#but as far as how i’d have liked it to go down in the actual show

[no-144444]

sweating- o.piastri

summary: oscar has been acting strange

pairing: oscar piastri x fem! Brown! reader

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Zak had been worried about Oscar for a while. The far-off looks in meetings, the silence at dinners, the constant stares he was getting, all of it. He’d even been so worried, that he came to you, and you’d told him that Oscar had been just fine at home, so it must be something to do with work. 

It was a strange thing, to be dating your boss’s daughter. Oscar had in fact fallen for you within seconds of meeting you back in 2022, his first visit to MTC, before everything else happened. You, a legal trainee on the McLaren legal team, was the one running him through his contract, and he was very thankful that his lawyer was there to ask questions, because he was just focused on you. As he joined the team, you two got closer. About half way through his rookie season, he finally plucked up the courage to ask you out, and you had said yes. What ensued was a few months of sneaking around until you finally told your dad, who supported you two, but from afar. He liked Oscar, would he have preferred you pick someone that wasn’t his driver, yes, very much so, but he didn’t have a say in your life. You were an adult and if you wanted to go get your heart broken by an F1 driver, that was up to you. The one thing Zak hadn’t accounted for was the fact that Oscar was a sweetheart who was genuinely head over heels for you. He saw it when you were in the paddock, how Oscar smiled a little brighter, how he made you a priority all weekend, how he performed better. 

So what the fuck was going on with Oscar now? 

Zak was worried that he was planning on breaking up with you, or maybe he was just going through some mental roadblocks at work, so he called him into his office. 

Oscar awkwardly took a seat across from him, waiting to be addressed. 

“Are you alright, Osc? You seem a bit… off lately,” Zak asked, nothing but concern in his voice. 

Oscar shook his head. “I’m fine,” he said, but even he knew it sounded wrong. This is really not how he wanted this to go. He was insured of Zak’s worry by the way his brows furrowed. “You can talk to me kid, you know that right? If it’s about Y/n or-”

“It’s not about Y/n,” Oscar assured him. “I’m alright, I promise.”

“Oscar, talk to me, I’m here for you. If you’re going through something-”

“I’ve been trying to figure out how to ask for your blessing!” he admitted, speaking far too loud and far too fast. Oscar looked up to see Zak’s face blank, his jaw slightly dropped. “I’m so sorry-”

“You have it,” he said. Now it was Oscar’s jaw that dropped. “Of course you have it,” Zak’s lips turned into a smile. “She adores you. You clearly adore her. I love you, my wife loves you, my sons love you. Of course you have my blessing.”

He took a deep breath and smiled. “Thank you,” he chuckled. “God, I was terrified.”

“You thought I’d say no?”

Oscar shrugged. “Maybe?” 

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Zak was very happy when he woke up to a call from the two of you, engaged, a few weeks later.

oscarpiastri

liked by pierregasly, zbrownceo, landonorris and 348,928 others

oscarpiastri: awesome season, can't wait to marry this girl though :)

comments

landonorris: OMFG YALL ARE YOUNGER THAN ME PLZ SLOW DOWN -> oscarpiastri: no more papaya rules 🤷

pierregalsy: too young -> kikagomez: bitch -> user92: lmao he's never said that before

zbrownceo: Congrats guys! Can't wait to walk you down the aisle!

charlesleclerc: MY SON IS GETTING MARRIED!!!!!! -> oscarpiastri: thank you adoptive father :)

user93: god she is GLOWING

user12: these are the cutest photos ever!!!!!!!

user8: THE RINGGGGG

lilymunihe: OMG I'M SO EXCITED!!!! ->youruser: OMG LOVE YOUUUUU

user98: they're so in love it's actually sickening

logansargeant: no ring picking creds? -> oscarpiastri: I don't think grimacing at every ring I chose was very helpful -> hattiepiastri: nah, but it was funny

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navigation for my blog :) (masterlist)

[bisexualcharmanderenergy]

Claribel knew the curse was unbreakable. Okay, that wasn’t technically true. Technically, all magic that could be done could be undone; the trick was to make the condition of its undoing extremely difficult to achieve. The particular curse Claribel had placed, that no man would ever fall in love with Marina Kedar again, could only be undone upon the death of the dragon of Shadowpeak Mountain, and since that wasn’t going to happen for five hundred years, which was far longer than Marina, being a human, would live, the curse was for all intents and purposes unbreakable.

This would have been amazing and Claribel’s coven would have been praising her for a job well done… if only she hadn’t put the curse on Marina Kedar rather than Martina Kedar. Martina had absolutely deserved the curse, given her cruel habit of seducing young men, insisting they give up everything and everyone they cared about for her, and then abandoning them. Marina, on the other hand, was a genuinely lovely person who did not by any means deserve to be unloved for her entire life.

“I think you’re about to get your ass kicked,” Claribel’s raven familiar, Ferdinand, announced as he flew in her window. “Marina Kedar is riding into these woods, and she has a sword.”

“Fuck.” Claribel sighed. “I guess I’d better face the music. If she kills me, tell the rest of the coven what happened.”

“And not peck her eyes out?” Ferdinand looked at Claribel in disbelief.

“I just ruined her chances of a happy marriage,” Claribel pointed out. “If she wants to kill me, she is completely justified.”

Ferdinand’s retort was interrupted by a knock on the door.

Claribel spoke up as soon as she opened the door. “I know an apology isn’t going to cut it, but—“

“An apology? Are you kidding?” Marina Kedar stared at Claribel in shock. “I came here to thank you!”

“Thank me?” Claribel shook her head in disbelief. “I put a curse on you! No man can ever love you again!”

“Exactly!” Marina’s face spread in what was honestly the most beautiful smile Claribel had ever seen. “You saved me from all my annoying suitors! Do you know how annoying it is to have three different guys following you everywhere you go with flowers and terrible sonnets?”

“You don’t want to get married?” Claribel had never met a village maiden who didn’t want a husband.

“If I could marry another woman, maybe,” said Marina. “With our current laws, absolutely not.”

Claribel breathed a sigh of relief. “So you didn’t come here to kill me?”

“Of course not!” Marina shook her head vehemently. “Like I said, I came here to thank you. Now that I’m under this curse, my parents will never pressure me to pick a suitor again.”

“Do you want to stay for dinner?” Claribel blurted out. She hadn’t exactly planned to say that, but she definitely didn’t regret it.

“I was just about to ask if I could treat you to dinner!” Marina smiled that gorgeous smile again. “I figured that’s the least I could do for the beautiful witch who just gave me the best gift I’ve ever gotten.”

“I’m making jambird stew tonight, but you can treat me tomorrow.” Claribel’s cheeks flushed as it occurred to her that Marina had just called her beautiful. “Sharing my dinner tonight is the least I can do for the beautiful maiden whose life I didn’t actually ruin.”

Marina did stay for dinner that night, and Claribel did go down to the village for dinner the next night, and two nights turned into many, many more.

Twelve years after Claribel first placed her curse, she and Marina became the first two women in the kingdom to marry each other instead of men.

A witch found out to her horror that she had somehow cursed the wrong person. Expecting retribution when the victim came knocking at her doorstep, she was surprised to find them rather pleased with the curse's effects.

[derinwrites]

Do you have any advice for writing in a web serial format?

Let’s look at this in two sections – the business part, and the actual writing part.

The Business Part

1. Consistency. Consistency in updates. Have a schedule and STICK TO IT.

If your schedule is too hectic and starts affecting your health or otherwise adversely affecting your life, change the schedule; update less often. Don’t update in spurts and then randomly stop. The audience will far more easily tolerate a slow schedule than an inconsistent one; an inconsistent one will lose many readers. You’re not Andrew Hussie and you can’t get away with that bullshit.

There may be times where you need to take a hiatus due to some emergency, life event, or health condition. This is fine – your wellbeing is more important than your story. But you need to be up-front with your audience about this; tell them you’re taking a hiatus and tell them exactly how long it’s going to be. If you can, you should tell them in advance (this isn’t possible for things like a car accident, but is very possible if you’re planning to, say, move house in a month). If you’re taking too many hiatuses, then it’s better to slow down your schedule and update less often. Audiences prefer fast and consistent, but if they have to choose, slow is better than inconsistent.

The #1 helper to consistency is having a big buffer – that is, have several weeks’ worth of unpublished chapters. The length of your buffer is personal taste, but I like to keep mine as long as possible so that if there’s some problem that stops me from writing for several weeks, it won’t upset the schedule. It keeps my stress down to know that I have that leeway. Other writers prefer to only write a week or two ahead, though, so different things work for different people.

2. Decide on your monetisation system early and prioritise it.

The most popular and most effective method for monetising a web serial seems to be the patronage method, which is the one I use. You set up a patreon, ko-fi, or whatever sponsorship system you prefer, and offer rewards to those who support you. Having their names in a credit list and getting access to advance chapters are very common rewards. Some people also lock access to their discord behind a paywall, or offer extra stories or let supporters name story characters.

This model is not the only way to make money from web serials. Some people make money via advertising, or selling merchandise, or use the web serial itself to advertise stories that they sell. You can of course use several revenue streams – you can have both a patreon/ko-fi and run ads on your website (I don’t because I hate ads, but you can), or start selling merch related to your story once there’s a demand for it. Many web serial authors (including myself) sell their completed works as books. But the important thing here is that one of these systems will be your main system, and you need to know what it is and behave accordingly. If you run ads AND have a patreon, are you more focused on ad revenue or patreon revenue? You’re going to have to put your time and attention into one of them over the other. You’re going to have to make decisions that will help one and harm the other. So know in advance which one is most important to you.

You don’t have to monetise your story at all, of course. Plenty of people write fiction on the internet for free every day with no thought to making an income at all. But if you’re serious about this, I would recommend monetising it, because that makes a better and more consistent product. The reason I’m still able to keep writing these year after year is that my supporters pay my mortgage; without Patreon and ko-fi, I’d have to get a different job, and wouldn’t have time or energy to write consistently. Also, the reason I can write and update even when I don’t feel like it, and the reason I always push to make my stories as good as possible even when I’m not interested, is because I owe it to my supporters who are paying me real actual money to read my work. If I didn’t owe my readers anything, none of these stories would ever get finished, because writing is only fun about half of the time.

3. Don’t expect to be able to turn this into a career.

This advice sounds silly coming from me, who has through sheer luck, as well as the generosity and passion of my readers, somehow turned this into a career. But I need to emphasise that that luck is not typical. Most web serial writers will not be able to support themselves solely with their writing. It can make a good side hustle, but if your primary goal is “low barrier to entry work-from-home career where I don’t have to answer to a boss and can support myself comfortably,” then web serial writing is usually all of those things except the last one. There’s no harm in trying to turn this into a career – I did it, as have many other web serial authors – but don’t expect that result, is all I’m saying.

Still, if you can do it, it does have a lot of advantages.

4. Don’t expect to make money fast.

I remember when I finally started making an entire $100/month on Patreon. It was a fantastic day.

It was when I’d been writing web serials for four years.

5. Your most valuable resource is your readership.

Your readership will grow and gather momentum over time. The best business decisions you can make are those that grow your readership and allow your readers to participate in community, even if you have to give up opportunities to make money to do it.

A good example of this is discord. Some people have private discords that only their patrons can access; while this is a useful anti-spam and anti-harassment tool, I don’t recommend doing this if you don’t have a major spam or harassment problem. Some people will pay for discord access, yes, so you might get a handful of extra dollars per month that way – however, you will also get a far less active discord. When it comes to readers, population density is critically important; the more activity, the more people talking about your work together (or talking about anything and bonding with each other), the better. Plenty of people have joined my free discord just because it was there and only read my stories after seeing people talk about them there. Then they go and get their friends to read the stories. Enthusiastic readers are inherently valuable, and the best thing you can do is give them the resources they need to talk to each other and share their interest.

This principle applies to a lot of things. I have a lot of free stories on my website that aren’t the usual web serials, and more than once I’ve considered whether they should be paywalled. The answer I always land on is ‘no’; I couldn’t tell you how many readers have been roped into my web serials because they liked Copy <|> Paste, or The Void Princess, or Drops of Blood. These readers may or may not then become monetary supporters, but even the ones who don’t will increase activity and discussion about the stories, have fun and tell jokes in the discord, and may even produce fanart. A thriving community is always going to be more valuable to you than a few extra dollars; make sure to support them accordingly.

Your readership will start very small. In terms of marketing, this is your hardest time. A big readership does the majority of the marketing for you, but when you’re on your own, it takes a lot to convince anyone to give your stories a shot. It helps if you have an existing readership to leverage, which is what I did – I’d been writing Animorphs fanfiction on AO3 for years, and many of my first readers followed me over from there. If you have such a community that already has faith in your writing, leverage it. If you don’t, you can gain one my writing in a place where people go to read stories similar to your work, such as an appropriate subreddit, or a web serial site like Royal Road or Scribblehub. You are looking to gain as high a number of enthusiastic, engaged readers as possible.

And now, the fun part – the actual craft!

The Writing Part

1. Always remember that you are writing for two audiences

A web serial author has to keep two audiences in mind; the serial readers, and the bingers. You are writing a story that needs to be fun and engaging when read very slowly, at the pace of whatever your update schedule is, but that also needs to be interesting when read all at once.

This is not an easy task.

It’s something I fucked up pretty significantly with Curse Words, which was my first attempt at this. Curse Words has a lot of complicated political stuff happening throughout pretty much the whole story, as well as a complex save-the-world plot that’s reliant on a lot of secrets, mysteries and extremely speculative information. With so many wheels spinning, I decided to make the protagonist not particularly smart and move him very slowly through the plot to make sure that the reader would be able to keep up.

This was a mistake.

‘Pretty slow and simple’ at a novel reader’s pace is torturous at a web serial pace. Readers got a full week to discuss the mysteries and implications of each chapter with each other, doing the detective work of ten chapters between each one. The frustration with Kayden’s slow pace was clear, and he came across as an outright idiot rather than an average teen. Personally, I think this lesson was one of the biggest reasons for the difference in quality between Curse Words and Time to Orbit. Don’t slow down for your audience; they’re already slowed down by your update schedule.

At the same time, though, you don’t want to move so fast that you lose the bingers. You can’t assume that your readers will have time between chapters, or that they will discuss each chapter with other readers, or that they will go back over previous chapters looking for clues. Interested people reading update by update will do this, but bingers absolutely will not. So you still need to make sure that everything is comprehensible on a binge read with no backchecking or outside investigation.

My advice on this matter is to move as fast as possible, but take care to make sure that readers are reminded of everything important a few chapters before it comes into play. That way, both audiences can keep up. If you have to make a decision, it’s best to favour your update readers; they’re your most active community. They’re doing the up-to-date discussion, and probably doing the most word-of-mouth and fanart, although binge readers will do that too (I have plenty of dedicated readers who wait five or six weeks to binge a bunch of chapters on purpose, just because that’s their preferred reading style, and they’re still very engaged). But if you plan to publish your story later as a complete work, you also need to keep in mind how it’s going to read as a binge – and also, new readers will binge the earlier chapters of your story to catch up to the current one, so make sure it’s a good experience for them or they won’t get a chance to become update readers.

Two audiences. Mind your pacing and information reveals accordingly.

2. Chapter length

The general rule of web serials is that the more often you update, the shorter your chapters should be. The generally agreed ‘sweet spot’ is 1-1.5k words, 3 times a week, but this depends heavily on individual style. I update once or twice a week (depending on what stories I’ve got going) and try to keep my chapters between 2 and 2.5k words. If you update once a month, your sweet spot is probably about 10k words.

Don’t hold religiously to what other people tell you the ideal word count is – this will vary drastically with genre and personal style – but it’s best to try to stay fairly consistent. It’s not always possible to stay exactly on target because the best break points between chapters will vary (I’ve got 1.8k chapters and 3.5k chapters), but readers like to be able to predict about how long an update will be and they like it to not vary too wildly too often. As with choosing your update schedule, choosing your chapter length will depend on what suits your personal schedule, and what suits the story you’re writing.

“The shorter the chapter, the more frequent the updates” is a good rule for attracting the widest audience. Short, infrequent chapters will have a lot of readers losing interest between updates; long, frequent ones will have a lot of readers feeling overwhelmed. But the most important thing is finding something that you can consistently output year after year (remember, it took me 4 years to make $100/month; this is a long game).

3. It’s a TV show, not a movie

This advice is less useful in our age of Marvel movie franchises and made-to-binge Netflix series, so pretend I’m talking to you in the year 2010 or earlier. If a novel is a movie, a web serial is a TV show. What I mean by that is that a novel is shaped primarily as a complete experience, whereas a web serial is shaped as a chapter-by-chapter experience.

It’s best, in both cases, to have a well structures and paced story that is made of well structured and paced chapters. But sometimes you have to choose between the structure or a chapter and the structure of the story as a whole; making one better will cheapen the other. When you’re writing a novel, you should choose the structure of the whole, but when you’re writing a web serial, you should choose the structure of the chapter. Web serial readers will prefer a chained series of excellent chapters, over a beautiful story of chapters with mediocre individual structure.

In fact, whether you want a structure to the overall story at all is personal taste. My stories have strong overall structure and move towards a planned conclusion because that’s how I prefer to write (and it also makes the story bingeable, since it’s basically a novel being released really slowly), but plenty of web serials out there have no real planned ending and will wander about for years and years in no obviously consistent direction, occasionally throwing in a big twist or major change to freshen things up. These would make absolutely horrible novels, but make very popular web serials. Whether you write like me or like them, the rule is the same – the experience of each individual chapter takes priority.

Come to think of it, this might be why people call my stories “ADHD crack”…

4. Okay, so how do I structure a good chapter?

I generally try to do three things in every chapter.

- Hit the ground running

- Give them something new

- End on an open question

Hit the ground running – Unless it’s the very first chapter of the story, you don’t have to be coy getting into the action. Open the chapter as if it’s the middle of the chapter; start at full momentum. Catch the high point of the last chapter before it falls. It your last chapter ended with “We checked the fingerprints on the candlestick. It’s Colonel Mustard.” then you can start this one with “But he was in the library at the time!”, you don’t need to recap or slow down or anything.

Give them something new – Every chapter should give the reader at least one thing to talk and think about. A new choice, some new information, a shift in perspective, whatever. People are reading these updates one at a time so it is vital that they feel like they got something out of the experience. A chapter in which nothing is learned will make readers feel like their time was wasted, and they have all the time until next update to reflect on that.

This is also true of a novel, but it’s much more critical in a web serial. A novel with nothing chapters in it is just frustratingly slow-paced; a web serial with nothing chapters in it leaves the reader feeling cheated for long stretches of time.

The thing to talk about doesn’t necessarily have to be a big plot reveal or major advancement. An incredibly cute scene, or sad scene, or funny scene will work just as well. But you have to give them SOMETHING. If you’re giving them nothing, consider cutting the chapter entirely and integrating any important foreshadowing or whatever into the next chapter.

One major hurdle of mine with this rule is recap chapters. If you’re writing a very complex plot over a long period of time, you need ways to occasionally take stock and make sure everyone is on the same page and nobody’s forgotten or misinterpreted anything important. This information can be recapped or conveyed in the middle of an action sequence or something, but I personally find that putting other stuff in the scene makes it too distracting and therefore less effective. I like to literally just sit the heroes down in a room and have them go, “okay, we’re spinning a lot of threads at once right now; what do we know, what are we trying to figure out, and what are our next steps?” This is the literary equivalent of the save point or room full of health packs right before a boss battle. Game designers don’t put that room there to be nice; they do it so that they know exactly how much health you’re going to have going into the battle, and can structure it accordingly.

You can make these chapters entertaining with character banter, but you can’t really introduce new threads to talk about, except possibly as a twist right at the end. Introducing new information mid-recap distracts from the recap and makes it pointless. You might have something similar in your stories, chapters that are essential but don’t give the reader anything new to work with.

My advice for these is to just bite the bullet on this one. Release the chapter with nothing new to talk about. You can get away with doing this occasionally, if the chapter has a clear purpose (I get a lot of readers tell me that they appreciate my recap chapters). Readers who get nothing out of the chapter will shrug and talk about older stuff instead, so long as you only do this occasionally. But a chapter with no new information has a cost in opportunity and in reader patience, so only pay it if the chapter’s worth it.

End on an open question– End the chapter with a reason for the reader to come back. You want them to think about the story afterward and be eager to read the next chapter when it comes out. Adhering to this principle is probably why I have such a reputation for cliffhangers, although truth be told I don’t use nearly as many actual cliffhangers as people say, I just try to end by opening a question. By that I mean, the audience should always end a chapter asking a question, which can be something that will span dozens of chapters (“How can Colonel Mustard’s fignerprints be on the candlestick? Is he being framed? Does this mean that the candlestick was in the library and isn’t even the murder weapon?”) or span a single paragraph (“How will the narrator react to learning that Colonel Mustard lied about never touchign the candlestick?”) This could be the emotional height of a scene, or the point at which new information recontextualises everything. It could be the moment where the stakes are raised or an important assumption turns out to be false. Anything that makes the audience eager to learn what happens next will do.

There should always be at least one open question in your story, more if it’s thematically appropriate. You know how mmorpgs and crafting games and suchlike keep you playing for hours and hours by making sure you’re always near the end of an activity – keep playing til you reach the next level, oh but now we’re nearly at the end of this quest so we should complete that, oh but now we’re just 20 gold short of being able to buy that cool new armour so we should just… same trick. Readers should always have at least one ‘quest’, an open question that they’re following, and should always be close to an answer.

You don’t have to dramatically introduce an entirely new question each time; you can end a chapter by reminding the reader of an existing open question. I tend to be a fan of the Big Dramatic Reveal On The Last Line method (cliffhanger reputation), but you don’t have to do it that way. Indeed, it’s a good idea not to do it that way every single time, lest you get stuck in a rut; every chapter ending doesn’t have to be incredibly tense and snappy. Somebody mentioning that they wish they knew how they could get enough food to make it through the winter before a full paragraph of cuddling and falling asleep in their mother’s arms works just as well.

5. It will help if your story is good, but it isn’t required.

You don’t have to be very good at writing to do this.

It helps to be good at writing, of course, and I assume that since you’re asking me for tips, you’re the sort of person who wants to be as good at writing as you can. But there is some true hack garbage out there doing absolute numbers in the web serial circuit. I try not to harp on about this too much because Curse Words fans get really upset at me when I do, but I think most of us can agree that Curse Words kind of sucks. And that just sucks in an ‘author is still learning how to do this’ kind of way; there’s much worse writing, real bullshit Ready Player One-level writing, trucking along out there brilliantly.

The point I’m trying to make here is that this isn’t an industry where there’s any value in hesitating and wringing your hands and asking yourself if you’re a good enough writer to do it yet. You are. You can just start writing a web serial right now and so long as you consistently update, you’re probably already above average for the market. And your first one probably will suck (mine did), but it’ll teach you how to make a better one. I think that Time to Orbit: Unknown is passably okay, and it absolutely would not be passably okay if I hadn’t written Curse Words first. Just go for it. Try to write a quality story if you can, but if you can’t, it’s honestly not that big of a deal. What matters, truly matters, is that you are committed to improving your craft. And that means actually practicing your craft. Which means writing some chapters and setting up a release schedule.

Good luck.

[itsonlyjoseph]

The First Time You Met | Joseph Quinn x Reader

synopsis: short one-shot of meeting Joe at the pub

warnings: None, English jargon

word count: 1.5k

.

.

.

You were sat at your desk working quietly when your co worker knocked on the wood as if it was a door, getting your attention easily.

“What are you doing tonight?” She asked you.

“Uh, nothing I guess. Go home, open a bottle of wine and watch the telly til I fall asleep.” You smiled up at her, as if that was the high life.

“Oh come on, it’s Friday. Come out for once.” She practically pleaded with you.

“I don’t know. I’d have to get home and change and then come back in. Where do you even want to go?”

“You don’t have to go crazy, we’re only gonna’ be at the Churchill.”

You thought for moment. You hadn’t been out with your friends in a while and you definitely needed a break.

Your vibrator needed a break.

The Churchill Arms was a lowkey pub that didn’t require you to dress up too much. In fact, you’d look a bit silly if you did.

“I guess I can come.” You mumbled.

Eleanor, your co worker, squealed at your agreement and gave you a tight hug around the shoulders.

“Oh, my god, yes! This is gonna’ be so much fun. We haven’t seen you out in actual months.”

“I’m sure it hasn’t been that long.”

“It has.”

You narrowed your eyes up at her in a mock offence.

“We’re heading over right after work so make sure you’re ready.”

“Okay…” you mumbled as she walked off.

You liked your friends and you liked going out, but you also like going home, putting on your big socks and getting under a fuzzy blanket with the fireplace going.

You weren’t a loner or anything, you were just comfortable being single and having no responsibilities other than yourself.

You’d made it this far alone and you were proud of yourself. It felt good to do whatever you wanted and eat whatever you wanted for tea and decorate your house however you wanted.

Something you never admitted, however, is sometimes on very rare occasions, you did feel a bit bored or lonely when you had no one to talk to about your day or your nightmares or the latest film you just watched.

Soon, five o’clock rolled around and you packed up your things and haphazardly shoved them into your purse, walking down to the lobby to meet the others. You were wearing your typical work clothes. Casual, black knitted jumper and brown plaid trousers with some maroon Mary Jane ballet flats that cost more than you should’ve paid.

Luckily for you, your place of work was very casual and easy going but “casual and easy going” in London probably meant something different to the rest of the world.

The pub was already relatively busy considering it was a Friday night but not so busy that it was practically a nightclub. This is how you liked it.

You got a table close to the back and sat as one of your other co workers went to the bar to get the first round. The atmosphere was easy going and after a short while, you felt yourself actually really having fun. The conversation flowed easily. You’d poked fun at your bosses and horrible clients, talked about upcoming projects, talked about guys (much to the dismay of the lone male co worker amongst the group), and everything in between.

After the third round of lager was brought back to the table, Eleanor leaned over to speak quietly to you.

“I don’t want to alarm you but there’s a really cute guy looking at you.” She giggled.

You rolled your eyes and paid no mind to her. Like you said before, you were quite content being a singleton.

“No really, I think you should probably chat to this one.”

You decided to entertain her and turned your head to this alleged man checking you out.

You made eye contact and felt your breath get sucked out of your lungs.

That’s fucking Joseph Quinn, you thought.

You turned back to Eleanor with a somewhat dumbfounded look on your face to see her clearly excited one.

“I doubt he is looking at me of all people.” You said, taking a large gulp of your pint.

“Dude, he’s not stopped looking at you. Even when you went up to the bar.”

“Surely not.” You were suddenly ten times more shy than before.

“Surely yes, go talk to him!” Eleanor urged. The rest of the group was completely oblivious to your conversation, too engrossed in their own. Not that you minded.

“I can’t just go talk to the Joseph Quinn you idiot. I’ll choke and trip and just make a fool of myself in someway.”

“No you won’t. You’re always so hard on yourself.”

You were now very aware of the celebrity and it was making you feel small… and hot.

“Okay I have an idea. Take a deep breath, glance over and smile and then grab your coat and go for a fag. See if he follows.”

“This is so stupid.” You said, taking a deep breath. Obviously you knew who Joseph Quinn was. You never really gave it much thought but definitely thought he was attractive, just like every one else.

“Just do it!”

“Fine!” You gritted through closed teeth.

You took the last gulp of lager and grabbed your coat, walking towards the beer garden, but not before shooting him your best smile you could muster up.

Your eyes connected for a brief moment and you felt your spine tingle.

The air outside was chillier than when you’d arrived at 6pm.

You leaned against the brick wall and pulled out a cigarette and lighter. Even though Eleanor had practically kicked you outside, you would’ve stepped out for a smoke at one point or another.

You were outside for about two minutes alone with the other drunks when the back door opened and out stepped Joseph. You could tell it was him even through your peripheral. He just had aura about him.

Slowly walking over to you, he pulled out his own smoke to pop between his lips.

“Hi.” He said with a sweet, bashful look.

“Hey.” You smiled shyly.

“Do you mind if I pinch your lighter?”

You didn’t say anything, just shyly getting your zippo out of your pocket and flicking it open, igniting the end of his cigarette and ignoring the thumping in your chest.

“Thanks.” He said, moving his head back slightly and taking a long draw.

There was short silence between the two of you until he spoke up again.

“I’m Joe, by the way.” You smiled down at you.

Wow, he was incredibly attractive this close.

“I’m Y/N.”

“Y/N.” He repeated, not breaking eye contact. “What do you do, Y/N?”

“I work in television, actually.”

“Oh really? That’s really cool. So do I.” He seemed rather excited.

“Yeah, I know.” You giggled.

“Yeah, I figured you probably did. I guess anonymity isn’t really an option for me anymore.” Joe seemed rather tense now. Perhaps he was hoping you didn’t know who he was and he’d have a real conversation for once.

“Probably not. But hey, it’s not like I’ve never been around a famous person before. I do work in television after all.” You reassured.

“So what exactly do you do in television.” He asked, taking a drag of his cigarette.

“I’m a production manager.”

“Oh wow, what have you worked on?” Joe asked you, gazing down at you.

“Uh, I worked on Fleabag, Broadchurch, a show called Sherwood. Couple things like that.” You began to get shy again. Here you were, telling a famous actor about your boring job, probably the pants back on him.

“What do you have to do exactly when you work on a show?”

“Well, I basically organise location, actors, crew, funding, marketing, all that sort of stuff…” you began to explain and Joseph looked actually genuinely interested. This never usually happened. Whenever your friends dragged you out and you began chatting to a guy, he always seemed so bored when you spoke about your job.

Not Joe, though. He was listening intently and asking actual questions and sometime during the time you’d been speaking, you both stubbed out your cigarettes and he’d stepped closer to you.

You only realised how long you’d been talking when Eleanor popped her head out to tell you they were leaving now.

“Oh, uh yeah. I’ll be right there.” You said to her before turning back to Joe.

“Sorry, I didn’t realise how late it had gotten.” You smiled.

“Yeah, neither.” He smiled shyly, rubbing the back of his neck.

“I actually had a really good time talking to you, though.” You said sincerely.

“Yeah, me too.” He smiled back.

There was a beat silence as the two of you just looked at each other. You gave him one last smile and turned to walk back inside to your friends, silently praying that he’d ask for your number or offer to walk you home or at least something.

You’d almost made it to the door when you heard Joe swiftly turn on his heal and call out to you.

“Can I have your number?” He asked, rather frantically, like he’d almost missed his shot.

You turned back to him with a small, shy smile.

“Yeah.” You giggled. “Okay.”

[blupengu]

Y’all is Hollow Knight hard or do I just suck because oh my god??

[arolesbianism]

Some au antag doodles

[reflectionsofgalaxies]

not to sound like a broken record but i love my friends so fucking much

[jikigo]

you ever just see a post and just

. 😭

.⬅️🫀⬅️

[vanilla-ending]

I think i like egos/mcu characters so much (especially with Markiplier protags) bc they always find the viewer handsome/beautiful no matter what. You don’t see a character thinking y/n is ugly, the worse you get is Ben calling your clothes ratty. I can’t see any of them having a “type” and they all act like they’d drop everything for a date with you. You don’t really get that from media that aren’t dating sims I guess

[takeyourcyanide]

they were already incredibly suspicious to me, every last one of those supposed “professionals.” i think I’m more suspicious than I ever was now - somehow that was possible. I’m even more apprehensive, perhaps even fearful.

solidarity between people who want to take psychiatric meds to function and those who don’t.

What’s important is that we both have autonomy, informed consent and safe access to treatments we want, and to not be forced, coerced or pressured into those we don’t.

[weirdlittlefish]

bough

[fingertipsmp3]

That last post just reminded me of something honestly mind-boggling that that friend did

[foldingfittedsheets]

Growing up I was always really skinny but never very fit or athletic. I liked sitting and reading, or playing video games, so I didn’t have much cause to get out and about.

Then, one summer in my early twenties I found I was just a ball of anxiety. I was in a terribly stressful long distance relationship and didn’t know how to handle my overwhelming feelings. So I started walking about it.

I lived five minutes from a stunning state park and decided to just go see it one day. I didn’t make it very far before I was tired. I found a huge set of stairs and gave up. Then the day after that I found a little nature bridge, a fallen log across a stream.

I’d sit and listen to the water or write. Every day I’d stay longer and one day I decided to actually huff and puff my way up the stairs. I was rewarded with a gorgeous river view and every walk after that I tackled the stairs to get to the river.

I’d hang out in trees that overlooked the trail and got yelled at occasionally for startling folks. All summer I’d take daily walks farther and farther, never running out of park to explore. It was peaceful and did help with my anxiety.

One day near the end of summer I found myself in the shower and decided to treat myself to shaving my legs. It is a very infrequent occasion for me, but sometimes I want legs as smooth as a baby dolphin.

I leaned down to shave my leg and froze. There was a bulge on my calf. I felt it with trepidation. I had a tumor. A leg tumor? Did tumors come in legs? I started to panic, feeling the unfamiliar swell under my skin. How common was leg cancer? I still shaved it.

I turned to my other leg and was flummoxed to see that this leg also had a new bulge. What were the odds of having two tumo- oh my god those were muscles. Muscles I’d never developed and never seen before now popped up from my calves after a summer of dedicated walking.

I was so embarrassed to have mistaken muscles for cancer that I immediately went to tell my roommates.

[c0ffeejelly1]

Reacting to you wearing pheromone perfume

Multiple characters headcannon

Authors note: Dw they’re all horny for you, umm if it looks like I got lazy it’s bc I did. (POST-TIMESKIP!!)

Warnings: NSFW Content, Femdom(ish), vaginal sex, riding and uhhh find out the rest urself.

The plan was set.

You were just going to do your usual grocery run, but hold off putting the new found perfume on until you were at the door step.

That way, when you walked in, the scent would hit him like a wave, making it clear even for him to notice something different about you.

It was perfect! And soon the plan was to come into play as you sprayed yourself head to toe in its mist.

You tucked the bottle away deep in your grocery bag, then unlocked the door, the keys jingling softly as you did.

“Hey baby, I’m back.”

You say, shutting the door behind you and setting the groceries on the kitchen counter. “So what’ve you been up to?”

You shot him a quick glance from the couch, an innocent smile on your face.

The type to invade your personal space

What the... what the hell did you do? Something feels off here. He can sense it—no, he can practically smell it.

You’ve pulled a fast one, and he’s gonna find out what exactly it is..

“Me? Oh I’ve been up to absolutely nothing..like nothing at all.” he says, strolling over to you, a knowing smirk on his face.

“But the real question is though..what exactly have you been up to, huh?..”

You hadn’t realised just how close he had really gotten to you, until you took your eyes away from the ingredient in your hand to look at him, a palm rested onto the kitchen counter as he leaned in closer to you.

You didn’t waver though. You knew this was only an effect of the perfume working it’s magic, he was probably just trying to get a better whiff of you.

Everything was going according to plan..

“Well, I was just picking up some things for the house and dinner tonight. Thought I’d whip up your favorite, you know?”

You suddenly feel a grip on your shoulder as he turns you to face him. He takes this newfound opportunity as a chance to bury his nose into your neck.

“Jesus..” what hell did you actually do? Why’s he feeling so..bothered. And why do you look so attractive all of a sudden. Not that you’re not always beautiful, but right now... you’re just breathtaking, and it’s stirring up all sorts of feelings in him. “Why do you smell like this..”

Perfect. Everything was unfolding just as you wanted it! Sure, you didn’t expect him to take the bait so quickly, but who’s complaining? You knew what was coming; after all, this is your boyfriend.

“Hm? Smell like what, handsome? I always smell like this..” You wanted to tease him, to see how far he’d go with it. That turned out to be your biggest mistake.

NSFW

Now your legs were sore, your hips bruised, and your back aching, all while he continued thrusting up into you.

How was he still going? You had been lost in this rhythm for what felt like ages, your bodies entwined and slick with each other's essences.

“Ah-..Fuck..y-you feel so good..”

The air around you was thick with the scent of sweat and desire, a heady mix that only intensified the connection you both shared.

“And you s-smell..so so amazing..shit..it’s got me all types of f-fucked up..”

His face was flushed, lips slightly parted as he breathed heavily, each sound escaping him, a testament to the pleasure building between you.

His grip on your hip grew firmer, guiding your movements up and down his length with a deliberate urgency that sent shivers down your spine.

You could feel the heat radiating from his body, the way his muscles tensed and flexed beneath your touch, each thrust igniting a fire deep within you.

“I-I don’t think m’gonna last long if you keep t-tightening-..fuck..like that baby..”

The quick, shallow breath he took and the tension in his abdomen were unmistakable signs that he was nearing his peak again, ready to fill you completely once more.

You could see the way his eyes filled with desire, the intensity of his gaze locking onto yours as if trying to convey everything he felt in that moment.

It was a silent conversation, one that spoke of longing and need, of a connection that transcended words.

You leaned in closer, your lips brushing against his ear, whispering sweet nothings that only fueled the fire between you.

You begin to rock your own hips against him, matching his thrust causing a small whine to escape his lips, and in return sending waves of pleasure coursing to you.

You could feel the heat pooling in your belly, a delicious ache that begged for release. The way he moved under you, the way he held you, made you feel cherished and desired all at once.

“B-baby I-..m’gonna..fuck- I’m g-gonna cum-..I can’t-..m’gonna- c-cumming!..”

With the broken moan he let out, you could feel him surrenderer to the moment, releasing all he had left inside of him into you and allowing the sensations to wash over him, a small whimper leaving his lips feeling you pulse around him.

You couldn’t help but lose yourself in the pleasure that enveloped you both, and to think..

this was all because of some damn perfume.

Characters: reigen, dimple, kagami, AOMINE, tengen, connie, NISHINOYA, oikawa, GOJO, SOLOMON , CHILDE, KAEYA, wriothesley (Anyone you like)

The type to stare at you from afar

He knew from the moment you entered the room something was off.

Now, he couldn’t shake off his suspicion.

What had exactly changed about you..was it your clothes? Nah..it couldn’t be that.

Maybe you styled your hair differently?..no that’s just stupid; anyone would notice that.

He was so caught up in his thoughts he didn’t even realise just how long he had been staring at you, examining every little detail like you were some kind of puzzle.

It was a little unsettling to say the least but you continued on with sorting out the groceries.

“Hey babe, can you help me with this?”

“No.”

You look at him confused and quite frankly offended.

This mf really just said no to you.

“What do you mean, no?”

“I can’t get close to you.”

That’s exactly the OPPOSITE of what the perfume is supposed to do! It’s supposed to attract him towards you not make him act like a deer in headlights!

“What- why?” You say a little too disappointingly for your liking.

“If I did, I might do something bad.”

Something bad? What could he possibly mean by something ba- ohh…oh. Oh.

Would it be funny if you just said that you wanted him to do that ‘bad’ thing.

NSFW

Okay take back everything you said. This is not funny anymore.

In fact this is just back breaking especially with the way he’s pounding into you all while pressing his face deep inside the crook of your neck.

“H-hah..fuck..I-is this good for y-you too, baby?..”

You can feel the warmth of his breath against your skin, as he struggled to stifle his moans, the soft, enticing sounds escaping him despite his best efforts.

You would be lying if you said this wasn’t exactly what you wanted; after all, you did choose to wear that perfume, the one you knew would draw him in.

I guess you just didn’t anticipate such a strong reaction from him, the way his body responded to your presence, as if he’d been waiting for this moment all along.

The whole experience was incredibly distracting, especially with him so close to your ear, his breath hitching with every whispered compliment you offered.

“F-fuck..pull on my hair..p-please baby..m’so close for you..”

Each time your fingers tangled in his hair, you can feel the tension in his body falter, his hips instinctively responding to your words.

It was as if your gentle praise unlocked something deep within him, a vulnerability that made the air between you thick with unspoken desire.

He didn’t need no perfume to make love to you like this.

Characters: SERIZAWA, giyuu, armin, KAGEYAMA, OSAMU, geto, MAMMON, leviathan, albedo, CYNO, kazuha, XIAO (Anyone you like)

The type to get distracted while you speak

“Just the..the usual..”

“Mm..the usual huh? So mysterious.”

You throw him a quick look, a playful smirk creeping onto your face as you plop down next to him on the couch. With a dramatic sigh, you turn to him.

“Honestly, I was thinking about whipping up something new for us, but I’m not sure it’ll turn out great… Oh! You won’t believe who I bumped into at the store earlier—…”

‘Blah blah blah proper name, place name, backstory stuff..’ (PLEASE TELL ME YOU KNOW WHAT IM TALKING ABOUT)

This man is not listening to a single thing your saying.

Everything is just going through one ear and out the other.

Yet, he’s nodding along, pretending to listen, his eyes locked on yours and occasionally flicking to your lips.

You’ve got him hook line and sinker.

“Babe. Babe, are you even listening to me?”

“..Huh? Y-yeah, you were talking about.. your friend?”

Right, because chopping tomatoes has everything to do with friends.

“Oh really? And what exactly was I saying about said friend?”

“I- you were..y’know..stuff?”

You raise an eyebrow at him

“Look baby I can’t concentrate right now. I don’t know what you did, but my mind is wandering to places it shouldn’t, and it’s messing with me, so please…”

“..please what?” You know what he wants.

“Help a guy out? I know you can see it..”

Oh, you definitely could see it. You could see the huge hard on he had right now, and here he was, asking for your help—there was no way you were going to turn him down.

NSFW

He let out a deep sigh, tilting his head back against the couch, overwhelmed by the pleasure coursing through him as he struggled to maintain eye contact with you.

“You look a-absolutely stunning like this, my love…” His voice was a low murmur, thick with desire, as he took in the sight of you.

The way your mouth enveloped him, gently teasing his skin, sent shivers down his spine, igniting a fire within him that he could hardly contain.

Your lips moved with a tantalising rhythm, each caress sending waves of ecstasy through his body.

“Mhm..like that, k-keep sucking on it like that beautiful..”

He could feel the warmth of your breath, the softness of your touch, and it was all too much to bear.

His hands instinctively found their way to your hair, fingers behind your head, as he tried to guide you, to pull you even closer.

“Jus a l-little more for me baby m’already so close because of you..”

The way your hands explored him, tracing the contours of his body, ignited a primal urge deep within him.

Every gentle stroke, every teasing touch drew a soft gasp from his lips, a sound that echoed the intensity of the moment.

Before long, his breath caught in his throat, and without any warning, he released himself into your mouth.

Soft murmurs of "m’sorry" and "thank you" slipped from his lips, each word laced with a mixture of guilt and gratitude, as if he were acknowledging the weight of the moment while simultaneously surrendering to it.

He tilted his head back again, exposing the graceful curve of his neck, while a deep, guttural moan escaped him.

He clutched the couch for support, his fingers digging into the fabric as he began to calm himself down

He’d be lying if he said he didn’t like that perfume.

Characters: midorima, rengoku, eren, Tsukishima, akaashi, Ushijima, suna, NANAMI, LUCIFER, ayato, DILUC, neuvillette, zhongli (Anyone you like)

The type to suddenly want to be a man

“Doesn’t matter, let me help you with that.”

This probably may have been the fastest you had ever seen this lazy ass man get up from the couch and willing ask to help you with something without you telling him to.

This perfume was doing its damn job alright.

And you were liking it already.

“You sure babe? Do you even know where most of these things go?” you asked, a hint of skepticism in your voice.

“…No, but that doesn’t mean I can’t try for once, right?”

“Yeah sure..” you conceded, your curiosity piqued by his sudden determination.

“Just relax and take it easy. Please. I’ve got this covered.” he assured you, his tone confident and light.

You let him gently guide you back to the couch, ensuring you stayed seated while he headed to the kitchen.

A few moments later, he returned to you.

“Finished already? That was fast—”

Your words were abruptly silenced as another set of lips met yours, warm and insistent.

The unexpected kiss sent a jolt of surprise through you, momentarily stealing your breath away.

You had been caught off guard, your playful teasing hanging in the air like a forgotten thought.

When the kiss finally broke, you both pulled back slightly, as he rested his gaze on you his chest rising gently.

“I want 10 of em.”

“..10 of what?”

“kids.” He replies with a stern look on his face.

“...”

“Is that a yes?”

“You’re joking, right?”

“I’m being deadass.”

NSFW

Well let’s just say he was NOT joking, and was very much being true to his words.

He intended to have those 10 kids, but first, he needed to prepare you.

That's why you found yourself on the bed, your legs resting on his shoulders as he immersed himself in your warmth.

“Mm..so good..you taste so fucking good..”

He was devouring you like a man starved, his tongue skillfully teasing your clit and occasionally sucking on it, making your legs tighten around him even more.

How many times had you cum already with his restless mouth?

Just how long did he plan on keeping this up?

You were already worn out, and now your legs were killing you.

“One more for me pretty girl..come on I know you can do it. You’ve got one more left in ya don’t you..” his words were muffled in with the wet sounds of your juices but you could still hear each and everyone of his dirty talk.

The way he would urge you into coming undone onto his tongue, the way his nose would brush up against your clit as his tongue pummelled into your hole.

It was all too much.

You knew you wouldn’t be able to last much longer anymore especially with his hums of approval sending all the right vibrations down to your mound.

With one last flick of his tongue against your clit, you came, fingers gripping onto his hair tightly.

When catching your breath just as you thought you had finished up with everything, do you hear the rustling of the sheets only to see him preparing to put his length into you.

“Fuck..d-don’t look at me like that princess, you know damn well we aren’t done here, especially with how hard I am now..”

That perfumes going on lock down.

Characters: Sanemi, jean, REINER, UKAI, kuroo, hinata, BOKUTO, atsumu, iwaizumi, CHOSO, DIAVOLO, ITTO, thoma (Anyone you like)

[inbabylontheywept]

she was dead silent on the drive home, but that was okay. sometimes, after band practice, she was just out of words. it was a short drive to her house. the only part where it actually felt weird was after i pulled up her parent’s driveway. 

after that, the silence stretched so far it smeared and left a weird residue. she kept looking at the car door like she wanted to leave, so i looked at the door too, then she looked at me, and i looked at her, and my first thought was that she was going to tell me that the door was stuck. i was used to that car always doing some damn thing. it was the car me and all my siblings had learned to drive in, and it was really beat to hell. there were dents all over the body, which we’d unsuccessfully tried fixing up with spackle. it had looked nice for maybe a week, but then the sun wrecked it - the spackle cracked up like the mud on the bottom of a dry riverbed and turned a sort of off yellow-white that made the car looked like it had been molded out of chicken shit. it also had a bullet hole it through the cabin that whistled like a toothless old man whenever the car went above 40, so loud it could drown out the radio, and a cabin that smelled so strongly of bugspray that even the arizona summer we drove everywhere we could with the windows down.

(if you have kids one day, you will maybe, possibly, begin to understand how much i loved that car.)

anyway, i was thinking about what else could possibly be wrong with the chickenshitmobile, and she just kept looking at me, and then i wondered if there was something on my face, and she just kept looking at me, and then the penny dropped and i realized she was trying to work up the nerve to break up with me. 

now, i’d seen her work up the nerve to do things like this before – it could take quite a while. and knowing it was about to happen made the waiting immediately unbearable. 

so i said hey. 

and she looked at me, very startled, and said hey back real small. like she’d been caught. and in a way, i suppose she had. 

and i said it’s okay. you can just say it. i’ll be okay.

i’m always okay. 

and she said: i’m really sorry. 

i loved her, you know? it was highschool, but teenagers are capable of love. the way people love changes over time just as much as the way they stand, or the way they talk, but things don’t stop existing just because they're different. opposite really – a thing only stops changing when it's fully gone.

and i said, nothing to be sorry for, and i meant it. she looked a little relived, and i was happy to give her that peace. then she left. i watched her make it through the front door, because that was just habit at that point, and then i sat there a while afterwards, checking how i felt. and the answer was not good, but good enough to make it home. good enough to limp on. 

so i put my car in reverse, took my last look goodbye, and immediately backed into her neighbor’s car. 

crunch. 

air bags didn't go off, which was good. i left a decent dent in the bumper of the other car. genuinely couldn’t tell if i did anything to my car – anything wrong with it just kind of blended together into the general ecosystem of hand mottled, sun cracked, chickenshit spackle. 

i checked my glove box, and my car insurance info was, of course, out of date. my phone was dead too. as a teenager, my phone was less my lifeline to my friends, and more my tether to my parents, so i wasn’t particularly conscious of keeping it charged. both my fault.

i sat there a few minutes, trying to think of the best way to handle things, and there was only one answer i could think of, and i hated that answer, so i spent a few more minutes trying and failing to think of a better one, and then a few more coming to peace with what had to be done. 

then i went back to knock on my now ex’s front door. 

her dad opened, which i was very relieved over, even if he seemed less than thrilled. he looked me over, and in a firm, but slightly apologetic way said: she does not want to see you right now. 

(i think he assumed i was going to try and talk her out of the break up?)

and i said not here for her. i just backed into your neighbor’s car, and i need to call my dad, but my phone’s dead. could i borrow yours?

and he looked at me, then back at his neighbors car, which sure enough was dented, then he looked at the chickenshitmobile, and if there was something wrong with it, it just kind of blended into the general Wrongness of the car, then back to me, and i could see him imagining the last ten minutes from my pov: getting broken up with, backing into a car, having to walk up to your exes door and borrow a phone, calling my dad to tell him that i just reversed into someone.  

and his expression shifted from stern and apologetic to truly sad, which felt more kind that i deserved. things only got here because i kept fucking up - forgot to look behind me, forgot to replace the insurance forms, forgot to charge my phone. it was my mess, but his sympathy meant the world to me. i probably would’ve cried if he said sorry, or patted me on the back or called me sport, but instead he said

stay out here – i’ll bring you a phone.

and then he left.  

i found a nice spot on the lawn in the shade under a sycamore, then settled into his grass.i was trying not to freak out, and was doing an okay job. he came out a minute or so later, not just with a phone, but a juicebox and a jar of green olives, which really threw a wrench in the whole try not to cry thing. soon as i saw those, a few tears squoze out. i was still hoping i could pass them off as Manly Tears but then he told me that he’d gotten the olives a few weeks before and had been meaning to hand them off to me, and that this was his last chance for that. then i made a sound like a horse drowning in a bog, and he patted my back pretty rough, four solid thumps, like he wasn't sure if i was crying or choking on an olive, and was trying to cover both bases at once.

then he went back inside, and i made a few more bog horse noises while finishing off the rest of the entire jar of green olives, and then i called my dad.

he was about ten minutes away that day, and luckily was home. he drove over, and we went to the neighbor’s house, and from there things actually went quite nice. the neighbor was a retired man who actually said he could fix the dent himself, no need for insurance. he said he appreciated that i didn't just drive off, and i said i was really sorry about his car, and he said he was really sorry about my car, and then he gestured to the chickenshitmobile and i laughed because it really was a disaster on wheels.

then we left.

i thought we were going to head straight home, but instead we went to a gas station, and we both got several slim jims that we folded into thick enough coils that we could put them on a hotdog bun because the growing up mormon equivalent of having a sad brewski with your dad is just choosing to make bad decisions sober. then he took me to the canals and we watched the sun turn all orange and pink, and he looked over at me and said:

brains are good at remembering bad days. so you gotta make sure that a bad day has a good part in in, so you can remember that too. remember that when you have a kid. try to do a good job on days like that - they're going to be a big part of how they remember you.

and then he gave me a big hug and said he was never going to eat another slim jim again.

---

the year after that i went to college, which kicked my butt in new and exciting ways. and on a lot of those bad days, after a test that went sour, or a faux paus that was particularly embarrassing, or some other hardship of my new adult life, i’d stop by the gas station and pick up leathery, half jerkied hotdog before heading to the canals to watch the sun set. i’d take a bite and imagine my dad next to me, grimacing through the slim-jim wad, asking what good thing i was going use that time to remember. 

and in my head, i’d say you, dad. 

i’m going to remember you.