#but also i want to share my art..... to make me feel better etc

[kakusboyfriend]

Nothing in the world belongs to me But my love mine, all mine

Sorry for the cheesy song choice, I needed something that sounded sweet and cute for them, just this once 💕

I am an adult, do not reblog this if under 18

[icewindandboringhorror]

... how am I meant to get any sort of restful sleep when it's like 85F indoors in my bedroom at NIGHT .. hhhhhhhhhhhhhh

[heymacy]

hi macy :) I read about your personal experience with finding yourself too invested in the gallavich fandom to the point of feeling upset about it and I have to say... that happened to me too. the compulsory need to engage even when there's no good feeling at the end of it, the constantly thinking about it to the detriment of other activities... I don't know if it's maybe because shameless and gallavich deal with heavy topics, or just one of the ways online engagement and hyperfixations can evolve, but I felt so much better once I removed myself from it, able to find joy in numerous other activities, and fandoms too! just wanted to share this - the fact that I had the same experience - and wanted to say I'm glad you're doing better now :)

hello my love! thank you for reaching out! i'm very glad that you were able to find solidarity in what i shared. re: heavy topics - i know that for myself, not being faced with content regarding my own disease on a daily basis has been a nice change of pace for me. i haven't felt as consumed by it since i took a step back. i think sometimes the content we engage with colors our real-world experiences and that was definitely the case for me. i've never been a casual viewer of media or a casual enjoyer of things so it doesn't surprise me that what happened to me, happened. i love having the capacity now to enjoy other things - and hey, i still engage with fandom here and there! i'm loving RWRB content right now (i have just a tiny bit of brain rot regarding those two) along with some jane austen adaptations and other such things! media is beautiful and transformative and i love putting stickers on the scrapbook that is my blog! thank you for your kind words - i'm glad i'm doing better now, too. it feels good. it feels healthy and normal. and i really hope everyone can find a balance if they're feeling off-kilter. also, i love you. did you know that? thank you for popping in 💛 feel free to do it any time you please, i'm always hanging around somewhere!

[comicaurora]

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.

[fashion-runways]

hiii new pinned post again because the last one was outdated, there are links to the previous ones in that one as well. unfortunately there are no real updates re: my dad's wrongful imprisonment. at this point, they might be waiting until the statutes of limitations happen and it's over, i don't know. he has a therapist who's kind of expensive but we have to pay for and he has to go weekly because of all the trauma he has left from being in jail and from losing his job/not being able to find a new one because of this. his health got worse in there, too, so there are a lot of different doctors he has to go to, medications, etc. he's doing better every day, though, but that takes a lot of money of course.

i used to have a redbubble account that helped me get afloat alongside this blog, but it got suspended without notice and never got reinstated no matter how many things i've tried, so... that's another source of income that we lost. i used to make around 30/40 dollars a month there, now i make like 1/2 dollars on teepublic monthly, that's a huge difference. argentina's economy was always bad but it has been an absolute disaster since the current president got elected. prices rise literally on a weekly basis for everything from basic groceries to public transportation, power, water, phone bills, etc. my laptop's keyboard broke at some point and i almost had to buy a new one with money i literally didn't have, just going into negative numbers, but i managed to find a guy who replaced it for as cheap as he could. it was still expensive, but it was better than having to buy a new laptop entirely. would love to get a stable job, but that's always been impossible in this country, even more so lately. for updates on argentina in english, this person on twitter makes very good informative threads if you're interested.

on top of that my dog passed from cancer a few weeks ago, that was really expensive for us too, meds and appointments and special foods and everything that we could do to keep her happy until it was her time to go, and she was. i also started therapy around the time she was diagnosed (thank god) but my therapist had to rise her rates because of the economy mess i already mentioned, so... yeah. everything is exhausting and everything is expensive, and this is literally my only source of income. it's also the thing that i love doing the most and the thing that keeps me sane in all of this mess, so hey, never leaving. in fact, if anything ever happens to this website, you can always find me under fashion_runways on twitter or probably anywhere else. some of you guys mentioned not seeing my posts lately too, so if you can/want to, you can turn notifications on!

anyway yeah, all that to say i love this blog, i love fashion, and i love showing you guys new cool things and giving you guys ideas for art, or writing, or your own style, or just interesting stuff to look at. so if you can donate any money, that would help me more than you think. even a single dollar can change what i can do with my day sometimes, i swear. as usual, my kofi link: https://ko-fi.com/fashionrunways and my teepublic link: https://www.teepublic.com/user/dinah-lance. thanks for being around and sharing and reblogging my posts, thanks for asking questions about fashion, and of course thanks for helping to the ones who can, and thanks to the ones who can't too, i know how that feels like, don't worry about it. i love you 💖

[ghostlyferrettarot]

✨️PICK A PICTURE: ✨️🎀🩷What would make you famous?✨️🎀🩷

•Pile 1 •Pile 2 •Pile 3

❗️This is a collective reading, take what resonates and leave the rest❗️

✨️Paid Services ✨️ (Natal charts and tarot readings) Open!

🎀If you like my work you can support me through Ko-fi. Thank you!🎀

🩷Masterlist🩷

🩵Pile 1: The Fool, 7 of Pentacles and Ace of Cups.

Hi pile 1! I feel an emphatic and understanding aura from you right away. You are someone who is humanitarian, who wants to change the world for the better; you believe in fairness and equality. Your emphatic nature is what can make you known; you deserve to be hear by other's, i feel like you may have really unique ideas that can change a lot of other's perspectives for a greater good.

You are good with words and clever, use this communicative charisma to reach other's pile 1! You could achieve a lot by sharing your voice and your ideas, this could be through art, politics, social media, etc.

You have the capacity to built a community that will feel represented by your ideas and thoughts, your own "tribe". So don't be afraid to speak your mind and share a part of yourself with the world 🩵

🌟Song:

🩷Pile 2: The Empress, 4 of Wands and Queen of Wands.

Hi pile 2! You are really charming and charismatic, this could open a lot of doors for you! Something like acting, social media or related to put yourself in public is really prominent for this pile.

I see you working with others and connecting through your talents with many, "collaborations" is what i heard. You could also really like the arts, for some i see fashion, directing, styling, etc. Creating your own brand from scratch; you are most definitely meant to create something my pile 2, "you are not the muse, you are the creator" its also what i heard!

I feel like you already know what this is; this project could have been in your mind for sometime now. Your guides want you to know that you can do it, they have your back and you are beyond talented and capable to do that thing that lights up your heart💕

🌟Song:

🧡Pile 3: The Magician, 4 of Cups and 10 od Cups.

Hi pile 3! You are someone really unique, you have a different perspective that other's, and this is your strenght pile 3.

I sense a lot of artistic energy from you; you could be painters, poets, writes, illustrators, dancer, etc. You unique vision and capacity to put this into the 3D will get you far. Although not everyone may understand your craft and art, be sure that what you do is especial and you will find those who will cherish what you do!

Don't listen to what other's think and make sure to perfect your skills, focus in what you want to achieve and set your own goals; even if other's don't get it, you are the Magician and you have the ability to manifest your dream career pile 3! Be sure to shine for your true colors, you don't need anyone but yourself and you don't have to prove anything to anyone 🫧

🌟Song:

💖Thanks for reading and tell me if it resonated 💖

[cacodaemonia]

I've had this in my drafts for months, and I just saw a post complaining about fan artists (while having the nerve to start out with, "I love fan artists so much but...") who draw characters this way or don't draw them that way, so I figured it was about time to share this.

You know that unwritten rule in fandom that says you shouldn't demand that fic writers cater to your tastes? "Don't like, don't read"? Here's a reminder that the same goes for fanart.

Sometimes, I see complaints that fan artists don't draw character A exactly how they look in canon/in a particular slice of canon/according to someone's specific headcanons. Sometimes, I see complaints that character A is being depicted, say, without enough body hair, or with the wrong body type, or as a different age than they appear in canon.

If you find yourself getting upset with fan artists over things like this, I hope you'll take a moment to:

mind your own business

consider how fucking hard art is

I think a lot of people who haven't spent time in the art trenches have absolutely no clue how difficult it can be to draw a human, period—let alone human features you haven't already practiced a million times.

This can be especially true for artists who don't have a lot of drawing experience. When I was a kid, I mostly drew women, so learning to draw more typically masculine features was a challenge, and it took me many years to even get okay at it. It takes a lot of practice to figure out how to draw a variety of facial structures, body types, hair styles, ages, etc.

For a example, I have never known an artist who doesn't think drawing children is a bitch and a half, and wrinkle placement can mean the difference between drawing something that looks like an elderly human versus a shriveled apple.

Simply drawing body hair can be very time consuming. You also have to understand hair growth patterns and direction and take into account if the person's body hair is very curly or more straight, etc. If I just want to do a really quick sketch, maybe I don't feel like spending 10-20 minutes adding body hair. Maybe some people don't like body hair so they don't want to draw it. Maybe some people have carpal tunnel syndrome or medial epicondylitis and the extremely repetitive motion of adding body hair to characters is physically painful. You don't know. And it's not your place to tell them they're wrong.

Fanart, just like fanfiction, is about drawing the things we like—NOT catering to what other people want or think we should be making.

So feel free to talk about how much you love it when fan artists draw characters in ways you like! But don't be a jerk by demanding people draw what you want, and don't put down those who don't cater to you. You can have all the personal preferences you want in fanart, but it's rude and entitled to force those preferences on others fans or act like you're a better person because of your tastes in the appearances of fictional characters.

[bitchslapblastoids]

Prompted by your post about dnp inviting audience interaction: it /is/ really brave, and so interesting! I haven't been watching them for long at all and one of the biggest things that just drew me in and deeply fascinated me about them is how so much of their work (not just on stage) is in some way a conversation/interaction with their audience and the more you watch the more you notice it. No wonder its easy to be parasocial about them and about the Phandom itself!

To me, at least, they seem to be the sort of performers/creators that need a relatively high level of audience interaction in order to be inspired or for their work to feel meaningful. Like, im absolutely sure they could also create things without this close relationship with their audience but it seems to be what their naturally drawn towards? Obviously the problem has been in maintaining boundaries within that but it seems like that's going better now than at some points in the past, which makes me really happy for everyone!

Sorry about the long yap, this is so interesting to me and I just needed to express it a little

(original post referenced) yes!!! i love this!!! so beautifully worded! no need to apologize at all - i am in such hearty agreement and actually think about this so often. i think the engagement with their audience is their superpower, and it runs so deep. what was one of dan's favorite things about phil before he met him? phil's interactive adventure videos, in which he was creating an interactive experience for his viewers.

when they film pinof1 together, what are they doing? they're answering an audience-submitted q&a. the audience interaction is literally baked into their foundation! <3

2010, dan's uni dorm. what's displayed behind him on his wall? art and letters sent to him by viewers. he films danmail vids where he opens and reacts to said art and letters and personally thanks the senders.

for years and years and years, what's at the end of every phil video? fanart! draw phil naked! (in retrospect literally so weird lol but shhh)

the ongoing avalanche of vyous and younows and tumblr reblogs/follows and responding to yt comments and retweets and and and. so much interaction. the videos directly engaging with twitter and tumblr creations. they see us, they know us, they get us.

their first book? included a double-page spread with dozens of pieces of phanart.

every single one of their tours has multiple essential audience interaction components, and even more brilliantly, with multiple different access points that are perfectly calibrated to their audience. too shy to speak up? send in a submission ahead of time. want to be a part of the masses? shout something out during the audience participation segments! and there's always the likelihood that they'll include fanart in the show itself, casually mention an actual actively popular fic, throw in an ancient phwedding manip, or just build whole segments of the show around our tropes and the world that we created with them. all of that keeps things exciting and engaging on stage, bc you never know exactly what's going to come next. but it also keeps their audience feeling seen, valued, and like co-creators in a way.

When you look at the other britcrew and big yters from the 2010s, they simply weren't generating that ongoing, authentic conversation with their audiences. their approach followed the simple format of: i post, you watch. and then it became: i post, you watch, then i try and sell you something while i call you my 'community' because you are all watching me and sometimes you talk to one another in the comments. but it's not like zalfie or joe and casper etc. were chiming in on the convos too, or at least not in any meaningful way. it wasn't a community in the same way.

dan and phil truly built community. i think communities require mutual exchange, communication, a sense of value and worth, commonly agreed upon truths, shared experiences, touchstones of connection, and leaders who have integrity. i know this is all starting to sound a little lofty, but i really do think dan and phil are good humans who have worked hard to wield their power and influence responsibly and compassionately. they set the tone for us, constructed this world, paid attention to what landed for us, how we responded to things, everything that we were up to in response to what they were up to. they listened. they made us feel seen and celebrated and appreciated, and in turn we continued to celebrate them. they created weird inside jokes, we adopted them, then we all shared the weird inside jokes. they existed, we created our own language and lore and encyclopedia in response, and now there's a whole stage show about it.

that's how you get people sticking around for 15 years. that's how you get people to actually want to spend money on you. and yeah, some more boundaries at times couldn't have hurt. they fostered a sense of proximity and entitlement that obviously put them in harm's way. but i'd say ultimately what they've manage to do has been a net good for them and a tremendous success.

you raised such a good point that it seems to be what they are naturally drawn towards. i think it's because they, too, were fangirls. phil was writing buffy fic. dan was running a lost wiki. they both understood the power of online fan community before they were the titans of their own. they get it, they get us <3

[jasperxkuromi]

Regressors that are (bodily) older, please interact!

Later 20s, 30s, maybe even older? I would love to hear from you and maybe even your stories if you don't mind sharing!

I want to meet more people like me and also show others that age regression doesn't just suddenly "stop" at a certain age

Some of us:

Didn't discover regressing/didn't understand their involuntary regression until they were older

Wasn't in a safe space mentally and/or physically to be able to regress the way we want to

Didnt "grow out" of regressing. I think a lot of people outside the community assume we will all grow out of wanting to regress at some point. Maybe some of us will, but some of us won't. Regressing can be a safe and healthy coping mechanism, no matter your bodily age!

And probably many other reasons I can't think of at the moment lol

I would love to get to talk to older regressors, or if there are any groups/discords, I would like to know those too :3

I'm gonna talk about my story a little under the cut, but I don't exactly recommend reading it if you are little right now! I am going to be talking about s3xualization of agere and children's media unfortunately.

I started age dreamer/involuntarily regressing when I was in high school without really knowing what it was. I was really into MLP FiM during its height popularity. I watched the show, collected and played with the toys, did coloring books, took my MLP blanket to school ever day. You get the idea.

I discovered regression here in Tumblr, but this was yeeeeaaars ago, like back when nsfw was still allowed. The line between ddlg and agere wasn't as solid as it is now. Or maybe it was just because I was a kid and couldn't understand better? Either way ... i ended up getting wrong ideas of what agere had to be and ended up scaring myself off. I also had adult roleplayers leaving really inappropriate comments on my posts that made me feel icky. I thought agere had to be s3xual and scared myself off.

We also unfortunately probably know the uhhh .. types of fan art that was popular of MLP. And it just ended up making me lose interest in the series. The stuff was everywhere and it was hard to avoid even if you were vigilant.

I never got a real chance to understand what healthy, voluntary regression was. I still was an age dreamer, but most times when I involuntarily regress it is out of extreme stress and it isn't fun or pretty.

I had a lot of bad things that happened to me last year and in turn I am having more health issues. Chronic conditions I already had getting worse, and new ones popping up. My mom (the one who birthed me) has been helping me a bit, but it has still been a lot of playing adult. Making phone calls back and forth, filling out paperwork, figuring out disability leave, paying bills, etc etc. I started age dreaming more and more often to cope with the stress. Like I randomly one day bought a DVD player and sets of Winnie the Pooh and Scooby Doo DVDs lmfao.

I also never stopped collecting stuffed animals and came back to collecting dolls again last year. It helps that I have friends IRL who I don't think are regressors, but still enjoy collecting with me. (my friends don't know yet, but I think they would be accepting if I told them, or they might already assume I regress tbh)

I have kinda had age regression on the back of my mind for several months, but was scared to look back into it. I was scared of going through the same thing I did back in high school. But also denying I am a regressor and that I still need to heal my childhood wounds was getting heavier and heavier on me. I am sooooo thankful I finally felt safe to begin exploring regression again ♥️😁

Side note: while I absolutely don't care if people do ddlg and similar stuff as a kink/fetish, I am thankful that the distinction between that and agere is more distinct now. It is important we protect minors and other vulnerable people from having the same sorts of things that happened to me (or worse) from happening to them.

[damian-al-ghul-wayne]

H h h hey...! Damian mun here with another certified YAP because I keep seeing posts about this specific thing, and I need to talk about it....!!!

So. A while back, I had seen this post talking about how Talia's first punishment for Damian would be that Damian had to kill a horse. Which seemed bonkers to me because she absolutely wouldn't force Damian to do that. If you didn't know, the Al Ghuls are eco terrorists. They want to make the world better by focusing on plants & animals more than the actual people. That's just one thing btw...

Anyways, back to my yap that will sound absolutely fucking crazy in the end because it won't be written good. (This is a warning)

I saw another post talking about how Damian only finally expressed his love for animals when he started living with Bruce and that he would only know the heartbreak of an animal death when living with Bruce. Which is... not true at all. I don't think people tend to realize that Damian's compassion for animals comes from Ra's and Talia. They're the reason he's compassionate about animals and why he ends up saving Bat-Cow.

Maybe it's just me, but people seem to keep crediting Bruce ( or other bat family members ) for things that Damian has like his love of animals, artistic ability, anything to do with the arts, etc. It feels like a tad bit racist because it's like nobody can accept that Damian's non-white family members gave him those characteristics when, in fact, they did. I don't know. That's just something I've noticed.

Going more off of that, but I've also seen people argue that Ra's and Talia were against animals, the arts, and all those types of things. It just irks me so badly when people mischaracterize them like that JUST because they're not counted to be "heroes" or on the "good side." Even then, Talia is very much a grey moral character, yet they always depict her as a terrible mother, evil, etc. Ra's is counted a supervillain, yes, but that doesn't mean Talia is? Even then, it's just weird to push those kinds of stereotypes on people just because they're "bad." I never see people say stuff like, "Oh yeah, the riddler would soooo kill a puppy." I only see people say that about the Al Ghuls, and I'm so tired of it.

I saw a post today, and it was about Damian experiencing his first heartbreak over a pet death. Legit one of the first sentences read was, "Ra's would either force Damian to kill the animal or give it away." Why is it between those options, like, what! The post overall was sad because of the meaning, but I just didn't like that part. Ra's is known to be an animal lover in the comics. He has a pet wolf. I don't think he would have forced Damian to murder an animal if he so happened to sneak it inside of the league.

Maybe that's just me, but it bothers me when people say these things.

I have a platform, though, and I'm not afraid to share my thoughts on this. I've been a very big advocate against this type of mischaracterization, and I'm sorry that I do it so much. I know it may get annoying, but I feel like it needs to be expressed. 😭

Also, you guys can definitely block these posts by blocking the tag "Damian mun yapping about Damian" 👍

That's all I have for right now... thank you for reading....

[dreamlifebunny]

a better way to affirm (and make any method more effective!)

every desire we could ever want has already been said "yes" to and everything is possible - this is the beautiful truth of the law of assumption. a very popular method for manifesting is affirming for your desires: with affirming, we tell ourselves "i have money, my sp loves me, i am safe, etc." attempting to conjure up the feeling that the affirmations are true. however, when we don't actually believe in the affirmations, repeating them over and over can feel vapid, yucky, and even make us feel like we are lying to ourselves, causing us to feel the opposite of the affirmations we were using.

when talking about imaginal acts and imagination, edward art has often said that it's not the details of the scene that matters, but what the scene implies about us that is important. it was after listening to his "though false" lecture that i realized, in order for affirmations to be effective, we must first believe they are possible for us at all and they must tell us something beautiful about ourselves.

yes, it is true that mindlessly repeating affirmations over and over again without feeling them can manifest just as effectively as feeling your affirmations and only repeating them once, but the reason why either of these methods work is because you believe that they will work. if repeating affirmations mindlessly 10k times gives you the same feeling that your manifestations are yours, then please keep doing that method! but if you struggle to believe that mindless affirming will actually bring about your desires and you find the repetition boring, this post is for you.

i would like to repeat: the law, in all of its beauty, reminds us that every single thing that we desire has already been said "yes" to. with this beautiful concept in mind, let us create affirmations that feel softer, easier, truer, and give us the peace of mind that we are seeking.

inspiration:

this post is inspired by and at some points directly lifted from edward art's "though false" video. i take zero credit for the ideas that he originally shared, i just wanted to add on my own interpretations and share it with the community so that more people could be inspired!

this post was also inspired by @alilarew23's post "what if god said yes?" i can't believe when i first wrote this that i didn't realize how deeply it was inspired by her incredible post, and only now after reading it again did it dawn on me 😭 i wanted to make sure this post of hers was linked because it is SO good; please give it a read if you want to feel wonderfully validated, safe, and comforted in the knowledge that your desires are YOURS!

steps:

decide what it is that you desire and let the daydreams begin - what do you naturally imagine happening? what do you hear? see/hear/feel/etc. the imaginal act that naturally comes up when you think about your desire (don't worry that you're not doing it right, it's simply a sweet daydream about what you desire)

next, ask yourself: if this desire manifested and really came true, what would that imply about me? what does the manifestation of this desire tell me about myself? get to the core of what the manifested desire says about you. for example, if you wanted wealth and you naturally visualized travelling the world with all the money you have and imagined that the scene was true, the core belief could be "i am free to do anything i want without barriers." if you wanted wealth and you naturally visualized seeing your bills paid off and imagined that the scene was true, the core belief could be "i am always safe and looked after financially."

we have now figured out what our desire says about us, and our next step is to ask god if what it says about us is true. since WE are god, we go within and ask, "God/Self/Subconscious, am I (insert the answer we found in step two)?" the example could be, "god, am i lovable? am i safe?" etc.

because we know that every desire we could ever want has already been said "yes" to no matter what, answer yourself as god: "yes!"

feel the feeling of relief - you now know that a) your desire will manifest, and also b) that you are everything that your desire implies about your wonderful self and that you now know that your affirmation of choice is true! how beautiful is that? repeat these steps however often you need peace.

as you can see, this takes you right to the feeling that you are trying to get achieve by manifesting your desires. we manifest to feel loved, happy, successful, wealthy, so why not feel those ways while we wait for our manifestation to show up? it gets us to the core of the belief and helps us figure out exactly what it is we are wanting to feel about ourselves. it makes the affirmation feel a lot more powerful and personal, and a lot more "guaranteed" knowing it is coming to you from yourself as god.

example:

lets say i have decided that i want to manifest a partner back, who ghosted me with no explanation and who chose someone else over me, and that it left me feeling worthless. the imaginal act that comes to my mind when i imagine him coming back and choosing me is my partner holding me tight, crying and apologizing for the pain he has caused, and telling me how much he missed me, loves me, and how badly he wants to rebuild trust and cherish me for the rest of our lives (💅)

if my desire came true, it would tell me that i am irreplaceable, lovable, obsess-worthy, worthy of affection and love, unforgettable, irresistible, etc. (how lovely that would be to feel!)

"bunny (god), i know that everything that i want has already been said yes to. does this mean that i am irreplaceable, lovable, obsess-worthy, worthy of affection and love, unforgettable, and irresistible?" (i would probably just use one hehe but you get the point).

knowing that i am god and that my word is law, i tell myself the beautiful "yes!" that i know is true! i feel the reality that i am lovable, i trust that god (myself) knows the truth and is powerful.

i relax, knowing that the inherent nature of god is a resounding "yes," and that that means i am already lovable, irreplaceable, etc.!

i hope that this exercise can bring you peace, remind you of your incredible worth and of how truly lovable and wonderful you are, and ensure you of the guarantee of your desires manifesting. if you have made it to the end of this post, please consider watching the "though false" lecture and ali's post "what if god said yes?" for even more validation and love!

love and hugs, bunny 💕

[ellecdc]

Hellooo, so I see you opened your requests 🥸 I am a new member of the The Marauders fandom and you have been my go to and all time favorite writer. First want to thank you for all the effort you must put in for us goblins. I am also very new to even really interacting on tumblr outside of the anonymous option. So hellooo! Any way onto the request if you ever feel like it, I get horrible migraines and to deal I tend to look really goofy with a compression cap and ice face mask on and during my recent episode I couldn’t help but think about how any of your lovey boys would react to their partner looking crazy with all that gear on 🙃. This is weirdly specific so ignore if it doesn’t sing for you. But thanks again for the art you share!❣️🌿

hi sweets! first of all: WELCOME TO THE MARAUDERS FANDOM!?!? please help yourself to any seat and don't hesitate to ask any questions you may have (there's a lot of complicated shipnames, canon vs. fanon theories to learn). second of all: OMG are you kidding me!? well thank you, that's quite an honour, but feel free to check out these authors I mentioned previously. thirdly: I love you little goblins 😭😭😭😭

also, since you didn't specify which marauders boy - I opted to give you all of the ones (that I write for) as headcanons 🫶

How various Marauders era boys would react to your migraine get-up

James Potter:

he'd open the door to the bedroom to find you laying there, prone in your pain

immediately "oh angel!!!!" causing you to wince in pain and shush him

he'd acquiesce but he'd whimper quietly as if your pain was causing him pain

he'd start flitting around the room: pulling the blackout curtains shut tightly, placing a glass of water and some pain meds beside you

you'd finally have to banish him from the room, though, on account of his various noises (poor dude couldn't manage silence if his life depended on it)

when you started to feel better, however, you'd take the sleep mask off but not the cap and head out to the living space to find James had closed every curtain in the whole flat, he had turned on a humidifier just on the off chance it helps relax you, and started a pot of tea for you

"I've got the hot pack here if you'd like me to warm it up for you?" he'd offer quietly, still looking particularly pained at your sorry state

"Can I just have a hug?" you'd ask pathetically and he'd coo (quietly) and embrace you gently as if you were about to break

"I'm sorry your partner looks so silly when you come home to them." you laughed, thinking about the ice/compression cap you were still wearing

"you've never looked more beautiful"

Sirius Black:

I believe he'd get very nervous to see someone in pain whether it be physically or mentally - but particularly a pain that was mental or internal (like a migraine vs a cut etc) because he wouldn't know how to fix it and he'd feel useless

He would whisper a cautious "hey baby" as he entered and move so slowly, trying to make as little noise as possible "what happened?"

he knows nothing happened, just that you're hurting: but again, he doesn't know how to fix this and he hates it

"What do you need?" he'd ask as he'd lie down cautiously beside you, itching to reach out but not knowing if it would be okay.

"Nothing." you'd mutter, and immediately feel bad for being short with him. "nothing, I'm sorry. just some time." you'd correct, reaching your hand tentatively across the space to touch his hand, which he'd quickly albeit gently take in his own

"okay." he'd say simply

you waited for the bed to move to signal his departure, but he never left.

he just laid there with your hand in his, watching you quietly

you wouldn't notice this in your state, but he was taking dramatic breaths for your benefit: deep breaths in, holding, and deep breaths out, silently encouraging you to align your breathing with his, which you did subconsciously

you'd wake up later in much the same way - him still on his side watching you (or perhaps he fell asleep too) and your hand still in his

he'd apologize to you as if your pain was somehow his fault, but it was because he felt helpless when you needed him

you'd thank him for his help and he'd relax immediately

Remus Lupin:

Remus is no friggen stranger to chronic pain and flare ups

he wouldn't even say anything, he'd just adjust his footing so he made as little noise as possible

he'd gently press a kiss to your shoulder, to make sure you knew he was here (though he knew with your head the way it was, you would have likely heard his keys all the way down the hall of the apartment building

he'd make himself busy in the flat - soup ready for when you woke up, tea ready to be brewed should you want some, lights off, curtains closed

he'd come by in a bit and quietly tell you to sit up, helping you replace your no longer cold ice mask and cap with new ones

you'd pathetically ask him if he would stay and he'd breathe out in relief because really - that's what he's wanted from the beginning

Regulus Black:

"what's this? what happened?" he'd ask urgently, thinking you'd been hurt or something

"sh! I have a migraine" you'd moan back.

he'd make a pitying tsk sound and make for you

totally babying behaviour "what do you need? do you want food? do you want more blankets? less blankets? a new watch? I'm going to order you a new watch"

you'd banish him from the room for the coddling and when you return to the living area later - he will be surrounded by bags because he had gone shopping and returned with the most ridiculous things: clothes, food, jewellery, blankets, pillows

"I didn't know what you might need." He'd say, slightly shy

"I needed a nap, Regulus." you'd laugh.

"well...you deserve all of this anyway."

and then he'd spend the rest of the evening doing low-impact stuff for your head. reading you a book quietly, gentle conversation, maybe run you a bath

bonus! Barty Crouch Jr:

"who did this?" he'd bark as he saw you in the fetal position with your gear on

"christ, Barty. please be quiet"

"what happened?" he'd demand, quieter but no less intense.

"I just have a migraine."

a switch would flip. he'd ready the room for you (curtains, quiet, water, pills, he'd set up a fan pointed at you.)

then he'd sit outside of the door to your flat and violently threaten anyone walking in the hallway if they make so much as a whisper of noise in this flats direction.

[butterflyexe]

Hearts attached 🖤

Max Verstappen x Reader Warning: Hints of sexual themes, desperation, parental neglect, depression, assault

A/N: This is my first time writing a fic and I am completely an amature in this department. This took me about a week of researching of how to write and what to write. I had to delete and rewrite it several times and half of the words I wasn't even familiar with 3 days ago. Please treat me with kindness.

In which some people are born with their souls entangled with their other halves which allows them to fell the emotions of their soulmate.

Soulmates are the two halves of the same eternal flame. When an eternal flame splits into two, it forms two halves of the same soul. When one of the flames are born in a human form, the other does too. They are bound to each other through heart.

In a world where only a select few are born with intertwined souls, Max Verstappen and Vivian Eloise found themselves bound by this extraordinary connection.

Max, a man hardened by his father’s relentless pursuit of victory, was a stark contrast to Vivian, a woman whose spirit was as vibrant as her laughter. Their lives were separate, yet together, connected by an invisible thread of shared emotions.

Max’s life was a constant race, a battle against himself. His father’s mantra, “Second winner is the first loser” echoed in his mind, shaping him into a man always on edge, always pushing, always striving. His emotions were a turbulent sea of anxiety, frustration, and exhaustion. He often over did himself, fighting himself to be better than the rest. He would do everything, go to any extent just to make his father proud. Yet, amidst this storm, there was a source of light and comfort - Vivian.

Vivian was a ray of sunshine. Raised in a family that nurtured her with love and kindness, she radiated happiness. Her laughter was infectious, her spirit unbreakable. But she also felt a pull, a tug at her heartstrings whenever Max was overwhelmed. She felt his emotions as if they were her own, and she found herself wanting to soothe his troubled soul.

Whenever Max was engulfed in self-doubt, feeling insecure, Vivian would find joy in the simplest things. She would dance in the rain, sing at the top of her lungs, lose herself in the pages of a good book or pour her heart out on the canvas. Her happiness flowed through their shared bond, washing over Max like a soothing balm. He could feel her joy seeping into his veins, calming his racing heart, and for a moment, he would forget his worries.

When Vivian experiences intense period cramps, Max senses her discomfort as if it were his own. When it first happaned, he thought he had gotten some severe stomach flu. Upon asking his mother he realized just how difficult it is to handle them. Max spent hours researching about mansturation, it's effects on women and ways to sooth them.Max took some special measures during this difficult period. He prepares a warm herbal tea, knowing it can ease muscle tension. Max put heating pads against his stomach to help her calm down and would eat chocolates his taste buds sensed her eat. His empathy and care help alleviate her pain, turning their shared suffering into a moment of connection and support.

Both of them would often spend hours at a time to try and imagine how the other looked, what were their favorite songs, favorite food etc. Max would often find himself wondering if she watched F1, if she knew him, if she was a fan. What was the possibility of her watching him race? He would try to give his absolute best in case she was watching.

Vivian would wonder what he looked like, if he had brown eyes like her or if they were blue. She would often try and pour her heart on her canvas using her best colours. She would wonder what book he was reading if her read any at all. She would wonder if he liked to admire art and paintings like she did.

Their lives were a dance of emotions, a symphony of feelings. They navigated through their separate lives, yet they were never truly apart. Their souls were intertwined, their emotions shared. They yearned for each other, a longing that was as deep as the ocean.

And then, one faithful day, they met. It was as if the universe had conspired to bring them together. Their eyes met each other's on the qualifying day of the Australian grand prix and in that moment, they knew. They knew they were soulmates. The connection was palpable, a current of electricity that buzzed between them. It was a meeting of souls, a fusion of hearts.

In the end, Max found solace in Vivian’s joy, and Vivian found purpose in soothing Max’s turmoil. They were two halves of a whole, separate yet together, navigating through life in their unique dance of emotions. Their story is a testament to the power of shared emotions, the strength of an invisible bond, and the beauty of soulmates.

[lycheesodas]

Yayy new commission sheet!! I feel like my previous pricing worked better for everyone so I'm going back to that > . < Also, please make sure that your blog isn't blank/suspicious-looking before sending a message so I'll know you're not a bot/scam :') I won't reply to sus blogs, sorry.

For more work samples, you can visit my art tag!

As always, mutuals and returning customers can send me a message wherever we last chatted to reserve a spot!

📅 Rough Timeline:

Approximately 2 days for sketch, 1 day for base colors, 3 days for rendering

I'll update you at each stage and you may make 1 revision each time

All numbers above may change depending on the level of detail and my workload

Significant revisions may incur extra costs

📜 Terms & Conditions:

Please include visual reference of what you want me to draw. Character design sheets, pose, outfits, color scheme, background ideas, etc. would be helpful!

For personal use only! You can use on your social media or print it out for yourself, but please DO NOT resell/claim as your own work/make merch/mint as NFT/feed to AI machine, etc.

I may use the final piece on my own social media or portfolio.

The final piece I send you won't be watermarked, but the version I post on my socials will be.

If you're posting the finished piece on Tumblr/Twitter/Instagram/Bsky, please tag me (@lycheesodas) so I can share it on my page as well!

🖼 Commercial Use:

For commercial use, please contact me via email (sodaslychee@gmail.com) to discuss terms. Please include details like project description, planned usage, deadline, and budget.

Feel free to send an ask for any questions as well. Ok, that's all!! Reblogs are very appreciated 💖 Thank y'all kindly :3

[jojo-schmo]

hi jojo! im just wondering but ive been wanting to make a comic for a little while but im not too sure where to start 😅. i really love your style of art and your forgotten land roleswap, and i was wondering if you had any tips for beginners?

Hello, hello! Thank you for enjoying my Forgotten Land Roleswap comic, it means a lot! <3

I'm very honored that people have been asking me for tips and advice. All of this is coming from a hobbyist who draws these comics purely for fun outside of my regular day job. Some of my methods would probably deal psychic damage to a professional, LOL. But I'm more than happy to share some things I've personally learned! :)

First of all, the book, "Understanding Comics" by Scott McCloud ROCKS. It literally gave me a new dimension to understand the medium of comics and how it presents ideas and emotions to readers! And I haven't even had the chance to finish it all the way! I'm very happy I own a copy and I recommend having one of your own if you can, but it's archived here if you want to read it :D

I also like analyzing other comics and thinking about how they get information across to me as a reader. It's helped me learn more effective ways to visually tell a story, like what to include in a frame, how zooming in or out affects the feeling from the panel, maybe building a scene by focusing on other stuff if someone is talking a lot... etc.

ANYWAYS-! Some other tips I've learned through my personal experience-

I had to overcome a lot of negative self-talk in order to tackle a huge comic project like this and stay committed. I was a pretty severe self-deprecator for most of my life so far, and getting help has allowed me to catch myself when I'm slipping back into those habits, look in the mirror, and go, "NO, JOJO! You pour your heart into what you make and that is a wonderful thing! You are appreciated and loved and you deserve to have fun making something you are passionate about!!" Some examples of the negative self-talk I catch myself in....

"I'm a noob at writing and making a story interesting... What's the point of even trying?"

When it comes to starting a project, whether it's 2 pages or 2000 pages, is to just jump in and start! It's okay to be a little insecure or nervous about your technical art skills, writing skills, etc... But writing a "bad" scene is better than no scene- because you can always edit a "bad" scene down the line, but what can you do with nothing? Nothing!! I also put "bad" in quotation marks because I am trying to use that term less, and instead call them "early drafts." or "works in progress."

The first Roleswap scene I fleshed-out was the first Bandee boss fight, in May 2022. I made this drawing on an impulse, getting my ideas down on the page without thinking about the technical stuff like comic panel borders. I consider it like a "pilot episode" almost, haha. The final project is going to be very different from how things play out here. But it got me interested in the concept and excited to see where I could take it, and I made the decision to commit to an entire game plot's worth of AU comics!!

Also, what's the point in trying you ask? The point is to have fun! Making a fan comic in my free time means I don't have restrictions like deadlines, nobody's telling me what I can and can't write, and I can make the story as long or as short as I want! I have full control, which means the world I'm writing is all mine to create! Yes, with a fan comic there is a pre-established world with existing characters. But a universe like Kirby has enough open-ended concepts for people to take basic concepts in the world and take them to whole new levels! I think that's why there are so many amazing fan interpretations of Kirby characters and OCs. The rules are so vague, you can just make up your own a lot of the time!! And it's a wonderful exercise to learn skills for someday building an original world with all original characters from scratch! Magical!!!

"I'm not good enough to make a comic. I don't understand perspective or color and other stuff. Anything I make will look bad.

I once read a two panel comic on here. I can't find it anymore but I remember most of it. First panel showed the artist looking at what they're drawing on their tablet, looking defeated and sad. "Man, I don't even know how to draw this....."The next panel was like them smiling and shrugging, I think rainbows and sparkles were coming out of their tablet, ".....I GUESS I'LL JUST HAVE TO DRAW IT SHITTY!! :D "

IF ANYONE KNOWS THIS COMIC I'M REFERENCING, PLEASE TELL ME AND I'LL LINK IT!!! Because it permanently and positively changed my brain chemistry.

No kidding, making the decision to just do my best even if it's not perfect, helped me a LOT. I was always waiting to "reach a certain level" to tackle a huge project because I felt like I'd never do it justice at my current state. Except I had been telling myself that kind of stuff for years and I still didn't start any projects!!

So the day I said, "Oh well! If I draw backgrounds shitty, then it is what it is! I'll learn from it and draw the next background a little better," Was the day I could commit fully to the project. I'll keep studying how to draw them better for my own benefit, but I won't let my skill issues stop me from even trying!

And for my limited confidence in full-color art, I solved that by making the comic in black and white with no-to-minimal shading lolol. Because I can only address one skill issue at a time before it takes me 25 years to finish this HAHAHA.

It saves a BUNCH of time to work with skill issues rather than against them! Because at least experience is gained in other ways, and who knows, maybe that new knowledge will help address the skill issues someday! So identifying your personal skill issues and deciding which one to try to grow stronger, and which one to work around, could help with big projects!

"Nobody will read this. I'm going to put months or years of my life into a dumb little thing nobody will even care about."

Learning how to draw for my own enjoyment instead of somebody else's was one of the biggest breakthroughs I ever made. Enjoying the feeling of being challenged artistically and just doing my best, even if it's not technically perfect, is the reason why I was even able to start this!

And just because someone doesn't directly like, comment or whatever on a post doesn't mean nobody saw it! I used to get really down on myself for the lack of engagement on my art on other websites.

I was a lurker for pretty much my entire teenage years and never posted my own stuff or commented much. But that didn't take away the fact that I really enjoyed the things I saw online. Those positive feelings were real to me, even when I didn't know how to articulate it in words. Granted, I grew up into a Words of Affirmation main, and I use words to tell people the positive things I think about them as much as I can! But I know not everyone prefers words to express themselves. So I think about the people that I don't know enjoy my work- that just because I don't see it doesn't mean I didn't make a positive impact on someone by sharing my stories.

THIS IS GETTING LONG-- UHHH, STORY TIPS!!

If you work best on technology, start building the story in a Notes app, or a Google Doc! If you work best with pen and paper, start a notebook and rearrange stuff as you need to!

Or if you're chaotic like me, a mix of tech and paper!! I bought a notebook with ring binding so I can remove and rearrange pages of drafts as much as I wanted to! Like here's two very rough concept pages of one Chapter 1 scene made months apart.

I'd say planning out the biggest basic plot points and then filling in between as I went was most helpful! I also have separate notes for character motivations, important story-changing events, etc... So I can have my own reference when I'm writing new scenes!

Okay this was a lot, sorry about the yapping! Hopefully it helps even a tiny bit. If you have any specific questions I'm happy to talk about my experience in the creation process! Or elaborate on anything I said above.

And finally, because I'm not a professional there are probably plenty of other tactics that could work better for some people. My ADHD probably doesn't help with the chaos of my process either, HAHA. But thank you for reading this far and enjoying the peek into the rainbow glitter and soap bubbles that inhabit the right side of my brain, heehee.

[drinkyourvillainjuice]

how to not let your autistic inner child win (or how to write an if) by the secretary

[id: a student with glasses being pointed at and mocked by two students on screens, and two more offscreen with only their arms showing. the central bullied student looks sad, and everyone else is laughing. end id]

Ruhoh, is this another secretary essay? Well, yes it is! The gender politics one will eventually come around when I feel like it, but this one, as the title suggest, is about how to write an IF. And since I'm presuming most of you are on the spectrum (or on a spectrum), it gets a little tongue-in-cheek.

hehe

Anyways, if you have autism, you have eternal swag. It's just true! But having so much swag makes it a problem when writing, or doing any sort of project. This is something I've noticed from people who don't have evil autism. Those not afflicted by the rare autism version of evil autism (my autism) will often be really bad at just... doing things - despite having all the abilities to do so! I think it might be a adhd thing or something too. Anyways, I love helping people, (this is my evil autism), and I'd like to share some girl tips on how to kill your inner child :)

I think something I've noticed from people making any sort goals- online, real life, job, working, etc - is it is straight forward. ie: I want to graduate from high school, I want to make a video game, I want to journal everyday. These are all achievable using your abilities that you learn and gain through your life, and failure doesn't exempt you from trying again. Thing is, this specific thing I just described (straightforward goals) is something I think a lot of autistic people struggle with.

I deeply remember sitting down in the corner of my high school, looking like the hottest girl who played pokemon on her ds when someone who had +1% more autism than me told me that, one day, he was going to make the most cool pokemon game ever where you could date other characters and have babies and have your children go on adventure too. As a 14 year old, I thought to myself 'bitch, shut up' but also, 'this is so unrealistic, but he really believes it, uh'. And he did! And you know, I think that's okay. I think it's okay to believe that you can make things that you cannot do at the moment - I mean that's just how life it. We didn't go on the Moon thinking we couldn't

But... the guy didnt know how to code, or how to make games, or how to program, or how to develop stories, or how to make art, etc etc etc. He didn't know these things, but he wanted to make these things. And I see this to a certain degree quite a bit when it comes to creation. I want to say: it's a very important of the process but simply one part.

I think being able to imagine what you could do if you have all the resources in the world, all the time, and all the help is important - but it is even more important to look within and go 'alright with all this in mind - what can I do?'

And if you're in the field of IF, well, what can you do? Coding, storytelling, character design, plotting arcs, etc. I think the skills can be learned by anybody (sidenote incoming)

If anybody ever fucking says that art is innate, they're fucking lying. It's a skill you grind out. You work it out. You work even if you feel not creative. You write words even if they don't come to you naturally. You draw even if the images can't be conjured. You work you work you work and you make something. You cannot always make art when feeling creative because you aren't always creative. you must be willing to die for your art, yes, but you must also be willing to create without any creative sparks! If you want to be an artist, you better work bitch.

(sidenote ending) and with that in mind, you need to develop restraints onto yourself. In IF, it's actually to create restraints, and here are some I suggest for all of my fellow autists who might struggle with them. I love you guys, truly, anyways. here they are:

restrain characters.

Make three characters + a main character. Write a couple of scenes with them. Is that your maximum? Is that too much? Go up and down until you find the right amount. You can add more character when your writing is better. Stick to a minimum per scene. If you have ideas for 30 characters, you can easily melt them into 10. Seriously. Put the heat on maximum and start creating new fun dolls to play with.

2. restrain scenes

You cannot write 500 per interaction. This is a bad idea because a) you might do the thing where you run out of creativity which you need to learn to do without but it is hard and b) interactions are time limited and time sensitive. not everybody will go through them. if you have a 30k update, but most people will only see 1k... are you really writing a game for them or for yourself? I made my wife do this format:

youll gain the ability to gauge if a scene is important or not eventually, I'm sure.

3. restrain area

I recommend writing like a murder novelist. You have a closed circle, and the player cannot leave it. they can only be within that space. That space that exists within that specific story is the only thing they have access to. it can be a school, a city, a bedroom - but its limited. you create setpieces that players interact with. some set pieces are the same with just a different coat of paint on.

anyways, i believe in dreaming big, but i also believe that we have little time on our hands to create. when wanting to make something, restraint yourself. its always way more fun to find ways to break out of our bonds then just roaming free, right? I mean... maybe not. I'm not your mother, you know.