#but because i find them Interesting in terms of what they're doing with the Themes and the Craft

[thecryptidzenith]

11 for the fic game ask!

11. Bonus: recommend your favorite fic

Okay, you're getting two answers for this one because my real answer isn't a D20 fic, and seeing as that's my fandom at the moment, I'd be remiss to not rec something from it.

For the past... Jesus, four years, my favorite fic has been The Prestige by black_feather_fiction (also @black-feather-fiction) No contest. I don't do MCU fic or fandom anymore, but this is the one exception. It's just. It's so good. It's demonstrates the best use of the medium of fanfiction I've ever seen (yes, I'm of the opinion that fanfiction is its own distinct medium, but I'm not going to get into it now.)

Now the conceit of The Prestige is similar to a lot of MCU long fics: what if the plot was... good? Between the California-in-the-1840's/50's amount of untapped gold in the movies and whatever any given writer wanted to pull from the comics, there are so many elements to play with when rewriting a truly epic version of the story presented in the Infinity Saga, or even just a small segment of it. There are a lot of these, and I've read a lot of these. It's exactly my kind of thing, I love a good Plot.

The thing that's special about The Prestige is the way it incorporates the conventions of storytelling in its worldbuilding. To put it simply, an all-powerful God does exist in this universe, and he's three old women who terrorize innkeepers. The Norns/the Fates/other Mother-Maiden-Crone mythological archetypes, are real, and they control the threads of fate, so to speak. The entire universe exists as their plaything, and given the chaos and entropy of the universe, they pull stories from it. The laws of storytelling are just as influential, immutable, and important as the laws of physics in this universe. And just like the laws of physics, they can be manipulated towards a particular use.

This is how the fic opens: with Loki attempting to tell the universe a story so perfect and beautiful that the Norns cannot help but let the tale play out in real life. He doesn't quite succeed. However, the rules of storytelling are never forgotten, by the characters and by the author. Having the conventions of storytelling being a part of story's universe is a brilliant move that I have not gotten over after three years. Obviously, real life doesn't play out like a story, so when telling a story there's always some suspension of disbelief involved, because real life isn't that neat. Having an in-world explanation for the existence of story structure is something I'd never seen before and it's brilliant. And it's perfect for a story about two liars, image-crafters, storytellers, whatever you want to call them.

The story structure being built into the world is incredible, but so is the way the characters attempt to manipulate it in their favor. Even beyond the opening tableau, characters work to push the narrative in directions that will serve them. And the narrative pushes back. Every time I think about how the Fall of the Giant plot beat plays out, I fall more and more in love with it. It's the perfect blend of expectation subversion, expectation fulfillment, and effective character beats. It's fucking incredible.

Besides the rules of storytelling, The Prestige also makes reference to a lot of stories in the cultural zeitgeist in a way that's as delightful as it is earnest. The primary benefit of fic as a storytelling medium is that the audience already has a shared set of knowledge. We know who the characters are. We know how canon goes, and authors already have prepackaged tools to tell their stories with. Less needs to be established in fanfic compared to other kinds of fiction because the audience has a shared knowledge base. The Prestige takes this intertextuality further by pulling from more than just the MCU canon, but from works as varied as Mystery Science Theater 3000, Gremlins, and Alice in Wonderland. These cultural touchstones are in meaningful conversation with the contents of The Prestige and efficiently add depth in a really interesting and engaging way. Hel, even the title is taken from a Nolan movie. This fic is so deeply tied to the culture it's a part of, and I adore it.

Beyond the elements of the story that are inseparably tied to its in-universe use of narrative, the plot is very well put together. I find the bit with Ozymandias (yes, like the Percy Shelly poem) particularly clever, but it's all very good. Despite it's length, I find The Prestige compulsively readable, its writing is excellent. The characterization is excellent, the worldbuilding is engaging, the character dynamics are delightful to read about and devastating for the characters involved. I think this fic may genuinely have everything: Plot, romance, action, adventure, whump, angst, parent/child relationships, (explored from both sides) familial trauma, sexual trauma, self-destruction, sibling relationships, eating disorders--I'm really just listing tags here, but there's So Much, and I love every bit of it. I have loved every bit of it for years, and I don't care how long updates take, I Will Read It. It's the only MCU fic I've been able to read in years, and honestly? I'm not that mad about it, it's fucking incredible.

Now with all that being said, my favorite D20 fic is a lot harder to pick. I've not been in the fandom that long, I haven't read a ton of fic, and my tastes skew towards the Epic, Plot-focused, and Looooooong. Which is a bit difficult to come by (as is time to read.) There are, however, a lot of excellent fics, out there, though I think I have the most to say about The Properties of Adaine by Tangerine_Blast (also @20dimensionsoftangerine) (and by extension its predecessor, but we don't need to get into it.)

The conceit is that because of Oracle reasons, Adaine gets kidnapped by Kalvaxus as a kid and grows older thinking of him as a great paternal figure even though he sucks because her only points of comparison are Arianwen & Angywn. The interesting part is only really discussed and addressed in The Properties of Adaine, which is that she's technically an object! Legally, magically, an object--a dragon's thrall to be more specific. It's a fascinating exploration of the ramifications of DnD worldbuilding, as well as an exploration of identity, security, trauma, etc. It's a bit of a thorny subject to tackle, but so far as I can tell, it's handled with grace and sensitivity. It's doing a lot of very interesting things with the Themes, plus Aelwyn is absolutely insane (she's adopted/kidnapped by Aguefort.) which I get a kick out of. Overall, a striking story (and also one that's still being updated, which is probably why it sticks with me.)

[arolesbianism]

Ok I'm back on the nugget obsession grind. Juliet Loki and Parker in ruina fighting alongside each other like it's a love language while Saxxly and Roland just sorta awkwardly fight like normal people around them

[linkcharacter]

I find it interesting when people call Jimmy an unreliable narrator. There’s not really any narrating done in the traditional sense, and we don’t even hear a lot of his inner thoughts. Do they mean “narrator” as in our view of the world and characters are shaped by his POV through interactions and visuals, instead of a verbal, descriptive narration?

Please THANK YOU EXACTLY I WANTED TO TALK ABOUT THIS SO BAD ACTUALLY.

My opinion is that people like to shove terms that vaguely fit the story of Mouthwashing anywhere they can, same with describing characters (Curly for example) as "morally grey". Which in my opinion is reductive and doesn't represent who the character is, it's defined enough for people to 'kinda' be on the same page but also vague enough that it doesn't accurately describe the character and blurs the complexity that makes the character interesting.

I wouldn't apply the term "unreliable narrator" to Jimmy. His perspective of what we are allowed to see in game is limited, but we see exactly what happens, just through Jimmy's eyes. Jimmy isn't twisting the narrative for the viewer because he's NOT NARRATING. Mouthwashing is a game with no narration to tell the story. Sure, characters talk about the events, but they're not talking to the player, and an unreliable narrator's purpose from a storytelling point, is to deceive or mislead the viewer. I think trying to shove storytelling terms anywhere it fits doesn't work and just confuses a lot of people. The game itself plays around with the narrative and reveals things and structures the story in ways to manipulate our perception, like allowing only certain small sections of events to be seen, and ordered in a way to play with our thoughts and attention.

Jimmy's perspective and presence change the attitude of characters, but this isn't "unreliable narration", it's the reality of how characters act with Jimmy around. I kinda understand what people mean when they say he's an unreliable narrator, that we shouldn't take Jimmy's POV as the whole truth at face value, but that's not because the 'narrative' is being twisted, we just have to take into account the context of the situation. The players aren't being deceived, they're being required to think about nuances. And even when Jimmy starts having his episodes with hallucinations, it's not to deceive the viewer, it's showing us how JIMMY HIMSELF sees reality, we can very clearly disconnect what is being shown from the context of what is actually going on. The dinner scene, for example, is obviously just has Jimmy tweak out, but we as players can tell that it's not real, there's no misleading happening. And we see how Jimmy talks to others during gameplay, we see Jimmy be abusive to others and be a jerk and perform manipulation, there's no narration to make us believe he's not doing all of these things or to even conceal or twist the truth. Jimmy as a character with his words does manipulate others, but not the viewer. You can say Jimmy is an unreliable narrator within the reality of the game, but he's definitely not if we're talking about meta.

The bizarro sequences are a bit different because there's clearly some meta "showing the viewer symbolisms to have them connect ideas of the story, while not being grounded in reality for the characters in the game" stuff going on, but again, there's no narration nor is there a point to confuse the viewer. The point is to show the themes of the story in an interesting and impactful way that leaves a lot to analyze, you're not being deceived, you just have to think about it and see what the game is trying to show, it's encouraging you to look deeper into the story. Mouthwashing IS NOT a game with a clear-cut clean concrete story with no room for interpretation.

[astrosamara]

Astrology Observations #1

🩵Mars in Gemini and Virgo are very quick learners. They're at their best when they keep themselves busy with new and intellectually stimulating hobbies.

🩵Cancer placements in the big 3 have the most comforting and nurturing energy. These people are so easy to be around and it feels so easy to be yourself around them. I feel like people don’t give cancer placements enough credit for how good they are at making people feel loved.

🩵10th house moons are very loved and admired in their careers. I've noticed a lot of celebrities with this placement.

🩵Neptune in the 11th house can really idealize their friendships and groups and can end up being very deceived by them. Their friends can be very phony and not their true friends at all. 

🩵Leo and Libra in the big 3 makes someone a natural in the spotlight. Fame comes easily to them.

🩵Moon in Pisces or 12th house tend to have very strong connections to their dreams. They can even have epiphanies that help guide them in their life.

🩵In solar return charts, I've noticed that when the transit sun conjuncts the solar return chart ruler, a pivotal moment will happen for that year related to what planet it is. For example, my solar return ascendant in 2022 was in Sagittarius and when the sun made a conjunction with my solar return Jupiter, I received my associate's degree. My previous solar return ascendant in 2021 was in Libra, and when the sun made a conjunction with my solar return Venus, I developed a new long-term crush that inspired me to pursue a new passion. It can be fun to make a note of these dates every year to see what comes up.

🩵8th house synastry is no joke. These connections are incredibly intense and very hard to break free from. It can feel almost impossible to forget about this person. Very transformational as well.

🩵Harsh moon aspects are strong indicators of a wounded relationship with the mother. Pluto square the moon in particular is a very challenging placement for this matter. The mother could have instilled deep trauma and fear in you at an early age.

🩵Positive Mars and Venus aspects make someone incredibly charming. They're often easily liked and admired. I've noticed this the most with Mars sextile Venus.

🩵It's so important to pay attention to your moon sign/house/aspects to discover what you need to feel emotionally fulfilled. For example, I'm a Pisces moon and need to be creative and have a healthy amount of alone time daily to feel content.

🩵Personal Aries placements rapidly need new and passionate energy in their lives. It's so hard for them to stay in situations they're bored and uninspired in. Depending on other placements in the chart that can be more grounding, it's very hard for them to remain committed to a situation for a long time if it's not interesting.

🩵Idk if it's just because I have a Scorpio venus and stellium, but I find Scorpio moon and/or mars men to be so sexy.

🩵Pay attention to what themes come up in your life during your north node return, it can reveal a lot about what you're destined to do and what sort of life can be the most fulfilling for you.

[yanderefarm]

yandere cultist but its omegaverse

cw; religion, cults, yandere themes, omegaverse

ill post the introduction for him later too. ive had this idea for a minute i thought it was fun. u always see yandere cult leaders wheres the yandere followers who act the way they do because they're following what they were told. wheres the yandere cultists who have been convinced that you're their chosen soulmate and will do anything to prove it to you.

also i got the dominant thing from a yaoi manhwa i dropped i don't remember what it was called but im sure this trope isn't original to the verse i just put my own spin on it

you're what's called a "dominant" alpha, it's not anything to do with your role in the bedroom and more the strength of your traits. rut inhibitors and scent blockers have no effect on you while you struggle with interest in typical omegas. but because of the rarity of the condition it wasn't often taught about in schools. trying to find a "dominant" omega on normal dating apps was practically impossible.

that's why you turned to more conservative dating apps. less likely to find people who thought dominant omegas meant strap ons and muzzles and more likely to find people who thought the term dominant omega was a sin. while you don't agree with them an omega is a whole lot easier to reason with.

thats how you met him. he was a beautiful boy with long blue hair and lovely floral dresses. all his pictures were either clearly church pictures or candid shots of him working on a farm. all you really needed to see was the marked off dominant omega trait at this point but him being a cutie was a bonus.

you checked to make sure he was what he said he was and then you two hit it off immediately. he was shy but he used the cutest emojis, lots of hearts and sparkles. you found yourself talking to him every second of every day, completely enamored by the sweetheart he was.

so when you asked if you could finally go on a date in person you were surprised to find your stark differences reared their head. you had to meet his dad before you could go on a date. sure. he's made it no secret that he's a sheltered religious boy. the comment he also added about ensuring his purity was intact was unneeded but you could get past it. he's a good person.

he's a good person who happens to live in the same Happy Homes compound you had just watched a video essay about. you were surprised... and horrified. still as creepy as the place was you were too attached to him at this point to just abandon him here. if he couldn't be convinced to leave that's one thing but you hadn't even tried yet.

his family was warm and welcoming, a few uncomfortable comments and his eldest brother wouldn't stop glaring at you but that's not unique to them. it was a relatively normal farm house surrounded by identical farm houses. what could go wrong?

you had dinner with them and they even invited you to church with them. you knew you weren't about to be convinced to join the cult so you agreed. his father let you borrow some nice clothes and you ended up taking your boyfriend, his mother, and one of his sisters in your car.

the sermon was. boring. nothing uniquely offensive that you wouldn't find in any conservative religious church. the surprising part came with the announcements. the pastor, a beta dressed in white ushered your boyfriend and 4 other omegas onto the stage.

he talked about a plan, a calling each of them had from god. they were each supposed to bring wayward alphas to the church to join them in the house of god. yeah, you could get the gist and before you could even try to stand up one of the other boyfriends did so. he was talking about how this was bullshit and he didn't buy into this crazy crap. and then he collapsed. you watched as 2 others joined him in either death or unconsciousness.

the pastor ushered you onto the stage and your boyfriend's brother dragged you up by the arms. your heart was pounding in your ears and the lights above were glaringly bright. you barely noticed when your boyfriend's arms wrapped around your own.

"and you too shall enter the happiest homes. may god bless you."

you felt your mind go numb and the next thing you knew you were on the floor.

[just-a-ghost00]

Are they "spying" on you? Why?

I just felt called to do this reading very randomly. The theme is also very random. I just thought these pictures were just so adorable.

Group 1

Trust, Love, Surrender rx, Paradox & back of the deck Strength

They try not to. They try so hard. But they just can't resist the urge to check up on you. Watching you from afar is this person's guilty pleasure. Curiosity just gets the best of them. Even if they tell themselves "I should forget about group 1, I have other things to deal with", they constantly find themselves with their nose up in your business lmao Part of the reason why they stalk you is because this person feels a bit confused when it comes to you. They like you but paradoxically they kinda wish they didn't. This person has a hard time trusting others and opening their heart to people in general, especially romantically. They don't want to surrender to whatever may be going on between you but at the same time they just always feel called to come back to you. They just can't stay away from you no matter how hard they try, no matter the number of reasons they try to find to explain why they just should leave and never look back. They try resisting you so hard that it is painful to them. It just feels so unnatural to deny their feelings and attraction. But at the same time, this "love" doesn't make sense to them. I guess that they were surprised to meet you and didn't expect to get attached to you so quickly. And they may be viewing this attachment as a weakness for some reason. I just feel like this person is scared of being toyed with, being hurt and taken advantage of. Which is absolutely legitimate and understandable. Also, I'm getting that they check up on you because they want to see if you're in a similar state. If you too are also confused and feeling messed up ever since you met them. A part of them wants to be reassured and know whether they're alone in this situation or if you reciprocate the feeling. The truth is this person just adores you and somehow has a hard time coming to terms with that. I wonder why that is. Let's pull some tarot cards to get to the depth of this situation.

You got the ace of pentacles, White Numen, 3 of wands, 10 of cups, 2 of swords, Queen of cups.

They just have so many hopes and dreams for this connection that it scares them. Because they feel like it is too much too soon. They're not sure that they're allowed to have such thoughts of you. I feel like they're doubting their sanity in a way. Like "is it even healthy to think of group 1 this way when we don't know each other" kind of inner struggle. Because to this person you mean so much more than what they let on. Not only do they have feelings for you but they hope for a future with you. They want to take the connection to a higher level and see where this leads because they just feel so happy with you and safe. And it just feels like the right thing to do. However, maybe your attitude towards them lead them to believe that you may not be wanting the same thing. So they're puzzled. There's a dilemma going on here. "Should I keep hoping for more or should I just move on?" is what may be going through their mind. I also had the impression that there was another person playing a role in this indecision and confusion. Possibly another interest that they had in the past. And this person's energy is sometimes coming back in their bubble, which pushes this person to try to forget about you. But it's not as easy as they thought it would be. I feel like for others of you that third energy is actually distance. This person is scared of how living at a distance from one another could be impacting the connection. Like "yeah I like group 1 but what if that disappears with time since we don't see each other that much" kind of feeling. Also they may be scared that you end up picking someone else and when they do come in, it's too late for them. So that could also explain why they check up on you. They want to see if you found someone else. This spread also made me feel like this person puts you on a pedestal and feels like they're no match for you.

Group 2

The Weaver, Ask Body rx, Transmute, Shadow & back of the deck Pillar

I wanted to say no but the last two cards made me think otherwise. I feel like this person is not directly checking up on you but is getting information about you through their friends or through their intuition. Also, it could be that they don't actively seek out for you but even if they try not to check up on you, you just constantly appear on their feed or things just remind them of you. Similarily to group 1, I get the feeling of someone fighting the urge not to stalk. And this person is better at it than group 1's person. When they do check up on you, which I feel like doesn't happen very often, this person does their very best for you not to notice. So they could use fake accounts or apps that allow them to see your content without their name appearing in your notifications. I feel the reason why they act this way is because this person is trying to get their control back. It's like they had lost themselves in the connection and they feel like they have to heal from that. So they try to remain at a distance from you and try to keep the interactions at a minimal level. Cause they know that if they open the door, they'll just lose it. I feel like this person just wants to keep a hold on their desire for you. And rather than expressing their passion and pulling you in this spiral of lust, they would rather use this energy as a source of power and inspiration. I feel like they're trying to keep themselves busy and staying on the low. You may notice that this person is less active on their socials or if they do post, they're keeping things very surface level and kind of mysterious. Like they share stuff without sharing too much so it would be hard to really know what they're up to. I also picked up on the energy of someone releasing sexual tension through art or through their work. Or also through physical activity. This person may be hitting the gym more often. You may have noticed physical changes in their appearance. That's because they're trying to distract themselves from the effect you have on them. Since I pulled tarot cards for group 1, I will do the same for you as well.

You got White Numen, 8 of wands, Chariot rx, 9 of cups, Hierophant, ace of cups.

Boy I knew this spread was connected to group 1. If you hesitated between the two groups, you may want to check G1 then. This person got the feels but more importantly they got the hots for you, like really hots. This person is desparately fighting the urge to rush towards you and go down on you. There's so much that they want to say to you but they hold that back because they think you'll think they're crazy. This person daydreams about you 24/7. You're their wish fulfillment. You have everything that they dream of when it comes to their vision of what a partner should be like. This person definitely considers you commitment material and they just love you plain and simple. I have to mention that the 3 of cups is at the back of the deck. Just like in group 1, there's a third party energy here lurking in the shadows. This may be a past connection. But also, this could be that this person is trying to keep things friendly with you because they're just overwhelmed by how they feel towards you and it scares them. It's like they're trying to run away from their feelings and the way they do that is by drowning themselves in work, focusing on various activities at the time to make it look like they're not available for you. Again, I also get that friend group energy like this person's friends know you or something. Maybe they tell this person about how you're doing so that they don't have to feel guilty. Or actually, maybe their friends are trying to get this person to lower their guards down and actually give in to temptation when it comes to you. For some reason, I picked up on a friend saying stuff like "oh group 2 posted a picture, omg they're so beautiful" just to get this person to react. Maybe they even try to make them jealous by interacting with you. That feels a bit weird lmao but I feel like your person's friends are rooting for you and trying to get your person to talk to you. But this person is like "nah we're just friends, group 2 doesn't want me, it's better if we don't talk" and their friends are like "sure, who do you think you're kidding just go and talk to them dumbass".

Group 3

Manifest, Self Love, The Universe, Compassion & back of the deck Connect to heart

No, they are not stalking you. The reason for that is because this person is focused on their self growth, their health and their personal goals. They are doing their best to manifest their desired reality, thus they don't have much energy left to focus on you. This isn't to say that they do not like you. I feel like this person appreciates and values you but they just don't feel the need to check up on you and know every detail of what you're doing. I feel like this person has been through a lot lately and just needs to focus on themselves, to recharge their batteries and do what feels right for them. So they're just not up in your space and they mind their own business. This person is likely to be at a distance from you and you may not hear from them at all. Also I'm getting that this person feels connected to you spiritually so they feel like they don't have to stalk you because they already know deep down you're doing okay. They just intuitively know that you understand them and care about them just like they do. They also trust that you respect their privacy and need for space, so they're not worried and they just do their own thing in their little bubble. They may even have deleted their apps to avoid risking interacting with you. They just don't want to be distracted and they need the time and space to come back to their senses and to heal. I asked spirit for more details so I drew tarot cards just like I did for the previous groups.

You got 9 of cups, 4 of cups, knight of pentacles, 8 of cups, Star rx, White Numen.

This person is focused on their dreams and their emotional needs. They just felt disconnected from you and they didn't see any reason to keep going knowing that they weren't feeling it. So they pulled their energy back and poured it back into their own cup. This person has a lot of respect for you and is thankful for the time spent with you. However they just feel like they have to go their own way for the time being. They didn't see a purpose in trying to make the connection work when they didn't see anything come out of it. They thought it would be hurting you both for no reason. And this person didn't want to hurt you. Also they felt like there was no hope left for your connection and that they were called somewhere else. I'm also getting that their work is taking a lot of their attention and energy so this person just didn't have space for you in their life.

[traincat]

Hi! I was rereading your fics and noticed that in Sticks and Stones you mentioned referencing Claremont's F4 run. Now it's haunting me because I can't find where their origin is brought up 🥲 So sorry if this has already been asked/answered, but perchance do you remember which issue it was 😅 (if not or even so, do you have any other good F4 origin moments?)

No worries, I've got you. It's a little hard to find if you don't know where to look.

This is a flashback from Fantastic Four v3 (1998) #11-12, which recontextualizes the crash and turns it into a horror story for more than just Ben. Claremont is really interesting as a Fantastic Four writer, and he loves thinking through the implications of Johnny's powers. Here, Johnny absorbed the heat from the shuttle crash, but he can't hold onto it and he goes Nova. The only reason he doesn't kill Reed and Sue accidentally is because Ben shields them with his rocky body. It's a really interesting interpretation because it sets up this dynamic between Ben and Johnny where they can fight with each other because they can't really physically hurt each other unless they're really trying. Ben has a degree of protection against Johnny's flames, and Johnny is fast and fiery. Claremont loves Johnny's powers, though, and he puts a ton of thought into what Johnny can and can't do with them. He also writes a very introspective Johnny. He's one of my top writers of all time for Johnny characterization.

(Just don't go into his run expecting the plot to make sense. It won't. But the characters are fun and the interactions are all really charming. He introduces three new female characters who are all great, too.)

In terms of Johnny's relationship to his powers -- specifically a negative relationship, not just the joy we usually see from him -- I also really recommend the Burn! storyline, which encompasses the first six issues of the Human Torch (2003) miniseries. It's kind of an origin story? It starts before Johnny goes to space with the others and then picks up after the crash, when he returns to high school suddenly not the loser weird kid. Fast forward a few years and his old high school enemy looks him up to ask for his help solving a series of mysterious murders involving the victims being burned alive. Fun stuff, really great ruminations on Johnny, his understanding of fire, and the amount of control he has to exert every day.

(Human Torch #3) You're going to have to put up with a lot of very early 2000s art. It's worth it.

Also not really an origin story but useful in understanding Johnny's origins is the Sue and Johnny power swap arc.

(FF #520) To save Sue's life, Reed swaps her powers with Johnny's, but the timing is pretty bad. Galactus takes Johnny as his herald, while Sue struggles with keeping Johnny's powers under control.

But okay, Fantastic Four origin stories, a crash course. This isn't totally comprehensive, just kind of a collection of my favorites and ones I find interesting.

Fantastic Four (1961) #1: The mother of all origin stories. Pretty one and done. We have to beat the commies to the moon! Cosmic rays! Shuttle crash! We've changed in horrible and fantastic ways! The world will never be the same! It's worth reading if you haven't read it before, but it's no Amazing Fantasy #15.

Byrne's retcon: Byrne doesn't particularly do anything interesting regarding the crash, but it's useful to know the changes he did make to the origin, because they were a point of contention for a long time. In Lee and Kirby's run, Sue and Reed are established as next door neighbors and childhood sweethearts. It's all very sweet. Byrne, though, LOVES an age gap with an older man and a younger woman. This is a theme you'll see repeatedly if you follow his work. Byrne retconned things so Reed first met Sue when he was renting a room at her aunt's house when he was in college and Sue was twelve. It's not great, but it does introduce the concept of Sue and Johnny living with their aunt after their father's incarceration. No run previously had ever mentioned such a thing. While the age gap was both immediately retconned out (Simonson did it as soon as he took the reins, establishing Reed and Sue as college friends, but it didn't stick) and eventually retconned out (Fraction retconned it so that Reed did stay at Aunt Marygay's boarding house but that Sue was over eighteen), the boarding house origin stuck. Not much to do with the actual "getting powers" aspect but interesting in terms of where Sue and Johnny were living when they met Reed and Ben.

Fantastic Four Mythos: Now we're cooking. Mythos is a beautifully illustrated oneshot retelling of how the Fantastic Four gained their powers. It's gorgeous, fun, and emotional. It's probably my second favorite origin story after Claremont's take.

Mythos posits that the emotional state the four were in at the time they were cosmically irradiated is responsible for their powers. Sue was trying to hide, Reed was trying to reach her, Ben was shielding Johnny, and all Johnny could think was that it was hot. It's an interesting interpretation. Sidenote, I'm pretty sure the new Fantastic Four movie is drawing inspiration from Mythos, just based on the visuals.

I love him so much. Idiot baby.

Fantastic Four: First Family: Oh boy where to go with this one. I don't dislike it, and I think it explores the origin in a much more realistic way, but I wouldn't say it's my favorite. First Family is a miniseries that takes a more grounded approach to the origin story. After the crash, the four are imprisoned on a military base as they adjust to their powers.

I think there's a lot of interesting ideas in this version, but I wouldn't really recommend it to any new readers as an origin story. I think it's more of an interesting way to examine things after you're already basically familiar with the FF's early days if you want to see a more grounded take on the origin.

Fantastic Four: Season One: Another miniseries retelling the origins. Is it good? Not particularly. Is it shiny? Yes. Does aged up Johnny work as a pinup model before the accident? Also yes.

It's giving the Chris Pine leather pants desert photoshoot. Again, not my first pick for an origin story by far, but if you want to read some mildly campy nonsense, you could do worse. If you don't want to read it, which is like, probably the smarter idea, please note that Johnny registered the domain name hottieonfire.com and that he's obsessed with the whale from the American Museum of Natural History. Samesies.

Ultimate Fantastic Four #1-5: This feels like the equivalent of going "want to make some bad decisions." Ultimate FF is NOT good. I know I've said that a hundred times. I've also read it a hundred times so who's the idiot now. I do think the origin is an interesting take on things, though, and like First Family it's more grounded in the exploitation of the Fantastic Four by the military. So not good, wouldn't recommend it as baby's first Fantastic Four origin, but not completely not worth reading.

Origin stories I don't recommend:

Fantastic Four v2 (1996): This is when the FF got bubble universed. It's basically a retelling of the early days that doesn't add anything new or interesting.

Fantastic Four: Life Story: Life Story was an interesting experiment. The idea was to have a six issue miniseries where each issue took place during a specific decade -- issue #1 would be the 60s, #2 would be the 70s, etc -- moving the characters through those decades aging in real time and dealing with both the major storylines of those decades as well as the real world events that were happening. Like I said, interesting experiment. The actual comics, though, and I'm counting the Spider-Man one here too, were bad. Like so bad. I'm going to give you the only thing of note in it here and then you don't have to read it. (Don't let this fool you into thinking the rest of the comic is progressive in any way; the writer decided Jewish Ben should say pork was "the food of the Gods" and also that Romani Dr. Doom should put people in concentration camps. Whole yikes.)

(FF Life Story #2) That figure sitting in bed with Johnny sure looks like a guy. Interestingly, for your value of interesting, "perpetual bachelor" Johnny dies in 1986 in issue #4, and issue #5 immediately opens with T'Challa creating a cure for AIDS. Take that one as you will.

One final kind of a rec. This isn't really an origin story for the Fantastic Four as characters, but rather a retrospective meta take on the creation of the Fantastic Four as a series. Fantastic Four: Unstable Molecules is an Eisner winning miniseries dedicated to the fictionalized "real people" who inspired the Fantastic Four, positing that one night at a dinner party on Long Island, two comic book creators encountered a family fight so epic it inspired them to create a comic book. Deeply introspective, it's take on Johnny and the Mole Man (yes really) really shines.

(Unstable Molecules #3) Sorry to turn this into a "Johnny is flaming" discussion once again. It just kind of comes up naturally when you look at his origin stories.

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[tonythr]

The Watcher's telescope view is a social commentary and here's why

Ok so let's set some things right first. City of Tears is amazing.

(Yes, Pale Court is also an amazing mod)

I've played Hollow Knight many times, and City of Tears is probably the one location I never get tired of. The scenery, the lore, the room layout, the music, the atmosphere - it's all perfect. It's the culmination of Halllownest's beauty, the peak of the game's art style, and the narrative's most essential location. City of Tears is the heart of Hollow Knight.

This game is a story about a Kingdom and its death, a tragedy of a society that was built on dreams of light but ultimately was consumed by the light so much that darkness became its only hope. And City of Tears stands at the center of this story. So it's fitting that the themes of corrupted dreams, society flaws, and dark hopes are what shape the lore and atmosphere of this beautiful, gorgeous location.

Did you ever notice that the tears of this Kingdom are dark despite them originating in a glowing blue lake, and the waters that flood the streets are almost as dark as the void in the Abyss? Do you ever think about how the vibrant blue color of the City is basically a culmination of how the color blue is presented in other locations (Howling Cliffs, Forgotten Crossroads, and later Royal Waterways being more of a remix of it), and how it's tied to the very essence of Hallownest (and how Resting Grounds, the location that contains Blue Lake and also uses a bright blue color, represent the very foundation of Hallownest's history, that being Seer's story about the Moth Tribe's betrayal that started the war between Pale King and the Radiance)? Do you feel like Soul Master basically represents the thunder and the lightning in this never-ending rain? Do you get it????

Anyway yeah, there are many things that can be said about City of Tears, and this is hopefully not the last time I make a post about it. What I want to talk about here is the City's society.

Basically, Monomon said it better than anyone could:

It's a very complicated topic. The narrative basically explores the inner mechanisms of a free mind, how its primary need is finding a purpose, and how its purpose turns out to be a constant need of... something. Anything. As long as there is something to want, a free mind will want it. As long as there is something to yearn for, something to enjoy, something to dream about, our minds are going to move in its direction, never wanting to stop. Because a stasis is worse than death. Because a world without dreams is an empty world.

But then again, isn't constant yearning another instance of, well, constance? If dreams never end but also never evolve, doesn't that create another kind of stasis?

Like I said, it's very complicated. Let's go back to what I was getting at in the first place. What I actually wanted to say is this:

Theese guys fucking fucked up as a society.

It's classic dystopian shit (or maybe I'm using the wrong word, but you get the point). Rich people are living in luxury while the rest are suffering. They're making gold a fucking religion and are seeing it as the only beauty in the world. The corrupt upper class are using heavy gatekeeping on the lower class.

Literally.

What's interesting is that, at first, we barely see any lower class bugs in the City. There's suspiciously few regular husks in this location, compared to how many rich guys are on the eastern side. But then we get to Soul Sanctum and it all starts to make sense.

There are no red cloaks in those corpse piles. Only the poor were killed for those experiments. It can't be a coincidence. It's straight-up elitism-based genocide (again, I don't know if I'm using the right terms, correct me if there's a better way to say that, but the point is clear).

Also, see how many streets are flooded on the western side in comparison to the eastern side.

Point is, the bugs that ruined the kingdom by always wanting more (what Monomon wrote about) are most likely theese rich ones. It's a very fitting thing for this dystopian narrative: neverending greed that leads to the downfall of a civilization.

There's a note in the Hunter's Journal that describes it in the best way possible:

For every location in the game, there is a place that functions as the center of its essence, its narrative heart, the culmination of its themes. For Queen's Gardens it's the White Lady's cocoon, for Greenpath it's the Lake of Unn, and for City of Tears (or at least its eastern part, the one with the upper class) it's the Watcher's Spire. The tallest building of the great capital. The home of (evidently) the most rich and influential bug of the City's high society. Literally the top of this social hierarchy.

He is also arguably the most mysterious dreamer out of all three. I mean, why does he have only one eye? What type of bug is he? How did he get this much power? Does he really have some kind of connection with the Collector? Is he a motherfucking fluke? Why does he seem to have an obsession with serving the King?

That last question is kinda answered by the cut content though.

That last sentence is kinda confusing. Is it regret? Is it humility? Is it pride in his sacrifice? In any case, here we see that Lurien actually knew that the Pale King was literally a god, and desired to worship him, like any other bug yearns to worship some kind of deity. So while other bugs of Hallownest worshiped PK because he was a monarch, albeit a godlike one (for all they knew he could be just an extraordinary bug, but a bug nonetheless), Lurien worshiped him as an actual god. And the intricacies of worshiping a god are one of the central themes of the game. From the moth tribe's betrayal of Radiance leading to the birth of the Infection to the Godseeker's shenanigans leading to the birth of the Shade Lord - the game makes multiple statements about gods, religious devotion and the semantics of divine power. Just that one idea that a god takes its power from the ones that worship it deserves its own post - heck, it deserves its own book.

So yeah, Lurien's devotion to the King is an important part of the story. He sure is an important character in this narrative. He also got a cool house. Being able to observe the entirety of the Hallownest's capital is badass.

But there's one thing I find odd about all that, and it's the moment we get to actually look through his legendary telescope.

Is it just me, or does this feel kinda... Underwhelming? Almost disappointing? I mean, don't get me wrong, I love this view, it's beautiful, and I would certainly love to be able to see something like this with my own eyes irl, but, looking at this picture, I can't help but wonder...

Did he actually see anything from up there?

In cut dialogue, Lurien talks about how he loves the City's streets, and his hidden lore tablet contains words about his love for bugkind, but... I see neither any streets on this image, nor any bugs (that are not vengeflies). Only spiked rooftops and rainy fog, clouding the view of the actual City.

And sure, the Spire has many windows and even had multiple watchers who were helping Lurien with overseeing the capital...

But his own spot was always this one.

His telescope was sealed in one place, letting him see only a small portion of the City and its life. Almost like his own worldview was stuck in one perspective.

Notice the wording here. It's not "The Seals must remain". It's "Bonds must remain". He's not thinking just about the Seals containing the Infection. He's thinking about the whole Kingdom needing to stay unchanged. His dream is the stasis that the Knight (and also Monomon, Hornet and, in a sense, even Radiance) want to end. The stasis that the Pale King wanted to create in order for his Kingdom (and therefore himself) to be eternal. The stasis that would allow for both Pale King and Lurien's worship of him to remain forever.

But there is always a cost to ascending higher than others, and it's that you can no longer see what's going on below or who's suffering down there. I think Lurien, sitting atop the tallest tower, was actually detached from the struggles of regular bugs. He and his Spire are the culmination of the City's upper class' ignorance towards the ones who were below them on the social hierarchy. A dreamer who dreamt of watching over the very heart of the holy civilization lived so high up he could no longer see his beloved world in its complicated, detailed entirety – and the tears of the stasis created by those like him only blinded him more.

All those flooded streets, those broken buildings, those empty halls, those starving bugs, those sealed doors - even though he watched over them, he couldn't see them.

I'm pretty sure Lurien didn't even know about the Soul Master's experiments, despite the fact that the Soul Sanctum was located right next to his Spire.

Or maybe he knew but chose to turn a blind eye to it (pun intended).

But it's kind of poetic, isn't it? It's the beauty of the tragedy of this game's characters. A Beast who had to surrender everything to the opposing civilization. A Teacher who could no longer teach. A Watcher who couldn't see the truth.

And all that makes me wonder... How much suffering could the Pale King see, standing on that platform at the top of the Abyss, facing away from the pit where his children died?

TL;DR: Lurien's point of view was too high up to actually see what was truly going on down there, both literally and metaphorically. His desire to worship the Pale King made him ignorant of the struggles of regular bugs. Similarly, the extreme elitism of the high society of Hallownest lead to ignorance, discrimination and greed, which ultimately caused the sprawl of the Infection. This side of Lurien's story might also parallel the Pale King's with his ignorance towards the discarded vessels.

TL;DR²: Eat the rich

[hellspawn-enjoyer]

Another thing I need to rant about because I find it incredibly adorable is how these dorks have the nerve to have elements of a reincarnation romance in their romance together.  

What do I mean by this?

I mean having dialogue that lampshades that one feels like they’ve met before and the other feels like they’ll meet again. Karlach’s dialogue in her date night romance scene you get in Act 3. You and each companion get a different special response to asking her if being mysterious suits you.

This is her response for Astarion-

Karlach mentions feeling like there's something familiar about Astarion. The second picture is a common dialogue other characters can get, but it does add various meanings to her line specific to Astarion. Overall adding to their special connection and how they just sort of click when they first meet each other.

Feeling something familiar between them also plays nicely into them having similar woven parts in their unfortunate traumatic history. As well as them being a sort of mirror to each other. One that shows what they could've been, but also what they can still become since they can either improve or descend into becoming worse versions of themselves down the road.

This dialogue on its own is cute because of the fact it shows that she feels connected and understood by Astarion to the point that she feels they’ve been together for longer even though their time together at present is so short.

So the fact that Astarion has a similar feeling, but with her death makes it all the more gut-wrenching.

When Astarion tries to convince Karlach to go with him to Avernus to look for a way to fix her engine, if she declines Astarion will tearfully accept her decision but remain hopeful that somehow their paths will cross again. Basically, saying that maybe her death isn’t the end of their love, but instead the beginning.

So now we're getting into the whole Reincarnated/We’ll meet in another life romance trope. Obviously, you can roleplay this with any romance, but it just makes me particularly insane that it’s hinted a few times as a theme in their romance with special dialogue between the two of them. That they have a connection so deep to each other that they can feel it from another life.

Now, of course, I've got to talk about Ascended Astarion's dialogue if Karlach declines his offer to go with him to Avernus because it's interesting in it's own way as well. He essentially says the same thing to Karlach, but the way he says it comes across as being more confident that they'll meet again.

This, of course, can be read similarly with him planning to find her reincarnation and romancing her again or as Astarion willing to do some questionable things in order for them to be reunited with each other. You can see this as sweet, concerning, or both. All valid takeaways from this scene. Either way, he holds on to the feeling that their romance has only just begun and that they have something more awaiting them in the future.

Karlach's origin epilogue if she chooses to die on the docks also adds to this with Withers coming to her and saying that her death isn't the end of her story.

So even if you play their romance in a way that ends with her choosing to go out on her own terms their dialogue and this ending scene connects in a way that reinforces that they'll have a chance to meet again someday. Also implying that they're a fated pair, soulmates, romantic or platonic that have met before and will meet again, that just gets to me.

Overall another reason why I'll never be normal about these two and their relationship with each other! 😭

[heybiji]

ialso love playign superhero ttrpgs can i ask what the Masks ttrpg is? i love finding neww hero themed ttrpgs ^-^ yay!

Ohhh!! Hey! i love getting to talk ttrpg stuff thanks for the question!

MASKS: A New Generation is a superhero ttrpg about teenagers all trying to figure out who they are in a world filled with people constantly telling them who they are and how the world works. It's less about the powers and the fights and more about the emotional journey of the PCs with mechanics that support that. It's a really narratively driven game!

tldr: try it out! it's fun! it's simple! and it's low-prep (apparently, just not for me, but i'm always just gonna do Too Much). you want a system with mechanics that revolve around telling a story? around your character's emotions and how they view themselves? this is the one for you! it's great and i've really been enjoying it!!

First of all, it's a fail-forward system, so the way your character levels (advanced) is by missing rolls. I like this a lot.

There are ten core playbooks that are essentially the classes you can choose from. They each come with their own powers, some intentionally more impressive than others, but it's not about the powers; it's about the core conflict that comes with each of the archetypes. Here are a few playbook examples:

The Delinquent: You've got these cool powers. But everyone keeps telling you how to use 'em. You know what they need? Someone to give them trouble, to make sure they don't always get their way. And hey! You're the perfect her to do it.

The Legacy: You're the latest in a storied heroic lineage, a family that shares a name and a cause. Now, everybody is watching and waiting to see if you've got what it takes to uphold that tradition. No Pressure, right?

The Nova: You're a font of power. Channel it, and you can remake the world into exactly what you want. Unleash it, and you can do miracles. It's wonderful... and terrifying. Lose control for even a second, and other people get hurt.

Your stats are your Labels. They're how you see yourself, and how others see you. The Labels are DANGER, FREAK, SAVIOR, SUPERIOR, and MUNDANE. Different stats help with different Moves/rolls, so for example a high DANGER stat helps you Directly Engage a Threat, while a low MUNDANE stat makes it harder for you to Comfort or Support Someone. Your Labels are constantly being shifted around throughout the game as your character's self-image changes (and that self-image changes a lot, basically the NPCs are just label shifting machines).

The mechanics are fun! Instead of traditional damage, the PCs have Conditions that they take on, and what conditions a character has affects their rolls. The Conditions are Afraid, Angry, Guilty, Hopeless, and Insecure. So if you're Angry you take -2 on your roll to do the move Comfort or Support Someone, if you're Afraid, it's -2 on Directly Engage a Threat, etc. There are multiple ways to clear your conditions but the most straightforward way is to take a particular action, so if you're Angry you have to hurt someone or break something important, and if you're Afraid you have to run from something difficult. These actions lead to some awesome and surprising story beats!

There's some other stuff as well, but that's the gist!

Coming from DND, it took me some time to adjust to something so wildly different in terms of the system, but I've been enjoying it! I haven't gotten to play it as a PC, but running it has been an interesting challenge. I think it's a pretty simple system to work with, and I at least hear it's low-prep (again not for me tho lol). It's mechanically looser than the only other ttrpg I've played (dnd) and requires a lot more decision making from the whole table, so I think in a way it asks more of its players in that way. And the GM role is constantly on in a specific way, because it's up to the GM to listen and call out when a Move is being triggered and a roll should be made based on what the characters are doing in any particular scene.

anyway I can always have more to say but MASKS has been fun. I recommend giving it a shot! And then you should tell me what you thought about it!!

[highladyluck]

Wheel of Time, Season 3, Episode 2 (second watch) Liveblog

Elayne like "This is the largest gay bar in the world, please don't take me away"

Emotionally Intelligent Lan never fails to jumpscare me lmao

I already said this but I do need to reiterate: Galad would not fuck

I like that we see Morgase's accepted ring like, first thing. Also those maid headdresses that look like approximately one-fourth of a swan has been applied directly to the entire head? They're very good. Very intimidating. Very high fashion.

I'm now watching to see if Elaida has the bracelet this early- hard to tell tho.

So. I was not a huge fan of the Lannister lean-in thing they did with Morgause on first watch. But I've seen some commentary that has reconciled me a bit more to it- one is that people were going to make the comparison between Andor's whole vibe and Game of Thrones anyway, so they called it to mind deliberately but contrasted it with Morgase's slightly more strategic/principled(?) motivation. This is the kind of thing that RJ did with the first 200 pages of EotW and The Fellowship of the Ring- deliberately echoing the more familiar property before going in a different direction with it- so it's not like that's a new-to-WoT tactic. The other bit of commentary that has influenced me is the argument that it sets up some really juicy stuff for Elayne to work with later in her succession plot.

Elayne is so cute when she lies through her teeth

Siuan waiting a very precisely calculated amount of time to let them in lmao

Siuan is WEIRDLY smiley re: Lord Gaebril considering her mood moments before…

This is obviously because of the letter Elayne sent, but I honestly don't know why Elayne told Morgase she was kidnapped if she didn't want to get hauled home. Maybe to drive home the Seanchan threat?

I forgot who I first thought the people in the ways were, but I was totally wrong. As we find out later, it's Alanna and Maksim, but yeah, wtf are they doing in the Two Rivers in this turning? Still hunting for novices?

Yeah that was a significantly long pause for Elayne before she acknowledged Gabril

Mat looks good in green :)

If only we had someone who could fix mind diseases! [thinks about Mat in Graendal's clutches] NEVERMIND NO ONE NEEDS THERAPY

The implication of 'honorary great serpent ring' is that Morgase didn't have to go through the Arch(es) but honestly since they don't require channeling and are a character/commitment test similar to [SPOILERS FOR LATER IN THE SEASON] I've always headcanoned that Daughter-Heirs of Andor who went to the Tower actually took the test. But maybe it's seen as too risky for them to actually take it? I'd certainly buy that in this universe.

Elayne like "This is the largest gay bar in the world, please don't take me away"

Emotionally Intelligent Lan never fails to jumpscare me lmao

I love the contrast between the Aiel 'save and destroy' and the WT 'save or destroy' here; it's less of a stark contrast in the books but I think it's a really interesting nuance to dwell on and fits with the overall themes of encoutering different perspectives and the subjectivity of history/prophecy. Also I love Avi talking duty with Egwene and Moiraine, just like, on principle.

These landscapes holy shit

At least we know that Marin is the kind of person who would hide people in her attic

Alanna, Perrin used to live here. What the fuck are YOU doing in the Two Rivers?

lmao once you get an Elaida infestation it's hard to get her out

ooof. I bet Siuan is thinking in terms of another Darkfriend attack on the Tower re: Min's visions.

Mat, you absolute dumbass [derogatory]. That said, Clara is super hot. "I think everyone is into this kind of thing, Mat" - excellent line delivery Nyneave

Awwwww is Nyneave wearing Lan's ring around her neck? Or her great serpent ring?

"And is the Lion Throne under threat?" damn Nyneave is killing it this episode

Rand you cheating ho

I already said this but I do need to reiterate: Galad would not fuck

I knew immediately that someone was gonna catch Elayne vamping with the crown and I was preemptively embarrassed for her I hate that Gaebril is charming I hate it I hate it (it's very good) Galad is always serious oooof not Gareth Bryne :( High-Functioning Alcoholic Elayne T_T I buy it but it hurts me

THE MAT AND SIUAN SCENE IS PERFECT. Also it sounds at the beginning like she's got him as a guest on her early morning tv show/interview podcast and that always makes me laugh. I really hope that she and Mat get to meet again because they were so fun to watch together.

And now for another scene of masterful manipulation! GO GO ELAYNE

Elayne: "My path will always lead back to Andor." Me: '-through the circus.'

Lan listens but you aren't fucking talking, Rand

Lmao I'm enjoying the barely veiled threats in this Morgase & Siuan confrontation

[artbyblastweave]

Whatever else I may say about the writing of Fallout 3, Oasis is excellent on every level. Genuinely totally siloed from the main quest and the rest of the game world's communities, isolated from any area of the game world that you'd be likely to pass through on your way to another quest objective (maybe Fort Constantine, but you'd still have to detour pretty heavily.) Despite that, allusions to the place are seeded throughout the game- Three Dog talking about it on the radio as an urban legend, a single insane wastelander ranting about it before dropping dead in front of you. One of your rewards for completing the Arefu quest is that you'll have a cluster of locations in Arefu's general area marked on your map if you hadn't found them already; one of those locations contains an exiled, berserk Treeminder with coordinates to Oasis on his person, albeit without any explanation of what Oasis actually is. Actually finding the place is a very self-directed activity even if they hand you everything you'd need to get there. I feel as though there's a level of restraint on display from Bethesda here that you wouldn't get for settlement with a named quest these days- an asset as visually unique as Harold would absolutely end up with top billing in the main quest, you wouldn't be allowed to miss him. And anyway, once you get there, I dunno, there are interesting parallels. Inasmuch as Fallout 3 has any kind of actual deliberate theme, I'd argue that the theme is that you can't run from your problems, and you can't stick your head in the sand. A lot of the settlements you visit over the course of the game have the vibe of a whole bunch of people who are just sort of holed up and waiting to die, even the outwardly successful ones like Megaton and RIvet City. The entire main plot is triggered by James deciding to try and do something about the state of the world instead of just waiting to die of inbreeding along with everyone else under the Overseer's thumb. Everywhere you visit is experiencing some kind of watershed moment- something's gotta give. And then you get to this place that's outwardly a pretty sweet setup, but only because they're obscure- and that's not sustainable. You found this place, other people are going to, the only actual choice on the table is on what terms they're going to come into contact with the outside world and on what timetable. The possibility of reforestation is complementary to Project Purity; they make a big point of the fact that Harold can't do jack about the irradiated water even if the restoration of greenery would still be a major net positive. And it's not hard to draw a connection between the ending where you convince Harold to keep living because the Treeminders are dependent on him, and the whole "abandonment issues" beat that the Lone Wanderer is given room to have with their own father- you don't get to duck out on the world that easy, James Number 2. Lots of interesting little parallels swirling around in there, if you're an overly charitable apophenic such as myself

[astrosamara]

Astrology Observations #2

🩵Mutable risings are constantly changing up their looks because they love experimenting with different aesthetics, whereas fixed risings tend to stick with the same look or a couple of looks throughout their life. They're not as comfortable with outward change.

🩵Mars in the 1st house makes someone a natural athlete and can excel in sports. Also a great placement for dancers.

🩵Saturn in the 1st house and/or Capricorn/Aquarius Rising age like fine wine. They often tend to be late bloomers as well who can feel awkward and uncomfortable with themselves in their early years, but start to grow more into their confidence later in life, specifically after their first Saturn return.

🩵Gemini Venus are so playful and flirty in their relationships. Humor and lightheartedness have to be prominent for them in their relationships to feel loved.

🩵Sun (the father) or Moon (the mother) in the 12th house can indicate that parent dying early in your life or it can represent them being emotionally or physically absent as well. It's spooky how many charts I've seen where this is the case. (I know death is a sensitive topic, so I don't want to freak anyone out by saying this placement is a 100% indicator of a physical death, because it isn't).

🩵I know Taurus' loving food is a huge stereotype, but it's so true! Every Taurus sun in my life loves to go out to eat, cook, or be cooked for and it's their love language. They can also be super big on physical touch such as massages and hugs. They're all about the senses.

🩵Leo moons tend to be the comedians of their family or friend group. They're the ones everyone relies on to bring the fun and playful energy. They really shine a light in people's lives.

🩵Jupiter transiting the 5th house the same time as a Venus return is a super powerful transit for love and romance. I've seen charts where this indicated marriage, meeting a long-term partner, or starting a new relationship.

🩵When it comes to transits, Saturn is the most important planet to look at imo because it's the planet of timing. Looking back on every time Saturn made a conjunction with one of my personal planets or angles, it highlighted a significant event/theme in my life.

🩵Someone having their moon in your 1st house you may notice that these are the people you find yourself easily letting your guard down around. It's easy and comfortable to be with them. This is a great placement for friendship.

🩵You may find yourself feeling soul-bonded to a pet who has their sun as your moon. My cat is a Pisces sun and I'm a Pisces moon and I've never felt such a strong connection to a pet before. He's my actual baby.

🩵Saturn in the 5th house typically aren't interested in having kids. They may feel incredibly overwhelmed by the pressures and responsibilities that come with raising children. If they decide to have kids, their kids can bring out a very karmic energy in them and can exasperate wounds from their own childhood. This can manifest as a positive or negative experience depending on the sign it's in and other aspects.

🩵Check where your 4th house ruler is in your chart. It can further indicate what your childhood was like. For example, I have an empty Gemini 4th house, but my 4th house ruler is in Mercury in my Scorpio 8th house making a conjunction with my Chiron and I had a very dark and traumatic upbringing.

🩵Nobody knows overthinking like a Virgo sun and/or mercury knows overthinking. Their brain is constantly thinking about what can go wrong in any given situation, scanning everything they need to check off from their mental to-do list before they can allow themselves to relax, and will bring up a specific worry you haven't even thought about. I only have a Virgo mars and that's enough Virgo energy in my chart for me. They are the living embodiment of anxiety.

[neptunes-sol-angel]

Well let's fuck around and find out 🤭😉

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Pile One

This could be someone who's a friend that you need to cut off or someone who you've already cut off. I would say that this is a parent, but this is looking like someone who has this false sense of authority over people and in general isn't a good person to be around. I'm getting this image of someone hiding in the shadows who comes out at just the right time at the right place to make a move on you. The parental energy that I'm picking up on could relate to one of their negative traits, which is analyzing voids that you could have internally. It could seem like they're fulfilling you emotionally, but really this is deception that they use against you later. Affection, validation, or someone who listens is what could they hold above your head to convince you that you need them or that they hold the answers to how you should live your life. This person fucked around trying to gain control over you and now they're finding out that you're no one's puppet and that you're strong enough to both walk away and wake up from the trance that you don't have any glamour. Or this could be someone who was very delusional thinking that walking away from you would make your life halt, but there's light being shed on just how powerful your magnetism actually is. They walked away just to come back to watch how you're flourishing and still gaining attention from unapologetically being you, they see you birthing abundance in your life, they realize how your originality is undeniable, if your presence on social media is public, they could be lurking and taking notes on the shine that you vibrate effortlessly. Pile One you're the blueprint, baby!

Pile Two

This is an opportunist who is a friend to no one but themselves. Their concept of loyalty is that they're ok with you giving it unconditionally to them, but theirs has terms and conditions, and they're strongly offended when you reflect their way of thinking by withdrawing your loyalty. This is someone who is constantly in some drama, never has their priorities together, and if you dare suggest what they could do to help themselves, they'll give an excuse for why they don't want to do the things that will bring stability to them or at least reduce the trouble that they get into. An overall immature person. This could also be someone you work with or had a partnership with, there's envy and jealousy that they have over you and instead of working on their feelings, they'd rather do something slick behind your back to to to make sense of the animosity they have for you. This is someone who doesn't play fair and see things as deep enough for them to sabotage you. They fucked around and found out about how karma and your guides don't play about you. They overestimated their reign of how much they could overstep and they're in a position now to where they can't weasel their way out of the consequences. The theme here is a loss of security. Their self-grandeur is withering away to a lack of confidence, they could have lost their job or are severely losing momentum in getting ahead in their life. It's like their tricks are no longer working and how they tried to stagnate others has now blocked their own blessings because they're incapable of moving forward. This person has to get out of having this main character syndrome, their inability to be a team-player by supporting others or clapping for others has left them in a pit of the same cycles that they thought they could take shortcuts out of whether it be understanding how immoral it is to use others or learning that trying to knock someone down doesn't truly elevate them from their insecurities.

Pile Three

This person could have you on their mind a lot or you show up in their dreams frequently. This could be a love interest from the past or someone who you've used to talk to on an almost daily basis. You could have helped them in some way or there was something in this connection that they may have tried to downplay or had trouble understanding. I'm getting that they fucked around and found out about your effect on them which is someone who they'll never forget lol. I'm also getting that this could be someone who you're currently talking to who underestimated the feelings that they get when they're around you, or how much you positivity you bring in their life. However, this really does give a chaser and runner type dynamic, where you were eventually the chaser and now they're the runner. If this is a past person, this is someone who misses you dearly, and may have fumbled in the beginning of you two parting ways with each other, by pretending and overcomenpensating the facade of someone who has "moved on". For some people, this could be ex-friends or family members who are deeply feeling the downsides of your absence but are too prideful to apologize to you or tell you that they miss you and would like you back in their lives.

[yesimwriting]

I love the way you portray Armand!! Big kudos to you you absolutely nail the characterization. I have a question.

Will Armand ever change his approach/façade and become more gentle/openly caring towards reader, sometime someday in the future? Deep down he's a canon loverboy and if he becomes more loving/doting, will it happen when he separates from louis and officially is together/is at least trying to get with reader?

(I feel like sometime he WILL have to realize "oh shit maybe i should be nice if i actually want this persons affection")

I also have to praise you bc i noticed something random! I read somewhere that Anne Rice had planned for Armand to be the antihero/antagonist from the start, which is why he seems to be so... evil but then she confessed that Daniel and devils minion had changed her mind completely and boom! Armand villain no more. He's in love fr.

I can't help but notice the same theme going on in your bestie verse: hence the question.

(Side note: the audacity of this man to hate on readers favorite shows when this absolute NERD canonly likes the blade runner movies.

ps. expect more random armand facts)

Omg thank you so much!! Characterization is so important to me and Armand is so complex and I'm constantly worrying about making him seem like himself in terms of 'voice' if that makes sense.

That's such a good question and you bring up some really interesting points. I had no idea that Anne Rice chose to shift Armand away from being more of an antihero/antagonist because of Devil's Minion/his relationship with Daniel, from what I've read so far, that arc felt so natural I wouldn't have guessed that it wasn't pre-planned!

I just feel like Armand is so predisposed to allowing his affection to drown out all else. I think something that's a bit of driving force for him is a desire to feel like someone's first and only choice, so once he feels a deep enough connection to a potential love interest/partner to trust that they do love him to that extent, it makes sense for him to mellow out a little. A fully reciprocated attachment is one he doesn't have to 'manipulate' out of the person.

As far as bestie verse reader and how Armand might change his approach in the future, this is really making me want to write a more organized chapter series to better 'track' that development.

I haven't really been able to get into this yet, but Armand is doting on bestie in a hundred ways that she's unaware of. I just feel like when she's staying with Louis and Armand, or when they're staying with her, she's not doing a single thing.

She stumbles out of her heels after a night out and wakes up to them in her closet; she thinks about how nice a snack would be and less than ten minutes later, Armand's complaining about how she hasn't eaten enough today and bringing her something; she wakes up one day and realizes that she can't remember the last time she ran out of any hair or skin products...and now that she's thinking about, when was the last time she ran out of a paint color mid project?

However, as far as openly doting on reader, I can see Armand either convincing himself that his kindness his way of 'tricking' her into liking him, or it being a reaction to something she does that makes him feel more secure.

I think if bestie were to defend Armand during an argument with Louis or maybe sit with him while he's upset or doing his best to pretend he doesn't feel alone, he'd find it in him to care about her a little more openly.

I can also see him randomly worrying about losing bestie after reflecting on how close she is with Louis and coming to the sickening realization that if he wants her to want him...he's going to have to start being nice to her outside of his thoughts 💔

Not Blade Runner 😭 he's definitely just being a hater and complaining for the sake of it. I feel like he'd secretly become invested but pretend that it's a pain to watch them with her.

Also, yes, please feel free to send me all of the Armand facts you want :) Currently deeply fixated on analyzing him, which is why my response to this ask is so long (this is me apologizing for the slight rambling 😭)