#but also feels like a little step back

[sharkneto]

.

[renecdote]

do you think Bruce ever lies awake at night thinking about all the things he has taught his kids and how it seemed like a good idea at the time but maybe some of those habits are actually more bad than good

[notbecauseofvictories]

it takes years for terry pratchett's books to get consistently good. I would argue that the series doesn't really hit its stride until Feet of Clay, which means that pratchett was writing and being published for 12 years before he found his groove.

and I genuinely can't imagine that. in part because I do think that pratchett's publication calendar looks different than what's expected of writers today---he had about 2 books published per year for his entire career. he must have been writing furiously, and the publisher must have relatively quickly gotten these to press.

but also....I just can't imagine any modern-day publisher keeping an author on their list for twelve years, unless that author is a prestige get or a constant presence on the bestseller list. And what does it say about the state of publishing that you can't go on publishing someone's good-but-not-revelatory books until they figure out what story they're trying to tell?

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[larabar]

some adau things ^^ he cheers barry on through the dreamgear

[angelsdean]

sometimes you just have to say: your interpretation is not my interpretation and move on with your day. even when it's people you like and respect like, sometimes people's headcanons just do not jive. it's fine. and being able to respectfully disagree and move on is so important. no one is ever going to see things exactly how you see them. even when you check a lot of boxes with other people, there will always be one headcanon or interpretation where you disagree, sometimes in really big ways, and it's fine

[caputvulpinum]

The more I think about Wildmender the more I grow invested in it. It's a fascinating interpretation of terra nil and solarpunk since so often the genre is fundamentally rooted in settler-colonialist philosophy, and even games which are intended to be the opposite of that--terra nil comes to mind as the obvious one--just end up actually revealing a different side of the factorio problem, because terra nil is an incredible impersonal restoration of ecological systems. Terra Nil acknowledges climate destruction on a global catastrophic scale and it accepts the responsibility to fix that, but it isn't shown as a human act, nor does it really allow itself the realism of just how terrifyingly impossible the task is to try and literally fix the entire world. Its game structure is supposed to be the anti-factorio but its puzzle structures focusing on efficiency and robotic engineering patterns of rewilding end up feeling more like a dialogue than an inversion. It's trying to say that the idea of humanity as fundamentally destructive is wrong while it doesn't actually ever address the human element.

And then there's fucking Wildmender. A game where you are a single human child in a world of endless wasteland and death, where the only other things are ghosts who remember a halcyon era and the hubris that ended it, wraiths which are consumed by their own greed and destruction of the land for their cursed immortality, and a couple god statues. The entire map is just ceaseless grief, filled with the literal dessicated remains of all the biodiversity that came before the countless disasters. And it's a big fucking map.

And then...the game gives you a shovel and a sickle and a mirror that shows the wraiths what twisted reflections they've become.

And the game says, "The entire world is waiting to be better, and the only way to do that is by doing it yourself, long and hard and hopeless as it seems."

I cannot emphasize enough how overwhelming the task you're handed. There is not a single speck of life left in the world. You are given a shovel and a water bottle and just...expected to do something about it. To look at the literal endless wastes and think you can heal it.

This is what Wildmender cherishes that Terra Nil denies: This is an impossible task for you alone. But it has to be done...and you can actually do it. The way you can turn sand into soil and dig irrigation channels is beautiful. Every single scrap of land that you reclaim is something you had to do on purpose. You had to do it yourself. You had to actively choose how to do it.

And the game makes the reward of even just getting a bit more water into the sand feel like victory. Your starting oasis turns from soil into lush and beautiful meadows--sure, technically instantaneously by doing magic on a specific type of plant. But it took me 4-5 hours before I got there. You have to travel so far into the desert to learn how to grow grass again, and then you realize that this endless hostile wasteland is a fraction of the map you're given. And you look at this sudden profusion of meadowy grassland surrounding your spring and despite how sudden it feels you remember how big the world is. You made more progress in a minute than you did in 5 hours and it's not even a speck on the map. How the fuck is this gonna happen?

And the answer is by accepting that it's going to take a long fucking time and a lot of hard work.

That's how it's gonna happen. Get to work.

[ink-the-artist]

some clone high ocs bc I am cringe but I am free. and bc im excited for the upcoming reboot :)

just the line art:

[saltpepperbeard]

:(

[hawkeyeslaughter]

through heavy , heavy tears : hawkeyes first instinct is to be KIND he’s so much less guarded than trapper and even bj when first meeting people ( even ones he probably won’t like ) he always treats them with respect . i’m going to be physically ill

[averlym]

,,, sun-dappled sheets...

[rexcaliburechoes]

gale is ambition, so he has both crippling self doubt and debilitating pride in his work.

gale is ambition, so if a character tries to undermine him by one-upping him, he'll think he's not nothing left. more else can the orb destroy that it hasn't already?

gale is ambition, so if a character tries to undermine him by one-upping him, he'll vehemently deny that. he's the wizard of waterdeep. he was mystra's chosen. he was her lover. who could be any better than that?

gale is ambition. it's his greatest flaw and his greatest asset.

[suddencolds]

personal //

[lucydacusgirl]

It was quite worrying walking down the main shopping streets of my city during pride and seeing that barely any of them have any pride flags or anything in the window. Rainbow capitalism will not save us but it is so unnerving when even last year most shops had some kind of bunting in the window and this year it was only three or four. Like idk it feels emblematic of a worsening or idk souring attitude towards queer people that is definitely influenced by rampant transphobia in the uk. Which is why it’s so upsetting when cis queer people join in on transphobia in hopes of distancing themselves from the current social and political undesirability of transness.

[anonymous-gambito]

Saw a comic where the Prince's bride falls in love with the Little Mermaid and decides to run away with her and realized that's kinda what happens in rgu

[incorrect-ikevamp-quotes]

Saint Germain, shocked: You have a fake ID? With a fake name and everything?

Isaac: I don't have to explain myself-

Leonardo, sitting against a bookshelf on the floor: He used it to get a second library card so he can take out twice as many books at once.