hands and had dollar sign eyes, tried partnering with G.H.O.S.T. to organize the CFC (Cybertronian Fighting championship, name is a placeholder for now) as a new way to strengthen relations between the two species while also introducing more crude parts of human culture to the cybertronians, as well as introduce a new type of entertainment. And also cuz that's the only way I was able to make this work lol.

Eventually, G.H.O.S.T decides to allow decepticon inmates to voluntarily enter these championships for small rewards (mainly such as high-grade, better sleeping quarters or even supervised access to public cybertronian events.) And I ended up taking inspiration of this from the legends of the rahway state prison (look that up if you're into boxing)

And while all this is happening, starscream is entirely isolated, alone and now refuses to move on from the past. Mainly inspired by the story of people like Jake lamotta and Matthew saad muhammad, his sense of fear and preservation becomes warped entirely. To the point where taking punches during fights almost feels to him like a way of "giving back".

Enter hardhelm, a wrecker who was an autobot during the "bad old days" of the autobot council (still fleshing him out.)

Having seen the error of his ways a millennia ago, he finds himself on earth and takes a special interest in the CFC due to his knack for hand-to-hand combat.

But, more specifically, interest in the decepticon inmates. He goes in to try and serve as a mentor to any lost ex-decepticons that would follow, in an effort to reform them.

So G.H.O.S.T. appoints him as coach for his own small "stable" of fighters, with starscream being a last-second replacement that was shoehorned in and accepted for the fact that he was going entirely stir-crazy and it was either this or sit back in his cell and watch old memories, and at this point, he needed some other stimulation.

His first training camp doesn't go well. Star and hardhelm just can't seem to see eye to eye, and once he begins to spar, starscream is completely unprepared. He takes a beating, but hardhelm is captivated by his tenacity and believes he can not only train star but help him and himself as well, as even he would admit that he hasn't entirely moved on, and may see a bit of himself in starscream.

This is where the differences will become obvious personality wise, starscream is much more reserved while still maintaining his air of anger and hostility. His usual antics are replaced with blank staring or enraged shouting when confronted, and he never goes out of his way to make conversation, even with bots he knows.

When the time comes to fight, starscream gets his aft kicked hard, it was incredibly one-sided, and there was a definite skill and experience difference. But in the beating he took, he never went down and never thought of quitting. He'd done that enough times, begged and pleaded for less pain only to be given more.

He'd taken his most valuable beating yet and learned a lesson he could never put a price on. Now, he'd struggle to the bitter end, even if it meant only seeing the final buzzer. It was still a victory regardless.

Moreover, he found the pain strangely vindicating, once again, like he was "giving back." In a way, it made him feel at peace with himself, helped him come to terms with everyone hes hurt.

Hardhelm takes an interest in starscream's tenacity. It wasn't every day you came across a mech that could take a hurting like that and keep on moving forward, and not only keep on trudging, but still trying to find a way to get to his opponents and turn the tides.

Obviously, the two have a rocky start. Both are incredibly stubborn, and starscream does his absolute best to keep his distance from absolutely everyone. He's intent to die in the cycle he's in, basically zombie'ing his way through day-to-day life and only truly coming alive when it's time to spar or fight.

Hardhelm uses this to his advantage; he knows how mechs like starscream operate. If you want to help someone who didn't want to be helped, you have to manipulate them into thinking they do (not personally saying this is the correct way to go about this. It's hardhelm's own flawed logic.) So he uses this to his advantage to kindle a love for fighting in starscream, trying to give him a sense of purpose so he could drop the manipulation and really show him that life was more than endless death and conflict.

This starts with him beginning to teach starscream techniques, changing him from a forward-moving zombie into a hard-charging, close-range inside fighter with incredibly tricky head-Movement (meaning he specializes in fighting inside of his opponents reach and is very hard to hit while moving in) ma deceptively long reach. And even though Star tries to keep his distance, it's kinda hard to distance yourself from someone who has to watch and instruct your every move whilst also pointing out flaws. So the two grow close eventually, and hardhelm begins to instill that purpose in star, trying to make "a bonfire outt'a sticks," so to speak.

But despite this, atarscream is still intent on taking punishment during fights. Even with his defensive nuance, he'd still rather get into scrappy brawls, no matter how much hardhelm tried to refocus him on their gameplan, no matter how much he threatened to pull the plug on the fight, starscream would always try to drag the fight into the mud and make it bloody, It allowed him to focus on something other than how much he hated himself.

This comes with a few processor glitches at first, getting worse and worse with each fight.

Regardless, in his down-time he essentially spends it trying to recharge or watching straight up feature-length films of "starscream fucks up; vol 1-6" like they were jackass films. It gets to a point where he can even be found laughing at his own mistakes but to others, he just looks like a lunatic laughing at either the wall or the ceiling.

I intend to use more "human" elements such as fatigue or even having punches target certain components (left hook to the chasis targeting the fuel tank similarly to how it targets the liver for humans, for example) but I'm also gonna use a different system of damage. So instead of someone eyes swelling, a cybertronians' optics will begin to dim, flicker, and glitch due to too much helm trauma. Cuts will still function relatively the same since, as far as I can tell, cybertronians can bleed through their faceplates and intakes.

I'm still working on a rule system but so far it goes as follows.

A preliminary fight (one that's not advertised as much and only really serves as a "stay busy" fight or for 2 up-and-comers to Duke it out and see who moves up the rankings. Getting into that soon) lasts 5 rounds, each round is 5 minutes each with one minutes rest in between.

During this period, each fighter goes to their respective corner to sit on the stool and be seen to by their "corner" who consists of a coach, a cutmech, and a mechanic. They are allowed to offer advice as well as see to a fighters' injuries within a certain jurisdiction.

A contender bout is a fight between one or fighters who are in the top 15 to top 10 rankings. These are 10 rounds, and the times are the same, 5 minute rounds with 1 minute rest in between.

Championship/super-fights are bouts between one or more champion (I intend to have multiple different championships) and these are 15 rounds with the same rules, except referees are far more likely to let fighters "fight it out" rather than stop a fight at the first sign of trouble.

Now would be a good time to speak on referee's and fight judges.

The referee has the ability to stop a fight at any point in time and rule it a TKO should they deem a fighter unable to defend themselves properly whilst still being standing. Think of going down in a KO loss vs getting beat up while all you can do is cover up and take the punches.

The damage system will also be much more visceral with the absence of gloves, this means cuts will be much more prevalent and will regularly impact the scoring and direction of a fight.

Fights will be operating on the conventional "10-point-must" system, where if an opponents were to win a round, they'd have to score a 10 to an opponents 9 or 8. Otherwise the round Is tied (for example, a 9-9 round) and 10-8 rounds are only awarded when a knockdown is scored and the recipient hasn't been knocked down themselves in the same round.

A 10-7 round warrants domination in all fronts only barely shy of a referee or doctor stoppage (stoppage indicates a TKO)

Speaking of doctors, there is a ringside mechanic who is there to oversee any and all injuries the fighters may have. This is the only point where the referees authority is overruled if the mechanic deems a fighter unfit to continue the fight.

As of now, that is all. I will most likely be adding more because I intend of an entire arc where the WBC goes out of business and sells out to the UFC, opening up opportunities for me to turn this into an mma!au

[cal-cium-the-nerd]

IMPERIAL ORB REPLICA PROJECT

So far I've only shared this little project of mine on discord so now that it's finished I wanted to show you guys here too!! Basically I made the imperial orb from Mother of Learning to decorate my shelf :)

(more details+process under read more)

Actually first let me put here some other pics from different angles because i love her

Okay, so first I bought the castle (yeah i didn't make that part) from an aquarium shop. I found that, at least near my area, there are a lot of decent-looking miniature castles for fish tanks, here are some I was considering before settling on this one:

Step two was buying the thing, along with the transparent capsule (10cm in diameter, which was as big as I could find, since anything smaller meant the castle would have little to no details)

(Cat for size reference)

It did not fit inside the capsule. Therefore, I very calmly picked up a hammer and... made some very careful size modifications.

Now it fits!

Almost at the end, I replaced the placeholder plastic wrapping/thing with gravel. This step took embarrassingly long, as I couldn't find any gravel I liked (or which was within budget). In the end I bought it from a (different) aquarium shop

Lastly I painted some of the gravel green (and a little bit brown too) so that it would look more natural :) I also made some last touches to the castle's paint. Originally I wanted to add some gold/yellow paint to the miniature castle but I don't trust myself to not make to worse (haha), so that brings us to the end result!!

I love her