#but because he is in fact Too Good

[asthedeathoflight]

you know they put the good shit in a character if me (bitch who cant shut up ever about anything) cant even say anything about them

[humming-fly]

was anyone gonna tell me shadow saved rouge's life in sa2 or was I just supposed to find that out playing the game myself

(this worked out as a rather fitting closer for the Final Day in Year of Shadow haha, hope ya'll have a fun new year! 🎉🎉🎉)

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[somewhereincairparavel]

To the people saying "Jason wouldn't have jumped into tartarus for Piper, like Percy did for Annabeth" as a way to demean him. Jason, plunged into the sky from the grand canyon to catch Piper in the first few pages of the lost hero without even knowing who she was, and without the knowledge that he could fly. so he basically jumped to his death attempting to catch her. In the first few pages of his journey, he didn't mind dying to save Piper, and ironically, that's also what he did in the last few pages of his journey. Y'all just be making the most out of pocket claims abt jason fr

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[ln4wins]

he may not realistically be in the battle for the drivers championship anymore, however that doesn’t at all minimise just how proud i am of all lando has achieved this season. 3 wins (including his maiden), 7 poles, 12 podiums, leading his team to first place in the constructors championship, securing the most points of any mclaren driver in history. and that’s just on track, off it i am immensely proud of his growth too, from being someone who always saw everything as glass half full and was always so hard on himself, to the way he now talks in interviews you can see his confidence and belief in his own abilities has come on so far (as it should). it’s so nice to see how far he’s come from the little boy who started out in f1 so many years ago. maybe this year wasn’t his for the championship but mark my words, his time will come.

[mohntilyet]

they hated illario because he was a d1 yapper who was bad at assassinating people and was so annoyingly drunk and grief stricken at his cousin’s wake that viago had to drug him to shut him up (so what if he was also the guy who set his cousin up to die/disappear) . and also for working with the venatori and selling out the antivan crows i guess.

[1v31182m5]

The sessions get longer each time

[orcinus-the-orca]

Been on my mind and I just wanna, kinda, vent about it.

I don't have a problem with Toichi Kuroba being alive. Honestly? The fact that his killers knew KID was Toichi tells me that there had to be some dealings both in costume and out. Toichi 100% strikes me as the kind of guy to attend his own murder plot, learn how it will be done, and then use it to his advantage. Makes sense; seems in-character.

What worries me about Toichi's not-death is I don't trust Gosho to write the proper reveal (if it happens at all). Because Kaito Kuroba has gone most of his life believing his father is dead. Normally, in a case like this, a character in Kaito's position might be portrayed as "Everyone says my dad is dead, but I know he's not!" But that isn't the case with Kaito. We see him mourn his father's absence, we see his outrage when he learns the truth (both when finding out about KID and the Pandora). When Kaito finds out the truth, it cannot be a simple "Hah, I figured it out awhile ago" or "I missed you so much." Kaito has been shown to angry, his life has been absolutely ruined by his father's "death," and if he ever finds that wasn't the case he will be livid.

And that's what I mean when I say "I don't trust Gosho." Because as much as I do like his character writing, and the fact he does let his characters get angry, they never get angry when there's good reason. They get frustrated, but they move on. That or they have a certain personality that allows them to forgive easily. The same cannot be said for Kaito. If Toichi is ever revealed, it is within Kaito's character to be angry. To yell and bear that grudge. It bears reminding that the current KID exists for the purpose of vengeance. Kaito took the mantle because he wanted answers, yes, but that was fueled by his own grief at not only losing his father but being lied to (having no prior info on KID before he literally stumbles into the life).

So yeah, all this to say, I do not mind the Toichi is alive aspect. I don't think it breaks the story at all because Kaito believes he is dead (and that's what is important). What I do mind is whether Gosho will treat it with the gravity it deserves. Because unlike Shinichi, who is pretty aware of his parents' shenanigans and therefore is capable of picking up their tricks, Kaito was not privy to such an upbringing. The most he knows, or at least as we're shown, is that his father was a magician. And unless we get that betrayal, unless we see Kaito realize how worthless this has all been, how worthless his grieving was, I worry.

[erinwantstowrite]

I might be wrong, but didn't Roy also first meet Jason when he was 15 and Roy was in his 20s?

I've always thought their ship was kinda weird.

my little brother is only two years younger than me, but with the way our birthdays fall, he was three years behind me in school. so when i was a senior, my brother was a freshman. (for anyone not american: when i was 17, he was 15, but the age gaps between a freshman and a senior are usually a little larger and developmentally, it's a big deal.) we were both in band together and both pretty well known pretty fast. which meant that other freshman felt comfortable to go up to me and talk despite me being a senior (which was fine, because i was a section leader and i wanted all freshman to feel comfy enough to ask me questions and talk). and sometimes, that conversation would be about my little brother, asking if he was in a relationship and blah blah blah. THAT was adorable to me (with context, my brother was a little shit in middle school but when he got to highschool he suddenly decided he wanted to be a downright gentleman and got super embarrassed by this so i often teased him LMFAOO)

however. there was ONE person in my grade (that i was close friends with!!) that said "if your brother was a senior too, I'd date him"

shit was NOT CUTE. i was flabbergasted. i was appalled, even. even as an innocent comment, it freaked me out and i went full big sibling mode. tore that person a new one because that's literally my baby brother what the hell are you talking about????

now imagine that the age gap is even larger? nah, if it was my little brother the person would be DEAD. even if we were close friends before then. which is why im confused why the Jayroy ship is as popular or accepted as it is... like i know the batman fandom are fucking weirdos (looking at batcest shippers you fucking freaks i hope you feel embarrassed and shamed) but this ship slipped through the cracks i think and not everyone is aware of that age gap or why it's weird. at most i've seen people comment about dick being like "you're dating my little brother??" but not like. in the way of "hey what the fuck that age gap is fucking weird" and instead as "you can't date my family!!" ummmmmmmmm

[cangrellesteponme]

i don't think wonderland is ready for those alices

[ivyithink]

posting this little thing, while I’m neck-deep in iwtv wips…

[phoenixcatch7]

The One Fact Pact

I want to see a fic where the chain is rigorously keeping their secrets and stories hidden, but they've all learned to trust one another. Like, it's past time they should probably be sharing things because it's beginning to get annoying, they all agree, but it's sorta become a habit by now? They kept those secrets and now no one really wants to share first?

So, to keep things interesting and get some momentum going, they make a deal.

Whenever they come across something that reminds them of their travels, their quest - be it an item, a familiar name, a location - they've got to share ONE fact or story about it.

But only! When they're in other people's time, because otherwise it'll just be a staged tour and one person infodumping and that's exactly what they're trying to avoid (and it won't be a fun competition they can make bets about).

And then either they go through worlds slowly building trust and understanding of each other through a long drawn out and incidental series of tidbits....

Or they immediately get stuck in wild's hyrule for ages.

Everyone's arguing over who the latest ruin belongs to. Time and wind are getting into an argument about the kokiri. No one can agree on the zonai. Wars is taking immense pleasure in pointing out anything someone else might have missed. Legend is resolutely ignoring eventide. Twilight claims the entire faron woods until they step into the hot and humid jungle for the first time.

Wild thinks he's immune because it's his world so he legally can't answer questions, but everywhere they visit there's a piece of his own story in the rubble or on the wind.

Wild: *happily making tea and checking his slate with the other hand* okay, looks like tomorrow we can reach the breach of demise and to new serenne stable. Just past that- Sky: *choking on his drink* the what?? Wild: the breach? Sky, weakly: Why's it uh, called that? Wild: oh, it's an old story. Apparently eons ago it's where a demon godking came up from underground to the surface world... *suspiciously* Why? Sky: gimme the slate. *squinting at the shape on the map*... I can neither confirm nor deny. Wild:... What do you mean? Sky, remembering the One Fact Pact: I can neither confirm nor deny. What's important is that I killed him. The entire chain, variously: YOU KILLED A DEMON GOD?!!? Sky *recalling the hardest fight of his life*: what, like it's hard?

And then he just refuses to elaborate.

[ryllen]

x

[babyloniastreasure]

something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.

this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.

Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.

The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?

It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.

TLDR;