#but doesn't tell the audience any of the details?

[hollow-keys]

ID: The Spongebob in Silent Hill meme template edited so that Spongebob is replaced by the first Doctor, Ian, Barbara and Susan, who are nervously huddled in the hallway from Silent Hill. The hallway is edited to be black and white like the TARDIS team is.

every description of 60s doctor who: doctor who started life as a educational children's show, teaching families about history and science in a fun way! ❤️❤️ 60s doctor who:

[shhhhimwatchingthis]

Interview With the Vampire is like...

Here is our protagonist hes going to tell you a story. But some of it he's remembered wrong -- was it raining that night? And some of it he's obfuscating or skirting or deliberately lying about. He's admitted the first time he tried to tell this story was a performance. Also he hallucinates, sometimes. Oh, and there are characters who can erase and alter memories. When does he mix up a detail? When is he lying? When is he telling what he thinks is the truth but he's just wrong or being lied to himself?

Here's Claudia's diaries. The written word, in her own words. Surely we can trust them! Except she knew her diaries were being read by her fathers/brothers/jailors. She had reason to present her life in a certain way in those writings, reasons to not write down everything. And same as any other person,even if she was writing the truth, she was limited by her perspective of what that was. Here are her diaries but some of the pages have been ripped out, censored by other people.

Here is Rashid. Except no, he's really the vampire Armand. He can erase memories. He was pretending to be someone else. His name was never Rashid. It isn't really Armand either, he doesn't even know his own name, or all of his own story, Armand will do.

Here is Real Rashid. Even Rashid isn't what he appears to be. He works for a shadowy organization.

Here is Daniel Malloy, our journalist, our interviewer. It is his job to ask questions, provide evidence reveal the truth. But even he can't trust his own altered memories. He has time he can't account for, gaps in his memories from years of drug abuse and one bad trip from a week of drug AND vampire abuse. He is not an objective observer, he too is a part of the story he is trying to tell.

Here is Lestat de Lioncourt. Except not really. maybe once at the end. Here he is through memories, and other peoples stories and hearsay. Here is the seducer, the boogieman, the abuser, the victim, the Vampire. He haunts the narrative, and starts the narrative, and is, in many ways, the bleeding heart of the tragic narrative and he never tells his own story in his own words.

Here is a trial. Except its a play--prewritten, rehearsed! the accused can barely speak for themselves. The audience has no choice but to laugh along to the story being shoved down their throats. its only a story. You can see the fake limp rope, when that one vampire 'flies' - its all pretend, its all a show...right?

[cowboybeepboop]

Desire

“Anything you want, baby,” he murmurs, his voice strained with desire. “I’ll give you anything you want.”

Pairing: Jake “Hangman” Seresin x fem! Reader

Genre: Friends to lovers, romantic smut

Word count: 4.9k

Summary: Your feelings for Jake resurface after you tried to push them away, leading to an extremely intimate night with your best friend.

a/n: I really hope there's still an audience for Top Gun Maverick smut because I really loved writing for Hangman and Rooster. Also, I’m currently working on the requests in my inbox but as always feel free to send any my way! I hope you enjoy <3

You're best friends with Jake, in fact you're the only one who he doesn't seem to have an attitude with. Working at The Hard Deck allows you to see him even more frequently, which you truly enjoy.

You know not to get too attached to him, you know how he is with women, you know that given the chance he would simply fuck you and leave your life forever. So of course you’ve entirely given up on the chance of ever being anything more than just his friend, his best friend.

The doors swing open with Mav and his team bounding in, he greets Penny, glancing over at you as you lean over a table obviously lost in thought.

“What are all of you doing here? I’m not even open yet,” she starts to scold but Maverick brushes her comment off.

“I thought you could make an exception for us,” he shoots her a sly grin and she rolls her eyes. Hangman gives you a gentle pat on the back as he passes you, saying a soft hello.

Phoenix chuckles as she stands in front of you, “Hey Y/N,” you groan in response.

“Hey, bagman.” Phoenix addresses the blond who's standing at the pool table, “What's up with Y/N?” Hangman turns toward Phoenix and raises an eyebrow in response to her question. He didn't seem particularly interested in the conversation, but his attention was piqued nonetheless.

"Hm? Oh, Y/N? What about her?" he said, leaning against the pool table with a nonchalant tone.

“I mean, just look at her. She looks like she's got something on her mind.” she says, nodding in your direction. Their gazes fall on you, watching as you wipe the same place over and over. He approaches you with a frown on his face, clearly noticing your distracted state.

He stands in front of you, his arms folded across his chest, and observes you silently. "You look like you're in another world, sweetheart," he finally says in a low voice, tilting his head to get a better look at your face.

You glance up at him, letting out a soft sigh. “Yeah, something like that.” you mutter.

“Well, don't just say that and not give me the details.” he raises an eyebrow, watching the way you look away. Something was definitely on your mind, he could tell by the look on your face alone. He knew you all too well, and your usual mood was certainly not this solemn.

He leaned down a bit, making sure he was in your field of vision again, his arms still crossing his chest. “Come on, you can tell me. What's going on?” he prodded, a hint of concern in his voice.

“It’s nothing,” your expression softens as you toss the rag into the red bucket under the counter.

“Oh, really now?” he says with a doubtful tone. He knew you were lying straight to his face, you were usually a pretty terrible liar. He leans against the counter a little bit, keeping his eyes on you. “I know there’s something going on in that pretty little head of yours. So spill it.” He spoke in a firm tone, trying to get you to open up to him.

“It's just,” you purse your lips as you choose your words carefully, making sure he doesnt find out you're talking about him. “Just some guy, has me distracted.”

“A guy?” he says, narrowing his eyes at you. There was something off about the way you spoke, like you were intentionally being vague. But his curiosity quickly shifted into jealousy as you mentioned you were distracted by another guy.

His arms tensed across his chest as he leaned a little closer towards you. “Who is this guy? Is he bothering you?” he asked, a hint of annoyance in his voice. He didn’t like the idea of someone else capturing your attention, let alone making you distracted.

“Don’t worry your pretty head over it.” you tease him, your mood becoming a bit more lighthearted.

He rolled his eyes at your teasing, a small hint of a smile appearing on his face. But he was still determined to figure out who this other guy was, who was taking your attention away from him.

He pushed off the counter, moving to stand in front of you so that you were now face to face. “Come on, spill it. Who is this guy?” he said, a hint of insistence in his voice.

“I don’t want to make you jealous.” There was a hint of a smirk on his face as you mentioned making him jealous. He knew you were teasing him, but his competitive nature couldn’t resist the challenge.

“Oh, you think I’d get jealous?” he said, a hint of mock arrogance in his tone. “I don’t get jealous, sweetheart.” you think for a second, realizing that maybe getting advice from the man who's bothering you so much, might actually be your best option.

“Fine,” you pull yourself up on the counter, sitting on the edge in front of him. “He’s an ass sometimes, all he cares about is getting laid so I know I need to stay away. But.. I just can’t stop thinking about him.” you sigh.

Hangman looks a bit surprised by your admission, he wasn’t expecting you to be so blunt about the situation. He wants to tell you to forget about the guy and focus your attention on him instead, but he knows he doesn’t have any claim over you.

He leans against the counter next to you, his arms resting across his chest once again. “Sounds like a player, why bother with him?” he asks, trying to sound indifferent.

“I don't know, it’s just that he's always on my mind.” you lean back on your palms, “I guess that's why I’m so distracted today.” He can see the hint of frustration and confusion in your expression, it was clearly bothering you that this guy was constantly invading your thoughts.

He’s silent for a moment, his mind racing with different thoughts and feelings. But eventually he speaks, his voice low and firm. “You can do so much better than some player,” he says with a slight scoff, “You don’t need a guy like him in your life.”

Your eyes wander across his face as you sigh, “I know..” your voice trails off. He looks down at you, noticing the way your eyes are wandering across his face. He can see the hint of disappointment in your expression, as you admit that you know you can do better.

He steps a bit closer to you, his eyes never leaving your face. “So why bother with him then? Why waste your time and energy thinking about a guy who doesn’t deserve you?"

“I should get back to work.” you smile softly at him, hiding the frustration at his admission. He didn’t want you to go, he wasn’t ready to let the conversation end just yet. The way you smiled softly at him, a hint of frustration in your eyes, made him want to keep talking to you and find out more.

But he knew you had a job to do, and he didn’t want to come off as needy or overbearing. He nods in response to your statement, forcing a small smile back.

“Y/N,” Penny smiles warmly at you, “How about you call it a day?” she presses her hand to your back.

“Are you sure?” you question her, she simply nods at you. You find your way over to the pool table watching the pilots play.

The pilots are in the middle of a game of pool, laughing and teasing each other as they take turns shooting. Hangman in particular is clearly enjoying himself, relishing in the competitive atmosphere. He knows he's good at pool, and he's not afraid to show it.

He’s the first to notice your approach, and his demeanor changes slightly. He glances at you, a hint of a cocky smile on his face. “Finished working already?” he teases, his eyes watching you intently.

“Yeah, but my ride won't be here for a couple more hours.” you bite down on your bottom lip, gazing at him.

He steps even closer to you, his gaze unwavering. “If you don't want to keep waiting, I can drive you home.” his voice lowered as he stares down at you.

“Actually that sounds like a great idea,” you smile up at him, thankful you won’t have to stay any later.

He can't help but feel satisfied that you agreed so easily to his offer, pleased that he'll have more time alone with you. He grins back at you, his arms still crossed in front of his chest.

"Alright then, let's get going." he says, jerking his head towards the exit. He places a hand on your lower back, guiding you towards the doors. You wave goodbye to Penny and Mav who are deep in a conversation.

“Do you maybe have time to watch a movie with me?” you fiddle with your fingers, “I mean, it's been a while since we've hung out just the two of us.”

He listens to your question, his mind racing with different thoughts, but he quickly shoves them down. He would do anything to spend more time with you. He pretends to act a bit indifferent, but his voice betrays him as he replies.

"Sure, we can watch a movie." he shrugs, trying not to seem too eager. "Got one in mind?" you reach for the handle of his passenger side door.

“Hm, we could watch anything. I just want to be with you,” you admit carelessly while getting into the car.

He can’t help but feel a flutter in his chest at your admission, his heart races a little bit faster as he watches you get into the car. He quickly gets into the driver’s seat, trying to act like your words don’t affect him.

“Anything, huh?” he teases, glancing over at you quickly as he starts the car. “Even a cheesy romance movie?” he smirks, knowing how much you love them.

You gasp in response, “Obviously, you *know* they're my favorite.” his mind goes back to the discussion you had earlier as you smile at him.

He lets out a soft chuckle at your response, “Of course I do, I can’t forget your obsession with them.” he teases, his eyes staying focused on the road as he drives. But his mind starts to wander again, thinking about your earlier confession.

As his mood shifts slightly, he glances over at you with a hint of a frown on his face. “So, uh, this guy you were talking about,” he says, breaking the silence in the car. “How… how serious are you about him?”

“Hm?” your eyebrows furrow softly. His grip on the steering wheel tightens ever so slightly at your reaction, his eyes staring straight ahead as he continues to drive.

He can’t help the pang of jealousy that runs through him, he glances over at you, his face trying to maintain a nonchalant expression. “I just mean, you said you didn’t want to get in trouble with a guy.” he says, his tone guarded.

“I don’t know.” you sigh looking out the window.

His heart does a backflip at your words, he tries to maintain a neutral expression, but he can’t help the small smirk that appears on his face. “So, you’re single, huh?” he teases, a hint of hope in his voice.

“Mhm, why do you ask?” you question him. He continues to drive, keeping his eyes focused on the road as he answers your question.

“Just wondering,” he replies casually, trying to feign indifference. But he can’t help the nervous energy that’s building inside of him. He glances over at you, his gaze raking over your face thoughtfully. “You know, I’ve been single for a while too,” he adds, an underlying hint in his voice.

“You’re always single,” you retort, “you prefer hook-ups over relationships, right?” you tease him.

He lets out an annoyed huff, not expecting you to tease him like that. His face flushes slightly as he remembers all the past hookups he’s bragged about to you, in an attempt to make you jealous. “Hey,” he says with false annoyance in his voice, “I can be in a relationship if I wanted to.”

“And would you want to?” you question as he pulls into the parking lot of your building.

He parks the car, his heart racing slightly at your question. He turns to look at you, hesitating for a moment. The thought of being in a relationship, with you, was something he’d fantasized about for a while. But he’s also a coward, terrified of being vulnerable and getting hurt.

He takes a deep breath, trying to maintain a casual composure. “Maybe, if it was the right person.” he finally responds, his eyes searching your face for a reaction. You nod in response, slightly disappointed with his answer.

“Who’s your right person?” your voice is quiet. He’s taken aback by your question, the subtle disappointment in your voice stabbing at his heart. He glances down, his mind racing with different thoughts and emotions.

He takes a deep breath, his eyes shifting back up to meet yours. His heart pounds even faster as he musters up the courage to answer you. “Well.. I think you already know.” your eyes widen at his implication, feeling his hand moving to cup your cheek.

He can see the surprise in your eyes as he cups your cheek gently, his thumb stroking your skin softly. His heart is racing as he looks down at you, his eyes searching your expression for a reaction.

He takes a deep breath, gathering the courage to speak. “Do you… do you feel the same way?” he asks, his voice soft and nervous.

“Jake.. I.” your heart races as your words get stuck in your throat. His chest clenches as you struggle to speak, his stomach in knots as he waits for your response. His hand is still gently caressing your cheek, his eyes never leaving your face.

He swallows hard, trying to maintain his composure. “Please, just tell me. I need to know.” he says, his voice quiet but firm. Finding yourself speechless, you respond by pressing your lips to his.

He’s taken by surprise by your action, his eyes widening for a split second before he responds to your kiss. A wave of relief and happiness washes over him as he feels your lips against his, his heart racing with excitement and disbelief as he realizes the asshole you were talking about earlier just so happens to be him.

He moans softly against your mouth, his hand moving to the back of your head, his fingers burying into your hair as he kisses you back, passionately and hungrily. You lean closer to him, your hands cupping his cheeks as he slips his tongue into your mouth.

He deepens the kiss, his tongue twirling with yours. He can’t believe this is actually happening, that you feel the same way he does.

He pulls you closer, his hands gripping your hips and guiding you onto his lap. He moans against your lips, his hands roaming down your sides, his touch both gentle and desperate at the same time.

“Jake,” you whisper against his lips, feeling his bulge pressed against your heat. He shudders hearing his name leaving your lips, his eyes darkening with desire for you. He can’t help but moan softly as he feels your body pressed against his, his hips instinctively bucking up slightly in response.

He pulls you even closer, his hands gripping your thighs, his lips trailing down your neck. “Sweetheart,” he breathes, “I want you so damn bad.” you moan quietly, leaning into his touch.

“We need to go inside,” your voice and gaze are filled with desire. His heart races at your moan, his body aching with need for you. He nods in agreement, his eyes filled with the same desire.

“You’re right, we should go.” he mutters, his hands roaming over your hips, unable to keep himself from touching you.

He lifts you off his lap, opening the car door and practically dragging you out with him. He shuts the door behind you before pulling you towards the building’s entrance, his eyes filled with impatience and lust.

He presses you against the wall of the elevator, his hands roaming over your body, exploring every inch of exposed skin. His lips trail down your neck, leaving a trail of heated kisses in their wake.

“You have no idea how long I’ve wanted to do this.” he mutters against your skin, his voice thick with desire. He kisses and nips at your neck, unable to get enough of you, your soft moans fill the cramped space.

He can’t help but smirk to himself as he hears your moans, his heart racing as he realizes he’s the one making you feel this way. He feels a surge of pride and satisfaction knowing he’s the one who has your heart racing and your body yearning.

“Jake, fuck, you’re driving me crazy.” The ding of the elevator pulls you both out of your trance as the doors open, revealing the empty hallway. He grabs your hand, practically dragging you towards your apartment.

You fumble with the doorknob as you unlock it, feeling his desperate hands around your waist.

He can't keep his hands off you, his fingers tracing the exposed skin of your waist as you fiddle with the keys. Impatience floods him, his desire growing with every second.

He presses himself against you from behind, his lips finding your neck once again. "Hurry up," he mutters against your skin, his breath hot against your ear. "I need you, right now."

You pull the door open, smirking at his impatience. He traps you between his arms, your back pressed against the closed door, his body pressed firmly against yours. He gazes down at you, his eyes filled with a mix of desire and possessiveness.

“You have no idea what you do to me,” he mutters, his voice hoarse and low. He leans down and captures your lips in a fierce and passionate kiss, his body desperate to get closer to you.

You press against him, your palms against his lower abs, as you lead him to your bedroom blindly. He follows your lead through the apartment, his lips never leaving yours. His body is on fire, the feeling of your hands on his abs driving him wild.

He pushes you against the doorframe of your bedroom, his body pinning you to it as he continues to kiss you deeply and hungrily. He can't get enough of your mouth, his tongue tasting every inch of it. He slips his knee between your thighs, pressing into your sensitive pussy. You moan into his mouth, your eyebrows scrunching in pleasure.

His knee presses against your sensitive core, his tongue exploring your mouth greedily. He can hear your moans, your breath hitching as he presses into you. He feels a surge of satisfaction as he knows he’s the one who makes you feel this way.

He nips at your bottom lip, his hands roaming down your sides, his fingers digging into the soft flesh of your hips. “You like that, sweetheart?” he mutters, his voice low and hoarse. “You want more?”

“Please,” you grasp onto his sides, moaning desperately, “I need more please.”

He can hear the desperation in your voice, your fingers gripping his sides. His heart aches at your plea, his body responding instantly to your need.

He moans against your mouth in response, his hands roaming down to your thighs. In one swift motion, he lifts you up with ease, your legs wrapping around his waist as he carries you into your bedroom.

He gently but firmly presses you against the plush comforter of your bed, his eyes devouring every inch of your body. The room is bathed in the soft glow of the bedside lamp, casting shadows across your flushed cheeks and the passionate hunger in his gaze. You can feel the heat emanating from his body, and it sends shivers down your spine.

With a low growl, he starts to peel away the layers of fabric that separate his skin from yours. His rough hands glide over your smooth flesh, sending waves of pleasure through your body. Each piece of clothing that falls away reveals more of your beauty to him, and he can't help but moan in appreciation. His eyes are locked onto yours, watching the way your pupils dilate with every touch, every kiss.

He nips at your earlobe before tracing the line of your jaw with his teeth, making you squirm under him. His hands are everywhere, exploring the curves of your body, learning every dip and peak that makes you gasp. His kisses become more fervent, his teeth grazing your neck as he sucks soft hickeys into your skin. You can feel the pressure build, the promise of bruises that will be a secret between the two of you.

Your breath comes in pants as he kisses down your chest, his tongue swirling around your hardened nipples. You arch your back, pushing your breasts closer to his eager mouth, your hands tangling into his hair. He groans, the vibration of his pleasure echoing through your body, making your core clench with need. His teeth graze the sensitive skin, and you can't help but bite down on your lip to stifle the moan that threatens to escape.

His mouth continues to travel downward, leaving a trail of hot kisses down your stomach. His eyes never leave yours, the hunger in them growing with every inch closer he gets to your wet pussy. You can feel your heart pounding against your ribs, the anticipation of his touch making your skin tingle with excitement.

With surprising gentleness, he spreads your legs apart, his gaze lingering on the wetness that's already gathered there. He groans, his own arousal evident in the tightness of his pants. He leans in, his breath hot against your sensitive skin, and you can't help but moan out his name as he kisses the inside of your thigh.

The first suck is gentle, but firm, and you feel your pussy clench in response. He starts to suck dark hickeys along the sensitive skin, each one a little harder and closer to your center. Your hands tighten in his hair as he works his way closer to your core, the pleasure building with every mark he leaves.

“More, Jake, please!” you beg him, your voice desperate and needy. He chuckles against your skin, his tongue flicking against your clit, sending sparks of pleasure through your body. Your back arches as he takes your clit into his mouth, sucking hard. You moan loudly, the sound bouncing off the walls of your small apartment.

He inserts one finger inside you, feeling the slickness of your arousal. You gasp as he starts to pump in and out, his thumb rubbing circles around your clit, teasing and taunting it. His eyes watch yours as he reads every reaction, making sure to hit all the right spots.

You're close, so close, but he knows you can take more. He adds another finger, stretching you just right, the friction making your toes curl. Your eyes roll back into your head as he starts to pump faster, his mouth never leaving your clit. He feels you tighten around his fingers, the warmth of your orgasm approaching.

He keeps his rhythm steady, not letting up even when your moans turn into whimpers of pleasure. You're so close, your body begging for release. His eyes never leave you, the intensity of the moment causing your chest to heave with every ragged breath. And then it hits you, the orgasm crashing over you like a wave.

You scream his name, your body convulsing with pleasure. He keeps his mouth on you, drinking in your release, savoring the taste of your arousal. As the waves subside, he kisses up your body, his hands still holding you in place.

"You taste so good," he murmurs against your skin, his voice filled with satisfaction. He can feel your legs shaking as his own need for you grows with every second. He strips off his own clothes, his eyes never leaving yours, and then he's on top of you, his body pressing you into the mattress.

He positions himself at your entrance, his cock aching to be inside you. He looks into your eyes, searching for permission, and you nod eagerly. He takes a deep breath, then gently pushes in, feeling your warmth envelop him. You gasp as he stretches you, his eyes never leaving yours, watching for any signs of pain or discomfort.

As he’s fully sheathed in your wetness, he holds still for a moment, savoring the feeling of being connected to you so intimately. He starts to move, his hips rolling in a slow, torturous rhythm. Each time he thrusts into you, your eyes widen and a moan escapes your lips. He loves the way you react to him, the way your body moves with his.

He keeps his movements gentle, not wanting to overwhelm you, despite his own desperate need to claim you completely. His hands are everywhere, stroking your skin, feeling your curves, as he kisses along your jawline. You wrap your arms around his neck, pulling him closer, your legs tightening around his waist.

Your thighs squeeze around him, your heels digging into his back as he continues to thrust into you, deeper and deeper. His movements become more urgent as he feels your body tightening around him, the walls of your pussy clenching down on his cock. You moan his name, urging him to go faster, harder, and he responds eagerly, his hips moving in a punishing rhythm.

You can feel yourself on the edge of another orgasm, your breaths coming in short gasps. Hangman’s eyes are locked on yours, watching the pleasure build in your gaze, feeling the power he has over your body. He can’t believe how beautiful you look, your face contorted in ecstasy, your eyes glazed over with lust.

Your body begins to spasm around him, your pussy clenching down hard. He groans, his hips stuttering as he feels you start to cum. The sensation is overwhelming, your muscles tightening around his cock like a vice, sending waves of pleasure through his body.

With a sudden jolt, he pulls out of you, unable to hold back any longer, his cock spurting cum onto your stomach with a loud groan. His eyes never leave your body, watching as your orgasm takes over, your pussy pulsing and gripping at nothing.

He's left breathless, his chest heaving as he looks down at you, his expression one of awe and satisfaction. He leans down, placing a gentle kiss on your forehead, before his eyes drift down to the mess he's made of you.

He watches as your eyes flutter shut, your body trembling with the pleasure he’s given you. He can’t help but feel a sense of pride and satisfaction at the sight of your beautiful, sated body.

“Sweetheart,” he murmurs, his voice rough with desire and exhaustion. His eyes rake over your form, taking in every curve and plane, every mark he’s left behind.

“You’re so goddamn beautiful,” he mutters, his fingers tracing the lines of his bites and hickeys on your skin.

“Now let's get you cleaned up, hm?” He lifts you up, wrapping his strong arms around you, and carries you to the bathroom. He turns on the shower, letting the water run until it warms up, before placing you gently under the spray.

He steps in after you, his body pressing against yours as he begins to lather your body with soap, his hands moving over your skin gently but possessively. You exhale contentedly as you press into his chest, relaxing in his embrace.

He holds you close, his arms encircling you, as the water cascades over your bodies. His hands run over your body, washing away the sweat and evidence of your passionate encounter. Jake nuzzles his face in your hair, inhaling your scent, a sense of peace washing over him. He murmurs sweet nothings in your ear, his voice low and soothing.

“You’re not just fucking around with me are you?” your voice is uneasy as your stomach twists with anxiety. He freezes, taken aback by your vulnerable question. He can hear the anxiety in your voice, and it pierces his heart.

He pulls away slightly, turning your body to face his, cupping your face gently in his hands, forcing you to meet his gaze. His eyes are intense but filled with understanding.

“No. No, sweetheart, I’m not just ‘fucking around with you’.” His voice is firm but tender. “What we did tonight, it meant something to me. I wouldn’t have done it otherwise. You mean way too much to me.” your eyes soften as his gaze into yours with sincerity.

“Good, because I’ve never wanted anything more in my life.” you bite down on your lip. He feels a rush of tenderness and protectiveness wash over him as he hears your sincere words. He pulls you closer, your wet bodies pressed against each other, his arms encircling you in a firm embrace.

“You have no idea how much that means to me,” he mutters against your hair, his voice filled with a mixture of vulnerability and possessiveness. “You’re all I want too, sweetheart. You have no idea how much I need you.”

[comicaurora]

Do you have any advice for trying to avoid ripping off other people's works in original stories? I've been stuck in a weird writers block where anything I do to try and string plots together end up just being plots of other stuff I've read. Is that a problem you've come across before?

Honestly? This might be a hot take, but just get it out of your system. Write the story that's just your three favorite plots in a trenchcoat. Any writing will make you better at writing. To me, this is the storytelling equivalent of doing frame redraws or art style challenges. Art done for practice doesn't need to be free of all influence, and in fact pursuing that total originality is detrimental to the learning process because it forces you to continuously reinvent the wheel.

In my experience, through the process of just writing what you want to write how you want to write it, you'll find both that it's easier to find originality in the execution than you expected, and that originality has very little correlation with what makes a story good. When you go to write the plot you recognize as the plot of something else, you'll probably find yourself making changes. A different character moment to highlight an overlooked concept that spoke to you, a slightly more cruel twist of fate for a character to wrangle. Little original concepts will find their way in, because having ideas is the driving motivator behind creating art. It's always there, even if it's being sneaky or uncooperative.

Most of the time, inspiration is less "this story is good I think I'll replicate it in every detail" and more "I love parts A, B and C of this story, which tells me valuable information about the kinds of story elements I find compelling, which helps me guide my own writing towards things that involve the parts I like most about A, B and C." You'll always be able to recognize your own influences, but from the audience's external perspective, the you-ness that defines your art is much more obvious than it'll ever be to you.

[simpee9000]

Not Just Friends - 8 -

M.List : Prologue : Part 1 : Part 2 : Part 3 : Part 4 : Part 5 : Part 6 : Part 7 : Words 2.6k

Childhood best friends turned into something more, at least with the label. Katsuki Bakugo, a fast-rising hero and fast-learning guy who is ever so slow in getting attached to and loving someone. Even three long years into a relationship, and your friends even forget you're even dating. Nothing happening, spare a few kisses.. like 3 kisses, during high school. Graduated and living together, and you guys have done absolutely nothing to further the relationship. Are you sure you're not just friends? Also not edited!! CW: Smut, brief domestic violence discussion, virginity loss, aggressive flirting from creeps, gore with pro hero stuff (lmk if i missed any) Applies to all chapters regardless of it is in said chapter.

"It's been two weeks," you pointed out, telling yourself and him.

"That doesn't mean you have to be okay already," Katsuki huffed at you, crossing his arms as he leaned against the makeup table in front of you.

You were going on for the interview that you promised that night. Truth quirk and all. They were prepping you right now for it, covering the dark circles under your eyes as they made sure to add highlights.

"I go back to work tomorrow, I want everything to be dealt with before hand," you dismissed. You wanted your plate clean so you could throw yourself fully back into work, you were itching to use the equipment. "Besides, Aizawa is here. He'll make sure to turn off the truth quirk if needed."

He grumbled, watching you intently as you got up, makeup finished and TV ready. "I don't like this." He didn't want you to go back to step one, even if you claimed to be fine.

"I know," you patted his arm, he's been trying to convince you not to. But his PR manager advise you to do it, knowing if you switched up that the public would think the worst.

An assistant knocked on the door, peeking through when you told them it was okay. "You're on in five," and with that, they left.

You swallowed nervously. "It's not to late," Katsuki offered.

"I said I'd do it, so I will," you looked yourself over in the mirror one last time, brushing your clothes smooth before you walked to the door. Katsuki following behind as you waited behind the curtain, ready for your cue. You made eye contact with Aizawa who was on the other side, next to the interviewer with a truth quirk. You gave a small wave and gained a nod back.

"Remember that you can dodge the question, it's not considered lying," Katsuki informed you for the millionth time, going down his prep list, "I studied them, they make you say the truth but not blurt it, so you have time to form your words."

"And now we have Dynamight's girlfriend," the talk show host called your name, greeting you on stage. "She'll be giving us all the details of her juicy relationship with our number two hero! All under a truth quirk." You walked onto the stage, giving Katsuki a nervous smile before turning to wave at the crowd.

It wasn't your first interview but it was the first major one. A huge live audience that filled the room. You shook hands with Gossip, the hostess nickname for the public. Shaking hands with the truth quirk interviewer as well before sitting down. Aizawa stayed off stage, ready to cancel things if needed.

"Nell, here," Gossip called attention to the truth quirk, "Known as 'Spills' will activate her quirk and ask questions about her secret relationship with Dynamight." Nell waved at her introduction, smiling brightly. "We've opened questions to the audience as well, so let's get started," Gossip grabbed a stack of cards from her desk, nodding to Nell to start.

You crossed your legs, hands clasped in your lap as you waited for the effect.

Gossip handed Nell the cards to read out. "You were the one on the phone with Dynamight two weeks ago, correct?"

"Yes, called me while I was making dinner," you laughed trying to add anything you could to the questions because you wanted good press.

"How long have you been dating?"

"Three years," you answered easily, feeling the small buzz of the truth quirk in your mind, "Since second year of high school, even though I liked him way before that." Well, you haven't meant to say that, the truth quirk making the small bit of information slip out.

Gossip grinned at what you were saying. "And you've never liked Deku? No romantic feelings there?"

"He's like my younger brother, absolutely no feelings there," you confirmed.

"You don't even find him attractive?"

"I do, just not like that. I only have eyes for Katsuki really," you didn't even know why you were anxious at this point. Part of you was worried it'd make you slip up, say something in the wrong way and make it seem like you wanted him.

"How cute!" Gossip gushed to the crowd. "Well now that we have that settled, lets get to the nitty gritty." You paled at that.

Opening your mouth the protest before Nell interrupted you, "What about Dynamight annoys you the most?"

You rolled your eyes, "He leaves his socks everywhere. Literally only his socks, everything else he is a neat freak about."

"Anything else?" they pushed for something more.

"He literally argues with himself while getting ready, calling his teeth stupid for getting dirty," you ranted, glad you had no real issue with him.

Nell and Gossip shared a look, unsure of where to go. "What do you love most about him?" the decided to switch from negatives to positives, trying to feed his fan base.

"Oh," you paused, mind swirling with too many truths, "He remembers all the small things," you settled on, talking fondly, "He bought an extra chair for his office because he knew I hated the ones he had. He might not talk a lot but he does so much."

The crowd swooned at how fondly you talked of him.

"Why are you with him?"

"Cause I love him?" you questioned back confused, paleing when you realized you haven't directly said it yet. You've been together for three years and knew you loved each other, it was just hardly, if ever, spoken.

"How about we open questions to the fans?" Gossip turned from you and pointed at someone who raised their hand.

"What's Dynamight's biggest weakness?" the crowd called out, Nell immediately asking you the question.

You froze, Aizawa was being distracted and couldn't save you. You faintly heard Katsuki's loud foot steps coming up, trying to save you.

"He loves his back being popped," you answered, truthfully, the interviews losing the spark in their eye as you didn't give good enough gossip. "Seriously, he loves it. Practically melts afterwards."

Katsuki stood next to you, grabbing your hand and pulling you to stand. "This shit is done."

"Dynamight," Nell called out as Katsuki dragged you away. The truth quirk likely making him stop. "Do you seriously love her?" She spit those words out in a manner that reminded you of the break in.

"Yeah, so fuck off," he barked over his shoulder, pulling you off stage.

---

In just the drive home, your phone was blowing up entirely. You were trending on Twitter, Tiktok, and any social media already. All they needed was an hour. You scrolled through TikTok as you curled in on the couch, swiping from one video of you to another video of you. People were gushing over your relationship, loving how he protected you and how you talked about him.

It turned the fan girls more on your side, having gotten a glimpse of your life with him. They concluded that you were one of them. You even saw videos of how you cheered him on during the first-year sports festival. They took any social media post with the two of you and over-analyzed it. Talking about how you looked at each other.

"Still looking at that shit?" Katsuki called from the kitchen. Currently packing up the leftovers of dinner.

"It's cute," you defended, "They found a photo of us during graduation," you lifted your phone over the couch for him to look, hearing him shuffle over to look.

It was a photo of you two hugging after the ceremony, probably seconds after he asked you to move in with you. "This is horrible for my image," he complained as he saw the caption, "Makes me look fuckin' soft."

You rolled your eyes, looking up at him from where he leaned over the couch, "You are soft."

He scoffed, "Sure."

Humming, you got up from the couch, moving to head to your room, wanting to grab a book from a box. You hardly unpacked, your room still empty as you've been spending the past few nights in Katsuki's room.

"Hey Kats," you called from your doorway, seeing more boxes in your room than before. Probably and entire third of boxes that you didn't put there, you were at work all day, busy with meetings while Katsuki got home early.

"What?" he asked when he met you in your doorway, looking over your room.

You stepped in, glancing into an open box and seeing Katsuki's stuff filling it. "What's all this?"

"Figured with you sleepin' in my room all the time we might as well share," he crossed his arms as he shrugged, leaning into the doorframe.

"Really?" you looked up at him, taking your eyes of the open box, lighting up inside as you looked at him.

"Why not?"

You've been waiting for this since he first asked you to move, but you knew that if you freaked out he would back out. You bit back a huge smile, joy seeping through your expression regardless. "Want to set things up then?" you offered, answering his unasked question of it was okay.

He didn't give an answer before he moved in the room fully, grabbing a box of his clothes and going into the walk in closet. You stepped out of your room, seeing how his old room was empty minus a bed. Smiling, you moved back into your room, grabbing another box of his clothes and placing it beside him before grabbing your own clothes and finally unpacking. You took two of the walls of the closet, him taking the last wall, having less clothes.

Cycling through each box until they were all unpacked, your room looking like a mixture of the two of you. His comforter but your sheets on the bed, pillows stacked the way you loved and his limited edition All Might alarm clock sitting on the nightstand. The dresser being spilt for the two of you with small touches of each of you adding to the room. Giving it personality.

It made you giddy, to see everything done up as a combined. You let a bright smile grace your features as you changed for bed, Katsuki showering in the connected bathroom while you slid under the covers. You grabbed a book from your nightstand and flipped to the bookmark.

Reading through the rest of the chapter before Katsuki came out of the bathroom, ruffling his hair under a towel as he walked in. Hanging the towel up and shaking his head like a wet dog to fluff it back up. He stayed shirtless, how he's been sleeping the past few nights, and only wore his boxers.

You eyed him over your book, watching his arms flex with any simple motion he made. Eyeing him as he walked to his side of the bed, slipping under the covers fully before wrapping his arms around your waist.

The motion was surprising, filling your stomach with butterflies as you accepted his hug. You were propped up on pillows, making it easier to read with the posture, his arm slipped easily under you, his other going under your book. He squeezed light, wearily of the wound that was still present on your left side.

"Your shower is so much better than the one in the hall," he grumbled, digging his face into your shoulder. His shampoo scenting the air as you leaned your head onto his.

"Our shower," you couldn't help but correct him.

"Do we want the old room to be your office? The other mine?" he questioned.

You closed your book, setting it on the nightstand as you held onto his arm. "Maybe one can be a guest room? Your mom called and said she wants to visit," you suggested.

"That hag been callin' you often?"

You slapped his arm for how he addressed his mom, "She's worried."

"Hm," he dismissed, "I don't care."

"The interview wasn't that bad," you changed topics, "Just made me say softer versions of the truth."

He took his head off you, moving to sit up so he could look at you, "They asked you about my weakness? Do you know how bad that coulda been?"

"But it wasn't, I did what I said and nothing bad happened," you matched his glare.

He rolled his eyes, falling back onto you.

"I surprised how cuddly you are," you said, not to tease but point out.

"Fuck off," he scoffed, moving to flip away from you. You hooked your arms over his shoulders, trying to pull him back but just got flipped back over with him, letting out a squeal of surprised. Situated right on his lap, close to his face. His hands held your thighs as you straddled him unintentionally. "'m not cuddly," he pinched your thigh.

"Sure," you teased now, "That's why you've been all over me."

"I can finally touch you, think I'm not going to take advantage of it?"

You pulled back, sitting up right on his lap as you looked down at him. Brows furrowed, "Is your watch always on?"

He shrugged, "Not always, but most of the time, 'round you."

Your stomach dropped, you moved to grab his hand and saw that it was on. Turning his quirk off. "You can't use it that often," you told him, worried.

"I turn it off before I sleep," he brushed off, moving his hand away from yours.

"When was the last time it was off around me?"

"When I was asleep last night," he answered easily.

"Katsuki," you frowned, "That's not good for you, you need to turn it off." You reached for his hand again.

He snatched it out of your hand, "The fuck's your problem?"

"I don't want every time you touch me you need that stupid watch on," you complained. It made you feel disconnected from him, like he had to hide his true self.

"It's not on all the fuckin' time," he argued.

"Then you should have no problem turning it off right now," you challenged. His face was all scrunched in distaste as he looked at you.

"I don't have shit to prove."

"You're using it as a crutch," you dug, "I shoulda never built it for you."

"So you would of prefered staying how it was? Don't want me to touch you?" he argued, getting frustrated that you were upset. Defaulting into anger.

"I'd prefer you," you clarified, "The actual you that doesn't need to suppress his fucking quirk."

"I don't need anything," he hissed, "I was doing it to make you fuckin' happy but now you're all bitchy about nothing."

You widdened your eyes, pushing yourself off his lap finally and moving to your side of the bed. "You'll kill yourself," you commented, "Not having access to your quirk is deadly."

"No I won't," he huffed, not moving from where he laided.

"You're right, cause you can turn it off," you decided, "I'm not going to touch you until I know it's off."

He sat up right, "Really?" he looked down at you.

"Yep," you popped the 'p', "I only made the watch for work training, not sex training like how you're using it."

"That's ridiculous," he tried to reason.

"Well, I'm going to be 'bitchy' about something that'll kill you," you crossed your arms, standing your ground.

He shifted, "So we're going back to square one? That what you fuckin' want?"

"Sure," your chest felt tight, hating how frustrated he was. But your side made sense. "I want you alive."

"I'm not going to die."

"Yep, cause I'm not encouraging you to turn it off anymore."

"Can't kiss you or anything then," he tried to threaten, failing to change your mind.

"Okay," you shrugged. Internally mourning the loss of it already.

"Seriously?" he was in disbelief.

"Goodnight Katsuki," you turned onto your side, making him unable to look at you anymore.

When he huffed and turned away you were worried he'd leave. Go back on sharing a room. Truly test how far you were willing to go.

But all he did was adjust onto his side of the bed, angrily turning his lamp off, darkness coating the room.

At least you had that, but who knows how long you would. You clutched at your chest as you sunk in on yourself. It would suck to go back to how it was two months ago. Not being able to kiss him, or hug him freely.

You've gotten so far and had to throw it away. But it was necessary. The nitroglycerin made his heart run slowly, he needed to have his quirk flowing or you didn't know what would happen. You weren't trying to risk it so you could feel him up.

---

-Next Part-

In them m.list of this fic comment if you want to be added into a tag list <3

I'll no longer add people to the taglist if they haven't commented there. It's too much to keep up with all the new part. Hope you understand <3

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@supersecretsamm @maeveorsomethinggg @schniti-is-in-the-house @dumbbitchenergy17 @whydoyoucare866

[lc-holy]

Conférence Masterclass 808 (Translation)

I've taken the liberty of translating the conference that took place last year with the writing director of Miraculous (Sébastien Thibaudeau). It was only made public when someone posted a video of the conference a short while ago.

In this conference, Sébastien Thibaudeau will talk about the creation of Miraculous and his work on the series. He is joined by Chloé Paye, a new scriptwriter working on Miraculous season 6.

Sébastien talks a lot and repeats himself a bit, so the summary can be a bit confusing.

I strongly advise you to go and listen to the video if you understand French. There are a lot of details I'm going to leave out, and Sébastien is very funny.

Photo belongs to mlbfanfr on twitter.

Please be respectful in comments or tags. If you want to debate on things related to this conference, please make your own post. I apologize if there are any mistakes, I'm French and I'm not fluent in English.

-12 years ago, Sébastien arrived at Zagtoon, a studio that was just starting out and had yet to produce and broadcast any series. The producer (Jérémy Zag) and Sébastien hit it off and decided to start working together. Zag decides to give Sébastien total freedom over his projects. Sébastien then decides to put the spotlight on scriptwriters, because in this profession they are unfortunately poorly paid and never stay on the same projects.

So they produced a cartoon called Kobushi. A little-known series that did rather well, even if it didn't stay on the "Gulli" channel for long. The scriptwriters and producer were happy with the end result, as it was produced in a very short time.

Jeremy Zag then proposed another project, which he thought was quite good, but which he was unable to sell to broadcasters. At the time, the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience than a children's audience. Sébastien had to make sure that the project could be broadcast on Disney and TF1.

There was only a "trailer" also called "Ladybug" (but you'll find the video under the title Ladybug PV) animated by Toei animation. At the time, Sébastien had not yet been hired by Zagtoon. It was Jérémy Zag who convinced Toei animation to work with them (no mean feat, since Toei animation doesn't work with anyone).

So Sébastien started working with Thomas Astruc (the man who wrote and created the "Ladybug" project). At first, he didn't want to work on this project because he found it complicated. Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted.

-What Sébastien appreciated most in this project was the romantic comedy, the love square between the two main characters.

To meet the requirements of the cartoon industry, "Ladybug" had to be set in a neutral universe, in other words, in an imaginary country or the USA, but Zag, who loves Paris, declared that the cartoon had to be set in Paris.

In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

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-Sébastien explains how he writes Marinette's first dialogues: He says he talks a lot in real life, so he writes Marinette like him. She says out loud whatever she's thinking.

For Chat noir, he makes him tell his father's jokes. Something TF1 doesn't accept. The TV channel went so far as to refuse to validate the Bible (a collection of information on the series and episodes) until it had removed the sentence: “Chat noir makes jokes”. Sebastien has therefore removed the sentence, but will continue to make Chat noir tell jokes.

-The writing director's job is to get the producer, creator and broadcaster to agree. The series broadcast on TF1 and Disney are very different. TF1 wants series whose story can be told in a single episode, unlike Disney, which wants series whose story spans several episodes.

Sébastien and TF1 agree that Miraculous will be a series with one story per episode, a "Formula Show".

He cites the example of Dora the Explorer episodes, where every episode is the same: Dora goes on an adventure from point A to point B, she has to find 3 clues, then she meets Swiper, she sings a song to make Swiper go away, she uses the talking map to get from one place to another, then Dora manages to get to point B and the episode ends.

This episode format is used for children, to give them a reassuring framework, as they build themselves up through repetition. That's why series like Dora work so well with young children.

So Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End.

It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so.

But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything. Thanks to the positive reception from the public, TF1 agreed to develop the characters of Marinette and Adrien and flesh out the universe a little more.

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-Once the bible is written, they have to write a script. But first Sébastien, as writing director, needs to know the mood of the series, and to do this he calls on Thomas Astruc, the series creator. Thomas is a great fan of classical painting. A single painting can tell a complex scene with lots of detail. He wants the episodes of miraculous to be like these paintings, there will be very few shots, but in a single shot a lot will happen.

-Sébastien explains that one of the things Thomas wanted to convey in the series was emotion. They didn't want to do what a lot of children's cartoons do, which is to beat the bad guys and win at the end of the episode. They wanted to tell kids that it's normal to have negative emotions. We can also become better people, learn from our mistakes and so on. It also reassures TV channels by setting up scenes that are repeated in every episode: people get angry, people akumatize then people deakumatize, end of episode...

Once the TV channels had been reassured, they set about writing a script.

-Sébastien asks Thomas to write the ending, as they're not sure the series will work. They also wondered what the aim of the series was, and what they wanted to say to the children. The two of them sat down in an office and wrote the ending, which turned out to be just the end of an arc. He even adds that now that they've written a lot more, it's important for them to write in advance so that everything is clear to them.

-The first season was written by 19 authors, from home. He found it interesting that the series was written by several different authors, even if some of them didn't quite understand the premise of the series. One episode that Sébastien particularly appreciated was written by two “autrices” (I think it's weird to say “two female authors”, so I'll use the French word): the refletkta episode, with the story of Juleka who couldn't get into the photos. (Note that all the episodes were proofread by Sébastien and Thomas).

After that, they kept a few people on to work together on the scripts for subsequent seasons.

Sébastien explains that he keeps a close eye on the production of the episodes, to make sure that everything that goes into the picture is as faithful as possible to what they've written in the script.

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-The kwamis exist thanks to Toei, who wanted funny little animals to sell plush toys. So the scriptwriters had to find a way to integrate kwamis into the story.

-(Again, Sébastien advises people to check out the Kobushi series if they can still watch it somewhere, or ask the leaker who leaked the whole of season 5 to give them the episodes (that's a joke, of course)).

-Sébastien talks about the Ikari gozen episode, which could have been a total failure because the storyboarder didn't fully understand the scenario. Sébastien asks Zag to redo the storyboard, which will add 10 weeks to the episode's deadline. The storyboarder admits that he's always done storyboards mechanically, without worrying whether the episode is good or not, whether the jokes are funny or not. Eventually, the episode was redone by the same storyboarder, resulting in the episode we all know today.

- They still have a lot to tell with Miraculous, to the point where they're wondering if they'll have enough seasons to tell everything they want to tell. Sebastien says there will be a season 6 and 7, and probably a season 8 and 9.

------------------------------------------------------------------------------

- Chloé Paye met Sébastien when she was looking for an internship. She had never worked in animation, and knew nothing about Miraculous. She tells us how the scriptwriting team works. Each time, all the scriptwriters in the room have to be convinced of the script. They can sometimes spend hours on details to get everyone to agree.

------------------------------------------------------------------------------

- The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series. Sébastien knows that some people are worried about this. Will they continue the lovesquare for another 4 seasons or more? How will they evolve? Sébastien says not to worry, they know where they want to go.

-It takes them 14 to 16 months to produce an episode, but it's often much longer due to unforeseen circumstances. And they don't work on one episode at a time, but on several at the same time. One episode takes a long time because of the 3D animation.

One of the things that's complicated with Miraculous 3d animation is that they can only display 3 characters at a time on screen, whereas the series requires them to display many more characters. It's also very difficult to correct animation errors, as this takes a lot of time.

-The TV networks were very surprised by the success of miraculous. They didn't think adults and children alike would watch the series. The TV channels were a little confused because they usually make series for a specific age group, but since miraculous had people of all ages watching, they weren't sure what to do.

- Sébastien says he's very happy that miraculous inspires a lot of people to create things, like writing fanfiction, however he's not interested in it because he doesn't want to be influenced by certain fans who would love to see certain things in the series.

- Writing direction also means paying attention to how the characters speak. They all have their own way of speaking. For example, Adrien will never say "j’te parle", but rather "Je te parle".

- During the writing process, the writers sometimes act out scenes to make the dialogue more natural. This is what happened with the episode "Gang of secrets". They felt that, with the success of the show and the pressure it was generating, they needed to write something to relieve their stress. So they wrote about Marinette and the enormous pressure she was under to keep all her secrets. The final scene, in which Marinette tells Alya that she's Ladybug, came naturally when they performed it together.

[forthegothicheroine]

I don't know if you do requests for the Great Detectives, but I'd love to see how you think the Great Detectives would handle the murder of King Hamlet of Denmark.

This is a GREAT one! The big question is whether they all talk to the ghost of the dead king; I think I'm going to have to take that on a case-by-case basis, with whatever feels right for any specific detective.

So, in a series I do sometimes, how would various great detectives solve the murder of King Hamlet...

Sherlock Holmes: Well, obviously ghosts don't exist, so jot that down. But in Holmes's experience, living humans often pretend to be ghosts (or even make dogs pretend to be ghosts!) so who could this be? The young prince Hamlet, who everybody says has gone mad? Holmes deduces that he isn't mad at all, and is in fact conducting psychological warfare against his hated uncle; while Holmes disapproves, he concludes that the boy is completely right about Claudius due to his knowledge of the play The Murder of Gonzago, as seen when he's upset about changes in a production. The Murder of Gonzago is a play which premiered in a town in Denmark known for its manufacturing of poisons for pest control!

Hercule Poirot: Poirot is quite sad to hear that the monarch who invited him as a celebrity guest has died; why does this always have to happen when he goes on vacation? Polonius spies on the guy to see what he's up to, but Poirot is much better at snooping on people than he is, and nobody can keep anything hidden for very long. He gives a summation where he reveals Claudius killed his brother. Prince Hamlet immediately goes to attack his uncle and they struggle over a sword. King Claudius falls dead and Poirot bows out, because determining whether Hamlet should suffer consequences or just become king is not his department.

Sam and Peter: Hear me out- if we bump Hamlet down from ambiguously college-aged to ambiguously high school aged, we can replace Rosencrantz and Guildenstern. These two nerdy kids are shipped in to cheer their friend (more like acquaintance) Hamlet up, and to his surprise, they respond to his depressing monologues by taking notes and asking for further details on why the world is so corrupt. Hamlet isn't so happy about them doing an investigation into "What is up with Hamlet's super hot mom?" but when they suggest interviewing Claudius to see if he has the face of a liar, he enlists them to help out with putting on The Murder of Gonzago. The rest of the play mostly goes the same, but they find the letter Claudius planted on them and show it to Hamlet. One of the last lines of the play is when Fortinbras is looking at everyone lying dead, but then Osric points out "Sam and Peter are alive!"

Phryne Fisher: Phryne is a dubious (if genteel) woman Laertes has taken up with, whom Polonius is doing everything in his power to drive away. Phryne doesn't care, but it does bring her attention to the fact that the man is apparently constantly spying on everyone in the castle. On whose behalf is he doing this? King Claudius? Is he afraid someone may assassinate him because of his brother's suspicious death? What was the official story about that, anyway? She exchanges sexy insults with Prince Hamlet, refusing to be cowed, and ultimately agrees to play the queen in his production of The Murder of Gonzago (where she gets a little too into the love scene.) When she turns and looks directly in Claudius's eye in the audience during a crucial line, she can see the answer to everything. Claudius tries to convince Laertes to kill her, saying she corrupted Ophelia into being a whore for a mad prince, but Laertes can't go through with it and kills Claudius instead.

Dale Cooper: King Hamlet's ghost tells him who killed him in a dream, but Cooper doesn't remember. He befriends Horatio and tells him that in order to understand the death of the king, it is crucial for them to study an old Icelanic poem about a man who feigns madness, because the answer to the mystery lies somewhere within. Horatio doesn't totally get it, but he figures Cooper must know what he's doing and goes along with it. When everyone is gathered to watch a production of The Murder of Gonzago, Cooper first steps up onto the stage, guided by a spirit in the form of a snake wearing a crown, to announce that King Claudius killed his brother. Prince Hamlet immediately stabs his uncle. Determining whether Hamlet should suffer consequences or just become king is not Cooper's department.

Philip Marlowe: All I know is, most of this mystery involves him getting thrown off the palace grounds repeatedly and being told that a bum like him better keep away from King Claudius if he knows what's good for him. If he ever gets out of Denmark alive, Marlowe thinks to himself, he's never leaving LA during the winter ever again.

Sam Vimes: Vimes can actually interview the ghost, but that doesn't mean the case is closed. He's not worried about the ghost actually being a deceitful fiend, he just thinks there's a possibility he's wrong. After all, if Vimes was poisoned and his ghost found out some creepy relative immediately married his wife and took his job, he would also jump to conclusions! He spends a lot of time yelling at royal people and getting threatened with execution (Vimes doesn't know how his job ended up involving so many clashes with royalty, but so it goes), and is disrespectful of religion enough to spy on Claudius while he's having his remorseful confession. He can't arrest him, but he spreads the word around, and as the royal court dissolves into backstabbing and finger-pointing, Vetinari walks in with a full retinue (and more importantly, a list of all the debts Denmark owes to Ankh-Morpork) to evaluate the situation and congratulate Claudius on his "excellent decision" to abdicate. Claudius later dies of a totally natural snake bite in his ear.

Columbo:

Your Majesty, King Claudius, forgive My clumsy common nature. I am not A noble gentleman, nor do I live With such great honor as yourself- a thought, However, troubles me this night. For how Should some strange serpent come to bite a king? And why within his ear? It puzzles! Now, I beg that I may ask just one more thing…

[shantechni]

Related to your post about Mikey "accidentally delivering low blows when stressed" (Aug 2023) would you hc that it's related to his emotional awareness of his family? Like when he blamed Splinter for letting them go up to the surface, he would know Splinter was already questioning his decision to let them do that, or he calls Splinter out on not being affected by his mutated appearance (when Splinter looks uncomfortable being seen by humans/Shredder)? Basically, what are your further thoughts on it? Has he done this elsewhere?

The post in question for the curious cats

This compilation video as well because my big brain remembered me doing that and it's related to this topic and I meant to do a part 2

Oh, that behavior is 100% related to Mikey's emotional awareness. I'd hardly even call it a headcanon, it's just canon lol.

After not only botching their first fight above ground but failing to stop two kidnappings on their watch, the boys immediately start playing the blame game by pointing out each other's rash decisions and dumb mistakes that led to such an outcome. Obviously, the idea of Splinter's decision being yet another mistake of the sorts was hanging somewhere in the air waiting to be grabbed at, but no one readily went for it as something that needed to be acknowledged as mistake. That's why it's so fascinating to see the writers establish Mikey right out of the gate as someone who isn't afraid to comment on Splinter's decisions and his emotional state when he's making those decisions.

He was certainly aware of their father's doubts concerning them going above ground for the first time because a comment like that doesn't just come out of nowhere.

Granted, this instance was him speaking his mind in the heat of the moment and only realizing how much his words would sting after the fact (especially since they're the ones who convinced Splinter to send them off with their begging), but this becoming a continuous trend of his throughout the series further proves the fact of him being more aware of things than a lot of people pegged him to be.

In Mikey Gets Shellacne, his remark about Splinter telling him not to fret about his appearance when he could hardly bring himself to do the same can be interpreted as a more apparent example of him knowing more than he lets on. It's made rather obvious from the start of the series that Splinter wasn't keen on roaming the streets looking like a giant rat, but that's more of a show and tell deal where both the audience and the characters are left on their own to pick up on such an important yet minor detail. Splinter never tells anyone about his insecurity, nor does anyone in the series talk about it amongst each other, so a moment like this can be a bit jarring when it's framed as Mikey calling out Splinter's opinion on his own appearance.

Though the intent of his comment was to simply call Splinter old, the underlying insult is there and Mikey regrets saying something like that to their father of all people.

Other than letting his frustrations get the better of him and unintentionally plucking at Splinter's insecurities, Mikey is greatly in tuned with the emotions of those around him and will usually pick up on any changes rather quickly. Take these two moments with, funnily enough, him and Splinter near the start of Serpent Hunt.

I previously posted the first clip as a funny little observation, but the scene is more intriguing than my jestful sentence made it out to be. Mikey's attention is split between hanging his goofy pieces of artwork on the wooden boards and listening to April as she announces how the restaurant is starting to look like a makeshift home. It's not until he turns around to joke with her about his drawings that he finally has Splinter in his sights, and his attention evidently begins to drift to Splinter as April is responding to his question (you can literally see his head following Splinter's movements while April is speaking to him😭). And just look at how taken aback he is by Splinter's melancholic expression being on full display:

While Splinter answers Mikey by stating that he's concerned for Casey, Leo and Raph because they've been gone for a while, it's pretty obvious that's not all he's bothered by, and him not being subtle about his troubled mind like usual had enough flags raising in Mikey's mind for him to hop up from his spot. Once the scene transitions to the second clip, Mikey lingers with Splinter in the front of the restaurant while April ventures to the back in search of Donnie to check on his progress with the retro-mutagen, as well as to see if the others made it back yet. Mikey and Splinter decide to follow April as soon as Donnie utters Karai's name, and Mikey is visibly bracing himself for another look of heartbreak on their father's visage:

Splinter moments aside, Mikey recognizes when something is up with his brothers and friends, as well as whether or not he should step in. Of course the prominent moments of him demonstrating his ability to calm Leatherhead and Raph down count among the times when he steps in, but the times when he chooses not to step in shouldn't be understated either.

Take the pre-intro scene in The Cosmic Ocean for example, when April breaks the silence and questions where Leo ran off to. We understand where Raph is coming from when he says that it can't be healthy for Leo to confide in a simulated version of Splinter since it could just make him miss their father more than ever, but Mikey suddenly pops from his laid back position off-screen and joins the conversation:

He's knows as well as Raph that speaking with a simulation of their father isn't exactly ideal, but he also knows that Leo is used to coming home to confide in Splinter for advice whenever he feels his confidence as a leader beginning to waver. The whole gang knows all of this, but once again, Mikey's the only one to verbalize it. Sometimes people need to hear something so obvious outloud to really understand or remember its importance, and Mikey seems to know that best.

I don't really need to mention how his emotional awareness extends far beyond simply knowing when someone is down, or when he is or isn't in a position to help them, but it makes for a decent epilogue to this analysis so-

Him being the least (read: least) temperamental of his brothers automatically puts him in the position of a mediator when there's tension in the group, and it's common knowledge that he'd often go out of his way to ease that tension in his own ways. He sometimes makes jokes, both corny and intelligent, just to get everyone's minds off of the heaviness of a situation, even if that moment of reprieve only lasts for a minute. He attempts to break up fights before they get too far, which sometimes doesn't work because they're a stubborn bunch of turtles (literally the entire first five minutes of New Girl in Town lol), but his efforts are commendable and genuine.

He's exceptionally conscious of changes in the atmosphere and a swing in someone's mood, which could go hand in hand with his sixth sense for weird Kraang stuff if you think about it. But all of this comes together to paint an undeniably clear image of Mikey having a great amount of emotional awareness, and just all around being one of the most emotionally intelligent characters of the series.

[piracytheorist]

Twilight Eyes Project: "Secure a Wife" (part 2)

First part here

Naturally, "Twilight eyes" stay on during his side mission with Franky. Then he bursts into Camilla's party, wounded and disoriented enough to mess up his introduction.

And thus... slightly different expressions from manga to anime.

In the manga, it's full-on Twilight eyes. Brow going downward to the center, focused and narrowed eyes. The anime has the first two, though as of focused eyes... they make use of animation to show he's so shaken he can't focus his eyes on one place. His slip-up does look funnier when he's trying to present himself as Very Put Together™ as he does in the manga, but I think it's funny either way. Also, I appreciate the small extra whump bone from the anime.

Continuing on the humorous aspect, he switches all the way to reassuring Loid eyes as he tells everyone how absolutely, definitely normal his situation is. No biggie. Just a head flesh wound. He sleeps those right off.

"Loid eyes" stay on as he continues his ploy. Nothing to see here, please continue, are you having fun, my dear wife whom I definitely did not meet just a couple days ago?

Those eyes keep up until Camilla tries to embarrass Yor in front of everyone with details about her "past job"... and here goes.

Loid eyes. He will show everyone how proud he is of his wife.

But then, slowly, his eyes don't look so strained anymore...

... until they're outright sad eyes.

The direct proof (along with the short flashback) that what Twilight says there is the truth for him: he doesn't judge Yor, instead, he honestly supports and praises her for her dedication and her strength.

And when he finishes his praise, he looks towards the others... and the audience doesn't get to see his eyes.

Yor does.

And the truth she sees in his eyes is enough to not only bring tears to her eyes, but to also stay with her and give her strength multiple chapters/episodes later.

This smile isn't the one he actually gave her. But it's the one she remembers.

(Wrong angle in the anime, but we can forgive that)

They leave Camilla's party, get attacked by the smuggling ring, Twilight knocks a few of them out and tells Yor to run for it, Twilight eyes on as he keeps himself alert for any possible attack.

Yor voices her worries about the well-being of his "patients"... and what else can he do but put on the Loid eyes. Which I'm actually sure weren't necessary with her, lol.

Unstoppable force (Yor believing everything she sees and hears) meets immovable object (Twilight suspecting everything and everyone).

Subtle Twilight eyes as he starts to question... well, his own judgment, at this point 😆

They get attacked, and Yor kicks a guy into another dimension before he can hurt Loid. And!

I would just really like to know what his thought process here was. This look is on the verge between "Loid eyes" and "real eyes". But this next panel/shot feels like it's closer to "real eyes".

He was actually amused by how far she kicked that guy, huh 😆

They kick a few more guys' asses, then Yor drops the "why don't we get married" question. Twilight is, understandably, shocked and confused. It's actually something he'd planned for, but it came unexpectedly and just so freely and willingly from Yor.

When his mind picks up from the shock, he puts on the thought process.

And we get investigative eyes.

Twilight accepts, gives her the best marriage proposal to ever grace a screen, starts with Loid voice for "Even in sickness, or in sadness," and switches to Twilight voice for "No matter what hardships await us, let us be there for each other."

Twilight eyes as he finishes his vows,

And... this, as he thinks "Until my mission do us part"

I want to make it clear that I completely doubt he'd already grown any feelings for Yor already. Probably the only thing he'd feel for her at that point was that he sympathized with her mental fortitude and willingness to sacrifice herself in order to protect and support someone she cared about. The pleasant face he has at the end could be merely his expression of relief that the mission was going smoothly.

But then, isn't that what becomes the foundation of the feelings he'll grow later? The relief that she is the kind of person who will protect the peace he fights so hard to maintain himself? A relief that will grow strong enough to lead him into revealing true parts of himself to her?

There's definitely a lot to take away just from the way Twilight's eyes are drawn, in any case.

(anime only fan here, don't spoil me for the manga)

[rocky-the-rockstar]

Not to yap about something almost completely irrelevant in 2024, but people on tiktok been pissing me off, so in PASSIONATE defense of Danger Days: I think it's really stupid when people feel the need to "defend" their dislike of the album by claiming that MCR somehow "betrayed" their audience by creating it. I heavily relate to the feeling of hating something because it's different from what I've grown to love and expect from a title, but that doesn't make that thing "wrong" or even bad. I can imagine how it felt to be so excited for new music only to not like it, but it can be left at "it sounds so different and therefore not my vibe and Im disappointed" without trying to accuse and vilify the artists.

Before he is an "emo icon" and even before he's a musician, Gerard Way is first and foremost a story writer and an artist. MCR has always existed to tell a story, spread a message, and be an artistic outlet. Which Danger Days does beautifully and creatively. Black Parade's story, hell even stuff like the I'm Not Ok music video etc etc, had themes of hope as well. While stronger and louder in Danger Days, it still wasn't a new thing by any means. It's by far their most political album, it's not like they "sanitized" themselves. It may be in a totally different sounding, less angsty, brightly colored package but "fight against those who hate and try to change you, live on and be ok after those you idolized and loved die, and create something good by being yourself" was not at all a new message from them. MCR's album world building, lore, detail, characters, and storytelling may quite literally be at its peak with Danger Days. Hell they even created a separate EP to make songs as a fictional band of side characters in the danger days universe so they could show you what kind of music the killjoys were listening to.

They gave us this whole fictional world to play with, that's not the act of sell outs who didn't care anymore, that's the act of an artist trying to share a part of themselves with you. That's the act of nerds and roleplayers trying to invite you into a self indulgent escape from reality.

A direct follow up to the Black Parade never would have worked. Trying to carry on a similar vibe immediately after the success of the Black Parade never would have worked. Both in terms of success and authenticity. The best and most creatively fulfilling option was to pivot entirely. They clearly knew and cared about this. Gerard said his heart wasn't creatively in the Paper Kingdom, he said there wasn't enough emotion in Conventional Weapons, he said that the "gothic vampire look" was no longer seen as "scary" and unsettling so they dropped it cuz they didn't wanna be "sexy vampires", the band broke up because "it wasn't fun anymore" Danger Days WAS an act of preserving their artistic vision and enjoyment of the band.

Gerard has always rejected labels, both on the band and himself. You can dislike Danger Days all you want for sounding so different, no one cares, but bands are allowed to experiment and the emotions they sing about are allowed to grow and change. Slapping a label on them and then turning your nose up in disgust and anger at anything they create for you that "isn't emo enough" and doesn't fit in the box you put them in is stupid. And, crazy enough, is one of the points OF the album.

[dark-konohagakure2]

Jiraiya pressuring his daughter too recreate a scene in his book (the scene includes dubcon sorta)

tw: incest, parent/child, dubcon, daddy kink, coercion, age difference, manipulation, size difference, blowjobs, praise

All characters depicted are 18+

Even though Jiraiya is a very busy man, being both a legendary ninja and an author, he always makes time to spoil his precious little girl whenever she's around, not only is she the list precious person in his life, but she's also his main source of creative inspiration as of late.

He would usually go around the village and peep in on bathhouses for his writing material, but as of late Jiraiya has been itching to write some more scandalous and dark literature for his more depraved audience, something that being a peeper alone won't help him write.

After some very careful consideration, Jiraiya is finally able to decide the plot for his next Makeout Tactis book, he's going to write about a perverted old man taking advantage about an innocent younger woman who's too weak and naive to resist his advances, and Jiraiya knows just who to go to for assistance on this latest creative endeavor.

His daughter is a good and obedient young woman, but even she would be taken aback by her fathers lewd demands to help him with his writings, but Jiraiya already knows how to talk her into things that she wouldn't do otherwise.

"Oh cmon honey, daddy really needs his inspiration! Look, it's real simple, just get on your knees for me and I'll handle the rest..."

He's eventually able to sweet talk her into things, gently stroking her head as he pulls down his pants and takes his cock out, gently demanding that she suck it, which she does despite her obvious hesitancy and discomfort, a fact that Jiraiya himself is very proud of her for.

He'll be writing down the rough draft as she sucks his cock, occasionally musing about the plot (or lack thereof) aloud or praising her for doing such a good job. Not only does she help Jiraiya concentrate, but he's able to write down in vivid detail just how good and wet her mouth feels and how cute her lips look wrapped around his thick member.

He won't be rough with her in the slightest, she's his precious princess after all, but even though Jiraiya doesn't mean any harm, his cock is big and thick, and it'll make her choke and gag quite a bit due to his size, although Jiraiya doesn't take her struggles too seriously, simply laughing and telling her that she needs more practice.

Jiraiya doesn't give much warning as he cums in her mouth, his larger body trembling above hers as he moans and finishes. He'll let her take a break after this, but not for too long though, that was only the first chapter after all.

"F-Fuck... Atta girl, just how daddy likes it... Oh don't make that face now! Thanks to you, daddy just got his inspiration for the next few chapters..."

Jiraiya is very proud of the finished product once he's done writing his latest masterpiece, which he couldn't have made without his sweet daughter, so he'll give her a little something as a thank you gift; a free copy and the book and some extra attention from her daddy.

[kiame-sama]

Oi! Can you stop posting things that get stuck in my brain so often? Joking, but I mean a lot of things you bring up a lot of fun ideas in your AU that just stick in my brain. Hope I’m not bugging you too much with messages. However, you have introduced my lil emo catholic boy Rollo so I must ask: how would Rollo and Malleus (and anyone else tied to fire) deal with a fire bug?

Like not necessarily someone who starts fires, but someone who LOVES fire. Like I could stare at fires for hours. They are just so pretty and the flickering and swaying look just look amazing. Imagine all the different colors of fires! Especially when I poke it or have something like a match.

Ima go before I start ranting about fire again. Hope you’re keeping warm and have a great day! Can’t wait to see that fish prince get hit shins kicked!

Warnings: Grim and Ortho are platonic only, yanderes, yandere behavior, yandere temper, different levels of yandere, use of magic to amuse the Human, Rollo wrestling with self-loathing, Malleus is malleus,

- Grim is thrilled his Hooman loves his little ear flames and will intentionally make them flare brighter when he wants more attention. Mostly he just uses his ear flames to make them smile.

- Ortho will laugh and be excited to tell the Human about the hair flame many Shinigami have, giving details while he consciously makes his hair slowly change color flame. It takes some effort, but he cycles through the visible light spectrum before he needs to take a break, his hair snap returning to the usual blue. He's happy to tell them all about it, so long as the Human will listen.

- Idia is going magenta and doesn't even know it, warm hearts forming in his long flame hair as he internally fanboys over the Human looking at him with such an interested gaze. The way they stare at the flickering light and flames as he just burns brighter. He loves it and will burn that sight into his memory.

- Papa Hades quickly picks up on the Human's interest in fire and flames, happily using his magic to create flames for them. Different shapes, colors, creatures, he is making a show of fire to marvel at and enjoy. It has been too long since he has last had an audience so enraptured and it soothes his heart.

- Rollo is struggling with himself over this. He dislikes his flame and the fire that fules his very core. Get a bit too out of hand and *poof* gone. That's how he sees it, at least. It is tragically sweet to him for the Human to adore the things he hates most about himself. Leave it to a divine Human to see the good in the wretched and sinful. He will slowly begin allowing his fire to flourish, if only for the Human's sake. He does adore them quite a bit and will willingly do what the Human wishes of him.

- Malleus loves that the Human enjoys his flames. He will show off his mastery over summoned flames and explain how they differ from Dragon-fire which he can only ever create when angry. Any time the Human wants to see his magic displayed, he will create a bright green flame for them. Eventually he will gift them a crystal containing one of his green flames, around it will spin a group of green fireflies. So they can take his flame anywhere they go and always marvel at his fire.

[miwiheroes]

Dropping Byler Evidence Every Day Until Season 5

Day 3 - Mike's incriminating dilemma

I think one of the most obvious byler proofs to me that barely gets any notice or recognition that it is very convincing, is the fact that Mike seems totally unwilling to talk to Will about his problems with El. Whenever Will is spoken to about the issues they have, it's very noticeable to the audience that Mike talks about it in very general terms, making sure he doesn't end up spilling what they spoke about.

This is simply because it is incriminating.

It's also the reason why he doesn't tell Will he called him multiple times even though he easily could! It would solve a lot between the two of them if he had admitted he called him (which we got confirmation about from Dustin). However, he would rather not, and would rather sacrifice himself in a sense than have Will know how much he called, turning the focus away from himself.

So again, why wouldn't Mike just tell Will about what happened? He knows that it might help him, since he's definitely told a friend about his relationship problems before (Lucas). However, this time he's hiding something bigger -- he does not love El. He would much rather have Will stay in the dark about what he really 'needs to say' than have Will ask him more questions. He's worried that if he gives too much detail, he'll be outed as a liar, he'll be figured out by Will. There is no other reason for hiding what El wants him to say. He could tell Will, but he's simply worried about the questioning this would earn.

The fact that he's lying is one of the reasons he makes this face here:

This is when Will says 'Whatever you didn't say, you can say it to her then', referring to when Mike sees her again. He believes he's comforting Mike that she's safe and he will see her again.

At first, Mike grins at Will, simple because... he's happy that Will's comforting him. But then he starts to dig deeper into what he's just heard and what it then means. That's when he almost startles, blinks rapidly and looks nervous. The internal conflict is clear on his face, and the directors want you to take notice of it.

It's almost like he's disliking the fact he has to lie to Will here. He doesn't like that Will has no idea how deep this thing actually goes, and it's really not as simple as saying I love you when he sees El again.

All in all:

Will has no idea that he's encouraging Mike to say I love you to El.

He believes he's comforting Mike on the fact that El is safe and that Mike will see her again.

But Mike's worried about saying I love you. Meaning he's worried about seeing her again.

He does not want to say I love you.

Okay.... so this means that he does not want to say I love you. Even if it means that he can see El safe again. But this can be for many different reasons. Maybe he's not ready to make the commitment or something. But the next scene on the car is when Mike shows the real reason why he doesn't want to say it.

The next time Mike and Will talk about this, the thing that he has to say to her has been reframed to being 'The Truth.' He's realised, between the previous scene and the car scene, that he will eventually have to explain himself to El because he'll likely see her again. He thinks that if he had explained himself, maybe he would have taken him with her.

Now, 'explaining yourself' does not at all sound like a confession of love. It almost sounds like Mike trying to justify to El why he doesn't say it. AND:

He tells Will in this scene that he 'didn't know what to say' despite El spelling it out for him very clearly. This shows he knows that he can't say what she wants him to say, and he has no idea how to explain why he can't say it in a way that isn't incriminating. Again, he can't tell Will the thing he has to explain away, because it would raise too many questions.

Will says 'to say how you really feel', suggesting that Mike feels the opposite of what El wants. And the fact that Mike nods. He NODS when Will says 'what if they don't like the truth?' is just so clear to me. It AGAIN solidifies that Mike is nervous because he really doesn't want to tell El the truth. He has no idea what to say to make it better without lying.

TLDR; Mike does not want to say I love you to El. The reason? He doesn't love her.

[hellfirecvnt]

Hallelujah, What a Payday

Baby Billy Freeman x Fem!Reader

Summary: Baby Billy's on the search for his next co-star.

Warnings: Sex with that weird, old man (at the very end.) Religious trauma but with zero detail at all. If I refer to anything as "nonsense" or whatever, that's not about any religion and is only about the silly Gemstone activities.

Notes: Tiffany just doesn't exist here. I love her too much to write that she got left or something. This should've been two parts, but I promised we were gonna fuck him, so. We're also gonna ignore the Baby Billy body-double pp they show in the first episode. Don't even fucking act like that dastardly old man isn't packing.

"Five minutes, Y/N!" The angry stage manager screams backstage. You perfect your lipstick in the mirror and stand to straighten up your ensemble. You sing a few nights a week at a local lounge/venue for extra money. You're a local hit and it pays the bills.

Across the entire building, a man pays his way inside, tired after days of wasted effort. He sighs as he takes a seat, alone in a VIP booth. They're not cheap, but even if he hadn't sat there, anyone can tell he has money just from the way he dresses.

"Ladies and Gentlemen, tonight's entertainment." A smooth voice vibrates over the intercom. You gracefully file out onto the small stage, illuminated well by a single spotlight amongst the mood lighting throughout the lounge. The tired man taps a finger on his table, watching with boredom as he waits for his drink to arrive.

"I'm all out of hope. One more bad dream could bring a fall..." Your voice rings through the air like honey sweetens tea. The lone man at the VIP booth nearly gives himself whiplash with the rate at which he turns to face the source of the illustrious talent. You continue to sing your cover, and slowly he begins to recognize the song.

Your eyes meet his, as you do at every show to engage with the audience.

"It's easy to deceive. It's easy to tease," you slide your hands down your sides, swaying back and forth sensually for this verse. "But hard to get release."

The pianist serves as backup vocals, delivering the iconic lyrics: "Les yeux sans visage."

"Eyes without a face; got no human grace. You're eyes without a face." Your vocals swell and the man stares at you, inspired. His mouth hangs agape with a hopeful smile.

After you finish your set of five songs, you take a small bow and excuse yourself to the bar. The well-dressed man all but trips over himself as he scrambles to meet you over there.

"Double vodka cran, please, Henry." You tell the bartender and he nods, starting your order.

"That's some voice you got there, darlin'." The man appears next to you, smiling a large, white, evangelical grin.

"Thank you, I'm glad you enjoyed the show."

"Well, I more than enjoyed it. You got yourself a gift, now." The man extends his hand. "I'm Baby Billy."

"Baby?" You look at him, perplexed. He explains his backstory a little, insisting you should at least know who his sister is.

"You ain't never heard of Aimee-Leigh Gemstone?"

"Of course I have, I just don't listen to a lot of gospel." You shrug, truthfully hoping the conversation could end there.

"Well, darlin', do you ever sing gospel?" His eyes twinkle in the dimly lit bar area.

"I don't think that'd fare well for me here. This place looks fancy, it's costly to get in, but it's just a bar at the end of the day. No one wants to be preached to." You take a sip of your drink and he watches you closely, noting the pout of your lips as you press them to the glass.

"No, not here. Here." He lies a pamphlet out in front of you, sliding it closer along the bar. "I'm the head preacher at the new church in Locust Grove. Opens in a month."

"A man of God, huh?" You mumble as you skim over the pamphlet. "Does this gig pay?"

"God never asked us to exploit our talents for free." Baby Billy grins. You look him up and down. He's a walking red flag, but it's clear he's got money and as a broke woman on your own, you can never have enough.

"I'm free on weekends. I'll adjust my availability when I know you're serious." You say, stone-faced. Baby Billy hands you his card, passing it smoothly between his index and middle finger. You take it and stand from the bar, walking away, and disappearing into the green room to prepare for another set in an hour. He watches you, still sporting a wide smile as you stand. His eyebrows twitch in short-lived confusion. He pushes all that aside, only one thing matters now. He has his co-star.

Friday afternoon rolls around and Baby Billy attends your show, beaming at you from his expensive, empty VIP booth. He's practically got dollar signs for pupils.

"Friday is a weekday, Billy." You call over your shoulder as you excuse yourself to the bar.

"Baby Billy," he corrects, clinging to his childhood fame with all he has. "It's a brand, now. And who said I'm here for work? Can't a man just enjoy the show?" He follows you to the bar, taking a seat next to you.

"Well, did you enjoy it?" You turn to him with an amused smile. "The show?"

"It was even better the second time around."

"Thank you, Baby Billy," you say, with a knowing emphasis on 'baby.' "I guess I'll be calling you tomorrow, then."

"I'll be ready when you are, darlin'." He smiles warmly and you begin to wonder if you'll ever see him without that goofy, toothy grin stretched across his face.

Saturday morning, you're up, bright and early. You think nothing of the process of getting ready, throwing on a T-shirt and jeans along with various accessories you only get to wear on your days off, so you take every chance.

"This ain't a repeat of that... Lost soul you brought in last time, is it?" Eli settles back in his seat. He's sitting in one of the thousands of seats in the Gemstone Auditorium along with his three children, Judy, Jesse, and Kelvin. Baby Billy stands before them.

"No, damn, Eli. She's perfect for the job. She's got the face, she's got the voice, and most importantly, she's got stage presence." Baby Billy makes a grand case, convincing the Gemstone family that he's found an angel on Earth. Which is why it's all the more shocking when you walk in looking like an entirely different person than the woman he met at the lounge.

Everyone falls silent, they turn to face you as you walk through the door. The second you come into clear view, Judy Gemstone does a poor job of stifling a hateful chortle. Baby Billy meets you halfway, keeping you off to the side before you're front and center in front of everyone.

"The fuck you look like that for?" He asks with a peculiar sense of genuine confusion/ curiosity.

"I'm sorry, I didn't think it'd be a dress rehearsal." You narrow your eyes, placing a hand on your hip.

"When you called me this morning I thought I made it clear what kind of... Environment you might find yourself in." He waves his hands around as he says this.

"Is this an audition or did you scout me out?" You ask with a smirk, looking him up and down.

"Well, hear me out, now. Because if it were up to me, you're hired. But you need to hop up on there and prove to these assholes that I know what I'm doing."

"Playing dress up costs extra," You whisper. Without leaving time for him to respond, you walk ahead of him and confidently offer a handshake to Eli. The two of you become acquainted and he welcomes you to the stage.

As you step out onto the grand platform, it's awkwardly empty. You find yourself almost nervous, which is out of character for you. You've been performing since you were young.

"What am I singing for you today, Dr. Gemstone?" You ask, sensing a little bit of decorum could go a long way here.

"Looks like she's about to start blasting Rob fuckin' Zombie," Jesse, the oldest Gemstone son, quips under his breath. You narrow your eyes at him, clocking his appearance on the spot.

"I think I know what you wanna hear," you smile politely, pointing directly at Jesse. After a quick speed walk to the sound tech, you queue up the track for the song you've chosen. The music starts, and the two youngest Gemstone siblings burst into laughter. Even Eli chuckles.

"Hello, Darlin'. Nice to see you," you start. "It's been a long time, you're just as lovely as you used to be." The joke about Jesse's appearance quickly fizzles away as the Gemstones take in your voice. Baby Billy stands off to the side, gauging their reaction, absolutely elated.

"I told you he was trying to be Conway fuckin' Twitty," Judy whispers to Kelvin.

"Come back Darlin'. I'll be waiting for you..." You finish your song and take an unserious bow. You secure the job, and Eli even commends Baby Billy for finding you. After researching the Gemstones a little bit the night before, you quickly begin to realize how much money you could potentially make here.

"That was fantastic! That old fucker didn't think I could do it," Baby Billy gushes.

"And what did you do, just now?" You side-eye him.

"I found a star." He emphasizes his words with his hands. He's a charismatic and handsome man even given his older age.

"What's next? I'm sure this next month will be pretty busy with rehearsals." You laugh, already contemplating quitting your recurring lounge gig.

"Well, sure. We'll put in the work and all, but," he looks at you expectantly.

"What?" You ask, but he only gestures with his hand as if you should've caught on by now. "Oh, Baby Billy. I don't know if I'll be attending church tomorrow. I'm um, not a Christian."

"Huh," he says, dryly. You scrunch your nose, awaiting an uncomfortable lecture. "You work in this industry for so long, you forget some people aren't religious." He shrugs and you feel a sense of relief.

"I'm not busy today. Care to show me around the Locust Grove church? It's nice to know what I'm going into." He holds the door for you as you step out into the bright parking lot.

"I'd love nothing more." He grins.

At the Locust Grove location, you're wowed by the remodeled mall-turned-megachurch. He gives you the grand tour, specifying that you'd have your own area to get ready before each service.

"This is... A lot," you laugh.

"You're about to make it much more, darlin'." He ushers you up to the stage with him. "Let's give it a go, see how we sound together."

"What song are you thinking?"

"You don't know any gospel?" He peeks over his glasses at you.

"Not really," you shrug. "Well, I know Angel Band and I know Down to The River to Pray from that movie I like."

"Good fuckin' God." He sighs. "Down to The River." He counts off and starts the first verse. His voice is southern, crisp, and clear. You quickly decide in your head what fashion of singing would best compliment his. The chorus approaches and you ready your breath.

"Oh, sisters, let's go down. Let's go down, come on down," your voices melt together pleasingly. You can tell by the look on his face that he likes what he hears. The song ends for the two of you after that first chorus, that's all he needed to hear.

"It's about time something worked out for ol' Baby Billy," he shakes his head. "Now, the next matter to discuss is... Wardrobe."

"Yeah, I figured 'sunday best' would cut it, right?"

"Well, not quite." He leads you to a room past the storage area full of broken, useless mannequins. He walks up to a large armoire and pulls it open. Inside is one dress. It's wrapped in a layer of protective plastic that's done wonders to preserve it. It's campy and dated, though you can tell it was high dollar fashion for its time.

"Baby Billy, I'm not wearing this." You look at him, as if hoping he'll tell you he's joking.

"What? Why not? Now that was Aimee-Leigh's favorite dress," he glances back and forth from you and the dress.

"Okay and it's beautiful, but it looks like it's a hundred years old." You look at the striking piece of clothing again. "This is helpful, though. If this is the kind of look you wanna go for, I think I can make it work."

The two of you spend the rest of your time in the unopened church getting acquainted. You find him charming and entertaining. He finds you beautiful and unintentionally hilarious. You make him laugh often. It's like his own personal ray of sunshine on his shoulder.

It's late when you head to leave. You hardly noticed how long you'd been there. As you open the door to the dark parking lot, you turn to bid Baby Billy goodbye.

"Well, hold on, now, darlin'. Let me walk you to your car." He follows you out the door and to your vehicle. You roll the window down to thank him for the job, pulling your seatbelt over your head.

"I'll see you...?" You wait for him to tell you what day he plans to start practice.

"Monday afternoon, if you can make it." He places a hand on the roof of your car. "Now, listen. I know you ain't the religious type-"

"I will see you Monday, Baby Billy." You interrupt before he has the chance to invite you to church tomorrow. He shrugs, waving to you as you drive off.

That night, as you shower, you wonder if you were too rude with your rejection of his invitation. After all, you grew up going to church. Certainly not a mega church, but a church regardless. It's not a chapter of your youth and adolescence that you hold dear, hence your inclination to stay away from it all.

You set an alarm and wake up early Sunday morning... To get ready for church. You take this outing as a chance to demonstrate to Baby Billy and all the Gemstones that while your personal style may not mesh with their vibe, you've always had a way of blending in.

You put on a white dress with statement sleeves. Something to play off of the whole "voice of an angel" shtick. After perfecting the rest of the look, you leave with a satisfied smile.

You walk through the large double doors to the "Gemstone Worship Center" and look around. It's needlessly gigantic and overwhelming to take in.

"Y/N, is that you, darlin'?" Baby Billy's voice grounds you back on Earth. You turn to face him and he raises his eyebrows, shocked by your range of appearances. "Don't you look pretty this morning?" He grins, admiring your pearly glow in the white garment. He's elated to see you there. Not because he thinks you need church, but because he wanted to see you.

He introduces you to a few colleagues, and even Eli Gemstone reintroduces himself, shocked to learn you're the same woman from yesterday.

"Who is this with you today?" A tall, bald man with a thick African accent asks with a warm smile.

"Now, this is my girl, Y/N," Baby Billy gestures to you like a grand prize. Something about the title "his girl" makes your stomach flip, and you're not sure how you feel about that. "She'll be performing with me at Locust Grove."

The theatrical, pretentious service is long, loud, and feels uncomfortable the entire time, so it's hard to keep your mind and eye from wandering to anything else. Often, you glance at Baby Billy. He's brought you to his seats in the front area, so it's hard to drown the music out entirely, but everything does seem to muffle when you're staring down the white-haired enigma of a man before you.

After service, Baby Billy invites you to join the family at a restaurant called Jason's. You're hesitant at first, but Eli insists. When you arrive, the Gemstones are escorted to a level above the restaurant to a private section for their own VIP dining experience. It's frivolous to you, but it's nice to do something different for once.

After church lunch, the entire group congregates in the parking lot, saying their goodbyes and making promises to see each other next week. You smile politely, though a bit awkward, as you don't really know anyone besides Baby Billy.

"Nice get up, Rob Zombie." Judy Gemstone appears beside you, seemingly complimenting you, but she's just as confused as you are.

"Thank you, Judy. I just wanted to show that I know how to fit into a crowd."

"Yeah, well. You're not so bad, up there, on stage." Her tone sounds like she's accosting you, but her words sound genuine. As if she's not sure how to... Just be nice without intimidation tactics. "Singer to singer, don't let Uncle Baby Billy ride your coattails too hard." She struts off, linking arms with her husband and loading up into their lavish vehicles.

You feel a sense of comfort now, knowing Judy is just like that. It's nice to know you have another woman in the mix that you can look to as an acquaintance. Slowly, but surely, you find yourself melding into the atmosphere that follows people like Baby Billy around. You begin to feel more comfortable around the rest of the church leaders, though you realize rather quickly that there isn't much talk about God. It's nice.

As the weeks go by, you meet up with Baby Billy for practice every day. It's not the schedule you meant to give him, you just find yourself wanting to see him more and more. You delight in the strange way he talks and his charming mannerisms. You also think it's really funny when something goes wrong and he's suddenly not grandpa sunshine anymore, and he's kicking a speaker calling it a dick.

As the rehearsal window comes to a close, you and your co-star are inseparably close. On more than one occasion, one of you has slipped up and gotten a little too comfortable.

"Baby Billy, why does the mirror say something about washing my hands keeping me safe from Satan?" You ask, returning from the restrooms.

"That was song lyrics from back in mine and Aimee-Leigh's day," he laughs.

"Well, how do clean hands keep me safe in the eyes of the Lord?" You furrow your brow, in disbelief that anyone could believe this. Baby Billy is tinkering with the stage lights as they two of you converse.

"Well," he says, still messing with the light. "Just like those hands can commit sins, they can be washed clean by his mercy." He chuckles as if he already knows he's going to overstep. "Those look like sinner hands to me, darlin'." He winks.

"Sinner hands?"

"Ain't you ever done anything with those hands? Something the Lord might not smile upon?" He continues with his back to you, finally flicking on the light after his adjustments. Your face is hot and red with the realization of what he meant.

"Oh, yeah. I guess so." You shrug. Baby Billy turns to face you, taking a few steps closer. He's a good deal taller than you, so his lanky frame looms over you in a way that makes your stomach flip. He's barely a foot away, smiling down at you.

"You guess so," he repeats, tilting his head and grinning, letting the silence thicken for a moment. You give up on trying to fight back the blush in your cheeks, there is no way around it.

"Well, I guess let's get back to it," you clap your hands once in front of you as if to break up this moment and you take your position. Baby Billy just laughs and leaves you with a lingering confusion. The rest of the day, you can't seem to keep your head clear. A flip has switched and you find yourself lusting after this televangelist old man.

The two of you wrap up rehearsals for the day, but instead of leaving, you linger behind a little longer. You're unsure if it's nerves telling you to practice more, or if it's just you wanting to be around him.

"Next week is opening day," Baby Billy grins. The excitement is clear on his face with that brilliant, big smile. He takes a seat next to you and you both face the large, beautifully lit and decorated stage.

"That fast, huh?" You chuckle, trying to laugh away the knot in your throat so you don't have to swallow it.

"You're gonna be great up there," he says, catching you off guard. He seems to have mistaken your unexpected attraction as pre-show nerves. "Right next to ol' Baby Billy Freeman. This is a big break for you."

"Oh, it is?" You laugh.

"Look, I'm serious, now. The right ears hear us and we're signed and touring," he snaps his fingers. "Like that!"

"You sure you could handle being on the road with me? I'm kind of a diva," you joke. "If I don't get my beauty sleep, I look like a dead bug and I'll hit someone." Baby Billy bursts into laughter.

"I don't think a lack of sleep or even a semi-truck could deter what you've got goin', sweetheart."

"What do you mean?" You ask through a laugh.

"You're a looker, darlin'. You walk into a room and draw everybody's eye." His hands are animated as he speaks.

"Oh, yes. Flattery will get you everywhere," you laugh, lightly shoving his arm playfully.

"I mean it, now. You the prettiest girl I know." He shrugs.

"You're not so bad yourself." You smirk, leaning closer to him than you realized. He notices the closing gap and can't help himself, he leans toward you as well. Time seems to slow down just for a moment as you two share this closeness.

He glances at your lips, and then back up to your eyes. Your heart begins to race before the sudden, loud crash of the stage light Baby Billy messed with hitting the stage with great weight. You both sit up, startled by the sound, jumping away from the close quarters you'd just been in.

"Oh, uh," you regain your grip, realizing what poor business practice has just nearly taken place. You've fucked your boss before. You know it doesn't end well... "I should get going."

You stand and readjust your skirt, smiling nervously as you start toward the door. Baby Billy stands too, hopelessly searching for his next sentence, but for the first time in his life, he seems unable to find the words.

"Same time tomorrow, darlin'," he calls out to you as you step out the door. He takes a step over to the stage, sitting down and exhaling a big breath. What an old fool he'd have to be to think you'd want anything to do with him when you're so young-spirited and beautiful? Will that stop him? No. It won't.

The last few days leading up to the grand opening are full of those small, close encounters. One day, you tripped during dance practice and practically landed in his arms. You two locked eyes and it would've been done for right then if a janitor hadn't walked through the stage door. Another time, you were high up on a ladder, making Baby Billy hold it steady out of fear. The entire time you're above him in your dress rehearsal skirt, he can't seem to fight the perverted urge to glance up. When he does, he nearly loses his bearings. His face ignites red and he can't help but smile ear to ear.

It's no secret to either of you that some kind of tension has been brewing. Even the Gemstone siblings share a look of confusion when they see you two forget anyone else is in the room. Neither of you seems to notice how long your eye will linger on the other.

The Sunday of the Church's debut sneaks up on you after the last few days of having nothing but Baby Billy on the brain. You're less nervous about performing and more nervous about seeing him again. It's as if every time you two come together, the palpable tension in the air becomes thicker. You're certain you'll lose the ability to breathe the air around you if it gets any worse.

"You ready to make some magic, darlin'?" An excited Baby Billy startles you as he intrusively enters your dressing room.

"My God, don't you knock? I could've been naked," you laugh, perfecting your makeup in the mirror.

"I don't think you'd hear any protest from me, sweetheart." He winks and makes a quick getaway. To be honest, he wasn't quite meaning to say that part out loud. You're left red-faced and pleasantly shocked. The comments between the two of you have been growing more bold by the day, but that one takes the cake... So far.

You get dressed in your opening night outfit. It's a bit different than the one you wore to rehearsals. It's nicer, fancier, flashier, without all the dated glitz of Aimee-Leigh's 80's-esque dress that Baby Billy attempted to lend you.

It hadn't occurred to you that Baby Billy hadn't seen this outfit of yours. But his beaming, smiling face when the two of you step out in front of the crowd from opposite ends of the stage gives you a needed stroke of your ego. He holds an arm out to you, inviting you to his side as he introduces you and himself. It was established early in the arrangement that he'd do most of the talking, so you put on your best "quiet and pretty" act. You clap when the crowd claps, and you throw your hands up in "praise" when it seems appropriate.

Anyone who'd met you before this performance is genuinely confused by who they're watching right now. They expected you to give a hell of a singing show, they didn't expect you to play the full part so well. As you told them, you know how to blend in. The surge of energy that comes with any performance this in-depth carries you throughout the whole service.

With each song you sing, with or without Baby Billy, you cannot stop yourself from looking at him, over and over. Fuck the tension, something is building up inside of you and the adrenaline of the stage is only making it worse, for both of you.

Baby Billy bids the crowd farewell and you give a gentle wave as the two of you exit the stage, arm in pining arm. The very second the stage exit door closes behind you, muffling the sounds of the cheering and dispersing crowd, you and Baby Billy fall still, silent, and stare at each other for barely one breathless second and then your lips are on his. You both stumble for a moment before he steadies you, pressing you up against the nearest wall.

"God damn, Y/N," he whispers between hungry kisses. You pull away for just a second, just enough time to ask a question.

"My dressing room or yours?" Baby Billy answers that inquiry by reconnecting his lips to yours and guiding your intertwined bodies to his dressing room. It's the closest. The two of you stumble through the door and straight to the lengthy couch meant to make the room look more glamorous. He lies you back on the cushions and his two careful hands begin to wander.

"Darlin, you look incredible in this get-up," he huffs. "But I can't wait till I get it off of you." He quickly unfastens the buttons of your blouse and groans roughly just at the sight of your lacey bra-clad breasts. Soft, breathy moans escape your lips over and over as he gropes at you and grinds against you. "Now, you don't mind where this is goin', do ya?"

"No, shut up," you chuckle, pulling his mouth back to yours. Your hands rake through his hair and find their way down to his expensive, flashy belt buckle. He sits back on the couch, legs hanging off with his Italian leather shoes resting on the floor. He spreads his knees and you take your position between them. You're breathless with excitement as you free his erection from his slacks. The moment you wrap a hand around his shaft, you feel him still growing harder in your hand.

"God damn it," he sighs, tossing his head back against the couch. He wraps one hand in your hair, guiding your lips toward the head of his cock. "Come on, now. Don't make me beg for it." You chuckle at his eagerness, but you do as he says, wrapping your lips around his tip. Baby Billy sighs with relief as you slowly welcome him into your mouth. He gasps as you press your nose to his waist, taking his full length in your throat.

You bob your head up and down, still riding an adrenaline high that's enough to power through even the worst of neck cramps. He calls out small exclamations and whispers sensual praise, all of which makes the heat between your thighs burn hotter.

His moans become more and more vocal until he roughly pulls your head away, jerking you by the hair. You gasp at the pain, but it only fuels your fire.

"Get on up here, now. Let an ol' man get his kicks," he quips, helping you out of the floor before you take your place, lying before him on the couch. He buries his face in your neck, kissing away up and down your flesh as he continues undressing you. He unfastens the rest of the buttons on your blouse, slipping a hand under your bra and squeezing your breast eagerly.

"Come on, don't make me beg for it," you mimic his words, sliding your skirt up your legs, and exposing your panties. They're wet with arousal and he grins at the sight.

"I might just like to hear a pretty young thing like you beg to get fucked by the pastor." He grins deviously, pressing a gentle hand to your clit over the panties. "All this for me?" He chuckles, basking in the effect he has on you. After what feels like ages of teasing and edging, he slips the drenched underwear from your legs. The white-haired man stares in awe at your throbbing core, extending a hand to play with you.

He slips one digit inside you, earning a filthy, needy moan from your chest. Your mouth hangs agape with a gasp as he pumps his finger in and out of you, staring deeply into your shining eyes. He shakes his head, amused by his power over you and also in disbelief at the position he's in at this moment. Just a month ago you were a stranger with a beautiful voice on a stage he'd never taken a second look at. Since then, you've been the object of all his desires. How could he ever imagine you'd feel the same?

"Oh, my God! Please," you whine, arching your back as he fingers you. He chuckles, unsure how he's holding himself back. It must be how much he's enjoying the show.

"Shhh," he whispers, adding another finger. Guttural moans of heated pleasure pour from your lips like a waterfall. He eats up every second of it.

"You're doin' real good, now, darlin'." He positions his twitching erection at your aching entrance, playing with your arousal with the head of his cock. "Keep being good for me," he says as he slips himself inside. A long, needy cry escapes you as he slowly sinks to his hilt.

You stare up at him, locking eyes as his mouth hangs slightly open. He's breathless as your tightness squeezes him just right.

"Aw, damn, sweetheart," he groans, pulling back only to quickly slide back in. "You're somethin' else." He grunts and moans as he thrusts in and out of you, hastily picking up his pace. For an older man, he's incredibly virile. He fucks you for what feels like hours but is surely only a handful of steamy minutes. You squirm and whine beneath him as he steadily guides you to your climax.

"I- I'm-" you try to speak, but it's too late, he's fucking you into oblivion, riding out your high with a bright white, goofy smile on his face. He loves watching your face contort as you soak him with your orgasm.

"I hope you ain't done yet, sweetheart," he chuckles, sliding out of you. "Flip on over, now, darlin'. Let me get a look at that perfect ass you got." His praise ignites a wave of goosebumps across your skin. You do as he says, turning over and assuming a position on all fours, presenting yourself to him perfectly. He releases a breathy laugh, slapping both hands down on each ass cheek.

Baby Billy tightens his grip on your glutes and fervently tugs at you until you're lined up with his swollen cock. He slips inside you again, thrusting away at maximum pace. Your ass jiggles as he slams into you and he's hypnotized by the sight. His goofy grin has fallen to a serious expression as he chases his climax. He mumbles curse words and praise under his breath while pressing your back downward to amplify your arch.

"God damn, just look at you," he huffs, coming closer and closer to completion. "Whatever you want, Y/N, just say the word," he grunts between heavy breaths. "And it's yours, darlin'." You laugh at the way he offers you the world just from how good he feels inside you. It's a high compliment.

"B- Ba-!" You attempt to beg for mercy, but he's quick to cut you off.

"Shh, shh, now, sweetheart. Just... A little more," he groans, quickening his thrusts as he ends his sentence. He slams into you impossibly hard, incredibly fast, with both hands hooked around your waist. You release sensual cries of pleasure as he chases and finally catches his climax.

He withdraws from you, breathless and sweating. A string of lusty moans drips from his lips as he strokes himself until he finishes all over your ass. He stutters out a grunt before collapsing back on the couch. You're breathless, fucked out with your face buried in the cushion. The two of you fall silent for a moment as you catch your breath.

"Baby Billy?" You break the silence.

"Yeah, darlin'?"

"Could you pass me, um, a towel?"

"Oh!" He scrambles to his feet, tucking away his softening length. His unfastened belt jingles as he makes his way across his dressing room and grabs a towel from the neat, little stack of hand towels. "Allow me," he whispers, still catching his breath, as he wipes your skin clean, allowing you to comfortably collapse as well. He joins you on the couch, buckling his belt and straightening up his suit.

"That was... Amazing..." You sigh, somehow a little shocked at how well he just fucked you.

"It certainly was, Y/N. It certainly was." He lies back on the couch, allowing his eyes to fall shut. A hand reaches up to fix his disheveled hair. "Let's get them drawers back on you, now. We're late for Church Lunch."

You regain your composure and fix your clothes, sliding your panties back up under your skirt. After fixing your hair and your smudged makeup, you're ready to head to Jason's. You and Baby Billy arrive a few minutes after everyone else, and you take your seats next to each other. The table seems to grow quiet when you two join.

"Don't everybody start talkin' at once, now." Baby Billy looks up and down to both ends of the table. "What'd we miss?"

"From the sound of it, you didn't miss anything, Uncle Baby Billy," Judy scoffs. Baby Billy gives you a knowing look, grinning at you sweetly.

"No, Judy, I did not." He beams, proudly, placing an arm around your shoulder and planting a kiss on the side of your forehead.

•••••

Taglist: @justme12200 //

[jcs-singular-slut-strand]

Hi, I’m new to the fandom and thoroughly confused by all the JC hate? I started with the live action, then watched the donghua and just finished the book. Maybe I missed something- but everyone in the story, including some of the juniors, get messed up one way or the other from the whole experience and no one is really to blame? (Except all the Bad Dads™️)… but why all the hate for baby boy in particular?? And why the haters using his tag lmaoo sigh

Lmao tell me about it. Haters using his tag is probably the worst thing about this situation because I don't really care if people don't like him, it's when they have no fandom and tag étiquette that really pisses me off.

Basically i think the reason people dislike Jiang Cheng so much is because he is the one of the two people still alive who Wei Wuxian has had a direct negative impact on (with the other of course being Jin Ling) which means that people then cannot fully enjoy the wangxian ending, as the suffering of Jiang Cheng is too apparent and raw. So they make him into a villian and hate on him in order to make Wei Wuxian (and wangxian overall) look better. They take his anger and hurt along with Wei Wuxian's lack of reaction and twist it to make Jiang Cheng look like he's overreacting and Wei Wuxian to be the victim.

Jin Ling doesn't get this level of hate (the fact he gets any hate at all is beyond me) but when he does get hate it's about the character before "forgiving" Wei Wuxian. They only like characters when they conveniently get over all the pain and suffering that Wei Wuxian had caused them (jiang yanli, jin ling). And because Jiang Cheng really does not do this... well you can see for yourself.

Also not to make this about chengxian... but I'm gonna make this about chengxian. As I've said in the reblogs of a previous post, this one to be exact, for Wei Wuxian, loving Lan Wangji is easier, because Wei Wuxian has never done anything to Lan Wangji that needs a proper apology. Lan Wangji let's Wei Wuxian run away from his past because he wants to be his future, this makes things wayyy easier for Wei Wuxian.

And by extension it makes things way easier for the audience/reader as you never really get a proper insight into Wei Wuxian'd head.

Wei Wuxian, known liar.

We never get a proper insight into his feelings and relationship with Jiang Cheng, all we see is the nasty fall out as a direct result of Wei Wuxian's actions that he never properly answers for.

This makes people hate Jiang Cheng because of Wei Wuxian's brain filter and the fandom's habit of placing the blame everywhere except where it's due.

This is all down to the way that the story was written (as a romance novel that just happened to have extremely detailed side characters) and with the focus on only the main character's point of view, making it so that more thinking is involved in the sympathy of certain characters and that some people just simply do not want to or cannot do this said thinking.

This is really long and does not make sense, so I'm sorry 😭 but i hoped it answered your question at least a little!!

[ittybittyremy]

All the details Bells Hells know about Cyrus' death & everything surrounding it

I've been seeing people wondering/forgetting how much Dorian has told Bells Hells about the circumstances of Cyrus' death. So I've decided to go through the episodes!

A couple disclaimers before I start:

Orym shouldn't have made that comment to Dorian. Even if he didn't know all the specifics, knowing Dorian's brother died recently (and at all for that matter) should have stopped him from making that theoretical. Even if Cyrus' death had nothing to do with the gods, it would still be an inappropriate thing to say. He could've made that theoretical to anyone else in that group but he said it to the person with a recently dead family member.

Even though it would be beneficial for Dorian to tell BH (and for BH to learn/understand) everything about that day, he doesn't have to (and` shouldn't be forced to). Plus, it's very in character for Dorian not to tell them.

I don't want to see any comments saying "well it's implied," "BH should be able to connect the dots," or "BH should get the hint because of how Dorian has been acting." I'm bad at picking up hints irl so I won't fault BH for not connecting those points.

This post is about what Dorian has explicitly said (even though I did add a couple parts where he implies what happens).

This is all under the assumption that Dorian has not told BH everything off camera.

All timestamps will be based on the YouTube VOD.

I may miss a couple tidbits so sorry in advance.

Now to the actual information

Episode 93

Cyrus died (3:43:24)

Two of Dorian's best friends became the champions of the Matron of Ravens and the Spider Queen (3:43:28)

It all happened yesterday (3:43:38)

Opal is "not really" okay (3:43:45)

Cyrus died in battle "if you can call it that" (3:53:36)

Until that day he never thought real evil existed (3:53:46)

What he saw in the previous couple days does was "irredeemable" (3:53:55)

They tried to help Opal (3:54:59)

Dorian knows that there are forces enacting on the world that go "deeper than [he] imagined" (3:55:05)

Fy'ra Rai stayed with Opal (3:55:16)

Dariax is "all right" (3:55:20)

Opal is alive but corrupted (3:57:04)

Fy'ra Rai may be walking down the path as Opal (3:57:12)

Episode 94

Dorian doesn't explicitly mention it this episode but there is a moment where he hints that the prime deities may have somehow been involved.

"If you are relying on the help of the gods, champions, I can't say that I trust them anymore" (2:30:17)

Episode 102

No explicit mentions here BUT we begin to get Dorian's opinions of the gods. That's not what this post is about so I will move on

Episode 103

More of Dorian's views on the gods and we finally get another (sort of) explicit mention

"The last I conferred with a god, they cared very little about the feelings of anyone around us." That god being the Spider Queen (1:37:01)

The reason I say "sort of" is because Dorian doesn't say this is in regards to Cyrus' death (even though we the audience knows this). Orym and Fearne could've easily assumed that this was in regards to their EXU times.

Episode 109

Get an idea of what "getting dark" means. Matt describes Opal as "a humanoid shape of white hair and a black crown dripping and black oil and ichor. Opal stands dark and still" (2:19:13)

"Opal the Twice-Crowned, born a fractured, dual soul. A being of unknown potential, manipulated by cult and betrayer gods alike to walk a violent path without agency, a pawn for the gods and their whims." Raven Queen describing Opal (2:19:32)

Opal has a spider form (different from three-armed Opal) (2:49:20)

Episode 110

Dorian remind Bells Hells that Opal is now the champion of the Spider Queen (51:29)

Laudna says "hang on, because didn't, the last time you saw Opal, wasn't she trying to brutally murder you?" (52:22). I guess BH knows it was the Spider Queen? I'm a bit confused because Dorian never explicitly told them this but maybe it was an off screen thing

Dorian: "I'm not certain any information we would get from her would be particularly reliable" (52:30)

What does Bells Hells know?

As far as they know, the day before Dorian reunited with Bells Hells:

Cyrus died in a (sort of) battle.

They tried to help Opal but she is corrupted, she is still alive though

Fy'ra Rai stayed with Opal

Dariax is safe

Opal and someone else are now the champions of the Spider Queen and Matron of Ravens.

Dorian discovered real evil existed

The title "Opal the Twice-Crowned"

Opal's spider form (but different the three-armed Opal that Dorian saw)

Opal is not a reliable source of information right now

What does Bells Hells not know?

Wildmother refused to help

Matron refused to help

The Spider Queen killed Cyrus (? tbh i'm confused about this one)

Dorian came here because Opal casted mass suggestion

Dorian abandoned Dariax

Opal's memories are either gone or altered

Opal with three arms

The whole Ted thing

And much more