#but because i find them Interesting in terms of what they're doing with the Themes and the Craft

[thecryptidzenith]

11 for the fic game ask!

11. Bonus: recommend your favorite fic

Okay, you're getting two answers for this one because my real answer isn't a D20 fic, and seeing as that's my fandom at the moment, I'd be remiss to not rec something from it.

For the past... Jesus, four years, my favorite fic has been The Prestige by black_feather_fiction (also @black-feather-fiction) No contest. I don't do MCU fic or fandom anymore, but this is the one exception. It's just. It's so good. It's demonstrates the best use of the medium of fanfiction I've ever seen (yes, I'm of the opinion that fanfiction is its own distinct medium, but I'm not going to get into it now.)

Now the conceit of The Prestige is similar to a lot of MCU long fics: what if the plot was... good? Between the California-in-the-1840's/50's amount of untapped gold in the movies and whatever any given writer wanted to pull from the comics, there are so many elements to play with when rewriting a truly epic version of the story presented in the Infinity Saga, or even just a small segment of it. There are a lot of these, and I've read a lot of these. It's exactly my kind of thing, I love a good Plot.

The thing that's special about The Prestige is the way it incorporates the conventions of storytelling in its worldbuilding. To put it simply, an all-powerful God does exist in this universe, and he's three old women who terrorize innkeepers. The Norns/the Fates/other Mother-Maiden-Crone mythological archetypes, are real, and they control the threads of fate, so to speak. The entire universe exists as their plaything, and given the chaos and entropy of the universe, they pull stories from it. The laws of storytelling are just as influential, immutable, and important as the laws of physics in this universe. And just like the laws of physics, they can be manipulated towards a particular use.

This is how the fic opens: with Loki attempting to tell the universe a story so perfect and beautiful that the Norns cannot help but let the tale play out in real life. He doesn't quite succeed. However, the rules of storytelling are never forgotten, by the characters and by the author. Having the conventions of storytelling being a part of story's universe is a brilliant move that I have not gotten over after three years. Obviously, real life doesn't play out like a story, so when telling a story there's always some suspension of disbelief involved, because real life isn't that neat. Having an in-world explanation for the existence of story structure is something I'd never seen before and it's brilliant. And it's perfect for a story about two liars, image-crafters, storytellers, whatever you want to call them.

The story structure being built into the world is incredible, but so is the way the characters attempt to manipulate it in their favor. Even beyond the opening tableau, characters work to push the narrative in directions that will serve them. And the narrative pushes back. Every time I think about how the Fall of the Giant plot beat plays out, I fall more and more in love with it. It's the perfect blend of expectation subversion, expectation fulfillment, and effective character beats. It's fucking incredible.

Besides the rules of storytelling, The Prestige also makes reference to a lot of stories in the cultural zeitgeist in a way that's as delightful as it is earnest. The primary benefit of fic as a storytelling medium is that the audience already has a shared set of knowledge. We know who the characters are. We know how canon goes, and authors already have prepackaged tools to tell their stories with. Less needs to be established in fanfic compared to other kinds of fiction because the audience has a shared knowledge base. The Prestige takes this intertextuality further by pulling from more than just the MCU canon, but from works as varied as Mystery Science Theater 3000, Gremlins, and Alice in Wonderland. These cultural touchstones are in meaningful conversation with the contents of The Prestige and efficiently add depth in a really interesting and engaging way. Hel, even the title is taken from a Nolan movie. This fic is so deeply tied to the culture it's a part of, and I adore it.

Beyond the elements of the story that are inseparably tied to its in-universe use of narrative, the plot is very well put together. I find the bit with Ozymandias (yes, like the Percy Shelly poem) particularly clever, but it's all very good. Despite it's length, I find The Prestige compulsively readable, its writing is excellent. The characterization is excellent, the worldbuilding is engaging, the character dynamics are delightful to read about and devastating for the characters involved. I think this fic may genuinely have everything: Plot, romance, action, adventure, whump, angst, parent/child relationships, (explored from both sides) familial trauma, sexual trauma, self-destruction, sibling relationships, eating disorders--I'm really just listing tags here, but there's So Much, and I love every bit of it. I have loved every bit of it for years, and I don't care how long updates take, I Will Read It. It's the only MCU fic I've been able to read in years, and honestly? I'm not that mad about it, it's fucking incredible.

Now with all that being said, my favorite D20 fic is a lot harder to pick. I've not been in the fandom that long, I haven't read a ton of fic, and my tastes skew towards the Epic, Plot-focused, and Looooooong. Which is a bit difficult to come by (as is time to read.) There are, however, a lot of excellent fics, out there, though I think I have the most to say about The Properties of Adaine by Tangerine_Blast (also @20dimensionsoftangerine) (and by extension its predecessor, but we don't need to get into it.)

The conceit is that because of Oracle reasons, Adaine gets kidnapped by Kalvaxus as a kid and grows older thinking of him as a great paternal figure even though he sucks because her only points of comparison are Arianwen & Angywn. The interesting part is only really discussed and addressed in The Properties of Adaine, which is that she's technically an object! Legally, magically, an object--a dragon's thrall to be more specific. It's a fascinating exploration of the ramifications of DnD worldbuilding, as well as an exploration of identity, security, trauma, etc. It's a bit of a thorny subject to tackle, but so far as I can tell, it's handled with grace and sensitivity. It's doing a lot of very interesting things with the Themes, plus Aelwyn is absolutely insane (she's adopted/kidnapped by Aguefort.) which I get a kick out of. Overall, a striking story (and also one that's still being updated, which is probably why it sticks with me.)

[astrosamara]

Astrology Observations #1

🩵Mars in Gemini and Virgo are very quick learners. They're at their best when they keep themselves busy with new and intellectually stimulating hobbies.

🩵Cancer placements in the big 3 have the most comforting and nurturing energy. These people are so easy to be around and it feels so easy to be yourself around them. I feel like people don’t give cancer placements enough credit for how good they are at making people feel loved.

🩵10th house moons are very loved and admired in their careers. I've noticed a lot of celebrities with this placement.

🩵Neptune in the 11th house can really idealize their friendships and groups and can end up being very deceived by them. Their friends can be very phony and not their true friends at all. 

🩵Leo and Libra in the big 3 makes someone a natural in the spotlight. Fame comes easily to them.

🩵Moon in Pisces or 12th house tend to have very strong connections to their dreams. They can even have epiphanies that help guide them in their life.

🩵In solar return charts, I've noticed that when the transit sun conjuncts the solar return chart ruler, a pivotal moment will happen for that year related to what planet it is. For example, my solar return ascendant in 2022 was in Sagittarius and when the sun made a conjunction with my solar return Jupiter, I received my associate's degree. My previous solar return ascendant in 2021 was in Libra, and when the sun made a conjunction with my solar return Venus, I developed a new long-term crush that inspired me to pursue a new passion. It can be fun to make a note of these dates every year to see what comes up.

🩵8th house synastry is no joke. These connections are incredibly intense and very hard to break free from. It can feel almost impossible to forget about this person. Very transformational as well.

🩵Harsh moon aspects are strong indicators of a wounded relationship with the mother. Pluto square the moon in particular is a very challenging placement for this matter. The mother could have instilled deep trauma and fear in you at an early age.

🩵Positive Mars and Venus aspects make someone incredibly charming. They're often easily liked and admired. I've noticed this the most with Mars sextile Venus.

🩵It's so important to pay attention to your moon sign/house/aspects to discover what you need to feel emotionally fulfilled. For example, I'm a Pisces moon and need to be creative and have a healthy amount of alone time daily to feel content.

🩵Personal Aries placements rapidly need new and passionate energy in their lives. It's so hard for them to stay in situations they're bored and uninspired in. Depending on other placements in the chart that can be more grounding, it's very hard for them to remain committed to a situation for a long time if it's not interesting.

🩵Idk if it's just because I have a Scorpio venus and stellium, but I find Scorpio moon and/or mars men to be so sexy.

🩵Pay attention to what themes come up in your life during your north node return, it can reveal a lot about what you're destined to do and what sort of life can be the most fulfilling for you.

[yanderefarm]

yandere cultist but its omegaverse

cw; religion, cults, yandere themes, omegaverse

ill post the introduction for him later too. ive had this idea for a minute i thought it was fun. u always see yandere cult leaders wheres the yandere followers who act the way they do because they're following what they were told. wheres the yandere cultists who have been convinced that you're their chosen soulmate and will do anything to prove it to you.

also i got the dominant thing from a yaoi manhwa i dropped i don't remember what it was called but im sure this trope isn't original to the verse i just put my own spin on it

you're what's called a "dominant" alpha, it's not anything to do with your role in the bedroom and more the strength of your traits. rut inhibitors and scent blockers have no effect on you while you struggle with interest in typical omegas. but because of the rarity of the condition it wasn't often taught about in schools. trying to find a "dominant" omega on normal dating apps was practically impossible.

that's why you turned to more conservative dating apps. less likely to find people who thought dominant omegas meant strap ons and muzzles and more likely to find people who thought the term dominant omega was a sin. while you don't agree with them an omega is a whole lot easier to reason with.

thats how you met him. he was a beautiful boy with long blue hair and lovely floral dresses. all his pictures were either clearly church pictures or candid shots of him working on a farm. all you really needed to see was the marked off dominant omega trait at this point but him being a cutie was a bonus.

you checked to make sure he was what he said he was and then you two hit it off immediately. he was shy but he used the cutest emojis, lots of hearts and sparkles. you found yourself talking to him every second of every day, completely enamored by the sweetheart he was.

so when you asked if you could finally go on a date in person you were surprised to find your stark differences reared their head. you had to meet his dad before you could go on a date. sure. he's made it no secret that he's a sheltered religious boy. the comment he also added about ensuring his purity was intact was unneeded but you could get past it. he's a good person.

he's a good person who happens to live in the same Happy Homes compound you had just watched a video essay about. you were surprised... and horrified. still as creepy as the place was you were too attached to him at this point to just abandon him here. if he couldn't be convinced to leave that's one thing but you hadn't even tried yet.

his family was warm and welcoming, a few uncomfortable comments and his eldest brother wouldn't stop glaring at you but that's not unique to them. it was a relatively normal farm house surrounded by identical farm houses. what could go wrong?

you had dinner with them and they even invited you to church with them. you knew you weren't about to be convinced to join the cult so you agreed. his father let you borrow some nice clothes and you ended up taking your boyfriend, his mother, and one of his sisters in your car.

the sermon was. boring. nothing uniquely offensive that you wouldn't find in any conservative religious church. the surprising part came with the announcements. the pastor, a beta dressed in white ushered your boyfriend and 4 other omegas onto the stage.

he talked about a plan, a calling each of them had from god. they were each supposed to bring wayward alphas to the church to join them in the house of god. yeah, you could get the gist and before you could even try to stand up one of the other boyfriends did so. he was talking about how this was bullshit and he didn't buy into this crazy crap. and then he collapsed. you watched as 2 others joined him in either death or unconsciousness.

the pastor ushered you onto the stage and your boyfriend's brother dragged you up by the arms. your heart was pounding in your ears and the lights above were glaringly bright. you barely noticed when your boyfriend's arms wrapped around your own.

"and you too shall enter the happiest homes. may god bless you."

you felt your mind go numb and the next thing you knew you were on the floor.

[just-a-ghost00]

Are they "spying" on you? Why?

I just felt called to do this reading very randomly. The theme is also very random. I just thought these pictures were just so adorable.

Group 1

Trust, Love, Surrender rx, Paradox & back of the deck Strength

They try not to. They try so hard. But they just can't resist the urge to check up on you. Watching you from afar is this person's guilty pleasure. Curiosity just gets the best of them. Even if they tell themselves "I should forget about group 1, I have other things to deal with", they constantly find themselves with their nose up in your business lmao Part of the reason why they stalk you is because this person feels a bit confused when it comes to you. They like you but paradoxically they kinda wish they didn't. This person has a hard time trusting others and opening their heart to people in general, especially romantically. They don't want to surrender to whatever may be going on between you but at the same time they just always feel called to come back to you. They just can't stay away from you no matter how hard they try, no matter the number of reasons they try to find to explain why they just should leave and never look back. They try resisting you so hard that it is painful to them. It just feels so unnatural to deny their feelings and attraction. But at the same time, this "love" doesn't make sense to them. I guess that they were surprised to meet you and didn't expect to get attached to you so quickly. And they may be viewing this attachment as a weakness for some reason. I just feel like this person is scared of being toyed with, being hurt and taken advantage of. Which is absolutely legitimate and understandable. Also, I'm getting that they check up on you because they want to see if you're in a similar state. If you too are also confused and feeling messed up ever since you met them. A part of them wants to be reassured and know whether they're alone in this situation or if you reciprocate the feeling. The truth is this person just adores you and somehow has a hard time coming to terms with that. I wonder why that is. Let's pull some tarot cards to get to the depth of this situation.

You got the ace of pentacles, White Numen, 3 of wands, 10 of cups, 2 of swords, Queen of cups.

They just have so many hopes and dreams for this connection that it scares them. Because they feel like it is too much too soon. They're not sure that they're allowed to have such thoughts of you. I feel like they're doubting their sanity in a way. Like "is it even healthy to think of group 1 this way when we don't know each other" kind of inner struggle. Because to this person you mean so much more than what they let on. Not only do they have feelings for you but they hope for a future with you. They want to take the connection to a higher level and see where this leads because they just feel so happy with you and safe. And it just feels like the right thing to do. However, maybe your attitude towards them lead them to believe that you may not be wanting the same thing. So they're puzzled. There's a dilemma going on here. "Should I keep hoping for more or should I just move on?" is what may be going through their mind. I also had the impression that there was another person playing a role in this indecision and confusion. Possibly another interest that they had in the past. And this person's energy is sometimes coming back in their bubble, which pushes this person to try to forget about you. But it's not as easy as they thought it would be. I feel like for others of you that third energy is actually distance. This person is scared of how living at a distance from one another could be impacting the connection. Like "yeah I like group 1 but what if that disappears with time since we don't see each other that much" kind of feeling. Also they may be scared that you end up picking someone else and when they do come in, it's too late for them. So that could also explain why they check up on you. They want to see if you found someone else. This spread also made me feel like this person puts you on a pedestal and feels like they're no match for you.

Group 2

The Weaver, Ask Body rx, Transmute, Shadow & back of the deck Pillar

I wanted to say no but the last two cards made me think otherwise. I feel like this person is not directly checking up on you but is getting information about you through their friends or through their intuition. Also, it could be that they don't actively seek out for you but even if they try not to check up on you, you just constantly appear on their feed or things just remind them of you. Similarily to group 1, I get the feeling of someone fighting the urge not to stalk. And this person is better at it than group 1's person. When they do check up on you, which I feel like doesn't happen very often, this person does their very best for you not to notice. So they could use fake accounts or apps that allow them to see your content without their name appearing in your notifications. I feel the reason why they act this way is because this person is trying to get their control back. It's like they had lost themselves in the connection and they feel like they have to heal from that. So they try to remain at a distance from you and try to keep the interactions at a minimal level. Cause they know that if they open the door, they'll just lose it. I feel like this person just wants to keep a hold on their desire for you. And rather than expressing their passion and pulling you in this spiral of lust, they would rather use this energy as a source of power and inspiration. I feel like they're trying to keep themselves busy and staying on the low. You may notice that this person is less active on their socials or if they do post, they're keeping things very surface level and kind of mysterious. Like they share stuff without sharing too much so it would be hard to really know what they're up to. I also picked up on the energy of someone releasing sexual tension through art or through their work. Or also through physical activity. This person may be hitting the gym more often. You may have noticed physical changes in their appearance. That's because they're trying to distract themselves from the effect you have on them. Since I pulled tarot cards for group 1, I will do the same for you as well.

You got White Numen, 8 of wands, Chariot rx, 9 of cups, Hierophant, ace of cups.

Boy I knew this spread was connected to group 1. If you hesitated between the two groups, you may want to check G1 then. This person got the feels but more importantly they got the hots for you, like really hots. This person is desparately fighting the urge to rush towards you and go down on you. There's so much that they want to say to you but they hold that back because they think you'll think they're crazy. This person daydreams about you 24/7. You're their wish fulfillment. You have everything that they dream of when it comes to their vision of what a partner should be like. This person definitely considers you commitment material and they just love you plain and simple. I have to mention that the 3 of cups is at the back of the deck. Just like in group 1, there's a third party energy here lurking in the shadows. This may be a past connection. But also, this could be that this person is trying to keep things friendly with you because they're just overwhelmed by how they feel towards you and it scares them. It's like they're trying to run away from their feelings and the way they do that is by drowning themselves in work, focusing on various activities at the time to make it look like they're not available for you. Again, I also get that friend group energy like this person's friends know you or something. Maybe they tell this person about how you're doing so that they don't have to feel guilty. Or actually, maybe their friends are trying to get this person to lower their guards down and actually give in to temptation when it comes to you. For some reason, I picked up on a friend saying stuff like "oh group 2 posted a picture, omg they're so beautiful" just to get this person to react. Maybe they even try to make them jealous by interacting with you. That feels a bit weird lmao but I feel like your person's friends are rooting for you and trying to get your person to talk to you. But this person is like "nah we're just friends, group 2 doesn't want me, it's better if we don't talk" and their friends are like "sure, who do you think you're kidding just go and talk to them dumbass".

Group 3

Manifest, Self Love, The Universe, Compassion & back of the deck Connect to heart

No, they are not stalking you. The reason for that is because this person is focused on their self growth, their health and their personal goals. They are doing their best to manifest their desired reality, thus they don't have much energy left to focus on you. This isn't to say that they do not like you. I feel like this person appreciates and values you but they just don't feel the need to check up on you and know every detail of what you're doing. I feel like this person has been through a lot lately and just needs to focus on themselves, to recharge their batteries and do what feels right for them. So they're just not up in your space and they mind their own business. This person is likely to be at a distance from you and you may not hear from them at all. Also I'm getting that this person feels connected to you spiritually so they feel like they don't have to stalk you because they already know deep down you're doing okay. They just intuitively know that you understand them and care about them just like they do. They also trust that you respect their privacy and need for space, so they're not worried and they just do their own thing in their little bubble. They may even have deleted their apps to avoid risking interacting with you. They just don't want to be distracted and they need the time and space to come back to their senses and to heal. I asked spirit for more details so I drew tarot cards just like I did for the previous groups.

You got 9 of cups, 4 of cups, knight of pentacles, 8 of cups, Star rx, White Numen.

This person is focused on their dreams and their emotional needs. They just felt disconnected from you and they didn't see any reason to keep going knowing that they weren't feeling it. So they pulled their energy back and poured it back into their own cup. This person has a lot of respect for you and is thankful for the time spent with you. However they just feel like they have to go their own way for the time being. They didn't see a purpose in trying to make the connection work when they didn't see anything come out of it. They thought it would be hurting you both for no reason. And this person didn't want to hurt you. Also they felt like there was no hope left for your connection and that they were called somewhere else. I'm also getting that their work is taking a lot of their attention and energy so this person just didn't have space for you in their life.

[tonythr]

The Watcher's telescope view is a social commentary and here's why

Ok so let's set some things right first. City of Tears is amazing.

(Yes, Pale Court is also an amazing mod)

I've played Hollow Knight many times, and City of Tears is probably the one location I never get tired of. The scenery, the lore, the room layout, the music, the atmosphere - it's all perfect. It's the culmination of Halllownest's beauty, the peak of the game's art style, and the narrative's most essential location. City of Tears is the heart of Hollow Knight.

This game is a story about a Kingdom and its death, a tragedy of a society that was built on dreams of light but ultimately was consumed by the light so much that darkness became its only hope. And City of Tears stands at the center of this story. So it's fitting that the themes of corrupted dreams, society flaws, and dark hopes are what shape the lore and atmosphere of this beautiful, gorgeous location.

Did you ever notice that the tears of this Kingdom are dark despite them originating in a glowing blue lake, and the waters that flood the streets are almost as dark as the void in the Abyss? Do you ever think about how the vibrant blue color of the City is basically a culmination of how the color blue is presented in other locations (Howling Cliffs, Forgotten Crossroads, and later Royal Waterways being more of a remix of it), and how it's tied to the very essence of Hallownest (and how Resting Grounds, the location that contains Blue Lake and also uses a bright blue color, represent the very foundation of Hallownest's history, that being Seer's story about the Moth Tribe's betrayal that started the war between Pale King and the Radiance)? Do you feel like Soul Master basically represents the thunder and the lightning in this never-ending rain? Do you get it????

Anyway yeah, there are many things that can be said about City of Tears, and this is hopefully not the last time I make a post about it. What I want to talk about here is the City's society.

Basically, Monomon said it better than anyone could:

It's a very complicated topic. The narrative basically explores the inner mechanisms of a free mind, how its primary need is finding a purpose, and how its purpose turns out to be a constant need of... something. Anything. As long as there is something to want, a free mind will want it. As long as there is something to yearn for, something to enjoy, something to dream about, our minds are going to move in its direction, never wanting to stop. Because a stasis is worse than death. Because a world without dreams is an empty world.

But then again, isn't constant yearning another instance of, well, constance? If dreams never end but also never evolve, doesn't that create another kind of stasis?

Like I said, it's very complicated. Let's go back to what I was getting at in the first place. What I actually wanted to say is this:

Theese guys fucking fucked up as a society.

It's classic dystopian shit (or maybe I'm using the wrong word, but you get the point). Rich people are living in luxury while the rest are suffering. They're making gold a fucking religion and are seeing it as the only beauty in the world. The corrupt upper class are using heavy gatekeeping on the lower class.

Literally.

What's interesting is that, at first, we barely see any lower class bugs in the City. There's suspiciously few regular husks in this location, compared to how many rich guys are on the eastern side. But then we get to Soul Sanctum and it all starts to make sense.

There are no red cloaks in those corpse piles. Only the poor were killed for those experiments. It can't be a coincidence. It's straight-up elitism-based genocide (again, I don't know if I'm using the right terms, correct me if there's a better way to say that, but the point is clear).

Also, see how many streets are flooded on the western side in comparison to the eastern side.

Point is, the bugs that ruined the kingdom by always wanting more (what Monomon wrote about) are most likely theese rich ones. It's a very fitting thing for this dystopian narrative: neverending greed that leads to the downfall of a civilization.

There's a note in the Hunter's Journal that describes it in the best way possible:

For every location in the game, there is a place that functions as the center of its essence, its narrative heart, the culmination of its themes. For Queen's Gardens it's the White Lady's cocoon, for Greenpath it's the Lake of Unn, and for City of Tears (or at least its eastern part, the one with the upper class) it's the Watcher's Spire. The tallest building of the great capital. The home of (evidently) the most rich and influential bug of the City's high society. Literally the top of this social hierarchy.

He is also arguably the most mysterious dreamer out of all three. I mean, why does he have only one eye? What type of bug is he? How did he get this much power? Does he really have some kind of connection with the Collector? Is he a motherfucking fluke? Why does he seem to have an obsession with serving the King?

That last question is kinda answered by the cut content though.

That last sentence is kinda confusing. Is it regret? Is it humility? Is it pride in his sacrifice? In any case, here we see that Lurien actually knew that the Pale King was literally a god, and desired to worship him, like any other bug yearns to worship some kind of deity. So while other bugs of Hallownest worshiped PK because he was a monarch, albeit a godlike one (for all they knew he could be just an extraordinary bug, but a bug nonetheless), Lurien worshiped him as an actual god. And the intricacies of worshiping a god are one of the central themes of the game. From the moth tribe's betrayal of Radiance leading to the birth of the Infection to the Godseeker's shenanigans leading to the birth of the Shade Lord - the game makes multiple statements about gods, religious devotion and the semantics of divine power. Just that one idea that a god takes its power from the ones that worship it deserves its own post - heck, it deserves its own book.

So yeah, Lurien's devotion to the King is an important part of the story. He sure is an important character in this narrative. He also got a cool house. Being able to observe the entirety of the Hallownest's capital is badass.

But there's one thing I find odd about all that, and it's the moment we get to actually look through his legendary telescope.

Is it just me, or does this feel kinda... Underwhelming? Almost disappointing? I mean, don't get me wrong, I love this view, it's beautiful, and I would certainly love to be able to see something like this with my own eyes irl, but, looking at this picture, I can't help but wonder...

Did he actually see anything from up there?

In cut dialogue, Lurien talks about how he loves the City's streets, and his hidden lore tablet contains words about his love for bugkind, but... I see neither any streets on this image, nor any bugs (that are not vengeflies). Only spiked rooftops and rainy fog, clouding the view of the actual City.

And sure, the Spire has many windows and even had multiple watchers who were helping Lurien with overseeing the capital...

But his own spot was always this one.

His telescope was sealed in one place, letting him see only a small portion of the City and its life. Almost like his own worldview was stuck in one perspective.

Notice the wording here. It's not "The Seals must remain". It's "Bonds must remain". He's not thinking just about the Seals containing the Infection. He's thinking about the whole Kingdom needing to stay unchanged. His dream is the stasis that the Knight (and also Monomon, Hornet and, in a sense, even Radiance) want to end. The stasis that the Pale King wanted to create in order for his Kingdom (and therefore himself) to be eternal. The stasis that would allow for both Pale King and Lurien's worship of him to remain forever.

But there is always a cost to ascending higher than others, and it's that you can no longer see what's going on below or who's suffering down there. I think Lurien, sitting atop the tallest tower, was actually detached from the struggles of regular bugs. He and his Spire are the culmination of the City's upper class' ignorance towards the ones who were below them on the social hierarchy. A dreamer who dreamt of watching over the very heart of the holy civilization lived so high up he could no longer see his beloved world in its complicated, detailed entirety – and the tears of the stasis created by those like him only blinded him more.

All those flooded streets, those broken buildings, those empty halls, those starving bugs, those sealed doors - even though he watched over them, he couldn't see them.

I'm pretty sure Lurien didn't even know about the Soul Master's experiments, despite the fact that the Soul Sanctum was located right next to his Spire.

Or maybe he knew but chose to turn a blind eye to it (pun intended).

But it's kind of poetic, isn't it? It's the beauty of the tragedy of this game's characters. A Beast who had to surrender everything to the opposing civilization. A Teacher who could no longer teach. A Watcher who couldn't see the truth.

And all that makes me wonder... How much suffering could the Pale King see, standing on that platform at the top of the Abyss, facing away from the pit where his children died?

TL;DR: Lurien's point of view was too high up to actually see what was truly going on down there, both literally and metaphorically. His desire to worship the Pale King made him ignorant of the struggles of regular bugs. Similarly, the extreme elitism of the high society of Hallownest lead to ignorance, discrimination and greed, which ultimately caused the sprawl of the Infection. This side of Lurien's story might also parallel the Pale King's with his ignorance towards the discarded vessels.

TL;DR²: Eat the rich

[hellspawn-enjoyer]

Another thing I need to rant about because I find it incredibly adorable is how these dorks have the nerve to have elements of a reincarnation romance in their romance together.  

What do I mean by this?

I mean having dialogue that lampshades that one feels like they’ve met before and the other feels like they’ll meet again. Karlach’s dialogue in her date night romance scene you get in Act 3. You and each companion get a different special response to asking her if being mysterious suits you.

This is her response for Astarion-

Karlach mentions feeling like there's something familiar about Astarion. The second picture is a common dialogue other characters can get, but it does add various meanings to her line specific to Astarion. Overall adding to their special connection and how they just sort of click when they first meet each other.

Feeling something familiar between them also plays nicely into them having similar woven parts in their unfortunate traumatic history. As well as them being a sort of mirror to each other. One that shows what they could've been, but also what they can still become since they can either improve or descend into becoming worse versions of themselves down the road.

This dialogue on its own is cute because of the fact it shows that she feels connected and understood by Astarion to the point that she feels they’ve been together for longer even though their time together at present is so short.

So the fact that Astarion has a similar feeling, but with her death makes it all the more gut-wrenching.

When Astarion tries to convince Karlach to go with him to Avernus to look for a way to fix her engine, if she declines Astarion will tearfully accept her decision but remain hopeful that somehow their paths will cross again. Basically, saying that maybe her death isn’t the end of their love, but instead the beginning.

So now we're getting into the whole Reincarnated/We’ll meet in another life romance trope. Obviously, you can roleplay this with any romance, but it just makes me particularly insane that it’s hinted a few times as a theme in their romance with special dialogue between the two of them. That they have a connection so deep to each other that they can feel it from another life.

Now, of course, I've got to talk about Ascended Astarion's dialogue if Karlach declines his offer to go with him to Avernus because it's interesting in it's own way as well. He essentially says the same thing to Karlach, but the way he says it comes across as being more confident that they'll meet again.

This, of course, can be read similarly with him planning to find her reincarnation and romancing her again or as Astarion willing to do some questionable things in order for them to be reunited with each other. You can see this as sweet, concerning, or both. All valid takeaways from this scene. Either way, he holds on to the feeling that their romance has only just begun and that they have something more awaiting them in the future.

Karlach's origin epilogue if she chooses to die on the docks also adds to this with Withers coming to her and saying that her death isn't the end of her story.

So even if you play their romance in a way that ends with her choosing to go out on her own terms their dialogue and this ending scene connects in a way that reinforces that they'll have a chance to meet again someday. Also implying that they're a fated pair, soulmates, romantic or platonic that have met before and will meet again, that just gets to me.

Overall another reason why I'll never be normal about these two and their relationship with each other! 😭

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[artbyblastweave]

Whatever else I may say about the writing of Fallout 3, Oasis is excellent on every level. Genuinely totally siloed from the main quest and the rest of the game world's communities, isolated from any area of the game world that you'd be likely to pass through on your way to another quest objective (maybe Fort Constantine, but you'd still have to detour pretty heavily.) Despite that, allusions to the place are seeded throughout the game- Three Dog talking about it on the radio as an urban legend, a single insane wastelander ranting about it before dropping dead in front of you. One of your rewards for completing the Arefu quest is that you'll have a cluster of locations in Arefu's general area marked on your map if you hadn't found them already; one of those locations contains an exiled, berserk Treeminder with coordinates to Oasis on his person, albeit without any explanation of what Oasis actually is. Actually finding the place is a very self-directed activity even if they hand you everything you'd need to get there. I feel as though there's a level of restraint on display from Bethesda here that you wouldn't get for settlement with a named quest these days- an asset as visually unique as Harold would absolutely end up with top billing in the main quest, you wouldn't be allowed to miss him. And anyway, once you get there, I dunno, there are interesting parallels. Inasmuch as Fallout 3 has any kind of actual deliberate theme, I'd argue that the theme is that you can't run from your problems, and you can't stick your head in the sand. A lot of the settlements you visit over the course of the game have the vibe of a whole bunch of people who are just sort of holed up and waiting to die, even the outwardly successful ones like Megaton and RIvet City. The entire main plot is triggered by James deciding to try and do something about the state of the world instead of just waiting to die of inbreeding along with everyone else under the Overseer's thumb. Everywhere you visit is experiencing some kind of watershed moment- something's gotta give. And then you get to this place that's outwardly a pretty sweet setup, but only because they're obscure- and that's not sustainable. You found this place, other people are going to, the only actual choice on the table is on what terms they're going to come into contact with the outside world and on what timetable. The possibility of reforestation is complementary to Project Purity; they make a big point of the fact that Harold can't do jack about the irradiated water even if the restoration of greenery would still be a major net positive. And it's not hard to draw a connection between the ending where you convince Harold to keep living because the Treeminders are dependent on him, and the whole "abandonment issues" beat that the Lone Wanderer is given room to have with their own father- you don't get to duck out on the world that easy, James Number 2. Lots of interesting little parallels swirling around in there, if you're an overly charitable apophenic such as myself

[neptunes-sol-angel]

Well let's fuck around and find out 🤭😉

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Pile One

This could be someone who's a friend that you need to cut off or someone who you've already cut off. I would say that this is a parent, but this is looking like someone who has this false sense of authority over people and in general isn't a good person to be around. I'm getting this image of someone hiding in the shadows who comes out at just the right time at the right place to make a move on you. The parental energy that I'm picking up on could relate to one of their negative traits, which is analyzing voids that you could have internally. It could seem like they're fulfilling you emotionally, but really this is deception that they use against you later. Affection, validation, or someone who listens is what could they hold above your head to convince you that you need them or that they hold the answers to how you should live your life. This person fucked around trying to gain control over you and now they're finding out that you're no one's puppet and that you're strong enough to both walk away and wake up from the trance that you don't have any glamour. Or this could be someone who was very delusional thinking that walking away from you would make your life halt, but there's light being shed on just how powerful your magnetism actually is. They walked away just to come back to watch how you're flourishing and still gaining attention from unapologetically being you, they see you birthing abundance in your life, they realize how your originality is undeniable, if your presence on social media is public, they could be lurking and taking notes on the shine that you vibrate effortlessly. Pile One you're the blueprint, baby!

Pile Two

This is an opportunist who is a friend to no one but themselves. Their concept of loyalty is that they're ok with you giving it unconditionally to them, but theirs has terms and conditions, and they're strongly offended when you reflect their way of thinking by withdrawing your loyalty. This is someone who is constantly in some drama, never has their priorities together, and if you dare suggest what they could do to help themselves, they'll give an excuse for why they don't want to do the things that will bring stability to them or at least reduce the trouble that they get into. An overall immature person. This could also be someone you work with or had a partnership with, there's envy and jealousy that they have over you and instead of working on their feelings, they'd rather do something slick behind your back to to to make sense of the animosity they have for you. This is someone who doesn't play fair and see things as deep enough for them to sabotage you. They fucked around and found out about how karma and your guides don't play about you. They overestimated their reign of how much they could overstep and they're in a position now to where they can't weasel their way out of the consequences. The theme here is a loss of security. Their self-grandeur is withering away to a lack of confidence, they could have lost their job or are severely losing momentum in getting ahead in their life. It's like their tricks are no longer working and how they tried to stagnate others has now blocked their own blessings because they're incapable of moving forward. This person has to get out of having this main character syndrome, their inability to be a team-player by supporting others or clapping for others has left them in a pit of the same cycles that they thought they could take shortcuts out of whether it be understanding how immoral it is to use others or learning that trying to knock someone down doesn't truly elevate them from their insecurities.

Pile Three

This person could have you on their mind a lot or you show up in their dreams frequently. This could be a love interest from the past or someone who you've used to talk to on an almost daily basis. You could have helped them in some way or there was something in this connection that they may have tried to downplay or had trouble understanding. I'm getting that they fucked around and found out about your effect on them which is someone who they'll never forget lol. I'm also getting that this could be someone who you're currently talking to who underestimated the feelings that they get when they're around you, or how much you positivity you bring in their life. However, this really does give a chaser and runner type dynamic, where you were eventually the chaser and now they're the runner. If this is a past person, this is someone who misses you dearly, and may have fumbled in the beginning of you two parting ways with each other, by pretending and overcomenpensating the facade of someone who has "moved on". For some people, this could be ex-friends or family members who are deeply feeling the downsides of your absence but are too prideful to apologize to you or tell you that they miss you and would like you back in their lives.

[connorsnothereeither]

How do you make Virgils boards, is there a system or do you just like go ham? I find them very neat and am curious

(idk if this has been asked before but if it has i couldn't find it so-)

I don’t think it’s been asked but I would LOVE to ramble about it omg for sure-

It’s sort of a mix of both! I have the advantage of like,,, Virgil canonically thinks the way I think, when it comes to connecting dots, so it’s sort of just a visual representation of my brain and how I picture the lore, lol. In terms of a “process” though:

I tend to start with a list of important plot points, bits of information, and character details Virgil does know. And obviously most of the time, it’s a a bunch of questions that he’s asking, which I’ve woven those into

From there, I make a list of assumptions Virgil makes based off those facts. Sometimes those are correct assumptions that I know are right because they’re planned lore. Sometimes they’re things that I’m spitballing because we haven’t landed on an actual answer, and it’s sort of like,,, testing the waters with an idea I think is fun, but that might not be canon. Sometimes, my favourite, they’re just completely bullshit assumptions that make sense but are so wild and silly, either for the comedic effect or as a red herring.

Once I’ve got all of those, I do just sort of go ham sketching them out! I tend to cluster them based on vibe and theme, so it looks like an evolution of thought. Here is this idea, here is this idea that relates to it, kinda thing. I also try to make sure that there’s a drawing or diagram per cluster of information, to add more visual interest! I tend to shuffle things around once they're drawn out, trying to see what fits best where, the sizing of things, and whats like, an appropriate connection/space for things to go! (for example in the upcoming draft of the board, I had to decide if i put the section on Luxtant near Avianism, near the Avicane, near the Sorcerers, or near Vast and Rune!)

Also before I do the line art, I tend to add the strings on a seperate layer to test the placement! actually connecting things with the red string is less important to me then how it looks visually. I want “main things,” whether it’s drawings or notes, to be visible. Like I try my best to not have string lines being directly over the top of people, or important concepts! You can for example in the current board in Virgil’s office that like,,, the note about Kalia isn’t covered, or the pictures of Vast and Pietro, but things like random questions about Viviana are covered by strings, because they’re less important to notice upon first glance. It’s a lot of finding a way to use the strings to draw the eyes in places I want them to go.

Then the last step of the process is line art and colouring and finalising placement :D

That all makes it sound like it’s a properly like, thought out process but honestly it’s a big mess of back and forth editing and scribbling and deciding last minute to add things to fill up space and just hope things turn out looking okay lol! But I have a lot of fun with it, Virgil and his investigations and investigative process (especially upcoming with things like Void Sickness) are very fun to play out 🫶

[zahri-melitor]

Thinking about the shape of A Lonely Place of Living in relation to Tim's story and what Tynion was trying to do with it, and it's interesting to me, as I don't think it's his most successful story in terms of a narrative beyond re-establishing and re-centring a character, but he's once again playing with a lot of Tim's storylines and echoing various things (and not just ALPOD though obviously ALPOD, it's in the name).

Like you cannot get around that the story is about Gun Batman, because Gun Batman is right there. But the shape of how that works: it's a recapitulation of Red Robin themes. Because Tim's trapped, and Tim strategises a way to escape from his prison, and he has to cooperate with his enemy somewhat to achieve his goals, and as soon as he gets out the first thing he says to his family, to those he's closest to - is to warn them that Gun Batman is coming for them and particularly for Batwoman. It's SO Yost arc coded.

Gun Batman and Tim's discussions over whether the ends justify the means, and whether killing is acceptable echo through a lot of stories where Tim faces that and refuses to do so (The Young El and Dava arcs in Robin around #50 are always worth pointing out, because people don't know they're there, but of course also Red Robin #26 and trapping Captain Boomerang), but it's interesting here, as the story also establishes...if Tim doesn't even remember who Conner is, this Tim also may not remember having that fight with himself and redrawing that line, and then he gets to do it all over again.

And then we also get to do a Brother Eye aspect of the story, with the intertwined narrative of Bruce's paranoia, Tim's growing paranoia over the years, the echo between those all the way back for Tower of Babel when Tim tells his friends he'd never go so far as to have protocols like Bruce, but we know by 2010 he does have protocols as the life he's led has brought him to that, and what Brother Eye in itself says about Bruce's paranoia and that whole arc of Infinite Crisis and ongoing, about programming and about watching and observation and about control and about the overwriting of control of Brother Eye over the years (want to talk about OMACs and REMACs? there is stuff here to dig out about both) and about the similarities that exist between Bruce and Tim for Gun Batman to be able to exploit this faultline.

And also: you have Bruce's guilt threaded through all of this. Because the last 25 issues have been about Bruce mourning the loss of Tim in his heroic sacrifice, but interestingly in a way that is not like he mourns Jason and not like he mourns Damian, but in a way where he refuses to lose control.

In ALPOD the reason Tim approaches first Dick and then Alfred and then Bruce is because Bruce is losing control as he doesn't have a network. For Tynion's run, Bruce DOES have a network; and not only his family, he has all the other allies that Tim specifically recruited and anchored and befriended and he helped design and set up the Belfry for - a system that Tim sees as greater than himself and that he hopes can sustain things if he is selfish and steps away for his own purposes. But while it works, it's also shaky, because part of what made the post-Crisis Bat family and Gotham network function was Tim's presence as an anchor and a recruiter and a linchpin holding people together, and Tynion is saying things don't work as well without Tim's actual presence, and repeating the narrative that Tim learns over the years - he can't retire, he cannot step away, because when he tries to bad things happen.

Bruce can avoid losing his mind with grief because Tim built him a network (like he did while initially mourning Jason). But Bruce also doesn't allow himself to try to resurrect Tim after his sacrifice; whereas Bruce had to be talked through the 5 stages of grief by family members after Damian's death and then set out on a quest to alternately protect Damian's corpse/find ways to resurrect Damian (it ping ponged back and forth) when it was Damian who was dead.

And Bruce is so mad at himself when he realises that by allowing himself to process his grief like he did with Jason and live through having a dead son, every day, and remember his sacrifice...he's left Tim trapped, thinking people were searching for him and coming for him, when...they weren't. And he starts working to try and find Tim. Especially as Tim lived through Jason's death and Damian's death and Bruce's under-reaction to Dick's 'death' and he knows how Bruce reacted - and he's waiting for rescue. He could expect Bruce to come for him and storm the Gods themselves to get Tim back: because that's what Bruce so recently did for Damian.

Tim came looking for Bruce, because he didn't believe Bruce was dead. But Bruce didn't come looking for Tim, even though he's fought to resurrect another son, and realising that you haven't gone searching for the son who searched so hard for you when you were lost and believed dead? Yeah. Ouch.

And so Tim has to rescue himself and find his own way out - but he comes back still full of belief and forgiveness for Bruce. I also think there's something here in an inflection where Bruce gets the alert as they ARE now looking, and he storms into a hospital to get to Tim, as opposed to Jason's unknown, unrecognised resurrection and HIS hospital stay in Gotham.

The layers are there! There's a bunch of interesting themes! I just really wish it wasn't held together by Gun Batman. Though admittedly it's interesting to me that Tynion's version of Gun Batman posits that this is a universe where Damian was still Batman!666 and Tim had to kill him for it. AND that it can't be the future, because Gun Batman is being torn apart by the timeline, because of the changes made. He's not Tim's future. He's a nightmare, instead.

[astrosamara]

Astrology Observations #2

🩵Mutable risings are constantly changing up their looks because they love experimenting with different aesthetics, whereas fixed risings tend to stick with the same look or a couple of looks throughout their life. They're not as comfortable with outward change.

🩵Mars in the 1st house makes someone a natural athlete and can excel in sports. Also a great placement for dancers.

🩵Saturn in the 1st house and/or Capricorn/Aquarius Rising age like fine wine. They often tend to be late bloomers as well who can feel awkward and uncomfortable with themselves in their early years, but start to grow more into their confidence later in life, specifically after their first Saturn return.

🩵Gemini Venus are so playful and flirty in their relationships. Humor and lightheartedness have to be prominent for them in their relationships to feel loved.

🩵Sun (the father) or Moon (the mother) in the 12th house can indicate that parent dying early in your life or it can represent them being emotionally or physically absent as well. It's spooky how many charts I've seen where this is the case. (I know death is a sensitive topic, so I don't want to freak anyone out by saying this placement is a 100% indicator of a physical death, because it isn't).

🩵I know Taurus' loving food is a huge stereotype, but it's so true! Every Taurus sun in my life loves to go out to eat, cook, or be cooked for and it's their love language. They can also be super big on physical touch such as massages and hugs. They're all about the senses.

🩵Leo moons tend to be the comedians of their family or friend group. They're the ones everyone relies on to bring the fun and playful energy. They really shine a light in people's lives.

🩵Jupiter transiting the 5th house the same time as a Venus return is a super powerful transit for love and romance. I've seen charts where this indicated marriage, meeting a long-term partner, or starting a new relationship.

🩵When it comes to transits, Saturn is the most important planet to look at imo because it's the planet of timing. Looking back on every time Saturn made a conjunction with one of my personal planets or angles, it highlighted a significant event/theme in my life.

🩵Someone having their moon in your 1st house you may notice that these are the people you find yourself easily letting your guard down around. It's easy and comfortable to be with them. This is a great placement for friendship.

🩵You may find yourself feeling soul-bonded to a pet who has their sun as your moon. My cat is a Pisces sun and I'm a Pisces moon and I've never felt such a strong connection to a pet before. He's my actual baby.

🩵Saturn in the 5th house typically aren't interested in having kids. They may feel incredibly overwhelmed by the pressures and responsibilities that come with raising children. If they decide to have kids, their kids can bring out a very karmic energy in them and can exasperate wounds from their own childhood. This can manifest as a positive or negative experience depending on the sign it's in and other aspects.

🩵Check where your 4th house ruler is in your chart. It can further indicate what your childhood was like. For example, I have an empty Gemini 4th house, but my 4th house ruler is in Mercury in my Scorpio 8th house making a conjunction with my Chiron and I had a very dark and traumatic upbringing.

🩵Nobody knows overthinking like a Virgo sun and/or mercury knows overthinking. Their brain is constantly thinking about what can go wrong in any given situation, scanning everything they need to check off from their mental to-do list before they can allow themselves to relax, and will bring up a specific worry you haven't even thought about. I only have a Virgo mars and that's enough Virgo energy in my chart for me. They are the living embodiment of anxiety.

[emmabirb8]

I've been an Invader Zim fan since 2011.

I was 15-16 at that time, and though I did thoroughly enjoy the show, I was not mature enough to really get it. Sure, it was funny, but I didn't pick up on the subtleties and style of humor beyond the surface level. I liked the wackiness and the characters, but I SURELY wasn't at a point of being able to deconstruct themes or analyze character motivations and narratives (like I very much enjoy doing now). I remember discovering an artist on DeviantArt who drew cute ZaGr stuff, so that was the pairing I liked too. I didn't think too deeply about much, and honestly, I don't think the majority of fans (if they were my age or younger, that is) did either. Everything was taken as dumb and silly for the most part, and that IS truthfully a major component of the show itself.

Getting back into Invader Zim within this past year though, I'm looking at it through a WILDLY different lens. I like Invader Zim for what it is and how it's intended to be perceived. I like that the show is meant to be dark, satirical, and tragic at the same time that it's silly, chaotic, and nonsensical. Almost everything that happens onscreen is written in to be funny above all else. (I've mentioned before that I've been watching Jhonen's Twitch streams for a while now, and I have a MUCH better understanding of his sense of humor bc of that. IZ makes way more sense if you can sorta see things from JV's perspective, lol.)

But at the same time, I also like Invader Zim for what it offers in terms of interpretation and what it can imply (intentionally or not). There is genuinely SO MUCH DEPTH to this dorky lil cartoon that a casual viewer wouldn't immediately pick up on. And a lot of that depth, I think, was not woven in purposely. The show itself was never meant to be taken so seriously. Nevertheless, I'm constantly fascinated by what IZ implies about good and evil, the nature of general society, and especially how it goes about demonstrating the devastating effects of social isolation and bullying. Meta for this series is always pretty damn *chef's kiss.* And what's even more interesting is how viewers manipulate canon to expand upon this world and these characters.

Given that I've come to understand Invader Zim better, I've also grown very fond of ZaDr. Now, while I wouldn't want to see this pairing happen in canon material, I love the potential it possesses in transformative contexts.

In reality, I get that these characters were intended to have a deep hatred for one another and a never-ending rivalry for the sake of comedy and not much else. It's an extraterrestrial perpetually throwing hands with a 12 year old because he's incompetent and his plans often fail. And that's funny. That's the point. But beyond that, canonically, these are two characters who are mirrors of each other; they're both treated like garbage by their respective peers, and they both crave acknowledgment, validation, and a sense of purpose. Throughout their story, they find they're only able to obtain these things from each other, so as a consequence of their similar personalities, they become utterly, unhingedly obsessed with each other (to a sometimes unhealthy degree). They are undeniably forever intertwined by design of how the show is set up.

And because of that, shipping of these characters was, frankly, inevitable in fandom spaces. I myself fell victim to their appeal too. (Sorry, Jhonen. 😅)

I'm not gonna go into any discourse surrounding this pairing because there's already PLENTY of that to go around online. Everyone has their own opinion on the subject, and that's fine. I respect that. Point is, even though I understand and appreciate what Zim and Dib are supposed to be in the context of the show, I also enjoy the idea of them as friends and romantic partners outside of and beyond the confines of canon.

And that's something that I think many fans who are biased toward ZaDr would also agree with! Actually, I'd say the majority of people who ship characters in ANY media would concur. We like the idea of seeing how specific relationships could develop over time and/or within different settings and circumstances. It's NOT always about wanting to see a relationship unfold on screen or in fan works strictly adhering to canon. It's about stretching canon, or in some cases, scratching canon entirely however you see fit! Who cares! It's fiction!

For me personally, I enjoy ZaDr because its attributes fall into so many trope categories that I've come to adore over the years (ones that I either wasn't aware of when I was younger, or that I didn't enjoy in the same intensity as I do now). Zim and Dib are, or could be, depending on context:

Codependent toxic soulmates

Human x non-human

Shared history

Classic enemies to lovers (or, as I often prefer it, enemies to friends to lovers)

Bicker couple

Battle couple, when put in the right setting for it

Violence as a love language

Smol and tol

The wild card paired with the rational one, the best part about this being that sometimes the more rational one is Dib, and sometimes it's Zim bc they're both a special flavor of insane

Make each other worse/stupider when together, tho oddly, they also kinda bring out the best in each other too

And, my personal favorites, the potential for hurt/comfort and angst with a happy ending, with the comfort and happiness aspects ultimately coming from each other

I like what these characters could be, to and for each other, apart from their roles in the show.

I would never want to explore a dynamic between Zim and Dib that goes beyond "frenemies" territory in canon (because that doesn't fit what the show is, and I do appreciate the integrity of Jhonen's vision). The subtle foundation for them is there, it's just that it can't really work unless a few key details are changed or manipulated, and, well...

I sure as hell like exploring every bit of that expanded potential in fan works because it's fun to imagine the various directions things could go if they were different!

This isn't me, like... trying to defend my (or anyone else's) enjoyment of this particular ship or trying to convince people to like it. Or the show for that matter! To each their own, truly. And I'm obv aware of the controversy ZaDr often incites and why. Everyone has valid reasons for liking OR not liking it, and I accept differing viewpoints on it. It's a touchy, nuanced subject to be sure. But this isn't about that.

I don't really know what this is, actually, aside from a very long very weird essay, lol. I just wanted to process why and how all of this works for me with my changed perspective from when I was first introduced to Invader Zim in my teens up until now.

It's strange, looking back. I didn't get ZaDr years ago. But I do now, and so much of it, at least from my perspective, has to do with taking the crumbs present in canon (that are undeniably there, whether you choose to acknowledge them or not, and whether they're intentional or not) and absolutely running with them to the ends of your own wild imagination.

(ZaDr content is always tagged appropriately on my blog. Pls use tag blocking functions if needed.)

[linkspooky]

Bohman is a good character you guys are just mean

Yu-Gi-Oh Vrains is one of the better received spinoff series. Though, like any of the Yu-Gi-Oh spinoffs it's not without its faults. Usually I'm the first to admit the flaws in my favorite silly card game shows, even while I myself take them way too seriously. However, there's one common criticism I can't bring myself to agree with.

That is calling the main antagonist of the second season Bohman "boring" or "badly written." I've noticed fans unfairly blame Bohman for season 2's writing flaws.

Forget for a moment about whether or not you find Bohman's stoic attitude interesting or likable. If you look at characters not as people, but as narrative tools the author uses to say something about the story's themes then Bohman has a lot to say about VRAINS cyberpunk themes.

Cyberpunk is a subgenre of science fiction that tends to focus on "low-life and high-tech." As I like to put it, in Cyberpunk settings technology has greatly advanced while society itself lags behind unable to keep pace with the rate at which technology changes. Yu Gi Oh 5Ds is an example of a cyberpunk dystopia because despite having what is essentially access to free energy, and living in a society with highly advanced technology resources are hoarded by the wealthy and an unnecessary social class divide still exists.

In other words technology changes quickly while humans tend to remain the same.

The central conflict for all three seasons of Vrains are actually based on this very cyberpunk notion. That technology changes, updates, and becomes obsolete at a rate too fast for humans to ever adapt to. For Vrains, the conflict is whether humans can ever coexist with an artificial intelligence they created that can grow and change faster than they can keep up with.

This is well-tread ground in science fiction. The idea itself most likely emerged from I,robot. A science fiction book that is a collection of dirty stories that details a fictional history showing robots growing slowly advanced over time. The framing device is that a journalist is interviewing a "robopsychologist" an expert in the field of analyzing how robots think in their positronic brains.

One of the major themes of the book is despite the fact that robots are 1 - intelligent and 2 - designed by humans, they don't think the same way humans do. Hence why a robopsychologist is needed in the first place. One of the short stories is the first appearance of Asimov's three laws of robotics.

The First Law: A robot may not injure a human being or, through inaction, allow a human being to come to harm.

The Second Law: A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.

The Third Law: A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

This is just one example. A robot no matter how intelligent it is will be required to think in terms of these three laws, because robots aren't biological, they're programmed to think in pre-determined patterns.

Of course clever enough artificial intelligences are capable of finding loopholes that get around the three laws, but even then they're still forced to think of every action in terms of the three laws.

Robots and humans are both intelligent, but if AI ever becomes self aware it will 1) be able to process information better than any other human can and 2) think differently from humans on a fundamental.

Vrains is themed more than anything else around "robo psychology" or trying to understand the ways in how the Ignis think and how that's different from it's human characters.

Robo-Psychology is actually a common reocurring theme. "DO ANDROIDS DREAM OF ELECTRIC SHEEP?" fearless artificial humans known as Replicants who need an empathy test known as the voight kampff test to distinguish them from human beings.

There are other Cyberpunk elements in Vrains. There's a big virtual world where everyone can appear as custom designed avatars, that's taken from Snow Crash or of the most famous and genre defining cyberpunk novels. There's a big rich mega conglomerate that's being opposed by a group of hackers.

However, the central question is whether humans and AI can coexist in spite of the fact that AI are much smarter and evolve faster than us.

Revolver's father believes the Ignis must be destroyed in order to avoid a possible technological singularity in the future.

The technological singularity—or simply the singularity[1]—is a future point in time at which technological growth becomes uncontrollable.  According to the most popular version of the singularity hypothesis an upgradable artificial intelligence will eventually enter a positive feedback loop of self-improvement cycles, each new and more intelligent generation appearing more and more rapidly, causing a rapid increase ("explosion") in intelligence that surpasses anything humans can make.

Basically your computer is smarter than you, but your computer isn't self aware. It needs you to tell it what to do. Artificial intelligence already exists but it's programmed by humans, it doesn't program itself. The technological singularity proposes that eventually a self aware ai, will be able to program itself and improve upon it's own programming- therefore ridding itself of the need of it's human programmers.

This is what leads us to Bohman, an AI designed by another AI.

THE THIRD LAW

Before digging into Bohman let's take a minute to discuss his creator. Lightning was one of the six Ignis, created by Dr. Kogami through the Hanoi Project.

The Hanoi project involved forcing six children to duel in a virtual arena repeatedly, and using the data collected from that experiment to improve the AI they were working on, creating what became known as the Ignis. However, after Dr. Kogami ran several simulations and found that the Ignis would one day be a threat to the humans that created them Hakase decided instead to try destroying the Ignis before that future ever came to pass.

We later learn that this isn't the complete story.

Kogami and Lightning both ran simulations of the future when the Ignis were in their infancy. Kogami's simulations showed him the Ignis would inevitably go to war with humans. Lighting however, ran more in-depth simulations and found that he was the one that was corrupting the data set. If you ran simulations of the five ignis without him, then the projected futures were all in the green, but any simulation with Lightning counted as a part of the group projected a negative future for both humans and AI.

Which means that if Kogami knew that the bug in the program was Lightning, he'd likely respond by just getting rid of Lighting and letting the rest of the Ignis live on as originally intended.

This is where the third law comes into play - a robot must protect its own existence as long as it does not interfere with the first and second law.

Now, I don't think Kogami used the three laws exactly, but artificial intelligences are programmed in certain ways, and Lightning was likely programmed to preserve itself.

Even a human in Lighting's situation would be driven to act as they did. Imagine you're in a group of six people, and you fid out that YOU'RE THE PROBLEM. That if they removed you, everything else would be fine. Wouldn't you be afraid of your creator turning against you? Of your friends turning against you and nobody taking your side?

Lightning is a bit of a self-fulfilling prophecy. Ai asks him at one point why he went so far as to destroy their safe-haven, lie and said the humans did it and pick a fight with the humans himself, something that might have been avoided if they'd just stayed in hiding. It seems that Lightning is just defective as his creator declared him, but you have to remember he's an AI programmed to think in absolutes. AI, the most humanlike and spontaneous of the AIs ends up making nearly the exact same choices as Lightning when looking at his simulations later on - because they're character foils. As different as they may seem they still think differently from humans.

When Ai explains why he made his decisions based around lighting's simulation, he tells Playmaker that he can't dismiss or ignore the simulation or hope for the best the way Playmaker can because he is data, he thinks in simulations and processes.

AI even admits to feeling the same feelings of self-preservation that Lightning did.

While Lightning may seem selfish, he's selfish in the fact that he's thinking of his own survival above all else. He's afraid of 1) his creators turning against him, and 2) his fellow Ignis turning against him.

To solve the first he decides to make a plan to wipe out his creators. To solve the second, he needs every ignis on his side when he goes to war. The first thing he does is destroy their safe haven and frame the humans for it so the Ignis are more inclined to take his side. He's so afraid of his fellow ignis turning against him he even completely reprograms one of them - a step he doesn't take with the others, he just imprisons Aqua. He probably thought having one more ally would make it more likely for the others to pick his side.

Every step he takes is a roundabout way of ensuring his survival and the other ignis- eve when he actually goes to war with the other ignis he intended on letting them survive. Though his definition of survival (fusing with Bohman) was different than theirs.

So Lightning seems to be working out of an inferiority complex, but what he's really afraid of is that his inferiority makes him expendable.

At that point you have to wonder, what does death mean exactly to a being who is otherwise immortal? Ignis won't die of age, they'll only die if they're captured and have their data stripped apart or corrupted. Kogami made an immortal being afraid to die.

Some part of me thinks though that even after taking all these steps to preserve themselves, the simulations were so convincing that Lighting accepted their death as inevitable. Which is why they made Bohman, to find some way for them to keep on living afterwards.

After all AI are data, ad having their data saved in Bohman is still a form of living by Lightning's definition.

Ghost in The Shell

Bohman is the singularity. He's an AI designed by another AI to improve upon itself. Unlike the rest of the Ignis who were copied off of traumatized chidlren, Lightning basically made him from scratch.

Ghost in the Sell is a famous anime cyberpunk movie directed by Mamoru Oshii. The title comes from "Ghost in the Machine" a term originally used to describe and critique the mind existing alongside and separate from the body. Whereas in the movie the "Ghost" is the huma consciousness, while the "shell" is a cybernetic body.

The protagonist of Ghost in the Shell is Major Motoko Kusanagi, a human that is 99% cyborg at this point, a human brain residing in a completely mechanical body. The movie opens up with a hacker namd PUppet Master who is capable of "ghost-hacking" which is a form of hacking that completely modifies the victim's memories utterly convincing them of their false memories.

There's a famous scene in the movie where a man tells the police about his wife and daughter, only to be told that he's a bachelor who lives alone and he's never had a wife and daughter. Even after the truth is revealed to him, the fake memories are still there in his brain along with the correct ones. Technology is so advanced at this point that digital memories (hacked memories) are able to be manipulated, and seem more real than an analog reality.

Anyway, guess what happens to Bohman twice?

Bohman gets his memories completely rewritten twice. The first time he believes he's a person looking for his lost memories, the second time he thinks he's the real playmaker ripped out of his body, and playmaker is the copy. He's utterly convinced of these realities both time, because Bohman is entirely digital - and simulations are reality, and so simulated memories are just the same as real memories.

I think part of the reason that people find Bohman boring is because he's a little strange conceptually to wrap your head around, as an AI produced AI he's the farthest from behind human. If you use the ghost in the shell example I just gave you though - imagine being utterly convinced that you had a loving wife and daughter only to find out in a police interrogation room you're a single man living in a shitty apartment. imagine after the fact you still remember that they are real, even though you know they're not.

That's the weird space Bohman exists in for most of Season 2 when he's searching for himself. He's an AI designed by an AI so he can be rewritten at any time according to Lightning's whim until Lighting decides he's done cooking.

The Ignis at least interacted with the real world because they were copy pasted from traumatized children, but all Bohman is is data. So, why would he see absorbing human memories into himself and converting them into data as killing them? He is data after all, and he is alive. He has gone through the process of having his own memories rewritten multiple times, and he's fine with it b/c he's data.

Nothing for Bohman is real, everything is programmed so of course he thinks saving other people as data is just fine. He even offers to do the same thing to Playmaker that was done to him.

If Lightning is following the path of self-preservation however, Bohman is following his program to preserve everything in the world by merging with it.

His ideas also follow the idea of transhumanism: the theory that science and technology can help human beings develop beyod what is physically and mentally possible. That technology exists to blur the boundaries of humanity, and what humans are capable of.

Ghost in the Shell isn't just a work of cyberpunk, it's a transhumanist piece. Motoko Kusanagi is a character who has had so many of her human parts replaced with mechanical ones she even posits at one point it's possible for her to simply have been an android that was tricked into thinking it was human with false memories just like Bohman, and she has no real way of knowing for sure. The only biological part of her his her brain after all in a cold mechanical shell.

Bato, who represents the humanist perspective in this movie basically tells Motoko in that scenario it wouldn't matter if she was a machine. If everyone still treats her as human then what's the difference? His views are probably the closest to the humanist views that Playmaker represents in VRAINS.

Motoko Kusanagi meets her complete and total opposite, a ghost in the machine so to speak. The Puppet Master turns out to be an artificial intelligence that has become completely self-aware and is currently living in the network.

The Puppet Master much like Lightning, and later Bohman is gripping with the philosophical conundrum of mortality. In the final scene of the movie, The Puppet Master who wants to be more like all other biological matter on earth asks Motoko to fuse with him, so the two of them can reproduce and create something entirely new. The Puppet Master likens this to the way that biological beings reproduce.

Bohman like The Puppetmaster thinks that merging will fix something that's incomplete inside of him because he's so disconnected from all the biological processes of life. Bohman doesn't have anything except for which Lightning already prepared for him or programmed into him. I mean imagine being a being that can have his memories reprogrammed on the net, that in itself is existentially horrifying. It's only natural he wouldn't feel connected to anything.

Motoko accepts the Puppetmaster's proposal. Playmaker rejects Bohman's proposal. I don't think there's a right answer here, because it's speculative fiction, it's a "What if?" for two different paths people can take in the future.

However, in Bohman's case I don't think he was truly doing what he wanted. Puppet Master became self aware and sought his own answers by breaking free from his programming. Bohman thought he was superior to the Ignis, but in the end he was just following what Lightning programmed him to do. He'd had his identity programmed and reprogrammed so many times, he didn't think of what he wanted until he was on the brink of defeat by playmaker and then it was too late.

When Playmaker defeats him all he thinks about is time spent together with Haru, with the two of them as individuals. Something he can no longer do anymore now that he's absorbed Haru as data, and something that he misses.

He's not even all that sad or horrified at the prospect of death as Lightning was, and he even finds solace in the thought of going to oblivion with Haru, because if he were to keep living it'd be without Haru. In other words the one genuine bond he made with someone else by spending time with them as an individual was more important than his objective of fusing with all of humanity - which he believed was also bonding with them.

This is really important too, because it sets up the Yusaku's rejection of fusing with Ai. Yusaku's reasoning has already been demonstrated to be the case with Bohman and Haru. Bohman was perfectly happy being two individuals, as long as he had a bond with his brother. When he ascended into a higher being he lost that. Ai and Yusaku might solve loneliness in a way by merging together into a higher being, they might even last forever that way, but they'd lose something too.

Once again the problem with AIs is that they think in absolutes. That's important to understanding Lightning, Bohman and even Ai's later actions. Lightning can't stand any percentage chance that he might die, so he kills the professor, destroys the ignis homeworld, pulls the trigger to start humanity himself, he even reprograms his own allies all to give himself some sense of control.

Bohman's entire existence is outside of his control. He's rewritten twice onscreen, probably more than that, and he thinks merging with humanity is the thing that will give him that control - by ascending into a higher being than humanity. However, the temporary bond Bohman had with his brother Haru, was actually what he valued the most all along. Moreso than the idea of fusing with humanity forever.

Even Motoko making the choice to go with the transhumanist option is something that's not portrayed as 100% the right choice. Ghost in the Shell has a sequel that portrays the depression and isolation of Bato, the Major's closest friend and attachment to her humanity after she made the decision to fuse together with Puppet Master. In that case, just like Playmaker said to Ai, even if she ascended to a higher form, and even if she might last forever now on the network, something precious was lost. Motoko may exist somewhere on the netowrk but for Batoto his friend is gone.

Ai exhibits the same flaw as the previous two, he ca only think in absolutes, he can't stand even a 1% chance that Playmaker might choose to sacrifice himself for Ai and die, so he decides to take the choice entirely out of Playmaker's hands. However, no matter what Ai would have lost Playmaker one day, because all bonds are temporary. It's just Ai wanted to have that sense of control, so he chose to self-destruct and take that agency and free choice away from Playmaker.

It's a tragedy that repeats three times. Ai too just like Bohman, spends his last moments thinking about what was most precious to him was the bond he formed with playmaker, as temporary as it was. A tragedy that arises from the inability of the Ais to break away from the way they're programmed to think in simulations and data, even when they're shown to be capable of forming bonds based on empathy with others.

All three of them add something to the themes of artificial intelligence, and transhumanism that are in play at Vrains and none of them are boring because they all contribute to the whole.

Which is why everyone needs to stop being mean to Bohman right now, or else I'm going to make an even longer essay post defending him.

[infamous-if]

On theme with the thirst tweet asks how would the ROs react when reading thirst tweets about the mc instead of themselves👀👀👀👀👀👀

I love these sort of "pop culture" scenario asks. I think they're my fav lmao

HMMM I feel like we always need to specify if they're dating or not because the reactions can vary so much omg I'll do if they're dating since people are more interested that!!

Orion: I did say Orion is mildly possessive so I think he'd just be pissed at the thought of anyone but him thinking of MC in that way. "...This is inappropriate. Do they have any personal info on their account?"

Director: "err...why?"

Orion: "I'm going to report them." (he says this completely seriously)

And then he'd save some so he can ask MC later: "Is this what you like? I'll keep that in mind."

Victoria: Victoria is very open and not afraid of speaking about things like this, but when it's someone she likes she can be surprisingly shy. It really depends. I can find her staring at the tweets like "this is what people are saying about MC?" I think she'd want to one-up them and send MC texts of her own. She'd be just a *bit* insecure knowing people see MC the way she sees them, but she'd understand it too. "MC is attractive, I'm not surprised" kind of deal.

G: Would laugh, would agree, and then say some thirsty things of their own. I think they'd just find it all funny and just be like "wait let me take out my phone i want to like this tweet lol"

Sebastian: (nervous/awkward laughter, blushing profusely) "People say this about MC? Don't they know we're together?"

Director: "they don't care about that."

Sebastian would just be scandalized over it, and then be very aware of the content of the tweets and won't be able to stop thinking about MC in that context. Seb isn't a stranger to talking like that though he's pretty much a pro when he's in the mood so he'd test it out and see how MC reacts lmao

August: Probably laugh a little. And then just ask MC directly how MC feels about it. I think they'd actually be smug knowing people think of MC like that and August is the one who MC likes. Though August would wonder what exactly MC likes in terms of...that. IDK August being thirsty is such a funny visual im sorry like they're just so indifferent it would make laugh

Seven: "How did you find my alt account lol"

Seven gets quite embarrassed sometimes, so they'd try to play it off with jokes. But Seven, much like Orion, would ask MC if that's what they like to hear. They would be a bit jealous, but more in a humorous way. I promise, Seven has probably thought much thirstier things about MC than anyone on the internet can think of lmao I can see Seven teasing MC about it but the teasing would just be subtle ways to find how MC feels about all of it.

I just realized this cast is just filled with a bunch of people pleasers (MC pleasers?)...rockstars, amirite

[garblegarden]

Did you finish Houseki no Kuni? What did you think of it, in the end? Did you like it? Have any criticisms?

I've been keeping up with HnK since 2020ish (I even endured the 1.5 year hiatus after chapter 95!) and I did indeed finish it! I have many thoughts.

I was initially drawn to it because I like minerals and this was a fun looking series where all the characters have a mineral namesake and where the bits of geology are actually accurate, or at least there's an effort made to give characters matching abilities and appearances to the minerals they're based on. Cleavage and mohs hardness and rarity are taken into consideration for characters and their strengths and weaknesses partners typically have a theme that makes them make sense, (sub i.e. benito and nepti are partners because they occur together in nature, melon and hemimor have piezo and pyroelectricity, morga and goshen are both beryls, rutile and padparadscha sometimes occur together (i.e. star sapphires and other corundums) etc etc etc), and their colors typically actually match what rock they're based on. That's good to see!

I think that Ichikawa's sense of design and aesthetic is really top-tier in this one. The kind of unsettling simplicity that permeates everything is really appealing to me (Like how the earth is literally just shallow seas with a single grassy field for a landmass, how the gems all dress the same and do so completely monochromatically, the moon is just this kind of pastel rainbowy color, etc etc etc) and makes for a really unique setting.

Ichikawa also makes a really good use of black and white to make some really striking panels in the series with high levels of contrast, detail and simplicity used in the right spots, and in opportunities where she gets to use color (i.e. the artbooks and covers) they look just as cool, too. Like, you don't get a sense that an illustration she makes in either medium would be better off in a different way, she just has a really high level of skill both when limited to black and white and when given the ability to use color.

The character designs are pretty solid, but my absolute favorites are Phos's last few designs. Everyone else is ok too, but "evil maniac broken up big leaf and spikes everywhere" phos ruled, "sobbing and sopping wet-with-mercury-gold-amalgam, naked, bald and being born fully grown but without skin" phos is slept on all the time and should be appreciated more, and "big floppy white thing" phos is for sure in my top 3 character designs of all time if not my absolute favorite. Big featureless white thing with reaction diffusion patterns? SIGN ME UP!!!

In terms of the actual plot I thought it was pretty nice and the whole "ship of theseus" thing was fun to watch play out but as many other people point out, the series doesn't really give a whole lot of time to anyone aside from Phos. Admittedly they are the protagonist so this makes sense, but what about the other guys? Everyone else's character arcs have definite starting points for interesting development (i.e. many characters have inferiority complexes in comparison with their peers due to how they were raised to see their material properties as different from one another, yet they were all treated as the same sorts of lifeforms, causing them to resent one another. This is further perpetuated by the fact that they're hunted for sport and not given much time to form their own societal roles outside of "fighter" "seamstress" "doctor" or "weaponsmith" and so on. All very basic roles, because there really isn't much of an opportunity to do much more on account of being attacked by the moon all the time.

However, a qualm I have with this is how the narrative frames the moon as being an inherently superior society in comparison to that of the gems. I was in a state of despair finding out that all of the gems were cool with being converted into lunarians and assimilated into their society with no issues at all. Now, this could be intentional, a sort of "the winners write history" take on the subject, or a "gems are inherently compliant with whatever's easiest for them because they're all so tired after centuries of war that they'll go with whatever at this point" sort of thing, but there isn't much of an effort being made to suggest this to the reader and it just kind of leaves me with a weird taste in my mouth where I'm not really sure if the grand-scale cultural erasure that happens to the gems is trying to be presented as a good thing or not.

A similar criticism is in regards to aechmea and cairngorm's relationship for kind of obvious reasons. I think most of us have beef with these two. It's very evident that there's a big power imbalance between the two of them. However, nothing negative is shown about their relationship, and in the end gorm goes into the endless void never having become their own person. And this would be alright if it weren't framed as a good thing! I don't mind a tragedy! It's just, with many other things here, (maybe this is a show of poor reading comprehension, idk) it's very hard to tell what Ichikawa's intentions were when writing these parts of the story and so it feels kind of weird. The parts of the later volumes focusing on them were kind of hard to get through. And why does aechmea keep growing. He keeps getting taller and cairngorm keeps not doing that so as the manga goes on it looks more and more......... suspicious

Another thing I think is both infuriating and fascinating is that everyone's goal of eradicating humanity is very very biased. The only people who get to have a say in it are all misanthropists, and there isn't even a physical humanity to destroy anymore either, it's all just vibes. Aechmea wants to destroy humanity because that's the only way he'll get into the pure land of nothingness if everyone else is destroyed too, Adamant wants to destroy humanity because that's what he was made for, Pitapat wants to destroy humanity to take revenge against the guy who stole his creator's life's work, Phos wants to destroy humanity because the former two kind of forced them into that and 10,000 years later after cooking on a beach in the worst "holy robot eye"-induced trip of their life they (at least in my take of the book) have literally nothing else to do other than destroy humanity, like that's the only thing they've been given to do for their whole life, so they do because they've never had a purpose otherwise. They're all misanthropists, but humans have been extinct for eons at this point, so what's the point, really? To eradicate selfishness and desire and that's what humanity represents and sort of manifests even millions of years into the future? (I mean, it is a series based on buddhist principles) Now maybe it's because I think the enduring human spirit is cool and this isn't a book for people who rock with the enduring human spirit, but Phos and Pitapat kind of celebrating both of their deaths at the end going "oh yeah we did it we destroyed humanity" kiiiiind of lost me. At this point humanity is such an abstract concept that it seems like there's not much of a point in scrubbing themselves off the face of the universe in order to prevent other intelligent races elsewhere in the universe from evolving and becoming selfish. That'll probably happen regardless of whether the last remnants of the human era sacrifice themselves or not. (In fact, that's already implied by Life and Culture of Y-3579203181277. So, like, what's the point? Maybe that is the point, that there's no point. I dunno. Much to think about. This is why this series has wormed its way so deep into my brain, because nothing about it is clear.)

It DID look beautiful, though!