#but I was so pretty so slay

[tiderust]

triple threat 💗🌷🍓🍒🍑🍊

[trisarahtops-sketches]

Just dragon girl things <3

[flowerbloom-arts]

Change is a two-way street.

(Is my favoritism towards the Damsel obvious enough, or?)

note: TLQ [aka my sona Bloombird] is a butch sapphic and this is yuri

[almondcroissantsandink]

The Thomas Thorne Affair

[firenagy]

I said I could make a whole essay about why this is my favorite line in Slay the Princess and @lobsterlobotomiseslobos challenged me to go ahead and do it so here's that. Posted on discord and was told to share it here as well. This was written for a group of people who had varying levels of experience with this game, so I cover a lot of the basics.

Let's start with the very fundamentals, this is not a line that is said, instead, it is one of the first things you think of after ascending to godhood and making the decision that change is a fundamentally necessary force in the universe. Everything in this sequence is packed with necessary context, and emotions that hit only after you experience all of it, however I'll do my best to summarise it, since even players who finished the game can miss some very important info in this part.

You and Her were once one unchallenged god. The themes of self discovery and self exploration through comparison of the self with the other are crucial to the game, exemplified specially during your very first meeting with the princess. If you explore your options, talking to yourself in the form of the Voice of the Hero and to the Narrator, it's quickly apparent that this world doesn't really exist. Or rather, that the only parts of the world that exist, for all intents and purposes, are you, the path in the woods, the cabin, and the Princess. This includes things like your and her name and background, which upon scrutiny are nonexistent. Crucially, the narrator is also not real. You can talk to him all you want and he can experience some slight manner of growth, but the person whose memories and personalities make up the narrator is long gone, leaving behind an echo in hopes of guiding you to do what he wants. to kill what was once part of you.

The Narrator, or rather, the person who died in order to create the echo you meet in the game, was a normal person, possibly a human hinted by the princess' appearance. This person seems to have lived at a time so far beyond our own it's hard to describe, but is best put as the last remains of civilization living, holding out, as the very last stars in our universe burn out. As he sees it, change only brings upon death and destruction, because his world already had time to grow and prosper, with now being the end of everything. We also get a rare glimpse at the world of the narrator, beyond the faux reality, if we choose to slay Her.

That brings us to the content of the game itself, two nascent gods interacting, fighting, loving, discovering who they are. Their only point of reference for what is "real" being one another. The Shifting Mound uses a line that stuck with me to describe the state of your being,"We are oceans reduced to shallow creeks", as a way to describe what it feels to be forced down into a tiny vessel, memories erased. All of the routes in the game can be described as a journey of self discovery, with the Princess being a being of perception, your thoughts on her influence her mentally and physically. In turn, she influences you back in a far more subtler way, adding more facets to your personality in the form of the Voices.

And that is the setting of our meeting. Two gods who were once one whole being having a conversation. They were forced, over and over again, to figure out who they are. Both having nothing but fragments to go by, small pieces of what they once made up, until finally, She is made whole. The Princess' ascension into the Shifting Mound is a sight to behold, and brings upon your own ascension were you to wish to become a god like her.

In this particular ending, the Long Quiet, the god of unchanging reality, stasis, and nothingness itself decides to leave with Her, the Shifting Mound, the god of life, death, time, and ultimately, change. As you open a rift in the world the Narrator created you two see for the first time object reality. You are both left speechless by how magnificent it all is, something that wasn't made to trick, deceive, or guide you into any role you must fulfil, made with no greater purpose than to just be.

That's the crux of why this line is so important to me, after having lived, fought, loved, died, countless times in a world that was fake, created to pit you one against the other, you finally escape. You are free, and She is with you, as you are once more free to roam the real universe after being trapped in a cage for so long.

[mdverse]

go go go!! (x)

[fyodors-fancy-teacup]

I saw a post of a bat wing corset on Twitter/X and I had to draw Lilia wearing that, but here we are. I ended up designing an outfit for him.

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[n0bluev]

Another, zzz

[whirlwindwonderland]

I don't usually post my traditional scribbles, but y'all seemed to like my last Slay The Princess drawing, so here's my interpretation of the Player Character.

[atzidraws]

"Why do I run back to you like I don't mind if you fuck up my life?"

PLEASE THIS SONG IS PERFECT FOR SKK ANGST-

Like lead singer chuuya being fed up with an on-off relationship with bass player dazai?!?! IT'S TOO GOOD-

[alphaclxwn]

ough she’s so full of joy and whimsy and bible stories made to point out how betrayal is bad, i love her

[thefriendoforatioisdead]

I truly admire how much Pin has been fighting back the rule of her aunt. She's a very obedient person, so her rebellion is not as firery as Anin's, but I found the scene of her bowing down to beg her aunt extremely powerful. I felt it very strongly. Even if it's not anger, or bold, upfront resistance, it's not passive or weak either. She IS standing up for their relationship, by showing the extent of her devotion not to her aunt but to Anin and their love. She is showing what she's ready to do. I am honestly not familiar with the weight of such a deep bow culturally, but I would assume that it means A LOT since we've never seen any character of this social status doing it before in the show (except her aunt when she met her sadly dead girlfriend, but it was to indicate subordination since she was going to work for her. And frankly, the parallel is parallelling). This moment of confrontation between them might be my favorite of the episode frankly, except Anin's declaration at the end OF COURSE

Pin resisted as much as she could in all the ways she could, and I'm not blaming her for breaking in the next episode and accepting the mariage. She does respect and love her aunt, and she is also very aware of her social status. She will do her duty because she's been raised to know her place and I would never blame her for that. It's just heartbreaking and unfair, but it's also very understandable.

[ryuubff]

happy maid day from the top 3 malewives of the devildom

extra tiny skrunkly

[sirmanmister]

💥💥💥 BOOM POW GET KILLED GET KILLED GET KILLED!!!!!

This is a redraw from January 6 2023, in honour of it being 1 YEAR since I posted the last chapter of The Father(s) and Son(s)!!!!! A little bit over a year actually because it was April 10th and it took me a little while to draw this lol

So much has changed in the span of a year omg. And for THE BETTER?? Like I’m going to school, I made and lost friends, I’m slowly but surely getting over some social anxiety (still a wip tho!!! 😭😭) and I’ve found so many cool mutuals and artists and just!!!! AAA!! Not to mention my art skills have improved a whole HELL of a lot!! LMAO

I don’t write as much as I did when I wrote my fic initially, and I feel bad for that sometimes, but it’s just a testament to how things have gotten a lot better for me and it’s not bad that I’m busy. I’m still trying to cobble together some more writing to eventually get another fic out, cuz I do genuinely miss it, but we’ll get there when we get there!

Anyway. TYSM TO EVERYBODY THATS STUCK AROUND FOR SO LONG/CAME HERE FROM MY FIC IN THE FIRST PLACE I LOVE YOU ALL AND YOU MADE MY LIFE BETTER!! 🫶🫶🫶🫶

Pspsps closeups/old pic under the cut!!

[i-may-be-an-emu]

AJ IN DRAG!???!?!!!!?