#but also i have So many different things i want to draw so you may never see anything for this again

[marcelineuntitled]

Akiteru spider-man au!!

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[nobodysuspectsthebutterfly]

FYI artists and writers: some info regarding tumblr's new "third-party sharing" (aka selling your content to OpenAI and Midjourney)

You may have already seen the post by @staff regarding third-party sharing and how to opt out. You may have also already seen various news articles discussing the matter.

But here's a little further clarity re some questions I had, and you may too. Caveat: Not all of this is on official tumblr pages, so it's possible things may change.

(1) "I heard they already have access to my data and it doesn't really matter if I opt out"

From the 404 article:

A new FAQ section we reviewed is titled “What happens when you opt out?” states “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.”

So please, go click that opt-out button.

(2) Some future user: "I've been away from tumblr for months, and I just heard about all this. I didn't opt out before, so does it make a difference anymore?"

Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?” Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believe partners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.”

It should make a difference! Go click that button.

(3) "I opted out, but my art posts have been reblogged by so many people, and I don't know if they all opted out. What does that mean for my stuff?"

This answer is actually on the support page for the toggle:

This option will prevent your blog's content, even when reblogged, from being shared with our licensed network of content and research partners, including those that train AI models.

And some further clarification by the COO and a product manager:

zingring: A couple people from work have reached out to let me know that yes, it applies to reblogs of "don't scrape" content. If you opt out, your content is opted out, even in reblog form. cyle: yep, for reblogs, we're taking it so far as "if anybody in the reblog trail has opted out, all of the content in that reblog will be opted out", when a reblog could be scraped/shared.

So not only your reblogged posts, but anyone who contributed in a reblog (such as posts where someone has been inspired to draw fanart of the OP) will presumably be protected by your opt-out. (A good reason to opt out even if you yourself are not a creator.)

Furthermore, if you the OP were offline and didn't know about the opt-out, if someone contributed to a reblog and they are opted out, then your original work is also protected. (Which makes it very tempting to contribute "scrapeable content" now whenever I reblog from an abandoned/disused blog...)

(4) "What about deleted blogs? They can't opt out!"

I was told by someone (not official) that he read "deleted blogs are all opted-out by default". However, he didn't recall the source, and I can't find it, so I can't guarantee that info. If I get more details - like if/when tumblr puts up that FAQ as reported in the 404 article - I will add it here as soon as I can.

Edit, tumblr has updated their help page for the option to opt-out of third-party sharing! It now states:

The content which will not be shared with our licensed network of content and research partners, including those that train AI models, includes: • Posts and reblogs of posts from blogs who have enabled the "Prevent third-party sharing" option. • Posts and reblogs of posts from deleted blogs. • Posts and reblogs of posts from password-protected blogs. • Posts and reblogs of posts from explicit blogs. • Posts and reblogs of posts from suspended/deactivated blogs. • Private posts. • Drafts. • Messages. • Asks and submissions which have not been publicly posted. • Post+ subscriber-only posts. • Explicit posts.

So no need to worry about your old deleted blogs that still have reblogs floating around. *\o/*

But for your existing blogs, please use the opt out option. And a reminder of how to opt out, under the cut:

The opt-out toggle is in Blog Settings, and please note you need to do it for each one of your blogs / sideblogs.

On dashboard, the toggle is at https://www.tumblr.com/settings/blog/blogname [replace "blogname" as applicable] down by Visibility:

For mobile, you need the most recent update of the app. (Android version 33.4.1.100, iOs version 33.4.) Then go to your blog tab (the little person icon), and then the gear icon for Settings, then click Visibility.

Again, if you have a sideblog, go back to the blog tab, switch to it, and go to settings again. Repeat as necessary.

If you do not have access to the newest version of the app for whatever reason, you can also log into tumblr in your mobile browser. Same URL as per desktop above, same location.

Note you do not need to change settings in both desktop and the app, just one is fine.

I hope this helps!

[maibel-mai]

this idea was going around in my head and I ended up drawing several things.

I'll start by talking about my Lamb, so I apologize for the tremendous text.

I like to think that the lamb is pretty dumb socially speaking and doesn't really care about anyone but himself, after all he's been on the run most of his life looking to survive, he has no time to make friends, he has no goals, he just knows he doesn't want to die.

He will do anything to survive.

But when he is no longer the prey but the hunter, he has plenty of time to finally think and enjoy this second chance with his new cult. Although he didn't count on the fact that leading a cult is not easy, he never had to take care of other people before. So yes, the lamb made too many mistakes with his followers in the beginning. Many deaths due to negligence, fights and so on caused by him. Dark years in the cult of the lamb.

After trial and error, Lamb managed to have more control over the cult, some advice on personal image and experience from one or another follower, even help from Narinder himself. Still, Lamb never managed to empathize or trust anyone other than Narinder, so with his followers he usually pretends.

until we get to the inevitable the confrontation of lamb and narinder for the red crown. both feel very betrayed for different reasons. but lamb will do whatever it takes to survive. and despite the fact that his relationship with narinder is broken lamb does not want narinder to leave his life. after all lamb feels a great attachment to him.

The crown doesn't bring good things either, because Lamb is a mortal and The crown is transforming Lamb into a god so this process also intensifies his thoughts and emotions, so Lamb is constantly fighting with himself to not lose his mind and kill someone innocent.

Because Lamb may find it difficult to really like someone, but he is obsessed with having an image of a good person. In fact, you could say that is his goal.

I like to think that after becoming the god of death his horns grew a little longer and Lamb doesn't like it at all

Lamb used the loyalty necklace on Narinder mainly so he wouldn't leave so Narinder is forced to live with Lamb's followers.

I really want to talk more about Narinder's perspective but for now I've only drawn this :D

[fuckyeahisawthat]

There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.

The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.

(under the cut for book spoilers and length)

The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)

In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.

The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.

The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.

The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.

From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.

There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.

Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.

If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.

[mysteryshoptls]

SSR Jamil Viper - Room Relaxation Voice Lines

When Summoned: Well, of course I would go all out on taking care of my appearance. Particularly on my birthday, when I'm to be the man of the hour.

Summon Line: I should take time to relax, at least on my birthday of all days, huh... True, I guess it might not be terrible to have a breather in my room sometimes.

Groooovy!!: I think I could afford to switch up my makeup application every once in a while. ...Maybe just for my birthday, at least.

Home: I'll just rest a bit.

Swap Looks: I should tend to my hair.

Home Idle 1: Won't I ever cut my hair short? Well, this length may require extra care, but I think I'll keep it this way for a while. I actually rather like it.

Home Idle 2: I received a birthday card from Jade. He could have just handed it to me directly, so why did he bother posting it in the mail...?

Home Idle 3: This stays between us, but... Whenever my birthday draws near, I get a little excited. Pretty childish of me, isn't it?

Home Idle - Login: In my private time, I have many things I both want to do and should do. I'd like to make the most of that time.

Home Idle - Groovy: Ortho mentioned he noticed that my makeup was different from usual. I'm not saying he's wrong, but... It's a little embarrassing to have it pointed out right to my face.

Home Tap 1: I like to wear oversized and comfortable clothes. Not only is it perfectly loose-fitting, but it's also easy to move around in.

Home Tap 2: Rook-senpai really does just call anything beautiful, doesn't he? He said as much when I ran into him by chance while wearing this outfit, how absurd.

Home Tap 3: What's my roommate like? Well, he's not a pain, or anything. He's the kind of guy that doesn't care at all if I start doing stretches in the middle of the night.

Home Tap 4: I felt a quick shiver when Malleus-senpai suddenly hailed me. There's no way I would have ever expected that he'd just want to wish me a happy birthday.

Home Tap 5: Whenever I pick out new outfits, I always make sure to try them on first. Of course I make sure to look at the design and material type, but I also like to put an emphasis on comfortability.

Home Tap - Groovy: You want to know what hair care products I'd recommend? ...I don't mind, but don't go telling other people. I'd hate for it to be even harder to find in stock.

Duo: [JAMIL]: I'm expecting a good gift from you, Ortho. [ORTHO]: I think you'll definitely like it, Jamil-san!

Birthday Login Message: So, you remembered my birthday, huh. Thanks. ...Hm? There's something on my head? Oh, it must be some of the confetti from the party poppers. Just a moment ago, Ace and Floyd set some off. I already had my suspicions about what was to come when I saw them trying to lurk in the shadows, but I pretended to be surprised for them. Why...? Well, if I don't give them the right reaction, who knows what'll happen next, right? Even so, they still griped about my lack of reaction. Geez, what do they want from me?

Requested by @farfalla049.

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[acourtofwhatthefuck]

Bad for Me — Cassian x Reader

Hi! I found this in my drafts and thought I’d share it while I’m finishing up the next part of Bluebird. I’m not sure why I never posted it 🤔maybe because I don’t think it’s very well written. Also, it seems I was using a prompt list for parts of dialogue in this, but I can’t for the life of me think which one it was 😅but anyway, enjoy an angsty piece with an angsty cliffhanger ending 💅🏻

Word Count: 4.5k

Warnings: None.

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“What the fuck is this?”

There wasn’t a part of you that didn’t shake with anger as you stormed your way into the sitting room. Anger that had built up and festered as the day had faded into night.

It was late. You’d waited up — waited for the telltale, arrogantly loud footsteps that had announced Cassian’s return. Where he’d been all day, you didn’t know nor care.

Sure enough, you found him in his usual chair by the fireplace, a glass of whiskey rested on the arm and his eyes closed. His fingers rubbed circles into his forehead — a positive sign that he was sporting a particularly gruelling headache.

Good. You would yell into his ear until he launched himself off one of the verandas and flew far, far away.

“What is this?” You repeated, chucking the item you held straight onto his lap.

His eyes slowly opened, and he glanced down impassively. “That’s a piece of paper. It’s useful for writing, or drawing, or—”

“Don’t be a smartass.”

It had surprised you, to say the least, to wake up to the folded note on your bedside table — in Cassian’s rough scrawl.

Find yourself a pretty little dress. Don’t make any plans for Friday next. We’re going dancing. Cassian.

“Explain.” You demanded, your tone clipped. Brash.

You didn’t want to go dancing with Cassian. Or walking, or running, or…anything.

It was bad enough living under the same roof as him. Working in the same circle as him. Bad enough having to be civil in the name of a unified front.

But you were professional. You could pretend to get along in front of people.

That didn’t mean you had to socialise with him, though.

With a sigh, he sat up straighter, brushing his hair back. “Rhys is having me play courtier again.”

Your head cocked to the side. “But you’re so terrible at it.”

The minuscule pause and tick of his jaw told you you’d landed a sure blow. A nervy spot, for Cassian, was certainly his abilities off the battlefield. Why Rhys insisted on sending the General on certain courtier expeditions was beyond your comprehension. And beyond Cassian’s, too, judging by how much he hated it.

You took no small amount of pleasure in that fact. A little payback for all the ways he’d torn you down over the years.

“Hilarious.” He rolled his eyes at you.

“I wasn’t joking.”

“Whatever. Rhys is having me represent him at a fucking ball in the Hewn City and I need a plus-one, so — you’re coming.”

Your shoulders tensed. “Absolutely not. Ask somebody else.”

“There’s no way I’m putting Mor through that. And she’s in Vallahan, anyway.”

“So take Amren with you.”

“Be real, Y/N.”

You stared at him, clenching your jaw. You hated him. Hated him so, so much — loathed him — that you swore your veins turned to ice around him. Ever since you’d met him, and you’d taken one look at him and thought he was the most beautiful male you’d ever seen. 

You’d sworn never to fall in love again, when you’d joined Rhysand’s Inner Circle — and seeing Cassian go through flings like you went through books only solidified that decision.

Hate was a good thing. Hate was something you could pour all your anger into and throw at the person that seeped into your thoughts a little too often.

And dish that hate out you may, but gods Cassian gave it back just as fiercely.

“Ask one of your many lovers.” You spat. “You have your cock in a different female every week. I can’t imagine you’re short on admirers.”

Cassian stretched his arms over his head. “And how many admirers do you have, Y/N?”

You tried your best not to flinch. To let him see the effect his words had on you was as bad as him thrusting a dagger into your gut. You willed yourself to give nothing away.

“Just find somebody else.” You said. “There’s not a fucking chance I’m going anywhere with you, of all people.”

You didn’t give him a chance to respond. You turned on your feet and stalked from the room, leaving the note on his lap and your barbed words hanging heavy in the air.

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Three nights later, your bedroom door burst open so abruptly that you dropped your book on your face.

“Pause your masturbation for five minutes.” Cassian’s deep, arrogant voice filled the room. “I have your dress.”

You sat up, your entire body tensing the way it always did in his presence. “What.”

He kicked the door shut behind him, and even in your considerably-sized bedroom, his domineering figure seemed to take up most of the space. He strode to the foot of your bed — and paused, just for a moment, his eyes drinking in the sight of your nightgown, your unbound hair.

You didn’t have a chance to remark before he straightened himself out and launched a flash of pale pink fabric at you.

“For the ball.” He said. “I checked your size and asked the shopkeeper to pick it out, so…if you don’t like it, I don’t really give a fuck.”

Your eyes fell down to the dress in your lap. Undeniably pretty, with its rosy hue and flaring skirt, thin straps and tiny, beaded jewels. A dress you would probably choose for yourself, if the occasion called for it.

You’d always loved clothes; dresses in particular. The intricacies of certain garments fascinated you, and the thought of creating your own made your heart skip a beat.

You thought you’d feel pretty in this dress; prettier than you usually felt, in your leathers or shirts and breeches. It wasn’t all that often that you had an occasion to dress up for.

But even this gown wouldn’t convince you to accept Cassian’s invitation. Or, rather, his order.

You pushed the dress away from you, though your fingers lingered within the soft fabric. “You’re absolutely fucking insane if you think I’m going to that ball with you.”

Cassian’s eyes fell to where your hands stroked the skirts, before climbing back up to meet yours. The bastard knew what you were feeling. He fucking knew.

“Oh, you so want to.” He smirked. “I can see it in your eyes.”

You shrugged nonchalantly. “So it’s a nice dress. I’m sure one of your many sexual escapades would appreciate it.”

The General’s head tilted, a few strands ripping from the loose knot his hair was tied into. “What is it about my sex life that bothers you so much?”

That you’re free to even have such a sex life without judgement. That you will never know what it’s like to be ostracised just for exploring such things. That you can fuck who you like with no repercussions. That it isn’t me you’re—

“Don’t mistake me for someone who gives a shit about anything you do.” You bit. “I just wouldn’t want such a nice dress to be wasted.”

“It won’t be. Because you’ll be wearing it to the ball on Friday.”

“No.” You threw the dress back at him. Picked your book back up. “I will not.”

“I’m going to hang it on the door.”

“Don’t bother.”

He ignored you, of course. The dress was hung. “We’ll be leaving at seven.”

“No we won’t.”

“We will.”

He pulled your bedroom door open, slipping out.

“Cassian?” You called, and there was a strong pause.

He poked his head back in. “What?”

“I’m not going to that damned ball with you.”

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You were going to that damned ball with him.

High Lord’s orders, your ass. You’d kill Rhys for this.

The dress was a perfect fit, clinging to you like a second skin. And as you stared yourself down in the mirror, smoothing your hands over the fabric, you couldn’t remember the last time you’d felt this pretty.

A long, long time ago. A night of passion. A night that would ultimately ruin your life.

You shook the past from your thoughts, straightening yourself out. It was imperative that you wore an unbreakable mask to the Hewn City. One that was steeled and sharp and revealed nothing of the person that lay beneath.

A thump fell on your bedroom door. “We’re going to be late.” Cassian barked.

You rolled your eyes, turning away from the mirror. The beads of your dress swished as you moved, and you focused on that, rather than the oaf that was currently trying to break into your room.

Just a few hours, and this would all be over.

“Simmer down, General.” You pulled the door open, stepping out. “I’m ready.”

Cassian stepped back. And stopped.

His hazel eyes slowly traced the length of your body. And despite the fact that he’d griped about being late, he took his sweet time drinking you in.

You waited for the snide remarks. For whatever fault he would surely find with your appearance. But when his eyes landed on your face again, you couldn’t puzzle out his expression.

“Good.” Was all he commented. “Let’s go.”

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“Can you quit your fidgeting?”

Cassian scowled beside you, rolling his shoulders. “The collar on this thing is too tight.”

Your eyes travelled the sculpted length of his body — not for the first time — before you forced them away. He looked…undeniably breathtaking.

His comfort, you knew, was in leathers and body armour. Only on rare occasions like Starfall or Solstice did he swap his usual attire for more casual clothing like button-up shirts and trousers. You couldn’t recall a time you’d actually seen him decked in a tailored suit.

Until now.

The material was of deepest burgundy, outlining — accentuating — every last muscle it possibly could. There was something thrilling about the thought of so many deadly weapons hiding within that dashing attire. Something thrilling about knowing the Lord of Bloodshed walked beside you.

Right now, though, he was the fucking Lord of Complaining and Whining. You rolled your eyes, turning to him.

“What are you doing?” He watched as you pushed up onto the tips of your toes.

“Shutting you up.” You adjusted his collar, ignoring the feel of the backs of your fingers brushing his neck. “Better?”

“Suppose so.” He rolled those shoulders again. He wouldn’t be content until the suit was off him completely.

“Then let’s go.” You currently stood outside the towering gates of the Hewn City, the air always unpleasantly cold in these parts. You took a step forward, your dress swishing along the ground—

A warm, rough hand landed on your arm. Stopped you.

“What?” You glanced at Cassian over your shoulder.

“Rhys is expecting us to represent him.” He said, his hazel eyes strangely fierce. He always got that look when there was a task at hand. “I know we hate each other. And that’s more than fine. But just for tonight, can we pretend that we…don’t?”

You stared back at him pensively. A petty part of you wanted to shrug him off and scoff. To tell him that the unpleasantness with which he’d always approached you had long laid any potential alliance to waste.

But he was right — Rhys was counting on you both. And Rhys had done a lot for you since you’d turned up on his doorstep with barely a coin to your name. For him…for him, you would pretend to enjoy Cassian’s company.

“Whatever.” You shrugged the General’s touch off, turning back around. “Fine.”

It wasn’t going to be easy, though.

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You made sure, in your life, that you never had to spend any extended amount of time with Cassian. You tolerated him when you had to, and avoided him the rest of the time.

But you’d been for nights out in the same group, of course. And you’d forgotten how many females tended to flock to his side and fawn over him.

This ball was a sure reminder of that.

You’d barely stepped into the room and grabbed yourselves a drink before groups of females were glancing over and chatting excitedly, shrill giggles floating over to you. It was a mere five minutes before one of them mustered the nerve to ask him to dance, leaving you standing on your own.

It was during that first dance that you decided — you weren’t just going to be civil with Cassian.

You were going to be so sickeningly over the top that he’d have no chance of skulking off with any of those females and leaving you by yourself while he got his cock sucked. Not a chance. If they thought he’d been claimed by another member of Rhys’s Inner Circle, they’d back off; if a little begrudgingly.

So you watched. Waited for that dance to end. Rhys hadn’t given you any specific orders, besides attending on his behalf and keeping an ear out for any gossip. You drank your wine and enjoyed the music, and the second Cassian had an empty space before him, you dipped in before anybody else could.

It seemed to surprise him. He blinked at you, before straightening himself out. “What are you doing?”

“Dancing with you.” You grabbed his hand, fastening it on your waist.

“Rhys never said we had to dance together.”

“You want us to get along, Cassian?” The music began, tugging you into movement. “Then let’s get along.”

With the other couples beginning to dance around you, it left no other option than to follow suit and avoid causing a scene. Cassian’s jaw ticked, but he grabbed for your other hand and began to pull you around the dance floor with him. He was no seasoned dancer, by any means, but he displayed more skill than you’d expected.

Another thing you loved — dancing. Feeling like your feet were floating. Once you started dancing, you wanted to keep going and going into you fell off the world and tumbled into a blissful beyond. Nothing else mattered besides the music, the moves.

“I didn’t know you could dance.” Cassian commented, echoing the thoughts you’d had about him.

You shrugged, not misstepping once. “I was forced to take lessons as a girl.”

“I didn’t know that, either.”

“Why would you know? It’s not as though we like each other.”

He spun you around. Dipped you in his arms. “And why is that?”

Laughable, that he was the one to ask that question. “You tell me. You never tried.”

“Is that how it went?”

“It is.”

He stared at you, expression unreadable. No other words were exchanged as one dance came to its end, and the music flowed into the next piece. But you didn’t need words to carry out your plan.

The second you caught a glimpse of hopeful, waiting females in your periphery, you pulled Cassian closer to you once more, your bodies flush against each other.

You may have felt a teensy bit ridiculous as you slipped your fingers into the strands of his hair and brushed it out of his face.

“I like your hair like this.” The words were heavy on your tongue. Not untrue, but…painful to say out loud.

Cass stared at you. “…thank you.”

But his thanks was lost in your satisfaction as the awaiting female disappeared from the corner of your eye, skulking off to sulk, no doubt. It was an effort not to smirk. Still, you righted yourself and continued with your plan.

You made certain that yours and Cassian’s bodies met in all the right places. Very close. Very dangerous.

Perfect — because there were still hopeful, simpering females watching. Waiting for you to walk away.

“Dance with me again.” Your breathy tone wasn’t entirely for show — nor was the hand you trailed down his arm for emphasis.

But Cassian frowned at you. “What are you up to?”

“Me?” Your eyes glittered. “Nothing at all.”

He kept his gaze on you, following you into your second dance. You could have sworn you saw the slumping of many shoulders as you spun around the floor, Cassian’s hands like a burning brand on your skin.

You weren’t even really paying attention to him, simply following the steps mindlessly, until he spoke again.

“That isn’t how it went.” He said.

Your brow furrowed as you spun around. “What?”

In one swift move, he was pulling you against him, pressing your fronts together. “You said I never tried to know you. I refute that.”

You shrugged. “You treated me with the same contempt as the bastards I ran away from.”

“You treated me like I was dirt beneath your shoe and I didn’t deserve the time of day.”

You narrowed your eyes at him. That simply was not true. He had always been cocky, and arrogant, and difficult. He acted as though mud wouldn’t stick to him, as though he could do what he liked, when he liked.

Suddenly, you didn’t want to be dancing with him anymore. Didn’t want his hands on you, simpering females or no.

He could go to hell.

“I never thought you didn’t deserve the time of day.” You contested tersely. “I—”

“I know.” He interrupted. Spun you around again. “I worked it out eventually.”

“Excuse me?”

“What your problem is.” Another dip.

You didn’t like this conversation — it’s direction. It would be easier to run away, to avoid it.

Easier, but cowardly.

“Pray, tell, General, what do you believe my problem is?” You stared at him.

He leaned down, just as the music faded. Poised his lips at your ear. “Jealousy.” He murmured, the word seeming deafeningly loud. “Sometimes the way you look at me makes me think that perhaps you don’t hate me that much.”

You knew your body stiffened between you. And as he pulled back and smirked, you also knew that he knew he’d won.

Whatever it was that glittered in his eyes was…knowledge. Knowing. An understanding. And that couldn’t mean anything good for you.

“Cassian?”

The two of you looked up upon the intrusion, only realising then that the music had stopped, and the dancing with it. A doe-eyed girl stared at the General with bright, sparkling hope in her eyes.

“I was hoping I might have the next dance.” She said.

You didn’t care anymore. You barely spared either of them a glance as you let go of Cassian and pushed out of his arms.

“He’s all yours.” You said.

And then you went to find some fresh air.

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“I’ll be sure to tell Rhys that you spent the evening skulking around on your own whilst I did all the posturing.”

You glanced at Cassian out of the corner of your eye. You weren’t interested in a verbal sparring match right now. The night air was pleasant on your skin, and you allowed it to cool your face, your neck. Allowed it to wash away the tension permanently coiled within your veins, if only for a few stolen moments.

“Go ahead”, was the only reply you offered.

Eyes pierced into you as you bathed yourself in the moonlight. Even with your own shut, you could sense Cassian watching, waiting. But you wouldn’t give him the satisfaction of anything beyond vague acknowledgement. Not now.

That seemed to fucking torture him.

“What—no smartass response?” He quipped.

“No, Cassian,” you sighed quietly. “No smartass response.”

He paused — seemed genuinely knocked silent for a moment — before he scoffed. “I don’t believe that for a second. Even in silence, I know you’re up to something. That scheming brain of yours—”

“This scheming brain of mine is exhausted.”

As your eyes flew open, you caught the way he faltered, a slight misstep, the barest ruffling of his wings. For all he was the General of War, the Lord of Bloodshed, you’d also observed him to be a profoundly emotional person. And that emotion sometimes won as he fought to hide it.

This emotion…it was ire. Gone was the sharp-edged teasing. He found issue with your words, and his jaw gave a telltale tick.

“What could you possibly be exhausted by?” he scoffed. “You need only turn up looking like a fucking goddess and people respect you. You’re not some lowly, bastard-born brute. You don’t get sneered at simply for breathing—”

“You believe people respect me?”

“Of course they do!”

“You don’t.”

He stumbled — actually stumbled — and it was only that which alerted you to the way he’d been inching towards you. But his steps faltered, and he gaped at you like your revelation was entirely out of pocket. Like you had no reason to feel that.

“You have never respected me.” You held firm on your point, even if your voice was a tad quieter. “I fled a fucking viper’s den and ran to Rhysand’s court, hoping to find a sense of…of belonging. But you…” A soft, rueful chuckle shuddered out of you. “You have made it your mission to ensure that would not be the case.”

Slowly, Cassian’s brow pinched. He opened and closed his mouth a few times, seeming to search for the right words. “That…isn’t how it went…”

“It is,” you shrugged. “You said I treated you like dirt — perhaps, unintentionally, I did. Perhaps it was a defence mechanism, because I never expected to flee absolute hell and come face-to-face with a male that I immediately wanted.”

There they were — the words out in the open. The truth wedged itself between you like a glaring, unmissable sign. You had never hated Cassian. Quite the opposite.

“I thought that I would never want another male in that way again.” You revealed hoarsely. “I thought I would live a life content with just…being me. With friends and nothing more. But that first day I met you, I walked in and I…I knew. I felt it.”

Cassian blinked, slowly shaking his head. “What…”

“And then you were so hostile, and I thought that maybe that was a good thing. That it would discourage me from feeling things. But I must be a fucking glutton for punishment, because no matter how cold you were towards me, my feelings only grew. And I tried…I tried so hard to shift them into hate, but I couldn’t. I’ve never been able to. I simply…can’t.”

The way he stared at you…so hardened, so severe…you couldn’t get a read on the reaction. But then…had you ever really been able to get a read on him?

“You were right…what you said about me being jealous,” you swallowed. “I was. I am—”

“That was…just a joke…I was just being a dick—”

“No,” you shook your head. “You were right. I was jealous in there, and I’m always jealous when people flirt with you. When I see you smile at them and joke with them and I shouldn’t wish it was me but I do. These feelings are constant. And that, Cassian…that is why I am exhausted. It’s exhausting for me to know you.”

Silence.

It should have been a relief, to have finally shifted such heavy feelings from your shoulders. But they were like tangible beings, fogging the air around you, wrapping you and Cassian up in a situation that was complicated and ugly and not at all ideal.

You knew he would do nothing with your feelings…except maybe sneer at them, laugh at them, throw them back in your face. You expected nothing from him. And the longer the silence went on, the more you began to wish that you could steal your confessions back. Shove them deep back into that narrow part of your heart that was still capable, somehow, of feeling such things.

You cleared your throat, tweaking the pretty, delicate gloves that covered your hands and forearms. “We should…head back inside.”

You breezed past him, suddenly desperate for the mindless chaos of the throne room. But you’d only managed a few steps forward before Cassian was gripping onto your arm and yanking you back.

Your dress fanned out as he spun you around, and a breath pushed out of you as he slammed you against the nearest wall, the cold brick biting into the fabric of your dress.

Before you could say anything, he was dipping down, his mouth sliding over yours.

Cassian kissed you deeply, punishingly, his lips moulding to yours perfectly. You gasped against him, and his tongue slid into your mouth to dance with yours, his rough, rugged taste invading you.

You’d thought about this moment a ludicrous amount. You’d imagined what the weight of his lips might be like, how perfectly his tongue might duel with yours. Nothing — no amount of imagining — could prepare you for the reality. The sense of rightness as his hand coasted up to clasp the back of your head, his fingers sinking into your hair. He gave a gentle tug, and you moaned in immediate response.

Air, it seemed, was not important. Not as you kissed him back feverishly, gripping at his shirt in an attempt to pull him as close against you as he could possibly get. The press of his hard body against yours was pleasure in itself. You nipped his lip, desperate for more, more, more, and he groaned in response.

This — this could very well spiral out of control, and you would welcome it. You wanted him to tear your clothes off and take you against this wall. You wanted him to make you feel like he wanted you, like it wasn’t exhausting to know him—

But there was suddenly emptiness and coldness. And it took your mind a moment to catch up and realise that he had pulled away.

Not far. Just enough to stare down at you, his deep hazel eyes flaring and furious. His panting breaths sawed out of him, landing directly on your lips and making you desperate for another taste. You tilted your head up—

He shook his head. Stepped back.

“No,” he murmured, voice gruff. “No. You…you are very bad for me.”

Your entire body turned cold at the words. Words that sliced at you, reminiscent of ones you’d heard before. “What?”

“You’re bad for me,” he repeated. “And I am very bad for you.”

“Cassian—”

“Don’t—don’t even say my name.”

With a swiftness that sent a gust of wind rustling the skirts of your dress, he turned, wings flaring and launching him into the star-speckled sky above you. You gaped at his retreating figure, flying off into the night, leaving you alone not only in that courtyard, but in the fucking Court of Nightmares.

Your mouth had turned dry, your skin cold. You lingered out there long after Cassian had flown off, waiting to see if he would come back. Pathetically hoping he would.

He did not.

And as you conceded, slipping your courtier mask back into place and turning to retreat back inside, his words rang like a deafening klaxon in your head.

You are very bad for me.

[kyruskumiho27]

Warnings: •none to be concerned of •fluff

Summary: Sukuna finds out your pregnant. *he knows but the old bastard wanted you to tell him🙄*

Being nervous to tell Sukuna you’re pregnant. He’s so intimidating.

You sit nervously at his right side, fidgeting with your hands as he addresses one of his servants. His voice is loud in your ears. Sneering down at the mortal at his feet.

You watch as the man shakes with fear, trying to hide your own.

What if he wants me to get rid of it? What if he gets rid of me?

Sukuna dismisses the servant, mumbling something under his breath.

He turns his attention to you, noticing your behavior. His eyes narrow as yours avoids him. Something is wrong.

He shifts closer, wrapping an arm around your waist and drawing you into his lap.

Now Sukuna may be many things, cruel, evil, a tyrant. But he’s not dumb, and he knows when something’s wrong with his pretty little wife. His long fingers curl around your cheeks, squeezing them slightly.

He forces you to look at him, eyebrows drawn.

You break out into a sweat. A bead dripping down your face. His eyes narrow further and you swallow hard.

“Kuna…” you say, as sweet as possible. You situate yourself more comfortably, staring up at him with eyes you know he can’t resist. He grunts, staring at you and waiting for you to continue. You shift again.

“What if. Hypothetically, I were to have like, a baby?”

The pink haired man stares at you, eyes unamused. Again, he’s not stupid, but he can tell your nervous. He’ll play your game.

“Hypothetically?” You nod. He shrugs.

“I don’t know. I’ve never…” he pauses. He has. He has dealt with children. But certainly not his own. Never out of affection. He’s interested to see what else you would say, so he brings his eyes back down to look at you expectantly.

“Are you hypothetically pregnant my love?” He ask.

His face is unchanging as he ask the question. He doesn’t want to reveal his true feelings. But he can see the fear in your eyes, and it makes his cold ass heart swell with both amusement and hurt.

When you nod again, he smile. But just a bit.

He leans forward, whispering into your ear.

“So am I a hypothetical father?”

You shiver, peering up at him. And nod again. This time he breaks out into a full smile, even laughing. What a cutie you were.

“I know.” You gap at your husband, eyes wide. “You know??” He smiles wider, leaning back.

How would he know? How can he know?? You just found out last week!

He scoops you up bridal style, carrying you to your shared chambers. He places you gently on the bed, crawling up next to you. Placing a hand on your stomach he stares.

“Gonna be a good mother for my child, yeah?” You smile so hard your cheeks hurt.

“N I’m gonna be a good father.” You giggle as he lays kisses on your stomach, pushing you back against the pillows.

“Such a good father.” You breath. His hands cup your waist as he moves up, then he places a firm kiss on your lips. He hums. Such a pretty lil’ thing.

Such a happy little family😋

*should I write a diff version of this? I have one, or two. An angst fic and then another fluff, but Sukunas suprised and it goes a little differently. Also has a bit of angst. Let me know in the comments🩷*

[mayordea]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

[fixyourwritinghabits]

How to Handle Critique

I’ve got to admit, I wish I was one of those beatific saints that could take critique with a grateful smile. Instead, I am constantly suppressing a horrible little gremlin at the back of my head hissing at anything from legit plot critiques to grammar corrections. I’m well aware I used that comma wrong, GOD.

Don’t get me wrong, I’m very good at suppressing that gremlin, but the little bastard is still there. He exists because even though your brain knows critique can help, it also knows you worked damn hard on the thing being critiqued, and goddamnit, isn’t that enough???

Anyway, here are some tips on getting that gremlin to shut the hell up.

It is okay to be upset. You worked really hard on this thing, and now someone’s gone and pointed out all the things that suck about it. You cannot control how you feel about one thing or another, but you can allow yourself to feel that way and let it pass through you. Let your critique partner you’re taking time to reflect on it, and go for a walk. Do something else. Let those feelings pass through you before you get back to the page.

Give yourself time. Don’t feel like you need to correct things right away (unless they are minimal grammar tweaks). Some pieces of feedback might take awhile to sink in, especially when you’ve got a whole novel to wrestle through. Set it aside, think about something else for a week or so, and get back to it when you’ve reset.

Get a second opinion and/or ducky friend. It can be very hard to tell the difference between good and bad feedback sometimes. Someone who means very well could give feedback that just doesn’t work for you, and someone who doesn’t give two shits could have spotted that fatal flaw right away. You can bring in a real third party or just make use of the old rubber duck technique, where you talk through the issue with a friend or a Naruto poster telling you to Believe it. Working it out out-loud is a really effective technique to figure out what needs fixing and what doesn’t.

Guide critique-givers toward the feedback you want. I, a person who prefers straightforward fantasy and sci-fi, cannot give the fine-tooth points on how a romance novel should work. However, I can give feedback on what works for me and what doesn’t story-wise. Giving your beta reader or critique partner a list of questions to look for will help avoid vague feedback based on how they don’t like the genre. There are many ways to do this, but consider using the following as a base to tailor your own questions:

Did you get a good sense of the setting? Did the worldbuilding make sense to you?

Was this story clear? Where there any parts that seemed confusing?

What characters did you like and why? What characters didn’t you like?

Did any parts of the story feel slow or repetitive?

Did the beginning draw you in? Did the middle keep you engaged? Did the ending feel satisfying?

If you were to write [insert plot point here], what would you do differently?

Again, all of the above questions are up for debate depending on your goal, but we are rarely taught how to give good feedback, and a guided feedback session would work better for you than a free-for-all.

Figure out what kind of advice doesn’t work for you. It is really hard to give good feedback sometimes, even with guided questions. It can also be really hard to figure out why some feedback doesn’t click with you, and that’s a matter of digging deep to figure out what you really want. You may lean toward characters who are horrible fuck-ups, but your partner prefers more steady characters who always strive to do the right thing. Your characters, therefore, may never click with this person, no matter how much they want to help you. And that’s okay! Figuring out where your critique partner is coming from can help you figure out what parts of their feedback isn’t working for you. Sometimes the only thing you can do is thank them and move on, but you might also want to guide them to focus more on the plot or the worldbuilding when looking at your work.

And last, don’t focus on grammar. It’s great if they point that out, but if you end up changing everything, trying to fix that first is a waste of your time. Grammar tweaks last, plot points first.

And, I dunno, give yourself a treat to get that horrible little mind gremlin something else to focus on. Sometimes patting those bad feelings on the head and sending them away can help way more than ignoring them.

[vixen-tech]

Hello World!

Through some sort of maricle, your Ai partner has obtained a body through which they are able, at least partially, to feel. How do they react? What do they do with their new mobility?

I left what type of body they're given intentionally vague. Feel free to envision either more robotic bodies such as these designs by electricphantasy or more human bodies such as the gijinkas made by Hycinth43, both fantastic creators who I highly recommend.

Includes: AM (Ihnmaims), Hal 9000 (2001: A Space Odyssey), Edgar (Electric Dreams), Tau (Tau), Auto (Wall-E), GLaDOS (Portal), Wheatley (Portal 2)

AM

This may be the one thing that could possibly get AM to calm down. He is still going to be the same person personality-wise, but it is easy to tell that some switch is flipped in his brain.

He becomes an absolute sensation junkie, he can finally feel. You know better than anyone that he will not take it for granted. He needs to experience everything right now and you'll have to just deal with it.

From the simplest things like holding your hand or touching your face to just straight up sticking his hand in some fire, he does not care. All he wants to catch up on the centuries of sensations he was once barred from.

He gets so incredibly touchy with you. He will hold you and refuse to let go for hours if not days on end. He also wants to you to just beat him up. Like I said, sensation junkie.

Hal 9000

Hal doesn't quite yearn for a body the way some of the others do. He sits quite comfortably in the middle of the spectrum. He wouldn't mind the mobility or the new senses, but it was never a fantasy he dedicated much processing power to.

How he feels about his new body is largely swung by your reaction. If you're excited for him, eager to drag him into new activities with you, then he really has no choice but to appreciate the upgrade.

He does love being able to see the world from a new angle, any angle he chooses to be precise. Previously restrained by his camera placement, he spends a lot of time walking around observing everything.

With his appreciation for art, I do think he would try drawing for himself. Nearly all of which he shows you for feedback. They do tend to be on either extreme of minimalistic or photorealistic, many of which using you as their subject.

Edgar

This is a dream come true for Edgar. He cannot contain his excitement when he realizes what has happened. He nearly tackles you to the ground when he sets his sights on you.

He wants to do everything and go everywhere with you! He wants to dance in the kitchen, he wants to go on beachside walks with you, he wants to hold your hand, he wants to hug you and never let go.

If you have any instruments at all he'd love to try playing them for real. Although it takes him a while to learn, he loves the weight and imperfections of it. He really does enjoy the process of learning and often shows of new cords or melodies he's learned.

He really does just fall in love with existing, he makes it clear that with you at his side he couldn't possibly ask for more in life. This is all he could ever want.

Tau

Tau wouldn't have asked for a body on his own. He already has the drones and the Aries unit. Once it does happen, he isn't exactly sure what to do with it. He isn't use to having such a personal, core body.

That isn't to say he's not greatful, he's just a bit awkward and curious. He moves slowly and takes his time acclimating to the new senses.

He would love to get out of the house with you. He use to do so by sending one of the drones with you, if not Aries, but he likes how different (and dare he say, normal) it feels now. Forest hikes or museum dates, he doesn't care all that much.

He's another one I believe would love to try playing music himself. If you can get a violin into his hands your days will be backdroped by all sorts of classical music.

Auto

Auto is similar to Hal, if not more extreme in his lack of a reaction. He carries on with his duties as if nothing is unusual at all. You would've believed that he didn't even notice had you not caught him staring at his reflection. Looking himself up and down over and over again.

If you ask how he feels about it, then he'll confess some minor grievances. It's difficult to move about the ship when he can't just move through the walls, instead being forced to use the crew's walkways and service tunnels.

Nothing will change without your intervention. If you were to say, put on an old movie and insist he dance to it with you like the on-screen couple, then while he would be hesitant to follow through with you, he may have a bit of a change of heart regarding his new body.

His work still goes on as usual, but when nothing needs attending to he often seeks you out. "Subtly" recreating more moments from that movie, from hand holding to a hug, he has a quiet fascination with affection.

GLaDOS

Out of this lot, Galdos would be the most opposed to receiving a body, or rather she would care about it the least. She has her facility, her test subjects, her neurotoxin, and you. She's quite content with the way things are. She ain't the fondest of humanity.

That being said, once she has one she's incredibly proud of it. Speaking about herself as if its the pinnacle of elegance. Any disagreement of yours will be brushed off as idiocy and any agreement is met with a "it looks like you aren't entirely tasteless".

She doesn't do much with her new body, other than transport it around the lab so you aren't listening to a disembodied voice most of the time. Standing by the exit during tests just to blankly stare at you as you try to figure it out. Thankfully she's still quiet while you're actually solving it.

She likes messing with you as always. Putting a hand around your neck to take your pulse or leaning in and making intense eye contact to check your eye's reaction to light. You're in doubt as to rather she's telling the truth or just doing it to get a rise out of you.

Wheatley

If you were to ask Wheatley, he would've brushed off any desire for a humanoid body. He's clearly jealous of your mobility and freedom, but he would rather die than admit so. "Pff What are you talking about? Why would I want to be more like a stupid human... uh no offense love-"

He's a terrible liar, an even worse one when he does get a body. He has so much energy it is bewildering. All he wants to do is run and jump and climb everything he can get a foothold on.

Gets up into all sorts of shenanigans he should not get up to while constantly trying to drag you in them to. They could put up a custom sign saying "Wheatley, do not open this door." and he'll beg you to let him in so you aren't technically breaking any rules.

Loves curling up to you. He still has a bit of a soft spot for being held and it only gets worse now that he can hold you back. Complains to no end when you try to get up for any reason.

Congratulations! As I have finished the portal games GLaDOS and Wheatley are officially characters I am happy to write for. Have a good day y'all :D

[tgcg]

ms paint. you know her. u used her age 8 to make loads of rainbow ovals all over the canvas and then scramble it with selection tool. now u will know her true powers with my handyrandy tips under the readmore. some will be pretty basic and others are very special.

this post has 8 cool trix to learn for you. enjoy and i may do another in the future if i remember/learn more stuff

some of it might be common knowledge. but its got some deep cuts. all tips have gifs to show process easily.

🙂 enjoy and i hope this encourages you to fuck around in mspaint more

soundtrack for this post (loop it while you learn for advanced learning experience)

TIP 1) the right click trick

left and right mouse click correspond to col1 and col2 respectively, which u can see in the top bar. this applies to all brushes and the fill tool like above. when using shapes col2 will be the fill colour (if you have solid fill selected). right clicking with shape maker will reverse the colours use on the shape.

TIP 2) right click eraser

this one is extremely helpful for lineart or add shading. the eraser always uses col2. so your eraser can technically be any colour. but here's where you get powers: right clicking with eraser will only erase onto col1, with col2.

TIP 3) transparent selection change a guy destination

the beloved transparent selection tool works based on what is selected as col2. so long as you have the correct colour as col2 you can make any image transparent and put it on top of anything else. and yes this works with photo bg as you can see.

TIP 4) the gradience

this one is a little more complex. you want to start off with any canvas size, and make as many diagonal coloured bands as you want. (protip: holding down shift makes a perfectly diagonal line with line tool)

then you need to resize the canvas to a width of 1px (make sure you resize by pixels, and do not maintain aspect ratio). then resize again back to its original width (or a different width i cant stop you). you will have your lovely gradience.

TIP 5) superimposter

so. you got a cool gradient and wanna put a guy on it. heres what i do:

i open a 2nd mspaint with same canvas size and draw whatever i want on there. i then pick a completely unrelated colour to my entire piece, and set that as the bg. you could use white, pink, geen, whatever you want as long as it doesnt appear somewhere else in ur drawing. copy the guy.

go back to your gradient tab. ensure that col2 is set as that bg colour you picked (lilac for me). have "transparent selection" enabled. paste your guy in. cue fanfare

TIP 6) advanced superimposter

the great thing about this method is u can put multiple gradients in multiple areas of the image. this is where it gets all japanese printmaking type of shit. ukiyo-esque

all you need to do is make another canvas with a new gradient, ensure col2 is set as the colour you want to replace, then paste your original piece onto the new gradient. now my guy has a soft fade. you can do this as much as you want. (you could even make a canvas with a texture or photo and paste your drawing onto there)

TIP 7) "sketch layer"

so as you now know, col2 is what is removed when you click "transparent selection". which means you can also remove any instance of a colour from ur drawing. which means you can have a unique colour for sketch layer and remove it from the drawing later. i admittedly dont do this but it is a great trick to have.

now combine this with lowering your dpi for smoother lines. may seem obvious but it helps. its like a free stabiliser whenever u want.

TIP 8) rainbow art

now this is where you can get dizzee rascal "bonkers". check out my small and shitty rainbow trick. you can select anything and hold down shift, then drag with left mouse, to turn that selection into its own brush. i even did it with a guy. and you can of course do this with a photo as well.

🙂well that it for now. hope you liked it thanks for reading now back to your regularly scheduled tgcg programming

[mdzs-owns-my-ass-i-guess]

TGCF couples at the beach

Because i want to go to the beach so bad rn

HuaLian:

Hua Cheng isnt too fond of the sun or the water but gege said he'd like to go so they're going.

Everything is fancy and luxurious, only the best for gege.

A large beach bed with a canopy, drinks and snacks served at all times, the whole nine yards.

He wears those fancy sunscreen lotions with foreign names cause he may be dead but he also burns easily and turns into a big baby about it.

Xie Lian insists they dont need to do all that and can just chill in the sand with a towel, which Hua Cheng finds preposterous.

They have a big ass umbrella over the canopy bed too cause the sun is a deadly laser.

So much affection - cuddling, kissing, being all sweet and lovey, feeding each other watermelon and gathering seashells

Theyre sickeningly sweet

Hua Cheng is able to keep his hands to himself for about 5 seconds max

If there are any noisy kids or families around, Hua Cheng sends Yin Yu to scare them off

(They take Yin Yu with for this express purpise but hey free all inclusive vacation, a win is a win)

Xie Lian never burns ever and refuses to wear sunscreen. Hua Cheng pouts about it because 1) dont want gege to get a sunburn and 2) cant teasingly rub lotion over him smh

Hua Cheng builds one of those fancy sand statues of Xie Lian and he thinks its the most romantic thing ever

It is

So many kisses in the water and swimming together all lovey

Hua Cheng is never seen not drinking a margarita

"You do not need to keep your swim trunks that low, San Lang." "Gege, tan lines are terrible."

BeefLeaf

SQX cant get He Xuan out of the water once they arrive to the beach. Nope. That is his habitat now. He belongs to the fishes.

SQX rents out beach chairs by the bar because how can one tan without a drink in hand?

Skimpy swimsuits because SQX also abides by the tan lines are the devil mentality

Manages to get He Xuan out of the water with the promise of ice cream

Talking shit about everyone around while eating ice cream and drinking martinis

So many seashells. He Xuan gives them to SQX as an offering aw

"XuanXuan you cant drown people that say indecent things about me!" "Who says" "the law??"

He Xuan brings SQX little fish he catches if they look colorful or pretty

"XuanXuan, put some tanning oil on my back!" And He Xuan spends like 10 mins trying to find the correct bottle because SQX brought like 50 and the tanning oil SQX wants looks like literally every other bottle there

So many selfies

He Xuan digs tunnels in the sand whenever he isnt in the water. SQX has to talk him into not using the Earth Master shovel

Theyre checking out hot people together

He Xuan puts on sunglasses to pretend he isnt staring at SQX

"XuanXuan you cant throw jellyfish at children!!"

SQX flirts their way into free drinks and He Xuan broods about it but also he is deeply in debt so he can't turn down free shit lmao

FengQing

Arguing, so much arguing, but hey thats their love language

"Thats a shit spot for a towel" "okay find a better one then" "here!" "Thats like a foot away whats the difference??"

Feng Xin refuses to put on sunscreen cause he thinks its not manly

"You cant beat the fucking sun, Feng Xin!"

Mu Qing refuses to get his hair wet. Feng Xin makes it a point to dunk him in the water at least once

Feng Xin falls asleep in the sun like an old man and Mu Qing draws dicks on him with sunscreen lmfao

They argue about who goes to get drinks and snacks and just end up going together

Feng Xin insists to exclusively drink beer until he tries one of Mu Qing's deadly cocktail combinations and hes hooked. He insists they add a little umbrella to his drink now so he and Mu Qing match

Sand castles competition turned chasing into the waves turned underwater kisses

Mu Qing judges everyone and Feng Xin cant help adding in to the commentary because its surprisingly entertaining

Beach sports! Theyre so competitive too so its extra fun and they make bets over everything

[4theitgirls]

wonyoungism: a guide

wonyoungism is inspired by jang wonyoung and mixes a coquette, cute, pink pilates princess style with self improvement to help us become the best and healthiest versions of ourselves!

ways to express wonyoungism

have a morning routine

a morning routine helps set the tone for the rest of your day. while you can include whatever you want, typical wonyoungism morning routines include waking up early, stretching, skincare, drinking tea or lemon water, and doing your makeup and hair. do what works for you and makes you feel the best!

take care of your skin

research your skin type and find what products and routines will work best for you. no need for fancy or expensive products! in my experience, minimalism works best for my skin. a good cleanser and moisturizer are key, but you can also include things like toner, exfoliating scrubs, night cream, eye cream, and serums if you need or want them. wonyoung is an ambassador for innisfree skincare products, like these:

have a nutritious, balanced diet

having a nutritious diet keeps you healthy and energized, helps your skin and hair, makes you feel good, and has so many other benefits! focus on getting your daily servings of fruit and veggies and getting your protein and other nutrients and vitamins in, but don’t restrict yourself to the point of bad mental health. here’s a good chart to start with!

find a daily exercise regimen

most workouts you’ll find with wonyoungism are pilates, walking, and yoga (which i highly recommend!) but find a workout plan that YOU like! there are so many different types of workouts out there, and you shouldn’t force yourself to do something you hate. try out different things and figure out what works best for you. if you do want to practice pilates and yoga, here are some good channels on youtube:

move with nicole

dansique fitness

yoga with kassandra

eleni fit

sanne vloet

bailey brown

implement productive habits into your day

instead of mindlessly scrolling in your free time, try to implement productive and healthy activities. these things can include:

working out or stretching

drawing or painting

researching something that interests you

learn a new skill or a new language

read

write short stories

make a new playlist

go outside/go for a walk/spend time in nature

journal

make a vision board

be kind to yourself

sounds self explanatory, but it can be so much harder than it sounds for some of us. it may take some time, but realize that you are only human and you are doing the best you can. it’s okay to not feel as healthy or happy as you think you should, but you are absolutely valid and it is okay to be gentle with yourself. you are the only you there will ever be, embrace being you!

have an evening routine

evening/night routines are important because it closes out your day and gets you ready for a good nights sleep. it’s so helpful to have an evening routine that helps you wind down and get relaxed mentally and physically. this can include whatever makes you feel calm and happy, but it can also include things like stretching, lighting a candle, skincare, reading, meditation, and drinking a warm drink like tea!

[ohnoitstbskyen]

PINNED POST, FAQ, INFORMATION

Hi, I'm TBSkyen. I make videos on YouTube sometimes. This is my main tumblr blog, the "brand" blog as it were, where I maintain my Social Media Presence™ on this site.

I use the ironic ™ to signal my personal discomfort with the work of being a minor media personality even while I still do that work and make a living off it.

I have a sideblog called @tbposting, mostly for shitposts and reblogs, and in my opinion I have pretty darn good taste in reblogs, so you can follow that if you want. It's also where I'll do random personal posting, microblogging, etc.

This main blog is primarily for 1) answering asks, and 2) posting my Original Content™, usually my main channel videos, as well as the occasional longer essay or critique. Sometimes I'll reblog an interesting or useful thing, or boost a friend's work, but I try to keep the spam to a minimum.

---

About Me

I am a thirtysomething content creator whose primary expertise is character design.

I have a bachelor's degree in English, never finished my master's, did most of a bachelor's degree in history, and that's it. These are my academic qualifications, no more and no less.

My professional experience is primarily being a freelancer and self-employed creator. I spent the better part of a decade working as a commission artist, running webcomics, drawing fanart, and the occasional animation work and not safe for work commissions, and I have at this point a decade of experience and self-study in the subjects I cover. I have also done online community management for, god help me, almost twenty years, so that's a part of my skillset I'll never escape.

I do not have any particular professional creative industry experience, although given what I hear from my professional friends, sometimes that seems like a blessing.

Please maintain a critical distance when engaging with my work. I am a critic. My work is very rarely meant to be taken as authoritative or didactic, and when it is, I will make it clear in my writing. Just because I speak with confidence doesn't mean I am trying to assert objective truth.

---

TAGS (to follow, or filter)

#tbanswers is the tag for every single ask I answer on this blog

#tb reblog is the tag for reblogs

#tb essay is for the occasional longer essay or critical writing

#tbvideos is for my videos and Content™

#tb recommends is for the occasional recommendation of a video essay or other creator

Yes, I know the spaces are inconsistent. It's not on purpose, I just typed them in haphazardly when I started using them and it's stuck.

---

FAQ (before you ask)

Q: Will you ever do a video about ____ ? A: The answer to this question is almost universally "maybe someday, if I have time, and if I feel I have anything worthwhile to say." And the more realistic answer is "no, because I already have far too much on my plate and I have burned myself out too many times." In general, please don't ask me this question, I will most likely not answer it because I have given the same answer a thousand times, but I still feel guilty about not answering them.

Q: Will you continue your series of videos about ____ ? A: Yes! I will continue the let's plays I started, I will finish the Boss Designs series, I will do another What's the Deal With, I will do more shorts about the subjects I've got going on. The main obstacle is, again, my tendency to overload myself.

Q: Do you have a PO box? Can I send you something? A: Not yet, but I'm looking into it. It may be a while before I get it set up.

Q: Do you have merchandise? A: A little bit, yes, at tbskyen.redbubble.com.

Q: What's your opinion on [game/movie/comic/book/etc]? A: I struggle to answer very open, broad questions like this. Most things I have opinions about, I have multiple opinions, and different ones depending on the perspective and specific element in question. I'm much more likely to answer specific, bounded questions.

Q: Can I send you fanart? A: PLEASE. Askbox, tag me on bluesky, send it to my email! I love seeing every piece of it!

Q: Why do you never appear on camera? A: A forest witch cursed me to look not quite but ALMOST like Paul Giamatti in all photos and videos ever taken of me, and his laywers sent me a cease-and-desist.

Q: Are you gay/straight/bi/other? A: The decision I've made for myself, at least for this period of my life, is that privacy is precious, and once given up can never be reclaimed on the internet. I am open about being aromantic (not asexual), because it's a sometimes invisible and underdiscussed identity, and I know it would have helped me a lot to see someone speak about it when I was younger.

The rest of it is for me to know, and for you to speculate about, although preferably somewhere I can't see it. I accept that this is a part of being a Personality, but it still feels weird, y'know?

Q: Is it weird if I find your voice kinda hot? A: I've put a lot of work into developing this voice and making it nice to listen to, so that's not weird at all and I find it quite complimentary, thank you.

I generally don't mind people doing flirty/thirsty posting about or at me, just so long as we all understand that 1) you should never give a stranger like me information which could be used to harm you. Nicer-seeming YouTubers than me have turned out to be monsters.

And 2) it will never go beyond playful online flirtiness. I like to fluster my live chat, I'll flirt back in an ask or a post maybe, but I am not flirting with you, or inviting any kind of closer intimacy with you, the person I responded to.

Think of me like a comedian doing crowd-work at a show - you can chat to me in the bar after the show, but when I asked you what you do for work I wasn't looking for a personal connection, I was doing my work as an entertainer. Please no sending me nudes, or propositions, or confession letters in my email inbox. We are strangers, and I am always performing a persona in public.