#but does have the later part

[micechicken]

Eyes by Bastille

This is every use of the word "Eye" and variations in Bastille songs (and covers + Dan's solo work). I may be missing something but I tried my best.

It uses variations of the songs too, but not ALL of them cause that's just much lol. Ironically the song with a music video with a lot of eyes (Blame) doesn't have the word, but I used the picture of eyes from it lol. Naturally the easiest one to compile was Weight of Living Pt. I and the hardest was Starry Eyed with 12 😭

Here they are in order of apperence:

Poet 4x Family Ties 4x Haunt 1x Haunt (Dan's version) 1x Weight of Living Pt. I 8x The Draw 2x What Would you Do? 1x Skulls 1x Run for Trouble 1x Eight Hours 2x Pompeii 6x Irreverence 1x Starry Eyed 12x Bite Down 1x Thelma and Louise 4x Back to the Future 2x Give me the Future 1x Those Nights 2x Joy 1x Laura Palmer 1x Good Lesson 1x Basement 2x Drop it like it's Royal Mashup 1x Fake It 2x Good Grief 1x I don't want to miss a thing / It's the End of the world as we know it 3x Send Them Off! 1x Thinkin Ahead 1x Two Evils 1x Warmth 1x Would I Lie to You? 7x Falling 1x Forever Ever 1x Pompeii MMXXIII 6x Free 1x Love Don't Live Here 1x Requiem for Blue Jeans 1x Sweet Pompeii 3x Killing Me Softly with His Song 1x Beating Heart (Laura Palmer Demo) 1x Laura Palmer Simlish Version (Sims 3 Supernatural) 1x

[egophiliac]

I've had a beast of a cold for the last few days, but I wanted to get this out before the new year! while I've sort of made my peace with my first take on Lilia's UM poster, I really wanted to do a version with the new context that chapter 6 gave us. because. c'mon.

(don't worry, Lilia can carry ALL HIS KIDS AT ONCE)

[zu-is-here]

tee hee (*´∇｀*)✿

[molinaesque]

"What are you?" "Oh, I'm you, sweetie. You just... give it a little time."

[gayghostrights]

thinking about John Doe and the dark world as a metaphor for addiction/relapse.

How circumstance and trauma pushed him to do something he told himself he’d never do again, and how he has to live with the consequences and the memories, even though he’s working to not be that person anymore.

And how much shame he carries about the things he’s done, because even if he was pushed to do them, he still did them. To him, he still made that choice, and he has to bear the weight of that.

Thinking about 43, in particular, where the witch is trying to tell John that all he was is all he’ll ever be. That, despite the work he’s put into bettering himself, he’ll only be seen as his mistake in the eyes of some.

And it just feels really meaningful that Arthur’s love is what saved him, in this context. That being forgiven and loved unconditionally, even though he’s made mistakes and hurt people, is how he can cope with the memories of what he’s done. It’s how he can stop himself from slipping back into being someone he doesn’t want to be, even when it’s hard.

love isn’t what makes him better, but it’s what makes him want to work to be better. It doesn’t undo what he’s done but it allows him to live with it.

I just think it’s interesting to read this as an addiction narrative, because so often addicts are dismissed because they’re addicts. Regardless of how much we’ve healed or how far we’ve come, there are some people who will never see beyond our addiction and will force their perspective onto us. Some people hold no compassion for us because they think we’ve made the choice, and think that the harm that resulted from that “choice” makes us unredeemable.

and to see John receiving Arthur’s support and love despite what he’s done, or what he was pushed to do, really reflects how important support is to recovery. Arthur doesn’t absolve John of his mistakes, he doesn’t dismiss the harm he caused, but he doesn’t hold it against him. He knows John is more than what he’s been, he knows John is capable of change and a good person in spite of it, he knows John is capable of being better. Only John can do the work of becoming who he wants to be, but Arthur’s love and support makes the work a little more bearable.

[surreal-duck]

live drama adaptations part 2 (prev)

cast reveal and girls movie night 🔥

[nightmarearian]

Done (heavy quotation marks) with monster Ody @evergreen292 ;)

tbh I couldn’t for the life of me pick a color palette I liked And Render it so I gave up on color. Enjoy the half assery.

Tbh I’ve just been call it Ithacan Naga, but it’s objectively it’s a mix of snake, owl/bird, and human. So 🤷.

Tbh the wings are supposed to be white/gray-brown, cause owls & Hermes, while his scales are supposed to be an oscillating scale from sea green-blue to purple-tinted gray. Uhm. Evidently that sorta didn’t happen but also did. So.

The purple/grayer scales are gonna be more around with the feathers and wings.

Those fin colors are. Too blue and too bright but I love the colors themselves so they’re staying for now.

Uhm. That’s it for now, ig. I’m sorta on a timer rn and I’m tired so <3

The writing bit with this is still in the works (😭)

[muffinlance]

Next Dark Night in Ba Sing Se part! Is! Fully outlined!

...And so is the majority of series in lesser detail because oops my hand slipped.

[deathshallbethelastenemy]

where you go, i go (2)

TEEN!gojo x FEM!reader (soulmate AU)

TW⚠️: angst, toji being toji, reader thinks about killing someone, gojo is in his tweaked out enlightenment era soooooo gojo a little creepy and eerie

Part 2 of what you see, i see

She had been going through the motions for the rest of the day, she hadn't even bothered to stop by her school clubs, until she arrived home. A sickly sweet scent of pastries attacked her senses the second she entered. Her house doubled as a bakery for the first floor. It was a popular hang out place for people her age especially for couples. There was a parade of them this time - cheerful couples were already sharing their coffees and sugary pastries.

The universe was laughing at her. It had to be. Why else would there be so many happy couples in the store right now? It was pointing and laughing hysterically on the ground saying: "That's what you get for ignoring me! That's what you get for resenting my gift to you!" Because that's what a soulmate was, a gift. A rare and wonderful gift that no one believed in, except for those who have experienced it themselves, and she had lost it; lost him.

She almost cried on the spot.

Her mother waved gleefully from behind the register, her daughter seldom returned it as she went up the stairs. She dropped her school bag in her room besides her desk and, face first, flopped on her bed.

She closed her eyes. Nothing, there was nothing.

Her lip quivered as tears began to sting her eyes, but she couldn't cry. Not when her mother was expecting her to change and put on an apron and help as she always did after school. She could silently mourn him tonight.

She let out a shaky breath. Did she even have the right to mourn him? She had never met him or talked to him. Everytime she thought of him recently was only to insult him or dismiss him entirely. No, she did not have the right to mourn him and she deserved to feel empty on the inside.

She put on a clean apron and slugged her way down stairs with a smile as she took over her mother's place at the register. Her mom kissed the top of her head and beamed at her with a thumbs up.

She never understood why so many people hated working retail, but now, she did. She had to force a smile and treat every customer kindly, all the while, she was dying on the inside.

A man had come in. Tall and insanely buff, a scar on his mouth. He ordered the cheapest pastry on the menu and handed her a wadded up yen. Her blood turned cold when their fingers brushed.

Her mother quickly took the money away from her as she gave her a quick command to check on the oven in the back.

She swallowed and listened to her mom. Her steps were quick as she pushed the double doors that led to the kitchen, she hugged herself.

It was him. It had to be him. That was the man who killed Gojo Satoru. She reached for a knife and gripped it tight. She should kill him. Her soulmate was dead and he was the reason why. She should try and avenge him.

Sheshouldsheshouldsheshouldsheshould-

The oven blared next to her. Her head snapped to it as the knife clattered on the ground, and with shaky mitted hands she opened the oven, and took out the fresh pastries.

Those were dangerous thoughts; thoughts she never thought she would ever have against anyone. She took off the oven mitts and looked outside the circle window of the kitchen - he was leaving and her mother was watching him like a hawk, even when the bell rang sharply with a muffin in his mouth as he walked outside with the rest of the crowd. She didn't know what possessed her to run after him, but she did. Maybe, all she wanted to know was why he had killed Gojo Satoru. Maybe, she wanted this man to kill her too, so she wouldn't feel empty inside anymore.

A blur of a conversation as the words tumbled out of her mouth: "Why? Why did you kill Satoru?"

She didn't register anything other than his gruff voice, "Ah, he had a soulmate. If I were you I'd keep that information to yourself from now on." Uninterestedly, he continued, "You wouldn't want the Gojo clan to know about you. No doubt, they'll try to marry you off to another member of the clan." and then, kept walking.

She didn't hear the interest in his voice when he said to himself, "But she would be worth a lot of money if I did take her to them." He would negotiate a price first to see if he was right about her being worth any money. He would worry about that later, right now, he had a star plasma vessel to turn in.

A sharp tug on her arm is all that stopped her from running after him again.

"______! What were you thinking?" her mother gritted out as she led her back into the bakery. Her mother's voice is strict and unwavering, "Go to your room."

And she did.

She tossed the apron on her desk and kicked her school bag. How was she supposed to live like this with the rest of her entire life half-full?

A sob violently escaped her.

This was how everyone else in the world lived, she realized.

Aching and alone.

Desperate and searching.

Wanted and unwanted.

Now, she was just like everyone else like she had always wanted. She supposed, she couldn't complain.

She laid in bed, wrapped herself in a blanket - trying to keep warm, but she doubted, she'd ever feel warm again as she cried herself to sleep.

She dreamt about Satoru. Flashes of a long chain, of red, of purple, of blood, of a crowd clapping, of someone wrapped in a white sheet, of a long dark hallway.

The universe was laughing at her again. Why else would it give her dreams about him?

An uneasiness settled into her bones. Someone was watching her. The grim reaper, no doubt wearing the face of her soulmate's assassin. If death wanted her, so be it.

She kept her eyes closed.

She saw herself sleeping soundly in death's gaze. She saw the time pass through her window changing from sundown to night as death continued to watch her intently.

Hours had passed.

00:57:39

She wondered at what specific time the grim reaper would take her.

1:13:01

Did it want her to open her eyes?

1:13:10

Probably.

1:13:15

The grim reaper has been patiently waiting for her.

1:13:17

Why keep death waiting then?

1:13:20

Her eyes fluttered open.

Beautiful, vibrant cerulean blue.

It was not death. It was -

"Satoru," she whispered.

"______," he whispered back.

Satoru was sitting down on the floor extremely close to her bed with his legs crossed while his hands rested neatly on his ankles. There was dry blood on his face and on his white dress shirt.

Her mouth moved but no sound came.

"You were crying," he said as he caressed her cheek soothing his thumb along the trail of stained lines that her dried tears had left, "alot."

So, he had seen everything.

She put her hand over his and gently rubbed circles.

Satoru scooted closer to her bed, "I didn't like seeing you cry," his hand trailed up to her scalp, "or frown," and gently ran his fingers through her hair.

He laid his head down on her bed and stared at her with those vibrant, sparkling eyes; eyes that could see everything she could never see.

She touched his cheek gently, "I didn't like not feeling you."

Her whole body shivered. Satoru was here, in front of her, and she was still cold.

"Are you still cold?"

She nodded.

Never letting go of her, he kicked off his shoes and climbed under the blanket with her. He wrapped his legs around hers as her arms wrapped under his uniform jacket.

With his hand still tangled in her hair, he said, "Better?"

His heartbeat had returned to her. They were beating in unison again.

"Better," she hummed. "You?" She asked.

His lips pressed softly on her forehead, "Much better." He tugged her in closer into his chest.

She smiled.

She was warm again.

@whatamidoing89 @mr-underhills-things

Part 1: what you see, i see

Part 3: you know i adore you

Part 4: i'm crazier for you

Part 5: baby, you're the life of the party

Part 6: something's made your eyes go cold

[soracities]

if we should protect children because they are vunerable, this means you would protect cruel children who bullies people who different than them then. the children who responsible to trauma for someone else's entire years

You're assuming that "protecting" children is the same as absolving them of responsibility and that's not what I said. All children are vulnerable, because all children are children; they don't come out of the womb with a perfectly working moral compass anymore than they come out of it waiting to hurt people--they're vulnerable because their understanding of the world is entirely at the mercy of what we, as adults, consistently tell them and show them. Children behaving cruelly aren't exempt from that--they learn that cruelty from somewhere, or someone. Your job, as the adult, is to make sure they understand that it's unacceptable so it will not happen again--but your job is also to ask why someone that young is behaving this way to begin with, so you can ensure they become better.

"Protecting" kids is not ignoring when they hurt or torment others, it's not refusing to teach them consequences or right from wrong, it's not "zero tolerance" policies in schools that treat a child being bullied and the child bullying them as equal instigators, and it's certainly not protecting them from recognizing, and atoning for, the pain they have caused someone else. You don't have to make peace with the now-adults who hurt you when you both were kids, but you cannot let the horrors of your own childhood impact how you treat or respond to the children living theirs around you right now, either.

You don't protect kids so they can get a free pass for bullying or tormenting another child. You protect them because kids are impulsive, emotionally reactive, and profoundly social (which means deeply impressionable) human beings who are still learning & processing insane amounts of information every day about what it means to be alive, to be alive as yourself, to be alive as yourself with other people. Protecting them is realising that you can't isolate the responsibility of a 10 year old from the bigger responsibility of the literal grown adults around them, adults who are in charge of teaching them about the world and how to behave in it. Whether you have children of your own in the future or not is completely irrelevant to this; we all become those adults eventually--no matter what happened to us as kids.

[bylrndgm]

JULIE AND THE PHANTOMS (2020) // JULIE E OS FANTASMAS (2011) 1.01 - Wake Up // 1.01 - Enfrentando Fantasmas -> Julie meets the Band.

[mariyekos]

I like to imagine Dante's able to use some basic magic beyond just typical demonic stuff. In the opening of DMC1, a magic circle appears below Trish when Dante shoots the motorcycle back at her, so I like to think Dante knows some basic spells, wards, and the like. For the most part he uses it for little things like making a special lock for his Devil Arm vault, maybe heating up soup or a drink that's gone cold, and so on, rather than any combat things. Dante's spells are not at all refined and he doesn't have a natural talent for it, per se, but he has a lot of power he can put into things so he often ends up brute forcing whatever it is. It's not necessarily efficient, but it works, and that's all he cares about. He's not really interested in most precise or specific things.

Vergil on the other hand has a lot more control and a much greater interest in magic in general. A post DMC5 Vergil (and pre DMC3) would use magic a lot more often, and without as much prep. He spent a lot of time learning different charms etc. to use in daily life, and he's a lot more elegant about it. Some he learned when on the run and trying to hide from demons, while others he learned when trying to track down Sparda, and others still he learned for purely convenience reasons. Post DMC5 he gets a lot more into it than he did pre DMC3 when it was more a thing of survival, even if it had the convenience aspect back then too. He's the kind of person who would learn spells for the sake of knowing them, and while he prefers using demonic abilities in combat, he might try to learn a magical combat spell or two just to see what it's like. He mostly sticks to practical things though (which sit on the border of practicality, but he considers them practical, uses them often, and makes Dante's magic look like child's play).

On the magical third (regrown!) hand, Nero's absolutely horrible at magic, to the point of not being able to do basically anything. He's got the magical reserves, but unlike Vergil who can cast precise spells with relatively little effort, or Dante who gets through spells by basically overloading them until they work, Nero just can't get magic to work for him at all. Lessons with Vergil end with him stomping out when he gets fed up with Vergil commenting on how easy it should be, while attempts to get Dante to explain how he casts magic end in frustration when Dante's explanations basically start and end at "I dunno, it, it just works." Sure Nero can memorize and draw a warding sigil perfectly, but any and all attempts to get it to actually do anything end in failure.

Kyrie, in a reveal that surprises everyone, most of all herself, is apparently extremely talented at magic, which she does not know until she sees Nero trying and failing to activate a warding sigil Vergil taught him, puts a finger on it so she can trace over it as she reviews Nero's work in case he messed something up, and inadvertently activates it. After that they end up doing some testing and discover Kyrie is a natural when it comes to magic. The only problem is that while casting spells, activating sigils, and the like come easily to her, her magical reserves are rather small, limiting what she's able to do. When she first activates the sigil Nero had drawn, she ends up unable to get up and Nero has to carry her to bed (which she insists he doesn't have to do, because she just needs a minute to catch her breath, but he insists on)

Nico is stoked to hear about this and ends up figuring out a way to essentially fit Kyrie and Nero with a magic converter that allows Kyrie to draw on the magical reserves Nero can't utilize so that she can use them for whatever she wants to. While Kyrie isn't someone who really cares to use magic for things in her daily life like Dante and Vergil, she does use it to make little charms for the kids, and to establish wards around the house to protect them from demon attacks and other small misfortunes. She and Vergil end up bonding a little bit as he teaches her the spells and other bits of magic Nero was never able to pick up on.

(Vergil himself feels a mixture of pride at how quickly she picks up on things with his instruction, and jealousy when he sees how good she is at things first or second try when he knows it took him a good five or ten attempts to get it down when he was first learning. Kyrie notices and tells him that he's still much better than her in the long run since he's able to use magic without needing a separate "battery" to power him, but Nero absolutely digs into Vergil about it when Kyrie isn't there. Dante meanwhile finds it all hilarious. But he and Nero are pretty proud of Kyrie too.)

[bisexualmcqueen]

cars textposts + screenshots of despair

i ran out of room

[attractthecrows]

yeah yeah trick weekes says whatever about it not making sense that solas couldnt sneak off THEY FAILED TO CONSIDER that maybe he just is ass at it when he gets invested. much like. the whole fucking rest of the romance where he COMPLETELY fails to resist until the breakup.

anyway.

im personally of the opinion that he's more liable to slip up - fail at sneaking, accidentally reveal details, contradict himself - when he actually makes bonds with people. which is why after trespasser he goes and lives alone in the lighthouse for ten years but i digress.

and i think "that", the bonds tripping him up, should be reflected in his exit from the Inquisition. you're enemies or neutral, yeah he just vanishes. there's nothing to keep him there, nothing to interfere with his plans and intentions. you're (ex)lovers? i think he still would pull back purposefully and probably vanish, but there would be definite hesitation. he would have to force himself to do so, because fuck, he wants to stay. he wants to be close to you. but he also, crucially, knows that you have a dangerous sway over him, so he MUST disengage. if you're friends, it takes him some effort. because he does like you, he doesn't want to do what he has to, it's been so long since he had people who were friends to him, and he doesn't have to force himself away because he's in too deep. he knows you would worry about him. he might not be willing to give anyone the truth - but he would owe you a goodbye, at the very least. especially if you weren't the type to try to convince him to stay.

[dazais-guardian-angel]

With today's entry, I was rather surprised and confused that Johnathan seemed to turn around so quickly from the absolute pit of despair he was in yesterday, having newfound determination and energy when he's seemingly been completely hopeless and inactive for weeks now (and for good reason). Not that I ever thought he'd completely given up, but there's definitely been a slow decline in how descriptive his journal entries have been to reflect his declining mental state (more robotic, less of his actual feelings about things), and today was a sharp contrast; it feels more like the early entries again. I thought, well, his mind is probably just so cracked at this point that he's looped all the way back around to being bold and energetic again, because by now he's desperate enough to throw caution to the wind: he either succeeds doing something extremely reckless to escape, or he fails and meets his end in a far better way than if he just waits for his fate by Dracula's hands.

...But having thought about it and reading other posts, I realized (probably stupidly obvious as it is) that his sudden change in mood probably has to do with what happened to the baby. Despite how scared he's been all this time, yesterday he didn't hesitate for a single second to try to save the baby once he realized from the previous incident what was happening, not thinking about his own life at all. And then he despaired when he couldn't save the child, the first time he's mentioned crying in the book at all, and then he had to witness the mother blaming him for her baby's death, and being killed herself for trying to rescue it. Now, the day after that horrific and heartbreaking failure, he's suddenly more determined than he's been in ages to escape. Maybe that was a turning point for Johnathan, and lit a fire under him... maybe he's clinging to the need to escape not just for himself and the people he loves anymore, but for the vain hope that he can put a stop to Dracula's schemes somehow once he gets out, because he doesn't want to let any more children die :' )

[puppyeared]

its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously