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voltstone · 8 months ago

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ERICSON'S WALLFLOWER

or bpd as a twdg fandom essay, & violet's analysis

[Mar.26-29.2024 | 27,991]

Throughout my time spent within the TWDG fandom—since late 2019, early 2020—, Violet as not merely a love interest but a character exists as the fandom’s staunch polarization. And the funny thing?

I get it. A lot.

Much of what I’ve read into this character has been extrapolated from my own experiences, and those experiences speak to an inherent, polarizing chaos. It’s something that’s quite honestly a purgatory to try and articulate—I have tried—, and another bane to hope that people will get it. At least, enough to not just sweep my words under the rug. This essay is ultimately a trial to see if I’ve done enough work with myself, both emotionally and in writing, to be able to explain this to those none the wiser, or to the some who feel the same things, but have yet to hear it spoken with absolute clarity.

Through a fandom essay, no less. Specifically about a video game character who grows on people—Louis promises so.

Borderline Personality Disorder.

Nobody really likes to talk about it. Too many times in my life, I’ve had people sweep it under the rug because it is not a pretty thing, in times where I was pleading for help; often, in presence of the wrong crowd, it feels like a target nailed to my back.

It’s intrenched within stigma. And what’s difficult about that is…, yeah. I get why. There’s no mystery to it.

…yet there is so much people do not understand because not talking about it is so much easier, and the joke is, talk therapy is quite literally BPD’s primary treatment.

And so let’s talk about it. Allow me to pull away the confusion this disorder brings, and lay it out—as best I can—in a more digestible manner, through a deconstruction of Violet. I’ll have a little fun with it. However, if this essay reads in a more…straightforward tone compared to the couple others I’ve written now, it should. I’ve attempted to write this in a more lighthearted language before, but it didn’t really get the message across well, I would slip to this anyway, so. Yeah. I will still be conversational, just less so.

With that, however, this is another long essay. I hope you enjoy. :)

[Given the subject matter & the inclusion of my own experiences, take heed. This discussion is sensitive. W/ my experiences, I assure you I'm fine. I speak from a place where I’ve worked through my experiences.]

[Also, to stop-breaking-my-heart-telltale: I reference Louis and one of your essays about him, hence the @. But this thing's real long and about Violet, and stuff. Lol.]

[Briefly, but Exhaustively, to Clarify]

Before any discussion of BPD, then Violet’s deconstruction, a few things.

One. No, I’m not outright diagnosing Violet with BPD. She isn’t diagnosed in the game. I’ve not heard anything by Telltale or anyone associated remark BPD either. None of the schoolkids, for the matter, are diagnosed because it’s not that kind of story. The most we’re given is a narrative that explores their patterns in behavior, and then one…“diagnosis” with Willy. That being the, uh, chronic masturbation. (No, I did not think masturbation would be included in this discussion, but here we are. Thanks, you bug-eyed child.) Even then, however, that was likely a symptom of a larger issue with Willy.

Instead, I like this character. I see a lot of myself in this character, recognize the patterns she exhibits, and I’m hardly the first to associate Violet with BPD—since though she’s not diagnosed…, she is a little bit textbook. I’ve also seen a lot of the fandom misinterpret, preemptively judge, Violet for the things she does.

And I don’t mean the confusion and betrayal players feel should they save Louis over Violet. That reaction is normal. Yes, feel confused and betrayed. Because that’s the intention. What I take issue with, and part of why I’ve wanted to write this for a long while, is the…undertones beneath what is generally said. The opinions, too, that go along with it. All of which, ultimately, feed into the stigma that BPD is so intrenched within. The ignorance, and the refusal to understand both why and how.

So I do this through Violet because I adore TWDG, I’m in a TWDG mood, and, she is actually a phenomenal example to use for discussions around BPD. No, she’s not canonically diagnosed, but, it is better to explain a character by using a researched concept, just as much as it’s easier to explain said concept through a fictional example.

…and myself.

This essay will have a lot of commentary based around my experiences. A lot of this disorder’s stigmatization makes it difficult to find good information to understand what it does—specifically from the perspective of the borderline personality, not observers—, because…it’s just not the same as ADHD or depression, which have been big talking points within the recent years. I also have ADHD—runs in the family. That said, conversations in mental health has its fair share of stigma regardless, it’s just that BPD…does not help itself, largely due to the concepts I’ll be going over.

Also, I am very similar to Violet, down to how we dress, but also in personality. We’re not the same, but there’s enough where I feel like I can explain a lot of this character in relation to BPD. Because it’s a personality disorder. In similar personalities, the disorder will—more often than not—present itself the same way.

This does lead me to a third: as much as I’d like to say that this discussion will be the absolute, universal truth, the reality is no, this discussion will likely have blind-spots. It won’t be universal. For a myriad of reasons.

BPD is, again, a personality disorder. Its expression is entirely dependent on the personality, and the experiences established. So anyone who is not an indifferent/apathetic person, who is more extroverted and not the marginal recluse that I am, there will be aspects of this that won’t align. The rudimentary concepts may apply, but the expressions and emotional processings behind these concepts may not.

This also bleeds into the fact that BPD overlaps with many conditions, and traits of the disorder can be found elsewhere. Which, quite frankly, is fairly standard for most disorders, because it’s about the expression and amalgamation of the traits, not the traits themselves. So, as I discuss BPD, you’ll likely find yourself relating to certain points.

Do not take this to mean that you yourself have borderline.

Well, okay. You might. There’s nothing wrong with doing research, and to evaluate all of your resources. Keep in mind, however, there is a difference between one condition relating to another, and one BPD relating to a likewise diagnosis.

BPD overlaps with many conditions (like ADHD); it shares many traits in others.

The reasons for it includes how BPD is developed, where the development will be alongside other conditions—like, say, PTSD—, or other conditions may predispose the condition—ADHD—, or, or, both.

And then, some of this relatability is due to language. There are limitations in the words I choose, especially when this essay is intended for a wider audience. When I say, I go from 0 to 100, you may know precisely what I’m putting down, or, your 0 to 100 is my 0 to 10. And there will be that barrier in understanding because…we’re different people, with different experiences, living alongside different conditions.

Some of you reading will just never understand what it means to get whiplashed by your emotions at the drop of a dime, where you’re perfectly fine one minute, and then you feel like you’re about to have a heart attack the next because someone said something, and you don’t understand why it hurt you the way it did, but it did, and you’ve already lost your shit, but you don’t want to do anything, but you can’t trust that you won’t… All…with the guilt that it is happening again, and you should have known better, and it’s all your fault…

Yeah. It’s okay if you don’t understand what that’s like. And to be quite blunt, if you don’t, be grateful. BPD isn’t fun for anyone. There are slight blessings, but those are gravely overshadowed.

Given that I do expect a lot of people reading this won’t understand, this essay will be exhaustive. I don’t really want to cut corners, even though certain aspects of my experiences will be kept to myself, and not everything about this disorder can be related to a video game character.

I do want to give it its due. The drafts before fell into the trap of not articulating precisely what I wanted, with the transparency I needed.

…hence why it’s long, but with that, let’s start with understanding BPD at its core.

[BPD, in Experience, as an Introduction]

So. Borderline Personality Disorder.

Boiled down, it is purely the complete lack of, or, the severe impairment of emotional regulation.

That’s it.

That is literally all it is. And in understanding that, it explains (in part) how and why many of you may relate to certain aspects throughout this essay—emotions, and the (dys)regulation thereof, are integral to each and every one of us.

However, BPD is distinct, and I will comb through the how and why in this section. It is quite simplistic when boiled down, but this synopsis implicates everything about a person.

It is also. Not. Bipolar Disorder.

(Yeah, let me just kick this out of the way.)

Bipolar Disorder is about the brain chemistry, and is defined by manic and depressive swings.

Borderline Personality Disorder is a disorder of the personality. It’s systemic to the person. Could someone with BPD also have bipolar? Well, yes, which doesn’t help in the confusion, but to be the least bit informative, those instances often imply a specific BPD type (comorbid).

[Further resources will be linked at the end, for the BPD types, relationship with bipolar, and additional elements to come. For the sake of the essay, I won’t delve into this in-depth.]

This nuance—comorbid-BPD and bipolar—illustrates how complicated of a conversation BPD is. Again, it’s why this essay will be exhaustive, but also selective in what it covers.

Including, but not limited to, this kind of nuance.

To embark what a severe impairment/lack of emotional regulation means, it’s important first to establish the working definition of what emotions are—the definition, at least, which this essay utilizes.

Emotions are the reactionary senses of the body. Where sight, smell, touch, taste and hearing are the immediate feedback from the environment to the body, the emotions are the immediate responses to the stimuli, to prompt our actions thereafter.

Our relationship to our emotions is a very complicated one, because…we physically feel our emotions, which can be conflated with the feedback from our environment. Comprehension is also required to understand what, exactly, these emotions are signaling to us, because an environment isn’t just physical. Social, cultural, and psychological environments are included.

If you ever wonder what, exactly, a dog with the intelligence of a 3-year-old actually means, it’s their comprehension level of their emotions. These dogs are feeling the same emotions as a 3-year-old, and a 30-year-old. But there’s a catch: dogs don’t do the whole language acquisition thing like we do. Language acquisition being the learning process we undergo in our youth, because we are wired to speak and derive meaning through vocal, then visual, patterns.

I say this because a lot of emotions are, physically, perceived the same way, but we use language to distinguish one from another because contexts do matter. And they matter a lot.

Like, what’s the difference between lust and common excitement? They both feel similar, don’t they? But, lust is specific to a defined context.

And in this way, language absolutely contributes to the complexity of emotions.

But ultimately, emotions are just there to tell you what comforts you, and what doesn’t. It establishes what kind of environment you feel safe within, or at risk; the gradient within that establishes what you prefer, what you can tolerate. So the places you go to. The people you surround yourself with. Your interests. Activities. How you want to present yourself. Your morals, and ambitions. Identity and sense of self.

All of it is prompted by emotion, and your comprehension of that—ultimately through language—establishes how you respond.

How we actually navigate this is through regulation. Or rather, the process of self-comprehension, where an individual has to evaluate a situation, their internal reaction to such stimuli (both in thought and feelings), and the appropriate behavioral response. Dysregulation, then, is where that process is faulty.

So as we mature into adulthood, and our learned behaviors are set in stone (more or less; old dog, new trick or something), we’ve ideally learned how to comprehend these emotions, how to use language to articulate them and relay them to others, and find what is comfortable and what isn’t.

People get in the way of themselves, however.

For some fucking reason, we think we’re so fucking smart because we can talk, and we got thumbs, and we, like, stand on two feet. Or if we don’t got two fucking feet, we can build a wheely chair to sit our asses down.

And? We like to convince ourselves that we know better than our emotions, to the point where they’re disregarded. Of course, social contexts, understanding how your actions may impact others—those are all nuances which, yes, our emotions may not respect, but we do.

In regards to when people refuse to acknowledge emotions for what they are…

Piece of advice, from someone with BPD, emotions run like rivers. You do not decide what that river’s water is, how much there will be, and when it will flood. What you can decide is what canals to dig to retroactively contain that river, when to do that, and to establish how to treat the different flooding waters. You will drown if you think you can just ignore them.

Because the funny thing about water? If you fall high enough, land the wrong way, you might as well have hit stone.

In this way, emotions are devastating, and the mind and body has many mechanisms to deploy should an individual be constantly bombarded, and there is a need to prioritize our primary senses—touch, smell, sight… To prioritize a survival.

Take DID, for instance, where often it’s the mind “divorcing” itself into several identities in order to protect and shield the host from further trauma. There are many, many disorders like this where the brain deploys its failsafe, but that failsafe comes at a price.

BPD is, effectively, what happens when one of these mechanisms deploy, but the cost cripples an integral function to the human experience. It cripples the capability to dig those canals, redirect those rivers, and it can even imply a blindness to what kind of water is flooding.

…in many respects, this implies that BPD is, inherently, a disorder rooted in other conditions, just set to the absolute extreme. But when I say “absolute extreme” to someone who has never experienced emotional turmoil, the wrong impression may be impressed. Again, much of what I say may relate to your own experiences, and it’s why I have to take great care in articulating precisely what I mean because…it can be easily misinterpreted. Everybody has had moments where they are not in control of what they feel, and they do things. However, while the instances may look the same, the mechanisms, patterns and history behind them…are not.

Hence why BPD and bipolar are so often confused, because at the height of those disorders, it can very well look the same. I have had manic episodes that look identical to someone in a bipolar episode within one moment. But the differences are the mechanisms, patterns, and history. For these two disorders, it’s what’s actually going on in the brain, what stimuli we’re actually reacting to, and then timeframe. Mania in bipolar can last months; in me, I plummet into mania for minutes, or hours, or days—a week at most. And I can rocket right back out of it, back to an indifference, or into some other extreme.

And those mechanisms, and patterns, and histories are what make BPD, well, BPD.

We now get to how BPD happens. And though there is some debate, BPD is a developmental disorder. It’s created.

Through a number of factors. Genetics (like a family history), accompanying conditions (such as ADHD, autism, due to the predisposition to emotional dysregulation), past experiences of trauma, and, the environment.

And that’s the footnote version. Because this disorder, while there are strong patterns observed across diagnosed individuals, again has its nuances. Going into what causes BPD will lead you down a steep rabbit hole—in part because it’s dependent on the person, history, and environment, and in part because…, well, there is stigma, and there’s a lot of unknowns. Borderline, as a name, is not telling of what the disorder is. There’s a long misogynistic history to the disorder’s criteria, despite the fact that there’s a lot of men out there that have stunted their emotions, will fly off the handle when their egos are slightly bruised, call themselves alphas, are vehemently loyal to that alpha identity…

Hm.

That’s a discussion for another day. Point being, I cannot indulge this essay into every kind of way a person can land themselves with the disorder. It’s never ending. I have other priorities to indulge. Such as:

What kind of abuse is commonly attributed to BPD?

The answer? For such a volatile personality?

Neglect.

Funny, isn’t it? How neglect—the absence of—is what often causes BPD, of all things. Most would likely scoff, because our world has groomed the idea that the other kinds are worse, and are what creates monsters. Because it doesn’t make good tv, does it? Like the times where I was sat in time-out for…some reason or another, on a bench beside a chalkboard. Upwards to 10 hours of the day—which is a long time at three years old. That doesn’t make for interesting scenes, does it?

No. And because it doesn’t, and stories like their spectacle, media relies on the other kinds. To the point now where it’s necessary for our idled attention spans.

To be clear, this isn’t to demote abuse types outside of neglect, nor is it to insinuate that they cannot coexist within one circumstance. The fact of the matter is, different traumas with different people in different environments will lead to different conditions. There is no worth in proving to each other which trauma is worse or better, because it’s entirely dependent on the people and environment(s) involved.

What I will demote is the common, ignorant insinuation that neglect doesn’t destroy a person.

It’s why it is ironic, how BPD—an explosive thing—is often born from neglect.

How it does such a thing is…complicated. Lucky for this essay, I’ve lived it.

Within the first handful of years in my life, there were many things like sitting on that stupid bench in my room, for hours upon hours. My parents, at the time, were young themselves and fresh from college. My dad was in the military, so he had been deployed, leaving my mom alone with me, and…her BPD. I suspect postpartum made things worse.

Before you assume, it isn’t that she didn’t love me. Quite the opposite, but it was only through the divorce a few years later was she diagnosed. So, she didn’t have the resources for such a disorder at the time. Which made things worse, because part of treating BPD is being aware you have it.

The thing about these kinds of abuse is that…they come from the people you least want to admit, and for me, it had been my own mother.

And, the thing about neglect, especially mine, is that it’s hard to explain how no…, she was home. It wasn’t like she’d leave me like that. But, even so, I couldn’t tell you what the fuck she was doing when she wasn’t in the same room.

I was left to my own devices. I told myself stories with my stuffed animals to pass the time. I was often hungry too, and there are two accounts from family where, upon visiting, they saw this little toddler know how to work the baby-gate to the kitchen, and start to prepare food—sandwiches for me, and I’d pour food for the dog.

I seldom spoke, was borderline mute. Didn’t really converse until four. But I knew what people were saying before that. I did also pick-up behaviors from my dog as well; I would pant whenever I was happy, and whimper instead of cry.

By the tail-end, as I was getting into kindergarten, my brother was born, the divorce was in motion, and my dad would thankfully win full custody, and my mom, visitation.

You see, through those initial years, those mechanisms deployed.

I had to swallow down the instinct that the parent would be the one to nurture, and I had to find ways to feed myself, then my best friend and true guardian—the dog. Had to learn how to work things like a baby-gate. I also had to be vigilant of her, and know what mood she was in.

It’s these two things, working together, which utterly fractured me emotionally. The feeling of being hungry, truly hungry, is not something I wish for anyone. The realization that it’s not because you’re out of food—not until the separation began, and the weekends with my mom were marked by this hunger—, but because you don’t know how to get that food, and the bigger person is not getting the food, so you try to learn but you are still a small child… It’s even worse. It does something to you. Then, having to sacrifice your own emotional nourishment in order to keep an eye on an adult’s volatility is that final nail.

That was the first stage of my neglect. And it was bad. It was a really, really bad situation. My brother only lived with my mom for a couple years before Dad’s full custody. In that time, from when our mother was the only one to take care of us with my dad helpless in a different country, then to switching every week, he developed OCD tendencies, which are still present.

Twenty years later now, it’s been remarked that I was…kinda the best candidate to survive this out of not just my brother and I, but our cousins as well. And I agree. I’m naturally reserved, and even as a kid, I would push back against my mom. It would ignite her, but the fact that I was confrontation said enough. Meanwhile…, I do not know how the fuck my brother would be mentally if he’d been the one stuck alone with her for those three, four years. I don’t know what my dad would’ve come back to whenever he was allowed to be with his family.

And I would not trade places if given the chance. Because even if I’m a black sheep, my mechanisms allowed me to get away as well-adjusted as I could be.

But… Still. Beneath those remarks…, there is a misunderstanding. When my family says I was the best candidate, it’s because they look at me and see a person who isn’t sick. When I say I was, I mean…my brother would have been worse off.

Granted, now that I’m out of school, it’s slowly dawned on them that…yeah no. There is something wrong.

…as I aged through childhood, I didn’t quite understand what the costs of the mechanisms deployed were, but I knew there was something very, very wrong even back then. And I would tell my family. Every now and again, throughout years, I’d raise alarm because I realized I reminded myself of my mom.

Only to be told that I wasn’t my mother, and that I was overreacting. Told me that, “People like her don’t know there’s something wrong—that’s the disorder.”

Come a mere few years ago, and I am told about times where my mother, as an adult not long before having me, would break down because she didn’t want to be like my grandmother.

There was a family history. My mother knew it. However, she was also diagnosed through the divorce, because she couldn’t take care of my brother and I. Highly doubt admitting her BPD was the reason was because “she didn’t know there was something wrong.”

I was told there was nothing wrong. Meanwhile, I would do things I didn’t understand, and experience the world in a way people around me didn’t, …as it turns out.

For one, which is still true now, I cannot cook for myself, in a kitchen, when it’s dark out. I also cannot cook when someone else is nearby, or already in the kitchen itself. I will wait, because should I cook in those times, there’s a feeling. And I can’t stand it. The feeling of—

Oh. No, the feeling isn’t being watched.

It’s the feeling where someone may be lurking, and I’m about to get caught. This is likely a remnant of times when I was very, very young, and I tried to feed myself, and I…was caught. And she blew up.

There are other behaviors like that, specific to me. Because the body remembers before you yourself.

In the years after my mom, I found myself in the second phase of neglect—the one, I argue, is what actually creates BPD.

And again. For another time. It came from the people I least want to admit.

The neglect, the denial, in every alarm I raised did something to me. Another thing, though given my experiences, it also did feel similar to the first phase. My family loves me, I understand, and I get why they denied. Because they knew about what was happening to me, then my brother, but circumstances had them trapped in watching from afar. A sort of…they didn’t get to me in time.

My mom was also a nightmare for my dad. So…, to see that resemblance is not something anybody wants to admit.

But still. I was in therapy (to socialize me), but that didn’t last forever, and people kinda just shrugged and thought it was good. The therapy did its job. Without noticing what was happening.

The mechanism that deployed was still there, never to be acknowledged. So it festered. It scarred my trauma over, and now, there’s a great blemish on my mental health.

And that blemish has a name, and it’s BPD—the disorder cultivated by the neglect of an aftermath. Where trauma struck, and there was no chance given to process it effectively, and to heal.

All of the nuances I’ve discussed before remain to be true. From what I understand, however, is that the primary reason why Borderline Personality Disorder can look so differently on so, so many people, through a range of traumas is…it’s consequence. BPD has its characteristics, the ones that distinguish, because ignoring the recovery after significant trauma presents itself the same.

Now, I’ll indulge in one of these characteristics.

It wasn’t until recent, as I embarked my adulthood, where I realized the core mechanism I had inadvertently deployed, the one that came with a price:

Alexithymia.

Or, emotional blindness.

This in itself is not considered a disorder, largely because (and for the sake of this essay) it is an associated symptom, a mechanism, of many, many conditions. Depression, PTSD, eating disorders, ADHD and autism (again), schizophrenia, and I can go on, and on, and on.

BPD is included, of course.

There are many ways to be blind. Take visual blindness, where it can be an absolute void, a severe impairment, some colors recognized but not all, or, there’s too much feedback at once, and the light becomes illegible. Being devoid of emotions, or apathetic, is the standard; some people may feel a perpetual onslaught that cannot be deciphered, and others could find themselves in between.

Whatever it may be, alexithymia is characterized as the impaired awareness, explicit identification, and/or articulation of one’s feelings. So, as long as the shoe fits, and the person can’t decipher, convey/express their emotions… That shoe’s not on the wrong foot.

In my case, I fall into the standard.

When I was young, I likely stifled my own emotions in exchange for vigilance. It never left, however. If anything, it got worse the more I neglected recovery. Now, I don’t feel much, day to day. I know I experience emotion, and react to my environment, and have thoughts… Yet, the environment is almost dreamlike. It doesn’t quite register, and the people in my life feel like figments unless I’m right there with them, in the same room. I’m indifferent to most. Memories are a lot like this too—not like I don’t remember anything at all, but in the moment, I kinda just exist. I can think and plan about the future too, but it’s that I’ve realized I have to, not that I feel any kind of urgency.

Because I don’t care. At all.

Or, I do, but there’s nothing in here to tell me that. Because my body, also, is quite null. It doesn’t tell me what I feel. I couldn’t tell you in the moment, so I’ll usually resort to, “I’m fine.” And inside this head of mine? Not much. Kinda like static—the tv is on, there’s a lot of channels going, but it’s just…not there. Beyond static.

So as I write this, and write any of my works, it's less of spilling all the crazy thoughts inside my head, organizing them, and more of me spilling an open wound I don't know how to close, figured I don't really want to close it, because I kinda just like watching it spill across the page and see what I'm thinking, and what I can create.

To be quite honest, being a writer in this way does legitimately feel like I'm a blind sculptor.

If all this sounds like a depressing experience, I'm fine. Genuinely. I am. This is actually quite comfortable for me, and it's also me at my most rational. Plus, it helps that I've developed a fairly strong coping means—this writing thing—that serves to be a therapy in emotional comprehension. Another mechanism, really, that is derivative of what I did as a toddler.

I'm also a hermit. I'm content with being reclusive, and to myself.

And again, I’ve already processed all of this. I wouldn’t be writing this essay otherwise.

So how does alexithymia relate to BPD? In what way is being apathetic mean I can fly off the handle?

What does alexithymia mean for an episode?

BPD episodes vary. Depends on the person, and a trigger, and the environment.

In the traditional a switch is flipped, and the person just loses it, it’s via said trigger. A legitimate trigger, not whatever TikTok is blabbering. Trigger as in to a gun, and it just takes one pull, and you’ve been set off.

When this happens—BPD or not—, it effectively shuts down the reasoning part of the individual’s brain, and sends them straight into fight-or-flight. They are in a very primal state, and will react on emotion alone.

In BPD, our brains are wired to do that in (potentially) a very, very short period of time. Can be literally a blink and you miss it. There’s a look in the eye. If you know, you know. It happens enough times to establish a history of this within the person. Forces people to walk on egg shells to avoid this. Because it’s scary. It can get scary.

Here’s the thing:

It’s scary for us too.

Not too long ago, a lot of changes happened in my life, and on my birthday, I was driving, and I wanted, so badly, to just swerve off the road and down into the woodland—the ditches would’ve been steep enough. Woke up that day wanting to. Didn’t understand why, but I also wasn’t asking because that reasoning part of my brain was switched off. That day, the episode wasn’t explosive, but had I brushed upon a trigger, or someone accidentally said/did something, it would likely have been the case.

I was in an agitated state—straying down the line between stability, and not, where at first glance I’m fine, but…the more you look, there’s something quite wrong.

I was also craving McDonald’s. So I went. I sat myself down on my own, and ate my food.

And suddenly… Literally nothing was wrong. Well, no. I was still mildly stressed from moving from college, but, nothing was wrong that day. I was just hungry, not suicidal. Yet…it felt like I was. Had me believe it for a hot minute.

Had I not had the burger, fries, and McFlurry… I don’t know. Had I had access to something swifter than a car. I really don’t know.

This is what the disorder does. This is why it’s scary for the people around, and terrifying for us.

And in those like me, where everything is null, until it isn’t, it’s terrifying in a specific way. Goes from 0 to 100. Can get to the point where I have pain shooting down my arms, like I’m about to have a heart attack, because everything comes down upon me at once. Or, in episodes like the one I just mentioned, it creeps up on you—that agitated state. To the point where I don’t realize I’m in it, just that I’m suddenly hyperaware of everything, and there is something wrong, but I am not asking why because I can’t. So I just do. Quite blindly. And eat because driving off a road is too much effort.

So it gets scary. In those like me, where emotions just aren’t registering, I can’t tell you what I’m feeling until after the fact, or after considerable thought. Which is also fucking difficult because I don’t rightly know what I’m thinking. But given the situation, that could be too fucking late. And if the situation has me alone, to myself?

With BPD, there are triggers we know to avoid because they are related to traumas. There are things that wouldn’t normally trigger, but somehow did because they were the straw that broke the camel’s back, and we didn’t even know we had a fucking camel. And then. Sometimes. We don’t even know what the fuck the trigger was, and will never know.

The last is very common when we’re unaware of our BPD, but…it also just happens sometimes as well. The world’s big. The shit life yeets is limitless. I dunno.

There’s also a humiliation to an episode. I don't know what's going on. I can't reason like I should, and I don't want you to look at me. I want you gone, especially if I have deemed you the trigger. I want to be left alone. Things will escalate, and escalate, and escalate until that is achieved.

And, there’s a guilt as well. Especially when you know you have BPD, because by then, you should know better, but apparently, you don’t.

This all sounds quite helpless, I realize. However, there’s a reason why talk therapy is the central form of treatment for BPD. Knowing how to communicate does wonders. For those with borderline, learning how to comprehend and articulate emotions, and knowing what triggers to avoid, is a long, arduous process, but it helps. In regulating emotions as best we can, and in explaining to people beforehand what to do—or after the fact, where it’s to explain it wasn’t their fault.

And for those without BPD? Being able to recognize the warning signs on a person is detrimental. Because, believe it or not, there are warning signs. Sometimes they could be the split-second before, however, if there is someone in an agitated state, knowing what that looks like means you know how to avoid an episode, and it gives room to be able to console the person beforehand.

As said. There’s a look in the eyes. I know, because that’s what I spent my first few years of life figuring out.

The arduous process also unveils the…ambiguous sides to BPD. The stuff that people don’t really talk as much, whenever BPD is brought to the table at all.

For this essay, I will spare a glance at identity. No, identity doesn’t have much to do with Violet. However, acknowledging this ambiguous side to BPD establishes just how far this disorder goes, and it tends to crop up when least expected. (It will do so in this essay.)

A disorder of emotional regulation implicates everything, and sense of self is guided by emotion.

So what happens to one’s identity if there’s no guide to that sense of self?

It’s bleak. Or there’s a turbulence. Either way, it’s hard to decipher what exactly you want out of life, and for yourself, because there’s just no good way to tell what makes you comfortable, and what doesn’t. But you still strive to find stability. So you mirror those around you. To blend in and be accepted. By chance, it can extend beyond humans; me mimicking my dog—panting when I’m happy, whimpering when I’m sad—, it was probably so that my dog would console me when my mom wasn’t around. Because my dog (a lovely boxer) was very attuned to me.

The conversation with identity is…just another complicated thing. And this one is harder to articulate, in part because it’s not really discussed by people who don’t have the disorder. As opposed to the mood swings.

All that to say, when it comes to this analysis, the truth is, there’s not a feasible way to explore the nuances such as Violet’s relationship with identity, or alexithymia, because they aren’t spoken aloud to give us enough insight, and by proxy, these aspects of BPD are not what Violet represents. But acknowledging such nuances provides a better understanding in what this disorder means.

Regardless, Violet is a representation BPD in relationships, and the dysfunction of those bonds. How it’s exacerbated within an apocalypse, and then the self-treatment of.

Or, or, Violet has…a tendency to be a wallflower. More or less.

[Ericson's Resident Wallflower]

The Final Season (TFS) is particular when it comes to Violet. It will be evident throughout this essay, the care that the game and the team behind it devoted for her. From the dialogue to her actions, Telltale did well in illustrating this character. I will argue, however, that the quiet intensity in nuance laid throughout is what evoked the need to write this essay.

Because Violet represents something quite thoughtful in regards to mental health—the reality of what a disorder is, and what it can do.

So TFS is particular, and it begins with her introduction, where there’s this need to recontextualize her. Not once, but twice.

Clementine is first introduced to her silently. She follows Marlon out into the courtyard, and Tenn whistles at the wall.

Because on the school’s wall is a girl, and she rises from her lounging at its height. There’s a glance shared between Clementine and Violet, before Clementine speaks more with Marlon. After that, another glance, where Violet turns away—not before the player can spy a bit of intrigue in her face.

Clementine reunites with A.J, meets Louis, before a recontextualization, where Violet (she does talk) snarks about the crashed car, and the walkers that the accident brought to their door.

And it takes Louis to pry a proper greeting from her:

“Ahem. ‘Hello, Clementine. I’m Violet. Nice to meet you.’” “What he said.” [. . .] “Don’t mind Violet. She, uh…, grows on you. I promise.” [Ep.1 | Done Running | School Gate]

Good job, Violet. Way to be sociable.

Sarcasm aside, yeah, it’s a little rough. Violet is overall dismissive of Clementine, save for the comments. To the point where she has Louis introduce her ass.

Now Louis…is a quiet presence throughout this essay, though he is all the more integral to her character. There will be fewer words compared to other relationships, but those words signify a unique dichotomy between him and Violet, one that the other schoolkids—Minnie and Brody included—do not have with her.

And it starts immediately. That dichotomy. Louis is the one who tells Clementine Violet’s name. He is the one who formally introduces the two. Because he knows how Violet is. Ensures to lingers so that he tell Clementine—promise her—how Violet is worth sticking around for.

It’s just that the girl is troubled. So.

Thereafter, his banter is teasing, and Violet is still sardonic. But, she ultimately does play along. In her own way. When in the woods, and the schoolkids are focused on clearing walkers to have Aasim, Brody and Mitch make a safe return, Louis strikes the conversation, Violet scoffs, but can relent depending on the player’s dialogue choice(s). It is important to note that Violet scoffing doesn’t necessarily equate to her being mean; it’s clear through the card game later that…this is her way of banter, with Louis especially. She takes jabs at him. He retorts. Does the same. It’s on equal footing.

The next true recontextualization presents a taste of what Louis means. After clearing the walkers, and A.J socks Marlon, Clementine is left to acquaint herself with the other schoolkids. Mitch and Willy, Omar and Louis, Aasim, Ruby (where A.J apologizes for biting), and Tenn, right alongside Violet.

And those two are tending to the school’s makeshift cemetery. It brief, but Violet explains they lost the twins, and for the hour, they’re paying their respects.

From the wall, then the gate, then here, at their burial ground, it’s as though TFS wanted to scatter Violet’s introduction across her nuances. First it’s a silent couple glances, with her overlooking the courtyard at a perch, then it’s her being a little prick at the gate, a lightheartedness when mowing down walkers, and then it’s…this, a staunch vulnerability to and for her people. In context to the graves, her people being the twins.

All the moments that night thereafter feed into this. The card game goes back to an apathetic, yet also teasing, demeanor. Her shared conversation with Clementine, as A.J becomes an artist draws, it’s again a vulnerability, this time rattled by the fact that the dorm was once the twins’.

Throughout this first episode, Violet’s standing with the rest is shown to be quite reflective of this almost inconsistent preamble.

Marlon is the most succinct when he remarks, in the rain, after Clementine chooses to ask for Violet’s support:

“Violet being difficult. Why am I not surprised?” [Ep.1 | Done Running | Courtyard]

It’s such a blunt statement, intended to dig at her.

Though, there is truth to it. Violet’s introduction overall says as much. She admits it herself when in the dorm, and she finds that Clementine is housed where the twins were.

“Honestly, I just miss having someone around to talk to. [. . .] And I’m not, exactly, like…a people person. You know? I know I sometimes have a habit… Have a habit of being a little bit too harsh.” [Ep.1 | Done Running | Dorm]

Violet is not sociable, so naturally, she struggles to find someone to talk to. But, she is also sardonic—that much we got from the gate, even if it was followed by Louis’ banter which she reciprocates.

But ultimately, it’s Brody who gives the best context to Violet, and really voices what Louis is getting at.

When Clementine goes fishing, Brody begins a conversation, and within that, she can reveal based off the prompts:

[She’s…intense.] “She’s always been a little bit like that. But after the twins died, she really closed up.” [It wasn’t your fault.] “Still, I was the one that had to break the news to her. And ever since I did, she’s become distant.” [Ep.1 | Done Running | Fishing Cabin]

There’s two key things here, starting with the unsociability that Violet’s demeanor and Marlon’s slight reference.

Then, the revelation that Violet has closed herself off. She’s become distant within the past year.

…it implies that the Violet first introduced to us is not truly Violet, in a sense. It presents to the player thatmuch of her arc with Clementine will be about uncovering her, and really bringing Violet from this depressive spiral. Romantically or platonically so. And these lines are intended to both explain the character, and to incite enough intrigue for the player to follow Violet down her route.

But it’s rather unfortunate that so much of this character is hidden away from the start, because there's the chance that people glance over her, take this initial Violet as Violet, and decide to spend more time with Louis and follow down his route. Because, for the sake of this essay, it's damn near impossible to really appreciate this character when you don't go with her route.

Same can be said for Louis, of course. But, respectfully...

It ain't about him. So. Moving on.

Playing leader.

When Marlon is shot, Violet immediately jumps into action to protect Clementine and A.J from getting jumped by the rest, and she assumes the leadership role. Regardless of player choice. There is an curious point with her being a leader, though that will be set aside to explore later.

Instead, I’ll side-step, and bring about a piece of conversation upon Clementine and A.J’s return. In this, we gather a very telling side of Violet, one that speaks volumes to her character.

[Clementine] “You’re sitting in Marlon’s chair, aren’t you? You’re their leader now. They’ll listen to you.” [Violet] “They don’t, though. They only listen when they want to.” [Ep.2 | Suffer the Children | Office]

Again, we’re side-stepping from the playing leader thing. Violet says that they don’t listen to her—says it like it wasn’t a really a surprise, just a point of frustration. Because, of course, Violet’s difficult. The last leader said so. But also, none of them have stepped up to fill that role. They take issue with her, but none of the schoolkids have really challenged her to take the mantel for themselves.

The silent nuance here is…why is it that she’s the leader? Violet made it seem like she really didn’t want to be at the boarding school—what with the contention between most, then the fact that she’s still in mourning. Tenn appeared like he was the only one keeping her there, but by stepping up in this way, not necessarily.

His presence and her need to protect him is a huge factor. Absolutely. Just not the only one.

We return again to Louis, the one schoolkid with the shared dichotomy. He is the other love interest. Him and Violet are often on opposite sides—especially in regards to everything Marlon.

And yet…, the way they speak about each other when one is taken away says everything about such a dichotomy.

To start, we’ll look at Louis:

“I know I’m always teasing her. Trying to get her to do that one eye roll she does—you know the one. Where it’s like, ‘you’re such a dumbass,’ she has to do a full-body eye roll. I do it because, when I actually do manage to make her laugh, it’s worth it. If I needed her, she’d be there. Meat cleaver in hand, ready to chop someone in half if it meant protecting me.” [Ep.3 | Broken Toys | Dorm]

He brings context as to why their banter is so dogged to tease. Louis does it because it’s reciprocated once he gets under his skin, and she retorts back with the signature full-body eye roll, but also, because he’s striving to reach another side of her, one where she laughs.

Because Louis is a big entertainer. He craves to draw that out from people, so when he has someone like Violet where it’s not easy to do that, it means that much more when she does, because it tells Louis how despite everything, she is there, listening.

Then there’s Violet, and her words for him:

“You know, when I first got here, I hated him. He was so…much. You know? He walks into a room, and it’s like, ‘Look at me! Watch me perform!’ It’s so stupid. But then I realized, under all that, he… He really cares about people, and he doesn’t just feel it, he says it. He’ll tell you every goddamn day how much you mean to him. Shit, he’ll probably sing about it. [. . .] We’ve got to get him back.” [Ep.3 | Broken Toys | Dorm]

She nods to Louis being this big entertainer. Says that she hated it, and that it’s stupid. And yet, Violet thinks fondly of how genuine of a guy he is.

And between these two quotes, there’s a mastery in storytelling, because there’s an active dialogue between Louis and Violet. Doesn’t matter if one is on the boat, and they’re not. Their words parallel. Had they been in the room together, this would’ve been a back-and-forth.

Louis says that he teases her. Tries to get underneath her skin. Violet says that hated it, and hated him, for his antics. Yet, she then admits that…there’s a genuine nature there, because Louis does care, and he will say and sing it so. That genuine nature is the fact that he just really wants Violet to laugh, and to find that side of her.

Because Violet’s his friend. He values Violet as his protector, because Louis knows that she will be there whenever he desperately needed her.

And Louis is Violet’s friend. Which is why, without a word from Clementine, she states, firmly, that they need to get Louis back. Because in that hour, he was in peril, and he desperately needed Violet’s cleaver at hand.

It’s a tragedy, really, for both. When the other is taken, the one thing that each praise of the other is what’s stolen. For Louis, his knight is blinded; he has to be the one to protect her. For Violet, a comfort goes mute; she can sing in his place.

After spending a few moments with Clementine in the dorm, there’s Ruby’s hootenanny, and through that hootenanny, Violet can tell Clementine what brought her to Ericson’s:

“I spent a lot of time at my grandma’s house growing up, what with my dad being a drunk and my mom working three jobs. But after my grandpa died, Grandma just kinda…shut down. Spent all day and night rocking in her little chair in the den. I’d sit there at her feet as we both watched tv, mostly cartoons, since she never seemed to care. Sometimes I could hear her crying, but I didn’t look back. I’d just feel really weird and turn up the volume, you know? “Anyway, one day she left the den and came back with another chair, and a .22 rifle. Set the rifle butt on top of that chair, holding the barrel back to her chest. So, you know…, she had trouble reaching the trigger this way, but she must have known it would happen… Because she took out this really tacky wooden backscratcher—the real long kind with the one end shaped like a hand—and used that to push the trigger in. So…yeah. Bang, right? Her body folded up and just…kept rocking. “My mom came to get me five hours later. I hadn’t moved. She asked why I didn’t call the police or an ambulance or anything. I just shrugged and told her it wasn’t like Grandma was going anywhere…, and besides, I just wanted to finish my cartoons. She shipped me off to Ericson the next day. I was eleven.” [Ep.3 | Broken Toys | Piano Room]

Through all of what Violet tells Clementine, there is still that flare to make the story more interesting for, you know, a video game. It’s a violent kind of neglect she shares.

But it is neglect all the same.

Violet was born to an alcoholic and a mom who stretched herself thin to compensate, yet even so, she later can admit that their home was a trailer—so the income of three jobs, all her time spent away from her mom, wasn’t enough. Perhaps there were financial troubles. The money might’ve been all drained away by cans of beer, or bottles. Violet did have an escape through her grandparents, though that didn’t last, and she was trapped to the same neglect. This time, with a better house. Probably.

Until her grandmother went and shot herself.

…with Violet in the room. Right behind the child.

And? There was no consolation; she was sent straight to Ericson’s, where the apocalypse then struck, the adults left, and Violet…was the difficult one, designated as this wallflower, or buzzkill. There were the twins, Minnie especially. Yet, even then… That relationship likely wasn’t reciprocated.

The flare that TFS adds to why Violet found her place in troubled youth—the violence, which could’ve dashed the screen she watched for those five hours—, it hides much of what went wrong with her, but simultaneously, it defines the gravity of her childhood.

It describes a mechanism of hers. One undoubtedly developed from her times alone with a drunk, whenever her grandparents and mother weren’t there. A sense of apathy, and with it, a broken moral compass. To not mind yourself, and not get in the way. To let it happen, and just get it over with, in whatever way that could imply.

And, with the sheer gravity, it begs the question…, how far did that neglect go? All of the abuse, if it wasn’t the only kind. Children aren’t born to sit in one place for hours, with fresh gore rocking in a chair behind.

The question wasn’t answered, of course. She was sent away instead. Then there were the adults. And then, other schoolkids. Violet isn’t…a people person, you know, so it’s only natural for her to be the difficult one as Marlon says.

Still, however, with Clementine as they watch the stars together, Violet denotes for the bird constellation,

“A bird is free. It could go anywhere it wanted to. Up and up and up, and never come back. Go south, east, west, doesn’t matter. You could fly straight into a sunset. And see where it ends.” [Ep.2 | Suffer the Children | Belltower]

And to that,

[Clementine] “You wish it was you, don’t you?” [Violet] “Sometimes, when it all feels so heavy down here, I can’t help but wonder what it would be like to be weightless.” [Ep.2 | Suffer the Children | Belltower]

Violet has struggled to belong, and yet, she remains. Yes, there’s the apocalypse. However, in all the years at the school, she could have left just as well. There’s a version of her, lost in development, where Violet does leave had she not been saved.

So why didn’t she?

The answer to that, quite simply, is one Louis may admit to Clementine, should that version keep his tongue, and the silent nuance behind her playing leader:

Violet is too loyal to her people to leave.

It’s why Louis teases her, to try and find that laugh, and why he knows that if he needs her, she will be there to protect him. Violently, with a meat cleaver.

It’s why she takes charge, because Violet knows none of the others wanted to, but they needed someone to lead. Whether or not they appreciated that it was her.

And, it’s why she acts without thought to stand her ground against Marlon. If she’s asked, the camera doesn’t leave her because it is no surprise that she will stand beside Clementine, as opposed to Louis, where he decides with uncertainty, and the camera has him shuffle to frame; for Violet, the change in her face is immediate. The camera doesn’t have the time to idle in tension. What Louis says is dead-on:

“If I needed her, she’d be there. Meat cleaver in hand, ready to chop someone in half if it meant protecting me.” [Ep.3 | Broken Toys | Dorm]

Even if she isn’t asked, Violet will then stand her ground once Marlon is shot. She vouches for the outsiders, in the name of reason, and for the twins and Brody.

She doesn’t think when Clementine is in danger—didn’t matter that her and A.J are just exiled. Violet will do as told, trust Clementine—to shoot, or to run.

Takes the helm after Marlon. Backs Clementine every step of the way.

Cannot let Minnie go until she has to, and Violet has seen that the person she clung after is gone.

Violet is too loyal to her people to leave, for her loyalty unbridled.

It’s her strongest quality. It is, also, what marks Violet with borderline.

[Emotional Anchorage]

We slip back to describe BPD at large, beyond this essay and character. However, everything of this section has its place with Violet.

And it begins with emotional anchorage.

Emotional anchors are not inherent to BPD. It’s not unique to the disorder because, instead, I’d argue it is a universal experience. These anchors are anything which triggers an emotional response. These can be specific objects—like an old stuffed bear, a photograph, a house—, or stimuli—like a scent, a song. Tangible things like these are indicative of our nature. Humans like things. We like to collect, and tinker, and destroy. It helps if it’s shiny. It really helps when there’s fire or light involved.

Here's another thing about anchors:

They can be people.

They commonly are. It’s how we distinguish strangers from significant relationships—friends, family, partners. Anchorage is present despite the nuances between friends (just a friend vs BFF), and family (siblings vs parents vs offspring). And, partners—emotional anchorage explains how queerplatonic relationships come to be, because the fundamental element of a partner (being an emotional anchor) is present, it’s just the romantic and/or sexual implications are ambiguous.

Emotional anchoring is the process in establishing the anchor, leaving anchorage as this essay’s way to articulate the concept itself.

Borderline Personality Disorder will naturally encourage these attachments.

Within the community, BPD has a term: favorite person (or FP). It is as it reads. There is a designated favorite for us, and this favorite person can be a friend, a family member, or a partner—anybody, really. With FP, we begin to fall down the well in emotional anchoring as it pertains to the disorder.

Because, ultimately, a FP is either the strongest, or the only, emotional anchor an individual with BPD has. (For the sake of this essay, I will replace FP with primary/prime emotional anchor going forth, to be more consistent in word choice.) And the anchoring of this person is generally not intended. It just happens, where there’s a strike of intrigue, and everything follows thereafter.

The moment I anchor a person, it is a stark change from the indifference/apathy I display to I want to spend all my time with you, and I will literally die for you without a second thought. I will remember everything you value better than I remember my own, and I will present those nice things to you, at every opportunity. Tell me your favorite color once, and I will remember it for decades to come. Tell me to break my nose, and I may very well do it on the spot.

Which. Yes. Is intense.

Understanding the disorder behind it, however, allows me to take the precautions to…warn people beforehand. And to tell them upfront, if ever I am encroaching on boundaries, just say knock it the fuck off, Volt. In exchange…, I don’t take it personally. Because, uh, yeah. I can get intense. I understand. I may feel a type of way in the moment where boundaries are made, but that’s the BPD talking in my ear.

But also, I know I value someone being upfront with me more than a passive rejection. Frustration is what sets me off—the not knowing why—, not the rejection in itself. Because if I don’t know why, that’s how I interpret things as abandonment.

I have been rejected many times in life by people I’ve deemed emotional anchors. And it stung. A lot. Far beyond what I could ever articulate, but if I had to try, they are wounds carved to the bone, or with one, where my heart was quite utterly eviscerated.

There’s a deeper conversation there, with an anchor changing before my eyes. And, yes, it’s ultimately this which the essay will discuss in great detail. Through Violet.

Yet, before that, emotional anchorage is one of the few things that borderline has the chance to gift a person, because it’s not all bad. If you’re like me—where everything is null, and blurry, and static—, having a person suddenly there to awaken my body to speak, sharpen the world, and bring chaos inside my head… It’s a lot. It’s demonstrably a devastating thing, but in a very raw and beautiful way.

Demiromanticism, no doubt, is a reflection of how I express BPD. So to realize my demi ass has feelings, whenever it happens, is nice. …it also means I then have to determine whether it’s that, or a crush. And there is a difference between genuine feelings and a crush, and yeah, I prefer one over the other.

But. (And this can be platonic or romantic.) Having someone be that anchor grounds me, and while the relationship will have turbulence—because the boat I sail is on a river I can’t build canals for—, there brings such a confusing clarity to the world. I have a purpose where I didn’t think I did before.

It’s a high. A borderline addiction.

To not a thing, not a habit, but a person.

When it’s healthy, it’s everything, and I can brave all storms. When it’s not, it’s obsession and mania, it’s my boat trapped in a whirlpool with the anchor at the center of it all; I may break away, violently, or I will sink, and it will be the death of me.

…and when there’s no anchor there at all, I and my boat are to the whim of the river—because there are no canals, I have to rely on my boat to guide me and find an anchor. This can be where people turn to destructive behaviors. Substance abuse. Eating disorders. Everything alike.

Why though?

Why is it this way? Why do people like me sink their teeth and set anchorage like this?

This is where identity creeps its way back.

Because though anybody can develop emotional attachments, to the point of anchorage, BPD again does this to an absolute extreme. My personal anecdote may speak to it without debate. Understanding how identity gets itself involved further speaks to that extreme. BPD isn’t necessarily about the traits themselves, right? So rather, it’s how they manifest, and fester, and the mechanisms behind it all.

With identity, it hinges on what you find comfortable, and what you don’t. It’s guided by your feelings on things, and your comprehensive response thereafter. Passions turn into aspirations. Self-perception feeds into expression. And on and on.

So, if someone does not have a stable sense of self, there is a disturbance in identity. There’s no coherence to the person. Few consistencies, if any at all.

The identity is as stable as your regulation of emotions allow, and if it’s dysregulated, so will your identity.

A broken sense of self fractures a person. So we scour for stability. We do so in people. But with that broken sense, it’s easier to just swap out characteristics and emulate the environment, should there be a promise of stability. When this happens, it can be recognized as masking—because, debatably, it is—, but it can also go so far that people confuse this borderline trait with something like DID.

To those none the wiser, yeah, it might as well be DID. Because, like…, they just change so quickly. And if it’s a matter of mirroring different people, it can also imply that the BPD encourages the person to alter their personality depending on who they’re with at the time. Which. Yes. Has the capacity to resemble switching between split personalities from an observer’s perspective.

However. I have outlined (in quite the broad stroke) what DID is: a split in identities, in order to protect and shield the individual from further trauma. It’s dissociative in nature, where the distinct, established personalities will operate the individual at different times—given the nuances which come with DID.

BPD does come with dissociation as well—my personal experience with how I live day to day is indicative of, for simplicity, derealization and depersonalization. However, it’s not a split. What’s happening is this one identity does not have a stable, set personality. With the incapability to regulate emotions, it indicates a level of alexithymia. So how are we supposed to understand what we want, and don’t want, in everything from interests to moral standing? Things that a personality is grown from?

This copycat behavior is in itself a mechanism that BPD deploys. It’s kinda masking, not to purely to hide from and integrate into social norms, but also to find a sense of self through a very, very desperate act of scavenging.

In BPD, the best candidates to copy are the people who make us feel good—get a high from—, and that we want to be around, and whom we fixate upon—to a manic point:

Those emotional anchors.

As we go back to Violet, keep this in mind. Again, no, there’s no feasible way to remark for certain what her relationship with identity is like, so the implications that emotional anchoring has on identity can’t really be applied. But the intensity—the level of fixation—can.

Because Violet struggles in her bonds with other people. There’s an idealization present to those bonds, and a devaluation. Both this good and bad, the highs and lows, are via anchorages.

So we’ll start with Minnie.

[Emotional Anchorage: An Obsessive Good Memory]

“Sophie was a good friend. And Minnie… Uh… We were close, me and her.” [Ep.1 | Done Running | Dorm]

When we meet Violet, amongst her introductions, Clementine learns about the twins from the two who still tend to their graves—Violet, and Tennessee. Not long after, there’s a card game, and not long after that, Violet finds Clementine and A.J in their dorm.

The one which was home to the twins.

“Huh. I see you’re, um…, settling in.” “Yeah. Is that okay?” “Sure. I guess. I always liked this room. Sophie had, like, paintings and shit on the walls. Lots of color. And Minerva…, she was really musical. [. . .] She had the most amazing voice. Real bluesy. [. . .] That was a long time ago. After they… Afterwards, Brody and Tenn took down all the paintings. And that was the end of it. I shouldn’t have even brought it up. It’s not a good memory. Guess I just lost my train of thought.” [Ep.1 | Done Running | Dorm]

The way she speaks of Minnie, there’s an adoration, and a nostalgia made bitter by the perceived tragedy.

Of course, those twins (…okay, well—) aren’t dead, they were traded. So even though Violet has yet to see Minnie, she is now a presence to her mind that isn’t nearly as bitter. She focuses on getting the school prepared for a fight, alongside Clementine, but through it all, yeah, Minnie is still there.

And when looking at the stars with Clementine, if Clementine remains quiet for the fish constellation, Violet comments,

“Bright, pretty, good with other people. Always moving, tons of energy. Sounds like anyone we know? The energy one is easy. Good with people, not so much. [. . .] Y’know, it… Well, maybe this is weird to bring up, but it reminds me of Minnie.” [Ep.2 | Suffer the Children | Belltower]

Minnie is a big part of her, despite their time and distance from each other. They grew up together. They got closer.

Another thing:

Violet never says girlfriend.

The only time where it’s “proclaimed” by the season that Minnie and Violet were girlfriends is through Clementine, where whenever A.J sees the carving in the fishing cabin’s wall, she can say,

“It means they were a couple. [. . .] Violet was Minnie’s girlfriend.” [Ep.1 | Done Running | Fishing Cabin]

Is it fair to assume that? Yeah. That’s…what carving a heart or potato with initials is supposed to symbolize.

But like.

Let’s be for real. What the ✨fuck�� does Clementine know? Sure, she’s somehow not concussed after hauling ass in the sky, with a car. But she doesn’t know these people. Point blank.

We don’t know when this heart was carved. Just that it’s V + M (suggesting Violet did it, given the order), it’s out of the way from the school and in the fishing cabin, and it’s just shy from a bed (and alcohol).

Again, Violet herself never says girlfriend.

The heart could’ve been carved with Minnie there with her. Or, Violet was deep in mourning, and decided to brand the cabin—likely because it holds a significant memory.

…and Imma be honest, the cabin has a bed, and it is covered in bottles. Everywhere on the table. Some scattered around. So I will give the benefit of the doubt. Considering the…subtext around the fishing cabin, doing some quick math with my gamer instincts, yeah, if you leave youth (troubled or otherwise) alone, you might get Lord of the Flies, or…exploration. I guess.

It is clear that there was something. There is validity to “[w]e were close, me and her.”

The question then becomes why the ambiguity? Had TFS been made in a different time, and James didn’t have a boyfriend, and Violet and Clementine couldn’t be a couple, yes, it would’ve been Telltale beating around the bush.

Except even in this moment, Clementine outright says girlfriend in reference to a sapphic dynamic.

Because TFS was not made in a different time, James did have a boyfriend, and Violet and Clementine can kiss and hold hands.

The ambiguity indicates something else. That ambiguity is heightened the more Violet talks about Minnie pre-Broken Toys (saved Violet route). Because she speaks so fondly of her, with almost this conviction.

Yet…she still does not say girlfriend.

This is textbook. Given the essay, and what I’ve already exhausted over, it shouldn’t come as a surprise, but it is quite plain:

What Clementine stumbles upon isn’t a mourning over a lover; it’s instead, at its core, a lasting idealization.

With BPD, idealization is as follows:

“[A] way of coping with anxiety in which an object or person of ambivalence is viewed as perfect, or as having exaggerated positive qualities.” [Verywell Mind | Idealization and Devaluation in BPD]

This tracks.

Violet speaks so fondly of Minerva, with almost this conviction, yet she does not say girlfriend. Ever. Because the conviction is the intimacy, but Violet is a pragmatic individual. Though there’s idealization present, referring to Minnie as her girlfriend (for whatever reason) is too far for even her mental state.

Like she mourned Minnie for a year. She gushed about her to Clementine every chance she got. So…why not say it?

With this all established, TFS then allows us to witness how idealization in borderline often corrodes into devaluation—the inverse of idealization, its absolute antithesis.

“Used when a person characterizes themselves, an object, or another person as completely flawed, worthless, or as having exaggerated negative qualities [. . .] because there is often no middle ground for a person with BPD. Feeling challenged, threatened, or disappointed can quickly cause them to devalue the people they formally idealized. Rather than cope with the stress of ambivalence, devaluing functions to minimize the anxiety caused by ambiguity.” [Verywell Mind | Idealization and Devaluation in BPD]

This corrosion has a name. It is splitting.

Like with the previous definitions, I will allow my resource to explain this concept, because of everything this essay has to offer, it is this that the everything hinges on.

“Splitting involves an inability to hold two opposing thoughts, beliefs, or feelings. People who have BPD tend to view others in all-or-nothing [. . .] terms. “This self-protective defense mechanism aims to help people with BPD protect themselves from getting hurt in relationships. By labeling people as ‘good,’ they are able to engage in relationships despite the emotional risks. If they feel threatened, they can then quickly discard the individual or the relationship by labeling them as ‘bad.’ “Like most defense mechanisms, someone with BPD may not be aware that they are engaging devaluation and idealization. Splitting is a subconscious way to protect themselves from perceived stress[, and] reflects the challenges associated with maintain an integrated view of the good and bad in a person under stress. Some researchers suggest that some of the difficulty is rooted in the way the brain, particularly the amygdala and prefrontal lobe, activates in these experiences for people with BPD.” [Verywell Mind | Idealization and Devaluation in BPD]

…again, this essay has to break away from Violet and TFS to provide an insight, a discussion, of what this means for BPD.

I will start by clarifying that splitting from one end to the other is a bitch to deal with. The catch is not every person with BPD is incapable of reading the world beyond black-and-white. I’m one who can, …when I’m not in the midst of an episode. Day to day, I’m apathetic/indifferent—take your pick—, and because of that, I don’t give enough of a shit to really fixate on what is “good” and what is “bad” to me. I take everything as they go.

Because I really, really do not give a flying fuck.

The moment there is any seed of emotional attachment, or anchorage, it changes things. For me, it’s generally that I really adore this person, but they did something that hurt, and it confused me, so I shut down and close myself off. Namely so that I can have the time and space to breathe and process. Because I feel a lot for these people. I’ve gone over how intense that feeling is. And the last thing I want to do is hurt them.

So the moment I get confused, it boils into frustration, but frustration means ire with me. And that’s terrifying, because I don’t know what I can and will do if I’m backed into a corner. Because I know my brain shuts itself off.

The other thing to this as well is…it’s not always such a violent shift between idealization and devaluation. It really depends on how confused I am, the person, and then the time and distance laid between me and them. If there’s minimal distance between me and them, and minimal time between then and now, then yes, it will be explosive. If, say, a year has passed, and I have not seen this person within that time, then the splitting will look very different—largely because I don’t perceive it as an immediate danger, so my brain never shuts off, and I can process in the moment with reason. There’s still significant emotions there, of course, and given it’s still splitting, I do have that shift between the extremes. Difference is,I am able to regulate myself better.

Take note of this nuance, because it is absolutely present in Violet.

And we resume her relationship with Minnie, where we witness the corrosion from idealization, inching towards its antithesis. The process is best explored if Violet is saved, where it doesn’t taken an age, nor a day. It takes mere morning hours.

When spying upon the boat to get their bearings, and formulate a plan, they find Minnie chopping wood. Or, Clementine does, pulls a knife on her, before Violet intervenes. They embrace. Clementine has opinions off to the side.

Then.

They talk. And Minnie… Um. Well. If Delta was inspired by the New Frontier, Minnie would’ve had a fat branding right on her forehead.

Immediately, it becomes evident that Minerva has no interest in going back to the school. Her loyalty lies with the Delta. And given the prompt, she will have this to say:

[Violet’s in charge.] “Really? The Violet I knew could barely stand to talk to people, let alone play class president. You’re the one who convinced the school to fight back. From where I’m standing, that puts you in charge. Your ‘leadership’ is going to get my little brother killed.” [Ep.3 | Broken Toys | Forest]

Huh.

Not only does what she say about Violet directly contradict what Clementine sees from her, Minnie is also blatant in steamrolling right through the testament, and tells Clementine that no, you’re the leader, and you’re bad at it because you are a threat to my brother.

It’s a little jarring. Because, one, ouch. That’s mean. Mitch died because he ran into a knife, and it was not Clementine’s.

But two, what?! Violet, whose first line to Clementine is snark about her driving, could barely stand to talk to people? Violet. Who stood up to Marlon, cleaver at hand? The one who Louis says (given the other route) will do just that to any threat?

Our Violet, who Clementine gets to know. The one who immediately took the role after Marlon because nobody else did? Despite the fact that, yes, she realizes there’s no promise that the schoolkids will actually listen?

Violet…is openly sardonic, is she not? Does she not confront people with a weapon?

It’s a little jarring, then it’s…dissonant the more you pick it apart. Because what is Minnie talking about?

I will say, for sure, Violet changed within that year apart. But not to the degree that Minnie implies to us. We have Louis’ words for Violet, and then Violet herself—constantly brings up protecting the twins. And she’s shown she will. Violet will shoot Lilly if told. And Violet, after Marlon’s death, brandishes her cleaver to shield Clementine and A.J from the other schoolkids.

Maybe part of the change was that she vowed to herself that she’d do better after losing the twins. Wouldn’t be surprised.

…but Minnie didn’t like killing walkers, though. Which implies that, yes, Violet probably filled a protector role for her, in regards to the dead.

It’s baffling. I can go on and on and on.

Just as Violet did, between seeing Minnie after so long, and finding Clementine in her dorm.

“The thing is, seeing Minnie… I feel like it should’ve scared me. But it didn’t. The person we ran into in the woods, that wasn’t Minnie. Not really. The way she sounded, and acted… The way she talked about Sophie, and Lilly… I’m…confused, I guess.” [Ep.3 | Broken Toys | Dorm]

She voices the same sentiment.

But upon various dialogue prompts, the corrosion inches its way to Violet:

[She’s one of them now.] “It sucks, but…I don’t know what else I expected.” [It’s not Minnie’s fault.] “I never said it was. But it doesn’t change anything.” [We can save Minnie.] “You saw how she reacted when Lilly showed up. Those are her people now. And we are not.” [Ep.3 | Broken Toys | Dorm]

I do think it’s interesting that, even if Clementine says to Violet that Minnie could be saved, she says otherwise. Because Violet is pragmatic. Minerva coming back from the Delta is just not realistic.

So through time and distance, and the wake-up call in the woods, Violet expresses an acceptance of this. The fact that Minnie won’t come back. It’s not quite splitting, because…this isn’t a true devaluation here; it’s the idealization ebbing away.

“Minnie…, the real Minnie…, she’s gone. She’s been gone this whole time, and I…have to stop mourning her. I won’t let her take you or A.J. Or anyone else I care about.” [Ep.3 | Broken Toys | Dorm]

And she admits it to Clementine aloud. Promises her that she, and A.J, along with everyone else, will be protected from the Delta—from Minnie, if need be.

Not only that, if Violet is romanced, she makes a request:

“There’s something I’ve always wanted to try with someone I cared about. And I never have. [. . .] Have you ever danced with anyone before?” [Ep.3 | Broken Toys | Dorm]

I’ve always taken this line to signal how nervous, and how new Violet is to this kind of relationship. Because it is new to her. This is the first time where her feelings were reciprocated. She always wanted to try dancing with someone, but for whatever reason, never had with Minnie. And she’s nervous because…she wants it to be reciprocated, and Violet here is gaging a reaction, testing the waters.

In writing this essay, another thought occurred:

This is Violet moving on.

She’s nervous because there is a lot of weight to this request. She’s gaging what Clementine says, because Violet is invested now. All-in. 100%.

It’s not about Minerva—doesn’t even outright say that she never had a dance with Minnie.

Because by this point, through this dance, Violet’s realized just how unreciprocated her feelings were, because now, she has the chance to dance with someone who does reciprocate. And not just in the dance. Clementine’s loyalty extends further than that.

Another detail that I noticed is perpetuated throughout every interaction with Minnie is who she always prioritizes, and how it contrasts Clementine. With Clementine, of course A.J is first priority, and Violet understands that. And she goes out of her way to help with him. Conversely, Clementine helps with Tenn, and the school, and the other Ericson kids. All of which are who Violet also prioritizes.

Meanwhile, the same can’t be said for the other side of that contrast. Because it’s always what about Sophie and Minnie? from Violet, and never what about Tenn and Violet? from Minerva. It’s only ever Tennessee for her.

With the initial encounter, yes. She wouldn’t be asking about Violet because… Violet’s right there. She’s talking to her. However, we overhear Minnie talking to Dorian, asking to have Tenn join her. Not Violet. Then, further into the night, where suddenly she’s singing her own boss music and a red bar just takes up the whole screen, Minnie goes out of her way to claim Tenn.

And then, for good measure, axe Clementine.

But not because of Violet. Clementine gets axed regardless of who she saves, because Minnie…is far, far more pissed that Clementine put Tennessee in danger than anyone else. Including Violet.

The Delta changed Minerva. Yes.

Yet, Lilly never was able to remove her loyalty to her people. Her people being Tenn.

It’s telling, how (in)significant Violet was to her because all I read is…, it is nowhere close to the significance Minnie had on Violet. Because Minnie had other priorities.

She just happened to be Violet’s primary emotional anchor. And with that comes everything Violet could feasibly offer a person.

Here’s the thing to understand with this essay, and what I’m getting at with Minnie and Violet’s past relationship:

Violet anchoring Minnie is not Minnie’s fault. It’s not Violet’s either; a kid isn’t going to understand why they’re feeling a certain type of way, but when it feels nice, they will follow. Especially when the adults responsible for troubled youth are just…gone.

But what this does bring to light is a nesting place for borderline’s stigma.

Emotional anchors, splitting between idealization and devaluation—these concepts are the source for much of the fear against people with BPD. When gathering articles to reference at the end, some articles I pull from r/BPD on Reddit because having resources that are from people with experience asking and answering questions is incredibly valuable. Many discussions in r/BPD related to this (exchange primary emotional anchor with FP) are frustrating. For myself to read, because several are people not with BPD venting, but, I imagine it was frustrating to type out because…they’re venting for a reason.

Depending on the discussion, however, what is said is ignorant to all of what I know of my disorder. I know where it comes from. I know that the emotions behind all of what I do with anchorage are genuine. But then there’s people who vent, or there’s others who prompt a question because they are nervous that their friend (with BPD) is not genuine.

Of course, I can’t promise how other people with BPD are like. BPD is dependent on the personality, and if you have a shit personality. Um. Yeah. You’re not a fun person to be around. Sorry?

Not really, but, you know.

Stigma aside, it is true. I understand the insecurities, and the need to vent. Being someone’s anchor because of borderline is a lot of fucking pressure, and truth be told, it’s like that because…what if you just can’t reciprocate the intensity? After that honeymoon phase, people without the underlying disorder tend to get exhausted emotionally, meanwhile…, there is no cease from the other.

So people tend to draw away. They either do so quietly, in attempt to not hurt feelings, or, they’ll be direct and antagonize because of they stress they’re under. Either way, if the condition has gone untreated, the confusion this brings will then ignite the individual’s borderline. This is where you get insecurities born within the relationship, which the person can then go further and self-sabotage because there is no regulating themselves. You get constant bombardment whenever they feel neglected. They’re overbearing. You feel that their claws are dug deep, and it’s far deeper than you could’ve ever imagined.

Because there’s an anchorage.

If this is what happened, and Minnie entertained Violet, but never reciprocated the magnitude of devotion Violet brings with her… I can’t blame the girl. And given that Minnie was a troubled youth just as much as Violet was, she had her fair share of issues.

Because frankly, I don’t care if she was brainwashed or what, Minnie still killed her twin sister. You know, the one that has been in the same situations, the same environments, throughout Minnie’s life, yet when she saw the Delta, Sophie did not fold. Sophie actively fought against the Delta, whereas Minnie…complied.

Even before they were caught on the raft that Sophie planned to steal.

“One of the girls saw that this was a place worth fighting for, and her tears dried. But the other twin, she could never forget her old home. She rejected every gift, every opportunity. Stirred up trouble every chance she got. She convinced her sister to help her steal a raft and leave on the river. Of course, they didn't get far. What happened then, Minerva?” [Ep.3 | Broken Toys | Brig]

This Parable of Twins is, of course, by Lilly’s word, and yes, she did brainwash Minnie. So naturally, there will be an element here where the details are lost. I buy that Minnie did accept her place in the Delta where Sophie never did, but I don’t really believe that it was just because she saw it was a place worth fighting for.

The reality of Minerva is she’s a very conflicted person, and she’s passive by nature. She’s a good head taller than Violet, yet, when Violet talks about her (and Sophie), it’s always about protecting her. Because Minnie didn’t like killing walkers.

I also wonder if the reason why she’s so passive is because Sophie…might’ve been the one that got her and Tenn into trouble right with her, if she was more combative. As for the confliction, Minerva may have been caught in between—because there’s a combative twin, and then there’s a younger brother to protect, one who’s passive to a fault.

It’s this confliction and passiveness that has Minnie primed for manipulation. She will seek stability through, well, passive means. With the Delta, do as they say.

…and with Violet, it’s let the girl have her infatuation, maybe entertain it, but don’t cross too far into romantic territory because the girl’s a little too intense.

(Of course, Minnie is also the one who was practically dead herself while leading a herd by voice alone, to kill her brother and maybe do a little slashing. So like, she is just as intense, just…in less of a loyal kind of way, and more in fucking unhinged way. Because she also might’ve been the one to instill Tenn’s beliefs.)

Once it’s revealed what happened to Sophie, Violet snaps. She yells at Minerva.

But even still, there’s a slip of that anchorage:

“Who are you?! Fuck survival! Look at what you’re doing! Minnie, please, I just want to talk to you for a second! I’m sorry we never searched for you, for Sophie… I’m sorry we trusted that fucker, Marlon. If I ever thought there was a chance—” [Ep.3 | Broken Toys | Dorm]

Following this, time ticks away with a bomb in a boiler, so Clementine lunges for an escape—to get A.J back to her side. And Minnie tries to stop her.

With a knife near-identical to Jane’s in S2. And it manages to gouge a near-identical scar in Clementine’s sternum. A stark parallel to S2’s ending. Except, Violet doesn’t hesitate. The moment she is out of the cell, she disappears into the backdrop, then an arrow finds its place in Minerva’s shoulder not long thereafter.

She does stay at her side, for when the schoolkids leave. Perhaps for closure, if the previous dialogue gives any indication.

Because even though Violet shot Minnie, moved on from her with a dance, and realized that she wasn’t going to return, that anchor is still there. Minnie was, after all, still a significant part of her, and that…doesn’t really ever just go away. The idealization may have drained, but the feelings themselves do remain.

We then look to another Violet, who was taken rather than saved.

“At least here I have Minnie… [. . .] Don’t act like you know her. She tried to escape. Her and Sophie. They said if I fight back, they’d kill Minnie. Or one of you. All you’ve done is get us hurt or killed. If you fuck this up worse, I’ll stop you myself. And don’t think I won’t. I’m not losing her again, or anyone else.” [Ep.3 | Broken Toys | Brig]

And another aspect of BPD, and anchorage, becomes clear:

Borderline primes people for manipulation, much in the same way that a passive and conflicted nature primed Minnie.

There’s a flipside to emotional anchoring in BPD, and it has everything to do with how the disorder forces people to become reliant on their anchors. People who cannot discern nor regulate their own emotions, and people with a bleak, instable sense of identity.

Which is a problem because there are people who’re able to take a person’s emotions, and weaponize them as a puppeteer. They manipulate through any means necessary.

Most, in an effort to avoid being manipulated themselves, try to hide their emotions and keep them out of reach. They suppress them, because suppressing your emotions is how you get the most control, and nobody else.

Right?

Coming from experience, do not do this. Suppressing your emotions is the last thing you want to do.

Especially if you want to avoid getting yourself manipulated.

I felt that I had to suppress not just as a child, but before that, because I was in a fucked situation. And it did this to me.I have no control. Life is a writhing storm at sea, and I just fucking hope I can find an anchor within the storm’s eye—but I know there’ll never be a calm to this storm.

And the wrong people know this. The ones who prey and manipulate to abuse the loyalty I am so desperate to offer, and can pull it from me with ease, should idealization blind me from the warning signs.

When Violet is saved, she sees through Minnie quickly. Because it’s in how Minnie talks. And it’s weird, because Violet also includes how she talked about Sophie, when the most Minnie said was “she died protecting the Delta. A hero” once prompted by Violet’s concern. That shouldn’t have raised alarm, yet…something about it did. To Violet.

So she’s able to let go. Violet still holds the memory of Minnie quite dear to her heart—the one in her head—, but after this, it was more about closure, not bringing her back. And all it took was that one interaction.

But here, back to a Violet taken away, it takes longer. She’s not told what actually happened to Sophie; instead, both Minerva and Lilly feed into a broken trust with Clementine, and condemns Violet back to the girl who sat with Grandma’s body rocking behind her.

Her loyalty blinds her to what Minnie has devolved into, so she goes and tries to stop the bomb, save the boat, and secure a future with her because Minnie is all she knows and trusts.

Yet.

It’s broken when Violet does. Because Violet has her face marred by the bomb. She’s left to defend herself—blindly—as she clambers out of the water with a walker snagged at the leg. She asks for Minnie at first, is led by Louis, and then…it becomes clear what happened when they hear gunshots, clearing away the walkers.

Minnie. Is left. Unscathed.

Well, okay. She does, like, panic and stuff, and then gets bit. So, that explosion had been her death sentence.

But Minnie is not burned. Not like Violet.

Which…implies something. However it happened, Violet was the one closest to the bomb, and Violet was further down the beach, towards the boat, whereas when Clementine, A.J and Louis reach her, Minnie is away, towards the woodland. Getting her ass bit. A bunch.

She either got off the boat at a different (earlier) time, or, she just…abandoned Violet. To defend the last of the boat and her crew. And, probably, to look for Tenn.

Leaving Violet to realize something, and as she struggles to see the world, she begins to try and apologize. To Clementine. Who didn’t lie to her about the fucking bomb on the boat, and given that, it also kinda explains why Clementine didn’t take her sweet time consoling Violet from her episode because. Um. The bomb.

Whatever it was that happened, it’s enough to rattle Violet to reason. And to snap her out of it.

Within one interaction. (…explosion.)

It’s…the little things like this—the ones that go unsaid—, which indicate Minnie’s sense of priorities, and how even when Violet actively worked to help save the boat, those priorities never were Violet. Before this, she manipulated and lied to her, and (via the alternative path) she never…danced with Violet, despite Minnie being the musical twin. Instead, Violet never danced, but she does sing now.

Which again has me wonder, was it Minnie entertaining Violet, and/or, if the subtext found in the fishing cabin does indicate this, was it never romantic like how Violet wanted? Just physical?

I’m kinda losing my mind over here?!

There was always an imbalance. Violet always prioritized Minnie, and her sister, and her brother. She prioritized the latter two because of Minnie, and then prioritized Tenn after the sisters were traded off. Prioritized Minnie’s interests—singing, and took it on herself—, and left her own—like the dancing—to…wane in self-doubt.

And then…, we have Minnie who killed her twin, and then went after Tenn to also kill him. The killing part is, well, the brainwashing and trauma, and stuff, but point being… Violet is still not in the equation. She’s an afterthought to Minnie.

This isn’t to say that Violet and Minnie’s relationship was downright toxic, or abusive, or anything along those lines. All we have is Violet’s word. But given Violet clearly glorified Minnie to herself, her word is unreliable.

What this is all to say is…, it was no mistake on Telltale’s part to have Violet physically blind, or then speak about how she had been blinded figuratively—before reality set in. Down one route, this was done by having the wool pulled from her eyes; down the other, it was the blinding in itself that brought her clarity.

It’s what I mean when I say that Violet’s unbridled loyalty is also her bane. She establishes strong and intense emotional anchors, to the point where should that anchor be lost, she will refuse to let go. And not because she wants to trap herself to that anchor, but because that’s…how BPD is. Attachments like this are really hard to shake off. But also, Violet didn’t know who else to turn to.

There’s Tenn, sure, but she’s his protector, not the other way around. There’s some of the others—Mitch, Willy, Ruby, Aasim—who we don’t get enough time to really see how Violet is with them. Marlon she tolerates, but there’s a clear strain between them.

Louis— God, there’s Louis, and he’s the one that she is vehement about getting back—indicating that he is yet another anchor for her. Thing is, he was also Marlon’s best friend, and they are…opposites. A lot of conflict comes from that.

…this essay really doesn’t have much to say with Louis and Violet. In part because, frankly, I didn’t really know where I could put him with the points I strive to make. There is absolutely space for him, yet, another thing:

Their words for each other, when the other is taken, are enough. Louis and Violet say everything themselves.

I did give commentary to the dialogue quotes, but it was sparse for this precise reason. I don’t need to get into how quietly powerful their friendship is. Louis is the one who introduces Violet by name. He’s the one that promises Clementine that it’s just her way, because he knows her. If blinded, he’s also the one that she relies on to guide her. And despite Marlon, and perhaps despite even Clementine given the different routes, there is never a malice between them.

Which I adore TFS for doing, because it would’ve been easy to have them be rivals and fight over each other. Especially for Clementine.

But that’s also juvenile, and while those storylines have their place, it is not here.

Never has. Never will.

So there’s Louis. He’s an anchor. Yet, because he is the one grounded anchor Violet has of the schoolkids, not fazed by idealization nor devaluation… That is their dichotomy. It is unique of all other relationships Violet has before Clementine—after Clementine as well, should he be the one saved.

We have Brody. Who does represent a point of devaluation for Violet. The lowest to a volatile relationship.

[Emotional Anchorage: Walking Triggers]

Truth be told, in this most recent endeavor to write Violet’s deconstruction, Brody was who reignited the compulsion. Because there is a deep-seated complexity to what happened between her and Violet, and why it happened. …only for me to find yet another post somewhere that was made by a glanced judgement.

Its criticism wasn’t in any way toxic, which was nice because this fandom…has a mean streak. But it did harken back to borderline’s stigma regardless.

Devaluation is a very ugly mark on someone with BPD. Worse than idealization, in the eyes of many. It in itself is toxic,and this coping mechanism is one of the reasons why BPD a disorder with the stigma it portrays. There’s a dysfunction in the order within our behavior.

That dysfunction, and the subsequent behavior, provokes a defensive ignorance.

Violet is wrong to do this. This is an antagonistic trait of hers, and Brody gets the brunt of it. She had to live with this for a year.

However, making blanket assumptions is reductive, especially in a discussion where it’s about understanding the how and why. There’s a reason why Violet devalues Brody. The path to how it happened in the first place is actually quite apparent. If you know how to read the signs, you can see this happen a mile away. So through understanding the how and why, it’s easier to 1) avoid it entirely, and 2) navigate devaluation if/when it does transpire.

Both Brody and Violet together make one mistake, and the fix is straightforward. Not easy, but straightforward.

Before that, though, we first shall establish a few things.

For one, Violet is…a lot. Don’t let her apathetic demeanor fool you. Just look to the previous section—that alone is enough to prove otherwise.

Along with the apathy, Violet is sardonic. She’s aloof to people when she doesn’t have strong attachments, but, she likewise shows to be pragmatic and reasonable. Which like, same. I wear belts and layer my jackets with vests too.

…and I also know what this kind of character implies: Violet is a little bully. She absolutely has the capacity to be cruel.This is also confirmed later, where at Ruby’s hootenanny, there’s mention of an Erin with braces that Violet would make fun of. (Probably because braces are hard to take off; they are a little goofy in an apocalypse, but also…really unfortunate the more it puts stress on the mouth and dental structure.) Violet then comments that she didn’t know why she did.

I wear belts and layer my jackets too; upon reflection, I did the same thing as a kid. So I have some insight to this which may explain the why here. Given how Violet speaks of this schoolkid, I’m willing to bet that Erin wasn’t someone who Violet had strong emotions for, one way or the other. She likely was pretty indifferent to Erin.

So, if that is true, Violet being a bully here comes from a place of 1) being apathetic, and not reading social cues like she should’ve, and/or 2) Erin was an outlet, but not a personal one.

Snide comments, and other slighted behaviors like this, they do not register.

Nothing clicks up here, behind my eyes. The comments are too brief to. So where this lashing out is coming from, it happens so swiftly that, by the time it leaves the mouth, I don’t know where it came from. There’s not much feeling to it. It was an impulse. So I just continue on my way, and never consider why.

In this way, there’s no malicious intent, it’s just cold. But outwardly, cruel.

A lot of times, to me, it was just play.

This is how a play with you. I make fun of you; you make fun of me. If you get hurt by it? Well. That sucks. Anyway—

Which, yes, is toxic, and I’ve realized, and I’m an adult now and I…don’t do that. Kind of. Social cues are a thing now, and I’ve gotten myself more aware of people. But I still do like poking fun, with the full expectation that it’s dished back.

Granted, I don’t know just how much of this applies to Violet. She has her insecurities, and is nervous when bringing herself to the table. And I am definitely not that—it’s not a confidence; I don’t care enough to be confident, I just do my thing.

But. This does establish a pattern with Violet, and with BPD, the disorder reflects the personality. There are common traits to BPD, but the expression of those traits varies depending on the person. For someone like Violet, who is already rather cold, this means any trait of BPD which stems from a cold demeanor will be present, and elevated. To borderline’s extreme.

Or, because Violet already can be cold to people, where devaluation is concerned, her personality makes it ten times worse. It doesn’t end. She makes comments—except, now, because there is significant emotion behind the comments (to Brody), it is to sting. It is cruel.

But…, it’s also complicated.

The bond between Brody and Violet is first made to be antagonistic, and Violet’s the one who perpetuates. Unlike the night before, where she with Clementine had a nice banter going in the dorm (if a tad guarded), Violet on the way to the cabin is hostile. Her words aren’t aggressive, but they’re instead dismissive at best, scathing at worst.

Brody does push back a little, and tries to brush it off, but it’s quite plain on her face that this does get to her.

In the cabin and away from Violet, Brody gives the context. It’s not just the words themselves hurt, it’s the fact that there’s a history there.

“Hey…, about Vi… I’m sorry she’s being a little mean. It’s my fault. [. . .] I was there when those walkers killed Sophie and Minnie. They were really close with Vi, and…I think she blames me for what happened to them. I mean, how do you even apologize for something that fucked up? I don’t know. Maybe I deserve it.” [Ep.1 | Done Running | Fishing Cabin]

Violet is hurt. Brody’s guilty.

Then, there’s a second, damning piece of history that explains why Brody, of all the schoolkids, gives the most insight to Violet’s mental health, and why this is happening.

“We all used to be friends. Guess I kinda just missed that.” [Ep.1 | Done Running | Fishing Cabin]

In the same way where it was textbook idealization for Minnie, this is textbook devaluation.

It’s made complicated because they were friends—good ones, considering they’ve been stuck in the same place since the outbreak—, but now there’s a negative connotation. That being the twins.

And remember, devaluation is an avoidant mechanism. Ambivalence is confusing, and that agitates a borderline personality.

Brody can then explain more, depending on the prompted dialogue:

Once again, Violet is distant where she wasn’t before.

But we also get a further confirmation that Brody is the one with the negative connotation, and it’s because she was the one who had to tell her. …which in itself is an interesting choice of words, but we can assume Marlon pressured her once the conspiracy is revealed.

Then another confirmation, to the fact that opening a conversation has not been feasible.

Turn to Violet, and she first says this:

“God. Sometimes she just gets on my last nerve, you know? [. . .] I mean, it’s— It’s not like I hate her… I just… ‘I wish we could all go on a road trip together.’ God, she’s so…ugh. You know? [. . .] I don’t know what the problem is between us. With Brody…, I don’t know why it’s like this. Why is it so weird? I can never relax around her. It just keeps getting worse.” [Ep.1 | Done Running | Fishing Cabin]

All of this is telling. Violet is very animated here, both in how she says it, her shifting tone, and what she’s saying. First it’s a comment. Second it’s admission. Then there’s that sardonic tongue, an ask to gage whether or not Clementine understands, before it all breaks and she goes back to admission.

The last couple lines say something crucial to know when understanding the dynamic here. And if a player is impatient with dialogue, they will miss these.

I can never relax around her. It just keeps getting worse.

So Brody is a walking trigger.

Within the bounds of splitting to devaluation, this happens when an emotional anchor develops a level of ambivalence, but because anchors do not just go, the anchorage is instead insecure, rather than the source of stability once relied upon.

Yes. Brody is another of Violet’s anchors—just not the primary one.

And what it means to be a walking trigger is…devastating. Not just for Brody, but for Violet as well. She doesn’t have the support Brody gives her anymore. Can’t trust it. Because every time Brody walks in the same room, Violet cannot relax. She is agitated.

Don’t take this to mean in a figurative way.

It is literal.

Triggers rise from people an emotional response. In BPD, this often means that the brain will shut its reasoning off, and prioritize this “survival” instinct. Fight-or-flight.

So when Violet says, I can never relax around her, this isn’t a oh I’m nervous, I don’t know what to do. This is I cannot function when she’s in the same room as me. Maybe she’s hypervigilant around Brody. To the point where Violet cannot stand Brody anywhere near her…

So she sabotages. She’s cruel to Brody in the comments she makes. She does not allow Brody to get close, because it is too much. Rather than a calm, reasonable state of mind, Violet feels things. A cold pit in her stomach. A dwelling ache in her chest, or a knot in her throat. Can’t focus on what she’s doing—Brody’s there.

And the easiest way to stop it is to push Brody away.

And, and, initially, blame the girl.

[Because you blame her.] “Well, that’s what I used to think. I just keep thinking that things might have ended differently if I was there. Maybe I could’ve protected Soph. And Minnie…” [Ep.1 | Done Running | Fishing Cabin]

There’s a confliction here. Violet did blame Brody, until she realized it wasn’t that. Instead, she blamed herself.

It’s the following prompt, however, that gives the best clarity to Brody and Violet. The prompt,

[Because she never said sorry.]

where Violet tells Clementine exactly what the trigger is—because by this point, a year later, she’s figured out how to articulate what it is:

[Violet] “She tell you that?” [Clementine] “More or less. She wants to talk about it, you know.” [Violet] “I just… I feel guilty about the whole thing.” [Clementine] “Why?” [Violet] “I was supposed to be out with the twins that day. I wanted to work in the greenhouse, so I asked Brody to cover for me. But then… I didn’t even get to say goodbye. I… I wanted to talk to Brody, to tell her I didn’t blame her for what happened. But every time I tried, I was reminded of who we lost. It was easier to just not talk about it.” [Ep.1 | Done Running | Fishing Cabin]

If BPD isn’t a lonely experience, or a humiliating one, it can be a guilty life to live.

Violet expresses why losing the twins hurt as much as it did: there was never closure, and she blamed herself. Hence why, earlier, I suspected that seeking closure was what kept Violet at Minnie’s side after shooting her.

She was finally saying that goodbye, regardless of how the interaction itself went.

But it’s what she says about Brody.

Violet wants to talk. She has wanted to. But Brody’s a walking trigger. Every. Single. Time that Violet tried to talk, the same turbulence arose. In BPD, without that regulation, it is unbelievably difficult to talk when…your body’s actively flipping the fuck out.

A cold pit in her stomach. A dwelling ache in her chest, or a knot in her throat. Can’t focus on what she’s doing.

Of course she found it easier to just not talk about it. That is an instinct ingrained by borderline.

BPD is a lonely experience every time you lose an anchor this way. The disorder is humiliating because you do not want people to see you like this, when you’re in the midst of an episode, and you have no fucking control over your body, so you yourself are flipping the fuck out.

And it’s guilty. Because when you’re in Violet’s position, where you know the reason why, you know what you want to do, but your body works against you at every turn…

It devastates a person.

Because it is your fault. You did this yourself. Reap what you sow. You’ve done it again, it’s humiliating, and you are very, very alone because you just cannot stop burning bridges.

…in the apocalypse, being chained to a boarding school does not help. There is no way to give the time and space someone like Violet needs to think, and to process, and to let those emotions relax. Brody kicks up those emotions whenever she’s around, and the dust just never settles.

Violet trapped herself in a cycle. By the hour, or by the day, for a year, it would’ve been a ceaseless agony.

One that did scar over. Violet probably got used to it, and found a routine to the snide comments. It wasn’t like Brody was leaving anytime soon.

Until she does, and she suffers a disorientating last few moments.

I’d like to think they made amends and had a full conversation. I don’t know, however. But, at least Violet does take the first step when walking from the cabin, and she entertains Brody’s fantasies about a road trip, and that she would’ve had her sights on the Grand Canyon.

Because the one mistake they made was they never talked. It wasn’t going to be an easy thing, but it is that straightforward. So when they did, or began to, the devaluation began to ebb away.

Then, a tragic irony.

Brody’s guilt was never just I’m not Minnie, so she hates me, and it’s my fault. Rather, Brody’s guilt was warranted, and quite honestly, yeah. She should’ve be guilty, because it’s I watched as my leader gave this girl’s world away, and did nothing, lied to her, to her face, for a year.

Violet didn’t know this at the time. So for her, Brody was a point of devaluation because it’s her mental health actively jeopardizing things, not the truth and circumstance. The deception, in the conversation of that mental health, instead plays itself like salt to a wound, and then a tragic irony once Brody was murdered for it.

Because Brody knew they had to tell people. If the path to mending their relationship was encouraged, then it could be read that it gave her the inch to confront Marlon. If otherwise, Brody wanted to tell everyone because she needed to, despite what turmoil the truth would’ve caused Violet.

By the time Violet does know, and there’s a funeral, she says this about Brody:

“Brody, she was… She was real sweet. She had big dreams. And we all knew they wouldn’t come true, but we didn’t care. And we didn’t care because when she was talking, whatever she said seemed possible. [. . .] I don’t know if she found the place she dreamed about, but I’m gonna miss her.” [Ep.2 | Suffer the Children | Courtyard]

There’s forgiveness. With Brody died that devaluation.

Not a moment thereafter, however,

“Marlon was… I can’t. Not for Marlon. After what he did to the twins and Brody, I—” [Ep.2 | Suffer the Children | Courtyard]

The cycle continues.

Now with Marlon.

If Violet devalued Brody, she absolutely vilified Marlon. Because not only was it about the twins, there’s also Brody.

So of course she didn’t give him any peace after the fact. Why would she? Marlon had his own complexities, yes, but those complexities hurt. They brought another ambivalence.

As the essay rattles from the schoolkids, we’ll discuss another relationship now. A new, fresh one. Clementine, through who we see all of it—the emotional anchorage, the idealization, and devaluation. The splitting between. How intense Violet can be, and how volatile.

We have Clementine, who is given the chance to witness what Louis means for this wallflower, and that she grows on you (he promises so).

[VIOLENTINE: The Ship, and its Anchorage]

Platonic or romanced—the difference doesn’t matter in this essay. The shift of context between friend and more than that is just that: a shift in context. Distinguishing the two will have its moment, but it is hardly integral to the fact of the matter:

Violet anchored Clementine, and she did it swiftly. (In record time, dare I say.)

In regards to the arguments against romancing Violet, there’s a lot of people who look to Minnie, then back to Violet, and point to Clementine’s “girlfriend” dialogue. “Violet’s not over Minnie,” is a common one, right alongside, “Clementine’s just a rebound.”

Now. I’ve spent 5.5k words tearing those arguments to shreds in one section, and I still have with me another few things to say about Minnie and Violet’s relationship up my sleeve. In light of Clementine and Violet’s relationship.

Because even though I do buy that they were closer than friends arguably would be, they weren’t girlfriends. It’s why Violet was insecure within their relationship, and why that insecurity devolved into a strong case of idealization. Violet genuinely did love Minnie. Her bond with the twin will honestly forever be there, but that bond wasn’t unconditional. The conditions were at the cost of Violet’s mental health.

Then there’s the rebounding, and I will use this as a jumping off point regardless of relational status.

Rebound relationships are defined by a partner still with a previous relationship’s baggage. They’re not done healing. They haven’t quite let go. It gets in the way for committed relationships where the expectation is that both are in it 100%, and that person just…can’t. Because they’re still fixated on the last partner.

…which yes, does sound like Violet. Cuz it kinda, sorta, frankly is.

However. For one thing, this dynamic doesn’t just apply to a Violet route opted for romance. The rebound applies to a platonic dynamic, in part because I don’t frankly believe Minnie was a true girlfriend, and in part because idealization is not specific to partners. Especially in what we see in TFS, Violet needed to let go of Minnie regardless.

Then there’s the fact that being a rebound isn’t always bad. To rebound, which is where the term “rebound relationship” derives from, means for something/someone to bounce back. Or, it can mean a kind of backfire. Both uses of the word can be applied to relationships like this, which, yes, is why they’re fickle, and why people do their best to avoid.

Here’s the thing: Violet needed a new relationship to pull her out of the old one. Because Clementine is a catalyst for Violet, and she was anchored so quickly because whether Violet herself realized, she did want to move on. She couldn’t, but through Clementine, she got the chance.

And I do confidently say that she did want to, because by one interaction in the woods, Violet is disillusioned from Minerva immediately. She’s snapped out of what image she had of her, and is the one that remains realistic where Clementine can offer supporting words—along the lines of we can get her back.

It’s why Brody, through the cabin’s conversation, observes the same.

“We all used to be friends. Guess I kinda just missed that. But when you showed up… I don’t know, I just haven’t seen her warm up to someone in a long time.” [Ep.1 | Done Running | Fishing Cabin]

I find it interesting that Brody picks up on Violet taking to Clementine so quickly, and is able to read enough into this to try and see if it’s enough of a push for Violet to start healing. She’s right, it is enough, and Violet does take a first step in mending their relationship, and breaking away from the devaluation that was arguably heightened by her idealization of Minnie.

…granted, it’s dependent on player choice. There are Violets running around out there having fished with Clementine, but never did reconcile with Brody.

In any case, I am going to argue against Minnie being Violet’s ex because 1) who the fuck cares, I’m not concerned over purity over here, and 2) it’s likely they weren’t exes at all.

However, I won’t fight against this being a rebound. It is. But, Violet’s arc is about learning how to let the fuck go, she has a problem with letting go, so of course the relationship would be a rebound by proxy. A healthy rebound, at that.

By the time she is forced to let go of Clementine, after two newcomers are voted out, her attachment is made quite plain the moment Clementine is in danger within— What, five minutes, and Clementine is at gunpoint?

Regardless, Violet is there, bow at hand, with Louis behind her. She is ready to shoot, and it is no bluff. Violet will if prompted. Or, she will run should Clementine prioritize getting the two out of it.

Because Clementine’s already anchored. Violet trusts her to make the call, and she will follow without hesitation. Later on, after a weary night with A.J shot, then a morning of crawling back for medicine, Violet calls for Clementine to talk in the office. And in there, the anchorage is confirmed further:

“What happened out in the woods… I saw they had you pinned, and I… Shit, I got so crazy. “I know you think I didn’t do enough for you and A.J, but when I saw you were in danger, I had to do something.” / “When I heard you call for help, I didn’t even think.” [Ep.2 | Suffer the Children | Office]

The second line is dependent on whether or not Clementine blamed Violet before, as her and Louis walked the exiled to…exile. And stuff.

But, her account as to why she ran right for Clementine, and pulled an arrow on Lilly says everything I got so crazy, I didn’t even think, I had to do something. Clementine roused a trigger.

This time, in a very good way. Well, as good as the circumstances. In any case, this does count as a trigger because it’s inciting an emotional response, and given Violet’s wording, a fight-or-flight. (I realize triggers are specific for negatives; for the sake of brevity, I don’t care. I still say it counts.) It’s the reason why, before, when I detailed how I personally get with my anchors, I do similar things. No, not literally pull an arrow on someone, but I act on impulse without care, because I just want to satisfy their needs to the absolute fullest. It’s genuine, but it’s also triggering—under a positive connotation.

After this, of course, we push into Violet leading the school as they prep for an attack, with Clementine right alongside her. Whatever happens during this time is unknown, just that the school built-up the walls, laid their defenses, and focused on instruments to help, such as traps and explosives. Shortly after the time-skip, of course, we get the belltower sequence.

Starting with an inquiry:

“I know you came back for medicine, for A.J, but after that, you could’ve just left. Avoided all the bullshit with the raiders. Why didn’t you? Sorry, I know that puts you on the spot. You don’t have to answer. We’ve all got our reasons.” [Ep.2 | Suffer the Children | Belltower]

Violet asks something that has likely been on her mind for a while, but then… Not backtracks, but she does relinquish the pressure for that answer.

As their time at the belltower continues, it’s clear where the question came from.

“Sorry, I didn’t mean to just…talk so much. It’s just, I’ve watched people leave before. Family, friends. They never come back. But you did. And now I can’t imagine what it would be like if you weren’t here. Um. Shit, that sounds so much dumber when I say it out loud. You know what I mean.” [Ep.2 | Suffer the Children | Belltower]

Violet’s hesitancy to speak her mind, be vulnerable, is interesting, particularly because it’s about doing so too much. It’s a very specific one, with ambiguous implications. This could be an anxiety she put on herself, or, this was something that she took after a mention that she was talking too much, getting too personal, one way or another. Then there’s also another thing, where it sounds dumber than she intended. As though when speaking her mind, Violet has an idea of what to say, but she doesn’t know quite how to articulate it.

This is a really good line of dialogue, so that latter insecurity is just that: an insecurity.

Nevertheless, this speaks volumes because it’s the first verbal admittance to an issue with abandonment. All the adults left her life, and never returned. Those include her parents, who never tried to get back to the school. Her grandfather died, so not his fault, but her grandmother shot herself right behind Violet. Which is abandonment, and really fucked to do. The teachers of Ericson’s…

Then fellow students. Most probably died, including Brody. And the twins were taken away.

Abandonment is a huge thing.

So we turn to the route where Violet is taken. And it’s not good. Violet reacts as predictably as this essay has outlined.

[Clementine] “Vi? What happened? Are you okay? Violet, talk to me… We’re here to take you home.” [Violet] “I looked for you. When they grabbed me, I saw…you let them take me. I’m just supposed to forget that because you’re here now?” [Violet, if platonic] “Some fucking friend you are.” [Violet, if romanced] “Some fucking feelings you had for me.” [Ep.3 | Broken Toys | Brig]

Here we have now a fresh faultline within her and Clementine’s relationship. It brings ambivalence. Upon seeing Clementine, she’s plunged into an episode.

And Violet splits. Her image of Clementine is distorted, so she falls back to the same pattern she did with Brody, and she is hostile.

[Clementine] “What’s wrong with you, Vi? Come on, let’s get the hell out of here.” [Violet] “No, Clem. I’m done. This whole situation is so fucked! At least here I have Minnie…” [Clementine] “You mean the Minnie that betrayed us?” [Violet] “Don’t act like you know her. She tried to escape. Her and Sophie. They said if I fight back, they’d kill Minnie. Or one of you. All you’ve done is get us hurt or killed. If you fuck this up worse, I’ll stop you myself. And don’t think I won’t. I’m not losing her again, or anyone else.” [Ep.3 | Broken Toys | Brig]

We also have Violet manipulated on top of that, led instead by Lilly and Minnie’s word, not Clementine. Because BPD primes people to manipulation, especially in times when they’re at their most vulnerable. But, throughout these interactions, we do see Clementine attempt to console her, and talk.

Violet, however, is not open to. She is not in the right state of mind. This is a BPD episode, so Clementine is not able to get through to her here. Violet does not trust her—too much ambivalence. Mitch’s death is fresh on her mind, she’s been lied to by Minnie about what happened to Sophie, and with that lie, she was told that more people would die if they did not listen.

And of course, the more time is spent, Clementine starts to get frantic as everything escalates because there’s a fucking bomb ticking away in the deck down below. So there comes about an urgency, and she can’t spend that valuable time consoling Violet.

So she starts chipping away at the door.

“What the fuck are you doing?! You’re gonna get us all killed!” [Ep.3 | Broken Toys | Brig]

And Violet does precisely what she said she would do, and she attempts to stop Clementine herself. Because there’s Minnie again, but she also doesn’t want anyone else to die either.

Lucky for Clementine, she is stronger, and she is able to overpower Violet within a minute. However, in trying to get the cells unlatched, then to find her way to A.J, she herself is overpowered by Minerva. The urgency and stress associated backs Clementine to a corner. She still doesn’t want to see Violet hurt, so, she explains,

[Clementine] “We planted a bomb on the boat!” [Violet] “Fuck you, there’s a bomb! Mitch is dead! You just… Fucking go!” [Ep.3 | Broken Toys | Brig]

…and again, Violet does not trust her. Mitch’s death is still fresh on her mind. Everything that Lilly and Minnie fed to her is still present.

Then, the bomb goes, and it takes Violet’s sight with it. Even on the beach, she asks for Minnie, amidst confusion because, somewhere down the line, they got separated. Louis has to be the one to support her. By this point, and some beats after, it feels like this is another Brody. Like there’s no turning back, not until a long, long year where Clementine would be in the same shoes.

Minnie makes herself known, though. She’s off in the woodland, with her people.

And that is when this Violet has the wool pulled from her blinded eyes, because she realizes what happened.

The moment is brief. It’s very easy to miss. Yet, the attempts Clementine gave on that boat to console her, before the urgency really began to set in, was not fruitless.

Violet tries to apologize:

“Clementine? The stuff I said on the boat, in the cell, I, uh…” [Ep.4 | Take Us Back | Beach]

It’s not the right time for it. The schoolkids need to get off that beach, but this brief moment is huge.

The thing about episodes is, yes, in the moment, the individual is not consolable. There’s no reasoning with someone who is shut down. However, the attempts to try and console, and/or any verbal promises to leave the door open for when they’ve calmed down, the effort can be recognized and appreciated.

Once Violet snaps out of it, that’s precisely what it was. She understands that Clementine was never trying to hurt her, nor did she come to her disingenuous. Clementine was there to bring her back, because the situation was exactly as Violet herself said—fucked.

But still… Clementine was there to bring her back.

Either way, Clementine proved herself to Violet, because down this route, she left twice, and came back both times.

Of course, the night does not end there. Clementine loses a leg. Another schoolkid is gone.

So through the weeks thereafter, Violet gave herself the time, and then, she tries again with the apology:

[Violet] “I wanted to wait ‘til you were up and about, but how I behaved on the boat… It was really unfair. My head was so messed up—by Lilly, and… And Minnie. I was so wrapped up in my own shit…” [Clementine] “It’s okay. You went through hell in that boat, and I let that happen.” [Clementine, if platonic] “I’m just glad we got you out of there.” [Clementine, if romanced] “I’m just glad I got you back. I was so worried I’d lost you.” [Ep.4 | Take Us Back | School]

In this apology, Violet articulates the position she was in, and admits the kind of influence Minnie was to her—not a good one. And in turn, Clementine acknowledges her. She doesn’t demean Violet for what she did. On top of that, she expresses how she’s just happy that Violet is there in the moment.

This route is bittersweet. We have the beginning, where Violet is guarded, then she warms up to Clementine, finds an anchoring point, and acts upon a fierce loyalty. Which then is hurt when Clementine chooses to save Louis instead. The time on the boat is very bitter because…the truth about borderline is, yeah no, it does not care who the person is to the mentally ill. The disorder is a disorder for a reason. It will hurt, and it will put a strain and test a relationship.

Then you just have the big fuck you axe where Minnie…effectively was the one who managed to wound Clementine, have her get bit, and then lose the leg. Which isn’t really how an eye for an eye goes, but that’s what this route goes with.

But then…, it’s sweet. Because Clementine did the right things, with what stress she was under.

She tried to talk to Violet, and in doing so, she left a door open for Violet to crawl back through when the time was ready. It was sooner rather than later for her, since Minnie… Whatever. However, it’s an apocalypse; a boat was just blown the fuck up. So while it was the time for Violet, it was not the time for literally anyone else. Ergo, a second attempt, to which there was resolve.

Clementine and Violet did not make the same mistake that Brody and Violet did.

And that’s what saves the relationship.

Now, let’s waltz all the way back and save Violet, just to show what Clementine and her do right to build a healthy connection, whereas her and Minnie went wrong. To do this, taking a brief visit to the romantic will help in dissecting an evolution found as the episodes progress.

After the bits of dialogue in the beginning of this section, Clementine can choose to confess her feelings for Violet. It can be solidified by a kiss, or a question for a relationship, or…a meek silence, to which Violet is able to read and feel the same. Clementine can also express confusion, in that she needs the time, but express the interest all the same.

There’s a sweet moment here, and with the kiss, it can also be a touch awkward because…

Okay, they kind of flounder. Violet more so. Which is interesting to note, because Violet “supposedly” was in a relationship before. Sure, the moment on its own doesn’t mean an experienced person wouldn’t be any less awkward, but with the following steps in their relationship, it does support the suspicion this essay has in that she never had a reciprocated, romantic relationship with Minnie.

The moment where Violet asks Clementine to dance, and is nervous to do so, is one of those steps in the relationship:

“When you told me you have feelings for me, I was shocked. Then I started thinking. There’s something I’ve always wanted to try with someone I cared about. And I never have. [. . .] Have you ever danced with anyone before? [. . .] Do you…wanna? Just us. No one else around. I mean, I know it’s kind of weird, but it’s something I’ve always wanted to try.” [Ep.3 | Broken Toys | Dorm]

It’s a step in way of romance (Clementine even remarks after how they’re getting better), but it’s also a step in Violet’s confidence in being vulnerable with someone. She’s still clearly anxious here. Violet still has some of that self-deprecation, and it comes back if Clementine rejects the offer because the idea was stupid, or something along those lines.

But she still does ask. And it’s a big ask, because this is important to Violet. So if Clementine reciprocates the dance, it’s yet another sweet moment, and it builds the confidence within for this relationship further.

Before the night, Violet can tell Clementine how she got to Ericson’s. Then, through the night itself, she backs Clementine every step of the way. Shoots Minnie. Escapes with the schoolkids, only to come back and find her with Tenn and A.J, safe and sound.

During their walk, Violet opens up again. This time, there is none of that self-deprecation, and Violet even gets choked up—but she’s not really ashamed for it, she just continues and says her piece.

“While we were looking for you guys, and I… I thought you might be…gone for good…, um, shit. I was trying to figure out what I’d do if you were gone, and I realized how goddamn stupid I was. About Minnie. For a whole fucking year. I was so wrapped up in losing her and Sophie, I pushed away everyone who tried to care about me. Marlon, Brody, Louis. Even you and A.J. I tried my damnedest not to care about either of you. And I still couldn’t tell you why.” [Ep.4 | Take Us Back | Forest]

She admits everything. Is so very open to Clementine, and tells her what is on her mind. There’s Minnie. There’s what she regrets.

[You were afraid] “I was a goddamn coward. I’m not a coward anymore.” [I’ve done the same thing.] “And then you wonder why you fight so hard to stay alive. I don’t wonder anymore.” [You cared about me.] (Platonic) “I didn’t expect to find a friend like you, not ever again. But I’m really glad I did.” / (Romantic) “Yeah, I did. Way more than I meant to. I’m still kind of amazed we found each other, you know?” [Ep.4 | Take Us Back | Forest]

By this point in the story, Violet has undergone her arc.

She is a changed person because of Clementine’s influence, and she sees what she either didn’t see before, or did but had forgotten. Through a rebound, because Violet just needed a second chance to redeem herself.

Now…, she didn’t expect to find a friend like Clementine ever again? It’s interesting that Violet indicates Clementine was a second chance with the platonic route, not the romantic. Is this her quietly admitting that Minnie was never beyond a friend, actually? Or is this in reference to Brody and Sophie instead?

I dunno. Just found that interesting, since she could have said an equivalent for the romantic dialogue. In any case…

There is something so profound with how this relationship contrasts the ones which came before. As a friend or partner, Clementine never gets to the point of Minnie’s idealization, nor Brody’s devaluation. Both are antithetical to each other because they balance on the same scale—that being insecurity. Violet cared for Minnie and Brody deeply, and those emotions are genuine.

However.

Minnie was put on a pedestal because there were faultlines to that relationship which Violet did not want to face. Brody, instead, was degraded because rather than faults, it was easier to ignore the good sides to Brody. And the good sides were a really, really sweet girl who dreamed of a better life—something that Violet could never see for herself after the twins.

Then there’s Clementine.

Even at their worst moment, where Violet’s trust in Clementine waned, she still did trust her. Clementine told her there was a bomb. Violet snapped because Mitch was the one who knew explosives, and he was dead. And yet, she got herself blinded because she knew Clementine wasn’t lying to her. She trusted her enough to know…

Well yeah. There’s a bomb.

Beyond that, however, Violet decides to do some arts and crafts, even though she says they’re stupid. Or Violet’ll ask for a dance that she’s desperately yearned for. She’ll talk to Clementine, a lot, even if she didn’t mean to do it “so much.”

Clementine as an anchor never truly corrodes. It’s tested down one of the routes, yet by the end of it, the relationship is maintained.

…there’s a final note which taps into this.

We come back again to identity one last time. For a brief anecdote—nestled within the shadows of what exhaustion this essay has gone over with Minnie and Brody, and now Clementine—, but an important one. Violet’s sense of identity will remain to be untold because we don’t have that perspective. She never talks about herself like that, so there’s no true insight for Clementine to gather.

Yet there are scant traces of identity diffusion, or an incoherent identity, ceaselessly disturbed by external influences.

This calls back to a copycat nature where borderline personalities will imitate in order to find stability. Ambitions, beliefs, interests—these all go right along with it, because they very well can change, and do so radically. Impulsions in way of severe life choices are made on the foundation this nature provides.

And that foundation is not strong.

There is no way to truly understand and deconstruct Violet’s sense of identity, yet, her behavior and choices made throughout the season can give us something to chew on.

Between the two routes, Violet is…a hair shy from being an entirely different person. The Violet Clementine brings onto the boat is not the same as the Violet she meets there. By contrast, Louis remains consistent; bring him on the boat, and he acts as expected—same with when we find him…without a tongue.

One is Clementine’s Violet. The other is Minerva’s Violet.

In both routes, Violet’s impulsion changes her life’s trajectory. She either shoots Minnie, or, she goes after the bomb and blinds herself. In one route, she’s outspoken, combative to the Delta, and fiercely loyal to the school; in the other, she does behave like how Minnie described her—never could talk to people, never to be class president. The Violet in that second route is withdrawn and quiet…

But she does confront Clementine.

She mimics Minerva’s newfound bellicosity that she dawned from the Delta, and it’s pitted against Clementine by following both her and Lilly’s word.

Going back to the first episode, where Brody tells Clementine that Violet withdrew herself from everyone, a lot of that was depression. Violet also actively told herself to push everyone away (…except Tenn, a remnant of the twins). However, there is a read here that she withdrew herself because there was no one left for Violet to mirror. She reverted herself back to the girl who sat in front of the television, with her grandmother’s fresh corpse just behind her.

Not to say that Violet doesn’t have a personality on her own. No, she still does. Having a weak sense of identity doesn’t automatically mean that there’s no identity at all. It can just mean the self-perception of identity is weak, but given that it is a self-perception, what is Violet going to draw from if she doesn’t…know how to read herself?

So Clementine meets Violet in the midst of this. She’s sarcastic and grates for a minute about the car. She keeps up a wall between her and Clementine. But by the end of the episode, and the start of the second, here Violet is cleaver at hand, about to lead the school.

Marlon scathes when she stands toe-to-toe. Talks about her being difficult again—but that in itself is ambiguous, because does this mean she’s gone toe-to-toe before, or does this mean Violet has a tendency to be inconsistent? And was that night another inconsistency?

But then… Louis. He admires the fact that Violet is like his white knight. He relies on her to protect him, because he knows that there is no doubt—she will.

Then being a leader. That comes as a surprise to presumably everyone. There’s a few points of dialogue that suggest it, others that blatantly say it, and then more few beats where we see the contention between Violet’s leadership and the schoolkids.

There’s conflict here. Violet is inconsistent in who she wants to be.

And it’s just that, isn’t it?

The TWDG community has long since decided that Violet’s arc is about letting go of Minnie (for those who see past the “rebound” thing), and self-discovery. Which is still true, but through the lens of BPD, there’s another layer to this. It’s about learning to let go despite disorder. And then, it’s learning what she wants from people, and who she wants to emulate, again, despite disorder.

What kind of person does Violet want to be?

And this is distinct from Louis, because with Louis, it is also a self-discovery. He is care-free, live in the moment, to a detriment. To be quite frank, the only reason why he got that far into the apocalypse was because he relied on his community. Not because he couldn’t contribute, but because he has his fair share of self-depreciation.

But there is no question. He knows who he is, and he knows the kind of man he wants to be. It’s why Louis does talk about his sense of self as much as he does.

Whereas Violet really doesn’t, perhaps because she can’t. All of what she confines in Clementine is the fact that things get overwhelming, and she gets confused. Quite frequently. But also, her relationships. Everything external for her, because… Again, she struggles to articulate what’s going on internally, because of that confusion. It takes time for that articulation to be feasible.

Violet has a patchwork identity. She’s kept traits of others—such as the singing. Granted, everybody does this. However, there’s her own within patchwork, but those have gone largely unexplored in the past.

Then here’s Clementine, the catalyst to this arc.

Which begs the question, why? What about Clementine has this impact on Violet?

Something about her draws Violet in.

At first, yeah. Clementine’s new. There’s an air of mystery around a girl who totals a car at Ericson’s front lawn, with a kid in tow. But that mystery alone doesn’t equate to a cleaver pulled, guarding the new people from the rest—her own people.

The answer is rather simple: Violet is mirroring Clementine, so all there is to do is look at that reflection. And we find a leader. We find someone who is compassionate, and does everything to fight for their own. Actually fight. Tooth-and-nail. Someone who does whatever it takes to survive, even if that means rubbing the good ol’ walker jelly, or, taking risks to secure a bag of food.

Clementine’s compassion for people is evident once she wakes up, and she has A.J by her side. Her skills in leadership, her drive to fight, to survive—those are all made very clear at the train station, with both Louis and Violet following her lead.

So Violet mimicked. She found the same traits within herself, then elevated them. Brought them to the surface.

As the relationship continues to build—platonic or romantic—, Violet finds reciprocation. She’s not just emulating what Clementine would like to see. After all, she was sat in the headmaster’s chair while Clementine and A.J were still exiled. That indicates how Violet found, if not a comfort, a consolation in that part of herself.

The reciprocation continues whenever Clementine responds to her, and she validates Violet, she shows interest in what Violet says, and what Violet wants to do. Violet can ramble on and on as long as she wants, and Clementine would still listen. Violet (if romanced) can ask for a dance, and Clementine would oblige. Either way, Violet gives Clementine a pin. Clementine puts it on.

It's that compassion, and it cascades authenticity off Clementine to the people she surrounds herself with. She’s also someone who feels strongly. This character is a very empathetic person. Throughout S1, Clementine was perceptive of the people around her, and she cared. Deeply so. S2, the same thing, even if her morality began to grey. The start to closing herself off to protect herself was present. S3 as well, especially in her drive to find A.J once she learned he was still alive, out there somewhere.

Throughout the seasons, there are also plenty of moments where her empathy shows. Clementine does genuinely feel what the people around her express. Like with Louis, when his tongue is cut. You can hear in her voice how pained she is, regardless of the relationship itself. She’s pained because Louis is.

And given what she’s lived through on top of that? Clementine would absolutely put 100% in a relationship, enough to match someone like Violet.

There is another reason to this why, and the thought struck me when I was reminded of an easter egg during Violet and Clementine’s scene up on the belltower. A constellation, which Clementine can draw for herself, and he’ll wink right back at her:

Kenny.

This connection is an interesting one to make for a scene with Violet. It’s cheeky first and foremost.

Regardless, there’s a parallel drawn here. Violet and Kenny are very similar, in that…Kenny likely had BPD. TWDGhas two seasons, then a couple flashbacks, where we can read it so. That man was volatile himself. Fiercely loyal, but could absolutely flip on a dime if his perception of the people around did not align with what he desired—it’s why he’s so fickle with Lee, to the point the gameplay reflects it, and then Clementine as well, because this behavior was the ultimate antagonist. His spiral down mental health escalated, and escalated, and escalated.

And he’s guilty. Tells Clementine that to leave him, or to shoot him, is the right choice to make.

But should the two survive together, with dreams of driving down to Florida, we find that he…is okay. He’s stable. His anchorage with Clementine and A.J is strong, without ambivalence. In this storyline, she sees that with people like him, sticking around through the bullshit can be worth the trouble.

Of course, it’s also a testament whether or not it is worth it. Some people, including myself, left Kenny in S2. Because the turmoil through the season was just that significant.

He genuinely cares, but like my mom, Kenny still hurts. Especially in S2. Because despite himself, he just could never seem to get past what he felt, and his impulses.

Clementine’s relationship with Kenny varies across different choices made, and the interpretations thereof. My personal interpretation of Kenny will contrast wildly to another. And that’s okay.

But whatever the interpretation is, and the choices made, Clementine has experience with people like Violet. She’s lived through the type of behavior conditions BPD and alike bring. She knows how to navigate them, and find healthy grounds.

Clementine keeps an open line of communication with Violet. Expresses interest, and accepts what Violet herself has to offer. But she also has her boundaries. For one, A.J. He is her priority. Two, when Violet fights her, Clementine fights back because it’s not okay—do not lay a hand on me. Now, whether or not she would’ve fought like she did if there was no bomb, and A.J was still in the cell…

I don’t know. I assume it would’ve been one of those major choices of the game. Either talk her down, or fight.

…similar to what Lee has with Kenny, up in the attic after the house in Savannah is swarmed, or on the train before that.

Bringing Kenny into the conversation is…funny, in a way. At least to me. I write all this, because TWDG secured its place in my heart by being the very thing I needed through a really, really bad year where my mental health (BPD) reared its ugly head. TWDG as a whole, but S2 especially. I realize why so many people have issues with the season, and I get it. It’s only natural for that to happen when every season has its distinctive personality—not everyone will gel with its voice. That, and it does have its fair share of flaws.

But if it was not for S2, I would not be in the fandom. Because that season was 2019 boiled down to the pure chaos I inadvertently put myself through, and it did so by having me play a character who when she was taken seriously, she just could not do it right, then…, when she wasn’t, it was out of neglect, where the adults put themselves first. Every. Time. And…one of those adults was a blunt reflection of it all.

Up until the final moment. The breaking point.

It’s how I felt inside my head. And still do, sometimes. When I’m stuck inside a season rooted in instability—a winter—, things just keep happening, and there is no end, even though I try to maintain the fantasy of peace in those slow moments. But…there’s just no end. There’s only escalation.

It was something I needed to experience in isolation, where I understood that it’s just a game, and it’s within the scope of 7.5 hours.

Swiftly thereafter, I started writing. Because again, it’s what I’ve always done. So AYDF came to be, where Clementine’s an alcoholic, but not because she’s legitimately an alcoholic in the gameplay. I get she’s not; my Clementine is an alcoholic because…it’s an obscure remark of borderline, and an exploration wherein I thought to use an entirely different disorder to express such a thing. In part because I’d yet to really (re)consider BPD (it wasn’t until some time later that I understood), but also…I’m a storyteller. Having alcoholism represent BPD is interesting.

It’s all why I adore TWDG, and my Clementine, and ADYF. Together, they’re an anchor of mine.

Clementine and Violet’s relationship included, because I did not expect to find Violet. I knew about their relationship before playing—heard it whilst I did light research on which games to buy. But I didn’t expect to find a character who…also emulates what S2 did for me. Just, in a more matured light than who I was in 2019. Also didn’t expect the relationship to provide growth for my Clementine in regards to these personalities, because mine did absolutely struggle the first time—with Kenny, and the devastating choice she made.

Cuz like.

Oops. A.J’s still alive. Um. Whelp.

(…for context—because I know the assumption—, no, Jane was not there. I left S2 with both her and Kenny dead. Clementine just shot the last adult who could’ve helped A.J.)

To see the chances where Clementine is the person Violet needed—to treat her well—, and take those chances, I didn’t expect to find Violentine as this embodiment of a healthy relationship despite borderline. It’s not perfect—obviously it’s not—, but all things considered, it is healthy by the end, no matter the route.

It’s regardless of whether or not Violet actually has BPD. She’s not diagnosed, and I don’t intend to have her be diagnosed. But at the same time…, this essay kinda makes it clear that Violet is a textbook example anyway. A good one to me.

And a good one to A.J.

[A.J, & Serving an Example]

Throughout this essay, the priority has been clarifying BPD, and unveiling what it feels like. A mechanism that may lead to the disorder, then the mechanisms that the disorder itself deploys. How it effects the person, in their identity or, most notably with Violet, relationships.

And the way Violet articulates herself, through the several dialogue lines within this post, it is evident that she’s aware. There’s a self-deprecation to it, but, Violet knows her issues and what it does, whether or not she knows its name—BPD, or something else entirely. Given the ambiguity that the game allows, it is still left unsaid.

But that’s the first thing: she does talk about it. Violet knows herself well enough to.

Not only that, she demonstrates a responsibility in her disorder.

With this essay, there hasn’t been much in the way of responsibility. Because it isn’t until A.J enters the discussion do we truly see this come to light.

I will be the first to say that, while I can sympathize with other people of the diagnosis—even empathize—, I am rather critical when it comes to being responsible of our actions. From knowing a trigger but being around it anyway, to refusing to communicate when a hand reaches out—there’s issues I take. Because there are things that needs to be done with BPD, and those are not it.

The fact of the matter is, sorry, it fucking sucks. But also, it is your disorder, as it is mine. It isn’t your fault that it happened, but it did, and you’re kinda just stuck living with it. It’s not the responsibility of anyone else to fix and manage every aspect of BPD.

Finding people like Clementine, or a support system like the schoolkids, will do wonders because, yes, they can help. But Clementine, and the schoolkids, also have their fair share of shit. To expect them to drop everything is unfair, the same way that being expected to just drop your BPD for someone else’s sake is unfair.

It’s a give and take. There will be a ceaseless line of dialogue in the name of boundaries, and clarification, and everything in between.

So we return to Violet’s apology to Clementine.

“I wanted to wait ‘til you were up and about, but how I behaved on the boat… It was really unfair. My head was so messed up—by Lilly, and… And Minnie. I was so wrapped up in my own shit…” [Ep.4 | Take Us Back | School]

She doesn’t excuse it. Violet gives reason—and that reason is, more or less, she was not in a right mind—, and she articulates what position she was in, but there is no excuse.

Because the difference between an excuse, and an apology, is that one is done with the intention to be forgiven, the other is done with the intention to resolve—the forgiveness is a hope, not the reward.

Being able to do such a thing, unprompted, speaks volumes to Violet’s maturity, and her understanding of her own mental health. For people with BPD, more often than not, it’s easier to blame someone else because…looking inward, and realizing you royally fucked up again is not easy. Or, it’s easier to use apologies to seek a reward—like forgiveness—, and to indulge in a brief gratification that may ensure a person stays.

Well, okay. The same can really be said for everyone. BPD, however, does has its way in amplification.

Nevertheless, A.J is able to witness this moment, take it in. It’s a lesson in itself.

But given Violet is saved, and Louis is mute, there is another moment which not only speaks volumes, but it serves to A.J clarity.

After the last meal shared in the game series, and Violet with Clementine deliberates over a caravan, A.J can ask Violet one thing:

“Aren’t you still mad I killed Tenn?” [Ep.4 | Take Us Back | School]

It’s a fresh wound for her. The pain of it is laid clear across Violet’s face. However, in response,

“The thing you said on the bridge…, that he was messing up all the time. It wasn’t something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just…isn’t there, you know? And that’s why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see…he just wasn’t there anymore.” [Ep.4 | Take Us Back | School]

Or, it’s complicated, but she understands why. Violet is able to acknowledge where A.J comes from. She does, and she sets aside her emotions. There is no corrosion here. Violet doesn’t devalue A.J for this, even though the gravity of his choice would’ve provided a validity. A warped and intense validity, but one all the same.

They trade more words, and amongst them, Violet asks a damning question, and A.J accepts:

[A.J] “So you’re mad, but sad.” [Violet] “Can I be that for a while?” [A.J] “Yeah, it’s okay.” [Ep.4 | Take Us Back | School]

A.J acknowledges her. She asks for further acknowledgement—the time to heal.

And he understands, and he allows her the room.

…the thing about Violet and A.J, in contrast to Louis and A.J, is that A.J looks up to these characters for very different reasons. Louis is a great guy. I want A.J to be like him, or better yet, a matured version of Louis. He’s charming, charismatic, good-natured, and through the game, we do see that he begins to donate an effort to do better.

Really, it’s not a mystery as to why A.J grew attached so quickly.

Violet, meanwhile, is confusing. She’s not that great with people, is instead a bit of a pill to swallow, and with her trauma comes a volatility.

Sure, she was the one who stood-up for Clementine and A.J when Louis didn’t, but in playing this season, I’ve always gotten the implication that A.J—at least initially—does have a preference for Louis. And I say implication because it’s never said outright, but there are some dialogues and reactions of his that had me wonder. I also don’t mean he doesn’t like Violet, no, but more that he doesn’t necessarily understand what Clementine sees in her.

At least, that isn’t until time passes, and more is spent with Violet, does she start to grow on him as well.

Louis models a more…digestible person. He has his problems, but they are easy to explain and understand. He was a spoiled brat. He sabotaged a marriage over something so very petty. And now, where his upbringing still rears its head through his immature work ethic, he struggles with deep insecurities.

There is a complexity here. One that does deserve its own essay, though I’m not really the right person for that. (Here’s an essay, by @stop-breaking-my-heart-telltale. Pretty good. And they gots a lot of essays like it. …but also, again, sorry for tagging; I know this is absurdly long. Lol.)

Violet, meanwhile, comes with a confusion because her issues are so steeped in stigma. Which is to be expected in conditions like BPD, where…yeah, there’s the chance she will lash out, do things she doesn’t mean, because a switch was flipped.

Where Louis is someone that A.J would like to aspire to, Violet seem to stand as a figure A.J can grow to appreciate. Having her as a model gives A.J the chance to understand that with people like Violet, you give them space and time. Work with them, and if they are genuine people, they will prove themselves worth the effort.

It does take effort, however, and the time spent with them.

And if there is no effort given, and no time spent…

Yeah. Violet will be that wallflower.

[Conclusion]

There’s nothing else this essay really has to say at its core. BPD is a very, very confusing disorder. Both internally, and externally. Stigma doesn’t help. It is, after all, a huge reason why I wrote this.

Because the stigma is quite honestly the worst thing about BPD. In many resources—whether they’re linked below, or you find them on your own—, you’ll find that a BPD diagnosis often comes with others right along with it. Addictions, eating disorders, depression…

To those who don’t know better (or maybe they do), that’s just…natural. It’s how it is.

But I remember going to my family, telling them that there is something wrong, only…to be assured otherwise. Not for my sake, but for theirs. Because BPD isn’t greatly understood, and when it is, realizing that none of them got to save me from my mother in time has its way in denial. What my mother did wasn’t right, however, I could’ve ended up like her.

Just not through those initial traumas.

Rather, I could’ve, had I made the same mistakes she did with the silent traumas thereafter—decades, now, where the people around me refuse to acknowledge my words, and listen to me, because I know the look in the eye, and I sometimes find it in the mirror. Those initial traumas may have been the first lashing, but it’s the time after which seals BPD within a person. Because the condition goes unchecked. It ferments. People tell you one thing, but you feel another, and as a child, you decide to trust their word, not your own body. Which breaks you. Gets to a point where there’s no real return, because people like me weren’t allowed to learn otherwise.

Understanding what happened to me was a very lonely experience, despite the sheer amount of people I had around me.

…and it hurts, somewhere deep in the recesses of my alexithymia, that my abuse never came from people who hated me. My mother didn’t, not in those initial years. None of my family did, in the decades into adulthood. But still, they hurt. The abuse came from the people I least want to admit, in ways that media would deem too boring for our idled attention spans.

I proclaimed that BPD is when a mechanism deploys, and the cost means a sacrifice of one integral function. It is still true—the mechanism, alongside the personality, and that specific initial trauma will influence how that BPD is expressed.

Yet, Borderline Personality Disorder happens when a mechanism deploys at a great cost, and that sacrifice is never restored. It is the neglect of the individual’s emotional turmoil after catastrophe that does it, where the same mechanism festers until it is there to stay as an ugly, depraved scar.

It is the disorder where a person was never allowed to heal, despite the mind and body screaming that they need to.

So when I hear BPD and the diagnoses alongside, I hear yet another time where someone likely knew there was something wrong, but they chose to find stability by other means, because it wasn’t found in the people around. Addictions bring those dopamine hits that BPD elevates. Eating disorders, where maybe…they can find something about themselves to control. Because there is none day to day, nor in relationships. And depression? Honestly, it speaks for itself; if a person manages to find themselves with a tumultuous anchor, or no anchor at all, it’s easy to slip into.

Or, if the diagnoses are born conditions, like ADHD or autism, or others, like schizophrenia, those speak to a concern where those conditions were left unchecked, and they festered as BPD, they were what predisposed it…

Yet, when I hear a story like Violet’s, it is a true reassurance.

Sure she’s not diagnosed. But still. The game doesn’t hide anything. It doesn’t “assure” the player that Violet isn’t this type of person, that she isn’t literally sick in the head.

TFS shows her issues quite plainly. And it’s because it does, and refuses to lie to make anyone feel better, does the game promise something that is so, so desperately yearned for in those with borderline.

It’s acknowledgement.

To tell someone that, yes, you’re not confused that you feel confused amid a chaos. You are. But there are ways to work with it, and around it. You can, actually, have strong relationships with people, and in those like Clementine, even if/when you fail, they will stay, because they understand.

To tell someone all of that is a first step towards understanding BPD, a disorder so shrouded because of stigma, and little else.

And so you have a character who still has her struggles with it, but she has a support system, and she’s taught herself enough to manage—did it well, considering the circumstances. She was left to her own devices. Sure, she had her grandparents to escape from home, but…, well. Yeah. After her grandma, Violet was then sent straight to the boarding school. The apocalypse struck. The adults left. And though her community still cherishes her, Violet…was designated as their wallflower.

So it’s funny, to have found this character this way, because Louis was right.

Violet does grow on you. If you let her, anyway. She can be suffocating.

Anyway. Hope you enjoyed.

Volt out.

Volt's Library (my writing) Clem Comic Essay #1 (canon stuff) Clem Comic Essay #2 (language)

Links: to start your own research

BPD (General) | 1 ; 2 ; 3 (4 types); 4 (quiet BPD)

BPD (Stigma) | 1 ; 2 ; 3 ; 4 ; 5 (r/BPD)

BPD (Anchors/FP) | 1 ; 2 ; 3 ; 4 (r/BPD)

BPD vs Bipolar | 1 ; 2 ; 3 (comorbid BPD & Bipolar)

BPD (Identity Disturbance) | 1 ; 2 ; 3 ; 4 (r/BPD)

BPD (in Relationships) | 1 ; 2 ; 3

#volt's library #twdg essay #fandom essay #essay #long essay #TW: this is intended to explore BPD; so with that comes the sensitive topics as mentioned in the introduction #twdg #twdg violet #twdg clementine #violentine #twdg louis #louis & violet 🥺🥺🥺#twdg minnie #twdg minerva #twdg aj #twdg brody #twdg 4 #the walking dead game #bpd #borderline personality disorder #the amount of times i looked something up and saw myself staring back at me is…too many times #like okAY GOOGLE i GET IT i have bpd #i know #LET ME WRITE ABOUT TWDG IN PEACE #thank you #and also thank the wiki transcripts my gOD #and and gotta love reminding myself that violet's dad was canonically an alcoholic #which is concerning for aydf since…well…gotta love alcoholic clementine #also also i do intend to edit/polish this later but what i wanted to say is here anyway so #im gonna nap now

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blurrymango · 7 months ago

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Everyone's gotta know at least three. Polly, Frances Farmer Will Have Her Revenge, and Something In the Way are three off the top of my head.

its fascinating how very very surface level 1920s-ish jazz age inspired aesthetics are very popular (see: hazbin hotel and electroswing and the endless wave of bowtie pinstripe character designs from the 2010s) but the vast vast majority of people who are into that seem fundamentally disinterested in actually engaging with actual jazz age art and culture because that would require engaging with black art

#and theres also. gallons of rubbing alcohol flow down the strip.#the man who sold the world.#lithium.#in bloom.#about a girl.#dumb. sappy. breed. serve the servants.#like these are the ones that everyone should know ok.#nirvana is an extremely popular band.#like. they're borderline basic.#you hear them alllll the time.#well. i do.#i listen to them all the time.

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nervousyoungtwinfantasydog · 4 months ago

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1 year 7 months down the drain…

#vent #actually borderline #actually psychotic #grief #tw death #actually schizospec #tw sh #i relapsed today with self harm #i feel so ashamed #i hate myself #god why did i do this #i tried so hard to stop myself but everything was too overwhelming #my grief has been too overwhelming it makes me feel like im gonna die #i saw my ex posted a pic of her w the dude she told me to not to worry about #everyone has been posting true crime content abt my cousin #i heard that a video of his m*rder is circulating the dark corners of the internet #and i cannot cope #i just wanna die #i have rly homicidal ideation rly bad and it’s overwhelming #alternating between suicidal & homicidal ideation #ugh i hate everything #i also relapsed with alcohol last night so im like fuck it we ball #out of weed until tuesday so idk ig ill suffer #my therapist is out of town all this week sooooo yeahhh

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lunareclipsegirl · 5 months ago

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So I read that fic you just screenshot (the Taylor and Eddie one) and the weirdest part? Buck putting conditions on them remaining friends I mean like it was tames he goes to therapy and does a support group with Tommy but it was still weird?!

Yeah, I skimmed it, and this "I forgive you but there are CONDITIONS" is bonkers. It's so ridiculous and unbelievable in the context of their friendship. And real life. And this author wrote buddie before...

#also making eddie a borderline alcoholic is a choice #smh #eddie diaz #evan buck buckely

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klara-rosa · 7 months ago

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On wednesday I had my first therapy session in 3 weeks and it was such an emotional one that I really struggled to hold back tears (and I know it's normal to cry in therapy but in all my years of going I have only cried twice in therapy and one of those times was my LAST session with my previous therapist when I felt like the world's gonna end because AGAIN I lost someone important to me)

Anyway so I tried to be as honest and open as possible and it was so nice to just have someone acknowledge that you feel like shit, like my therapist said she thought about everything going on recently and she saw that I'm really struggling and that my level of mental/emotional pain is high

We talked about all kinds of things and she also said that she would like me to see a psychologist to have a diagnostic evaluation to see what's really going on diagnose wise because she thinks I might have PTSD and when I told her that I already did such an evaluation once fore BPD she became all ears and told me she thinks I might have BPD and she gave me a book to read up on it

So all of a sudden I might have 2 more mental illnesses 👍 but I'm actually pretty chill about it...like, okay. Just please help me get answers. Tell me what to do to become better. PLEASEEEE

#BPD is not new to me because i did think and was kinda diagnosed with it for a couple months once before #I read some of the book and there are a LOT of things that match up but some things don't match at all #like I don't have bouts of anger come up or take drugs alcohol whatever I also don't harm myself or have a reckless sex life or something #I am constantly feeling empty and like I don't know who I am and what I like #and sometimes that emptiness just crashes in on me all at once and I feel like I'm losing it #I also am deeply afraid of losing people and being abandonded #And other things #not everything matches but a lot of things do and I think there are a lot of things I do/feel/say that could be borderline-related #anyway I will go do that and we will see #I'll also think about medication again because I'm really really really not well atm #We also talked about me possibly ending therapy and she said she would have to let me go but that she doesn't really want to #and that she thinks part of why I want to leave is because we get to the 'greasy' stuff so the things that actually made me go to therapy #Anyway #My life is a mess and I don't have any sense of self anymore 👍#personal #mental health #therapy diaries #borderline personality disorder #bpd

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metalkingshit · 11 months ago

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everybody talking about almond moms... i've got an almond dad

#who's also a borderline alcoholic by birtue of being a dad #puttingmyurltouse

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nightmare-niko · 2 months ago

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Routines In The Night [Nicholas Alexander Chavez x reader]

Warnings: alcohol consumption, vague-ish descriptions of clubbing, raw sex (don't do that), completely self-indulgent

A/n: i am just a girl and i cannot help the things my mind comes up with. also this is my first actual smut in years so lmk how I did hehehe

Word count: 2273

Copying or translating my writing is not allowed. If you see my work on another site it is stolen. Reblogs are appreciated and encouraged.

It's been quite a long time since you went out with your friends. Life gets in the way sometimes! But tonight, the stars have aligned, and all of your schedules lined up perfectly. You don’t remember being this excited to see your friends, but now you all were in your apartment getting ready for your night out.

"So I don’t know when the boys are gonna get here-“ your best friend; Violet sits on your bedroom floor, curling her hair. “But I think Evan said something about bringing a new friend?”

“Violet you can't just let strangers hang with us! What if he's a weirdo?!" You’re mostly joking. You knew your friends. Realistically you had nothing to worry about.

“What if he’s ugly?” your other Friend interjects.

“Oh my god! Hayley!” Violet chokes out a surprised laugh.

“What it’s a valid question!” She defends.

"I'm sure he will be completely normal." You try to expel the chaos beginning to build throughout your small apartment while the three of you continue to get ready.

•

An excessive amount of knocks on your door makes you jump.

You grumble obscenities on the way to open your door. "You know Evan- You don't have to—“ you stop in your tracks. Sure, there was Evan and your other friend Mike, but there was also a new guy—a beautiful guy. Was it suddenly getting hot in here??

"Oh okay drool much?" Evan jokes and you snap out of your man-induced trance.

“Hi, I'm Nick" he offers his hand for you to shake.

Your hand is quite small compared to his, but unlike most guys you’ve met, his hand is gentle. He certainly isn't trying to crush your hand (why do guys do that?). As the other guys walk into your apartment, Nicholas stays in your doorway with you as you introduce yourself,

“Come in! You have to meet the others!" You take his hand and lead him into your living room.

•

The music was loud, the air was hot, and the lights pulsed and changed erratically. You danced along to whatever generic set the DJ played, you honestly were too drunk to care. This is what you needed. While you and your girls danced carelessly with each other, the guys stayed back at your table.

All of them seemed pretty caught up in their drunken conversations. Not Nicholas though, no. His eyes had been on you the second you clambered onto the dance floor. You loved it.

You felt Violet's arm wrap around your waist, "are you gonna deal with that? " She borderline shouts in your ear to combat the loud music. "Who? Pretty boy over there?" You lock eyes with Nick across the room, he quickly looks away—taking a sip of his drink. "Maybe... you think you can get Hayley distracted so I can lure him ?"

She giggles and pulls away; you don't care how Violet was planning on making distance-- but you trusted her. With a sensual sway of your hips, you walk over to Nicholas. None of your other friends seem to notice your presence, not that you mind though.

"So, you gonna keep on staring or are you gonna dance with me?"

The man before you smirks, he takes you in quickly, "How about both?" He offers his hand to you. You take it gratuitously, even in your heels he had height over you. It was hot. Maybe it was the lights or the alcohol in your system-- or maybe both, but you had to have him.

To say the two of you were dancing was a stretch, to say the least… You wrap your arms around his neck, you were so not remembering this tomorrow at the rate you were going.

“How long were you going to sit there staring at me for?” Your question was light-hearted at best.

"Until I was blackout probably," He laughs shyly.

You laugh along with him, grinding along to the beat of the music, you could live this moment forever. "Usually everyone comes back to mine and sleeps over after clubbing. You down?”

He smiles, "Sure, why not.”

•

Somehow you managed to get all of your drunk friends back to your home safely. Now all you had to do was (try to) relax, you sneak away from all of your friends and into your bedroom.

It took you longer than usual to remove your makeup and change into your pajamas due to the drinks you had tonight, but you managed.

What time was it? You didn't know, your phone was dead!

Back in your living room, your friends lay sleeping (?) scattered around Violet and Hayley both still in their makeup and heels. You didn't dare wake them, they knew where your makeup wipes and extra clothes were. All you needed was your bed.

•

4 am. It was 4 am and you were wide awake. Wide awake with a raging headache, that is. You groan before tugging off your oh-so-comfortable blanket. The hardwood floors were cold against your bare feet-but you didn't care.

Stumbling to the kitchen through the darkness of your home was a situation you found yourself often, but now you had the added addition of staying quiet. The last thing you needed was more hungover zombies.

The moonlight from your open windows lit up your kitchen counter just enough for you to grab the nearest pain relief medicine and a drink in peace. Now here came the hard part-- walking back in the dark. Why didn't you bring your phone?!

The door of the bathroom swings open-- you gasp dramatically. "Jesus Nick! You fucking scared me,” you whisper yell at the taller man.

"Sorry! I had to— uh I didn't think anyone was awake." He flicks off the light and steps closer to you.

The moonlight paints across Nicholas’ face in a way that has you speechless. "Well, uhm-are you -" You stumble over your words. "Do you need anything? A blanket? Water? I can see if there are sweatpants you can wear."

For a moment you think he's going to decline your offer-- “Actually, a blanket and sweats would be awesome… If you don't mind."

"I don't mind at all-- Here follow me.” You continue your path to your bedroom, only this time with the hottest man you've ever seen trailing behind you.

Inviting him into your room! What if he gets the wrong idea? (Is it the wrong idea if you really do wanna fuck?) "Sorry for the mess... You can sit on my bed while I look." You awkwardly point at your bed as if its location wasn't obvious. "It's cute in here, very cozy." Nicholas takes in his surroundings— trying and failing to distract himself from your extremely short pajama shorts. "Thanks, here." You hand him some clothes leftover from friends, "Hope they fit." You hear him mutter a thanks before you go back to searching for a blanket. Why is he being so quiet? When you look over at him, he's staring: again. You bite back a laugh.

”You have quite the staring problem, you know?” You tease. He smiles something wicked, his dark brown eyes dark with want. Why stare when you can just shoot your shot?”

He throws his hands up in defense, "I mean hey, I made it this far!”

“Oh yeah- "You remark sarcastically, "Remind me what base ‘sitting on a hot girl's bed and staring at her ass’ is again?"

"Oh, so that's how we're playing it?" He stands up and takes one big step towards you

“That's how we're playing it.” You tease, standing up on your tippy toes to drape your arms over his shoulders.

His large hands wrap around your waist, pulling you into him. He hums in acknowledgment of your teasing. He was hard, you could feel him through his jeans.

How did you get into this situation? Were you complaining though?

No, not at alt. Nicholas' large hand cups your face sensually.

The Kiss was electric, not rough, but dominant. You didn't have the energy to fight for control, you just wanted him. Dazed, you pull back from the kiss. "I can't focus with you pressed against me like that." Your hands shoot from his neck to his belt buckle. “Bed, now." You demand, he quickly clambered onto your bed.

You pull his pants down to his ankles, and Nicholas kicks them the rest of the way down. Your heart racing as you follow him onto the bed, straddling his lap. His hands found their way to your hips, gripping them firmly as you leaned in for another heated kiss.

"Are you sure about this?" Nicholas whispered against your lips.

"Absolutely," you run your hands down his chest.

As things heated up between you two, a sudden noise from the living room made you both freeze. You remembered your friends sleeping just outside your bedroom door.

"We should keep it down," you giggled softly, pressing a finger to Nicholas' lips.

He nodded— a mischievous glint in his eyes. He presses a quick kiss into your lip and flips you onto your back. You find your eyes drifting down his torso, his cock tented in his boxers. You snap your eyes back up to his, the air thick with tension.

“Kiss me,” you beg, and he listens immediately. you tug on his bottom lip and he groans lowly. the position you were in made it impossible for you to not cross your ankles behind his back, pushing him against your throbbing core. You whimper, almost pathetic, but you couldn't care less about that right now.

You whine again, this time a desperate plea for more. “Mmm… Nick—please~” You beg against his lips.

“Tell me,” he commands. You whine again as his lip trail kisses along your neck, leaving marks at the base.

“More~” you manage to joke out.

“What do you want, beautiful? All you need to do is say it and I'll give it to you.” His voice is sultry against your ear, his breath leaving goosebumps in his wake.

“Clothes. off,” you demand.

You hear him chuckle sensually, as he leans back on his haunches. You swear all time freezes as you watch Nicholas take off his shirt. He was already the most attractive person on the planet with his pants off, and now here he was. Towering over you in his underwear, while you still had all of your clothes on. That had to change, sit up briefly as Nicholas helps you take off your sleep shirt.

Nicholas kisses you again, pushing you back down onto your plush pillows. In the heat of your kiss, Nicholas takes off your sleep shorts and leans back— he groans at the sight before him.

“look at you~” he tuts, “all fucked out and I haven't even touched you yet.”

“Nick, please-” you whine, bucking your hips in the air, desperate for any kind of friction. “Don't tease!”

finally, Nicholas stands up from your bed. Pulling his boxers down his boxers, revealing his throbbing cock. The tip is red and angry— leaking with precum. your mouth watered just at the sight.

he climbs back over you and back in between your thighs. his hungry eyes, fixed on your core as he runs his tip over your clothed clit. you whimper again— just as you're about to open your mouth to complain, he pulls your panties to the side and pushes into you in one motion.

You bite down on your lip to try to conceal your moan but the noise that you make is still extremely loud. the stretch burned, but god it felt heavenly. Nicholas clashes his mouth back onto yours at an attempt to hush your sounds— not that he wanted to. He wanted the whole city to hear you, but all of your friends were in the next room and that was not a conversation he wanted to have.

The steady rock of his hips has you barreling quickly towards your orgasm. The kiss is sloppy and rough— you couldn't think of a better thing to be doing at 5 am. He trails wet kisses to the sweet spot below your ear, then to your neck and collarbone.

With one hand tightly gripped on your hip, he was close. You knew because his thrusts were getting sloppier and rougher. With one final bite of the base of your neck, he sits up— free hand rubbing circles on your clit as the new angle had him hitting right you needed him.

Your back arches off of your bed in a dramatic display as your orgasm takes over you— you swear you blacked out for a moment. Nick pulls out of you in a hurry, white ropes of cum paint your torso and face and he groans gutturally.

the once cold air in your bedroom was now hot. the only sound was the combined sounds of you and Nicholas trying to catch your breath. sleep takes over you as you feel Nick wiping the cum off you with whatever was nearby.

"So," Nicholas whispered, running his fingers through your hair, "does this mean I get stay here tonight?" he brought a clean blanket over your naked bodies.

You laughed softly, pressing a kiss to his jaw. "If that's not what that means I have no idea what does."

Tag list (If you want to be added just comment!)

@Nallasstuff @chmpgneprblem @qoopeeya

@lilybellalana @sleepysongbirdsings

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capricornlevi · 7 months ago

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inevitability- nanami x f!reader

tags: friends to lovers, salaryman!nanami, breeding, unprotected sex, fingering, missionary, mating press, creampie, mild cumplay

cw: alcohol (all sex sober & consensual!), pregnancy mentions, rough but v v consensual sex, reader and nanami are both in their late 20s/early 30s

word count: 5.3k

a/n: in which your decide with your good friend of many years that it's time to get you pregnant <3 this has been festering in my brain and i know it's pretty different than what i usually write but ! here it is! ahh! sounds of me screaming!

"this is weird, y'know?" you blurt out, watching as nanami hangs up his jacket by your front door before settling down beside you on the couch. he keeps a respectful distance, resting his hands on his broad thighs and smoothing down the fabric of his slacks, clearly nervous. "this is very, very weird. like, weird at levels i don't think people have achieved before."

"i know," nanami replies diplomatically, as if he could be anything but excruciatingly aware of how unconventional this is. "are you having second thoughts? because i completely understand --"

you shake your head abruptly. "no, no, just ... thinking aloud, i guess. just getting used to this, because it's really ... um ..."

"weird?" nanami offers helpfully, and you turn to nod.

"weird."

because what else do you call agreeing to have a baby with your platonic friend of 10 years?

you first met nanami on the second day of college and knew right away he'd be a good dad, even back when having kids wasn't even a consideration for you. it was obvious; he was already a good dad back then, with how he looked out for his underclassmen even as he progressed through his degree. how he stayed sober when he knew people would be going overboard, not sleeping until you texted him to confirm you'd gotten home safe after a party.

he helped you study at the weekends and, in return, you provided him with a discount at the local cafe where you worked. through this time spent knocking back americanos and proofing each other's work, you grew close.

even with all his responsibility and good sense contrasting your exuberance and recklessness, you found yourself enjoying being with him. and he could be funny, too, delivering sharp and witty quips when you least expected it.

you became inseparable. insufferable, some would call it; the matching-halloween-costume type of insufferable, a borderline codependent but obliviously happy friendship that can only be fostered on a college campus.

then right after college, when you had dived straight into your quarter-life crisis and dyed your hair every colour under the sun, got piercings in too many places, slept with questionable people and dated some even worse, nanami had gotten himself a decent, impressive, well-paying job. it was a job that had him wearing tailored suits at 23, paired with fancy glasses that cost more than your rent, and you'd laughed at him, at how serious he looked. but you also worried at how the bags under his eyes grew deeper and darker, how the amused lilt to his voice started to dissipate as time went on.

his 9 to 5 turned to an 8 to 6, and then he was working weekends and skipping movie nights, missing out on meeting new boyfriends of yours, fading into the periphery of your life with you unable to do anything about it.

as with all relationships in your twenties, it was hard to stay in touch. the higher he climbed up the career ladder, the further you grew apart.

soon, it was only on holidays or birthdays when you both would reach out, cordial and civil but achingly unfamiliar.

then, on your twenty-ninth birthday, drunk at a bar and having taken a couple minutes away from your raucous friend group, you had stepped outside to grab some fresh air only to walk head-on into nanami's firm chest.

you had spluttered apologies, lifting your head to see who you had headbutted, only to find your old friend looking down at you with an amused look on his face.

and just like that, things picked up where they left off. you spent the night talking, catching up over drinks and laughter.

with a tone that was only half-teasing, you had asked him what brought him out tonight -- it was hard enough to get him to come out for drinks when you were both in college, much less now with his big fancy job.

but he had laughed in that gentle, airy way you'd heard a thousand times, explaining that he had been out socialising with clients who had just left minutes before. he was just on his way out before running into you.

perfect timing. painfully perfect.

you stayed talking until last call, making exhilarated promises to get in touch the next day.

and to your surprise, you both actually stuck to that.

in the ten months since then, you've met up every sunday for breakfast at your favourite cafe. over lattes and freshly baked croissants, you fill each other in on the details of the half-decade spent apart. he had a serious girlfriend, serious to the point of moving in together, but she'd gotten spooked and left him last summer to go travelling. he was hurt, obviously, but understood her perspective in that annoyingly calm, measured way that is just part of his nature.

and on your end -- despite the drunken circumstances in which you'd been reacquainted, which is all part of moderation, after all -- you've actually calmed down considerably since your early twenties.

you have your own apartment. you have a rescue cat you care for immensely, even when he tries wriggling out of your arms to go stare out the window at passing cyclists. you have a retirement fund, started yoga, learned to bake your own bread.

you're not boring, you still have fun and let off steam whenever you can, but you're having the sort of revelations about life that nanami seems to have had years ago.

fun is good. fun is important. but it can't be everything, because then it starts to come at a cost.

truthfully, the birth of your nephew is what prompted you to make some changes. you didn't want to show up to babysit hungover. you wanted to have funds to hand in order to treat him to little toys and sweets when your sister allowed it, and soon found yourself amazed at how his little face lit up every time he saw you.

it made you grow up, and fast.

in the course of your cafe hangouts, you had mentioned your nephew to nanami. showed pictures of the boy's pudgy little hands reaching for the camera, told stories of how he could tell the difference between new episodes of Bluey versus reruns, and how he's changed your entire life without even realising.

soon, talk about your nephew turned to general musings about your own future.

then one night, when you decided to switch your meetup location from the cafe to a cocktail bar, you shared something that you had barely admitted to yourself.

you wanted to have a kid.

this realisation wasn't borne from some crisis about entering a new decade, it wasn't something forced on you by others or general societal pressure. it was something that grew organically, inspired by the honour of watching your little nephew grow up.

to your surprise, nanami didn't scoff or dismiss you. you figured he'd have rolled his eyes, laughing off your confession since you weren't in a committed relationship.

instead, he expressed similar sentiments, but for slightly different reasons.

"i'm sick of work being my whole life," he had mused quickly, sipping an old fashioned with a funny look in his eye. "it was only when we started hanging out again that i realised how much of my life I've wasted at a place that wouldn't care if i lived or died."

"do i need to be worried about you having the type of rebellious streak the rest of us went through ten years ago?" you asked, smiling and fidgeting with one of your rings without thinking.

he waved off your suggestion with a fond roll of his eyes. "i'm not impulsively quitting or anything, don't worry. just want to take a step back, i suppose, or find something with shorter hours. i just think there's more to life than endless hours slaving behind a desk."

you toasted to that sentiment, knocking back the last of your cosmo.

nanami continued, watching you set your empty glass back down with a soft grin on his lips. "the whole family, kids thing ... i get it, you know? it makes sense."

"yeah?" you pried carefully, interested to see where this is going.

"i'd be lying if i said i didn't think about it, too. i have a nest egg saved up which means i'd be able to take time off to help with a kid, to actually be there to see them grow up. and it's not that i want to have one just because i think i need to -- i think i'd be decent at it, y'know? the whole parenting thing."

you obviously agreed. you'd thought the same for a while now, and getting reacquainted with the man has only spurred on those thoughts.

he really would be perfect.

the issue wasn't discussed further that night, but it was brought up again at coffee the following sunday, then at the bakery the week after that, and before long, it was your birthday again.

after a massive party with all your friends and family -- and a little too much wine -- nanami had stayed behind to help you clean up, because of course he would, and you got to talking again, got to revisiting that topic that had been at the back of both of your minds.

you can't remember the exact wording of the discussion or how many bottles of prosecco fuelled the conversation, but what you do know is that when you sobered up, you didn't regret agreeing to it.

you were gonna have a kid together.

you and nanami.

coparenting.

as outlandish an idea as it might seme on the surface, when looking at it a little deeper, it made sense to you. this wasn't decided on a whim. this was something that had momentum building behind it for months and months, perhaps even years, without you even realising.

when meeting up for coffee the following week, you both gave each other an out. said there'd be no big deal if things were called off. but neither one of you took it, despite laughing for what felt like hours about how bizarre it all felt.

still, no sign of backing out.

which brings you to tonight, the agreed-upon date of when you'd start trying.

nanami had suggested using artificial fertility methods if that made you more comfortable, but you politely turned him down, thinking it unnecessary. he wasn't a stranger -- plus, you'd be lying if you said he wasn't objectively attractive -- so if he had no objections to trying things the old-fashioned way, then you didn't either.

and he obviously didn't mind too much since he's now here on your couch, folding his arms and then unfolding them as he waited for you to make the first move.

he looks good, despite all the nerves. he's filled out over the years, though he was always strong, with every muscle in his body well-defined and perfectly proportional. his hair is still blond but with the faintest specks of grey, his skin brighter and more well-rested than that night you got reacquainted.

his deep brown eyes stay fixed on you and your skin heats as his gaze traces over you.

"do you want me to kiss you?" you break the silence, the words tumble messily from your mouth.

he looks taken aback, as if this was something he'd vaguely considered but never thought would actually happen.

"do ... do you want to?"

his earnestness has you smiling, cutting through the tension, and you meet his eyes properly for the first time since he arrived tonight. he always has this way of making you feel comfortable, his presence alone is like an embrace that calms the racing thoughts that constantly occupy your mind.

it's only now that you're close, so close, you realise that maybe you really do want to --

"i wouldn't suggest it otherwise," you murmur softly as if your heart isn't hammering against your ribcage, shifting nearer to him on the couch but keeping that last bridge of distance for him to close.

his tongue swipes over his lower lip, almost subconsciously demonstrating his wishes as his line of sight drifts down to your mouth. he nods then, dipping his head, only a couple inches of space between you now.

"yeah -- yeah, okay."

you can see how his pupils dilate as you reach out to slip his glasses off, setting them down on the coffee table, cupping his face in your hands.

he returns your smile at that gesture, just the slightest hint of nerves in his eyes that disappear when he finally decides to press your lips to yours.

his lips are softer than you imagined ... though until this very moment, you hadn't even realised that this was something you had imagined.

he lets you set the rhythm but doesn't shy away; he meets your movements, your energy at every kiss, letting you stop for a moment to adjust yourself as things progress.

this should feel weird, right? you should have some lingering feeling of awkwardness at making out with your best friend, at taking his hand in yours and setting it down on your thigh to show you want him to touch you?

this was supposed to be a relatively unromantic event, after all. it wasn't meant to be the start of anything. though it was never clinical or unemotional -- you're technically starting a family together, after all, if an entirely unconventional one -- you never foresaw it going down like this.

this feels like something that was meant to happen.

he pulls back ever-so-slightly, lips still grazing against yours as he asks softly, "this okay?"

you nod by way of answer, not wanting to waste another second not kissing him. nanami captures your lips with his again, and with renewed enthusiasm, slips his tongue into your mouth, probing gently and barely hiding the low rumble of a groan deep in his throat.

all thoughts of propriety start to fade into the ether. his hand on your thigh burns hot, shifting up and down the exposed skin. you'd worn a nice dress for the evening, unsure of the dress code for an event as strange as this, but you find yourself grateful for choosing something that fell so far above the knee.

his hands are rougher than his lips but not in an unpleasant way. you figure it's from his only out-of-work hobby that doesn't consist of hanging out with you; his renovation group. nanami is part of a volunteer organisation that helps build and renovate houses for those in need -- as if he couldn't get any more painfully perfect, obviously.

you stay like that for a few more minutes, exploring these new sensations and becoming increasingly more aware of the ball of anticipation burning in your lower stomach. everywhere he touches you feels warm, every soft nip against your lips feels electric.

then, against every instinct in your body, you force yourself to pause to take a few steadying breaths. nanami responds in the same way, pulling his hands back to his own thighs, adjusting his stance on the couch.

he's hard, you can see as much from the awkward way he shuffles in his seat. not to mention the bulge very obviously visible in the front of his slacks -- just seeing it fills you with want, with the need to touch and be touched.

this is moving more fluidly than you had expected, arriving at each decision without a second thought. in that vein, you decide to ask:

"want to head to the bedroom?", hoping you don't sound as desperate as you're feeling. "if you're ready -"

"yes," he responds before you've even finished your sentence. you feel grateful that the eagerness is not one-sided as you get to your feet, taking nanami by the hand to pull him up with you.

when you've reached your room and the door is shut behind you, revealing the modest set up of your freshly-made bed and a single scented candle -- any more than that felt a little too forced, too awkward -- you marvel at the feeling of nanami's hands on your hips, somehow gentle and firm at the same time, manoeuvring you onto the bed with a pre-rehearsed confidence that never verges on forceful.

your head hasn't even hit the pillow before he's kissing you again like he's starving for it. it's messy this time, the gentle exploration from before giving way to something more primal and urgent.

you have to remind yourself that this is your nanami you're kissing. the nanami who was there for you through the most painful college breakups. the nanami who knows your coffee order, who helped zip up the back of your graduation dress.

but now, with his tongue against yours and the stiffness pressing against your stomach, all you can think is why you didn't do this sooner?

just as you're about to combust underneath him, he pulls back, balancing himself on an elbow as his eyes flick down to see how your dress is bunched at the top of your thighs. he closes his eyes, his breaths ragged and unsteady.

"i don't know how--" he whispers, tongue gliding over his kiss-slick lips, "how ... technical you might want to go about this."

you let out a little laugh, craning your neck to kiss his jawline so he knows it's not at his expense.

"i never really thought about the technicalities, but it doesn't have to be too clinical, or anything. i know you, you know me. we can just ... have sex."

"have sex," he repeats slowly, eyes open again, the hint of a grin on his face.

"yeah, have sex!" you answer with a chuckle. "or is there another way you'd like me to phrase it?"

he laughs then too, looking at you again as he shakes his head softly.

"what?" you press him with a mock indignance. "it's rude to laugh at my suggestion, actually. i felt it was pretty accurate."

"i'm not laughing at you," he says gently, lips still curved upwards. "just ... i must have pictured you saying those words a thousand times, and i never thought it -- it's just funny to hear out loud, is all."

it takes you a second to fully comprehend the words as they wash over you.

you'd be ignorant to say that the realisation never dawned on you, but it was something you thought was a relic of your college years. he had blushed a few times too many whenever the topic of sex came up at parties, had a hint of jealousy in his voice when giving advice about one particular ex-boyfriend. at your apartment complex's winter party in senior year, you can tell he was thinking about kissing you.

but that was when you were young and naive, inexperienced with life, and the thought of this nanami desiring you, of picturing you in his life, of imagining what you'd look like spread out underneath him like this --

you lift your head and grab his shirt collar, yanking him in for another kiss. when he's settled back against you, your hands weave down to unbutton his shirt. you feel him smile against your lips as he starts to unzip your dress in return.

you're a mess of limbs as items of clothing get strewn across your bedroom carpet. before long, it's all skin-on-skin, the heat of his body pressed against yours before he grabs your waist and flips you over until you're straddling him.

you feel the length of him pressed against your stomach, hot and painfully hard, but from the way he cups his hand against your neck and starts to kiss your throat, you know he's not going to rush this.

just as you gasp out his name as his teeth nip against your pulse point, he brings his other hand to the apex of your thighs, fingertips resting just over your pubic bone, barely brushing against the sensitive skin.

"want me to touch you?" he mumbles quietly against your throat, the way his breath fans over you making you shiver.

you nod pitifully, hips canting towards him, but he doesn't budge.

"need you to say it," he says low, quiet, thumb shifting down by the millimetre, "need to know how much you want it."

"i want it," you gasp, the arch of your back deepening the closer he gets to your aching core, all concerns about appearing desperate evaporating with every press of his lips to your skin. "i want it, kento, p- please touch me."

nanami obliges, fingertips trailing down until his thumb is brushing over your clit. he slides his hand lower, fingers slipping through your damp lips, and then uses your own wetness to start rubbing you in earnest.

any form of articulate thought slips from your mind, replaced with only those that can get you more of this -- nanami's fingers playing with your clit, the other hand possessively resting at your nape, his cock pressed between you with precum beading at the tip.

you want it in your mouth. you want it inside you, and as you go to shift your hips, nanami shifts his back.

"want to see what you look like when you come first," he says, slipping his middle and ring finger inside you as if to prove he's going about it the right way.

and he really is, because after only a few strokes of his fingers, your vision is getting hazy. you've never been this turned on so quickly before, never felt this desperate, all-consuming urge -- but then again, you've never had a man look at you like this before now either.

you try to focus on the sensation of his fingers stretching you open, his thumb still stroking your clit in the perfect rhythm, but your mind wanders to the thick cock pressed up against you. you want to rub against him, let him fill you up, make him feel good too --

but looking at his face now, pupils blown and lower lip raw from biting down on it, you can tell this is as much for him as it is for you.

less than a minute later it hits you, the explosion of warmth radiates out to every cell in your body, rendering you a boneless mess in nanami's arms.

he holds you as the aftershock subsides, strong arms keeping you steady even when your legs feel as though they've turned to jelly. when you feel capable of supporting yourself, you slide ungracefully from where you were perched on his thighs and fall back against your pillows, head spinning blissfully.

nanami leans down next to you and kisses your forehead, whispering words of praise that fill you with a strange sensation you can't quite place.

"want to take a break?" he ask after a few moments have passed, "or if you're tired, we can try again later --"

"no," you cut him off, turning your head to look at him directly, face splitting into a smile through the post-orgasm haze. "i just need a second is all, i still -- if you want to --"

"i do."

and so to ease yourself back into it, you kiss him slowly, intimately, bodies gently intertwining as he shifts closer to you on the bed. you guide his hands to your chest, gasping as his thumb circles a nipple.

"you're just ... beautiful in a way i don't really have words for," he mumbles, watching you squirm pleasurably under him.

"nanami kento lost for words? a first time for everything," you manage to quip through it all, earning a pinch of the other nipple that turns your laugh into a moan.

"we've plenty more firsts to get through tonight."

at that, nanami shifts halfway down the mattress and gets to his knees, hands gripping your thighs as he spreads them open. he takes his cock in his hand and slowly drags the head through your folds, up and down but not yet penetrating you, appreciating how you're almost sucking him in, the eager way you pull back your legs to accommodate him.

he stays like that for a minute. every time you think he's about to sink in, he holds himself back as if transfixed by the obscene sounds that come from playing with your pussy, of using you to stroke himself off.

he looks to be on the verge of a choice, like his brain is fighting between two options: taking you slow and gentle like you deserve, or sinking in and fucked into you desperately, filling you up until he knows he's bred you, that you're his and only his.

you soon glean that he wants you to actually say it out loud, wants to hear those words he's fantasised about for so long.

"fuck me, kento."

now utterly unable to hold off any longer, he heeds your request, lining up and thrusting inside you in one fluid motion.

it's a pleasant stretch; he's still careful to let you adjust to his size but you're soon relishing the feeling of being so full, and the fucked-out grin on your face spurs him on.

his hips shift back inch by inch until he's almost fully pulled out, letting out a low groan as he sinks back in again, and at that, he knows he's a goner, completely lost to the feeling of his entire length buried inside you.

this is nanami at his most possessive, fucking into you as you're caged in by his strong arms, your knees now pulled back as far as they'll go. the skin on the back of your thighs is raw from your nails digging into them but you don't care, single-minded in your aim to keep the head of his cock brushing against that perfect spot inside you.

your shoulder blades press into your soft pillows as you try to keep from writhing too much, wanting with all of your might to avoid upsetting this perfect rhythm.

above you, nanami's perfect cheekbones are flushed, his brows knit tightly together, your silky walls wrapping tight around his cock in a way that's driving him to the brink sooner than he'd like. against all better judgment, he slows down just slightly, allowing himself to indulge in the sensation.

"you take my cock so well, y'know that?" he mumbles in between quiet grunts, "with that pretty look on your face when i fill you up... you're trying to kill me, i swear to god."

you both laugh breathlessly before yours breaks off in a moan, slurring his name as he speeds up subconsciously. he presses his lips to every inch of your neck, jaw, collarbone, thrusts unrelenting but never too much.

if you weren't already aware of how soaked you are, the slick sounds of his cock sliding in and out of you provide more than enough proof, melding with the soft squeak of your bedsprings to just about cut through the muffled sound of your moans.

your body now guided more by instinct than intention, you slip your hand down to where your hips are pressed together, two fingers circling the swollen bud of your clit. the angle of his ruts means his cock grazes your fingertips as he pulls out, the desperate rubbing of your hand between your legs spurring him on.

"still want me to come inside you?" he says then, strands of hair coming loose, sticking to his forehead, "want me to fill you up?"

you nod feebly -- the answer clearly not sufficient in itself, since he leans in, pressing his forehead to yours as he meets you for a wet, messy kiss. continuing his question with his lips still touching yours, he asks;

"want me to take care of you? want to be my pretty wife, hm, wanna -- fuck -- wanna be mine, yeah?"

you slur something unintelligible, focusing on the second orgasm gathering quick and hot in your core. you lose your grip on your thighs and fumble to pull your legs back up.

nanami helps to hike your legs back up -- but not in their original position. instead, he guides them until your ankles rest on his shoulders, and after taking just a second to press a kiss to your calf, he sinks back to the hilt. feeling him bottom out, your vision nearly goes white; this new angle allows him to slide in so deep it's practically splitting you open, so deep you can tell he's serious about breeding you.

somehow, the sensation remains just shy of too much -- it's not too much of a stretch or causing too much sensitivity -- it's more than you've ever taken but you honestly feel you could stay like this forever, taking nanami's cock like you were made for it, with him looking down at you with a mixture of reverence and pure lust.

you want him like this for the rest of your life.

"i'm gonna need you to answer, cos I'm pretty close," he half-pleads as if reading your mind, his voice deep and strained, firm chest heaving as the thrusts get messier and less coordinated.

though your mind is near-blank and your lungs feel they can't get enough air, you manage to mumble a "fuck, yes. want -- want you to come inside, kento ... please."

that last word tips him over with you following almost immediately after, clenching around his cock as you feel him pulsing inside you, feeling more full than you've ever felt in your life. his head tips back as he cums, moaning beautiful praise you can just about make out, strands of sentences about you being the only one he wants taking his come, about how he's going to keep fucking you full for as long as it takes.

sparks of electricity reverberate through your body, hips pushing against his as you ride out your orgasm, pretty little whimpers harmonising with nanami's continued praise.

you stay like that for what seems like forever, basking in the wave of pleasure that's just swept you away effortlessly.

everything is just ... warm. purely and blissfully warm. the warmth of his hands still gripping your legs, the warmth of your own breath fanning over your sweaty chest, the warmth between your legs that starts to dribble down the backs of your thighs when nanami pulls out.

for good measure, nanami uses two fingers to push some of his come back inside, grinning as aftershocks pulse around the digits.

you lower your tired legs to rest on the mattress, thighs aching from being bent practically in half, but it's easy to disregard any physical exhaustion when you feel this level of contentment.

nanami's arms are soon wrapped around you, pulling you to rest on top of his chest where you spend some moments of perfect silence.

you can hear his heart beating in his chest, skipping a beat when you angle your head up to meet his gaze again.

"well?" you ask, a smile imbued in your words. "still lost for words?"

"just thinking about how every second of this was worth waiting for," he replies without missing a beat, eyes crinkling at the corners as he watches how his answer flusters you.

with one hand behind his head as he rests of the pillow and the other wrapped around your shoulders, nanami looks more relaxed than you've maybe ever seen him.

this is a man who looked on the verge of a nervous breakdown when you reconnected less than a year ago; he's almost unrecognisable now, the dark circles under his eyes have faded, his face filling out a bit more, the smile on his face entirely genuine.

and in this moment you feel a burst of clarity, a sudden realisation that's eluded you since that first night you met in college.

maybe -- just maybe -- you're as good an influence on him as he is on you.

#nanami x reader #nanami x you #nanami kento x reader #may tries to write #oh lord #im not even going to tell you how long i spent drafting this bad boy #please join me in the brainrot please

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bokunoheros · 1 month ago

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TAGS/WARNINGS: reader is gender neutral but afab (they do wear a dress and lingerie tho), reader and shouto are married, reader was in 1-A, pro hero shouto, everyone is 27+, alcohol consumption (shouto’s drunk), mentions of smoking a blunt (reader’s high), sex in a classroom, idfk GENRE: smut bruh SUMMARY: when you suggest doing it in public briefly and in passing to your husband, you were not expecting him to take you up on that offer at your fucking high school reunion!? WORD COUNT: 1.9K 🦊’s A/N: okay. so. this was originally supposed to be for iida, but since FORDULA couldn’t do day 18 like they were meant to… i wrote it for shouto instead bc im not writing for tenya sorry yall // also i wrote most of this the day before it was due after waking up at 5am so uhm 👍 god help me

the very last thing you were expecting from your husband would be the idea of him enjoying semi-public sex—it made sense how one would arrive to this conclusion, seeing as how he’s such a reserved person and all. you don’t even remember when it was that you brought it up—it must have just been a comment in passing; not that shouto missed it, of course. and then the suggestion got him thinking…. like seriously considering it. the more he thought about it, the more arousing it became to him, until it was a borderline fantasy: him fucking you somewhere you could easily be caught at with a large hand covering your mouth to make sure no one could overhear your desperate little noises. fuck.

now he finds himself at his ten year high school reunion, all dressed up with a raging erection that he was trying to hide by sitting at one of the tables there, grateful for the fabric draped over them, as he drinks and drinks to calm his nerves. thank god you volunteered to drive back home tonight. you don’t know what possessed you, but you didn’t feel like getting slizzard tonight—a stark contrast to your husband, who was trying to drink his boner away. (without much luck, mind you.)

when you come back over from the dancefloor to check in on your husband, however, he’s quick to excuse himself from the table he’d been seated at all night and drag you off to an empty classroom.

“shouto? ‘s something wrong?” you ask, looking up at him.

“no—i just—” how does he put this? “really wanna fuck you,” is what comes out of his drunken lips, his brain to mouth filter having shut off for the night. (was it really there to begin with though..?)

“oh!” you squeak as your cheeks flush at his words and he backs you up against the door. “h–here?” you’re at a loss for words entirely while shouto places both large, calloused hands on your hips as he begins to press sloppy, drunken kisses along your neck. “sh–shouto!”

“mmh?” he hums, not pausing in his actions—he doubles down, actually, by nipping at the tender flesh of your throat, the hands on your hips sliding down your thighs, down to the hem of the disgustingly skimpy dress you had decided to wear tonight—the reason for his raging erection all night—where they sneak up under it and back of to your hips so he could feel your bare flesh, quirk activating enough for you to feel an extreme difference in temperatures, but not ruin the fabric of your dress from the inside out.

“we—we can’t do that here; someone’s gonna get suspicious if we’re gone too long!” you weakly protest, words holding no real weight. because if you were being one hundred percent honest, you wanted this just as much as he did, even without any alcohol in your system! (you had smoked a blunt and hotboxed the shit out of your car after arriving at the prestigious school, though, as you refused to be sober for an event such as this.)

“oh yeah? like who?” he counters, beginning to suck at your neck, not lingering on any one spot.

“a–ashido, probably! i— i just got done dancing with her—”

“i know, ‘ve been watchin’ you all night,” he slurs. “so you’re just taking a break—maybe you went to the bathroom, that’s not her business.” his hips press into yours, and you whine at the feeling of his hardened cock pressing against your crotch.

“god—you’re so full of shit,” you tell him, burying one hand in his two toned hair while the other settles on a sturdy shoulder, and todoroki can’t help but smile at your words.

“so?” you can feel him grinning against your neck, like a drunken fool in love (which is exactly what he was, by the way).

you’re out of comebacks and excuses as to why he shouldn’t fuck you right here, right now, so instead of trying to argue against hip, you tug at his hair so he’ll look at you before leaning in to press a kiss to his plump lips.

he tasted like the sake he’d been sipping on all night as he watched you with that intense gaze of his—something he inherited from his father, like it or not—and he hums in a pleased manner as he grips your hips tighter.

“how much have you had to drink tonight, baby?” you ask once you reluctantly pull away from the kiss—a question shouto chooses to ignore.

he’d had maybe three and a half red solo cups worth of sake in his system, which was enough for his inhibitions of being caught melt away. he almost hopes you two do get caught (by an old classmate at least) just so he can wordlessly flex that he was the one with the smoking hot spouse and not them.

so, with your minimal resistance and shouto’s horny persistence, it’s not long until he’s got his thumbs hooked in the waistband of your panties and is tugging them down your thighs, asking you to step out of them so can keep them in his pocket (for the rest of the reunion).

“hhnng—,” you whine as two of shouto’s icy fingers move to play with your clit, and a chill runs down your spine at the feeling. “sho—” you’re cut off by a kiss as your husband slots his lips over yours, teeth clacking slightly as he kisses you sloppily and hungrily. it wasn’t unusual for shouto’s to be a bit of a sloppy kisser (as it turns out, he’s a really big fan of swapping spit), but generally he was more put together than he was right now—it’s like he was trying to eat you whole as his tongue easily slid into your already open mouth.

you, ever the tease, quickly get with the program and arch your back, pressing your chest against his, and start sucking on his almost burning tongue—something that catches him only slightly off guard. he’s fast with his response though, left hand moving to squeeze your ass, heating up enough to leave a faint burning handprint.

“fuck!” you squeal at the searing touch and accidentally bite shouto’s tongue in the process.

he pulls away with a hiss but no real disdain before the same hand that had left a print on your butt comes up to cover your mouth. sure, the music in the gym was awfully loud, but there could still be some other people in the hallway—maybe people who actually had to use the bathroom. it doesn’t matter. what matters is that shouto gets to fuck you, and—an idea comes to mind that only his drunk, secretly perverted brain could think of.

“shhh,” he shushes you, pulling his hand away from your mouth in order to undo his belt buckle and unbutton his nice dress pants.

biting your lip, you nod as he tugs the slacks and his boxers down to about half way down his thick thighs, letting his painfully hard cock spring free and slap against his lower stomach. you can’t help but bite your bottom lip at the sight, and you go to sink to your knees to suck him off before he’s tugging you back up by the hair.

“no,” he pants, taking his dick in one hand as he plants the other back on your hip. “need t’fuck you—please, angel, i— it hurts,” he whines, lining his throbbing length up with your already wet slit.

“yeah? okay, fuck—go ahead, baby,” you give him permission to actually insert himself, and he groans loudly at the feeling of your tight heat finally engulfing him. jesus! he had waited all night for this, and it was so worth it.

“hnngh—shit,” he whimpers, the hand that was previously holding his dick moving to play with your puffy clit as he pushes into you slowly at first before bottoming out all at once. fuck!

your breath hitches in your throat and you can’t help but moan shouto’s name while tugging at his hair as he kisses you sloppy style once more.

with how drunk and horny he was, it doesn’t take long for your husband to approach his climax, and with the way he was toying with your sensitive button, you’re quickly being worked up to one too, until—

knockknockknock!

“hello..? i thought i heard someone groan, are you okay in there?” the voice is familiar, but you can’t quite place your finger on who it was. (it was hagakure, by the way.)

shouto freezes in all his actions and looks at you with half lidded eyes and a knowing smirk, cheeks flushed as he tries to quieten his breathing. your hips involuntarily roll down against the fingers still pressed against your clit, and you accidentally let out a quiet moan before covering your mouth with both hands, face burning with shame and arousal.

“all fine in here, thanks,” shouto’s able to get out, though his voice is strained. “just— ….reminiscing!” he lies, as if he wasn’t balls deep in you right now.

“ooh! fun! can i join?” the door handle jiggles, and shouto’s hand flys out to freeze the door shut. “—huh? hey, what’s with the door?”

“it’s—uhm, it’s personal memories,” he follows up, dick twitching inside you. fuck, how was he meant to last like this?

you almost giggle at his lame ass excuse and over the top reaction, until you remember that over the top reaction is the exact reason tooru hadn’t just seen you both in such a compromising position.

“we’ll be—done soon!” you call out, and at the sound of your voice and insistence on her not coming in, the invisible woman gets the message before saying oh! okay! and finally walking off.

“that was— that was close, wasn’t it?” shouto pants, starting to move his hips again as his fingers resume their circular motions against your clit.

“yeah, i could really feel how excited you were,” you chuckle, to which shouto huffs and picks up his pace. “nngh–!” you moan softly, as you both finally get a chance to cum.

your husband's dick twitches sporadically deep inside you before hot, sticky cum spills out of it and into you as your pussy spasms and flutters around him, milking shouto for everything he was worth and then some.

slowly pulling out of you, he plants a kiss to your spit-soaked lips before pulling his pants back up and redoing his belt and melting away the ice he had created not too long ago as you tug the hem of your dress down, and—hey! that panty thief!

“shouto…. aren’t you forgetting something?” you try to remind him, cringing at the feeling of his cum starting to leak out of your wet cunt and trickle down your thigh.

“mmh,” his brows scrunch in thought, as if he’s actually thinking. “no? i don’t think so?” he moves to grab the door handle, but you bat his hand away and tug at his wrist.

“my…. my panties?” you say, trying to squeeze your thighs together to prevent any more cum from dripping out, but to no avail.

“oh! right—” he goes to take them out of his pocket before he pauses and a smirk tugs at his pouty lips. “you can have them back when we get home,” he tells you, opening the door and starting to walk out. “now come on, the others are going to get suspicious if we’re gone too long.”

goddamn him!

return to KINKTOBER | S. TODOROKI M.LIST

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lurochar · 5 months ago

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The Domino Effect (Pt. 1)

Alastor's shadow has been banned from seeing you for a week. The fallout thus begins.

This was getting long, so it's going to be split into 2 parts. I'm not sure when the second part will be posted, hopefully next week.

Warnings: Alastor's shadow is a massive simp for Reader. There are a few cringey deer puns to get through

18+ MDNI

The Shadow will Play and The Buck Stops Here

Please read those two first

--------------------------------------------

One week.

An entire week – 7 whole days (his Master was so, so cruel), 168 hours (time wasn’t the same for a being like him), 10, 080 minutes (so why was it taking so long to pass?), 604, 800 seconds (would have to go by before he could smell, touch, taste you again).

He was getting restless, antsy in the meantime.

His Master was allowing him to roam around freely if he didn’t need him for anything, so perhaps his Master did understand that being separated from you was one of the worst things he (they) could endure.

Not that Alastor would ever admit that out loud of course.

But misbehaviour was misbevaviour – Alastor couldn’t let his own shadow think it could do whatever it wanted without his explicit permission, especially when it concerned you.

Everything about you belonged to him. Your pleasure was his, your pretty sounds were his. All of your blood, sweat, and tears were his.

His shadow may be a literal part of him, but he was a selfish, selfish man. Wasn’t he already being kind enough to allow his shadow to watch and observe?

Yes, you were his in every way but one – your soul.

It was an utterly frustrating aspect about you and Alastor wasn’t completely sure why you would not give your soul to him. Surely by now you know he would do everything in his power to protect it, treasure it, and he would never dream of mistreating you in any way.

You saw how he treated other souls under his thumb, how he treated Husker and Niffty. He was most certainly charitable to them, wasn’t he? Sure, he may be a little rougher on Husk, but it wasn’t his fault the former Overlord didn’t seem to know his place at times and he couldn’t have the souls he owned out of line and misbehaving, could he?

You, of course, were different from them, they were toys, his pawns. You were his lover, his mate.

He was selfish, but he was also patient. He could wait, he would wait until he could find a loophole and break out of his own contract – you didn’t find out about that, did you? It’s not as if he told you about it. He wasn’t even sure how Husk found out about it, it wasn’t something he spoke about to anyone.

(Was that why you refused to give him your soul?)

It must be difficult, he was sure, so he gave his shadow a little bit more leeway than usual and it certainly was using it.

His shadow was clearly irritated, engaging in activities that it was familiar with, but ramped up in intensity.

Pranks against the hotel’s residents were now borderline assaults and Alastor simply allowed it to happen, despite the annoyed complaints he was receiving and concerned looks he was getting from you.

He didn’t answer when you asked about ‘Shadowy’.

“Fuck you.” Husk grumbled, not bothering to get up from his slumped position at the bar as the damn shadow just seemed to pop up from nowhere. He was already starting to deal with the shakes, suffering from the backlash of not having any alcohol when the shadow switched out all of his alcohol with other liquids during the night.

You had kindly volunteered to go and fetch him some booze, but Alastor had simply sneered at him and reminded you that you two had a lunch date with Rosie and thus, wouldn’t be back at the hotel until quite late.

You had thrown him an apologetic look and Husk just shook his head, not wanting to piss Alastor off. At least you tried, the only one who bothered to do so other than Charlie, who quickly ran off to town as soon as she saw his condition to buy him a six-pack to get him through the night. He could order more once the withdrawals wore off.

That fucking shadow popped up just as he finished his first bottle.

Other than cursing at it, Husk didn’t have the energy to do much else other than growl at it. It just snickered at him and before Husk could even react, its arm swiped across the counter and knocked the five remaining bottles off the bar and watched with a menacing glee as they shattered across the floor.

Husk stared in disbelief as his remaining booze leaked on the ground and the shadow cooed at him in an extremely condescending manner, stroking the back of its hand with its tongue and giving him a look with its hollow eyes as if to say, ‘lick it up.’

The shadow vanished as swiftly as it came.

That one bottle wasn’t enough and Husk vaguely wondered if he had done anything to anger Alastor recently and if Charlie was willing to go back into town again to pick him up any more booze.

Hell, he’d even ask Niffty at this point. He didn’t care who got him what he needed, as long as he got it in the end.

He almost felt desperate enough to lick it right off the floor.

That damn shadow was probably watching him and waiting for him to do it.

Fuck him.

~00~

The shadow dealt with his frustrations the next day by leaving the hotel and slaughtering a few Sinners, specifically targeting ones that had any VoxTek on their person.

He licked the blood off his claws, but grimaced at the flavour. Nothing had an appeal for him since he had a taste of you, but then had immediately been deprived right after.

Why was his Master so harsh?

Why couldn’t he touch you too?

But orders were orders and he had no choice but to listen. He just didn’t understand, you had thought the bleats were cute and he knew you would not go around telling everyone that his Master bleated during sex, so why was his Master annoyed with him?

Would his Master react in the same way if he told you about their tail? Well, it was more specifically his Master’s secret than his own since pulling his own tail just wouldn’t have the same effect.

He may be punished again, but he also felt the contentment from his Master, especially that night where he felt the tinges of euphoria and a ghost-like touch upon his ears. He hadn’t been completely connected to his Master that night, so he only felt the barest of touches, but he knew you must have gotten Alastor to bleat.

What was one more thing?

Another punishment would be unpleasant, but ultimately if his Master (and him too) got the utmost pleasure out of revealing ‘humiliating’ secrets to their lover, who would never laugh at them no matter what, another punishment would be worth it.

Besides, if these thoughts were running in the front of his mind, then they must be running in the back of his Master’s – probably pushed down and away because his Master thought they were weaknesses.

His Master had even once thought that about you in the very beginning, as ridiculous as it seemed now, considering his Master (and him) would rip Hell apart and make it rain with guts and gore should anything happen to you.

His Master was just bad at feelings, that's all.

~00~

The shadow was back at the hotel.

His ears twitched as he sat on the top of the stairs. He caught the sound of Charlie’s voice somewhere nearby. Ah, she was a lucky one, his Master had told him to leave Charlie out of any pranks as he needed to stay on her good side.

Everyone else was free game.

He had gotten Husk.

Charlie was a no-go.

Angel Dust was… honestly, he wanted to avoid being near him. The constant sex jokes made even his Master uncomfortable and irked. He only understood what his Master understood and before you, Alastor had almost zero interest in sex. Most of the time, his Master (and thus, him) had no idea what Angel Dust was even talking about and did not want to know.

So, Angel Dust only if he were desperately frustrated to the point of breaking his punishment.

Vaggie, how could he get her? Hide that precious spear of hers in a place she could never reach, stash it away in the shadows? Maybe shear off a good chunk of that long hair of hers with his claws?

Hmm, decisions, decisions…

His ears twitched again and the shadow glanced down, eyes glowing brighter when he noticed the little creatures cheerfully moving past him and towards the first stair.

Right, these are the pets(?) of the second resident of the hotel – the snake man, the shadow did not know his name because it seemed his Master did not bother to remember it, even after the snake managed to rip a piece of his Master’s coat off.

Well, they were the pets of that snake.

The shadow nonchalantly kicked the first Egg Boi, watching with sadistic pleasure as its fellow Egg Boiz panicked when their companion cracked wide open in the middle of the staircase.

“Where have you gone off to, my little sssssweetssss?”

The shadow stood, grinning at the scene before disappearing into the darkness just as Sir Pentious slithered towards the staircase.

He heard the snake screech in horror before vanishing completely.

~00~

“In and out.”

His shadow whined, using all its willpower to not look in the direction of the bed where it knows you are sleeping. This is the closest it has been to you in a few days and it took almost everything out of it to not just jump into that bed and cuddle up into your side and curl around you.

“I’ve been getting complaints about you.” Alastor eyed his shadow before turning his attention to the pile of corpses gathered at his door. “Husk told me you sabotaged all of his alcohol and that snake fellow said you killed one of those egg creatures.”

The shadow chittered.

“Oh, don’t get me wrong. I don’t care. As long as you avoid Charlie, do as you please. If you do target Vaggie at some point, do go a bit lighter on her. Charlie may get angry at me on Vaggie’s behalf and I can’t have that.” He paused for a moment to listen to his shadow chirp and titter. “I don’t know, this is your project.” Alastor shrugged, ignoring the glare his shadow was giving him. “Steal her hair ribbon or such.”

His shadow’s chitters stopped and Alastor assumed that was exactly what it was going to do the next day.

“You have been quite active today, I see.” Alastor turned back to the corpses. “Much more than we need, but I suppose it's fine. Rosie is always in need of more meat.” His smile darkened and he turned to your sleeping form in the bed, casting a spell to make sure you stay asleep. He didn't want you waking up to the unpleasant sight of mangled corpses. “It's a good way to let off steam.”

His shadow let out a noise of agreement.

“Now then, let's get this meat into the bayou dimension. Hmm, it seems you even snagged a worker of that insufferable Vox. I do wonder how they will taste?”

You stayed sound asleep.

~00~

“Have you seen it?”

You feel Vaggie's grip around your arms tighten and you sigh. “No, I'm sorry, I haven't.” You answer. “But I can help you look.” You offer.

“Are you sure?” Vaggie's expression is a mixture of panic, suspicion, and anger. “I know Alastor has been playing his weird sadistic little games with us lately and I really don't think you're doing anything yourself, but I know you would choose him in a heartbeat over us.”

“I…” You are taken back by the amount of vitriol in Vaggie's voice. “I really had nothing to do with this.” You said firmly, causing Vaggie to rub at her hair in exasperation – something she's clearly been doing all day judging by how unruly it is.

“Are you two fighting?” Vaggie asked after clearing her throat and the panic disappeared from her face and voice.

That ribbon must be very important to her if she's acting like this.

“No.” You murmured, having a feeling of where Vaggie’s ribbon might have vanished to. “But I think I am a part of the problem here.” Your proceeding smile is shaky. “I'll help you find your ribbon.”

“I-it was Charlie's first gift to me.” Vaggie looked forlorn for a second. “I know it sounds stupid to be attached to something that can be so easily replaced, but–”

“It's not stupid.” You cut Vaggie off. “It's not stupid at all. You love Charlie, you love every and any little thing she does for you, gets for you. I understand that.”

Vaggie smiled softly, nodding before her eye widened and she looked at you closely. “Y/N, Alastor, he… he isn't like Charlie–”

“Love is irrational sometimes.” You've heard this speech enough times already. “I know what Alastor is, what he's done. But he's never done anything to hurt me and he protected me even before our relationship began, all without asking for a single thing in return. I give what I can willingly and happily.”

Yeah, Alastor may have asked for your soul a few times, but he never seemed angered or upset that you turned him down nor did he incessantly pester you about it.

It's just how Overlords worked, you figured.

Vaggie stared in disbelief, not sure if you were even speaking about the Radio Demon anymore.

“Let's split up to look for your ribbon.” If your guess was right, you really did not want Vaggie there to see. “Is that okay?”

“Oh, yeah, that's fine.” Vaggie snapped out of her stupor. “I've already searched my and Charlie's room. And Charlie is looking in the main room. Maybe I left it in with my dirty clothes?” Vaggie muttered to herself. “I think I'll go check the laundry room. You can look anywhere you like.” She began towards the laundry room, but stopped a moment later. “Hey, Y/N. Thanks.”

You watched as Vaggie practically sprinted off in her chosen direction and smiled. “Of course.”

You had a buck and his shadow to find.

~00~

“Quite the accusation, Darling.”

Your fingers scratched your cheek and you looked away. “I know you didn't steal Vaggie's ribbon.” You said. “But I know Shadowy has been causing problems for the past couple of days. Shadowy has Vaggie's ribbon, right?” It takes only one look at Alastor's tight grin to know you are correct. “Just let me see Shadowy if he's causing all these problems!”

“I will not tolerate disobedience.” Alastor retorted. “My shadow had one simple order and it did not follow it. There are consequences for that. And it seems there are side effects to the consequence I have put in place. It may not be ‘fun’ for the others to deal with, but they are harmless in the long run.”

“Husk was going through withdrawals.” You frown. “And one of Sir Pentious’ Egg Boiz, you know, cracked open, so I assume that must mean it's dead.”

“We are in Hell, my dearest Doe. While I'm sure withdrawals are quite unpleasant to experience, Husk won't die from them.” Alastor moved closer to you. “As for the egg creature, many have already ‘died’ in my previous… ‘engagements’ with that snake fellow, yet he is never without them. I'm sure he has a source of some sort for those egg creatures.”

“Okay, I get that Shadowy is frustrated? Angry? But why are you letting him do it all here?” You ask with a sigh.

“Of course I allow my shadow to go out and about, but I still do need it close by, so it may only go into the city for a few hours at a time in a limited range. If I need to, I can call it back quickly should something unlikely occur, such as the hotel coming under attack.”

Sometimes, Alastor’s thoughts were beyond you and this punishment for his own shadow seemed a bit excessive.

“Just… just tell Shadowy to give Vaggie back her ribbon in the same shape it was in. It's very important to her, all right? Please, please don't let him rip it!” You plead.

Alastor's ears twitch at your tone and his tense smile turns into something wicked. “And what would you do to ensure that would happen, dearest?”

You blink and then gape at him for a second. “I–” This situation was odd, but ultimately, you are at the centre of it and if all you needed to do was have sex with your lover to get Vaggie's ribbon back, then of course you would do it.

(Maybe you could squeeze out a few bleats too~)

~00~

He stared at the mirror, tying the ribbon on various parts of his body, wondering if you would like it.

First, around his neck. His Master wore something like this everyday, so he was sure you would like this too.

Second, around his ear. It was cute, right? You liked cute things. You had called him ‘cute’ many times before.

‘Do not damage that ribbon in any way. If you do, I will extend your punishment. Bring that ribbon back to me.’

His Master's voice sounded in his head and the shadow whined at the thought of not seeing you beyond the allotted time.

He carefully untied the ribbon from his ear, making sure not to rip it with his claws. He let out a huff, dissatisfied that his ‘prank’ was already over and that he would have to move on to something else.

Should he slaughter more Sinners – go out and find more of Vox's employees and risk getting caught doing so? What would Vox even do in retaliation? Sing his pissy little song about his Master again on that awful picture box?

It sounded much more fun than pranking Niffty, who didn't seem like he would get an entertaining reaction from.

He could switch her bleach with water – but that was boring, he already did something similar with Husk and it's not like he could watch and snicker cruelly at Niffty afterwards since she wouldn't suffer from withdrawals. She might briefly huff and pout, but that would probably be the extent of it.

She was already quite deranged, she would more than likely enjoy anything he could think of and he didn't want anyone to enjoy anything until he could see and cuddle up to you again.

He still wanted to avoid Angel Dust and besides, the adult picture show actor wasn't even at the hotel to begin with. He didn't care where the spider was, but he was probably at work with that other Vee.

He could always mess with Angel Dust's room, tear it to shreds before the spider arrived back, but that meant stepping into it and the thought of all those disgusting sex fluids that still covered the surfaces of that room, just unseen to the naked eye, was enough to put a halt on that idea.

No, the only sex fluid he (and his Master) would ever partake in is your slick and the very thought had him salivating and his tail wagging.

But before he could get lost in his arousing thoughts, he had to get this ribbon back to his Master before he accidentally ruined it.

~00~

You have to wonder.

Did Alastor go out of his way to drive you out of your coherent fucking mind or was he just malevolent enough to come up with these nasty ideas right on the spot?

Probably a little bit of both.

“NO!” You sob, arms struggling against their restraints and legs kicking out uselessly as you were denied your orgasm yet again - what was that, the third time now? “No, hah! Please, Alastor!” You were literally dripping now, slick oozing down your thighs to stain the sheets below.

You could be embarrassed about it later.

“Hmm, I must say, I do enjoy the sound of your begging, it’s always pleasing to my ears.” Alastor pulled his staff back, hovering the microphone just over your quivering folds, but not quite touching. “It’s lovely. Won’t you keep it up, Darling?”

Oh fuck, keep it up? How many more orgasms was he going to ruin?

“H-how else…?” You slurred, feeling your head snap back when the microphone starts vibrating once again against your sensitized clit. You barely feel the pain when the back of your head bangs against the headboard of the bed since it only adds to the light-headed feeling swirling around your mushy brain. “–should I b-be begging?”

You can only say please so many times, doesn’t Alastor get tired of it?

Alastor tapped his fingers against the shaft of his microphone staff, eyeing you for a moment to make sure you didn’t accidentally concuss yourself. He may be a bit of a sadist, but not so much as to cause permanent damage to his precious doe. “Oh dear, have you lost the ability to speak? Surely you can do better than that?”

“Nngh!” A strange sound erupted from your mouth and your vision was swimming. “C-can I cum?” Finally, words are forming and you gasp when the vibrations against your cunt seem to intensify. “Please, let me cum, Alastor!”

“I suppose you can. You’ve been a good girl tonight.” Alastor cooed, knowing he had to wrap things up a little quicker than he would like because he could sense his shadow was close and honestly, it just might out right disobey him again if it sees you like this. “Go on then. Cum.” He reached over, tracing over your slick folds before sliding two fingers into you smoothly because of how wet you are.

You tremble, feeling Alastor’s fingers press against that sensitive spot inside you, hitting it again and again with precision while holding his microphone on your small bundle of nerves. “A-ah!” Your eyes rolled back and your slippery walls clamp down around Alastor’s fingers, but he doesn’t stop, working you through your orgasm until it starts to become painful, “Oh… no, no more…”

The vibrations of his microphone slow down gradually when your hips try to shift away and Alastor is still casually bumping his fingers against that responsive little spot, allowing the tentacles restraining your arms to retract from the headboard. He finally pulls away from you and you let out a little breath. “Do you need anything, dearest?”

You collapse against the bed, grimacing at the sticky feeling between your legs, but you’re not in the mood for a bath. Your body and mind were buzzing pleasantly with endorphins and your eyes looked up to Alastor and your mouth opened before your brain could really think of what you were actually saying.

Honestly, he should like it, he really should! He loved those cringey puns and dad jokes and other than his mug and referring to you as a doe (which wasn’t a joke to him), Alastor really seemed to stay clear from any deer puns.

“Nope, I feel like a million ‘bucks’!”

It seemed to take a moment for him and his grin twitched on one side, static dying down for a second and he seemed to let out a sigh.

“Quite…amusing, Darling.”

~00~

He was bitter, furious.

Was his Master torturing him? Trying to get him to deliberately disobey him? Why would his Master call him back, end his prank – his current amusement – only to be wrapped up in you, when he wasn’t allowed to be? His Master’s emotions were his as well and stronger ones like desire wreaked havoc on a being like him.

He growled, stalking towards the exit of the hotel, ears flat against his head when he spotted Charlie. He made a beeline for her, causing her to gasp in surprise at the sight of him and take a step back.

He let out a huff, not even allowing her to say anything as he threw the ribbon at her feet before he disappeared into the floor, speeding out of sight before anger could take hold of him and he did something he couldn’t take back.

“T-thank you?” Charlie was confused by the strange occurrence, but grateful all the same. She picked up the ribbon and smiled widely, hugging it against her chest.

She knew that Vaggie had told you about the lost ribbon, so maybe you had told Alastor and he actually decided to help for once? And for something that he would deem so unimportant and beneath him? Even if he only used his shadow to help, it was a big step forward.

Maybe there was hope for him?

Probably not, but you really did bring a softer side out of him and it always brightened her day seeing you and Alastor together.

Who would have thought the Radio Demon would ever find love?

~00~

There was a commotion outside.

“What now?” Angel Dust groaned from the bar, slamming back his drink and he winced when he moved in the wrong way. Val had really been doing a number on him lately and he wasn’t in the mood for any weird shit.

He was already on guard for that creepy shadow since Husk and Vaggie already warned him and he had told Cherri Bomb to stay away for a few days since he just needed some nice R&R, so who the hell was it now?

“I know that fucking voice.” Husk scowled. “What the fuck is she doing here? She knows she’s not welcome here.” Well, it would be only a matter of a few minutes before Alastor noticed, if he hadn’t already, and she would be sent on her way – or better yet, shut up permanently for coming back to the hotel.

“Ya can’t mean…?” Angel lifted his head as Husk rolled his eyes before shrugging. “She’s not that stupid, right? Smiles told her right to her face not to come back.”

“She was involved in the Boss’ life when they were alive, how smart could she possibly be?” Husk grunted and Angel’s brow rose at the unintentional insult to you. “Well, no offense to Y/N. Boss actually seems to care about her, as unlikely as it is.”

“You serious? Smiles is head over heels for Y/N! But I get it, you got a bias against the guy, for a good reason. I don’t blame ya if you can’t see it.” Angel let out a laugh at Husk’s glare. “Hey, it just means we don’t have to worry about Smiles paying attention to us as much when it's all directed to Dollface.”

“Is that so, my effeminate fellow?”

Angel jumped in surprise, nearly falling off the bar stool as Alastor and you rose up from a void of black through the floor right behind him. “You’re gonna give someone a heart attack doing that!”

“Interesting method, but not efficient or quick enough. I think I’d rather just rip the heart straight from the che–” Alastor glanced down when you put your hand on his shoulder.

“I think what Angel means is that you scared him by appearing behind him so suddenly.” You explain with an affectionate grin, seeing the relieved look Angel is sending you. “Anyway, is she really…?”

“She always was a bullheaded woman.” Alastor’s smile is tight and his fangs are gritting. “But the absolute audacity to show up here after I explicitly told her she’s not welcome.” He closed his eyes and let out a calming breath before opening them again. “Well, I suppose I should see what she wants. Darling, stay close to me.”

Alastor gestured you to follow him and you did so, stepping past the front doors of the hotel to see why the commotion was even happening to begin with.

Why was Mimzy, of all Sinners, here?

“I ain't leaving until Alastor shows his face!” Mimzy snarled impressively, flanked by two bulky shark demons on each of her side. “I know he's here!”

It seemed she hadn't learned her lesson yet about getting tangled in the world of loan sharks, which was that much more dangerous in Hell.

“He told you to stay away!” Vaggie had her weapon at the ready, prepared to strike at any sudden movements. “You almost destroyed the hotel last time you showed up. I'm not going to let you do it again.”

Charlie flailed a bit, glancing between Vaggie and Mimzy while wringing her hands. She wasn't particularly happy to see Mimzy again, but if Mimzy wanted her shot at redemption, Charlie certainly couldn't deny her that.

“Mimzy! What a pleasure to see you again!” Alastor’s cheerful voice cut in, but his expression told a completely different story as his pupils slowly began to shift into radio dials. “I believe I told you t͓̰̹̣ͨ̈́̿o̭̞̗͍ͦ̾ n̷͇͈̎̉̌͘ê̢̼̱̝v̻͔̆ẻ͇̊ṟ͆ͪͧ s͑͗h̸̪̋ͯ́o̥̘w͒̆̕ y̢͚o̘͎͔̪̒ͦ̿u̖ṟ̥̤̆ͭ͜͠ f̘á̯ͪ̔͋c̻̽̂ͬ͒͜e̶̳͑ͤͦ́ͅ ĥ͟e̋r̰̬̹̀̾͞e ǎ̞g̏ͭa͂ǐn̰̱̓ͩ͡.”

“Heh, believe me, I don't wanna be here either.” Mimzy huffed, crossing her arms under her ample bosom. Her eyes drifted to you and her brow rose in surprise. “You're still around? Huh, thought Alastor would've dropped you like a hot potato by now.”

Charlie immediately recoiled back and Vaggie almost slapped her own face at the utterly stupid and probable life-ending words coming from Mimzy's big mouth.

You really didn't have much of a reaction, you didn't need to.

Alastor’s head tilted at an unnatural angle, accompanied with a loud disturbing snapping noise. “You come here, to the hotel under my protection, as an unwelcome guest, and then proceed to insult my mate not only in front of me, but to her as well?” His eyes were beginning to black out and his antlers were growing rapidly.

Mimzy now seemed to realize her mistake and took a step back, trying to look smaller and hide behind her two lackeys, who were also visibly panicking, “I didn't mean anything by it, I swear! C'mon, Al, I'm just going by what I know! When we were livin’, you never had a woman on your arm for more than a single night! A-and even then, you never took them to your home!”

Alastor barely registered Mimzy's words, but his rage became manageable when you placed a comforting hand on his arm. “Just hear her out?” You asked. “If you kill her, you might regret it later. You were friends in life, right?”

“More so business partners than anything else.” Alastor answered under his breath. “We exchanged favours. We benefited from each other. I can't say it was anything more than that.”

“I’m…I’m sure she has some good reason for showing up here.” You sigh, though you were not very convinced of your own words. You had no real idea what to think of Mimzy and her last appearance at the hotel hadn’t exactly raised your opinion of her.

That, and she had subtly insulted you by calling you ‘Plain Jane Doe’ and that you were not even near the league of beauties that Alastor associated with, drank and danced the night away with at the speakeasy Mimzy ran back when they were alive. Of course she had done so while Alastor was out of earshot.

But still, on one hand, she was an acquaintance of Alastor’s, one he seemed a little more friendly with than most. On the other hand, Husk had outright warned you Mimzy only showed up when she needed Alastor to help her out of whatever hole she had dug herself into and it seemed she had done so often enough in the past that she simply expected it, that Alastor would ‘take care of her’.

“Oh, it’s a pretty damn good reason, sugar.” Mimzy’s panic quickly turned to annoyance once she remembered the reason she had bothered to come to the hotel. “Alastor, I know you can be petty, but I didn’t think you’d sink this low!” Her expression turned ugly. “Is it payback for the one time I came here?! Did it really bother you that much?! You can just use your hoodoo voodoo crap to magic it all back, can’t you!? Well, I can’t!”

“Err, what are you talking about?” Charlie asked reluctantly, seeing how upset Mimzy was, but none of them had a clue what she was referring to.

“My club!” Mimzy screeched. “Alastor sent his shadow to my club! And that thing destroyed it! Completely ruined it! Do you know how long it’ll take me to fix it back the way it was?!” Her hands curled into claws as she glared viciously at Alastor. “And that’s not the only thing it did!”

You stared wide-eyed at the blonde woman in disbelief.

“It ate ten of my contractees! Ten souls may be chump change for you, Alastor, but that’s a serious blow to me! I can’t believe you! I never thought you would turn on me like this!” Mimzy spat.

Alastor returned to his regular form, his anger turning something more contemplative. If he were completely honest, he didn’t care how this affected Mimzy because, well, he had nothing to gain or lose in her situation.

But this was also curious and vexing at the same time since he did not tell his shadow to do such a thing and an action like this was far beyond its familiar activities.

If he left his shadow to its own devices for longer than he intended, what else would it do? Was it that outraged it couldn’t see you it needed to scatter destruction wherever it went?

Well, he couldn’t blame his shadow, he couldn’t exactly say what his actions would be if he were to be suddenly separated from you, but he knew they wouldn’t be pretty.

“I believe you’re well aware of the type of relationship we truly have, Mimzy.” Alastor didn’t exactly want to admit in front of others that his shadow was briefly out of his control for a time. “Give and take. Tit for tat. However you wish to word it. Here in Hell, I have given you much, much more than I have taken. How many times have I saved you from your own foolishness?” Alastor gave an obvious look to the loan sharks still by Mimzy’s side. “And you refuse to learn from it. You can think of this as retribution if you want. Tell me, what would I gain if I chose to help you this time?”

You gave Alastor a look of dismay, but you weren’t surprised.

Mimzy ground her teeth. “Huh, fine. Guess we’re even then. I do a little damage to your shithole hotel, which you can fix with a snap of your fingers and you total my club, which will take me weeks, maybe months to fix.” She turned to the car waiting for her and the loan sharks followed after her. “Got it, Alastor. Your little squeeze there is more important than a decades-long partnership.”

With that, she was gone from the hotel.

“W-well, that was something!” Charlie laughed uncomfortably, breaking the tense silence and was about to say more, but slammed her mouth shut when Vaggie shook her head at her. “L-let’s just head back.” She muttered.

The short trek back was just as tense.

“What the fuck did she want?” Husk asked as soon as he caught sight of everyone. “She’s not coming back again, right?”

“I should think not.” Alastor answered. “I believe I drew a very clear line this time. I’m sure Mimzy will be busy for quite a while and won’t have the time to think of our humble hotel here.”

“Good.” Husk simply said, shrugging. “That bitch was never good news. Glad you finally see what I've always seen, Boss.” He ignored Angel’s snickers from the bar.

“Alastor,” You bit your lip nervously, catching his attention as he glanced towards you, a knowing look in his eyes. “Can I talk to you?”

Alastor said nothing, he just put his hand on your shoulder and you both were travelling through his shadows and to your shared room.

What a conversation this was going to be.

~00~

“You’ve been quite the help!”

The shadow let out a chirp, but barely felt the satisfaction it used to feel when Rosie praised him in the past for delivering her any extra meat he and his Master had on their hands.

He wanted to see you.

But he still had three days to go and he had no idea this was possible for a supernatural being like him, but he felt like he was losing what little rationality he had.

It was surprising he hadn’t felt his Master call for him yet, he had to have heard what he had done to Mimzy’s club by now, but he was going to do whatever he could to keep his desire suppressed as best as he could.

Bloodlust and a penchant for violence was a good way to go.

And going back to the hotel now – he would, without a doubt, disobey his orders and that wouldn’t be good.

Or would it?

Maybe he could somehow catch you alone, bask in your presence, regain some of his sanity, and attempt to tell you about his Master’s tail. His Master wouldn’t be happy and his punishment would probably be extended, but getting them over with all at once sounded better than them being spread out.

The secret about his tail was coming out one way or another.

Maybe he could somehow compromise with his Master – maybe he could only see you when you’re sleeping? He wouldn’t touch you, of course not! He’d just watch you from a distance, just having you in sight and your scent nearby was good enough for him.

“I have to say, this is quite the haul!” Rosie’s voice broke him out of his thoughts. “It’s not like Alastor to overindulge like this at all. He has a distaste for wasting food.” Rosie tilted her head thoughtfully. “And I don’t believe the rutting season doesn’t start for a few more months, so that can’t be it.”

Rosie wasn't complaining, was she?

“I am ever so grateful of course, do not get me wrong.” Rosie seemed to notice the downright ominous scowl on his face, though she did not seem frightened in the least. “For your troubles, I’m more than happy to give you any choice of your preferred meat. Any cut you like! I believe I even received some venison this morning!” She tempted him with a grin.

His ears perked up, teetering on the choice whether to accept Rosie’s offer or not. He had already gotten his fill earlier – it had been rather satisfying devouring those insignificant lackeys under Mimzy’s control right in front of her while she couldn’t do a thing about it – but Sinner venison wasn’t particularly common in Hell and it was something his Master could only indulge in once in a while.

Could he use it to bargain?

He nodded eagerly and Rosie’s grin grew wider, as if she expected his answer. “Of course, of course! I did save it for Alastor after all. Wait here for a moment. I even have it packed up and ready to go. Plus a little sample for your help~”

It only took a few moments and Rosie was handing him a package and a few bite-sized pieces of raw venison. He took them with a pleased chitter and her fangs seemed to sparkle at him. “I always appreciate your deliveries, it’s always a great help! I look forward to seeing Alastor and dear Y/N at our next lunch date. One of these days we’ll manage to get her to at least nibble on a ladyfinger.” She joked, not hearing the soft whimper he allowed to escape from him at the sound of your name.

Hopefully his Master was craving deer.

~00~

Alastor stared at you expectantly.

It frustrated you a bit. “Don’t you think this has gone on long enough?” You finally said, seeing that he wasn’t going to say anything and fully expected you to initiate the conversation – he probably didn’t even see the need for a conversation and that made you a little upset.

“I do not. A week has not fully passed. Punishments are given for a reason, are they not? My shadow did not heed my command. I can’t have that.” Alastor answered as if it were already obvious.

“It’s just me, me! Your shadow did that because it likes me, because you feel something for me, or I at least I hope you do. You know I’m not going to tell anyone that you–you might bleat because your ears become extra sensitive or whatever goes on! I don’t really know much about deer biology– do you even follow deer biology? I-I just know I really, really like it when you do bleat because it–”

Damn it, you were fucking rambling nonsense and becoming totally off track.

Alastor’s brow rose, but he said nothing and just let you rant.

“No, no, I mean, uh…” You licked your lips nervously and your face was burning, but you ignored it. “Well, I do mean that, but really, even if you didn’t care if anyone else knew, I-I wouldn’t… wouldn’t…” You trailed off.

You wouldn’t tell anyone anyway because, well, you wanted it – you wanted those bleats to belong solely to you.

Was that awful of you?

“Err, anyway, Shadowy seems to be escalating with each day. It was contained in the hotel at first, and even then, the pranks seemed a little more… cruel than usual. But with Mimzy, that… that’s completely– I don’t even know!” You shook your head. “Especially since you didn’t order it to do that! What’s next if you don’t stop this now? It attacks the Vees?!”

You were breathing a little harder now.

“Do you feel better now, Darling?” Alastor reached out and stroked a finger down the side of your face, feeling how heated your skin had become even through his glove. “It seems you had a lot on your mind for quite a while now.”

“Are you… are you going to call Shadowy back now?” You asked hopefully, glad that Alastor didn’t tease you for your rambling, but the situation seemed a little too serious for that now.

“I believe it’s coming back on its own.” Alastor answered. “But I cannot let up on its punishment.” He wasn’t surprised by your absolutely disappointed expression. “This is unexpected even to me. I never had given a thought to Mimzy since I had banned her from the hotel, so why did my shadow display such aggression against her? I have to admit, it’s very interesting to me as to what else it may do, but despite that, surely you must understand?”

You furrowed your brows.

“I am still an Overlord, dearest, the Radio Demon. If it gets out that I cannot control my own shadow, how would the souls I own react? It might make for an amusing broadcast, but I can’t have my pawns thinking they can rebel against me. Enough souls are lost during the Extermination, I would rather not add to that count myself.”

“T-that’s a fair point.” You certainly could see Alastor’s side, but why he was still letting his shadow run around freely was not something you could understand. “Maybe just five minutes? Two? Even a minute? Even thirty seconds? I… please let me see Shadowy for just a second so he doesn’t do something completely insane!”

“Three more days. I don’t think Hell will fall because my shadow refuses to behave.” Alastor observed as your disappointment deepened even further and you sighed. “But I will keep it on a tighter leash. It won’t be allowed anywhere near the Vees and their territory if that will ease your mind.”

“I, yeah, that’s good.” You just felt bad, horrible that these things were happening simply because Shadowy couldn’t see you and maybe Alastor’s reasons were reasonable in his eyes considering his position, but you still felt awful. “If you don’t mind, can I sleep in my old room tonight?”

“You needn’t ask my permission, my dear Doe.” Alastor’s smile grew tight, but nothing else gave away any displeasure. “Of course, you are welcome back at any time. You have no need to knock, this is our room after all.”

You nodded. “Thanks, that… that really means a lot to me.” You stepped up to him and he bent down out of habit, causing you to briefly smile. “I sorta get where you’re coming from. You’ve got your position to maintain.” You stepped on your toes to kiss Alastor’s cheek where his smile hadn’t managed to stretch. “But I don’t know, try to look from Shadowy’s view?” You stepped back from him and towards the door. “Goodnight, Alastor. I’ll see you tomorrow.”

The static was deafening.

~00~

“My my, what brings you back?”

His shadow chittered just as nonchalantly as Alastor appeared before glancing around the room, ears dropping when you clearly were not there, though that should have been expected.

“You have a captive audience in me. I would like to know, why did you attack Mimzy as you did?” Alastor asked, causing his shadow to bristle at him and he couldn’t help but to chuckle almost darkly. “Oh, fear not. I am not angered by your admittedly odd actions. In fact, they are almost intriguing in how… erratic they are.”

His shadow huffed before it went on a rant of growls, chirps, and snarls and Alastor listened patiently until it was finished.

“You went after Mimzy because she insulted my precious Doe while I was giving that little dead-beat king a tour and this was your opportunity to do so freely, is that what you’re telling me?” Alastor could feel his form shifting once again because of Mimzy and he was not sure his rage could be quelled this time around. “W̯͚̼̓͋͑h̰͕ͤ͊̈́͘ỹ̗ ẅ͉̚͝a͔͆ͅs͍͕͈̏̆̈́̐ Ỉ n̹̳͒̐o͟ț͍̰̆̌ i̲̳ͥn͌̃͊_f̵̝̣̭̣o̝̙ͣͯ̂r̗̰͑̌̚med̸ͦ͆ o̮ͮf t̗̰h̬̅͛i̵̥̅͋s?͈͘͢”

His shadow tittered, causing Alastor to stop in his transformation. He closed his eyes, willing himself back to his normal form and took a breath. “Darling begged you not to tell me?” He wanted to shake his head at your naivete – sometimes he even wondered why you were in Hell to begin with. “She didn’t want me breaking my friendship with Mimzy over a mere insult?”

Oh, his dearest Doe still had much to learn it seemed and he was more than happy to teach you.

“I suppose it’s a good start for now.” Alastor grinned wickedly. “Once Mimzy rebuilds her club, we can proceed from there.” His expression then returned to its usual one. “Our dearest is worried about you,” He watched as his shadow’s ears immediately perked and there was somehow a tinge of red on its blackened face. “You are not allowed anywhere near the Vees or allowed to take a single step in their territory, am I clear?”

His shadow nodded and Alastor was satisfied, knowing it would not break this restriction. He glanced up when his shadow reached into his own body, pulling out a package from a void and Alastor’s ears stood straight up as soon as the smell hit him.

Venison.

And not just that.

Venison from a Sinner.

“A gift from Rosie, I assume?” Alastor asked casually, narrowing his eyes when his shadow did not hand over the meat right away like it normally would have done. “I suppose I can at least hear you out.”

His shadow gripped the venison tightly before chittering and chirping, tittering and whining, giving his Master his side of the story. If his Master could not agree, he would just burn this venison to ash (even if that was just such a waste).

Alastor could feel the drool run down his fangs as he stared intently at the package held in his shadow’s hands. Venison from Sinners was rare since deer demons themselves were scarce. Most deer and other prey-based demons were simply killed within minutes of waking up in Hell since they were considered easier targets, and so, the deer demon population was small and only getting smaller.

Sinner venison was a luxury nowadays, even for an Overlord like him. He usually had to make due with just regular venison (though you enjoyed it well enough).

But was it a luxury worth his authority over his shadow?

His shadow whimpered and whined, sniveling and Alastor thought back to your words for a moment, ‘to look from Shadowy’s view’, before his ears flattened briefly and he let out a sigh. “All right. The venison is mine and you get five minutes and only five minutes.” He turned when his shadow let out a happy purr and threw him the package of venison before disappearing into the floor and streaking out of the room in a flash.

Alastor shook his head, grabbing the packaged venison before he moved toward his bayou dimension, needing some fresh air to think and clear his head of what had just happened.

“I’m growing soft.”

~00~

You couldn’t sleep.

You tossed and turned before letting out a defeated noise as you sat up in the bed. Were you really that pathetic? That you couldn’t sleep without Alastor around in the room?

No, no, it wasn’t that, the guilt of it all was getting to you – Husk suffering withdrawals, the death(?) of one of Sir Pentious Egg Boiz, and Vaggie’s ribbon. Luckily, Charlie, Angel Dust, and Niffty were overlooked by Shadowy, but it was Mimzy that made you feel the worst.

You had mixed feelings about Mimzy, but having her club – her income – destroyed and ten of her owned souls just ripped away wasn’t something she deserved.

All of this was happening because of you, this was your fault.

You let out a ragged sigh, bringing your knees to your chest to lie your head on them, not noticing the big black shape streaking right under your door and towards your bed.

Cold arms wrapped around you and you jumped in fright, beginning to shout when a tendril covered your mouth before you could scream. A familiar purr rumbled in your ears and your panic slowly ebbed away in disbelief.

Did… did Alastor actually change his mind?

“Shadowy?” You whisper and he nodded enthusiastically against you, rubbing his face against your neck as he practically tried to climb into your lap with his much bigger body and failed rather miserably. “How? Did Alastor let you…?”

Shadowy nodded again and held out five fingers. “Five minutes?” You guessed and Shadowy let out a chirp. “It’s not much, but it’s better than nothing.” You smiled. “I’ve missed you, Shadowy.”

“♡♡~” Shadowy made those heart eyes at you again, but then his ears perked straight up as if he remembered something important. You blinked, watching as Shadowy reluctantly left your warmth and moved towards the little nightstand beside your bed, where an old radio had been placed.

“Oh, yeah, meant to bring that to the other room.” You muttered, not sure why Shadowy would be interested in the antique when time was short. You blink again when Shadowy pulls you closer to him and it hits you that he’s trying to tell you something like he did with the bleats. “A-are you sure? Alastor might get annoyed again.”

Shadowy shook his head, simply tapping the radio and it turned on, much to your amazement (though he is a part of the Radio Demon, what did you expect?) and he reached out to you, grabbing your hand and curling your fingers around his tail.

“Y-you want me to pet your tail!?” You blanched, paling at the thought. You had never touched Alastor’s tail even outside of the bedroom, you knew it was a trait that he absolutely loathed about himself.

Hell, he had even confided in you (the one and only time you had ever seen him drunk, even if it was mildly so) that he had attempted to cut off his own tail numerous times back in his early days, only for it to grow back the next day like nothing happened.

You were probably the very, very few who even knew he had a tail to begin with. Even his shadow didn't show his tail when others were around and typically only let it emerge around you as a form of communication.

And Shadowy wanted you to touch Alastor’s tail?! During sex at that?!

Shadowy wrapped his cold hand over yours, making sure you had a firm grip on his tail and he tugged, and you snapped your head to look at his face. “You… you bleated again. Is this just another way to get you both to bleat?”

Shadowy pointed to himself and directed you to tug his tail again, which you did curiously. Your face must be turning red when Shadowy let out that cute little noise again. He then patted both hands on his chest and used his thumb to point directly at himself.

“Are you saying only you bleat when your tail is pulled and that… that Alastor reacts differently?” You are almost crushed against the bed when Shadowy happily leaps on you, tail wagging furiously. “Do you know how Alastor reacts?”

Of course it does, it's a literal part of him.

Shadowy moves closer to the radio, pulling you along with him. He gestured for you to grab his tail again and you reluctantly do so, firmly grasping it. He nodded and you tugged and just as you did that, you heard a bleat and Shadowy tapped the radio and the station it was set on changed.

What?

You tug again, hear that cute bleat, and the station changes again.

T-that can't be right…?!

“Why would you tell me this, Shadowy?!” You panic. “This is way beyond a bleat!” You tensed when you felt Shadowy’s hands on your shoulders before he pulled back. He cupped his hands, clumsily shaping them into a form of a heart and you let out a strange choked noise.

How many minutes have gone by? How many do you have left?

Shadowy is all over you, ripping off your sleeping bottoms when you're too slow for him. His claws hook into your panties and he drags them down your legs and throws them somewhere across the room.

“It has to be quick. Really quick.” You mumbled, your face burning when you feel Shadowy’s cold hands spread your legs. The anticipation has you started, but you're still not nearly wet enough for it to be comfortable.

Shadowy buries his face in your cunt, parting your folds with his fingers and keeping them spread as he laps around them a few times before moving to that fleshy little nub that seems to give you the most pleasure. He elongated his tongue, circling and flicking it before lightly tugging at your sensitive clit without reprieve.

“Fuck, oh fuck!” Your eyes are blurred with tears and your brain is going fuzzy, but you still reach down and grab onto Shadowy's ears. He purred at your touch, licking at you faster as he slid one finger towards your now soaking hole.

Your thighs squeeze around Shadowy’s head when he bleats as you squeeze his ears and you could probably just cum on the little vibrations alone – just a few more…

Oh shit!

‘How did he find that spot?’ You thought dazedly, feeling Shadowy’s finger jam repeatedly into that extra sensitive area among your velvety walls. He was still slurping away at you, releasing a vibrating bleat every time you remembered to squeeze his ears.

You came when a second finger poked down hard on that spot and you were seeing stars, clenching on Shadowy’s fingers and tongue as he released a few more bleats when you held onto his ears and did not let go.

You sank back into the bed, muscles twitching in your legs when Shadowy kept on licking at you, determined to get every drop of slick it could possibly wring from your body. “P-please, ah, it's too much.”

Shadowy finally pulled back, licking his lips of the last of your slick before he crawled to your side, placing a hand on the side of your face and letting out a concerned coo.

Again, your mouth is working before your brain is and you seriously wonder if those orgasms are frying your mind to mush.

“I love you, Shadowy, so ‘deerly’ much.”

Shadowy lets out a noise that suspiciously sounds like a groan.

~00~

Alastor was no longer hungry.

His venison would have to wait.

It had surprised him when he felt the radio he had given you turn on and quickly felt it was his shadow's doing.

His brow rose, wondering why his shadow was using his five minutes tinkering with a radio when it could be devouring you between your legs, but those thoughts are swiftly pushed away.

The station has changed.

He can hear his shadow bleating.

The station changed aga–

Alastor's grin widens obscenely and stitches appear to hold his face together. He digs his claws into the nearest tree, almost ripping it down as his growing antlers stab right into the trunk and still continue to grow.

“Why would you tell me this, Shadowy?!”

Alastor can hear your panicked voice through the radio and it serves to calm him down some. He rips his antlers from the tree and watches with satisfaction as it falls.

“This is way beyond a bleat!”

Very much so, Darling.

His smile twitched in places, as if he were having trouble keeping it together, suddenly recalling what you said to him the night you had gotten him to bleat.

His shadow was a part of him. What he felt, it felt. Whatever he chose to push down, away, and to the back of his mind would end up expressed in his shadow freely, no matter how much he wished it weren't so.

Why?

Why in all the rings of Hell would he want to tell you this utterly pathetic thing about himself?

A bleat? Fine, you can have all the damn bleats you wanted, but this?

Did you really want to see him lose his composure – his control that badly?

(Or was it him? Did he want that???)

No, no – there was only one logical explanation for this and it made sense, it had to. You were his mate, after all. Mates tended to groom one another, didn't they?

He just wanted you to stroke his tail, that's it.

~00~

“Shadowy?”

It shouldn’t be surprising that Shadowy was gone, Alastor had only given him five minutes after all, but it was still a little disheartening to wake up to an empty room. You must have fallen asleep not long after your quick little tryst with your lover’s shadow – guilt eased somewhat, knowing that he wasn’t causing any trouble.

You stretched, giving a look at your ripped sleepwear and chucking them into the corner of the room. You would either have to throw them out or ask Alastor to fix them up with his magic and you definitely didn’t want to ask him that any time soon.

You flounder for a bit as you pull on some new clothes before ultimately deciding to head back to your shared room with Alastor. He did say you were welcome back at any time, right? There was no reason to be hesitating and if he was in a foul mood, you doubted he would even be there.

You took in a deep breath before opening the door, not needing a key as his magic recognized your presence and you slowly stepped in. “Alastor?” You called out, knowing he had to be here since you could hear the faint jazz playing in the background.

“Did you enjoy yourself last night?”

You almost jump when Alastor manifests behind you, feeling his hand stroke through your hair once as he waited for your answer. “I-I did.” You swallow. “I don’t know why you changed your mind, but thank you. Thank you so much, Alastor.” Your fingers are fidgeting. “Can I… can I do something for you?”

“That blasted shadow of mine is more cunning than I originally thought it to be. It came across something rare enough that even I had to think twice. How pesky it has become.” Alastor seemed more amused than anything and that had you relieved. “But also quite fascinating.”

Alastor is directing you to your shared bed.

“S-something rare?” You stammer a bit, not sure what Alastor has in mind. “What would that be?” You’re honestly curious about what it could be that he actually changed his mind, it had to be something pretty valuable for him to even consider doing so.

“Nothing you would be interested in.” Alastor answered offhandedly. “I must admit, I am bothered by something my shadow told me last night.” He pushed you lightly onto the bed and before you could fully comprehend his words, he was already in the bed with you, head settled in your lap. “However, I shall forgive you should you forget what you learned last night. Focus yourself on my bleats instead. You believe them to be ‘cute’, correct?”

Bothered?

What was he bothered by? What did his shadow tell him?

How could you possibly forget about his tail?

“Can I ask what?” Your hands shake a bit as they trace the shape of Alastor’s soft ears and there is no bleating, Alastor can control those sounds in a normal state. After a moment, your strokes become more firm and his ears droop a little in response. “I do think your bleats are cute, though.” You quickly say under your breath.

“Hmm, ‘Plain Jane Doe’, is it?”

Ah, damn it!

“You heard Mimzy, she said she meant nothing by it!” You accidentally squeeze down on Alastor’s ears, but he doesn’t seem to notice or care as his red eyes stare a hole into you. “It doesn’t really matter, does it?”

Alastor had called you his mate and that made you happy.

That’s all you could ask for and who cares what Mimzy thought?

“There may have been a bit of truth to what Mimzy said.” Alastor admitted. “I did accompany women to Mimzy’s speakeasy for a dance and drink. I did it to boost my appearance, to look like a normal man. Presenting myself as ‘normal’ is how I got away with killing for as long as I did.” He glanced up to you to see your attentive gaze.

It wasn’t often he spoke of his mortal life, after all.

“Mimzy does have a way with twisting words. ‘Jane Doe’ is a name for an unidentified female victim, isn’t it? She very well knows I never killed a woman as a human. I do wonder if all that alcohol has ravaged any wit she has left. Ṯ̡͒o͂͟ i͔̰̓̑̊m̨̫͈͑ṗ͙̓ḷ̴ͤ̍͟y̡̥̹̌ I̋ͣ w͐͌͋o̡͙̮͚ͥ̉uͭl̛̤ͧ̐̔͞d̙̖ m̪u͊̾͆r͉̹̘̈́̐̀d̵͍̂͜͠é̪ͤͩ͢ȑ m̻ͤ̌͗͝ͅy̸͇ͩ o̠̠͈ͥͭ̀̚w̶͕̚ṋ̽ m̂a̴t̶̹͌̅è͈͉?”

He was getting angry again at the thought of Mimzy.

You smiled, feeling your face grow warm and you couldn’t help but to feel giddy and Alastor’s smile twitched, not sure what your reaction was.

“I’m sorry!” Your smile was blissful and your hands were back at stroking his ears. “I’m just so happy… that you consider me your mate!” Your face must be completely red by now, but you just feel like you’re floating on clouds. “You’re my mate too, Alastor! I-if you want me…”

Your answer was a bleat.

Your head snapped down to look at Alastor, whose eyes were closed, there seemed to be a red tinge to his skin, and his smile was wonky and twitchy, looking as though it was taking everything out of him to keep it a smile.

You say nothing and keep on petting his ears, hearing those soft bleats every once in a while as you tangle your hands in his hair near his antlers. You gave them an experimental stroke, but there is no reaction, much to your disappointment.

“You would have to wait until rutting season for that.” Alastor’s eyes open and he sits up from your lap. “I do believe my previous bother is no longer a bother to me anymore.” He turns to you. “Well done, Darling.”

“Of course!” You’re still riding your little high. “I’ll touch your ears anytime!” You wanted to add to that, that you wanted to touch his tail too, but he wanted you to forget about that and you would.

For now at least.

-----

Taglist:

@chibistar45 @mo-0-o @sirens-and-moonflowers @ashdaidiot

#alastor x reader #x reader #hazbin hotel x reader #alastor smut #alastor's shadow x reader

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nnight-dances · 1 year ago

Text

REPETITION / RARE LOVE

pairings: kim mingyu x fem!reader (ft. yoon jeonghan)

genre: fluff, angst, suggestive & sexual content

tropes: best friends to lovers, idiots to lovers (except mingyu's the only idiot), pining, flirting

warnings: explicit language, banter, alcohol consumption, borderline jeonghan slander but it's okay because i would die for the man, has been proofread by me once but only barely. kazuha (le sserafim) is your roommate, huh yunjin is present.

WHAT TO EXPECT

it's simple enough: you and mingyu are perfect for each other. you've told him as much but after years of him avoiding the topic, you leave him alone. but when your long-time infatuation with jeonghan gets rejected, you have nothing to distract you from your desire to be with mingyu. all it takes is you making out with the wrong person and a can of beer for mingyu to come to his senses. (about 11k)

OR: maybe you don't hate repetition as much as you claim to.

SEQUEL OUT NOW!

“why are men on tinder actually vile?” you question out loud, not quite expecting an answer as your eyes continue to read the offensive opener you’d received from a recent match. mingyu, who’s crouched on the desk across from you, frowns.

“y/n, we’re meant to be studying,” he points out, “but also i thought you were over tinder?”

you look at him blankly, “i am! i just gotta finish what i started you know…”

mingyu looks deeply disappointed in you and you slide your phone across to him, “look at this message i just got! it’s disgusting! i don’t need to know if someone’s wet at the thought of—”

“god, y/n, do you have to scream?” he asks as he takes hold of your phone, busying his fingers probably with blocking the guy. you momentarily look back at your screen where the black document meant to be the outline for your final art history paper taunts you.

you sigh, looking down at your phone when mingyu returns it. “i paused your account and deleted the app.” you sigh yet again, “man! if you were gonna uninstall it without my permission you should’ve just deleted my account.”

“you’d just make another one anyway,” he shrugs, “plus, this way when you go back you’ll remember why you left in the first place.”

you grumble something under your breath but resume your attempts at writing. mingyu smiles a little as he goes back to his own work. a beat passes before, he puts his pen down again and when he sees you’re staring at your screen distantly, he asks, “did you talk to jeonghan yet?”

you gasp at the mention of your years-old crush, glancing around you as if you weren’t in a private study room (because apparently the only way either of you could get anything done was while talking to each other). “what?” mingyu continues, “one of us had to address the elephant in the room.”

“wow, you’re just the worst friend ever, aren’t you? it’s like you can’t read rooms at all. i clearly did not want to talk about jeonghan.”

“well, now you are. so you might as well be honest with me. did you think about confessing to him?”

you deflate, stomach suddenly uneasy, “no. i don’t think i will. i don’t need him to know.”

“you kinda do. y/n, look at me,” mingyu knocks on the wood to demand your attention, “it’s the only way you’ll ever have an answer.”

“i don't want an answer.”

“…”

"because i'm going to move on from him!"

"..."

“okay, well, i’m starting to! just watch me, okay? i have the agency to not be completely consumed by my very shallow attraction to a very attractive and impressive man.”

“right. you just used attractive twice in a sentence— and no, i don’t care if it wasn’t the same form of the word, you absolutely hate redundant things. and yet, you refuse to recognize the way out of this pattern of yours.”

“you are so tiring, mingyu, you know that? exhausting, even. i don’t want to do this anymore.” you shake your head at him, suddenly invigorated to finish this damn preliminary proposal of yours.

—

yunjin cackles as she plops down across from you in the dining hall, finding you scrolling ever so dedicatedly on pinterest. “what’s this?”

you look up at her with a pout, “i need a dress for hoshi’s little party. it’s in two weeks and i have zero options.”

“fuck, i knew i was forgetting something,” she grimaces in her typical huh yunjin way and shifts closer, “i need to find something for that too. can’t just wear a corset and call it day since he’s labelling it a formal and whatnot.”

“he really is the worst,” you agree, pausing to muse over a pretty white dress with red roses all over it. “hmm, what about this one?”

yunjin tilts her head and nods as she looks between you and the dress, probably imagining you in it. then, you sigh, “it’s just i don’t think red is my color like that.”

you’re about to elaborate when you hear a gasp from behind you, “that is simply not true!” you don’t have time to react when a figure slides in next to you. goddamnit, it’s jeonghan, you realize, trying hard to keep it together when his shoulder comes to sit next to yours. “you absolutely fucking rock the color red.”

“i do?” is all you can muster as yunjin chokes out a badly covered laugh. you glare at her, “what’s funny, jen?”

“hah, nothing, i agree with jeonghan, you’d look lovely in red.”

you frown, unconvinced as you scroll some more, feeling dizzy from jeonghan’s presence.

“preparing for hoshi’s party i presume?” jeonghan asks and you nod. “i’m so stressed, i have nothing and it’s approaching so fast.”

“you have time though,” he reassures but you’re quick to protest, “i’m not going to have any time next week because we’re organizing that night flea market. i’ll be running around campus so i need to take a trip this week.” the beauty of going to a college with an isolated campus: peace and you gotta plan every time you leave campus because there’s a singular bus that takes you to the city. it’d be a whole day trip for you if not for mingyu, who thankfully has a car that he can drive.

“ahh, tell me when you’re going into the city, y/n,” yunjin pats you, “i gotta go too.”

you nod and then remember, “right of course, i just remembered kazuha saying she wanted to come too.”

“nice,” yunjin approves, “we need all the opinions we can get. did you get mingyu to agree to drive you yet?”

“i texted him earlier but he hasn’t replied, which is slightly concerning because he may not know how to spell but he does write back very fast.”

jeonghan chuckles, “mind if i join you guys too?”

you stop in your tracks, turning to face him, “you wanna come shopping with us?”

he nods, that sweet smile of his plastered across his face, “yeah, i could use a new formal outfit. i’m tired of wearing the same black suit to everything.” he nudges your side, “plus, you guys could help me out. i can never decide on anything all alone.”

—

“maybe i should just not go,” you groan with your head in your hands. mingyu rolls his eyes, slapping your back, “why would not go? if your problem’s with jeonghan, he should be the one to stay back. not you.”

you sit back up, staring at the eggs in your plate. beside you, mingyu chugs his glass of orange juice, and you lean against him. “god, i hate him so much. do you wanna go see if the playground’s free?”

“right now?” mingyu looks at the time. it’s 11 am on saturday, still an hour from the time everyone agreed to meet in front of mingyu’s car, which is conveniently parked right across from the playground. as if following your line of thought, he grins, “alright. but you finish your food first.”

you sigh, “okay, mom, i will.”

five minutes later find you racing mingyu for the best swing in the playground— months of visiting the place had taught you the first swing was the only one that didn’t creak too loud and experienced the least amount of bumps during the ride. mingyu’s fast but you’re stubborn so you reach out for his arm midway, sticking your nails into the skin, knowing how dramatic he is about these things.

he gasps, “DO NOT CLAW ME.” strong as he might be, he slows down to rip your grip off. you seize the opportunity, getting a headstart and laugh when you reach the swing before him, sitting down firmly before mingyu can pull you away.

“that’s cheating, y/n, you know it!”

“hey, you’re the one that has an advantage. you go to the gym like eight times a week. i go like thrice a month.”

“sounds like someone’s lazy and whiny to me.”

you smile, “someone lazy wouldn’t win that race. and you’re the one that’s whining,” you point to his stance, his arms at his hips like an affronted toddler. he loosens his body with a pout as he walks over to the second swing. “whatever.”

time passes a little too fast for you two when you’re fighting like this because kazuha’s running over to you, breathless. “y/n! what are you guys doing?”

“zuha, hi! did you—”

“yep, i got your lip gloss.”

you chuckle, throwing your arms around her, “why are you the best roommate ever?”

mingyu scoffs, “what about you being the worst roommate ever?”

kazuha laughs, too nice to agree with him, “hey, that’s not true.” you hit him in the side, “you’re just jealous that you’re in a single. i guess money really does make people lonely.”

“i’d go for a double even if i was that rich,” jeonghan’s voice pops up from beside you. he sure has a knack for appearing out of thin air. “i couldn’t handle being alone.”

“not everyone can love themselves as much as i do,” mingyu shrugs, smugly as crosses his arms. “i’m self-sufficient like that.”

“if you guys are done, we should start moving,” comes yunjin’s voice from near mingyu’s car, “it’s already fifteen past 12.”

“i call shotgun!” yunjin shouts and you’re quick to fight back, “no way, i already called it.”

“if i didn’t hear it, then it doesn’t count,” she teases, leaning against the passenger side. you glare at mingyu, “i called it in front of mingyu! the driver is the one that counts.”

mingyu laughs at the petty fight, “y/n did call it earlier this morning.”

“that’s not fair! mingyu’s obviously going to take y/n’s side, you guys spend every breathing minute together. the rest of us don’t stand a chance.”

you smirk, “don’t be a sore loser, huh yunjin, you can call it when we’re coming back. if you remember to.”

“i hate you,” she mutters as everyone settles into the car.

“i’m open to music requests, dear friends,” you announce once you’ve started off. “but i reserve the right to reject any tasteless songs.”

“isn’t this the textbook example of a tyranny?” jeonghan breathes and you shoot him a look over your shoulder, “hey, the power comes with the seat. it’s natural selection.”

mingyu groans through laughter, “you know you don’t make any sense. just play some music.”

you roll your eyes, “he says as he laughs his fat ass off.”

“she’s just salty my ass is fatter than hers,” he mutters under his breath. the three in the backseat break into laughs at that, all at your expense as you gape at them. such betrayal.

“i don’t know why i call you friends. you’re monsters.”

kazuha pipes in, “y/n, are you calling your sweet roommate a monster right now?”

jeonghan is quick to join in, “honestly, i’d say kazuha is the nicest friend among us here.”

“fine, everyone but zuha’s out to get me right now.” the screaming continues for a little bit longer until yunjin and kazuha tire themselves out and pass out. you chuckle when you look at them, yunjin’s head bobs in the middle of the three until it hits kazuha’s shoulder, whose head then rests on top.

swiftly, you pull out your phone camera and capture the moment, sure to tease them later. as you’re clicking the photos, jeonghan’s face sticks into the corner with a sneaky grin and you shift the angle to include him. enjoying the attention, he shoots the camera a peace sign, followed by a little heart, and then a cheek heart and now he’s a bunny and then—

you pull yourself away abruptly with a shaky laugh, “god, jeonghan, this isn’t a photoshoot.”

he laughs back, “ha ha, sorry, i can’t help myself. it’s so fun to tease you like this.”

you feel the blood rush to your face at that, so you turn to face the road completely, a weak, “fuck off” on your tongue. mingyu silently observes the interaction, not without a little side-eye that you don’t know what to think of. “you should get some rest, y/n, you didn’t sleep last night.”

you frown, surprised mingyu knows that and you don’t get to ask him why he knows that because jeonghan interrupts, “you guys sure are close. i was talking to hoshi the other day, he misses y’all a lot.”

“he does? he can just come talk to us whenever though,” mingyu replies, doubt tracing his tone. “i don’t think we’re exclusive like that.”

“right?” you agree, “we used to be so close to hoshi, too, and then he moved to the other side of campus this semester and now i have like one class with him.”

“i don’t know,” jeonghan says, “you should talk to him about it, but there’s always been something stronger about the two of you together.”

you shrug, “we always end up together. it’s not that deep i think. it’s just how it is.”

the topic ends there as jeonghan agrees and dozes off himself too. you, however, feel eerily awake. awake? no, more like unsettled. something in your nerves is off and you feel on edge. you’re a little spaced out after that, as you finally reach the city circle with all the shops crowded next to each other with a little mall in the center.

as everyone gets off and gathers their things, mingyu pulls you aside with a concerned look, “are you okay, y/n?” his grip on your elbow grounds you a little. you inhale, knowing better than to pretend in front of him, “yeah, just a little uneasy. i don’t know why. probably just tired.”

mingyu looks like he knows something more about your condition, “are you sure? we can take a break at one of the restaurants before shopping if you want?”

“nah, i’m okay, don’t worry. i’m a strong girl,” you smile, reasurring him with a pat to his chest, “i feel better now. thanks, mingyu.”

he frowns, hand loosening against your skin, “you never thank me, weirdo. don’t be so formal.”

“man, there’s no winning with you, is there?”

he chuckles as he pulls you after the others, “no, i’m insatiable.”

—

an hour into shopping, you realize why you hate doing this. everything is so overwhelming when you’re in the city, so many people, so many clothes. at least you have friends with you as you scan racks after racks, ending up with three potential dresses on your arm. you mutter a prayer in your head that you can find something nice here so you don’t have to walk more. this is already your third store.

the first one is a classic: a little black dress. it’s satin so it sits smooth against your skin and feels soft when you twirl around. it’s a little short for your liking, perhaps too tight against your ass. you turn to the side to get a better look. you take a photo and send it to mingyu, who you’d been going back and forth with. he’d last sent you a photo ten minutes ago: him in a stupid minion onesie. you’d cursed him out real well in response telling him to stop fucking around. he writes back fast.

big gyu: u look good

big gyu: kinda basic tho

you: yea i thought so too

you agree with that, putting the dress aside in case you don’t find anything else at all.

candidate number two is more over the top: a long red dress with little black patterns on it, with a leg slit on one side. getting into it was a whole struggle but you get it on finally. it fits well thanks to the slit which also shows off some skin. you’re hot in it: like literally. the long sleeves don’t help at all. but you look good too, the flare doing wonders for your figure. you pause, sending a photo hoping mingyu would be of help.

however, when mingyu takes longer than a minute to reply, you groan, already sweating a little. concluding that he’s probably changing or something, you peek out your curtain, hoping yunjin was still in the stall next to yours. you call out her name, straining your neck to see if there was anyone else you could ask for help.

you spot jeonghan walking around the shelves near the fitting rooms and before you can hesitate to call him over, he notices your head poking out. he raises an eyebrow, sending your heartbeat into a spiral. “y/n? do you need help?”

you clear your throat, “um, yeah, i need a second opinion on this dress.” jeonghan approaches your corner and you panic when he reaches for the curtain to draw it back. his eyes question you, “can i look?” you let go of it to let him in, a tiny little rational part of you wondering he needed to come inside the room to see.

“ohhh,” he exclaims as he takes you in, “you look amazing. told ya red was your color.”

you turn away from him a little, “this dress is hot.”

“it sure is,” he agrees and you blush harder, “no i meant, like literally. i’m so hot right now.”

jeonghan presses his lips together, giving away the fact that he understands but being the little bitch he is, he chooses the option that makes you wanna combust. he presses two fingers to your cheek and mumbles, “yeah, you are.”

you push his arm off, “yoon jeonghan! you’re such a damn flirt! get out of here.” you force him out of your space and he’s uncontrollably laughing as he lets you. “i’ve another dress to try so wait outside for me.”

“sure you don’t need a hand changing—”

“no, thank you very much!” you scream, greeted with more pleased chuckling. your phone buzzes, catching your attention. you lean down to look at it.

big gyu: niceee thats hot

big gyu: u should get this dress

big gyu: pls

you: …girl why are u begging me

big gyu: because.

big gyu: you’re getting this dress right

you: no i’d die of overheating in it

big gyu: and it’d be worht it

you: i dont like how enthusiastic u are about this...

you: wtv this one's rejected.

you: i still have another dress to try

you put your phone down to try the final dress. this one was a purple slip dress with white flower detailing. it was skin tight against your boobs and a little transparent, giving away your black bra underneath. and to contrast, it sat a little loose on your hips which was honestly not the worst look, keeping from the dress becoming too scandalous. you enjoyed this dress the most so far. that was enough, given the track record.

“you done, y/n?” you’re startled when the voice outside is mingyu’s instead of jeonghan. you pull back the curtains in confusion, “gyu? what’re you doing here?” mingyu stops short, “fuck, i like this one.” you flush a little when you notice his eyes settle on your chest for a beat too long. “that’s stunning, for real.”

you laugh. “look at you using big words. but yeah, i think this is the one.” you look over at him, “did jeonghan leave?”

“um, yeah, he said he had to use the washroom when i ran into him on the way,” he mumbles. you nod, a little relieved because you think you’d die if he saw you right now. “anyway, i’m offended you were showing him your dresses and then all i got was a photo.”

“hey, you were taking so long to reply that i had seek someone else out. he just happened to be her.”

mingyu ignores that and tells you to hurry up, “i need your help choosing something for myself.”

“ugh, alright, give me five.”

in the end, you decided you’d get both the classic black dress and the slip dress, you needed more dresses in general. wouldn’t hurt to have more. when you’re done checking out, you find mingyu in conversation with kazuha who’s smiling with a shopping bag in her hands.

“zuha, you get anything?” you ask. she nods eagerly, “yeah! i got this pink dress that jeonghan helped me find just now. it’s really pretty, i’ll show you later in the room.”

you falter a little at that, glancing at mingyu who’d told you he went to the washroom. ignoring the growing unsettling gut feeling, you inform her you’d found something too. “nice, we should have a try-on in the room later.”

“you guys!!” yunjin joins the group, “this is insane. i hit the jackpot and found the sexiest green dress ever.” you laugh, linking arms with her, “you should come over later and try it on with us.”

“ah, the beauty of womanhood,” mingyu grumbles beside you, and you shove him. “you’re not invited, pervert.”

his jaw falls open, “excuse me? what did you just call me?”

you press an index finger into his bicep, “don’t think i didn’t notice you checking my boobs out earlier.” mingyu’s cheek redden at the light-hearted accusation, worsening when jeonghan appears right at the climax of the argument.

“okay, okay, first of all, i wasn’t checking anything out!” he complains, “and-and well, they—”

jeonghan cuts him off, patting his back with an amused smirk, “it’s alright, buddy, it happens to the best of us.” everyone laughs at that, much to mingyu’s chagrin who then becomes pouty for the rest of the walk to the next shop.

“c’mon,” you pull him into the store, “my turn to stare at your tits.”

“god, would you drop it?” he groans as he follows you in. “it won’t happen again.”

you giggle, “it’s okay with me, gyu, because that just means the girls look good.”

he groans again, “i really don’t need to be a part of this.” he wanders off into the store, embarrassed. you let him go, looking at clothes for him separately. turns out shopping for mingyu is harder than the concept of it sounds. it doesn’t help that he’s an expert at criticizing the small detail in every item you choose for him. half an hour later, you’re tired of him.

as if on cue, kazuha calls you to tell you to come over to an asian restaurant nearby to grab lunch. you thank the lords as you pull mingyu away, “there’s nothing here for me anyway,” he grumbles as you meet up with the rest.

entering the restaurant, you spot kazuha and jeonghan at a table nearby. yunjin’s still on her way it turns out as you sit across from them, heart in throat for the worst reason possible: you’re jealous. you may be down bad for jeonghan but that doesn’t mean you’ve lost your ability to take a hint. trying to keep the thought from completely forming in your head, you make conversation with everyone, wanting to be better than this.

you want to avoid thinking about it so you’re quick to shut jeonghan off. he’s his usual self, joking around with everyone but he picks up when you’re not as receptive as usual. you hope he just thinks nothing of it, but you know that’s not possible when he approaches you after lunch as everyone else is washing up in the bathroom.

you’re outside alone, waiting, when he slightly pushes your shoulder to draw your attention. you gasp lightly. “jeonghan?”

“can i talk to you for a sec?”

you frown, “yeah, you’re talking to me right now.”

“come on, y/n, don’t be cold. let’s go for a walk.”

“but, the others—”

“i let mingyu know we’ll be back in a few.”

out of excuses, you silently follow jeonghan’s stride through the busy street. he makes conversation really well, easing you up in no time as he distracts you from what was on your mind. it’s illegal how smoothly he then proceeds to drop the act.

you’re laughing about what he’d said about hoshi’s drinking habits just now, when he suddenly goes serious, “i think i like kazuha.”

you freeze up at that, fighting the frown that itches closer, looking at him like you didn’t hear him. heart’s out of control right now, but at least you were already expecting this outcome. “huh?”

“sorry, i just thought you should know. i’m really into her and i was planning to ask her out sometime this week.”

you would love to pass away right now. immediately, you think you hate jeonghan for doing this to you. it’s clear from his behavior that he knows you like him and that he’s apologizing— he’s rejecting you before you have a chance to confess. he likes kazuha. he’s going to ask her out. you should know that.

you sputter awkwardly, “that’s great! good for you, jeonghan. and um, you really didn’t have to tell me. i’m sure kazuha would love to be with you.”

you never want to speak a word to anyone ever again and you're sweating ever so profusely, so you speed up a little, “and we should get going, no?”

sensing your mood, jeonghan follows along but says, “i’m sorry, y/n. i- i know you…”

you don’t let him finish because it would genuinely kill you to hear him say he knows you like him. “you don’t have to be sorry.” with that, you essentially leave your body. you move fast enough to reach the car, wordlessly getting into the passenger seat and yunjin somehow knows better than to fight you.

the car ride back is filled with music. not much chatter. you realize it’s partly your fault and silently dread being back in the room with kazuha, but to your relief, when you reach she doesn’t bring anything up. you’re too tired to do a try-on like you promised and when mingyu asks if you want to come over to his place, you tell him you’re feeling sleepy. and for once, you actually sleep after telling him that.

sleep is not as much of a comfort as you’d hope for it to be: less of an escape, more jeonghan-themed content. something about heartbreak and living the rest of your life, lovelessly.

—

the next week starts off hectic and you’re thankful for it this once. you could use the chaos of organizing an event to take your mind off things. a small part of you wonders if jeonghan was being merciful by letting you down and timing it so well. knowing him, that doesn’t seem so impossible.

you feel better than you’d imagined you would. you cried like once since the rejection. you didn’t need to worry much at this point, having realizing that it was less important that you’d made it out to be. mingyu, on the other hand, doesn’t give up his worrying, especially when he doesn’t see you until three days into the week. and that, too, because he gave up and thought it would be a good idea to invade your room, at one in the night.

his knocking wakes you up fairly quickly, since you’d only put your phone down a few minutes ago. you rush to the door, afraid of waking kazuha up. “what the fuck, mingyu?” you ask at the sight of him.

“what the fuck yourself! stop ignoring my messages maybe?”

you groan, stepping outside your room, feeling the cold air hit you in your night clothes. “why’d you have to confront me so late at night? can we do this tomorrow? when i’m coherent and not half-naked?”

mingyu falter as if he just realized the time, noticing your tank top and shorts. “i don’t care. i’ll give you my jacket but we’re doing this right here and right now.”

you sigh, knowing this was coming. “forget it, keep your jacket. i’ll go change and be right back.”

mingyu grabs your arm when you try to go back inside, “how do i know you’re not just gonna leave me here to die?”

“dude, my room’s right here. you can come watch me change if you fucking want.”

he lets you go, flustered when you offer and you laugh as you rush back in. in the darkness, kazuha’s voice startles you, “y/n? is everything okay? are you being abducted?”

“oh god, zuha, you scared me. and no, it’s just stupid little mingyu who wants to have a talk. i’ll settle this. go back to sleep.”

she groans, “god, you guys are just like my parents sometimes.”

you laugh at that as you slip into a hoodie and exchange your shorts for pajamas. when you return, mingyu’s sitting at the stairs in front of your room and you hit him in the back.

“ouch! fuck you!” he stands up with a glare, “also i heard what you said about me. why am i stupid and little? can you just choose one insult?"

“let’s go down if we’re gonna argue. zuha can hear us, too. and did you hear what she said after that?” when he seems clueless, you go on, “she said we remind her of her parents sometimes.”

he coughs, “her parents?? what are we, married?”

you roll your eyes, “married and sick of each other, apparently.”

“being zuha’s parents doesn’t sound so bad honestly. she’d be the easiest child to raise.”

“i feel like zuha would raise you if you were her father,” you laugh, “me too, probably.”

“who’d be the father then?”

your smile falls when an answer occurs to you, you mumble, “jeonghan,” sitting at a bench outside your dorm. mingyu joins you, equally solemn now.

“did something happen between you two?”

“yeah. he rejected me when we went shopping that day.”

mingyu’s eyes widen, “what? you confessed?”

you shake your head, a strained smile, “he already knew. i guess i was obvious, but it’s still driving me insane that he rejected me without even giving me a chance to confess.”

“i can’t believe he did that. that’s conceited as fuck.”

“conceited or impressive, i can’t decide. but he told me likes kazuha and that he’s sorry. i genuinely wanted to die when he said that. he was cool about breaking my heart, too. lowkey fell a little harder for him.” you laugh at your own joke, but mingyu looks unhappy, jaw clenched like he’d tasted something bitter.

you hit his arm, “it’s not a big deal, dude. i was thinking about it the past few days and i realized i barely knew the guy. i just knew what he told me over the last year.”

after a pause, “and he’s one beautiful man, so there was that.” you smile a little.

“but he didn’t have to do it like that. he could just stop flirting with you, you know, or wait for you to come around and confess like a normal person,” mingyu says, “he’s such a little jerk.”

“hey, it’s okay, a little flirting didn’t hurt anyone.”

“yeah but he was leading you on, leaving you in ambiguity by doing that. he should’ve been flirting with kazuha, not you.”

“okay, now that’s starting to hurt,” you whine, pressing your forehead against his shoulder, “but i can’t really blame him, no? kazuha’s so precious.”

“don’t be like that, y/n.”

“what? be like what?” you look up, “didn’t you also used to be into kazuha?”

mingyu bites his lip when you bring his years-old crush up, “when will you forget about that? that was so long ago and it was barely serious. she’s too nice to be my type.” (what does that even mean? you wonder but don't have the time to ask.)

“sure, you didn’t want to change residence halls to be closer to her?”

“alright, how many times do i tell you that i did that because of you? why do you never believe me?”

“it just makes more sense the other way,” you mumble, suddenly feeling teary-eyed and hating that you were feeling teary-eyed, which only intensified the teariness in your eyes. “god, this is stupid.”

mingyu’s arm is around in no time when he notices you curling up, your lip tucked between your lips in anticipation, “hey, hey, c'mon, i thought you said it wasn't a big deal. so how come you're crying?"

“because! i feel lame. and because kazuha’s perfect, by the way. she’d probably cry too if she knew i was crying.”

he pulls you closer, “you’re not lame, y/n. you think i’d keep you around so long if i didn’t think you were insanely cool?”

you breathe through your tears, “you just keep me around because i’m insane?”

“insanely cool! open your ears, idiot.”

“you just called me an idiot. idiots are pretty lame.”

he sighs when he feels his tshirt get damper, your body so weak under his hold. he pats your hair softly, “sorry, that’s not what i meant. but seriously, y/n, you know i’m bad at saying this stuff but i seriously cannot stress enough how highly i think of you.” his hand moves to rub your back, “and you’re so much more than perfect, you know? like sometimes you don’t do a paper till three hours before and still get an A. and then, you come up with comebacks to my arguments in your own unique ways, and trust me, nobody can argue with me like you do.”

you pull away, “all right, now you’re embarrassing me. why do i sound like a bossy nerd or something?”

“you can be that at times. hey, but you forgot the part where you’re hot as shit. and also pretty.”

“i feel like that last part was an afterthought, mingyu,” you bite back a laugh, “you really only keep me around for my tits, don’t you?”

“dude, can you let me wholesome for once? i’m trying to console you, so would you stop playing devil’s advocate?”

“sorry, i’m just,” you hesitate with a heavy sigh and then, you blurt out, "i’m scared i’ll never fall in love. i’ll never find it at all.”

“now that’s some stupid thoughts you’re having,” mingyu shakes you by the shoulders, “you’ve just been blinded by your crush on jeonghan for so long that you haven’t explored anyone else at all.”

“are you volunteering to be my crush right now?” you ask, jokingly.

mingyu’s smirk catches you off-guard, “what if i am? it wouldn’t be the worst thing if i was your boyfriend.”

you feel yourself heating up a little for some reason, head in a daze from his earlier shower of compliments and now this. so instead of trying to make sense of it all, you press yourself into him in a hug. “yeah, it wouldn’t.”

—

“hoshi, you little shit!” you throw yourself around the guy when you spot him on the night of the flea market, the product of a long and actually insane week. he laughs when he realizes it’s you, pulling you into a hug, “bro, y/n, why is this my first time seeing in you in literal years?”

“i don’t know, i just kinda see you walking around sometimes. maybe if you actually showed up to econ class, i’d see you more.”

hoshi flinches, “you can’t be bringing econ up right now. that class is kicking my ass. i can’t keep showing up to that kind of humiliation.”

the two of you catch up at last, as people swarm around the different stalls set up along the college street. you were relieved after having finished this damn event. cheers to sleep, right?

hoshi tells you all about his new situationship with a guy in another class and how he’s regretting inviting him to the party tomorrow night. “why? believe it or not, people are more fun when drunk.”

hoshi rolls his eyes, “yeah, well, i couldn’t get any more fun. so instead i become incontrollable. an absolute animal.”

“right, i remember that. so you’re scared you’re gonna drive him off? i wouldn’t worry honestly. and if you want, i can keep you in check.”

he narrows his eyes in distrust, “you? you’re not much better than me drunk, okay? i feel bad for mingyu who’s gonna have to take care of you the whole time.”

you gasp, “wow, you’re taking mingyu’s side now? over mine? i thought we had something special.”

“you thought wrong,” comes mingyu out of nowhere, slinging his arm around hoshi’s shoulders.

“why are you here suddenly?” hoshi looks between the two of you, “i couldn’t not come to an event my lovely y/n herself planned, could i?”

hoshi laughs, “nice to see you two as jolly as ever. but also i must take your leave. i gotta go grab dinner soon.”

“hey, why don’t you come with us? we were gonna check out the new outlet the college opened.”

“oh, i would love to but i have plans with someone already.”

you nod your head in realization, “right of course, have fun. not too much, though. leave some for tomorrow.” he leaves with a full-toothed smile and you face mingyu.

he playfully pinches your cheek, “you confront him about missing us yet?”

you raise a shoulder in response, and as the flea market starts to fizzle out thanks to the darkening sky, your stomach grumbles. “let’s eat, please.”

ever since that night— you don’t want to say anything had changed between you and mingyu because your friendship had been long enough that even the slightest shift in dynamics would harmoniously just become the new status quo; the two of you had been through a lot together. but ever since that night, you’d been fooling around with him more, if that was possible.

it was along the lines of: less banter, more flirting? although one might argue that the former was just a derivative of the other. but semantics aside, this is what you know to be true: friends flirt with each other all the damn time.

that’s what you’re telling yourself when mingyu asks you to feed him some of the fried rice you’d gotten on your plate. and it was true: you’re almost a 100% certain that you’d flirted with every friend of yours, and that was just how it worked.

but intimacy came differently to everyone and mingyu’s just manifested in clinginess. he was pressed to your side for the entirety of dinner, and you couldn’t complain about the proximity. it was welcome, even, this form of friendship.

“you’re thinking too hard.” mingyu’s voice pulls you out of your little reflection session. “what’re you even thinking about? you should be all burnt out from all the work you did this past week.”

“i am,” you affirm, “but some things just don’t let up.”

he chuckles, patting your head affectionately as if to persuade your thoughts to let up for a while. it doesn’t help really, only gravitating the direction of the said thoughts toward kim mingyu even more.

“maybe repetition isn’t as bad as i always make it out to be,” you say, chin propped up against your fist on the table. mingyu had chosen a corner table of the newly opened eatery, next to a low window that glowed behind you in the remains of sunset as he shifted to completely face you. the sun had finally set. again.

“you’re right. routine is good for people.”

“but it doesn’t have to stay the same forever, you know?”

“hm?” mingyu can’t help but feel like you’re edging toward some underlying topic. you were like this since he could remember: you’d start off with some abstract and vaguely relevant concept (that had no doubt been plaguing you for a long time) and slowly circle around till he caught onto what you meant. you love playing games with him.

“repetition doesn't have to be redundant? i think there's something more subtle about it.”

he doesn’t know where you’re going with this, “but repetition is literally the same thing over and over?”

“yeah, but the ‘same thing’ itself can evolve,” your fingers knock against his, “i don’t know, i was just thinking about… us.”

“us? i guess we would be a good example of repetition.”

your gaze falls from his to find your hand instead, your fingers wrapping around his wrist until you’ve forced his palm open. his hand in your lap upside down, you pull at the fingers, “yeah, but we’ve changed a lot. for one, we fight a lot less. sometimes when i’m going to tell you a thought, you understand mid-sentence what i mean.”

“yeah, well, that’s what we get for knowing each that long. but really, what’s this about, y/n?” he captures your hand in his expertly, pulling your attention back to his face.

“do you ever think we should be more?”

mingyu breathes a laugh at that, a shiver running down his spine when he spots the solemn look on your face. and then, his smile turns grave. “y/n, we’ve talked about this before, haven’t we?”

“have we? every time i’m the one who brings it up and you kinda just shrug it off. no, don’t even try to argue with me. you shrug the serious stuff off. always.”

it’s true, mingyu admits in defeat, mind racing as he considers why you’re bringing this up now. the answer is easy: you were finally available. but he doesn’t say it out loud, like he never does. you’d confronted him about the state of your friendship before, unafraid to wonder out loud what it would be like if you started dating. you’ve received all forms of shut-downs from mingyu before so you figured you were the only one in an ambiguous place about your feelings for him.

if someone was to ask if you like mingyu, you’d probably say yes, but it’s more than that. you know better than to blindly fall for him. witnessing him in his relationships before, you know he can be ruthlessly cold to his partner once he’s out of love. you practice romantic love for mingyu: carefully because too much would definitely be dangerous.

“i have my reasons, y/n.” there it is. the strict mingyu. the rigidity in setting his boundaries was something you admired and aspired for when he exhibited it in the past. right now, you want to punch him.

you’re without a filter with him so it’s unfair when he treats you like this. you let him know as much: “i want to punch you right now. i’ve hidden nothing from you, and yet, there’s this wall you keep yourself behind. is this really one-sided?”

mingyu doesn’t know what to do with you right now, “y/n, why are you—”

“no, because it's not like i can't take a hint. so one minute you're flirting with me and then, you push me away like right now,” you point to his estranged fingers, “but then you act like nothing happened and go right back to being all intimate and touchy.”

“i just…” mingyu lets out an exasperated sigh, “i just don’t see the reason for labels. why do we have force ourselves into a restriction like that? we’ve always been above conforming.”

it’s your turn to sigh heavy enough your head hits the wall behind you. wasn’t this just his way of friend-zoning you back into silence? you’ve always been too embarrassed to push him this far because you don’t mean to hurt him. but you feel as though you’ve hurt yourself long enough now.

“so why’d you say that the other night? that it would be nice if you were my boyfriend?”

this leaves him speechless for a few beats and you continue, “that was just because i was heartbroken from jeonghan? you’re playing prince charming for me so i can go back to being your trusty little best friend?”

“y/n, you know that’s not true. i’m not playing anything in your life. i’m just being myself.”

you scoff, “you really are so fucking—”

“why are we actually fighting right now?” mingyu asks through an incredulous laugh, “this is actually so petty, dude, let’s stop. you know i love you, right?”

mingyu’s last resort makes its presence: a non-committal i love you. because at the end of the day, you’re still best friends. what was a little ‘i love you’ in today’s economy? nothing. especially when you’d hear him throw the phrase around all the time.

you stand up in defeat, “fine, let’s stop. you win.” you gesture for him to move to the side and he does so reluctantly when you glare at him like you’re genuinely mad. (you are.)

he follows you out the door, catching your elbow to slow you down. “don’t be like this. i know you’re mad at me.”

“i’m not mad. i'm tired and i just want to go back to my room,” you seethe, walking faster than him. he grabs hold of your shoulder turning you around.

“if you’re gonna storm off, at least go the right way.” you huff softly and let him steer you the right way to your dorm, hands still on you. you spend the way to the front of your room silently, waiting for mingyu to say something but he just does what he does best: take care of you.

as you reach the door of your room, he pauses, apologetic smile on display. “listen, let’s talk more tomorrow? get some sleep.” he reaches for your hair, tenderly running his fingers through the locks. there it is: the soft mingyu, his eyes wide as he stares you down for signs of stress.

his warm arm pressed againsts yours, you realize you don’t want him to just leave. you know the drill: tomorrow morning, he’ll text you to meet for lunch and everything will go back to being unsaid. maybe he’ll bring along seungcheol so you don’t bring anything up again. either way, it’ll be so natural you’ll think nothing ever happened. but you want something to happen.

so your hand settles around his bicep to hold on and partly to keep him in place. you lean in, “let me do one last thing and if you want to stop, i’m never bringing this up again. i promise.”

you don’t give mingyu a moment to react to your words and instead raise yourself up to his level, other hand on his chest, and press your lips to his. you kiss mingyu after the thirteen years that you’ve known him and the ten that you’ve wanted to. you counted the years just as you count the seconds that it takes for him to come to his senses and pull himself away.

he looks less upset than you imagined: more dazed. like he can’t believe what you’ve done. he looks at you with his lips parted and you have to tear your gaze apart, lest you should tear yourself apart with longing.

“y/n, i…” he looks away and that’s enough evidence you need. you step away from him, your easy smile back in its place, not before you pat his arm as it falls from you.

“it's okay. i understand. let’s be friends, mingyu,” you declare suddenly, catching him off-guard. you'd pulled all the stops and if he genuinely was uncomfortable with pushing the line between platonic and romantic, you would respect that.

he begins to say something but you don’t want to hear him speak, at least not right now when the sound of blood rushing to your head is the loudest it's ever been, and you certainly don’t want to falter again. you’ve decided. “good night."

—

mingyu should feel relieved. he really should be happy that you’re back to normal around him, friendly and playful like you’ve always been. he should count his blessings that you’ve accepted the status of your relationship with him as it is. but as he falls asleep that night, all that comes to his mind is the smile you’d sported as you asked to be friends.

it was all wrong: your lips against his, that was something of his dreams, not a reality he has to be escaping from. it replays in his head, your scent that he’d caught a whiff of now and then, whenever you’d wrap your arms around him. the heat of your skin he’d rationalize as the comforting presence of a friend for days later.

he’ll soon come to know how insanely stupid he’s being right now but until you knock some sense into him, he simply plays along with a sting he hides pretty well. he should, he’s been doing it for years now.

it’s the night of hoshi’s party already and he’s walking over to the location of the pregame, alone because according to a text fifteen minutes ago, you’re still not ready. you’d invited yunjin and some other friends to your and kazuha’s abode to apparently make the process easier, but if mingyu knows anything about the group, you’ve probably spent more time selecting the right song to play than get ready.

the door to dino and hoshi’s shared residence is already open as he strolls in, finding a group already on the floor, taking shots. he makes eye contact with jeonghan who beckons him closer and mingyu takes a seat next to him.

space is scarce so mingyu finds his arm pressed uncomfortably close to jeonghan’s, who oohs at mingyu’s fit, “ooh, you look positively sexy.”

mingyu grimaces, “do you have to put it like that?” he does look … positively sexy, mingyu admits, in the navy blue shirt he wore but— and here’s the punchline— with the buttons undone all the way to right above his navel.

“where’s y/n, by the way?” jeonghan asks, an eye at the entrance as he slides a shot glass toward mingyu. the question irks mingyu for obvious reasons and he keeps him waiting for a minute, waiting to down the liquid in glass (vodka unfortunately for his throat) to answer him. “um, she’s still getting ready. any minute now.”

“ha, that means she’ll be another ten. that’s a shame, i was hoping to pour her first shot.” jeonghan shrugs resentfully.

maybe the alcohol’s working faster since it’s been a while for mingyu, but his mouth runs faster than his head, “why’d you care? i thought you asked kazuha out a while ago.”

jeonghan raises a brow at that, “hmm. i did. but things did not work out so well. what with kazuha feeling guilty about y/n and… well, i also…”

“feel guilty?” mingyu asks, voice strained. he’s annoyed at having to listen to jeonghan’s side of the story. he could not care less about humanizing him and whatnot. he’s watched you suffer for far too long to be empathetic right now.

“yeah. and i thought i might like y/n, too, after all.” jeonghan says it so casually as if discussing his performance in a particularly challenging college course, not his feelings for a person who he’d recently rejected.

the word might pierces mingyu’s ears. the uncertainty behind it is in such stark contrast to his own… feelings toward you that he genuinely feels his breath heat up.

or maybe that’s just jeonghan when he leans over to refill his glass. “drink up, buddy.” mingyu’s just about ready to make a scene right now, shoving jeonghan’s hand off his back but suddenly jeonghan’s standing up, making his way to—

you. you’re here.

almost as soon as he catches sight of you, he looks away, pretending to give the vodka in his hand all the attention in the world, as he puts his lips to it and empties it. head is now light. that’s probably enough for now, he decides as he puts his glass down.

when he looks back up, you’re at the kitchen counter with yunjin and kazuha.. and jeonghan, who’s grinning as he hands out the bottles of fireball to the group, no doubt marketing it so convincingly that you’d think you came up with the idea yourself.

mingyu shoots to his feet, regretting it when his vision darkens but he pushes past, eyes focused on your figure— god, he forgot how hot you look in that dress. he tries to keep his thoughts in check as he approaches you, but it doesn’t help that your makeup’s even more meticulous than usual, eyes glittering and lips delightfully glossy.

he breaks into the space between you and jeonghan, arm against yours, catching your attention.

“my guy!!” you exclaim when you see him and then your eyes trail down to his chest and then back up to his face where his hair sits parted with the help of some gel. “you look like a slut. i love it.”

mingyu laughs, subjecting you to a similar once-over, “you’re one to talk.” your hair’s back in a bun of sorts, a rare occurrence because you seem to prefer have it around your face. he can’t help but pause at your exposed collarbones, the gold shadow you applied there earlier doing wonders to his already dazed headspace.

“is it already that part of the night where mingyu starts hitting on everyone?” yunjin complains, reserving the alternate version of her question (something along the lines of how impolitely he’d been eye-fucking you in front of everyone) for some other time as she nudges you to open the fireball in your hands.

you do so, looking at jeonghan who offers one to mingyu, which he refuses as he leans against the counter, hand silently at your back just in case. “you’re not drinking?” you ask, quietly enough only for the two of you, just in case he wasn’t comfortable sharing.

“nah, i just had two shots of vodka back there. trying not to mix for the sake of me tomorrow,” he mutters, patting your back encouragingly, “but let me know if you need help finishing that.”

jeonghan eyes mingyu on the side as the trio clink their bottles together and get to downing them. later, as things start picking up and more people make their way into the party, mingyu finds your arm. “do you want me to stay close by?” he frames the question in a way that you have an out, because he can tell that you’re still unhappy with him.

but you’re tipsy when your hand interlocks into his, “only if you’re going to dance like you mean it.”

the night goes better than you expect it to, especially since mingyu’s let loose for once. or perhaps… he’s always this carefree when drunk, palms kneading at your waist, keeping you close to his chest, which you try your best to not get too used to touching. he sure knows how to keep you on your toes (sometimes literally) even when wasted because you’re trying not to get too close. for you own sake.

that is until hoshi shows up beside you two, pulling you apart as he introduces you to a friend.. or a partner? you can’t hear in this state and just as you try to lean in closer to hear what he’s saying, you feel a presence at your shoulder, fingers poking you.

you turn to find jeonghan behind you, sloppy smile on his face as he screams something at you. you frown, asking him to repeat himself, hand on his bicep to steady yourself against the movement of the party.

“need to talk to you about something!” his words come at you, clearer. “right now?” you shout back, “what the fuck is it?” your body doesn’t want to stop moving so you groove against his side, and momentarily catching a glimpse mingyu’s heavy gaze on you. you almost completely stop then but jeonghan’s pulling you away, after him to a relatively emptier zone of the house.

you’re breathless, you realize, now that the spell of the music’s been broken. you rest against the damp wall behind you, uncaring as you look around for a liquid to quench your thirst. cunning as ever, jeonghan’s already handing you a plastic cup with a transparent liquid.

you narrow your eyes at him despite how wasted you are. “what’s this?”

he laughs, “i’m glad you’re vigilant as ever. this is water. cold. drink up.”

you comply, your throat throbbing ever so lesser after you’re done and you sigh in relief. “you might have broken my heart but you’re still an angel, jeonghan.”

“ahhh,” he exclaims joining your side against the wall. you frown when you take note of his fingers clasped together, almost fidgeting. yoon jeonghan, fidgety? that’s a first for you.

“actually, that’s what i wanted to talk to you about…”

when mingyu looks away from hoshi and his company to see if you were listening and when he finds out that you’re in fact in jeonghan’s embrace, he’s suddenly sober. and when your eyes find his for a moment, something in them changes and he calls out your name like a warning. but then jeonghan’s already leading you elsewhere.

mingyu wants to follow after you immediately but he realizes hoshi’s still talking to him. “hoshi, bro, can i find you in a while? i gotta make sure y/n’s okay.”

but hoshi stops him in his tracks, hand on his chest, “wait. please tell me you told her…?” he trails off uncertainly as mingyu catches on what he’s saying.

“i haven’t,” he admits, eyes still searching the crowd for you, “but i think it’s time that i do. only so much i can take.”

“that’s the spirit, man! okay, now go kiss y/n for me.” hoshi pushes mingyu with a start, not before the the latter shoots the man a glare and takes off in his search for you.

you’re still in that corner with jeonghan, who’s done narrating the past week’s revelations to you, all about his failed attempts with kazuha and his slow understanding of his real feelings about you. you’re far more unaffected that either of you was expecting, arms crossing in thought.

but then you say, “well, that’s fucking stupid. because i’ve realized i wasn’t as down bad for you as i once thought i was.” jeonghan’s smile falls a little with a disappointed sigh. “but,” you continue, “you know what i’m still curious about?”

when your hand creeps up jeonghan’s shoulder, he thinks he knows where you’re going with this. “i’ve wanted know if you’re really as good at kissing as everyone makes you out to be.” jeonghan’s already moving closer to you, enveloping your face in his hands, and his devilish grin’s spills out as his lips find your ear. “let’s find out?”

and that’s how mingyu finds you wrapped around jeonghan, making out like this was your last day living. and for a moment, he considers giving up and letting you have this. he even stops in his tracks in the crowd, his thoughts so easily drowned out by the music if he just lets go.

but his mind’s reeling when the sight of you kissing someone else just pushes him back a day ago when you were leaning up into him, soft breaths risking your lips against his and the way your body pressed into his just right. his feet move without a thought, then, shouldering through the bodies around the two in the corner.

you’re just pulling away from jeonghan to start to say something about how that wasn’t too bad when his body is lifted away from yours with an unannounced jerk. you gasp and then once again when mingyu’s face comes floating in front of yours.

“mingyu,” you breathe, unsteady from the series of events this past minute, “what the hell do you think you’re doing?”

“what the fuck are you doing?!” he screams in your face, hands on both arms to keep you from moving. jeonghan’s walking to your side and you want to say something to apologize but you’re far too infuriated with the man in front of you to think.

“i don’t know! trying to get laid? finding happiness? love?!” you scream back with as much force. you call out jeonghan’s name, “i’m sorry. mingyu’s too drunk to—”

“jeonghan,” warns mingyu when the guy tries to break you free from his embrace, “can i have a minute with y/n.” it isn't a question.

jeonghan has the nerve to say, “maybe not. i wouldn’t leave you alone with her in this state.”

“oh, she’ll be just fine,” he replies and jeonghan simply looks at you for confirmation. but you’re still looking at mingyu, starting to tear up, head throbbing all at once. you stop fighting against his grip and mumble in defeat, “whatever.”

“if you’re going to lecture me about being bad, i don’t really want to hear it.” you’re back next to the kitchen counters with mingyu beside you. slowly, you sit yourself up on the surface, feeling exhausted. “i’ve heard it before.”

“no, that’s not what i’m doing. i just want you to stop and think clearly—”

you groan when you hear the beginnings of a typical you’ll regret this in the morning type talk, you slide off the counter and to your delight, you run into a guy holding up a can of beer for the taking. you’re quick to jump at it, grabbing it up from him and pulling the tab of the can open. just as you put the beer to your lips, ready to chug it, you feel it being pulled away, the next few moments occuring before you can comprehend anything.

suddenly you’re sitting back on the counter and your dress rides up when you feel mingyu push himself in between your legs. at first, you see his face close on yours and then the taste of beer meets your throat. no, it’s not just beer— it’s mingyu. his tongue spills onto yours, beer mixing with saliva and when you try to pull away, his hand at your neck tightens. you sit up straight and you feel his watch digging into your spine.

your head spins when you can finally breathe, inhaling only to cough out. heart in your throat, you look at mingyu in disbelief, “what the fuck!” but he’s already taking another sip of the beer and some of it slides down your throat into your dress, when his mouth finds yours again.

you’re weak in his arms, and the heat between your legs is only so rational. so you find yourself giving in and kissing him back when the liquid runs out, nails finding his scalp, earning you a deep groan that vibrates against your chest. that’s when he pulls away again, eyes finally meeting yours with an unprecedented intensity.

he leans in again, wet kiss against your cheek, followed by a grunted whisper of, “i love you so fucking much, y/n. it’s so hard to watch you run around with other men.”

you want to think you’re hearing things but mingyu doesn’t let you, another kiss right in the nape of your neck that sends shudders down your back. “i want to be yours so fucking bad. want to spoil you like you deserve.”

you swallow against the moan that rises in your throat, to pull mingyu’s face back to your eye-level, “then why aren’t you mine? why’d you push me away?” your voice breaks, betraying the pretense of indifference you try to prop up. his eyes soften, fingers brushing against your forehead.

his lips quiver and he sighs defeatedly. it’s a miracle you can hear him with all that noise around you. but you hear him clear as day against your hair when he finally says, “i’m scared. of loving you too much, of being too much. and i’m scared of losing you.”

mingyu’s imagined telling you these exact words before and how you’d react to them infinite times before but when you giggle into his collarbone, he pulls away with a blank look. your forehead is against his all over again and for the second time night you say, “that’s fucking stupid! if you were going to lose me, it would’ve happened a while ago.”

of all the things he’d imagine you saying in response, this was the simplest option, so unlike your usual overthinking self. maybe it’s the alcohol and adrenaline in your system speaking but mingyu somehow feels comforted, because maybe it really is that simple. it would’ve happened if it was going to. or maybe mingyu’s too drunk to make sense of it all right now.

so his lips are moving against yours once again, without warning, your breath all his when his arms tighten once against around you. you’re laugh grounds him enough to break away. you open your mouth to complain about the distance when mingyu’s back against your skin.

“shut the fuck up,” he groans, the command making you hotter than you’d like to admit. your legs close around his ass, pulling him closer and his hand slips across your boobs. the friction of his palm against the tight fabric of your dress makes you let out an undignified moan into mingyu.

that’s when he knows he needs to take you to somewhere more private for reasons more than one. you’re too lightheaded to move yourself so mingyu’s carrying out the house without a word anyone you two came with. it’s only when the cold air hits you that you realize you’re outside.

you struggle against mingyu until you're back on your feet and stop. “where are we going? i’m— do i know you, mister guy?” for a second, mingyu’s heart sinks when he wonders if you thought you were just making out with a stranger. then, you say, “i need to go back and find mingyu. gotta kiss him.”

ignoring the blush that colors his face, he grabs hold of your elbow, “i am mingyu, idiot. and we’re going to my room.” you shake your head to clear your vision, eyes widening when you recognize him. your hand finds his face with a light laugh, “ah! it’s my big guy.” the name doesn’t help mingyu’s condition at all, so he’s pulling you after him faster than before.

back at the party, kazuha starts panic when she realizes she’s lost hold of you, unable to locate you anywhere within the party. she tugs at yunjin’s sleeve who looks over in concern, “what happened to y/n? i can’t find her anywhere.” yunjin laughs at that, covering her mouth with her hand. “don’t worry about her. i saw her and mingyu leave together earlier. she’s probably in heaven by now, if i’m right.”

“hmm?” kazuha pauses as a thought pops up into her head, “wait… did they…?” yunjin grins knowingly, “yup. it really was high time they fucked.” the former lets out a satisfied giggle, “i know. they were so obvious without even being together. i was getting tired.”

“you were getting tired?!” you gasp at mingyu later in the night, panting against his pillow. you’re on your back and he throws you a tshirt of his to sleep in now that your dress is… demolished. you look at it sadly out of the corner of your eye. “i really liked that dress,” you whine, as he picks the remains of it up with a somewhat smug grin, “planned to wear it out again.”

“i couldn’t risk that. you looked too good in it,” he chuckles to himself as he jumps into bed with you. you sit up, feigning anger as you slip the cotton over your head, warming up when the smell of mingyu greets you. “i don’t know if i could resist seeing your tits out like that.”

you hit his chest hard with a lighthearted scoff, “i knew it! you’re such a pervert. not just a pervert, you’re also a brute.” you groan as you rub your thighs together gingerly. mingyu props himself up, pulling you down into a hug, rubbing your back. “sorry, does it hurt a lot?”

“it’ll hurt more in the morning,” you relax in his arms, pressing a loving kiss into his hair, “should’ve known you went so rough. asshole.” you giggle when he pulls away in disbelief at the last insult.

“how could you—!” you roll away from him, laughing. he shifts closer, caging you against the wall behind you, “hey, you can’t say stuff like fuck i knew you’d have a big dick and then expect me to go all vanilla! do you know what that does to a guy?”

you shriek in embarrassment, “don’t bring that up now!” your ears redden when mingyu forces you by the chin to look up at him. “besides, where do you think the nicknames like big gyu and big guy came from?”

mingyu’s jaw falls open at the revelation and you break out into a fit of laughter at his mindblown expression. “how- how long have you been thinking about my di-”

you hit him to stop him, “ever since you kept pushing me away,” you run a hand down his side, sly grin on your swollen lips, “and i had to come up with something if i wanted to get myself off alone.”

with an exasperated groan, he falls against you, suffocating you as his body goes limp above yours. you let out a gasp when you feel him hardening against your leg and he speaks into your neck, “you’re seriously telling me i’ve been missing out on taking you like this for… for how long now?”

you kiss his cheek, hand slipping down his boxers with a soft exhale, “a while. and if you hadn’t come to your senses today… well, i’d all but given up on you today. when jeonghan kissed me, i was just going to—”

suddenly your breath escapes you, mingyu’s hand around your throat and his lips on yours with a loud grunt. he stops your hand in its movements, “please tell me you’re not talking about jeonghan while— fuck!” he gasps when you bite his lower lip to protest his hand on yours. his hand gives way and you’re palming the tent in his boxers again, pushing him down against the bed, so thankful he doesn’t have a rooommate in times like this.

you place a kiss at the corner of his lips and trail down his chest, shirt long gone, before muttering, “forgive me?”

—

AUTHOR'S NOTE:

i really want to write a more wholesome ending but have not the time or energy right now, so i'll be back with a shorter spin-off/ epilogue of sorts about how you and mingyu as a couple work out, how your friends react, some skinship, etc.

anyway, this is my official announcement that i've become a baby carat :] didn't know how much i was missing out on before svt so this is very fun. so far, jeonghan's my favorite little guy, although as is clear from this... mingyu makes me do things. on the roster are: minghao and joshua. hopefully there will be more svt fics in the future. no promises <3 goodbye friends and foes!!

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