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tonycries · 7 months ago

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Hope They Catch Us - G.S.

Synopsis. When you’re on-screen, it’s always a rivalry to see who’s best - you just never thought that it would be the same struggle in bed.

Pairing. Actor! Gojo Satoru x Co-Star! Reader

Content. MDNI, fem! reader, rivals-to-lovers, co-stars to lovers, unprotected, oral (fem receiving) slight exhíbitionism (stuff with cameras), marking, praise, Satoru is actually down BAD, cúmplay, tabloids, lowkey fluffy at the end, pet names, swearing.

Word count. 5.5k

A/N. YA GIRL IS BACKKKK ;D Also happy belated three months to this blog hehehe.

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---

You hated him. Oh, how you hated him. All because of a red-hot rivalry that had sparked ever since the two of you took the industry by storm. And everyone from Hollywood’s bigshots to your adoring fans knew that no matter where Gojo Satoru goes, you were sure to never be within a ten-mile radius.

Well, usually.

“I…shit- I’m in love with you.”

Because avoiding Gojo like a plague really isn’t saying much when said plague was currently sitting right next to you. Eyes boring into yours, signature smirk plastered on his face while he rattles off a disgustingly sweet confession - all on the set of your latest movie.

Somehow, in a cruel twist of fate, your co-star.

And to add insult to injury, this wasn’t just any movie - it was only set to be the biggest romance film of the summer. So not only did you hate to tolerate Gojo, you had to pretend to be in love with him.

Perfect. Great. Wonderful. If only the check wasn’t as tempting as it was, you think he would’ve successfully driven you to an aneurysm already. Especially considering that the scene tomorrow was-

“CUT!”

That snaps you out of your little reverie, bringing you back to the still very ongoing film shooting. You risk a glance at the disgruntled director, cheeks aching from the sappy fake smile you had to hold for this scene.

“Something wrong?” you bat your lashes deceivingly innocently. You knew exactly what was wrong. And one look at Gojo - dressed to the nines and huffing sulkily at being interrupted in the middle of his monologue - told you that he did as well.

“It just doesn’t feel real.” The director shuffles his script, voice dropping to a sigh at your confused gazes. “The spark, it doesn't feel real.”

“What?” you silently thank your years of acting for keeping your voice steady. You squirm in your seat the longer the silence stretches. This cozy little café they rented out too tight, Gojo’s fingers intertwined with yours too hot. Too soft.

“C’mon. You are in the perfect romantic set-up.” the other man gestures wearily at the café, at the dim-lighting and the proximity of your seats. “So why do you two look like you want to just- strangle each other?”

“Ooo kinky~”

It’s the first time Gojo’s spoken up since the scene was ended early and honestly that was enough to have you fulfilling the director’s suspicions.

“That.” you give him a pointed stare. “That is probably why.”

And that just draws out such an infuriatingly light chuckle from Gojo, as he sprawls all over his chair with the audacity of someone that owned this entire set. “Lighten up. You’ve told us, n’ in the next take I’ll fix it. Easy peasy.”

If only it was that “easy peasy”. The director was anything but satisfied, running a hand through his hair frustratedly. “It’s not just me, even the public is worried whether your ‘feud’ will get in the way of such intimate scenes. You-” he jabs a finger your way. “-better pretend like you want to kiss him senseless and you-” whirling now to Gojo. “-better act like you’ve wanted nothing more for years- Not to mention tomorrow’s sex scene-”

Ah, right. The sex scene.

How could you forget? It might not be a walk in the park to giggle and make heart-eyes at Gojo, but to actually pretend to have sex with him? All on camera? Curse whoever wrote this damn script. You could’ve almost laughed at the universe’s absolutely awful sense of humor if it hadn’t been for your paycheck - and the next words that tumble out of Gojo’s pretty mouth.

“We’ll ace it, you just watch.”

You hurriedly snap your eyes to meet Gojo’s, sending him a look that says “behave”, in a way that very much makes him not want to. Twinkling with such dangerous mischief that makes your stomach flip as he hums, “Or- I’ll ace it.”

God, was it a battle to remain professional. The only thing stopping you from snapping back being the way he squeezes your hand mockingly reassuringly - to which you send him a death grip back, of course.

“Oh? Care to elaborate, Mr. Gojo?” the director asks, eyes flitting between the two of you. And you can’t even laugh at the rest of the staff for almost toppling out of their seats in an attempt to hear his answer - because you are, too. Mind whirling as you lean closer, wondering just what nonsense would come out of Gojo’s mouth.

“Well, you could say…” he trails off suspensefully, like the smug bastard he is. Looking right in your eyes as he flashes an unfairly pretty smile your way. “I’m irresistible like that.”

Exactly the type of nonsense that would come out of Gojo Satoru, of course. And one glance at the director told you he was thinking the same thing. He was going to be the death of you. You can’t help but breathe out shrilly, “You fucking-”

“My apologies, director, but our leads have a scheduled interview soon. Rest assured, we will be early on set for filming tomorrow.”

You were definitely giving Nanami a raise after this.

Because if looks could kill then Gojo would be six feet under and you’d be dancing on his grace already - and you let him know. A little over twenty times, actually, as the both of you are hastily escorted away from the set for an “emergency interview”.

It was a flimsy excuse, you both knew, but Nanami hadn’t exactly felt like cleaning up a crime scene today. Instead, settling for a swift escape, the director calling out after you two to “Look like you’re gonna rip the clothes off each other tomorrow.”

Rip the clothes off each other, huh?

With the way things were going, you couldn’t be surprised if you ripped him a new-

“C’mon, sweetheart~” Gojo gets out through giggles, that familiar cackle echoing in the narrow hallway leading to your trailer. “Y’know I was just having a little fun with that ol’ man.”

He saunters unhurriedly behind your brisk pace, easily blocking the way you swing the door shut in his face. Letting it shut with such infuriatingly smooth nonchalance.

“Fun?” you scoff, jabbing an accusing finger right in the middle of his sculpted chest.“Do you even realize the mess you could’ve made?”

“Easy there, m’not insured for these pecs just yet.” Gojo clasps your hands together. Some strange little part of your skin burning at the touch in- anger? Something else? But you don’t think too hard about it, because he’s plowing on, “Besides, a little teasing never hurt anyone.”

Such a shame he was so pretty with the stupidest mouth.

“A little teasing? You practically declared to everyone in that room that we’re gonna fuck this up.” you move to pull him down by the collar instead, clearly unimpressed.

But oh you shouldn’t have done that - because he’s so close now. Too close. Hot breath fanning your face, looking so smug as he murmurs unrepentantly, “Do you?” Chuckling lightly at your little head tilt, “Do you think we’ll fuck it up?”

You clench your jaw, trying to keep it all together. “...No.”

“Exactly. We’re good then.” he winks.

“No. We’re not fucking ‘good’.” you grit out. Wondering exactly how difficult it might be to bother the director into completely recasting the male lead for the movie. Looking up at that million dollar smile and- yeah, it would be very difficult. “You’re so insufferable. I don’t know why they cast you.”

“My good looks? My charisma? The way I’m the-” he trails off with a sigh at your glare. “Well, you’re not exactly a ray of sunshine, sweetheart.”

“At least I can act and-.”

He whines dramatically, cutting off your rant. “Me too!”

This conversation was so ridiculous - but, hey, the great Gojo Satoru always did bring out the worst parts of you.

“Nuh uh.”

“Yuh uh.”

“Then why are you so stiff when acting like you’re in love with me?”

Somehow, that makes Gojo shut up. Mouth opening and closing like a fish out of water - gasping out a strangled little, “B-because- well-” And if you didn’t know any better you’d say that was a light blush dusting his ears.

Only for a split-second, though, because he’s grabbing you gently by your shoulders, more seriously than you’d ever seen him. “Fine. Listen, we both want the same thing right? To have pretend-sex and ace this film to win like five Oscars?”

And maybe at the heat of his newfound proximity, maybe at the way he was looking at you so goddamn intensely - you feel something hot and prickly pooling in your stomach. Swallowing thickly, you manage to get out, “I’ll be the one winning the Oscars...but yes.”

Gojo’s gaze roams all over you - from the quirk of your eyebrow to the dress hugging you so sinfully tight. “Then we’ll do it. Ace the scene.”

Traitorously, a shiver runs down your spine. And because the universe loves to play jokes on you, Gojo notices - of course, he does. Eyes lighting up with amusement and something you really didn’t want to decipher as you blink up questioningly, “How?”

“Method acting, silly.” he rolls his eyes, as if he wasn’t implying something that wasn’t seen in even the cheesiest of romcoms. “Think of it as running lines.”

If there was ever a moment where your life flashed behind your eyes then this just might be it.

“You-” you gulp, so hot all over. “You better shut the fuck up and pray your face is insured because-”

At this, Gojo throws his head back and laughs - loud and boisterous. And usually you’d have a thing or two to say about keeping his voice down so as not to let anyone outside hear, but shit you were mesmerized. Damn, a weird little part of you kind of understood why directors loved him onscreen.

“Feisty,” he muses. “But how can I shut the fuck up when they’re second-guessing the two best actors in the game?”

“The best? Me, maybe.” you lean in closer, mouth as bitchy as ever - even when you’re so obviously crumbling bit by bit under his gaze. And he knew that. “But not you.”

“Well, only way to find out is with tomorrow’s scene, right, sweetheart?”

He drove you mad - everything from his heady cologne, to the way that overpriced button-up clung to him like second skin. But, don’t pull away - how could you? Not when he inches closer ever-so-slightly. Not when he lets those overpriced glasses slide down his nose, eyes locked so heavily on you.

Fighting to keep your words steady, “There’s nothing special about that scene, just fake moan in front of the camera, right? We don’t need any…‘method acting’.”

Gojo only raises a brow in amusement, lips curling into a grin that really makes you too aware of his little dimple by the corner. “Then why…” His eyes flicker down from his hands, searing on your shoulders, to yours - still grabbing his collar, just grazing the soft skin of his neck. Not pulling away. “...can’t you let go of me, sweetheart?”

And then you’re kissing him - or maybe he’s kissing you, you really don’t give a fuck. The only thing running through your mind being that shit this was Gojo bane-of-your-existence Satoru, and he tasted so…sweet. Like those cheap lollipops he often snuck on-set. Strawberry, you think.

But you don’t get to confirm, because suddenly he’s pulling away mere millimeters. Whispering hotly, absolutely dripping with something dangerous, “Sooo, is that a ‘yes’ to running lines?”

“Ugh, shut up.” your lips ghost his. “And just fucking kiss me.”

And, well, Gojo doesn’t have to be asked twice. Because it only takes a split second for his lips to find yours again.

Yeah, definitely strawberry lollipops.

You hadn’t filmed any of the kissing scenes just yet, but damn you didn’t expect him to be so hot and messy - like he was drunk off of you. Licking at the seam of your candied lips, groaning softly like he wanted more more more-

“Sh-shit, Goj-”

“Call me ‘Satoru’ when we’re fucking.” he cuts you off. “Or, my bad. When we’re ‘running lines’.”

Shameless. Though, you guess you weren’t any better - not as you press yourself closer running your hands all over his sinfully thin shirt, feeling every bump and curve of his abs. “You talk too much, Toru.” you hiss, muffled against his lips.

Oh that cute lil’ nickname had all the blood rushing to Satoru’s cock, you were so unfair.

“You little minx.” Like a little punishment, he’s biting down on your bottom lip, tugging lightly at your surprised squeal. “You’re gonna regret that.”

“Hmm, I doubt it.”

And then your back is hitting the couch before you can react, bouncing lightly at the sheer force. And you’re so swept up in him - the way he hovers over you, arms looping around your waist, his knee wedging between your legs - that it almost hurts for you to pull away.

“Patience.” you huff out a laugh at Satoru’s disappointed whine, eyeing those pretty pink lips mere inches away from you. You just wanted them on yours. So badly. But no, there was something more important you had to do right now. “Jus’ thought we should record our little rehearsal, whaddaya think?”

“Record it?”

“Record it.”

“Record it, hmmm?” he’s whispering, more to himself than you. Fumbling with the zipper of your dress. “So you’re sayin’ we tape it, let the camera see how pretty you look all fallin’ apart f’me.” Kissing down your neck, letting the flimsy fabric fall down, “N’ then we improve for the pretend sex. Shut all those snobby directors up by giving them the best fucking sex scene they’ve ever seen.”

“Y-yes?” you mutter, as he starts tweaking your hardened nipples through your bra, clearly having way too much fun with this. “Unless-”

“Fine by me.”

The fabric hits the floor before you even realize what’s happening. Head spinning too much from the idea of being fucked on camera - by Satoru of all people, it takes you a second to realize that this bastard fucking ripped your dress off.

“You probably broke-”

“I’ll buy you a new one.” muffled, as he kisses down your navel, blindly fumbling with his phone.

“It was expensive.”

With an impatient sigh, Satoru sets the camera up on the coffee table beside the couch. “Five new ones.” Angling it just right to perfectly capture you - in all your disheveled, horny glory, and Satoru, smugly seating himself between your thighs.

“Ready?” he asks, finger hovering over that damn red button.

Well, it’s just for rehearsal, right? Right?

“Do it.” you manage to get out, voice getting stuck in your throat at the faint ding! that rings throughout the heady room. “For my Oscars?”

“For my Oscars. N’the camera’s gonna know.”

And whatever retort on the tip of your tongue dies when he rocks his hip against yours, grinding his cock against your soaked panties. Rock-hard and so damp with precum already - so big that any and all rational thinking flies out the window.

Which is probably why you’re letting out such a pretty gasp, ‘S-Satoru, I want-“

“What?” And Satoru only flashes you a devilish grin, hands spreading your legs as far as they’d go on the couch. “This?”

He licks a long, long stripe up your inner thigh, all the way till he just meets the hem of your drenched panties. Teasing. So hot and depraved in the way he breathes in your scent.

“Oh fuck, sweetheart.” Satoru grunts, looking down in awe at the damp fabric, so flimsy and see-through with your sweet juices. You slick beading through so sloppily, just a hint of the state you were in. “You don’t know how you drive me mad.”

Rip!

He’s so fucking starved that he’s just tearing your poor panties clean off. Throwing them behind him to God-knows-where before spreading your swollen folds with his thumb, showing off just how wet you were for him.

“You’re a tease.”

“And you’re fucking addictive. Look how fuckin’ wet you are. For who, huh?” he slurs, breath hot against your cunt. Circling your entrance just barely with his fingertip, teasing you like he was addicted to those frustrated moans coming out of your pretty lips.

“S’for you-” you whine, “All for you, Satoru.”

“Exactly what I wanted to hear.”

And that’s all that needs to be said before he’s burying himself nose-deep. Drunk off your pussy as he licks long, languid movements. And it wasn’t enough - never might be, actually, because only one taste and Satoru was like a man possessed.

Bullying his tongue between your folds, just dipping into your sloppy hole in a way that had your slick smearing all over his pretty face. Letting out such deep groans that had you clenching around his hot tongue.

Shit, if you knew that this was the way to shut up the great Gojo Satoru then you would’ve done it a lot sooner. Because for one in his life, Satoru’s too entranced with something else to run his mouth, so fucking satisfied between your thighs.

“Fuck- hah- think I like you better w-when hngh- you’re like this, Toru.” you purr, breath hitching as he bullies his tongue between your folds.

Maybe you were an idiot - maybe you were a genius, because that only sets him off more.

And suddenly Satoru’s pulling your body closer onto his hot mouth, like you were weighless. Pushing himself so impossibly closer while he makes out deeper with your wet cunt.

“Ah! Hngh- Satoru-” you keen, tugging at his soft locks. As delirious as Satoru was pussydrunk. Drinking in all your cute lil’ whines of his name, angling your hips to lick all over like he couldn’t decide between fucking your sloppy hole or toying with your poor, ravaged clit.

“Mhm?” he murmurs, the vibrations making you squeal. Eyes rolling to the back of his head as lets your sweet juices slide down his throat. “Ya like this?” Stretching you out on his tongue, thrusting in and out of your sloppy hole. Over and over- “Like when I tonguefuck your pretty pussy?”

“Ngh- love it- s’good. Ah fillin’ me up s’good.” you squeal, bucking your hips desperately into his pretty face, broken little whimpers leaving you at each rough push of Satoru’s tongue.

And oh Satoru thinks he wouldn’t mind being on his knees every day if it meant he got to taste you like this. “Tell the camera too, sweetheart. Practice how you’ll come around my tongue.”

Those words send a jolt up your spine - or maybe it was the way Satoru was sucking harshly on your clit. “F-fuck off.”

“Mhmmm, n’ this is why I’m the better actor..”

Ugh, this fucker. And with that you fight to turn your head - looking right in the camera. Feeling so fucking lewd as you let out such pornographic moans.

“Yeah- feel s’good.” you whimper, “Wanted this for so long, ever since I first saw- ngh- you-”

And shit were you so fucking evil - at least warn a guy! Because that has Satoru’s heart lurching, almost jumping up from between your legs before it hits him with a pang - ah, right, you were just quoting your character’s lines. Of course.

Well, two can play that game.

“Yeah?” he mutters into your folds. Two fingers plunging knuckle-deep in your pussy, massaging your plushy walls. Roaming around for that one spot he knows will have you falling apart so deliciously. “Can’t believe I waited s’fucking long. Y’know how hard it was to hold back? With you wearing all those slutty skirts f’me?”

Your body is jerking violently, both at his - practiced - words, and the way he was devouring you like you were his favorite meal. His favorite taste.

So eager and in-character with the way he was setting such a dizzying pace on your poor cunt. Slick trailing down from his fingers, all the way to his wrist. So sloppy and- Pressing down. Hard. “Found it.”

And you can only sit there and take it, such cute little whines of Satoru’s name leaving you as he leaves no mercy. Jaw grinding deeper and deeper, maddening. Aching as he rolls and swirls his tongue against your clit over and over. And you were so-

“Close?” Satoru’s grunting and smacking his lips against your own. Truthfully, he didn’t even have to ask - if the way you were trembling and squeezing so fucking tightly around him was anything to go by. “Go on darling. scream my name. Show off f’the camera like you do best.”

“Sh-shit. Toru- fuck yes-” you’ve got an iron-tight grip on his hair now, pulling and angling him as you pleased for more. Barely able to let out those strained lil’ moans, definitely not with the way he’s dragging your sloppy pussy all over his face. Fingers cramping up from how rough he was going - but still not stopping.

“Go on. Cum f’me.”

And then you are. Letting out such a teary, strangled moan of Satoru’s name as you cum all over his face.

And it’s not just for the camera either - because this orgasm is probably the best one you’ve had in a while. So hard that you don’t even realize you’re arching and rocking your hips into Satoru, white-hot pleasure behind your eyes, blood roaring in your ears. Using him.

And he doesn’t stop you. Why would he? You were so pretty falling apart all because of him. He wishes he could see this more often…

“S-Satoru.” you mewl, overstimulated. Jolting with each flick of his tongue, trying to close your legs but you can’t - he won’t let you. Greedily lapping up all your sweet juices, everything that you give him.

“Nope.” he drawls, finally pulling away, delicate strings of your slick snapping as he does. Looking so fucking drunk off of you that it makes your cunt quiver exhaustedly. “C’mon now, sweetheart, you were s’pposed to say my character’s name. S’how the scene goes.”

Oh. Shit, you got too caught up. But one look at Satoru - eyes half-lidded, hair disheveled, your juices glistening all over the bottom half of his face so prettily - tells you he was much the same.

“Well…” you huff, voice shot. “According to the script you were supposed to stuff that-” pointedly eyeing the achingly hard cock straining his pants, “-in my mouth first before eating me out. So here we are.”

With a chuckle, he rises slowly. “Touché.” Looking you straight in the eyes - and probably into your very soul - as he pops his fingers into his mouth. One by one. Groaning at the taste of your sweet sweet juices while he sucks them clean. “But I don’t think I’d last one second with those pretty lips wrapped around my cock.”

And it almost makes you want to tease him for it - one of Hollywood’s biggest It Boys but you can’t handle a lil’ blowjob? But all of that gets stuck in your throat as Satoru starts peeling off his shirt ever-so-slowly.

Shit, you think. All mouthwatering curves and dips, all the way from his toned, milky shoulders down, down, down to those neat tufts of white peeking out from the hem of his underwear. Sculpted like he was handcrafted so meticulously - a fucking masterpiece, you had to admit.

One that made you wish you took a longer look at all those shirtless magazine covers instead of throwing them out. One that had your thighs squeezing in such anticipation.

And Satoru seemed to be admiring you just the same, eyes locked on your pussy, the way it glistens and clenches around nothing - so ready for him. Distinctly aware of how pathetically needy you were being in front of the blinking camera, you crane your head to glance at it. Was it really capturing-

“Now now, first rule is to never look at the camera during this scene.” Only for Satoru to squish your cheeks together, forcing you into an embarrassing little pout as he turns you back to face him. “Look at me.”

And oh you can’t not look at him.

Especially when he tugs his pants down, just enough that his throbbing cock springs out, so fucking long and pretty. Smearing glossy precum all over his abs, flushed your favorite shade of pink, rock-hard and so so angry. Shit, he was so hard it looked like it hurt.

“Satoru…” you breathe, legs wrapping around his slutty waist to pull him closer. Only needier despite that little nagging voice wondering how the fuck you’d take his sheer size.

“Sweetheart?”

“I remember he didn’t do a lot of waiting in the script.”

And God were you right - but Satoru doesn’t think he could’ve kept this act of restraint up any longer even if you weren’t. Too impatient, too starved, his sanity dancing away from him with each second his fat cock wasn’t stuffed inside your pretty cunt.

“Mhm.” he purrs, one hand reaching down to drag his fat head up and down your slit. Heavy balls squeezing painfully at the way your lip wobbles in frustration. Up and down up and up and- “You’re right.”

And then it’s like something snaps.

Because it only takes a split-second for Satoru to start splitting you apart on his massive cock. Big fat tears pricking at your eyes at the feeling that he was pushing all the way into your lungs.

“Sh-shit, s’fuckin’ tight-” he lets out a low grunt at the slight resistance, taking everything in him to not just fuck into your snug pussy and use you like his little plaything. “You gotta hah- relax, pretty girl.”

You needed to relax more - to breathe maybe, just something. You weren’t even in the right state to wonder whether that little nickname was in the script - and God was Satoru thankful for that. Because all you can think of is how you never imagined what the bane of your existence would look with his cock stuffed in your dripping cunt - but now that you’ve seen it, you think you’ll imagine it for many lonely nights to come.

“Hey, now. Don’t get camera-shy just yet.” Satoru gives your ass a playful smack. “After all, this is only the best- part-”

Each word is punctuated with shallow, mindless little thrust to fit himself inside your dripping pussy. Such cute lil’ whines leaving your swollen lips that he really can’t help but tease you a bit. Leering down at your fucked-out face with a smirk, “Or- my bad. Forgot such a scene would be hard for a rookie.”

Oh, did he know how to press your buttons just right.

Because immediately, you’re blinking away the delirious haze in your eyes, voice so adorably shaky - but determined - as you grit out, “Bring it on, you B-list wonder.”

That’s all that has to be said before he’s finally bottoming out inside you, mercilessly. Inch by fucking inch. You gasp as his twitching balls smack your ass so lewdly, feeling his veins beat in such a slutty lil’ thump! thump! thump! against your heavenly walls.

“T-Toru- big- ngh- too fuckin’ big. M’gonna break mpf-” his lips claim yours. Partially because it’s been way too long since he’s kissed your pretty lips, and partially because Satoru might just cum right then and there if he let you run your mouth.

So he lets his hips do the talking instead.

Cooing into your mouth at each little ah! ah! ah! every time he stuffed you full of his dick, quick, experimental thrusts to try and find that one spot he knows will have you falling apart so prettily.

“Sounds so beautiful, sweetheart.” rocking his hips faster into yours. So hard you were sure he’d leave marks. “No camera in the world can pick up how fuckin’ perfect ya are. Can’t ngh- pick up those cockdrunk lil’ heart eyes.” Angling your chin just so that your sinful expression is caught on camera, “Shit do ya even know you’re doing those? Might just make me lose it for real tomorrow. Might just make me sneak you off to the dressing rooms n’-” Manicured fingers digging into your hips while he fucks you in jagged, purposeful strokes. Hitting that one spot. Hard. “Fuck you all over again.”

You flinch as he uses you like some object. Dangerously liking it more and more as he smugly hits that magical spot over and over-

And it was so sloppy - so filthy with the way Satoru still had remnants of your slick all over his lips, matching the way you were soaking his cock. Fingers moving down to draw erratic little patterns on your clit, making it even messier.

Close - too close.

So, so desperate and debauched.

“C’mon. Show the camera. Tell the camera how much you love it.”

“Ngh- f-fuck you.”

“Oh? Who’s fucking who now?” he’s laughing at your absolutely wrecked state. You can feel Satoru twitch inside you as you mumble out such delirious little praises to the camera - were they coherent sentences? You’ll never know, because the next words that fall from his lips have your mind reeling.

“God, m’addicted to you, my girl.”

“That’s not- ah- in the script, Toru.” you hiss. Close.

“I know. And neither is that.” he leaves such uncharacteristically gentle kisses down your neck. Miles away from the relentless place on your poor, abused pussy, fucking you deeper and rougher every time despite already bottoming out. “Does it have to be?”

“Th-that doesn’t ngh- make sense.” you gasp into his open mouth.

“Doesn’t have to.”

Maybe it’s the way Satoru’s panting those words against your lips. Or maybe it’s the way he’s looking right in your eyes while he says them - like it would kill him to pull away. Maybe even that fleeting little kiss he leaves against your lips.

Because before you know it, you’re cumming and cumming so hard that you wonder whether you’d make it out alive. The only thing you can do is throw your head back and take it, thighs quivering, Satoru’s names spilling from your lips in such broken little whines while he thrusts so sloppy. Once. Twice.

“Ah- this is gonna have me fallin’, huh?” And then he’s letting out such a low, muffled moan of your name, filling you up with rope after rope of his cum.

What?

It’s so messy - his cum overfilling your poor pussy, spilling out and coating his twitching balls. Shit, you can’t even worry about whether it would stain that overpriced couch below you. Not when Satoru’s whispering out sweet- lines from the script?

“Fuckin’ beautiful underneath me. Always was.” Hips still fucking into you - not even thinking at this point. “Always will be. Such a vision onscreen, sweetheart.” So thick and hot, and dribbling all the way down your legs with every movement.

And then Satoru’s lips are finding yours again, tasting so unfairly sweet while he drinks in all your cute breathless gasps. “Such a vision f’me.”

Those weren’t from the script either.

Something soft. Something scary. Something that has you looping your legs tighter around his waist, letting him collapse onto you. Pulling him closer, in fact, because now that you know the weight of his body on yours, it just felt so right.

It takes a moment of silence for you two to catch your breaths, the still rolling camera being the last thing on your minds. Neither willing to speak first, because shit Satoru might’ve gone to countless red carpets and film sets but this - you are what strips him away from all the glamor and fame. Until he was just, well, embarrassingly Satoru.

The Satoru that was now shifting shyly in your arms, trying to get up. “Uh- Hell of a way to run lines, huh? Better check the camera n’ see where to impro-”

He might be one of the biggest actors in modern Hollywood, but Satoru didn’t fool you - not one bit. So without a word, you’re tugging him back to rest against you. Heart lurching just a little bit as he buries his face in the crook of your neck. Like a little hideaway - from the camera, from the world, hell, maybe even from you.

“Y’know,” he flinches ever-so-slightly at your teasing tone, giving you a playful bite. “I have one area of suggestion and it might just be that you’re too good at ‘running lines’.”

“...Good enough to win those five Oscars?”

“No.”

“Then guess I better prove it to ya, huh? Is the camera still on, sweetheart?”

Just then, some weird little part of you thinks that, hell, maybe you don’t hate Gojo Satoru after all.

Not anymore, at least.

---

The Enemies-To-Lovers Trope of The Century?! Hollywood’s Biggest Rivals Sport Matching Hickeys (And Smiles) On-Set of Upcoming Film.

Oops! Gojo Satoru's Phone Wallpaper Accidentally Exposed: Surprise, Surprise It’s His Leading Lady! More on Page 6.

“No Comment. Though, I Have Moved Trailers. Twice.” Anonymous Manager Speaks on Latest Movie Rumors.

Director Is All Smiles As He Raves About Upcoming Romance Movie. “Hell, If I Didn’t Know Any Better I’d Say They Were Really-”

A/N. Plagiarism not authorized.

#gojo x reader #gojo smut #gojo x you #jjk x reader #jjk smut #jjk x you #gojo satoru x reader #gojo satoru smut #gojo satoru x you #jujutsu kaisen x reader #jujutsu kaisen smut #jujutsu kaisen x you #jjk #jjk fic #jujutsu kaisen #gojo satoru #tonywrites

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istherewifiinhell · 1 year ago

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Suppose its a modern affectation of mine to think. Oh animated show finale this is where they pull out the big guns [nice looking animation/cool shots/fun music etcetc] NO!!!! They ran out of money you idiot!!!! ur lucky if the denouement has three consecutive frames to rub together

#some shit #its not called cisformers #RIP MASTERFORCE. not sure why they made you 42 episodes long...... doesnt seem like it was very sustainable???#i was literally noticing sometime around ep 30 smtb like. oh hey they got a lot better at drawing humans! the kids especially #finally returns to the older modes.... hysterical really. not thats its bad. just #not quite as nice. or expressive #eh ah uh also the final fight was like. wait thats. it. super god final fire guts [<- power move names u get it] oh okay. guess u did it...#no. but. the wildest thing of all. okay. any show thats ending is 'and they all go their sperate ways'is a little lame.#this show.... with its 3 different kinds of humans who are tfs or tfs who are humans...#the tf bodies just leave!!!! buh? u can do that??? hey are u still using the humans names??? what? huh??? fucked up. not the metaphysical #framing I THOUGHT we were working with...#AT LEAST i think the pretenders are still as is. they were never human just can look it. thay would be so fucked up lmao.#the most important question. is that kinds tiny gun tf safe....... i hope so [<- i should posy the tiny gun at some point]#well.... either on to bed or on to the next series.......

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lusalemaart · 1 year ago

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seraphicsentences · 4 months ago

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all mine (pt.2)

closeted/in denial abby anderson x reader

pt.1: you told me your new man don’t make you nut, that’s a damn shame.

please click here!

tags: sub!abby, dom!reader, experienced!reader, mentions of owen, tbh trauma from owen, strap-on sex, cunnilingus, 69ing, dry humping, grinding, nonexplicit masturbation, lowkey voyeurism+exhibitionism ish? there’s plot i swear.

A/N: im well aware that i apologize in every post i make and that its redundant, but im still sorry that i took forever to write.

so. some of this may sound a little familiar from the first part, but it’s simply just drawing parallels between abby’s and your stances on one another.

this gets gradually worse and worse. i think the quality started landsliding once i reached the smut. enjoy!

it’s been near ‘round a week later, and abby’s avoiding you like the fucking devil. in fact— by the way she’s been acting, you think she might even believe so. she’s never felt so inexplicably thrown off. clickers, bloaters… couple of well-aimed shots and they’re no deal. but you? the ghost of your touches haunt her day and night. she’s like a woman possessed. and she’s insatiable.

her once weekly visits to the chapel have become daily: hour-long stays spent on her knees, prayers whispered hastily under her breath, eyes darting to paranoically try to catch potential eavesdroppers.

even owen, the air-headed asshole, has been left victim, or perhaps victor, to the effects of your actions. in a desperate attempt to ease her whirling mind, or rather, to ease the painful throbbing between her thighs, abby’s seemed to have turned to her boyfriend as a last ditch effort.

abby’s newfound flood of arousal, pooling and pleading, only to be met by owen’s two incher every night have had his ego blowing up fucking obnoxiously.

“god, abby, you’re fuckin’ desperate for my dick lately,” he’d gloat, hilariously blind to his girlfriend’s infidelity.

unfortunately for abby, her pathetic resorts have done nothing to quiet the moaning mess of guilt-filled memories. if anything, they’ve done quite the opposite.

she’s been left to the mercy of her palm, heel of it digging into her clit while she’s beside the sleeping figure of owen, straining every massive muscle in her body to give her that orgasm she so badly needs.

it’s to no avail, though. stuck gasping and tearing up against a pillow, her poor pussy crying for some semblance of relief. and what’s left is a week-long edged abby anderson, ms. “top soldier”, who’s back to shooting no better than a freshly new recruit.

what’s up with that, hm?

2am now, in the isolated west dormitory’s showers, and abby’s at it again. her body starving for your touch; your sinful, corrupting, addictive touch, and she’s failing to appease her needs once more.

“mmph- fuck, ah-please,” abby begs into her forearm, groaning as two thick fingers plunge deep into her sopping hole, thrusting in and out messily.

it’s exhausting to fuck the way you do. even with her arms the impressive size they are, it’s impossibly demanding to reach every nerve you had reached, filthy sounds echoing along the tile walls, taunting her.

abby knows what’s coming, or really, the lack of it.

skin pink from the heat of the water, she abandons her effort, shutting the stream off with a squeak and ventures the locker room to get dressed for the night.

her mind wanders to you— that’s all it ever seems to do as of recently, and she thinks about how she almost misses your antics. she can’t place her finger on what it is exactly about you that makes her chase every teasing interaction so masochistically.

maybe it’s your lopsided smile that lures her in, or that glint in your eye she gets caught up in. or maybe it’s just that she knows she shouldn’t want you, and it’s so deliciously wrong, and that’s why she’s got to have you.

towel flung over her shoulder, abby makes her way out, only to stop in her tracks when she hears the loud slam of a locker door.

what the fuck? wasn’t the bathroom empty when she last checked??

cheeks burning at the mistaking of her privacy, she swivels the corner, furious to see who the fuck else is using the west dorm showers at this hour. of all the hours.

and, well, abby’s frozen in place when she’s met with the sight of a mystery someone’s bare back. but oh, how she recognizes you, you and your wet hair, slinging droplets down your smooth skin, trailing lower and lower and-

you cough, breaking her trance. baby blue eyes dart up, caught, as you slide your tank on, smirking.

“hey, anderson.”

that just about does it for her. abby slams an open locker door shut, almost sprinting out of the room.

and really, there’s no choice but for you to follow her, practically hunting her down as she sharply turns down random hallways, clearly attempting to outrun you. abby makes a wrong turn soon enough, and you honestly think you might burst out into laughter because of the funny way fate seems to string the two of you together.

the blonde’s backed herself into a corner, and it just so happens to be your residential corner. you can’t help but wonder if she already knew where your room was located.

“scared, anderson?” slips out of your mouth, and it feels significant, reminiscent of the week before. you stare her down, wet strands clinging to her skin to match yours, and it’s like the two of you know what’s to come with your words. the inevitable.

you’re not sure which one of you moves first, rubber band of tension snapping as your lips collide in a catastrophic sort of way. you’re scrambling to blindly dial your dorm code in and tugging abby by her shirt in a tangle of limbs and saliva.

“i’ll play nice,” you pant, “even after that disappearing stunt you pulled last week.”

abby laughs, whispering, “whoops,” under her breath before pulling you in for another dizzying kiss, tongue eagerly curling into your mouth like she’s been waiting years for a taste.

you wrap your fingers around her hair with a tug, and the low groan that escapes from the back of abby’s throat has you repeating the motion again and again as you veer her backwards to fall atop your bed. you follow, straddling her, not wanting to spend a second apart from the fucking drug that her mouth is.

your hips grind down on their own, burning and desperate for stimulation. abby, in return, wraps a strong hand around your throat, pulling you even deeper into a sloppy kiss to swallow your moans as she pushes her hips up to meet yours.

“fuck,” you gasp, clit catching against the seam of your shorts with every roll.

abby’s mind has gone blurry with arousal, drunk off the satisfaction of finally getting what her body’s begged for. every pretty noise that slips out of your mouth sends pulses of pleasure straight through her bundle of nerves, and every touch of skin has her feeling set ablaze.

but as always, she needs more.

she maneuvers you easily under her big frame, your head tipping back in a soft whine as she latches herself onto your throat, biting and soothing your skin over.

she’s lodged a leg in between your own, mimicking your position as she wildly bucks her hips down onto you. “please,” she breathes out, tears welling in her eyes with how foreign this feeling is. she can’t bring herself to care about how needy she’s acting, because to starve, is to take anything.

“just like that, baby, you’re soaking my thigh,” you coo, continuing to dry hump her leg like she’s nothing but a toy to you. the whimper she lets out at the name you call her is downright criminal, and the way her movements pick up have you groaning it out again. “c’mon baby, make a mess of yourself for me,” you grab her meaty hips, grinding her harder down against you.

“gonna-“ she gasps into your neck, before shuddering against you as she cums with a cry, muscular thighs holding you so desperately tight in place. you almost scream, caught in the iron grip she has your body in, stopped so close to your own finish. you dig your nails into the flesh of abby’s hips, hearing her moan as the pain mixes with pleasure, and echo the sound yourself as the burning in your core starts up again.

“just let me, for a minute- i need you- just stay here, shit,” you ramble, gripping her hair for leverage while you fuck yourself faster against her thigh.

every twitch of a muscle beneath your soaked pussy has you reeling, unable to wrap your mind around what a massive fucking crime it is, for another woman not to have experienced the absolute blessing it is to have abby anderson’s defined-ass thigh to grind on.

you glance down at abby, and the fucked-out expression she has on, all watery doe-eyed as she peers up at you, mesmerized, has you throbbing enough to match your heart rate.

curse after curse flies out of your mouth as she attaches her mouth to your neck again, biting down as you let go of that coil tugging on your navel.

abby’s no sooner clambering atop you, diving in to taste your sounds as she scoops you onto her lap, practically growling, “fuckin’ get over here,” under her breath.

as your vision returns, she attacks your mouth with a sloppy kiss, colliding teeth, and you’re unbearably hungry for more.

“let me- i’m gonna taste you,” you breath out, shoving abby’s back down with a push.

she falls back with a soft thud, eyes not leaving you once. “please, fuck- taste me, have me,” abby affirms, scrambling to tug her shorts off.

the massive soaked patch at the center her boxers have your eyes rolling into your skull. “shit, anderson,” you run a finger over her clothed slit, giggling as she jerks her hips up.

“shut up,” she rasps, her words harsh, but the small smile on her face says otherwise.

you grin up at her, “didn’t say anything,” before licking a fat stripe up her covered pussy.

her response is immediate, hands fisting into your hair to pull your mouth closer, actions the epitome of more, more, more.

you flatten your tongue, licking, and meshing her arousal with your saliva to entirely soak her boxers wet. you wrap your lips around where you guess to be her clit, based off the place her legs tremble when your tongue reaches it, and suck hard.

“there,” abby whines out, back flying off the mattress, and you’re so very desperate to see what other fun reactions she has in store for you, you grab at her waistband to unveil her pretty dripping pussy.

up close, face to face, you get to really admire the work of art she is. the divets of muscle adorning her thighs frame her pussy almost in a greek-goddess sort of way. light brownish-blonde curls of hair that reach out to your mouth, trying to pull you in closer. she’s beautiful. you’re in complete control of her right now, and holding the reins of such an unreal being has you groaning into her slick eagerly, hands holding her spread wide open while you feast.

you’re dipping your tongue into her sopping mess, teasing and thrusting, feeling her gummy walls flutter around every brush of the muscle. you dart a thumb up to circle her puffy clit, red, from her earlier actions, and the way abby’s legs kick up— almost hitting you in the face, has you giggling again into her pussy. the vibrations of your laugh make abby squeal, thighs clamping around your head, and then she’s tugging at your hair, chanting, “stopstopstopstop,” and you, of course, oblige immediately.

your face comes up covered in her wetness, arousal dripping from your chin as you lick your lips in an halfhearted attempt to clean yourself up. “sorry, sorry, i- did you want me to stop?” you ramble, concerned that you might’ve gone a little too far this time, getting yourself involved with a taken straight girl.

abby’s face flushes a deep red, even darker than it had been from your actions, as she catches her breath and looks away. “no, i- can you, uhm.”

you catch on to her hesitation, newer to sex thats more than just, well, dick. you rub her calves soothingly, “use your words, baby, you got it.”

she visibly gulps, thighs pressing tight around your body, “can i?” she asks, almost sulkily as her hands move to tug at your shorts.

“oh-!” slips out of your mouth, surprised, “yeah, yeah you can.”

she lets out a soft okay, tugging harder now, slipping her calloused fingers under your waistband as well so as to drag both down together. abby’s groans, low and heady, at the sight of your glistening pussy, practically dripping down your thighs from just getting her off. “this too,” she murmurs, sliding your tank off before you can blink.

she’s pulling you in closer, as if she’s in a trance, as she wraps her lips hesitantly around one of your perked nipples. the high-pitched sigh you let out is more than enough encouragement for her to continue, warm tongue flicking at it as she sucks around your breast. “is this okay?” she pulls away to whisper, tucking a piece of hair behind her ear as she looks up at you, eyes wide.

“fuck- yes, just,” you push her head back in, her lips abiding immediately as they gently pull at your nipple, teeth grazing the most sensitive parts of your chest as you arch your back into it, quiet moans ringing in her air.

all of a sudden you’re being turned around, confused, until your hips are being lifted up towards abby’s stuck-out tongue and you’re shaking with your face pressed to her thigh while she experimentally kitten-licks around your hole, unknowingly teasing you.

her nose brushes ever-so-slightly over your pulsing clit as her tongue passes just over your dripping mess, and it has you crying out, “there, please- right there, please,” breath hot over her own throbbing pussy.

her hips jerk up at the sensation, and you take the hint— latching your lips around her own clit and stuffing two fingers easily into her hole, moaning at the feeling of her squeezing tight around you.

it’s no wonder abby’s the top soldier of wlf. for a girl who’s only ever been with the most lacking, vanilla man ever, she picks up fast. each action of yours is borderline self-serving, with the way abby’s mimicking every move not even a moment after, so adorably eager to please.

abby had this insistent need to pull every pretty sound from you, whether she got it through grazing her teeth against your clit, or curling a thick finger against your g-spot, she was determined to hear it— to the point where you thought she might’ve even needed it. and it’s what made sex with her so intoxicating.

she wasn’t like any of the other girls you typically hooked up with, and that’s not to say the girls you usually got with were bad to fuck… they just weren’t as invested in your pleasure as you were with theirs. and as the type to get off on giving rather than receiving, this was especially new. you’ve never been with someone like you. and god, does it take the cake.

abby’s really coming to terms with all the ways she can use her especially large everythings to make you feel good, murmuring into your pussy, “‘m fuckin’ splitting you open with my fingers, pretty,” as she pushes in a third finger to your sopping hole, relishing in the squelch that comes with the thrust.

your thighs shake around her head, stimulated beyond compare as you continue your ministrations on abby’s pussy, humming mhms into it to encourage more of her bolder ventures.

“mm-fuck, can feel you choking my fingers. you gonna cum, hm?” she mumbles cockily, the high from your reactions sending her mind into a frenzy.

“shit, please, need it so bad,” you croak out, taking only mere seconds apart from tonguing down her puffy clit.

“ah- god, me too, pretty. cum on my tongue,” she says, and the fucking vulgarity of it, so downright shocking to hear from ms. straight christian prude over here, has you riding your orgasm out, trembling heat overtaking your body like a california wildfire. matched moans come from beneath you, as abby’s hips fuck up against your mouth, legs flexing deliciously as the two of you reach your peaks together, the world slowing.

you slide your body off of hers, turning around to be met with a sight to behold. your cum, all over abby’s mouth, shining on the tip of her nose, remnants leaked onto her chin— and you have not a doubt you look the same mess. you yank her into a sloppy kiss, fluids mixing in your mouths in the most animalistic nature.

“i’m not done with you,” you say, eyebrows scrunched as you take in her fucked-out expression.

“i know,” she whispers, “give me more,” she breathes out.

abby slips out of her tank, finally, using the cloth to gently wipe your face and hers, action a bit too intimate for what you guys have, but neither of you decide to call out on it.

“you gonna let me fuck you?” you ask quietly, running a hand over her chest softly, enamored, as abby shivers from your words.

“please fuck me,” she whimpers, tone all pouty and petulant as she watches your hand trace ambiguous shapes over her skin.

“so polite,” you tease lightly, pulling her in for a brief kiss before reaching over to your bedside drawer and pulling out your favorite strap, just the one for the special girl in front of you.

8 inches, hot pink, with a slight curve to it, but most importantly, never been used on anyone other than yourself, by yourself.

“it’s so-“ she stutters nervously, thighs rubbing together in anticipation as you secure the toy onto your hips.

“pretty?” you finish, unable to help your laugh as she looks at you, so clearly not thinking of your response.

“yeah,” she shrugs, “suppose it is.”

it’s quiet in the room as you finish latching the silicone dick onto yourself, the two of you settling into the weight of your impulse-fueled actions.

you gently pull open her closed legs, settling yourself between them as you tease her entrance with the tip of the toy, covering it with her cum. you then spit down onto it, twisting your hand around to coat, and hear abby ask, “what’re you doing?”

you continue to prep the toy with easy motions, committed by memory, “i know you’re soaked, anderson, but it’s still a dick you’re taking, baby.”

“i just mean- i, you know,”

you hum, “owen doesn’t put in the effort, huh? and i bet you’re not even a quarter as wet for him as you are for me,” scoffing.

“don’t-“

“it’s the truth though, isn’t it?”

“…yeah.”

“that’s what i thought.”

you thumb her clit in circles, using her slick as lube to rub over it smoothly, relishing in the way abby’s head falls back and her hips jolt up. “that’s it, ease up for me,” you murmur.

you prod again at her entrance with the toy, sliding the tip in slightly as she hisses, “‘m sti-still sensitive.”

“and you’re gonna take it like the fuckin’ slut you are, anderson, aren’t you?” you tsk, pushing a couple inches more into her.

“shit- yes, yes ma’am,” she whimpers out, legs threatening to close from the new stretch.

“because even after all that time in the shower, nothing can fill you like i do,” you finish, thrusting the full length of you into her tight pussy, abby nodding repeatedly as her back arches up.

her moans pick up alongside your hips, voice breaking with every thrust as you push into that one sensitive spot deep inside with obvious expertise.

“so, s-so go-od,” she cries, hands gripping into the bedsheets as she searches for some tie back to reality.

you smirk satisfactorily, fast pace fueled by the sight of abby’s open mouth, drool spilling out the sides as her voice grows hoarse from constant use. you fuck her hard, strength channeled from the anger you bore against her homophobic attitudes, and jealousy you garnered towards owen and his idiotic male self.

you lock your eyes with abby, sweat dripping down your face as you zero down on her, slamming into her pussy with no reprieve. “no more owen,” you say, each word punctuated by another deep thrust.

“this is so wrong, this is so fucked,” abby rambles, nervous eyes darting around the room so as to avoid your gaze. her eyebrows are tugged together, head shaking no: but no to argue your words, or no to agree with them?

“has something so wrong ever felt so good?” you pant out, “tell me baby.”

“i can’t, i can’t, i can’t,” she repeats, torn between what felt right in her head, and what felt so right in her heart. “turn me over,” she babbled, not wanting to head-on face the fucking sin-filled act she was committing.

“you tried running, baby. and how’d that work for you?” you ask, fed up. “you’re still back here, a fucking mess, and all for me.”

“what’s it gonna take for you to face the fact that you’re getting fucked by a girl, and it’s so much better than anything you’ve ever experienced?”

abby’s eyes scrunch tight, trying to tune you out, but her moans still wrench out from the back of her throat, guttural and unstoppable.

you slide out finally, earning you a soft whine of disagreement, toy dripping with her slick with the tip pressed against her folds. “look at me, abby.”

and fuck. she’s never taken notice to the fact that you’ve never said her name before—but god does it sound so pretty coming out of your mouth. and god is it enough to make her wrestle her eyelids open and stare you dead in the eyes, blue clashing with the darkness you reeked in.

“say that again,” she whispers, look full of pleading. 4 letters, 2 syllables, but it has her core tensing and her heart racing a mile.

“tell me you’re mine, abby,” you breath, and she almost finishes right there and then.

“i’m yours,” she says, a single tear breaking free from her right eye, baptizing her skin, absolving her of guilt.

“good,” you choke out, bottoming entirely into her as she releases a cry. your movements quicken, ravenous, chasing the sweet whines that fill the room.

abby’s tits bounce with each thrust, and you reach down to give her sensitive nipples a pinch, making her reach an all time new height of pleasure. her chest heaves, curses slur, as she squirms under your touch, nearing an unbearably overstimulated state.

“feels- gonna cum,” she moans, barely holding on.

“cum for me,” you demand, needing to see her fall apart now more than ever as you pound into her harder, fingers rubbing harsh circles into her clit.

“s-shit,” she gasps, throwing her head back as her walls tighten around the toy, “‘m- fuck, god- fuck! ‘m cumming!”

loud squelching noises overtake the room, complete with the sight of abby writhing beneath you as spurts of her juices drench your moving cock.

her chest heaves, mouth open in a silent scream as she comes down from her high, squirming with overstimulation.

you can see the moment her brain clicks, panic in her eyes clear as her skin turns pasty white.

“i’m so sorry i didn’t mean to do that i don’t know how-“

“abby.”

“-that happened ive never done that before, like who-“

“abby.”

“-fucking pisses on someone like that i’m so sorry ill clean it-“

“ABBY.”

her eyes shoot up to meet yours, frame cowering as she mumbles a quiet apology again, so obviously uneducated in the realm of half-decent orgasms.

“you squirted, abby, you didn’t piss on me for christ’s sake. it was hot. now don’t worry about it, i’m very honored,” you chide lightly, cradling abby’s heated face in your hand.

you stand up, grabbing a clean towel and wetting it with warm water from your kettle. striding over, you spread abby’s legs lightly, running the towel gently over her worked-out center, breath hitching, hips jerking with your touch.

“why are you- you don’t have to-“ abby stutters, grabbing your wrist.

you pause, confused. “abby, i’m not a fucking dick, contrary to belief,” you scoff.

she doesn’t let go. “no that’s not what i- i didn’t mean it like that, it’s just, you know.” she waits for you to look up at her, before looking away. “you don’t have to fuss over me.”

a laugh bubbles out of you before you can stop it. “you mean owen doesn’t-? yeah, who am i kidding, of fucking course he doesn’t ‘do aftercare,’ god, what a dick!” you groan, facepalming.

“abby, baby, this is fucking normal. owen just sucks,” you smirk, her cheeks flushing at your words. “let me take care of you,” you continue more softly, nudging her grip off as you drag the towel over her sternum next, cleaning off any remnants left from the two of you.

abby’s quiet now, eyes following your every movement, curious almost, a bit hesitant— as if she’s not sure what to do with herself in the meanwhile. she’s stiff to the touch, frame shrunken now due to the sheer vulnerability of it all. bare as the day she was born, and touched like she’s never done wrong a minute in her life.

she doesn’t know how to feel about it. wisps of hair tickle her nose, and so she scratches it, pushing her hair away, tugging it behind her ears. and you’re right there on it, wordlessly turning her around as you begin to comb through her hair loosely, pulling it into a simple braid. the same hairstyle she displays everyday, always done by her own hand: tight, knot-free, and burning into her scalp. a reminder to remain true to her virtues, live by strict rules, and not stray from the lord’s path.

but the way you braid is so different. you’re careful to tie in the tickling wisps, but not harsh. effective, but not pushing. with owen she feels like an accessory, but you make her feel like someone worth worshipping. and so, the only burning she feels is not on her scalp, but behind her eyes.

you do notice the subtle tremble in abby’s shoulders, droplets trickling down her cheeks as you weave her hair through, but you make no comment on it. certainly not with the way your own hands fumble her golden strands, fingers shaking into the knots. you tie the end of it up.

“i should go,” abby whispers, standing to grab her scattered clothes.

you remain seated, mouth opening and closing like a fish, as your lips struggle to wrap around the words your heart is singing out for.

you settle on one.

“stay,” you blurt, louder than you intended, the word ringing in the tense air.

abby freezes, hand outstretched towards her tossed shirt. her head edged just the slightest bit towards you, like subconsciously, she was waiting for you to say something.

“just- stay,” you whisper this time, more unsure. waiting for the rejection you know is to come. and while your brain is screaming for you to let her go, your eyes are hooked onto abby’s figure— searching intently for the smallest signal of her response.

you see her breath catch in her throat.

“okay,” she whispers back, and her head turns just enough for your gazes to lock, matched desperation surging.

she’s drawn back to the bed like a magnet pulled to its twin, the mattress dipping as she settles in the space beside you.

and abby feels the heat of your drilling stare, one she refuses to return. she has no more fire left in her, not for you, just contemplation. a longing for more, an urge to savor, an ache to feel.

so abby faces the door, and you face her back, waiting for the day she’ll turn around.

so what did we think guys?!?? this was 4.7k words. crazy.

ok. so notice the tear coming from her right eye during that whole end part of the sex. note that it came from her RIGHT eye. scientifically speaking, that’s a tear of joy. BOOOOOOM MIC DROP.

i, unfortunately, shot for the stars and tried to make this deeper. hard to do that when you’re not in touch with your emotions. so now you guys are stuck being confused. good luck!

anyways. the final scene is supposed to represent where they metaphorically stand in their relationship. reader is trying to bond with abby, or at least making an effort to, hence her facing abby. abby can’t come to terms with all this, but she’s trying! she’s not fully accepted the homosexual part of herself though, the side that comes out with reader, so she’s facing the door. FACING IT, not leaving through it. ;)

also, yes, owen goes in dry. it’s canon. do not come at me.

taglist:

@pricefieldsuperiority @heartlexs @graviewaviee @liaphrodite @k1ngpin42 @deadbolted @be3flow3r @mrsabbyanderson

@rob1nbuckl3ys @vivispace @bookpagecandlescent

@thelosstvalkyrie for photo creds ty baby <3

1K notes · View notes

room-surprise · 5 months ago

Text

New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

#dungeon meshi #delicious in dungeon #ryoko kui #kui ryoko #dungeon meshi research #translation

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krysmcscience · 6 months ago

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It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

#fanart #comics #cult of the lamb #cotl #narilamb #cotl lamb #cotl narinder #cotl shitten #cotl mystic seller #cotl aym #cotl baal #aym and baal #this is why i have been especially quiet lately XD #even just the bonus stuff took several days to finish because i don't know the meaning of DOODLE anymore apparently #everything must be fully inked and colored with backgrounds I Fukken Guess #at least using medibang's sumi brush keeps me from focusing on making my lines perfect :\#and yeah i copy-pasta'd a lot of my own backgrounds don't at me bro #if you're on desktop and want to full view but don't know how: right click the image - open in new tab - zoom in as needed :)#feel free to ask questions about the AU if you want - but uh - this is basically the extent to which i've thought it through LOL #edit: oh right - aym and baal really out there assuming narinder already put the lamb's soul to rest so the body's just fodder now lmao #last edit i hope: fixed the transparent cult certified freak image 8|#nope - one more edit: there is one (1) loophole for how living mortals can be in the afterlife without dying #that loophole is currently narinder XD #'sorry universe but the god of death says i can be in here so back off with your rules and regulations'

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beloveds-embrace · 21 days ago

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Fuck it, we ball, I hope that disrespectful anon gets hemorrhoids and they can't get them removed until next year, AND that their insurance doesn't cover it. I'm here thinking about your Omega idea where omegas normally do the pursuing, but with a slight twist; the boys being the omegas. An alpha who is for sure down bad for the boys, but thinks "ah, theyre out of my league, I should be aiming lower, manage my expectations". Only 141 is just as down bad for them, and they're doing everything just short of screaming "PICK UP ON THE HINTS, COME INTO OUR HOUSE AND BEDS AND LIVES AND STAY FOREVER PLEASE"

Johnny is about to say fuck decorum and just show up in reader's house wearing nothing but a ribbon and a tag that says 'free to a good home' (your home is the good one, please keep him, there is no receipt so you can't return him).

Price has the brain cell normally in terms of trying to gently coax you into getting you to say you're into them, he has a 15 step plan that may or may not involve using his various contacts to get you spending more time in close proximity to them. Also he for some reason is always baking, he always comes over asking you for sugar? (He'll take any kind of 'sugar' you're willing to offer, he loves making a variety of cream pies)

Gaz is always gently inviting them to attend 'friend' things, things that could be a date but that he can excuse as 'well we're coworkers/friends/neighbors, we should get along :)'. It's just a coincidence that various other people seem to bail except for any of the other boys, now why don't you sit beside him so you guys can share popcorn at the movies (you both always seem to be reaching for it at the same time, if your fingers touched anymore you might as well be holding hands)

Simon is chasing off any omegas he thinks are a threat to them getting reader, that is THEIR alpha, paws OFF (rip to anyone reader was halfheartedly going on dates with, this man is gonna become those people's sleep paralysis demon)

Hope you enjoy!! :3 💕💕 i lovedddd writing this sm omg

See, the thing is, you’d always thought of yourself as a decent Alpha. Not overbearing, not egotistical, not a demanding freak- just capable and steady. But you weren’t extraordinary. Not the kind of Alpha Omegas like them would look at twice. And so, while you worked alongside the men of Task Force 141 you convinced yourself to be content with just admiring them from a distance.

You couldn’t help it. They were perfect, as far as you were concerned. Perfect, and fully out of your league.

Surely, Omegas like them would want someone better. Someone stronger. You’d told yourself that so many times it was practically your mantra, the only way you’d be able to stop yourself from pursuing them. They deserved someone more charismatic, more confident- an Alpha who could match their brilliance. Not someone like you, fumbling through conversations with them, struggling to keep your feelings in check.

But they’d already decided. They didn’t need a flashy Alpha or someone who tried too hard. What they wanted was you. The only problem? You didn’t seem to realize it, no matter how obvious they made it.

John took the lead, naturally. He knew you were cautious and perhaps a little insecure when it came to relationships (it was fucking visible in you, silly Alpha. He scoffs each time you draw back, frustrated), so he made it his mission to draw you in- slowly and subtly. His plan was meticulous: get you comfortable, build trust, and create opportunities for you to spend more time with them so you’d see that they only want you.

Maybe then you’d break out of that stupid shell you’ve put yourself in.

He’d started baking regularly, a habit you hadn’t even known he had. At least once a week, he’d show up at your place with a tin of cookies, a loaf of fresh bread, or a perfectly golden pie. “Thought I’d share,” he’d say casually, though the slight smirk tugging at his lips told a different story. He peers at you, letting his scent coil just a bit more. “I hope you don’t mind the amount of cream. I happen to like cream pies a lot.”

The way to an Alpha’s heart is through their stomach, and all that.

If he wasn’t offering you baked goods, he was asking for your help to make said baked goods. “Ran out of sugar again,” he’d sigh, handing you an empty container. “Mind sparing a bit?”

It was ridiculous, downright unbelievable how often he supposedly ran out of baking supplies. But his visits became a highlight of your week, and the lingering looks he gave you left your heart pounding long after he was gone.

The one time he’d handfed you, watching you lick the syrup from his fingers with half-lidded eyes, still lives in your mind rent-free.

Kyle took a softer, more personal approach. He wasn’t above using the pretense of friendship to spend time with you, often inviting you to casual dates- grabbing coffee, going to the movies, or just walking through town and shopping. Every invitation was framed innocently, but there was always a little extra effort behind it. He’d pick a movie he knew you’d like, suggest places he knew you’d find interesting, and ensure that others you unfortunately knew joined just enough to make it seem less like a date.

Somehow, though, those other people always mysteriously canceled. It was never anything dramatic- just a sudden cold, a scheduling conflict, or a “something came up, sorry.�� Eventually, it would be just you and a very smug Kyle, sitting close enough that your knees brushed or reaching for popcorn at the same time. Once, right as the bowl emptied and you both reached for it, Kyle simply thought fuck it and held your hand.

On one occasion, you both shared a bowl of spaghetti and ended up with the scene from the Lady and the Tramp.

It was so painfully obvious to everyone.

Except you.

“It’s not a coincidence,” Kyle muttered to Johnny one evening after you left, both of them sitting in the spot you were in, bathing in the leftover warmth and scent. “How can they not notice?”

Speaking of Johnny; he’s barely keeping himself together. Subtlety in missions are a must sometimes, but he doesn’t want to that with you anymore. He was just so, so, so frustrated with your obliviousness. What more does he need to do to show you that he- that they- want you?

He’s been dropping so many hints; half-jokes about Omegas waiting begging to be swept off their feet, suggestive winks when you compliment him in that lovely, adoring tone of yours. Once, while watching a romantic tv show, he’d sighed loudly and very pointedly said: “If only someone would claim me.”

“If ye don’t figure it out soon,” he growled at the others one night, pacing back and forth like a wild beast and probably on his way to leave a dent in the carpet, “I’m showin’ up at their doorstep with nothin’ but a red bow, like some bloody Christmas prezzie, I swear to god.”

John sighs, rolling his eyes. “You do that, and I’m leaving you on their porch.”

“That’s exactly what I’m askin’ for!”

Simon took the quietest but most direct approach. Just not exactly direct towards you. While the others worked to get closer to you, Simon focused on eliminating what he saw as obstacles: other Omegas who thought you were free for the taking. It didn’t matter if they were serious or just someone you’d gone on a casual date with- Simon saw them all as threats.

He didn’t have to say much to scare them off. A single cold glare from across the room, sharp bursts of his scent, or a low, menacing comment was usually enough to send them packing. He didn’t care if it was excessive.

You were his Alpha. You were their Alpha, and no one else had a right to you.

But even Simon softened when it came to you. He couldn’t put all his thoughts, all his feelings into words, so he did them with his actions. Quiet protectiveness, gentle, careful touches. Moments of fleeting vulnerabilities shared between you and him.

He was always there for you. Even if you didn’t know you need him with you.

Still, despite all their efforts, you remained convinced that they weren’t interested.

In the end, to no one’s surprise, it’s Johnny who snaps. Johnny, so close to his heat, so absolutely done with your obliviousness and the Omegas that aren’t them talking with you when you should be only focused on them.

He doesn’t care; leaves the carefully made nest with your stolen shirts and none of the others stop him when he just. Drags your surprised self to the nest.

“Johnny! You-“

“I want you.” He hisses, bares his teeth all sharp and desperate. “We want you. And damn it, we will have you.”

And well, who are you to even say no when this is all you have wanted?

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keferon · 30 days ago

Text

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

___________

[Next]

#mecha pilot jazz au #listen #idk #I can barely speak english don’t judge me on the art of bullshiting a made up language into existence #jazz #prowl #jazzprowl #maccadam #mecha writing #mecha kef writing #mecha jp writing

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mywhisperingwords · 25 days ago

Text

everyone wants him | fred g. weasley

summary: everyone wants fred weasley, why would he want you? word count: 3.2k masterlist

The Leaky Cauldron was alive with its usual chaos—laughter, clinking glasses, and the occasional misplaced spell fizzling out before causing any real harm.

You sat tucked into the corner of the pub, nursing a Butterbeer that had long since gone lukewarm. Alicia had dragged you out tonight, claiming you needed to “live a little.” You weren’t entirely convinced, but there was something about her enthusiasm that made saying no impossible.

And then there was Fred Weasley.

You’d noticed him the second he walked in, though you’d never admit it. His presence was magnetic in a way you couldn’t quite explain, drawing attention without even trying. He laughed too loud, flashed that mischievous grin too easily, and had the audacity to look good doing it.

He was surrounded, of course. Angelina was at his side, rolling her eyes at something he’d said, but not enough to hide her smile. A couple of other faces hovered nearby—girls who leaned in a little too close, their laughter a little too eager.

You forced yourself to look away, focusing instead on Alicia, who was recounting some outrageous story involving a Niffler and a stolen bracelet.

“And then—are you even listening?”

You blinked, startled, and Alicia followed your gaze across the room. She smirked. “Ah. Fred Weasley.”

You frowned. “What about him?”

“You were practically drooling.”

“I was not.”

She laughed, leaning back in her chair. “Don’t bother denying it. Everyone looks at him like that at least once. It’s infuriating, isn’t it?”

“What is?”

“How bloody charming he is.”

You rolled your eyes but didn’t argue. Infuriating was a good word for it.

It wasn’t until later in the night, after the crowd had thinned and Alicia had gone off to dance with some guy you didn’t recognize, that Fred approached you.

“Mind if I sit?” he asked, already sliding into the chair across from you.

You glanced up, startled. “Uh, sure?”

His grin widened, and you felt an unwelcome flutter in your chest. “You’re Alicia’s friend, right? I’ve seen you around. I’m Fred.”

“I know who you are.”

“Do you?” He leaned forward, resting his chin in his hand. “Should I be flattered or concerned?”

You narrowed your eyes, refusing to rise to the bait. “Depends.”

“On?”

“Whether or not you’re about to use that ridiculous charm of yours to try and get in my pants.”

He laughed—a genuine, full-bodied sound that caught you off guard. “Merlin, you’re sharp, aren’t you? I like that.”

“I wasn’t trying to be likable.”

“Even better.”

You shook your head, unsure whether to be annoyed or amused. He was persistent, you’d give him that.

“So,” he said, leaning back in his chair. “Why are you here, all tucked away in the corner like some kind of mysterious enigma?”

“Mysterious enigma?”

“It’s the best I could come up with on short notice. Don’t judge me.”

This time, you couldn’t stop the small smile that crept onto your face. “I didn’t want to come tonight. Alicia dragged me here.”

“Well, remind me to thank her later,” he said, his tone light but his eyes unexpectedly serious.

You hesitated, caught off guard by the shift. For a moment, you wondered if there might be more to Fred Weasley than the charming facade.

But then someone called his name—a girl, predictably—and the moment passed.

Fred glanced over his shoulder, his grin returning as he waved her off. When he turned back to you, he seemed almost reluctant.

“Duty calls,” he said, rising from his chair. “But don’t be a stranger, yeah?”

“Why would I be anything else?”

His laughter followed him as he walked away, and you were left alone, staring at your now-empty glass and wondering what, exactly, had just happened.

Diagon Alley was unusually quiet for a Saturday afternoon. The crisp autumn air carried the faint scent of roasted chestnuts from a nearby cart, mingling with the earthy smell of parchment and ink that clung to the shopfront of Flourish and Blotts. You had come to pick up a new quill, your old one having finally succumbed to overuse during a particularly tedious set of reports.

As you stepped out of the shop, quill and a small stack of books tucked under your arm, you nearly collided with someone coming in the opposite direction.

“Careful there,” came the familiar voice, low and teasing.

Fred Weasley.

You took a step back, startled, and looked up to find him grinning down at you. His hair was windswept, cheeks slightly flushed from the cold, and he had the same effortless energy that seemed to follow him everywhere.

“Do you make a habit of running into people, or am I just lucky?” he asked.

“Only the particularly unfortunate,” you replied, stepping aside to let him pass.

“Unfortunate?” He raised an eyebrow, his grin widening. “Here I thought you’d be thrilled to see me.”

You rolled your eyes, though you couldn’t quite suppress the small smile tugging at your lips. “What are you doing here, anyway? Don’t tell me you’re in need of a good book.”

“I’ll have you know I’m an avid reader,” he said, placing a hand over his chest in mock offense. “In fact, I was just about to pick up a—” He paused, glancing over your stack of books. “What’s this? ‘The Art of Brewing Potent Potions’? Didn’t take you for the potion-making type.”

You shifted the books slightly, suddenly self-conscious. “I’m not. It’s for a friend.”

“Ah,” he said, nodding solemnly. “A likely story.”

“Do you ever stop talking?”

“Not if I can help it.”

Despite yourself, you laughed—a small, involuntary sound that you quickly tried to stifle. Fred noticed, of course, and his grin softened into something warmer, more genuine.

“Well, I’d hate to keep you from your important potion-related business,” he said after a moment, stepping aside to let you pass.

“Important quill-related business, actually,” you corrected, holding up the bag in your hand.

“Ah, of course. How could I forget?”

You shook your head, already turning to leave, but his voice stopped you.

“Wait,” he said, his tone shifting slightly.

You turned back, surprised to see something uncertain flicker across his face. It was gone almost as quickly as it had appeared, replaced by his usual confidence, but it left you curious.

“Let me walk you back,” he said, gesturing down the street.

You hesitated, torn between instinctively brushing him off and the strange, unfamiliar pull you felt to say yes. In the end, the latter won out.

“Alright,” you said, falling into step beside him.

The walk back was filled with the kind of aimless chatter that felt oddly natural—Fred recounting some escapade involving a rogue charm and a very unhappy house-elf, you half-listening, half-watching the way his hands moved as he spoke.

When you finally reached your door, he paused, rocking back on his heels. “Well, this is me,” you said, nodding towards the entrance.

Fred nodded, his grin returning. “Good to know. I’ll keep this in mind for next time.”

“Next time?”

“Sure,” he said, already stepping away. “You’re not getting rid of me that easily.”

And with that, he turned and walked off, leaving you standing in the doorway with a faint smile and a strange, fluttering feeling in your chest.

The weeks that followed your second encounter were marked by an unexpected rhythm.

Fred had a way of showing up—not at your door like expected, but in the spaces in between. He had a knack for making himself unavoidable, though never in an overbearing way. You’d catch him at the tea shop near your office, juggling two mugs precariously in his hands and grinning at you as if it were fate. Or in the park, where he’d be charming a group of kids with conjured fireworks, his laughter echoing over the treetops.

“I swear, you’re everywhere,” you said one afternoon when you bumped into him yet again outside Flourish and Blotts.

“Or maybe you’re just not very good at avoiding me,” he replied, his grin maddeningly confident.

Despite your best efforts, the barriers you’d carefully constructed began to shift, piece by piece. It started with the smallest of gestures—him carrying your books when your arms were full, sneaking you a bag of your favorite sweets when he somehow discovered your weakness for honey drops. The conversations, too, began to stretch beyond the surface, slipping into territory you weren’t entirely comfortable with but couldn’t resist exploring.

“Tell me something you’ve never told anyone,” Fred said one evening, his voice softer than usual.

You had both ended up in the same quiet corner of The Leaky Cauldron—pure coincidence, or so he claimed. He leaned forward, his elbows resting on the table, and for once, his usual smirk was nowhere to be found.

“Why would I do that?” you asked, deflecting with a raised eyebrow.

“Because I’d like to know,” he said simply.

You hesitated, your fingers brushing the rim of your mug. The question had an intimacy to it that made you feel vulnerable, and yet, there was something about the way he looked at you—like he could see straight through the walls you kept up.

“I’m scared of not being good enough,” you blurted before you could stop yourself.

Fred blinked, surprised by your honesty, but his expression quickly softened. “Good enough for what?”

“For anything. Everything,” you admitted, your voice quieter now. “I don’t know. It’s stupid.”

“It’s not,” he said firmly, his gaze steady. “And for the record, I think you’re more than good enough.”

The moment lingered, delicate and raw, before you cleared your throat and changed the subject. Fred let you, but the look in his eyes stayed with you long after you’d said goodnight.

As time passed, your world seemed to orbit closer to his. He found reasons to seek you out, and you found yourself looking forward to his presence, even when you tried to convince yourself otherwise.

One evening, he brought you to his joke shop after hours, proudly showing you prototypes of new products. His enthusiasm was infectious, his face lighting up as he explained the intricacies of a new line of trick wands.

“Why do I feel like you’re trying to recruit me?” you teased as he handed you one to test.

“Because I am,” he said without hesitation. “You’d be great at it. You’ve got a good eye for details, and you don’t take my nonsense too seriously.”

“Someone has to keep you grounded.”

Fred grinned. “Exactly. That’s why you’re perfect for the job.”

You laughed, shaking your head, but something warm and unspoken passed between you.

It wasn’t long before people began to notice.

The first comment came from a colleague at work, offhand and seemingly harmless. “You and Fred Weasley seem awfully friendly,” they said, their tone laced with just enough curiosity to make you feel self-conscious.

The whispers followed soon after—barely audible at first but growing louder with each passing day. Fred’s reputation preceded him, and people were quick to remind you of it.

“Everyone knows he’s a flirt. Don’t get your hopes up.”

“He’s not exactly the relationship type.”

The words wormed their way into your mind, sowing seeds of doubt. You began to notice the way people looked at you when you were with him, their gazes heavy with judgment or pity.

Fred, oblivious to the change, continued to treat you the same—warm, attentive, and maddeningly Fred. But the whispers weighed on you, and before long, you found yourself pulling back.

The first time you ignored his owl, it felt like a betrayal. The second time, it felt like self-preservation. By the third, it had become a habit.

Fred noticed, of course, though he didn’t understand.

“Have I done something wrong?” he asked one day, cornering you outside the tea shop where he’d so often ‘accidentally’ run into you.

“No,” you lied, refusing to meet his eyes.

“You’re avoiding me.”

“I’m not.”

“You are.”

The hurt in his voice was almost too much to bear, but you held firm. The walls you’d rebuilt were sturdy now, bolstered by fear and the voices of those who’d warned you to stay away.

Fred watched you for a long moment, his expression unreadable, before stepping back. “Alright,” he said quietly. “If that’s what you want.”

You told yourself it was. But as he walked away, the ache in your chest suggested otherwise.

The days after your confrontation with Fred dragged on, every hour stretching unbearably long. You told yourself you were doing the right thing, retreating before you got too close, before the inevitable heartbreak. But the certainty that had driven you to push him away began to waver in his absence.

You didn’t realize how much space Fred had occupied in your life until it was suddenly empty. The silence felt heavier now. Your tea breaks were lonely, lacking his easy laughter. Even the parks seemed duller without the sound of him enchanting children with his conjured fireworks.

Work became a refuge—a place where you could bury yourself in tasks and avoid thinking about him. But even there, his presence lingered. The bag of honey drops he’d given you sat unopened in your desk drawer. You’d thought about tossing it a dozen times, but your hand always hesitated, as though getting rid of it would make the loss of him too real.

It was during one of these long, quiet days that you overheard them.

“I heard she’s been seeing Fred Weasley,” someone said behind you in the tearoom.

Your stomach dropped, and you froze, pretending to stir sugar into your tea.

“She’s deluded if she thinks he’s serious about her,” another voice replied. “Fred Weasley doesn’t settle down. She’s just a bit of fun, like all the others.”

Their laughter echoed in your ears, sharp and grating. You forced yourself to walk out calmly, but their words stayed with you. By the time you got home, they’d grown into a roar in your mind, impossible to ignore.

He deserves better. Someone more exciting, more confident. Someone who isn’t scared of taking up space in his life.

The thoughts clawed at you as you sat at your desk, staring at the parchment in front of you.

You don’t belong in his world.

Your hand moved before you could stop it, the quill scratching out the words you thought would sever the tie cleanly. The letter was short, clinical, void of the emotions tearing through you.

“Fred, I think it’s best we go our separate ways. Thank you for everything. Take care.”

The owl flew off with it before you could change your mind, its silhouette disappearing into the night. The moment it was gone, the finality of it hit you like a curse.

You curled up in bed that night, the ache in your chest feeling like a physical weight. You told yourself it was for the best. But deep down, you started to think you’d made a mistake.

You waited for him to show up at your door, demanding answers in his usual larger-than-life way. But Fred didn’t come.

At first, you convinced yourself that his silence was proof that you were right—he wasn’t serious about you. But as the days turned into a week, the void he left behind became unbearable.

It was Alicia who finally forced you to confront it.

“You’ve been sulking for days,” she said, plopping down on your couch uninvited. “What happened?”

“Nothing,” you mumbled, not looking up from the book you weren’t actually reading.

Alicia snatched the book out of your hands, her sharp gaze piercing. “You don’t look like this over ‘nothing.’ Spill.”

You hesitated, but the words came spilling out anyway—the whispers, the letter, the crushing fear that you’d never be enough for someone like Fred.

When you finished, Alicia looked at you as though you’d just told her you planned to live on the moon.

“You’re an idiot,” she said bluntly.

“Thanks,” you muttered, burying your face in your hands.

“I’m serious,” Alicia said, her voice softening. “Fred isn’t like that. Not with you. Do you have any idea how he lights up when he talks about you?”

Your chest tightened at her words, but you shook your head. “He’s Fred Weasley. He lights up for everyone.”

“No,” she said firmly. “Not like this. Trust me, I’ve seen him flirt a hundred times. This isn’t flirting, love. He’s serious about you. And if you can’t see that, you’re going to regret it.”

Her words haunted you that night as you lay in bed, staring at the ceiling. By the time morning came, you knew you couldn’t leave things as they were.

The shop was quiet when you arrived, the familiar smell of wood polish and faint smoke lingering in the air. You knocked hesitantly, and Fred appeared in the doorway moments later, his expression unreadable.

“Hey,” you said, your voice barely above a whisper.

Fred stepped aside without a word, letting you in. The silence between you was suffocating, the usually lively space feeling oddly hollow.

You fidgeted with the edge of your sleeve, searching for the right words. “I—”

Fred cut you off. “Why are you here?” His voice was calm, but there was an edge to it that made your chest tighten.

“I… I wanted to explain,” you said, your throat dry.

“Explain what?” he asked, his arms crossed. “Why you decided to shut me out without a real reason?”

The hurt in his voice cracked something inside you. “I was scared,” you admitted. “Of getting hurt. Of not being enough.”

Fred stared at you for a long moment, his expression softening as he stepped closer. “Why would you think that?”

“Because everyone says—”

“To hell with what everyone says,” Fred interrupted, his voice fierce. “I don’t care what they think. The only person whose opinion matters is yours.”

You swallowed hard, your voice trembling. “I didn’t know if you were serious. About me.”

Fred reached out, taking your hands in his. “I’m as serious as it gets,” he said quietly. “But I can’t make you believe that. You have to let yourself believe it.”

The tears you’d been holding back spilled over, and Fred gently pulled you into his arms. His embrace was warm, steady, and everything you hadn’t realized you’d needed.

“I’m sorry,” you whispered against his chest.

Fred pressed a kiss to your hair, his voice soft but certain. “You’re the only one I want.”

When you finally pulled back, his hands lingered on your face, his thumbs brushing away the last of your tears. The look in his eyes was so full of warmth and determination that you felt the last of your doubts dissolve.

When he kissed you, it wasn’t just a promise—it was a beginning.

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