#but also when i got into the fandom i didn’t know who jon was
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Every time I read “Damijon” my brain goes “Dijon”, like the mustard.
Every. Damn. Time.
#damian wayne#robin#jon kent#damijon#seriously i have to scroll back on every post i see because im like why tf are we talking about mustard again?? fUCK#it was never about mustard#but also when i got into the fandom i didn’t know who jon was#so i was still lowkey thinking about mustard#i don’t even like mustard
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magic in asoiaf is genetic. and that is intresting. and the fact that grrm doesn’t shy away from the implications of this makes me love asoiaf even more.
because it’s very understandable that these people who could ride dragons would see themselves as more gods than men. it’s understandable that the practice of sibling-sibling incest would become common in order to keep this ability in the family/to not lose said ability. it’s also understandable that these people would see their race as superior because they are able to do these things that others could not.
it also makes complete sense that this human civilization collapsed in a horrific magical event due to their own hubris because they saw themselves as gods when they were always only men.
and that is peak world building.
some more peak world building is that the noble houses of westeros also clearly gained power and held onto their power through the use of their magical abilities inherited from their ancestors.
a godlike existence like Garth the Green being the ancestor of all the oldest and most noble of the reach houses makes perfect sense for this world!and it also makes sense that the lords without this ancestry are discriminated against in this region that still holds onto the values their society cultivated in the past in order to maintain their magical superiority, even though most of these noble and old houses no longer exhibit these abilities.
and it also makes sense that these people no longer have access to these abilities as they no longer practice the religion that was centered around these powers; plus their blood is simply diluted at this point as these houses have married into a different ethnic group so often that the magical gene just doesn’t surface anymore.
but the fact that it still matters if you can trace your ancestry back to Garth the Green? peak! peak! peak!
george does such an excellent job showcasing the stagnation of westerosi society here because why should it matter if you’re connected to this magic guy if magic is no longer commonplace? however, it also makes total sense that the ruling class of the reach still harps on and on about this as it’s how they maintain the status quo and differentiate themselves from those they consider lesser now that they no longer have access to magic themselves.
and this is also why it’s very important that the Starks still retain the blood of the first men. because the first men interbred with the children of the forest and other elder races, which is what gave these humans these powers. it’s also worth noting that before the direwolves connected with the Stark children, none of our current Starks were able to awaken their abilities by themselves, which shows that even now they are very far removed from their ancestor who’s genetic makeup gave this bloodline these abilities. and it makes sense that the Starks experienced this slow magical decline because magic itself was declining in the world after the doom of valyria.
another reason for this decline is because Andal culture started heavily influencing the North and slowly changed the way magic was perceived. so now in the present, a warg/skinchanger/greenseer has become something to fear being because that’d make you different and therefore puts your life at risk, which means that there’s now practically no safe environment to cultivate these abilities and no secure way to pass down any knowledge you do have about said abilities.
i can’t help but be reminded about how Jon Snow has rejected his nature and how that has led to the stagnation of his abilities, and then i think about Arya and Bran and how their new environments have led to an astonishing growth in their abilities, which shows that it’s not just genetics that matter, environment is also just as, if not more, important.
i bring all of this up because magic being genetic in asoiaf is not as problematic as people try to make it out as. in real life, sometimes people just have genetic gifts. some people can become olympians, and some people are disabled. some people are born 10 times smarter than the average human, and some people believe that covering their faces in lemon juice would turn them invisible. that is reality. and in this universe, some people have access to magic and some don’t, and it’s all based on genetics. it’s unfair! and that makes it realistic.
not everyone gets to ride dragons and not everyone gets to travel back in time, and that grounds asoiaf, which is what grrm was going for.
and how these societies have organized themselves in response to these genetic abilities and the dangers they pose makes absolute sense. on one hand we have the valyrian freehold, which was a magic hotspot and the people who lived there used magic to propel their society to new heights, and on the other hand we have the seven kingdoms that demonize anyone too different, and all magic practitioners are different from normal humans.
and the fact that george decided to go this route with asoiaf is so juicy to me cause:
we have characters like Varamyr and Euron who use their abilities to commit great evils and we know that their powers have influenced the way they see and interact with others. on the other hand we have characters like Dany who use their abilities to fight against evil violent institutions. and through characters like her we learn how vulnerable fledgling magic practitioners/characters with these abilities are to these older and more dangerous institutions and individuals who are perfectly aware about the knowledge gap between them and these younger characters and know exactly how to exploit them.
so, while it’s understandable that the fandom is uncomfy with the practices and values that grrm has written about, this isn’t bad world building by any means. it’s logical and well thought out. and i truly enjoy that grrm doesn’t shy away from writing about the more worrying aspects and implications of magic being a matter of genetics. i also like how the seven kingdoms and the valyrian freehold are kinda extremes on the matter of magic and how this is/was detrimental to both of these societies and at the individual level. a horrific magical firey doom is not any better nor any worse than a slow drawn out icey decline.
imo, what is important to remember is that in the world of asoiaf, people with magic are the ones who are discriminated against (bc most POV characters are in Westeros and magic is a no no there). so they are the ones who are in danger if they out themselves as magic users. now, it is true that some societies are more tolerant (Qarth is a great example of this and Valyria before the doom was likely the most tolerant to have ever existed in this world), but as of now most societies simply aren’t. remember jojens warning? he didn’t pull that out of his ass. bran would’ve been in a lot of danger if he came out and told the wrong people about his dreams/abilities. also, jon’s assassination may have been partly motivated by the mutineers fear of wargs. this is the life-threatening danger magic practitioners are in for simply existing in an intolerant society.
tbh the reason i typed all this up is because it’s very annoying when people try to ignore the reality, which is that the dragonbond depends on genetics. now, i’m sure there are other ways to ride a dragon, as dragons are magical animals so of course there may be a one in a million chance of a dragon allowing some rando to ride it, but this doesn’t change the fact that there is such a thing as a genetic ability that gives these certain humans the ability to form a connection with a dragon.
(another example that i can’t help but remember is that melisandre was able to get ghosts approval by using some of her tricks. of course there could be other reasons for ghost to have done this, but the most likely reason is that ghost simply fell for melisandre’s trick and this influenced how jon saw mel. but this doesn’t change the fact that melisandre will never have the kind of bond jon and ghost have because melisandre is not a warg. this is also another example of how vulnerable fledgling magic practitioners are to older ones.)
so, sorry not sorry that george decided to create a realistic representation of what a society would look like if only certain bloodlines were able to ride dragons <\3.
#this is interesting! it’s juicy! because these are humans with the power of gods!#of course there was a civilization where the elites saw themselves as gods!#of course their powers impacted the way they structured their society!#of course the stagnant westerosi society still holds onto values and practices from hundreds of years ago#…because they once had magical abilities that set them apart. and bc their society is so stagnant they still have these values and practices#…after they lost their magical abilities. and it makes complete sense that these magical abilities were lost!#magic is feared in westeros! anyone with these abilities is othered/an outcast. these inherent powers aren’t cultivated bc this is a society#…that fears and persecutes people with magic! and it makes total sense that this likely began with the arrival of the andals!#anyways magic is genetic ✌️#and it’s so cool that so many people in this universe may not know that they have these powers bc they live in a society that doesn’t care/#doesn’t cultivate said powers. jon snow is literally called a beast by other characters bc they think he’s a warg#westeros is not a safe space for my magical son#i’m ready to fight anyone who disagrees#it’s literally so fucking intresting and i’m glad that george doesn’t shy away from any of it#asoiaf#pro targaryen#asoiaf meta#also let’s not pretend that warging/greenseeing hasn’t been used for horrible things as well#hodor is right there. legends of the nights king show exactly what can happen when a very powerful greenseer is a horrific human#yeah anyways#maybe he wasn’t a greenseer but u get my point (i hope)#asoiaf fandom critical#ppl having issues w/ the dragonbond being genetic has always struck me as odd#but i’d lie if i said i didn’t know where this attitude came from#this whole post is a mess lmao#hopefully i got my point across but i dont rly care to edit 🤷♀️#this is def a word vomit
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the "Ryho" mindset is still happening
I didn’t like how part of the fandom treated Ryan during the pre-split years. This might end up being a lengthy explanation but bear with me because it’s relevant to the modern fandom.
So it was a well-known fact in 2006 that Ryan was straightedge/sober (Spencer was too, but he got less attention from the media). Being straightedge kind of became part of Ryan’s image (here’s a random example) and a lot of fans really connected with that. Then Ryan got drunk for the first time at the end of 2006, and we started seeing pictures of him partying with friends in early 2007 before the band even went to the cabin.
By summer 2007 Ryan was like a completely different person. I get that the drugs & alcohol probably helped him become more outgoing, but I also think he was just becoming way more confident & comfortable as he grew up. And SO many fans seriously hated the change. Fans still randomly criticized the other 3 guys, but that stuff seemed more like the regular small complaints that happen just for the sake of complaining when people are bored (ex: Jon’s beard existing or vanishing). The stuff about Ryan was very different in tone and there were some consistent themes throughout the last half of 2007: Ryan was too in love with Keltie, he dressed like a hippie now, and he partied a lot. Basically, he was changing. He was no longer the same person that he was during the Fever era.
It honestly seemed like many fans were angry at this new version of Ryan for taking the old version away from them, as though they had some sort of ownership. There was tons of drama over the fact that we were seeing lots of pictures of Ryan partying with various friends (some of whom posted detailed stories about their nights or how drunk everyone was). Some fans said Ryan was a hypocrite or a liar and tried to make him out to be an alcoholic, as though he’d personally betrayed them by destroying who he was "supposed" to be.
However, I think most of the complaints were actually rooted in something bigger: Ryan looked happy.
I felt like a lot of the younger fans had latched onto the idea of a shy, wounded guitarist who needed to be saved or *understood* or whatever… you know the cliche I mean?? That was the vibe that the media sometimes tried to give him during the Fever era, so even they knew it would sell! But now Ryan was partying a lot with a wide range of friends, was dating Keltie, had completely abandoned his Fever-era aesthetic, and seemed to be closest with Jon in 2007 instead of Brendon. He was “destroying” the static image of Ryan that fangirls had taped onto their bedroom walls.
I remember a decent amount of fans actually admitting that they wished Ryan would go back to being depressed. Like they literally wanted him to be unhappy & unsure of himself because they liked him better that way. Others accepted that Ryan was changing and were happy for him, but still thought his bitter lyrics were better. And then even if other people wouldn’t admit that they were clinging onto an old version of Ryan, their main criticism still seemed to revolve around the fact that Ryan was living his life, having fun, and being different than he was the previous year.
I saved one fan’s post because it summed up some of the complaints this year:
The nickname “Ryho” really took off in late 2007.
Obviously a ton of fans loved Ryan (and the kids who were bashing him still claimed to love him too). The petty criticism just became annoying to me. People slammed his new clothes, his new hairstyles, the way he carried himself or talked, his weight/body, his “creepy” fingers, and the “girly” things he told Kerrang he liked (pumpkin spice candles, vanilla milkshakes, his puppy, and Titanic). Even the kids who used to love Ryan’s mild arrogance were now holding it against him. A lot of the fans who were criticizing Ryan in the last half of 2007 jumped right back to being his “fans” once the Pretty. Odd. era got going and things were interesting again, but I guess it shouldn’t have been surprising that so many fans were able to easily switch to bashing Ryan once again in spring 2009 when he was changing yet again. It’s like they were so focused on what Ryan wasn’t doing that spring (ex: recording the third Panic album) that they couldn’t see or accept what he was doing: building a whole new life for himself in a completely different music scene with the new crew of friends he’d been hanging out with for a while (Alex Greenwald’s scene).
One of the things that stuck out to me in late spring & summer 2009 was how many fans felt rejected by Ryan (and Jon). Those fans had basically idolized prior versions of Ryan and were hurt to slowly watch him destroy all of that as they realized he didn’t want to be part of the machine of the music scene that the fandom still loved. That hurt translated to them lashing out in anger.
So you know how I mentioned that in 2006 part of the fandom liked the idea of a shy, wounded guitarist who wrote bitter lyrics and needed to be *understood * and saved? And they resented Ryan for destroying that concept in 2007 and taking away the Ryan that they loved? They wanted to view him as a static character and couldn’t accept that he’s a constantly-evolving human. This is still happening today. Some fans are still upset that the version of Ryan that they want was taken away (ex: Ryan left the Fever era behind, left Panic behind). Except now instead of resenting Ryan for the choices that he made, some modern fans have rewritten the past to blame external forces like Brendon instead. I've been trying so hard to wrap my mind around this for a while, so here's my take on it... keep in mind that this is just my own observation/guess. Ryan isn't very visible now, so people are free to project a lot onto him. I think that by blaming Brendon (who is the visible one left), people can still happily view Ryan as a helpless victim who needs saving, and never feel rejected or betrayed by his choices... then it's like Ryan didn’t actually want to leave them, and could still be the person that they need him to be. Idk I'm still trying to comprehend what happened to the recent fandom tbh.
I'm absolutely not saying that all of Ryan's current fans are like this!! It's just that some little bits I've seen are concerning because they essentially take away Ryan’s agency & erase him. Even on a smaller scale, I've still noticed how some modern fans focus heavily on stories that dramatize Ryan's pain & portray him as a passive victim, regardless of whether those stories conflict with reality. Like why exactly is that angle a priority? Some examples:
Camisado is for dancing
the "funeral picture" isn't real
Lollapalooza was a fun show
June and July are different months
Ryan participated in the stage gay
some of the Ryden stuff could probably qualify too
Keep in mind that I'm saying this as a fan of Ryan. I am genuinely happy to see that he has so many newer fans! But sometimes I'm a little concerned that patterns might be repeating and maybe some people are more focused on their own creation of a character/image than an actual musician who has had many many phases.
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FIC: By right of blood (Game of Thrones)
RATING: PG
FANDOM/PAIRING: Game of Thrones; Jon/Sansa (implied)
SUMMARY: Robb Stark’s return to Winterfell has been a long time coming. But to his dismay, his homecoming is not the welcome he expects.
NOTE: show!verse, but the Red Wedding went slightly differently. It also diverts Sansa’s canon storyline at the same point it’s still currently stuck at in the books, with her in the Vale posing as Alayne Stone. I actually expanded this from a WIP I never got around to finishing back in 2020, so the jonsa is only implied here; let me assure you it’s quite real though.
PROMPT: for jonsa-halloween for their 2024 event, using the October 29th prompt ‘Came back wrong!’ In this story, that can be taken several ways...
This story can also be read on AO3
Robb Stark, King in the North, couldn’t hold back a sigh as the imposing view of Winterfell broke over the horizon.
He’d been away too long.
“Is that Winterfell?” Talisa asked quietly, from her seat in the carriage that rolled beside Robb’s horse.
“Yes,” Robb nodded happily. “I have to warn you, I don’t know what shape it’ll be in. I haven’t been back since before the Ironborn attacked. Roose Bolton recommended his bastard as castellan, but given that we now know he was behind what happened at Uncle Edmure’s wedding...”
Robb bit his lip to hold back un-Kingly tears. The only reason Robb, Talisa, and the child that swelled her belly like a full moon were alive was because of his mother’s suspicions - and her sacrifice. Along with many of Robb’s bannermen, she’d died during what was already being called ‘the Red Wedding’. Robb had managed to bring home most of the bannermen’s bodies, but he’d left his mother’s remains in a burning boat in the Trident, like her Tully ancestors before her. Robb and Talisa had already agreed that their first daughter would be named in tribute.
Robb’s first hint that perhaps he wasn’t as well-informed on the state of affairs as he should have been came when he saw Winterfell up close.
It was... perfect. There was no sign that the seat of the Starks had ever been attacked, except for a few fading scorch marks here and there on the walls. It was better than perfect – the Broken Tower had even been repaired.
The second hint was when Beth Cassel came to meet him, wearing a Yi Ti-styled tabard bearing the Stark crest. She swept a graceful, exquisitely correct curtsey.
“As the steward of Winterfell, I greet you, King in the North.” With a respectful nod to Talisa, she added, “and his Queen Consort.”
His third hint came when she offered them bread and salt.
* - * - * - *
Robb was furious, and only barely hiding it. This was only tempered by an ever-increasing sadness, accompanied by an also-ever-increasing feeling of trepidation.
Talisa had been ensconced in a set of beautifully furnished rooms that Beth had told them had been designated for them whenever they cared to visit, and would be called the Royal Suite in their honour.
It was in the guest quarters. Not the family wing. Alongside those offered to the few bannermen who’d accompanied him to Winterfell, the rest who’d survived the war peeling off from his entourage to return to their own homes, eager to put matters into place for the approaching of winter.
Robb didn’t recognise a single person in the halls besides Beth. Every enquiry he made about a member of staff he remembered from before he left received one of two responses:
“He/she died fighting the Iron-Born.”
Or the even more popular “He/she was killed by the Bolton bastard.”
The only exception was Mikken; when Robb had glimpsed a tall, strong youth who oddly reminded him of Robert Baratheon in the smithy, Beth had remarked to Robb’s joy that Gendry had made his way to Winterfell on Arya’s recommendation.
“We don’t know where she is currently, but we’re sure she’s alive.”
This had been followed by a dismal variation on a depressingly familiar refrain.
“Mikken was crippled by the Bolton bastard, so he’s instructing Gendry further while he supervises the smithy, now that the rebuilding is done. We still have a lot of preparation to do for winter, including expanding the glass houses both here and at Weeping Water castle.”
“Wait - Weeping Water Castle?” Robb knew the Weeping Water river, of course, but wasn’t that right next to-
“The former Dreadfort, your grace. With Roose dead at your hand for his betrayal, and his Frey wife and last remaining legitimate child slaughtered by his bastard, everyone thought that it was only fitting that the bastard’s wife be awarded the Bolton holdings as recompense for her suffering, and to keep anyone who might have supported the Bolton’s out of the seat. Even Lady Dustin agreed.”
“But who is she?”
“The former Jeyne Poole. The Bolton bastard married her, claiming she was Lady Arya, in order to strengthen his claim on Winterfell. We’ll need you to confirm her in the position before you leave, as well as confirm that she can hold it under her maiden name. Given that she’s highly likely to die childless, Lady Jeyne will probably ask you to designate one of your children as the heir.”
With that surprising comment, Beth opened the side door to the Great Hall. “Please excuse me not announcing you with due heraldry, your grace, but Lady Sansa is in the middle of the Day of Judgment and Appeals. We prefer not to interrupt the hearings. I’ll announce you as soon as the current hearing is done.”
Robb stood and watched as Sansa, in an elaborately carved rosewood chair placed on the bare dais where the family tables sat during feasts, presided over the people of Winterfell as if she were a queen. A very good one. Beth had cleverly avoided answering any questions about what Sansa was doing in Winterfell instead of King’s Landing, and Robb found his curiosity burning almost as hotly as his anger.
Less than ten minutes later, Robb Stark, heir to Winterfell and King in the North found himself standing before his younger sister feeling like a supplicant, trying not to puke at the detailed list of what Roose Bolton’s bastard had done to his people. Trying to digest the news that his silly little sister, who spoke of nothing but songs, sewing, and suitors, had stolen his rightful place from under him while he’d been avenging their father’s murder.
"I am Lord of Winterfell, and King in the North!" Robb thundered, his voice echoing off the stone walls of their ancestors.
"Yes, you are King in the North, by right of acclamation," Sansa agreed. "You were chosen as such by your bannermen." Then her expression turned to mirror-blank ice, and her voice became harsh as the depths of winter. "But you are no longer Lord of Winterfell. You lost Winterfell to the Ironborn. You lost it because you trusted Theon, and he betrayed us all. He murdered our brothers, leaving me as the rightful heir. Then you gave permission for the Boltons to take it. You approved of that monster coming to Winterfell. You allowed that monster to torture and slaughter it's people.
"So I did what you were too busy elsewhere to do. I took back our home. I made an alliance with our cousin Robin Arryn; I brought warriors from the Vale and I freed the people here from death and terror. Winterfell is mine, by right of conquest. It's people support my right of blood. I am the Stark in Winterfell now, and so I shall remain. After all, I'm the only other candidate. And I have the support of our only remaining family."
Robb looked at her incredulously. "Wait - Jon? You went to the Night's Watch?"
A shadow moved from behind Sansa's chair, and Robb nearly jumped out of his skin. It took several heartbeats for him to recognise the black curls and pallid face.
"Jon? What are you doing here? Why aren't you at the Wall?"
Jon reached for the neck of his black leather jerkin, and slowly unfastened it. He wore no shirt underneath, and Robb stared in utter shock - not at his scandalously bare chest, but the several livid, still blood-red scars.
How could any man have taken a blade to the heart and live?
"My Watch has ended," Jon told him solemnly, as he re-fastened his clothing. "I serve the Lady of Winterfell, now."
He laid his hand on Sansa’s shoulder... and something dark in the back of Robb’s mind recognised it as a touch of possession rather than simple support. The Sansa that Robb knew would have shrugged off any physical contact from Jon with a scandalised look. This Sansa leaned into it. Jon had always been pale, but now the skin of his hand looked downright ghostly in contrast to the deep blue of Sansa’s gown, the sparkling wolf emblazoned across her chest seemed to dance as she reached up to place her hand on top of his.
"Unfortunately, Winterfell is still being repaired from being sacked twice in as many years, so the King in the North will have to make his royal seat elsewhere, I'm afraid. Might I suggest Moat Cailin? It's location is highly strategic, and it's one of the few holdfasts where you won't have to rob a noble family of their home in order to take it for yourself.”
Robb looked around the assorted people in the Great Hall, and realised that he was surrounded not simply by Winterfell’s people, but Sansa’s congregation. Judging by some of the glares, if he raised a single word of objection or insult to Sansa, he might not make it back to the Royal suite alive.
He would be able to do nothing to regain Winterfell until he left it.
Sansa continued, her voice cool and soft as snow, “I negotiated with the Iron Bank for the funds to rebuild and make the needed improvements, but if you wish to do the same, you’ll have to send your own representative. I’m happy to provide a letter of introduction to ease their way. I’m sure you can ask our Tully relatives to help, or leverage your wife’s dowry as security. After all, you had all the same teachings about marrying to the benefit of House Stark that I did; I’m sure you knew better than to spend one of your most important political assets on a bride who could bring nothing of benefit to our House.”
“And what of your own husband?” Robb snarled. “I hardly think the sons and daughters of the North will enjoy being ruled by the Lannister Dwarf.”
Sansa’s eyes glittered like icicles. “You refer to the marriage made under the Seven in a Sept, not by a weirwood by blessing of the Old Gods? A marriage I was forced into by threat of a sword through the back, before my courses were regular enough for me to be deemed fertile? That marriage was without my permission, or the permission of my parents or guardian, and unconsummated. I have already applied for it to be set aside by the Church of the Seven. Given that my husband is currently under sentence of death for kin-slaying and regicide, I don't think there will be much objection, even if I do not become a virgin widow by the time my application is judged. Though since half the northern nobility have died in a war you lost by not keeping your breeches fastened, the available candidates for my husband are limited.”
Sansa gave a long look at Jon, standing devotedly by her side. “Who knows? The Lady of House Mormont states all her daughters were fathered by a bear, and they are acknowledged by all as her heirs. Perhaps mine will be fathered by a wolf?
“I suggest you act quickly, my King. Winter is coming... and very soon.”
AFTERWORD: Robb quickly realised that most of his own support literally died off in the War of the Five Kings. He never got around to doing anything about Moat Cailin; Robb lost heart after Talisa died in the aftermath of childbirth, followed very swiftly by needing to present a united front for Daenerys Targaryen, deciding that the War for Dawn was more important. He did at least manage joyful reunions with Arya, Bran and Rickon. While Jon got to kill the Night King (otherwise what was that stupid prophecy even for?) Robb still managed to die as a legendary hero, becoming the only Stark to die by dragonfire after shoving a sword through Daenerys to save Jon from kin-slaying. There was just enough left to bury in the crypts at Winterfell, complete with crown.
Sansa was formally crowned as his successor, the first Queen in the North, with the support of all her siblings. She orchestrated a new golden age for the Kingdom of the North, becoming known as ‘Sansa the Glorious’. Jon finally gained the Stark name as her Prince Consort, choosing to forego the title ‘King’ so no one would get any ideas about Sansa not being the one in charge.
Robb’s daughter Catelyn grew up in Winterfell surrounded by loving family, including lots of cousins always ready to fight anyone who insulted her foreign heritage. As a young teen, Catelyn volunteered to give up any right to the throne in what she saw as atonement for Robb’s mistakes that gave the Boltons the opportunity to cause so much harm. Jeyne Poole instantly demanded to adopt Catelyn as her heiress. Catelyn became so highly regarded in the North that she ended up holding a tournament to decide her husband out of a dozen worthy suitors from the North, the Vale, the Riverlands and even one of the Tarly’s, becoming ruling matriarch of the Starks of Weeping Water. She later started what was to become the first school in the North devoted solely to the healing arts, open to anyone regardless of birth or gender. Now called The Talisa Stark School of Medicine, it still operates today.
#jonsa halloween#jonsa halloween 2024#my fic#jonsa fanfic#prompt: came back wrong#can be applied to more than one person here if taken philosophically
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Alright I’m back on my TMA bullshit welcome to the circus. This is a long with many episodes worth of thoughts so strap in
62. Holy FUCK. Mary fucking Keay is here and she’s killing people and putting their skin in a book to. Summon them again??? I have truly no understanding of the implications of this but what the hell man. Also Gertrude is either fucking crazy or knew waaaay more than we do (or both. Both is a solid option at this point) cuz she took everything very well. Also when asked who the book was from, Keay just said “The End”??? Like fucking Minecraft???? Idk what the hell this lady is talking about.
(Also I feel like I recognize the idea of a “The *blank*” in this series. I can’t remember if we’ve seen it before or if I’ve just collected some knowledge after being on the outskirts of the fandom for so long but. Whatever it is it’s fucked and I’m intrigued)
63 What is up with this fucking architect guy what is his deal???? Why does he keep building fucked up places where fucked up things happen??? Also weird that the people in the church seem to know/want to cover up something is odd. Also also the end with Melanie King coming back was an interesting lil thing, of all the characters I expected to be recurring I was not expecting her. Don’t like that she got saddled with Not-Sasha though, hopefully it’s nothing or there are at least other witnesses to her leaving cause otherwise she might not be as recurring anymore. Idk what Not-Sasha’s deal is but I Do Not like it
64. ARCHAEOLOGY MENTION FUCK YEAH. I could honestly go on a whole rant about just how much I dislike Gwynne based on her ideals when it comes to archaeology, as someone who wants to be in the field myself, but I digress. I am curious about the fact that this is someone clearly long dead who still was conscious in some capacity? Clearly they didn’t want to continue as they were. It sounds sort of similar to something one of the officers mentioned in an episode they were giving statements (can’t remember which). One of them mentioned being called to a scene where someone who seemed like they should’ve been dead from a suicide attempt kept trying to reach for the gun. The moment where the skeleton was trying to stab themself in the chest gave me a very similar vibe in the worst possible way.
65. I am following maybe 3 of the words this woman is saying in the first 7 or so minutes. But also the stuff she mentions with the man eating the computer is so unbelievably unsettling, and the stuff he was saying is fascinating. “The maze is sharp on my mind. The angles cut me when I try to think” especially reminds me of all the variations of endless mazes or places we’ve seen in the show so far. Jon reaching out to specifically tech savvy people is also super smart, and it’s sick that he has access to Gertrude’s laptop now. Tim and Jon fighting felt like listening to parents fighting. Im glad Jon is both getting a stern talking to and Tim is getting some sort of understanding of where Jon’s coming from. The fact that they both mention they can’t quit/can’t fire the other is interesting especially. I know stuff like that has been mentioned before, I’m pretty sure after the first encounter with the worms Martin mentioned something about “why don’t I quit?” But regardless it’s just another weird fuckin thing going on
66. Mikael fucking Salesa, what is your problem. I honestly don’t have a lot to say about this episode, definitely another example of weird extradimensional spaces, and some mentions of the weird, unexplainable heat, but also the way he mentioned the box “punishing him” as if it was a living thing was interesting. I also have a lot of thoughts on the stuff mentioned about Gertrude, and I’m really fascinated by all the stuff Jon mentioned about stopping asking about who killed her and focusing more on the why. As we’ve actually gotten to hear some of her recordings, esp the one with Mary Keay where she’s incredibly nonchalant about the murder and skin book, I think it’s an interesting idea that she may have been more suspicious that we thought.
Finally I think her lil shopping list was interesting, but honestly it’s the more mundane stuff rather than the Leitners that interest me, but I’ll probably make a seperate post about that cause it kinda rolls into a theory I’ve been sitting on for a little bit now
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Okay. So. Hi. I’m your host who is rethinking life??? Or just thinking a lot right now, my brain got so much information. I would’ve posted sooner but I needed a couple hours to get my bearings yall ⛹️♀️ anyways! The final 4 episodes of TMA s2!!!
I’m not gonna do my usual format but to start with: I knew Elias was a bastard. I knew it, I CALLED IT. I mean it was pretty obvious but I’m just happy I figured it out. Although I’m very destroyed over the fact Sasha is definitely dead. Like I heard Dekker in MAG 78 and even then I was still in denial until Leitner said “yeah no she’s dead”
In MAG 79, I’m mostly pissed at Michael. Like the moment it put Tim and Martin through its creepy ass doors, I was just like full wheezing out of shock. I wheezed a lot today. Michael does not seem to know shit about humans too since it was like “I…I think it’s called a sport”. Love Michael but also stop being so cryptic oh my god. Also Not Sasha was low key horrifying. Like props to Michael and Not!Sashas voice actors because man I have never felt my muscles seize up like I did when hearing them.
Not Sasha mentioned like being sent to the house of its enemy that had the biggest eyes you ever saw. I thought the enemy was the institute but later I found out…no. Oh yeah! Mag 80! What the hell!
Jurgen Leitner being like “yeah my assistants kinda were killed a lot” like okay go supporting boss. I did not predict it was LEITNER who was living in the tunnels. It’s nice he worked with Gertrude though.
Also, these entities. Again, I was vaguely aware of some since their name was thrown around but I didn’t really realize the extent. Jon mentioned Michael and Leitner refers to it as “The Distortion” and that’s its part of “The Spiral”. AND THATS WHERE FRACTALS COME FROM. God.
Also, when Leitner and Elias are talking, Leitner talks about “the Stranger” and Elias asks what they call it which is “The Unknowing”. The last episode, Not Sasha says that Jon will miss the Unknowing but he wouldn’t understand so I’m assuming the replacement things fall under The Stranger
One final thing I noticed was that he mentioned his assistants getting killed on that day of the attack and all the ways they got killed or I dunno attacked, corresponds with different themes from other statements
“Stabbed through the throat by something with too many teeth and weird limbs”- the replacement things (The Stranger)
“Pulled into a cavernous maw that opened beneath her”- I think this is related to The Butchers Window where Jared Hopworth would throw bones down that pit with teeth
“Gregory Todd ran into a door that shouldn’t have been there”- Michael. What are you doing 💀 (The Spiral)
“A great hand reached down through the roof” -I actually don’t know. Thought it was Freefall but misremembered it.
“Pulled into a great, pulsating pile of meat”- literally every episode with a meat theme. (EDIT 9/2/24: this is related to MAG 18 actually!)
“Doors with darkness and doors on fire”- so the cult I think is related to the darkness but with the fire, I know that Burned Out and that statement with Agnes could be related
So I’m guessing every way an assistant like got killed is one of those entities. I know The Vast is somehow related because Michael Crew mentioned that name before throwing himself out the window and then like changing. Guess he’s like a servant now or something?
Oh god that’s most of it. I’m wondering where Jon is now and I hope Tim and Martin don’t like fully believe he murdered a man. Also I swear to god, Elias, if I catch you. Like Leitner was not a super good guy but come on. I’m glad Not Sasha is gone but…my OG girl 😔😔😔
if you got this far in reading me descend down into my little obsession thank you 🫶🫶🫶 like all this is for fun but everyone I talked to in this fandom is so chill and doesn’t try to spoil which is nice. As someone who was in crazy fandoms, this is pretty calm for such a horrifying media. I’ll probably continue these posts for s3 but I’ll try to condense it I swear guys.
#the magnus archives#tma#tma podcast#mag 79#mag 80#Zabala0z thoughts#I’ll probably take like a day break to recover from this intense lore drop#JUST FOR HIM TO DIE???#like I’m so pissed because Leitner knows so much and could’ve told more#then Elias and his shitty self decided to kill him#I’m sure he has his reasons#☹️
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Some more thoughts on Naruto and also looking at the fandom, especially Tobirama:
Tobirama is an interesting character. All of the founders are. I definitely wish we got to learn more about them but we still got quite a bit and I wanted to look a bit into Tobirama and how he treated the Uchiha as that seems a common debate amongst fans.
I’ve always found it ironic when Tobirama speaks of the Uchiha’s apparent “curse of hatred” when he was literally the angriest and most hateful. He took one look at Sasuke and started spewing bigotry at the kid and he doesn’t even know him.
An odd thing I’ve noticed is fans denying Tobirama as racist against the Uchiha. It was established within the series that as a clan, the Uchiha had their own culture and religion and who felt stronger than others. Tobirama knows these things - his clan fought the uchiha for years and he studied them well to know how to defeat them. He’s well aware that the Uchiha feel stronger than others and can easily be led into hatred and despair just as how they love stronger than others and he exploited that multiple times, and then acted surprised and disgusted about how they reacted to his actions… His paranoia and prejudice meant he alienated the uchiha in a village THEY helped found.
I also see Tobirama fans use his brothers’ deaths as the reason he hates the Uchiha and that that justifies it. This lacks logic. Yes, tobirama would hate the Uchiha for what they did to his brothers and be upset, that’s inevitable. BUT, the Senju killed hundreds of Uchiha too, including Madara’s other brothers (and later Izuna). Neither side were innocent and yet the Uchiha so desperately wanted peace they accepted the peace treaty and tried to be allies eith the Senju, whilst still trying to keep their culture alive. Like the two clans were at WAR with each other, the Senju sent children out and said children died. Yes, it’s tragic and cruel and so unfair but what do you expect the uchiha to do? They’re also paranoid and fearful and likely looking at a strategic pov by trying to stop them before they become too powerful. Now this doesn’t justify it but I’m just trying to say neither side were purely innocent or ‘evil’ like fans try to make this out as.
Now back to the Uchiha trying to keep their culture alive in Konoha. This ended up with them being alienated from the village and being looked upon as “other”, whilst the Senju dispersed throughout the village. The different cultures should have been celebrated but instead it’s just increased the suspicion as the Uchiha tried to hold onto their traditions and others didn’t so much. Madara signed that peace treaty also to receive equal and fair treatment but instead the Uchiha got the opposite and Jon noticing this would just continue, Madara grew fearful for the clans fate but when warning them, the clan were so desperate for peace in this village they decided against him. Madara knew what he was singing so it’s clear that konoha had turned against what they agreed upon.
It’s a tragic fact that Izuna was right in his wanting to Madara in his death that they Senju couldn’t be truested and it’s a pity that Tobirama’s paranoia blinded him and narrowed his mind, turning to anger and racism.
There’s something bittersweet that sasuke looks like Izuna as he tries to stop konoha’s oppressive rule that his ancestor once predicted,
Disclaimer: I do find Tobirama interesting and enjoy reading about him, as I’ve just stated here I just disagree with a lot of his actions and morals. Sadly there are inconsistencies in the writing and a lack of information that makes his character difficult to fully understand.
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"Ryan finally had a girlfriend that actually thought about him!!“ yes absolutely! I didn’t *hate* Marissa but I really disliked the Marissa/Ryan ship, they weren’t right together. Never even thought about it but it makes so much sense that you come from a The OC background.
The way you write modern Jon reminds me so much of Ryan (LOVE IT). So interesting that you tried to rework one of your existing fics into a Jonsa fic. I would honestly love a fic with some OC vibes. The only The OC Jonsa fic I’ve read was one where Sansa was put into Marissa‘s role and it did NOT fit. Thinking about it, Sandy and Kirsten Cohen definitely give off Ned and Cat vibes!
Also Happy Birthday!
I used to hate Marissa a lot, but I was younger then (it didn't help that the other people in my fandom vitriolically hated her lol). I can look back now and realize that Marissa was, unfortunately, the writer's favorite toy to create new drama, at the expense of her character.
And unlike almost every other character, she just wasn't fun for me (I will say, Seth sometimes bordered on too much for me, but usually he was fine). Like did Julie do terrible things? Sure, but oh boy when she showed up in a scene, I knew it would be a good time. I would rather watch her than Marissa any day of the week. Marissa would just suck the energy out of everything for me. But maybe that's a product of my old fandom, and I'd feel differently watching it now. I haven't rewatched in ages, tbh.
And I will say, I liked Marissa at the end of season 3! Because they were just wrapping up her character so she wasn't starting shit and she was actually just fun like she should've been the entire time. And they acknowledge that she & Ryan were toxic together, and better off as long distance friends. So when the time comes for her death, I'm actually sad!
I tried not to be too mean to Marissa in my fics... towards the end. Though I did write a one shot about her murdering Ryan lmaoooo. That's strictly on my livejournal... I think it's still there?
As for a Jonsa OC fic.... I've had one half written basically since I started writing fic again.
Ryan - Jon Trey - Aegon Sandy - Ned Kirsten - Cat Seth - Arya?
But there's where it sort of fails, because who is Sansa? Is SHE Seth? Where does she come in, unless I make her not related to the Cohen/Stark family. Or do I get rid of Kirsten/Cat, make her married to Jimmy/some other dude, and have Sansa as her daughter with Arya as Ned's?
Omg this got so long, but I'll include what I have written below the cut, which is literally just the opening scene, so don't get too excited lol.
The OC AU
They approach the car like it's prey, ducked down, creeping.
“I'm your big brother. If I don't teach you this, who will?" With that, Egg smashes out the window, the sound loud and echoing in the quiet alley. He opens the door and gets in, but Jon hesitates, looks over his shoulder towards the main road.
"Quit being a little bitch. Get in!"
And so Jon does, because he always does what Egg says. Just as he's about to get in the passenger side, it happens – a cop car rolls by on the main street, and Jon's heart lurches in his chest, but it passes.
And then it backs up.
“Come on!” Egg shouts, laughing and reckless. “Let's go, Jon!”
Jon slides into the passenger side and slams the door shut behind him, heart racing a mile a minute as Egg hotwires the car and gets it started, as the police cruiser turns down the alley.
And then they're off.
Down the street and out into the open, Egg pushing the throttle as hard as it can go, even on the small streets of Wintertown. Jon sits with one hand gripping the door handle, the other braced out in front of him on the dash.
“You should see your face, man,” Egg laughs, mouth wide, teeth glinting in the streetlights – sharp and dangerous. That same, reckless laughter Jon remembers from their father.
Sirens wail behind them and Jon knows this is it. This is where he finally dies, this is where everything catches up with him. At an intersection, Egg runs a red light, has to swerve to avoid an oncoming car.
“No, no, no, no,” Jon chants, shutting his eyes and bracing for impact. He doesn't know what they hit, just that he's thrown forward, the airbag slamming into his chest, the sound of crunching metal and squealing tires and sirens.
He feels groggy and weak as his eyes open, bright lights flashing and making him wince.
"Hands up! Get them up!" someone shouts. The police. "Hands on the dash where I can see them!"
For just a moment, Jon thinks about running. Pushing open the door, leaving Egg, and going as fast as his legs will take him. But his chest aches and his lungs burn and his head is spinning and so instead, he puts his hands up.
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Have you ever considered whether WOW is taking so long because of the negative reception the ending of GOT received? Is GRRM afraid that fans will dislike his ideas now? Or will he stick to his original plans with maybe a few modifications? I think he may be second guessing himself and thats why he can't finish it.
I don’t there’s any chance that Martin will change his endgame to please fans. I don’t think he’d delete or add in a relationship between main characters, I don’t think he’d change his mind about who ends up a ruler or when. He has had the ending for the main characters in mind for decades. He said this in 2011:
(link — he’s said similar things elsewhere, I just happened to have recently read this interview)
He’s a pro and didn’t simply have stuff in his mind to do, he’s written foreshadowing for it all throughout the series. He can’t not follow through. Not simply because he wants to do it, because he must. It’s all already there, it’s already written into the story, we just haven’t read the reveal yet.
And yes, I know, people who hate Sansa will claim he’s just mimicking GoT when she goes North and reunites with Jon, but we know, that’s what the girl in grey always was, we just haven’t read it yet. I would even say, if Dany doesn’t go bad, it’s because we misread the foreshadowing, not because he is afraid of his readers. That’s how certain I am he’s sticking to his plans! As it is, Dany’s downfall seems to be the most obvious of all the endgames, so I’m not stressed. Also, there was mass outrage after s8, critics and fans alike talked about the sexism of Dark Dany, there was that petition for them to redo s8, and when people asked him if he was worried about the reception for HOTD, if the fans would come back, he said they would and they did. So if Dany fans were hoping to convince him to cater to them, they already told him don’t even worry about it. They’re still in it, even if they’re angry about it. 🤷🏻♀️ D&D/HBO, for all their whitewashing of Dany and catering to Targ fans didn’t change her fall arc, there’s no way Martin (who not only has personal ambition sunk into this but hopes for the fantasy genre as a whole) will.
That being said, I do think he was prolly offended by the reaction to what is, uh, at least kinda his endgame. I think everyone in our corner of the fandom accepts King Bran and Arya sailing away, and those things caused an uproar too. So, I imagine he had some worries that what was exciting and meaningful when he started writing the series no longer works as well for modern audiences, but he can’t undo what he wrote 20+ years ago. He has to carry his thought through and finish that sentence he began a long, long time ago. I’m doubtful fandom fits are a major holdup, but I’m sure he felt the outrage.
TL;DR, I think other issues (his writing style, many claims on his time, the difficulty of writing while the show was on etc) were bigger factors to his slow progress.
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Chispas's Prompt! Obviously! 😁
Haha. Obviously! About this post. I'm going to keep the original ficlet prompt in my inbox so I can eventually reply to it. So that others can start to envision where this is heading, I'm also going to copy/paste it here. And then the first section of what I've written so far will be below the cut. Prompt: Two popular fan-fic writers for the same fandom. Sansa writes sweet modern aus with a fair amount of smut, while Jon is a canon stickler who never has any romance. While on Sansa's laptop one day, one of her friends (I don't care who) leaves a comment on one of Jon's fics asking when x & y are going to kiss already, or something like that. You know...hi-jinks ensue.
Sansa Stark sits cross-legged in the living room she shares with her sister, peering at her reflection in an antique, floor full-length mirror she bought a few months earlier. It dominates the corner where she most likes to get ready — creates the perfect spot for her ritualistic preening and primping ahead of a fun night out. Tonight, for instance, Sansa’s celebrating her birthday with the rest of her family. They’ll soon be dining at one of Winterfell’s highest rated restaurants, The Glass Garden. “This place looks pretentious,” Arya says. She’s sprawled across the couch behind Sansa, most of her body visible in the mirror so long as Sansa tilts her head to the right. When she does, she sees Arya scrolling on her phone, presumably looking at the restaurant's menu. Instead of replying, Sansa shakes her head and continues curling her hair. It’s true she picked somewhere fancy for her twenty-fifth birthday, but, hey, a quarter of a century is a big damn deal, isn't it? She refuses to let Arya make her feel guilty about that. “This salmon dish sounds good, though,” Arya mutters after a moment. And then, without warning, she lets her phone drop to her stomach and says, “Hey, Robb invited Jon. Did he tell you?” Sansa’s heart nearly leaps out of her chest. She’s known Jon Snow, her brother’s best friend, for as long as she can remember. But it has only been since moving back to Winterfell after graduate school that she’s really started to notice him. At first, it was Jon’s improved looks and increased confidence that caught Sansa’s attention. Shallow stuff she told herself she’d be able to dismiss after a week or two of practicing. But then, during the practicing, more and more of Jon’s positive traits stood out. There’s a long list of them. He’s a good listener, a hard worker, and a generous tipper. He loves animals and his mother too. He asks clever questions and makes clever observations. He sticks up for outcasts and underdogs. And his smile — It’s cliche to say that when Jon smiles, he lights up the room. But because his smiles are so hard-won, Sansa’s starting to believe some cliches are true. And Seven save her when she's actually the one to cause Jon’s smile. Sansa pictures it now, without really meaning to, then tries not to smile at her own reflection in the mirror. Arya doesn’t know about her crush on Jon, and that’s how she’d like to keep it. “No, Robb didn’t tell me,” she replies. “But that’s fine. Jon’s practically family too.” Arya nods sagely, like maybe she’s crediting herself for setting a good example — she accepted Jon as family long before Sansa ever did — then begins scrolling on her phone once more. It’s five minutes later, when Sansa’s finished her hair and moved onto her makeup, that Arya breaks their silence, this time saying something totally mundane. “So, uh, I just got an email I need to reply to. It’s too much to type on my phone, so can I use your laptop instead?” Arya’s own laptop is in her bedroom, not far away, but since Sansa can see hers tucked in the corner of their couch, next to Arya’s feet, she grants the favor. “Yeah, sure. Go for it,” she says. Sansa doesn’t think any more about it until a certain sequence of noises piques her interest. After the clattering of Arya’s fingertips slows down, the clicking of the touchpad speeds up. There are so many clicks, in fact, that it seems like Arya’s comparing items on different tabs or following links in search of some hidden answer. After a glance in the mirror at her little sister, it’s more than Sansa's interest that is piqued. It's her nervousness. “Why are you grinning?” she asks. “No reason,” Arya chirps. But she’s fighting back a laugh and smashing the laptop closed as fast as she can. Lying, obviously.
#see what i did there#ended on the word obviously#jonsa ficlet idea#not finished#but there's the first part
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aside from anderson cooper do you mind giving us your Thoughts on other pundits/journalists?
Oooh boy. I love you for indulging my 2 decade-old hyperfixation.
Well first off, I don’t actually watch much legacy media for news purposes. They all have the same corporate slant and, while I don’t hold it against the individual pundits/journalists, I’m aware that the info they’re presenting is highly cherry-picked and biased toward the establishment and teaming with false neutrality bs so.. you know.
I got started watching cnn because I remembered being a little kid and seeing Anderson Cooper on tv when my parents were watching Katrina coverage or whatever. So I started watching him and then went back and watched some older stuff etc so… he was the initial deal. I just sort of started following other pundits for fun because of their proximity to him.
Also, disclaimer that I strongly prefer his older tv persona (war reports, snarkiness, grunge aesthetic, etc) and most of the PRT fandom content I’ve found has been from like 2005-2010 anyway so… most of these opinions are based on an outdated media sphere lol.
With all that being said…
When it comes to semi-modern stuff, I love the whole cnn crew. I think they’d be hilarious in a mocumentary a la The Office or something. John Berman is the funniest guy on the network and Jake Tapper has the best deadpan. Don Lemon was annoying and endearing at the same time. I never liked Chris Cuomo. He seemed pretension and way too dudebro-ish.
As far as PRT people specifically, Stephen Colbert is an absolute treasure. He’s ridiculously smart and quick witted but he’s never needlessly harsh like some late night hosts. I like him now better than when he was on The Colbert Report because he doesn’t have to play a character all the time and can just outright say what he feels.
Jon Stewart is probably the most progressive host on mainstream tv, which of course makes him delightful. He also has a way of calling out mainstream journalists without making it personal. And I still remember the time he went on Crossfire and humiliated Tucker Carlson <3.
Rachel Maddow seems like the coolest person in the room at all times and she’s so incredibly smart. But she has this thing where she seems to recognise (and call out) the conservative tendencies of other networks like cnn without realising that msnbc is no better when it comes to corporatism, upholding the status quo, and being anti-progressive. In fact, that’s something everybody on msnbc does, not just her. But I still have a soft spot for her though.
Keith Olbermann is the guy that used to be outspoken leftist champion in the very early 2000s- getting righteously angry when other dems were obsessed with decorum, clapping back at Fox pundits who tried to smear him, and saying things the dem establishment didn’t always want said. But somewhere between then and now he revealed himself to be a weird, immature, somewhat narcissistic asshole who can’t take any criticism and has somehow morphed into a centrist defender. It’s one of the most disappointing downfalls of the fandom. But despite all that, I still think of the day msnbc fired him as a national tragedy.
And I’m glad he got what was coming to him, but from a rpf perspective, I miss when Bill O’Reilly was the main villain 😂.
#this was so fun anon thanks for giving me an outlet#PRT#PRT fandom#pundit round table#rpf#real news fandom#fake news fandom#Anderson cooper#keith olbermann#Rachel Maddow#stephen colbert#jon stewart#oh to go back to 2007#actually you know what it was probably just as sucky back then#but it was the golden era of tv news punditry so I see it with rose colored glasses#anon#ask
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✨️ for the writing asks!
✨What’s a fic you’ve posted you wish you could breathe life into again and have people talking about it? (or simply a fic you wish got more credit)
Oh this is a good one! I really do write fic mostly for myself--I write what I want to see, and I’m usually quite happy when just a few people find and enjoy it, because it is nice for other people to read and have fun with it, too, but I have lots of ideas that I don’t even know if other people will want to read. And the fics that are more self-indulgent tend to not have as big of an audience
so, okay, after a lot of thinking, I'm going to go with my fic The Classroom Cat, which is The Magnus Archives post-canon somewhere, Jon and Martin adopt a cat (who Martin names Sasha), and she goes to class with Jon. This is partly very selfish lol, because @jonsimsandcats day is today (April 29) and I’m posting a sequel to this fic later today, so I wanted the chance to talk about it a bit beforehand lol (and whenever I talk about this fic, a shoutout to @artificialdaydreamer is always 100% necessary, because we talk about Sasha!cat all the time, and I have so so so many ideas because of these conversations, Elian oh my god I'm going to be writing about Sasha cat for years)
(this exercise also turned into a bit of a surprise for me, because I don’t look at my ao3 stats very often, and a fic I didn’t think was very popular apparently has over 2k hits, which is just wild to me lol, I definitely think of myself as a small author in the TMA fandom but apparently some of my fics are more widely read than I realized)
Feel free to look at the list and send me an ask!!
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10 books
Rules: 10 books for people to get to know you better, or that you just really like.
Tagged by @lyriclorelei and oh boy did I end up going on a lot about these picks!
The Monster at the End of this Book by Jon Stone - I was so extremely a Sesame Street-raised child. This book taught me about meta humor and histrionics, both of which I adore in my media today.
Maida’s Little Shop by Inez Hayes Gilmore - This is a book my grandmother read as a girl, and then my mother read as a girl, and then I got to read. It’s about a rich and sick girl who leaves her family to start a shop (with adult supervision) and finally makes friends. It taught me about pig latin and popcorn balls. (Also, turns out the author was a feminist journalist, so we love that.)
Meet Samantha by Susan S. Ader - I promise I didn’t just read books about wealthy girls from the turn of the century as a child! But I did get HEAVILY sucked in by the American Girl dolls, and I’ve gotten pulled right back as a pandemic comfort coping mechanism. Re-reading this book, I realized it influenced my creative writing, my sense of justice, and my understanding of how to be a good friend.
The Realm of Possibility by David Levithan - As a teenager, this book of interconnected poems from different characters let me feel like I was listening in on a full school’s worth of teenage issues and feelings. It taught me compassion; it let me feel less alone.
As You Like It by William Shakespeare - Seeing this play in college might have been when I fell in love with plays (I’d say theater, but I was sold on musicals by age 8). It’s more or less where my fake dating obsession starts. Give me a ship this messy any day.
Never Let Me Go by Kazuo Ishiguro - This book is SO SAD and SO BEAUTIFUL and I’m glad I watched the movie to stay in the world a little bit longer. My Andrew Garfield and Carey Mulligan obsessions are due to this book.
Angels in America by Tony Kushner - Another sprawling obsession: I saw the HBO series, I immediately borrowed a copy of the play(s), I bought my own copy of the play, I saw the play(s) in real life, I saw the play(s) filmed for National Theater Live. Now I’m gearing up for another round of obsession when I read the oral history sitting on my bookshelf. I love these characters, the magical realism, the real-life people mixed with fictional ones, and the hope in the ending.
A Visit from the Goon Squad by Jennifer Egan - This book helped me realize I LOVE linked short stories that share a variety of perspectives. (In creating this list, I’m seeing just how many books I love are proof of that!) I’ve read other favorites, like Homegoing by Yaa Gyasi and There There by Tommy Orange, because this book taught me I loved this genre. Also, it has a chapter that’s just powerpoint slides? LOVE that.
The Wicked + The Divine comics by Kieron Gillen and Jamie McKelvie - This comic is so well thought-out that random lines and visuals in the first issue reference the plot points of the last. A comic series about fandom, power, mythology, and inspiration. Plus, a murder mystery! I enjoyed every issue, even the one that really, honestly, had too much gore for my liking.
The Lady’s Guide to Celestial Mechanics by Olivia Waite - This was the book that got me into romance novels, which would have been enough of a gift on its own! But in addition to being a wonderful intro to the genre, it stars two women who are passionate about their work (though that work is very different), a romance plot that is people-focused instead of circumstance, and a thesis about who writes history and why notable women’s legacies are willfully erased by the patriarchy. A great, gorgeous read.
Tagging: @onthecyberseas @dollsome-does-tumblr @homeschoolpromqueen @trianamars @nicoleanell @strix-alba
#10 books meme#books#about#sorry if anyone i have tagged has done this meme already - send me a dm with the link if so!#my dash is a whole thing and i am NEVER caught up#book recs
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this may be the cringiest thing ever but I've wanted to expand my little sonic au for my ocs for a bit now, so I'm going to do this for the sonic version of my oc, tater tot! This will primarily focus on how my favorite characters feel about said oc. this is your last warning bc i dont wanna see or hear anyone in the comments complaining about how 'cringe' it is. Also, these are just general head canons. Which means I'm not following any specific version of Sonic (though I might favor sonic boom because it's my favorite 🤷♀️) ok! so.... context: Tater tot in the Sonic fandom au is a little sea angel who accidentally flew into a powerline, and is permanently cursed with the iq of a hotdog.
How does (canon character) feel about your OC? - Sonic might be annoyed with her because of how slow she can be sometimes. However, I don't think he would outright dislike her. It would be more of an 'oh here we go' followed by a sigh when he realizes that she's incidentally become part of one of his missions. He would still treat her like any of this other friends though. - Shadow would feel the same way as Sonic, but more extreme in terms of how he has to deal with her iq. He would usually make some sort of remark but in the classic shadow way. She ends up responding something unintentionally funny because it's hard to hurt her feelings (and she didn't pick up on what he said anyway).
How does your OC feel about (canon character)? Tater tot enjoys Sonic's company the most, and thinks he's pretty cool 👍 Tater tot is confused by Shadow, but he's fascinating to her. Kind of like watching a caterpillar going about its business. That's how she views him.
Has your OC ever made (canon character) laugh? / What about cry? Tater tot has accidentally made Sonic laugh, not so much Shadow. He's a tough crowd.
Do your OC and (canon character) ever cross paths? Tater tot and Sonic usually cross paths often enough to know each other, but she isn't apart of most of the main adventures. As for Shadow, she just ends up where she is. Think Garfield and Jon.
Which canon character annoys your OC? N/A... she doesn't get annoyed by anyone really.
What canon character gets annoyed by your OC? Shadow for sure.
Which canon character respects your OC most? What gained that respect? Sonic respects Tater tot because while she's not the brightest, she sticks to what she knows is right and wrong no matter the circumstance. She'll help anyone who needs it, whether or not they've been mean to her.
Which canon character doesn’t respect your OC whatsoever? N/A
Which canon character does your OC respect a lot? Tater tot respects Sonic because he's brave and is always there for his friends. He's also kind to her. Deep down inside, she's somewhat aware of her lack of intelligence and it makes her slightly insecure when meeting new people. She's afraid they'll get tired of having to help her constantly.
Which canon character does your OC not respect at all? Why? N/A
Which canon character is pissed off by the general presence of OC? (we all have those people) I can't truly think of one, but I feel like Eggman would just be on 10 every time he saw her. She always ends up accidentally messing up something.
Does your OC have a crush on anyone? tiny crush on Sonic, but she doesn't even know it.
Who would probably have a crush on your OC? N/A... I don't know really?
Who would your OC most likely to get a puppy-crush on? (but it can’t be the cc they’re actually shipped with!) She would most likely have a puppy crush on Amy! she's bright and bubbly and Tater tot loves being around happy people.
Who would your OC say is their best friend? Probably Amy!
Who would call your OC their best friend? Amy.
Who has brought your OC to tears before? Probably Shadow, after one of the rare times she understood what insult he hurled at her.
Who has your OC made cry? Shadow. (It's not that bad, she's generally sensitive)
Is there someone your OC didn’t like at first, but then got along with later? Nope! She's an easy person to get along with.
Is there someone your OC liked at first, but then grew to dislike? N/A
Who does your OC hate? N/A
Who does your OC love? (platonic)
Sonic and Amy.
Who does your OC love? (familial) She doesn't have any family (right now)
Does your OC love anyone? (romantic) Love is a strong word. I have no idea if she loves anyone currently, but a slight crush might be there.
Has your OC ever had to let a canon character down easy? N/A
Has your OC ever been rejected by a canon character? N/A
Did your OC bear witness to anyone’s full character arc? N/A
What is the worst thing your OC does in their story? Probably putting her friends in harms way when being asked something. She's a very honest person and sometimes doesn't get when she should or shouldn't say something.
What is your OC’s ‘‘darkness moment’’ in the plot? N/A
What is your OC’s redemption moment? N/A
Is there a canon character that your OC needs to ask forgiveness towards? N/A
Is there a canon character your OC needs to forgive? N/A
Is there anyone who your OC would die for? N/A
Is there a canon character who would die for your OC?
Fandom OC Ask Meme
⟢⋱⟡☾ a collection of asks for OCs belonging to specific fandoms
How does (canon character) feel about your OC?
How does your OC feel about (canon character)?
Has your OC ever made (canon character) laugh? / What about cry?
Do your OC and (canon character) ever cross paths?
Which canon character annoys your OC?
What canon character gets annoyed by your OC?
Which canon character respects your OC most? What gained that respect?
Which canon character doesn’t respect your OC whatsoever?
Which canon character does your OC respect a lot?
Which canon character does your OC not respect at all? Why?
Which canon character is pissed off by the general presence of OC? (we all have those people)
Does your OC have a crush on anyone?
Who would probably have a crush on your OC?
Who would your OC most likely to get a puppy-crush on? (but it can’t be the cc they’re actually shipped with!)
Who would your OC say is their best friend?
Who would call your OC their best friend?
Who has brought your OC to tears before?
Who has your OC made cry?
Is there someone your OC didn’t like at first, but then got along with later?
Is there someone your OC liked at first, but then grew to dislike?
Who does your OC hate?
Who does your OC love? (platonic)
Who does your OC love? (familial)
Does your OC love anyone? (romantic)
Has your OC ever had to let a canon character down easy?
Has your OC ever been rejected by a canon character?
Did your OC bear witness to anyone’s full character arc?
What is the worst thing your OC does in their story?
What is your OC’s ‘‘darkness moment’’ in the plot?
What is your OC’s redemption moment?
Is there a canon character that your OC needs to ask forgiveness towards?
Is there a canon character your OC needs to forgive?
Is there anyone who your OC would die for?
Is there a canon character who would die for your OC?
#fandom ask#oc#fandom oc#fandom oc ask#fandom oc ask meme#oc ask meme#oc ask#oc ask game#fandom oc game#ask meme#ask game#ask#oc prompts#prompts#sonic oc#sonic fan character#sonic fanart#sonic x oc#sonic fandom#sonic series#sonic the hedgehog#shadow the hedgehog
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yeah I got the same vibe as you, I thought the post was an interesting read, but I did feel she was projecting onto sansa based on her own experiences. and yeah i don’t think sansa is a vicious character either in the show or the books, she’s flawed but not vicious. but i do completely get how sansa’s femininity would be alienating to women of color. i also agree with her point about the fandom, sansa stans are pretty much notorious for this; they weaponize the race discourse surrounding daenerys as a way to prop up sansa (and i would say they also do this with jon and j*nsa) when BOTH sansa and daenerys are white women so using race as an argument to prop up sansa (and jon) is ridiculous and hypocritical. but yeah i don’t think sansa stans behaviour in and of itself is a reflection of the character, and i would also agree that dany stans are also guilty of doing the same, using race to prop up one white female character over another. i think the point about how dany represented radical change for the system and was vilified for it is valid, i know you haven’t seen the show, but the ending with daenerys definitely felt like propaganda to me, especially with how they basically had tyrion do a version of the “first they came for” speech to discuss dany killing slave owners and rapists (when irl the speech was about killing socialists and jews, eg. marginalized people, not oppressors like who dany killed for most of the show). and i think it’s valid to say not every show has to have a lesson, but imo game of thrones did end up having a lesson, the lesson being that change and revolution are a bad thing and the status quo is better. and i think we were definitely supposed to think the stark’s “winning” over daenerys is good triumphing over evil. i agree that daenerys freeing slaves doesn’t exempt her from criticisms over race. imo daenerys is still very much a white savior character. i think a lot of the discourse over daenerys comes down to a watsonian vs doylist issue. dany stans will point to daenerys freeing slaves as an obvious objective good, whereas dany antis will point to dany being a white savior. like on a watsonian level daenerys freeing slaves and going to extreme measures to do so is obviously a good thing, but on a doylist level, the narrative presenting a white character as the “savior” of a group of nonwhite slaves has obvious unfortunate implications and plays into the white savior trope. and yeah i think pointing to what men like to determine who is the “white feminist character” is dubious. also false because daenerys (and arya) were definitely more popular with men for most of the show whereas sansa was hated. most sansa fans are women on sites like tumblr lol. and yeah i agree with you, i think the better way of saying this is saying that the show chose the more traditional and conventional type of femininity as the winner. that’s a more interesting analysis to me, especially with how the show chose sansa over arya as their one special girl. and yeah most of the audience did cheer dany on, she’s by far the most character on the show, and while that might have changed to some degree in recent years, it feel like rewriting history to say that fans didn’t cheer her on. and yeah that’s a good point, in this post op talks very little about sansa, about what she actually does as a character and who she is. and i agree with her points about sansa stans and about the overall anti-revolutionary message of the show and associating the status quo with moral goodness. but yeah i do agree that to a degree the op of this post is doing the same thing that she criticizes sansa fans for, using feminism and anti racism to shit on one white woman to prop up another. and yeah i think arguing that stanning sansa inherently means you support racism and misogyny is insane.
Yes, exactly.
The fact that she barely said anything about Sansa as a character makes me think that there aren't actually many things that Sansa did that represent that. If you're going to call a character the "embodiment of white feminism" I expect they did a lot of shit but nope. You could make a MUCH stronger case for characters like Elena, for instance lol.
Also, good point about watsonian vs doylist views of the show.
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8, 10, 19 for the fic ask meme!
fanfic asks meme || @glamrocktrash
8. What project(s) are you currently working on?
ive got a couple projects going right now. there's my really big on going fic im always writing on ("tie me down till my sweet nothings sour") but it cooled off a bit. i did start a pretty complex au that i like a lot atm that affectionately has the working title "dysfunctional family au: battle of the autistic sons." the last one is a secret fic im cooking up abt the current bcc stuff.
10. Is there a fic that got a different response than you were expecting?
hmm. most my fic's are pretty straight forward & get the same reactions for the most part. when i wrote "eddie kingston is a secret sex god" i was pretty new to the fandom & pleasantly surprised by the lovely reaction to that. sometimes my small fic's that are just a little thing have a lot of impact on people which isn't something i ever expect. a lot of folks still talk to me abt my autistic mox fic (I'd like it but its lost on my blog somewhere).
19. Give us a small teaser from one of your WIPs.
from the dysfunctional family au: the battle of the autistic sons
“Ready to learn something new again?” Bryan asked, feeling like he was going to get a little piece of mind. At least Wheeler had heard good stories about his father.
“Always?” Wheeler looked a little worried, but was grinning. “You know me, I love learning stuff.”
“I told Doctor Paquette a story about my childhood, and she thinks my father was abusive.” Bryan watched for the reaction but his partner rocked his head back and forth a little as he processed that.
“I mean…therapists kinda always jump to that conclusion but also your dad is a dick who hasn’t talked to you in years.” Wheeler shrugged, a tiny frown forming that made Bryan sad too. “I mean, you told me he stayed every day in the hospital with you when you got really sick, right?”
“Yeah. He did. He…did more than just stay every day.” Bryan stared at his food as he thought back to that.
“How old were you? You almost died.” Wheeler shook his head.
“I was young. Ten, I think.” Bryan looked out the window, searching the streets for something. He didn’t know what. “I don’t remember it much, but Jon told me the story after.”
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