#but also i really wanted to write this

[blubary]

Summary: Daniel and Taylor go on a walk in the snow together at night <3

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[poorly-drawn-mdzs]

I hope you take this as the compliment it is intended to be, but you strike the same chord of irreverence-as-love, jokes-to-showcase-sencerity that I get from Chuck Tingle, and I adore both of you.

You have bestowed the greatest honour upon me.

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[zarla-s]

I've been watching my four year old niece lately and it's made me think of the brothers, haha. Her little games are always changing the rules! But the brothers' world is a lot smaller so they have less things they can pretend to be. Man I haven't drawn them in the lab as babies in such a long time. How nostalgic...

[index] [patreon] [comicfury]

[floccinaucinihilipilificationa]

Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽｀)ﾉ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!

[art-is-kayos]

Checking up on his commission

[dykedvonte]

Killing Daisuke’s parents but also like feeling so bad for them.

Imagine your kid absolutely devastated to have to be sent away to some shitty internship but you think it’s for the best. You don’t hear back from the company for a while and just think it’s gonna take a while. It’s a long trip after all. Then those long weeks turn to long months and then you get news they haven’t had contact with the crew in a long time. You don’t know if you’re ever gonna see your kid again.

You don’t know if he’s coming back from a trip he didn’t want to even go on. That you made him go on. I’d never forgive myself.

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[nibbelraz]

A writer and His number one fan hater

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[libraryofgage]

so i wrote this yesterday and now it's become a whole thing

basically: Steve is actually smart but nobody realized it until he just fixes their various STEM related problems

anyway this is Eddie's very first experience with how smart Steve Harrington actually is

also please don't call me out if my physics explanations are wrong. just suspend your disbelief, i'm begging you lmao

also also, if you see any typos, no you didn't

---

"You're going to fail my class, Munson."

"Gee, no need to sugarcoat it," Eddie mutters, shoving his hands into his pockets and avoiding Miss Chester's gaze. His eyes land on one of the posters behind her desk, a cat hanging off a tree branch. Maybe it would like to trade places.

Miss Chester sighs, looking pointedly at the desk closest to hers. She waits until Eddie sits on it, legs hanging over the edge. "I'm serious," she says. "You're going to fail, Eddie. I don't want you to, but there's just some...disconnect happening here."

He appreciates that she's not totally blaming him. Most of Eddie's other teachers would've been berating him for his laziness by now. This, among other things, is why Eddie likes her class even if he can't wrap his head around physics at all. "I don't know, Miss. It just doesn't make sense."

"So I'm noticing." Miss Chester leans back in her chair, her finger tapping against her desk. Eddie immediately recognizes it as the drum beat from a KISS song. "You know you'll probably be held back if you fail, right?"

"Not the first time."

Miss Chester waves off his words, looking deep in thought. "What do you think about tutoring? I think you'll do better in a one-on-one setting. If you understand the concepts better, I can start grading you based on the work you do with the tutor."

"It wouldn't be you?" Eddie asks, frowning slightly. He's not sure he wants some random geek tutoring him. Not that he has anything against geeks, of course, but he's never known one to talk in a way he can understand. They get all...technical and Eddie's eyes glaze over whenever he overhears their conversations.

"No, I don't have the time. But don't worry," Miss Chester says, smiling reassuringly before pulling her roster close and looking down the list. "The student I have in mind probably knows more than me, if I'm being honest. He should be able to answer any question you have."

"What student?"

"His name is Steve."

Of course, Eddie immediately thinks of that Steve. King Steve. Steve "The Hair" Harrington with his blinding smile that's always looked a little strained in Eddie's opinion.

He then dismisses Steve Harrington as a possibility and reviews the other kids named Steve at Hawkins High. There's Steve Paulson, Steve Meyers, and Steve Barns. Maybe it's Barns? He's the only one that Eddie could imagine being somewhat good at physics.

"Are you open to tutoring?" Miss Chester asks. "For one session, at least?"

"Yeah, sure, one session. Won't help, though."

Miss Chester smiles like she knows something Eddie doesn't. Which, to be fair, she does. She knows a lot more than Eddie in terms of physics, at least. "I'll set it up. Just come by tomorrow after school."

--------

On his first day at Hawkins High, Steve realized two things.

One, his parents weren't kidding when they'd said public school would be vastly different from the private group tutoring he'd received up to that point.

Two, if he wanted to have a good high school experience, he needed to be cool. And being cool, it seemed, meant not being smart. He didn't need to be dumb, but he couldn't breeze through his classes, either.

He's done a good job of it so far. He's bored beyond reason in most of his classes, sure, but he's also popular. Nobody bothers him or tries to copy off of him, and it's great. He can even swallow down the weird surge of frustration and annoyance and guilt whenever his classmates assume he's too dumb to be a good project partner, or when his parents ask why he isn't enrolled in AP classes, or when his teachers give him confused looks after he aces tests for a unit he seemingly didn't pay attention to.

Anyway, he almost rejected Miss Chester's request to tutor a student from a different class period. He was just about to say he didn't have the time when she leveled him with a look so profoundly hopeful that he just couldn't. So, Steve said yes and now he's hesitating outside the physics classroom.

What if the student inside uses this against him? Steve thinks he could play it off, maybe convince his friends that the kid is lying, but he's not sure. Nothing dire would happen, but Steve would have to reorient himself to a new place on the social ladder, and that sounds exhausting.

"Just get it over with," he mumbles. Then, before he can chicken out and just leave the other student hanging, he opens the door and steps into the classroom.

Miss Chester isn't there. Steve knew she wouldn't be. She'd said something about a department meeting that would take her time but leave them with the classroom to themselves.

The only other person in the room is Eddie Munson, bent over a notebook and furiously scribbling on the page. He looks up when the door opens and freezes at the sight of Steve. They stare at each other for a few seconds before Eddie breaks the silence by asking, "What, get lost on your way to the locker room, Harrington?"

Steve blinks, frowns slightly, and takes a deep breath. Okay. Fine. Eddie Munson it is. "Nope. Miss Chester asked me to tutor you," he says, because that's the only reason another student would be in this room after school has let out.

Eddie laughs. He nearly falls out of his chair with how hard he laughs. He's wheezing and clutching the edges of the desk by the time Steve moves another desk to face him and sits down across from him. "Are you done, Munson?" he asks.

"Holy shit, you're serious," Eddie says, his voice slightly strained and his face red from laughing. "No fucking way Steve Harrington is here to tutor me in physics. You probably don't even know what two plus two is!"

"It's four. Do you know what 12 times 40 is?" Steve asks, watching as Eddie blinks.

"I'm not a fucking calculator, man."

"No, you're not. It's 480, by the way."

"You could've just memorized that."

Steve sighs and reaches into his bag, digging around some before pulling a calculator out. He places it on Eddie's desk and says, "Ask me something."

Eddie looks at him like he's grown a second head but still pulls the calculator closer. "1,239 plus 378."

"1,617."

He watches Eddie use the calculator, feeling smug when his face twists into confused disbelief. He then puts the calculator down and frowns at Steve. "So you can add, big whoop. Doesn't mean you can teach me shit about physics."

"Won't know until we try," Steve says, resting his elbow on the desk and propping his chin in his palm. "So, what don't you get?"

"...All of it. Just assume I don't know shit."

"You don't know Newton's laws?"

Eddie snorts, looking back down at his notebook. "There's that motion one and the reaction one," he says.

"Right. Newton's first law and his third. What about the second?"

"It's just...some equation or some shit."

Okay, Steve is starting to get an idea of where things stand. He thinks for a moment before asking, "What kind of stuff do you like?"

"What?"

"What do you like?"

Eddie looks so shocked by the question that he doesn't really think before answering, "Heavy metal. And, uh, D&D, too."

Steve knows heavy metal is music, and he could work with that but the D&D Eddie mentioned might be better. "What does it involve? The D&D?"

"It's a fantasy role playing game. Like, using your imagination to go on adventures with friends and stuff. Needs dice to work."

Oh. Perfect. "Do you have dice with you?" Steve asks. After another brief pause, Eddie nods and pulls one out of his pocket. He passes it over and watches as Steve turns it between his fingers. "Oh, an icosahedron. Cool."

"A what?"

"Icosahedron," Steve says, looking at Eddie. "It just means a twenty-sided polyhedron."

Eddie still looks confused, and Steve is about to explain it again when Eddie says, "Just call it a D20, dude."

"Oh. Sure. Anyway, let's use this," Steve says, rolling it between his fingers before letting it clatter to the desk. It bounces a few times before settling, a 17 facing up. "Do you know what made it stop moving?"

"The desk. I'm not an idiot, Harrington."

"I didn't say you were, Munson," Steve replies, leaning back slightly. "Just...yes, the desk stopped it. This is Newton's first law. If the desk wasn't there, it would have kept falling until it hit the floor. It stopped bouncing because it lost power each time it hit the desk. An object, the D20, will stay in motion, falling, unless acted upon by another force, the desk."

"That...kinda made sense," Eddie says, blinking a few times.

"Great!" Steve says, unable to help the bright smile at knowing Eddie understood him. "Okay, for the second law, the equation is mass times acceleration equals force. Basically, the movement of an object depends on how much it weighs and how much force you apply."

"Aaaand ya lost me," Eddie says.

"Okay, uh, you fight things in that game, right?"

"Yeah, kind of the whole point."

"Right, yeah, and the stuff you fight comes in different sizes, right?"

"Well, an orc isn't gonna be as big as a dragon, is it?"

Steve isn't really sure what an orc is, but he nods anyway. "Right. So if you want to move a dragon, you need to land a stronger hit than you would need for an orc."

"Duh. You're not gonna fell a dragon with a basic cantrip."

"Not sure what that is, but yeah. For this example, moving, or defeating, an object, or a dragon that weighs more than an orc, relies on how much force you apply, which is the strength you use."

"Oh. So, because an orc weighs less, I don't need as much force to defeat it," Eddie says, grinning as he fidgets with his pencil. "This doesn't really sound like math, though."

Steve shrugs. "We'll get to the math part later. Right now is basics. You need to understand those to do more complicated stuff. So, the third law, this is the action-reaction law. Music might be better for it. What happens when you strum a guitar?"

"It...makes a sound. Because it's an instrument."

"Well, yeah, but do you understand how the sound is being made."

"By...strumming it?"

"Yeah, that's part of it. Sounds are vibrations in the air that we can understand. If you touch your throat while talking, you'll feel your voice box, your larynx, vibrate to make the sound of you talking."

He waits as Eddie does exactly that. While holding his fingers to his throat, Eddie says, "Didn't know it was called a larynx. Oh, fuck, yeah, there are vibrations."

Steve nods, waiting patiently as Eddie hums for a few minutes before looking back at him. "So, vibrations. Instruments make sound because playing them causes vibrations. When you strum a guitar, the strings rapidly move back and forth, and that movement is translated into notes."

"I can't believe I'm saying this, but yeah, I'm following you."

"So, the action of strumming a guitar creates the reaction of the strings vibrating. That action of the strings vibrating creates the reaction of air rippling, and those ripples create the reaction of audible noise. Did that make sense?"

"Yeah. It did," Eddie says, his voice soft as he stares at Steve like he's really seeing him for the first time.

Steve shifts uncomfortably, unused to this aspect of himself being known so well by someone at school. He's almost tempted to end things now and apologize to Miss Chester for walking out halfway through a tutoring session. Steve is practicing the apology in his head when Eddie says, "Hey, by the way, sorry for earlier."

"What?" Steve asks, trying to blink away his confusion and failing.

"You know, earlier, when I laughed at you? Pretty shitty of me to do. So, yeah, I'm sorry."

"Oh." Steve stares at Eddie for a few seconds before his shoulders relax. "It's fine. I'm not exactly known for being smart."

"Why not?"

"It's just...easier to let people think I'm dumb. Most of our classmates look at me and think I'm just, you know, a typical jock. They don't expect more from me than that, and I don't expect them to look any deeper."

"Does anyone else know, though?"

"My parents and the teachers. And you."

"Well, don't worry, big boy. Your secret's safe with me."

"Big boy?"

"Don't like it? Would you prefer Stevie?" Eddie asks, grinning as he leans in and exaggeratedly waggles his eyebrows at Steve.

Steve can't help snorting at the sight. "Whatever. Just call me what you want, Eddie," he says.

He tries to ignore the weird swooping in his stomach when Eddie's smile gets wider and he says, "You better not regret it, Stevie."

[annasofthe11thdimension]

The Expression of (hard) Limits An In Stars and Time Odile looped AU where it comes full circle about to finding the hard limit of what can be changed in the loops and in the end saw no way out but giving up.

And then she finds that now she's here to guide another through their hell and unlike her expectations, it's not herself but Siffrin that she's here to guide.

'The Expression of Limits' had been prepared to explain to herself why hope was pointless as she's ALREADY tried everything...but can't make herself give that speech to Siffrin, even if she's rather bad at pretending she has much hope getting free of the time loops.

For their part, Siffrin is 50% less worried about the time loops in this AU, mostly because he's using up extra worry on this weird version of Odile who's depressive tendencies seem just as important to address as the whole time looping thing.

[gemsalive]

re: that HEFTY siffrin sweep on id5’s isat favourite blorbos poll — this might sound silly but i do actually think it’s kinda fascinating that isat, as a game so inseparably steeped in (for lack of a better way to describe it) queer fandom culture, managed to so completely sidestep the common Fandom Phenomenon that i suspect was behind the poll in the first place by creating a main character that is also overwhelmingly the fan favourite character for once.

obviously there are any number of factors we could point at to explain the extent to which siffrin nomiddlenames nolastnames manages to grab people and absolutely not let go, but personally i think one of the most interesting ones to consider is the one specific to the medium — that is, how siffrin subverts the “silent blank slate video game protagonist” archetype in such a way that happens to be primo brainrot breeding grounds.

like, when a video game dev makes a silent protagonist it’s usually a bid to maximize immersion by closing the aesthetic distance between player and character as much as possible, right? which is especially true of rpg video games — players find connection in the generic, as that is what gives you the freedom of motion to insert yourself into the story in whatever unique shape suits you best. you are your character and your character is you.

(as ever, post ran long. yall know the drill. tossin in a quick header pic before thoughts on blank slates & blorboification continue under the cut)

and then you’ve got siffrin, who is expressly pointed out to be the taciturn type; who when initially giving the player exposition about their journey so far doesn’t seem to hint at a life or history or even really any motivations outside the journey; whose every thought and action is narrated in second person so as to keep tracing and re-tracing the connection between him and you.

even their design — all darkless and shapeless, bundled up in that big cloak, as if an invitation for you to fill it in with whatever lets you relate to them most! at this point they are their own character for sure, but they also have enough very clear parallels going on with the silent protagonist archetype to feel more than accidental.

of course, as you keep playing you start to recognize that his blankness is much, much more than just a grab at immersion; his apparent lack of backstory, itself a fundamental piece of backstory. this is where he flips dramatically in the player’s perception from “generic vessel for story delivery” to “thoroughly multidimensional character trapped within endless torment nexus custom-built to target and exacerbate all his very specific worst traits rooted in very specific traumas”.

yknow, the good stuff !

but by then you have also been playing enough to be feeling the effects of the thing isat’s design does best of all. i’m talkin bout that ludonarrative lockstep baby. every piece of isat’s gameplay is designed to make you feel what siffrin is feeling — you understand by now that he is not a stand-in for you, but all the same you share in his frustration, his grief, his rare moments of joy and the subsequent heart-in-your-shoes devastation when that joy is inevitably poisoned — and through it all, the desperate grasping for anything new — all as if they were every bit your own.

so in this way the connection is maintained, even if you were someone for whom siffrin’s particular traits & struggles might not otherwise cause you relate to them at all if you had encountered them elsewhere, in a setting where you weren’t actively controlling them as a player. siffrin still gets to carry all the “just like me fr” impact of the blank slate protagonist in the tropes he embodies and in the game mechanics’ design, while totally free to evolve completely into his own character and keep you relating to closely them all the same. now toss back in the fact that said traits & struggles very much ARE of a flavour that a great many people Would Tend To Relate To and just like that you’ve got a perfect storm cookin.

too individual and compellingly written to be an empty vessel for plot delivery. too closely connected with the player’s emotional state to be a story observed impassively from the outside. he has 92 mental illnesses and for the low low price of free u can give him yours to carry too. nobody is doin it like him. congratulations on your well-deserved nose sniffrin nomiddlenames nolastnames <3

[alizalayne]

it's so amusing that when you're an author who is like any minority, you have this caveat where if your book gets banned, you kinda have to mentally acknowledge whether it was banned by Bruce, the one really bigoted guy who wastes everyone's time in florida. idk how bruce is doing. you don't need to learn who he is really which is why im not using his surname. but if you have a book out commercially, bruce has probably written "damaged souls" on a form about you. so there's a street cred element to all this like did people really have a vendetta against your work...? or was it just bruce again