#but comes back a little. different

[breezy-cheezy]

Febuwhump Day 25: Assumed Dead

When all the darkness fades away We had to steal him from his fate So he could see another day

(AKA Trimax AU where Wolfwood got infused with Plant energy when Vash used so much of his power next to his dead body. Took a couple days but he wakes up very confused and very small, because the healing was a bit too potent. Something something giving you the childhood you were robbed of, etc. but being traumatic about it. Good luck getting out of the grave bro.)

[weepingwillows-sweethibiscustea]

I’m currently thinking about an AU where the Justice League confuse Danny for Jason.

Like, they know Batman’s second Robin met an unfortunate end, & now his newest partner is the ghost of an upbeat, scrawny, teenage boy.

Excuse them, for thinking the ghost being Batman’s dead son was more believable then Batman somehow having picked up not just another stray, but a dead one. How did he even do that?

Bonus points if Jason is very much so resurrected already, but none of the bats told the justice league because apparently Gotham’s newest crime lord, who’s 6’ whatever & built like a brick shithouse, isn’t obviously the same malnourished little kid that used to say “Robin gives me magic!” & literally died. Who knew?

[egophiliac]

was gonna wait 'til I'd done all the poms, but it's been a day, so have Vil with a Salazzle 🍎

[windfalling]

1.02 // 1.06 // 1.08 The Stranger vs. Sol on recognizing and differentiating Osha and Mae

[fairsweetlonging]

imagine if after the transmigration shen qingqiu became a combination of shen yuan and shen jiu, not in a "second person living in my head" kind of way, but a "this house is haunted and carries the echoes of the dead" kind of way; imagine shen yuan having nightmares about a house, a fire, a faceless boy behind a door he can't remember; imagine him having flashes of emotions he doesn't understand, rage at a name he doesn't recognize, helplessness when yue qingyuan apologizes for something he won't mention, nausea when ning yingying says the name "a-luo"; imagine parts of his own self have changed too, how he now likes bows in his hair, pretty flowers and flowing robes, but can no longer stand a stranger's touch, a man's touch, yet he longs for the brothels, but never sexually, only fondly, like there's something there he misses. there are many empty spaces in his heart where he feels something is missing

[bet-on-me-13]

Dark Secret

So! Danny was discovered pretty quickly after his first battle against the Lunch Lady. His hair turned white, and his body shape was a little different, but he largely looked very similar to his Human Form, so it was only a matter of time really.

Thankfully he was assumed to be a Metahuman.

He didn't look like any other Ghost, the closest resemblance was his hair and eye color, but even that could be explained away. Also his parents were adamant that he couldn't be a Ghost because he was still Sentient and not Evil, so he must just have powers that just looked similar to Ghost Powers esthetically. Probably as a result of the Portal Accident, which he used as an explanation for how his powers awakened.

Danny also avoided using the more obvious Ghost Powers like Intangiblity and Invisiblity, sticking mostly to the most basic Flight and Energy based Powers he got to be as generic as possible. If anybody saw otherwise, it was a trick of the light or a trick of the Ghosts.

Danny became the Hero of Amity Park, always pretending to be something else. It was his darkest secret.

Unfortunately because the public never saw a Ghost like Phantom on a positive light, their perception of Ghosts never changed. Nobody believed that Ghosts could be anything aside from Evil, and as the knowledge of Ghosts and the Ghost Zone began to spread around the world that perception became more and more commonplace.

If Danny had been revealed in the early days, it could have been salvageable, but nowadays if his secret was revealed he would have to convince the entire world that everything they knew about Ghosts was wrong. It would practically be impossible.

Even when he joined the Justice League when he became an Adult, he still had to hide his secret. Years of hiding made sure he could conceal his true Nature from the magic users on the team, but he still had to be distant from the team just to be sure.

While all this was going on in the Living Realm, his adventures in the Ghost Zone still happened as normal. He saved Pandora and the Acropolis, dethroned the Tyrant King Aragon, managed to defeat Pariah Dark in Single combat, and even became recognized as a Great Warrior by the Far Frozen.

After years of hiding, he actually felt more at home in the Ghost Zone than in the Human Realm. There he could be his true self without having to hide a huge part of his identity, and people accepted him for who he was. Sure he had enemies there, but he also had more real friends outside of Tucker and Sam.

He was content with his double life, acting as a Hero to the Public while hiding his true self, and secretly going to the Ghost Zone to be himself among his friends and even his enemies.

Of course it all came crashing down when he Anti Ecto Acts finally passed.

Now there was a Legal Path for Humans to enter and profit off of the Ghost Zone. Beyond just being able to legally kill and experiment on Ghosts, the Acts also allowed Humans to claim parts of the Ghost Zone as their own Property, enslaving the Ghosts residing there, and destroying the Ecosystem of the Zone because there were no laws preventing it.

And now Danny had a choice.

He could either side with the Humans to which he was a Hero, allowing them to destroy the Ghost Zone and Enslave the denizens living there with the full support of the Government, or he could side with the Ghost Zone, betraying Humanity and the people he had been protecting for years, but trying to save those who had accepted him for his true self years ago.

To him the answer was obvious.

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[kittykatninja321]

My less popular opinion (and what I believe to be implied by the art in Lost Days) is that rather than waking up in a fully grown body Jason didn’t actually complete his puberty until after his Lazarus pit dip while he was on his murder tour. Imagine you’re tied up in a basement in Berlin getting interrogated by a teenager and his voice is cracking the entire time and if you laugh he’s going to shoot you

[s0fter-sin]

everyone makes fun of soap when they find out how many hair and skin products he keeps on hand. the cabinet in his bathroom is filled to bursting and he always keeps travel sized bottles on him on missions

when soldiers outside the 141 find out, they call him precious and self-obsessed, a vain pretty boy too preoccupied with his reflection to focus on the enemy. no wonder how he got his callsign. price has given up telling him to leave them on base and just teaches him to individually wrap them so they don’t rattle against each other and give himself away

what they don’t know is that each product contains an ingredient that when mixed with any number of the others, creates potent chemical bombs. he was caught unarmed once, he won’t let it happen again

[jeepersccreepers]

starting my tumblr artist career off with a little drawing of the duo ever

[poorly-drawn-mdzs]

Daddy, don't go.

[First] Prev <–-> Next

[scribbling-one]

Sloop! Sloopis! Isaloop! Suck that spikey face!!

SIR YES SIR 🫡

[itsybitsybatsyspider]

Despite everything... is it still you?

(more Dark Matter art for y'all. This fic is once again living in my brain rent free. @mysterycyclone)

[zarla-s]

We move forward, 'cause we can't go back...

It's the EIGHTH anniversary of Handplates, and the first one after I finished the comic back in July! I decided to dig up a very old wip that I never finished and finally do it. I've always loved WeMoveForward by The Midnight, and I think it applies not only to the comic itself but also this period after it... there's no way to go back to when I was doing it, only moving forward after it's done.

Even more appropriately, since I did this wip, these characters all moved forward even further... even as this sat in my files, they moved forward, in a sense. I don't know, the song gives me a sort of plaintive, longing, bittersweet feeling... it's hard to explain.

I had a very insistent voice in my head that always made me do a Handplates page over the years I was working on it, no matter what happened. I wasn't sure if that voice would ever stop, even when it's done, but it has! It's gotten quieter now, mostly only nagging me about other projects I should be working on (Defrag, the Ace Attorney/Frozen fic, web design, fic ideas, art ideas...) whenever I'm doing something, much like it did before I started the comic.

How I feel about Handplates finishing though is strange. At times it doesn't feel like it's over, even if I don't feel like I need to do another page. At other times I get sad thinking about it and I miss it, and other times I look back on it with amazement that I was able to do it. Sometimes I look back on it and think about what was happening in my life at that time, and sometimes when I look at it it's unreal and it's hard to believe I even did it, like someone else did the whole thing. It's like it's there but it's not, it's present but it isn't. It's a very strange feeling, it's hard to describe or pin down. I know it'll always be with me in some way, but it is strange to be able to focus so much attention on other things without that feeling of having to set aside a few days to do a page every two weeks... not bad or anything, but I'm not used to it still.

I don't know! When I read the comments on the last page a lot of them made me cry, especially those talking about how the comic had been their childhood, and now their childhood is over. It was sad to think that I had a part in something like that ending... but it ends for everyone, no matter what you do. We, you and me, everyone... we move forward, 'cause we can't go back. That line was so evocative for me that I even used it as a chapter title for the penultimate chapter on Comicfury.

I don't know, just nostalgic thoughts! I don't know if that's the right word for it... but thank you to all of you who read it and enjoyed it. Even now I hear from new people coming to it and reading through it again now that it's done. Even if it's finished, it's still new to people just finding it. It's still "living" in a sense. And thanks to those of you who stuck around even though it's done, I appreciate it. |D

(As a note, the Gaster ukagaka has a surprise if you boot him on the anniversary after seeing the brothers, if you haven't done that)

[index] [patreon]

[deoidesign]

Wearing your boyfriend's jacket

[royaldollybox]

I know it took a couple days, but I've been sobbing so like... can you blame me?? Here's Heart killers text posts part 11 ft. ep 11 (new type of falvour on the ep 11 curse)

Part 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

+bonus