#but I think the spirit of the parallel exists in both

[wingfooted]

In his eyes...

[barblaz-arts]

I've come back to drop some Next Gen Nevermore lore, this time about Sora and Regine's parents 💕

Yukiko Toriyama

Because of my love for parallels, she's a doctor to match the adult characters in the show (Principal - Weems/Bianca; Sheriff - Galpin/Walker). She's a surgeon though, not a therapist like Kinbott, but still a doctor!

Yukiko's around Wednesday and co's age, so she was also in Jericho High when they were in Nevermore. She has a huge respect for Outcasts, thinking that they are very cool. In fact, she thought this one siren girl that she first saw during Outreach Day was especially cool. Soon she will find out that her name is Bianca Barclay and that her classmate Lucas Walker will end up dating her.

She met Sora's father some time after graduating from high school. She fell for his confidence, and was especially impressed that he was an Outcast. Unfortunately she realized too late that he's all talk. When she got pregnant with Sora, his rich parents essentially sent her hush money, which she accepted and used to pay for med school. Sora's grandparents helped raise her while Yukiko finished her studies, so she wasn't as present as she probably should have been during Sora's childhood. She tries her best though, really.

Hugo Schuyler

Sora's father. He came from a rich and reputable family of psychics that specialize in spirits, also known as Herons. Because of his family's reputation, he developed a huge ego and has delusions of grandeur.

He's a glutton for attention, a trait that Sora unfortunately inherited as she also always makes an effort to fit in with "the popular crowd" among her peers. However unlike Sora who is ashamed of her outcast status and prefers to hide her power, Hugo has a superiority complex and overcompensates for his weak psychic abilities by being obnoxiously loud about his outcast status and his family's name.

He ends up starting a YouTube channel as a paranormal investigator after Nevermore. When he finds out he has a daughter, he's quick to head over to Nevermore and rope Sora into his paranormal shenanigans. No, it doesn't end up being a cute father-daughter bonding activity.

He sees both Wednesday and Enid as rivals. Wednesday for her formidable psychic powers (and reputation!), Enid for, well, her more successful YouTube channel(which isn't even hers, it's the Wolf Preserve's). Wednesday does not remember him from their high school days though, and Enid purposely mixes him up with Xavier when addressing him.

Vega hates him because he thinks aliens don't exist.

Erica Gutierrez

(I don't have her design and personality fully conceptualized yet, sorry)

Erica is Eugene's ex-wife and is a famous actress who started out when she was a teenager. She used to be a celebrity crush of Eugene's when he was in Nevermore, and dating and marrying her was a dream come true that sadly didn't last.

Erica makes an effort to see Regine when she can, and she usually has her daughter stay with her throughout the summer. Her fame comes with its own cons, particularly the excessive attention she(and by extension her family) gets hugely contributing to Regine's overly reclusive personality.

Erica had nothing to do with Outcasts before meeting Eugene and is every bit of a Normie. She and Wednesday never liked each other. She gets along well with Enid because she thinks Enid is normal enough when she isn't wolfed out. Enid likes her for getting her Michelle Yeoh's autograph and a video message as a birthday gift once. (Wednesday hates that Eugene's ex wife of all people showed her up that year)

None of the Nevermore student knew Regine's mother was a celebrity until Erica decided to give her daughter a surprise visit during Family Day(coincidentally the same day Hugo goes to meet Sora. It was a long weekend for the girls)

(masterpost for my AUs here)

EDIT: I ALMOST FORGOT!

Partial credit to @whitebeltwriter for coming up with Yukiko's background with me. I no longer remember which parts were my idea and which is hers, but pls know that it was a collaborative effort

[alternate-real-ities]

Would love to see what other versions of myself are out there!

Hey there, cutie. I've been carefully observing the timelines across the multiverse and I think I've found some interesting ones I would say. Let me first start with one not far from ours. 😉

Meet your brazilian self.

In this sun-kissed universe, your parents were Brazilian, and it shows in every sultry curve of your body. You're a free spirit, always chasing the next wave or beach party under the tropical sun, where the only thing hotter than the sand is the lustful gaze of the locals.

Your olive skin glistens with a sheen of coconut oil as you soak up the rays, and your dark hair flows in the ocean breeze like silk threads begging to be tangled in a passionate embrace. When night falls, you trade in your caipirinha and board shorts for a tight pair of jeans that hug every inch of your physique, ready to heat things up on the dance floor or in a private cabana.

Now, I want you to imagine a reality where Arabs dominate the world and shaped every corner of existence, blending all races into their superior form through generations of intermarriage and genetic manipulation, with lesser races either becoming arabized over time or enslaved.

In this universe, you're the epitome of Middle Eastern masculinity - strong, commanding, and unapologetically in control.

You're a wealthy and powerful alpha male at the pinnacle of this genetically superior race. Your dark hair is always perfectly coiffed, framing a face that exudes confidence, power, and an insatiable drive for achievement.

You exude an aura of confidence and dominance, attracting both admiration and desire from all who lay eyes on you. Every inch of your chiseled body is honed to perfection - from the defined ridges of your chest to your powerful bulge straining against your luxurious clothes.

Next, in another parallel universe, your DNA took a different path, resulting in athletic prowess and an unrelenting passion for the game of basketball.

You're an unstoppable force on the basketball court - lean, muscular, and dripping with sweat after a grueling game. Your chiseled muscles were honed from hours at the gym and a work ethic that leaves opponents in the dust.

Your dark skin glistens with sweat as you leap for a dunk, your brawn and agility making you nearly unstoppable. Off the court, you're charming and charismatic, always ready to charm your fans or give back to your community.

Last but certainly not least, meet your latino fuckboy self in a reality where you're part of an irresistible majority. Here, everyone's got that extra je ne sais quoi - those piercing eyes, that chiseled jawline, that uncanny ability to make anyone fall head over heels in love with just a wink and a smile.

In this realm, you're a tatted-up playboy, always high on life and weed as you navigate the vibrant streets of your city. Your inked skin tells stories of your adventures and conquests, while your confident swagger and sly grins leave women and men weak in the knees.

You're the ultimate player, always on the lookout for the next conquest... but deep down, you crave something real, someone who can handle your wild side without getting too clingy.

So there you have it! As we gaze into these alternate realities, we're reminded that our perception of ourselves is fluid and malleable. These versions of you challenge traditional notions of identity, proving that with a shift in perspective, even the most familiar aspects of ourselves can be reimagined in provocative new ways. So the next time you catch your reflection, consider the infinite possibilities lurking just beyond the mirror...

[starcurtain]

Hello! Wanted to say that I’ve really enjoyed your analysis on Aventurine’s theming - and yea big agree that part of the charm of the guy is that he’s a weird paradox (he got everything one should technically want, and he also lost absolutely everything he cares about) - and also I like your comment that he is, as a character, actually pretty obnoxious (it’s an odd character charm point to me)

Also your post on the way he interacts with the ladies in the cast kinda reminded me - I know folks tend to focus in Ratio’s note but I ended up zoning in on his convo with Acheron more than anything else - because a lot of Penacony is Aven butting heads with other aeon-touched people (Acheron, Sunday) - but Acheron seems like a fun foil because she also has a pretty double-edged metaphysical blessing that is associated with losing everything she loved, but she ironically hasn’t given in to full meaninglessness.

I think one of Aventurine's defining character traits is that he "tests" everyone he encounters to judge whether they are trustworthy or whether they are a danger to him (I guarantee you, he has some kind of mental ranking scale for how likely people are to dislike or mistreat him), and I think his being obnoxious is actually a direct offshoot of this.

Kakavasha clearly was raised with manners; he knows how to be polite and to tone down his responses to social situations as appropriate, which means that, in every other scenario, he is actively choosing to be obnoxious, even in situations where it seemingly won't benefit him (like talking back to the slave master or being too forward when first meeting Sunday, for example) because it allows him to gauge exactly how others feel about him and exactly how much they will let him get away with.

People who play along are potential allies (Robin, the Trailblazer) and people who act grumpy but actually tolerate the obnoxiousness are safe (Ratio, Sparkle, most of the rest of the Express Crew), while people who respond poorly (Sunday, basically everyone else Aventurine dealt with in the past, etc.) are forced into showing their true colors. If minor obnoxious behaviors can provoke them, then it means their core response to Aventurine is likely to be one of dislike and disrespect. He's just forcing that response from them out into the light sooner, rather than later, by being obnoxious from the get-go.

(And, to a certain extent, I think he also just finds it fun to be a bit obnoxious. Like, he's free to say and do whatever he wants now--who is going to stop him from being a brat if that's what he feels like doing?)

But on to Acheron... Yes, I do think there are a lot of parallels between Acheron and Aventurine (came from a doomed people, lost everyone, both determined to hold out against nihility and live just for the sake of living, "blessed" by aeons), but I think narratively speaking, the story puts Acheron in a different position when her tale entangles with Aventurine's: the surrogate big sister role.

Acheron's a very good parallel to Aventurine's sister in numerous ways: First, she essentially sacrificed herself to defeat the evil threatening her people, but is ultimately unsuccessful, resulting in the permanent loss of all she knew.

This loss also resulted in Aventurine's sister actually dying, while Raiden Mei experienced a symbolic death, taking on the name "Acheron" to evoke the Underworld, getting a ghostly, bleached white form, and prowling the river of nihility like a wandering spirit of the dead.

Second, the philosophy Acheron espouses is nearly identical to Aventurine's sister. When even as a child Kakavasha was doubting the value and meaning of life, his sister was the one constantly reaffirming that life has meaning, despite its hardships, and that continuing to exist is the way to honor those who have sacrificed for you. Just as Aventurine's sister expresses that people must hold on to faith, Acheron reminds everyone she encounters to cling to the last bit of color and light in their lives.

This ends up being echoed by the role of guidance that she plays for Aventurine, with him both directly relying on her for his continued survival:

And turning to her in his moment of greatest emotional need:

(Sound familiar? It should. This is the exact same question Kakavasha once asked his sister.)

But there's also a very, very nice visual parallel that goes on with Acheron and Aventurine's sister: the dusk rain that accompanies her.

For Aventurine, the rain has complicated emotional connotations. For the Avgin, it was desperately needed, life-giving water, and thus was considered a direct blessing from Gaiathra. Rain on Aventurine's birthday was the sign of his being favored by the aeon, and yet it also rained on the day he lost everything and had to flee from the only home he had ever known (conveniently also his birthday, dude this guy's life sucks).

Meanwhile, the rain for Acheron is equally complex--rain can bring life, the renewal of barren, lifeless lands... But we also see the rain accompany Acheron through her worst loss, the final collapse of her planet:

It also is said to rain constantly within the shadow of nihility, a lightless gray that washes away all that people wish to cling to.

For both Acheron and Aventurine's sister, the rain accompanies the end of their "lives," the backdrop to their ultimate sacrifices.

Yet it is also in the rain that they both send Aventurine onward, escaping from the cage of his destiny into a "better" life. From beneath the shadow of the storm, they both bid him to go and not turn back, freeing him and permanently changing the course of his life.

The rain that took everything from both Aventurine's sister and Acheron is ultimately what saves him.

It's all a very tidy and well-written parallel.

[cobragardens]

The Golden Lion

For all that Aziraphale is the more frightened of the two of them, Crowley is the snake: he camouflages himself carefully, and his first instinct is always to flee.

Aziraphale's is to stay. He insists on facing the Apocalypse. He insists on facing the Second Coming. He insists on trying to make a difference. He doesn't want to go up to Heaven, but he does it anyway, alone, because he wants to stop the destruction of Earth (again) and keep Crowley safe.

He's very difficult to shame, too. He never gives up his innocent pleasure in eating, even though Heaven, Hell, and probably people on Earth all mock him for it. He's soft and he remains soft, even after Gabriel shames him for both his physical and metaphorical softness. That takes a lot of strength and an unshakeable character.

You know the gold ring Aziraphale wears as a badge of office, that functions as the counterpart to Crowley's snake tattoo? The charge on that ring is a lion.

The heraldic attitude of the lion is rampant (i.e., reared up): it stands on its hind legs with its forelegs raised, as though attacking, and its head is forward-facing: it looks forward, toward the future.

Obviously in popular symbolism, lions represent bravery, and that definitely fits Aziraphale. He's literally leaving the only person who has ever loved him to go make the universe a better place for that person and for everyone, and he's going alone amongst the people who have despised and shamed him his whole existence and tried to kill him at least once; those people are mfing Heaven and have been entrenched in their power for thousands or millions of years. It doesn't get a whole lot braver than that.

In Christian symbolism specifically, the lion represents Christ. (He's referred to in the book of Revelation as the "lion of Judah" because the heraldic symbol for the tribe of Judah was a lion and Jesus was said to be from the tribe of Judah because his [step]father Joseph was from Judah.)

Normally when a story draws a parallel between a character and Christ, the parallel is one of self-sacrifice. That's not what's happening here. When symbolism for Christ represents his self-sacrifice, Jesus is invariably associated with a lamb--the sacrificial lamb--not a lion. When that symbolism represents Christ's mercy or holiness or divine nature/ordination, the dove of the Holy Spirit is used.

But the lion is a symbol inherited from the Old Testament. It represents royalty, power, threat, and seizure from others by force. Jesus is symbolically depicted as the lion upon his return to Earth during the book of Revelation. The lamb is Jesus' self-sacrifice and death for the sins of humanity, but the lion is Jesus' return, powerful, royal, and triumphant.

Does Aziraphale's ring foreshadow his involvement in the Second Coming of Christ? Probably! Is it a symbol that Heaven is the proverbial (and biblical) "lions' den" where they should be doves and lambs? Maybe.

I think it more likely that Aziraphale himself will be the lion, on a righteous rampage like Jesus chasing the moneylenders from the steps of the temple, telling them "It is written, My house shall be called the house of prayer; but ye have made it a den of thieves." Because the ring is a signet ring, meant to impress a seal that legally represented the wearer as an individual. So the lion is linked to Aziraphale himself.

Aziraphale is soft. It is one of his very best qualities. And soft and weak are not the same thing: because he is soft, he tried to kill the Antichrist, a child. Because he is soft, he stood alone before a demon in defiance of the will of Heaven and demanded with no power whatsoever to back him up that the demon spare children whose murder God had authorized. He, an angel of God, worked with a demon to deceive the Heavenly Host and, as he points out himself, thwart the will of God. Even before that, because he was soft, Aziraphale gave humans the gift of fire and self-protection and then lied to God Herself about it. I mean it literally does not get any more courageous than that.

And I can't stop thinking about what that lion, and that softness, and the link between the two is going to mean for S3.

[museofthepyre]

Thinking abt Elijah and Jedidiah again, I’ve said a lot of it before, but I’m expanding here (finale spoilers btw):

I think Jeddie and Elijah were intentionally written to represent the opposing extremes of unhealthy love/ affection. It’s a symbolic parallel, they’re complete opposites in terms of attachment style… but they’re united in the fact that they’re both hurting Sydney (the subject of their feelings).

Jedidiah embodies cold, distant, withdrawn and purely behind the scenes love-

And Elijah embodies obsessive, love-bombing, all consuming and suffocating love.

Through this lens,

They both saw Sydney suffering and without consulting him (WITHOUT GIVING HIM A SAY!!!) took it upon themselves to help- but their fucked up perceptions of love lead their solutions to being… naturally… fucked up.

There’s even symbolism in the WAY they both tried to help (…had Sydney die).

Jedidiah wanted to end Sydney’s suffering. He would have Sydney die a lonely, cold, quiet death in the sterile environment of a hospital- then he’d bring him back in body, hoping that he’d return healthy again (the rose tinted memory of the old friend he loves)

Elijah wanted to end Sydney’s suffering. He would have Sydney die in a passionate roaring flame, surrounded by a crowd of feverous celebration- then he’d bring him back in spirit, hoping it’d bring him eternal peace and rest (the mirage of the deity-like figure he loves)

That is like the most blatant metaphorical representation of this whole thing imo. The mode of death represents their destructive love, and how it’s killing Sydney. Like, literally. But when it happens, they both wholeheartedly believe they’re doing this FOR Sydney, to “help” him.

AND THIS BRINGS ME TO MY OPINION ABT ELIJAHS INTENTIONS:

I’ve always interpreted Elijah as being entirely, legitimately convinced of everything he said. Like, through the lens of his own incredibly warped and distorted perception of “love”, he genuinely thought he was doing what was best for/ “helping” Sydney.

He had it in his head that he loved Sydney, none of that was a knowing lie, it was real to him— but his reality was… again, distorted.

And it’s written in a way which highlights how HORRIBLY UNHEALTHY that warped perception is. It mirrors how Jedidiah’s starkly contrasting ways are showcased as unhealthy, despite him too thinking that he was doing what was best for Sydney. Neither go excused, or sugar coated, the point being: to show how neither extreme is good.

Beyond their skewed actions,

They both wanted to resurrect a Sydney that didn’t exist. The Sydney Jedidiah wanted back had withered away,, Sydney’s sickness was more than physical, it had roots in his mind and memories. Jedidiah had left him feeling abandoned for so long that it’d take more than a simple reset to heal their rift. But he didn’t know how to do that, he didn’t know how to be close, and he was too wrapped up in his self- flagellation to actually break down the walls he’d built.

And Elijah’s version of Sydney was a total idolization. He was never self aware enough to realize he was a large contributor to Sydney’s suffering in the first place. He was too wrapped up in the thrall of his own delusions to realize how scary and confusing this all would be for Sydney. (I say delusions bc I think… they were/gen. Coming from someone who’s BPD-spawned delusions get similarly obsessive and convincing… I have a whole other tangent on this for another day)

This isn’t an Elijah apologist message btw, nor is it a Jedidiah apologist message— I just think this depth is an important part of the overall message- you can love someone and hurt them every second of it, if there’s no balance- a line between the two extremes!! I think we are seeing Jedidiah starting to find that line- he was actually listening to Sydney by the end of it all. Elijah… is still stuck in his head.

[agatharkn3ss]

The meaning of the Macbeth witches

As I continue raking the episodes for all the cool hidden messages, let's address the painting that Agatha has in her living room and, in her Agnes O'Connor delusion, she thought it was a one-way-mirror.

By now lots of people have identified the painting to be "Macbeth and the three witches" by Francesco Zuccarelli, based on William Shakespeare’s play “Macbeth”. I think it provides a fantastic insight into the characters and the direction of the show. Long post, but worth it!

(I am using lots of sources but not referencing them, because it would make this post a lot longer. Hope that's ok!)

The Three Witches (aka Weird Sisters, Weyward Sisters or Wayward Sisters) serve their mistress Hecate (nod to our Triple Goddess). They reveal to Macbeth his prophecy, which will eventually lead to his demise, and they hold a striking resemblance to the three Fates of classical mythology. The witches generally symbolize the supernatural in Macbeth and they call into question the nature of free will.

Why include this painting at all? There can be multiple meanings but I think the most obvious reason would be to continue the feminist theme of how witches/women are portrayed and therefore mistreated – highlighting the tendency to marginalize and discriminate women who uphold their individuality.

 In the painting the three witches are shown as repulsive and ugly, with one of them holding a stick with a snake wrapped around it. And in the play they represent pure evil, as they drive a “noble and heroic man” into a power-craving ruthlessness which induces him to betray his friends and nation. However, people start to catch on that the treatment of the witches reflects the oppression and misogynistic values women experienced in the past.

We could probably draw some parallels with our witches. Lilia is driven out of every village she passes through for accurately predicting tragedy. Jen is called an inconvenient woman and bound – likely because of being a successful midwife. Agatha is being thought of as the evil, “most infamous” witch-killer. Lilia even goes as far as saying that Agatha is the very reason why those stereotypes even exist. But as the layers peel off, we get to see that she is a much more complex persona than just your “black” or “white” character. It is becoming clear that both Agatha and Lilia have shared a huge amount of prejudice and backlash just because of their unique abilities – not only because they can’t control them, but also because they are different. Lilia hates this discrimination and eventually hides from it like a “coward” (as Agatha noted), even though she might enjoy the things that make her a witch (like flying on brooms), while Agatha embraces the negative perception and uses it to her advantage, to create this defence wall around her and make people fear her. In their different ways, they both end up being slaves to those stereotypes.

I think there is also a bit of foreshadowing here, because it is interesting to set up this narrative and then introduce the character of Teen aka Billy Maximoff – the boy who (as we saw in Wandavision) was named by papa Vision specifically in honour of none other than William Shakespear!

Shakespear is not only the author of Macbeth, but has also been widely criticised for his treatment of women characters in his plays – they are shown to be emotionally weak and inferior to men. Even women in power are portrayed by him as manipulative, not to be trusted and with questionable morals (sounds familiar?). There are so many papers that explore this, but I think this one illustrates is best:

“In Ancient Greece, Hecate was a Goddess, who used to bless people with good luck, health, wisdom and victory. People often used to put a statue of her at crossroads or entrance-ways to scare the evil spirits. In other words, she was a goddess of ‘positive energy’. (...) In Macbeth, Shakespeare too presents Hecate as leader of the negative force who hatches a plan with the three weird sisters to misguide Macbeth towards a deadly end by keeping him in illusion. (...) Doing so, he denounces her godliness and demeans her stature by using the male centric religious perspective that causes much harm to women’s body and mind across time and space.”

While I don’t at all want to suggest that Teen is in any way set up as a misogynist, there is still that moral superiority complex - we see a glimpse of it in episode 5 when he essentially says he is better than them: “So that’s what it means to be a witch? Killing people to serve your own agenda? No, not for me.” Then of course he completely contradicts that in the next moment, when he literally buries the witches in the ground.

He seems to completely ignore the fact that it was him who wanted the Witches Road in the first place. The initial reaction of every single witch in the coven was always the same: “The Road will kill you.”, “The Road is a death wish”, “It’s a dead end. Literally”. Billy CHOSE to ignore this and actively pressured each of the witches to join. He needed them to serve HIS own agenda, knowing fully well that some of them could die. I hope he will soon realise that he is no different than the rest.

We can immediately see how he really is “so much like his mother” who chose to trap the Westview citizens, then when they got their identities back and told her about their torment, she literally tried to gaslight them by telling them they were fine and “at peace”. Then had the cheek to excuse her actions and show her superiority to Agatha by showing her the bodies of her original coven saying “You see the difference between you and me is that you did this on purpose” – the irony being of course that Agatha clearly couldn’t control her powers in that moment, so I doubt this was on purpose - same in Alice’s case

 (sidenote: I think the reason Wanda thought that, was because she entered her mind and saw that Agatha probably blamed herself for it, maybe even believed that if she tried a bit harder, she would’ve been able to control it).

So…. Why use that painting in the interrogation scene? I’m sure there are many possible hidden meanings, but my interpretation is that in that moment Agatha/Agnes are playing exactly to take advantage of the stereotypes. Billy claims to know who she is. But really, he just knows those stories that she allows people to believe. He calls her out for not having “respect of her peers” or a “fulfilling home life” – as if that is what every “respectable” woman should want. Instead of feeling embarrassed, she immediately latches onto that and reminds him that this is exactly what makes her dangerous. “Hey, you know those three ugly witches? They brought Macbeth down just with their words!”. I am sure there could be further meanings if you really look deep into it. Could Teen be interpreted as Macbeth himself, surrounded by witches and relying on their help?

Another element here is of course Rio, standing on the other side of the “mirror”. The painting itself has allusions to death: the witch in white is often compared to a ghost and “the dark sky above the mountains is a metaphorical representation of death lurking around the king, around Macbeth, around every man confronted with his own destiny.” Yet again, we might be getting another hint as to Rio’s true identity (let’s face it – is there anyone left by now who doesn’t think she’s Lady Death?)

It is not entirely clear where Rio is at this point (she can’t be standing behind a painting?) and Billy doesn’t acknowledge her presence – he likely hasn’t even realised Rio intervened when Agatha kicked him to the floor. At one point he asked why she was looking at that painting (although, he might have said it as a misdirection, to bring her to reality). So maybe in this “Agnes of Westview” show, Rio really is equal to a ghost, hiding in plain sight and lurking through a window of Agatha’s mind. She is the only one who appears to actually SEE what Agatha is seeing (“Is this really how you see yourself?”), even goes as far as provide her with more “evidence” (fake victim/flower photos). She seems to know Agatha’s thoughts on the case even before she voices them – sometimes it looks as though she’s actually putting those thoughts in her head (what was that about the three witches defying the concept of free will?...) . Finally – Rio times it to perfection when she shows up at Agatha’s doorstep, (mis)quoting Pride and Prejudice and clearly aware of the sad scene Agatha had just experienced. So maybe Agatha is the Macbeth of the story? Is she destined for self-destruction?

I have yet to form my theory on Rio' involvement and her intentions. But I can’t help but think that her appearance is not quite as it seems – that we are “looking at it the wrong way” - is it a painting or a mirror?

To finish this off (phew!), I particularly like this one analysis of the Macbeth painting that points out the different sublime elements – the repulsive witches, the grandeur of nature and the loneliness of the hero. I think it fits Agatha's position as it concludes:

This theory of the sublime opposes the sublime with beauty as two exclusive concepts (like light with darkness) while recognising that both can provide pleasure. Sublimity may evoke horror, but the knowledge that the perception is a fiction can be pleasureful.

Edit: I have also spotted the clock in that scene states 3.33. There are more nods in the show to number 3 and Shakespeare uses the symbolism of trinity throughout the Macbeth play as an idea that tragedy/death comes in threes (3 witches, 3 apparitions, 3 murders etc.). So I feel there is some foreshadowing here as well (e.g. Agatha's wearing a jersey with no3 in the same episode that Alice dies).

Witch 1: Thrice the brinded cat hath mewed. Witch 2: Thrice and once the hedgepig whined. Witch 3: Harpier cries “’Tis time, ‘tis time.”

[plounce]

rob plounce's ffxiv fic reclist

this will update as i continue to find stuff i enjoy. (it also exists as a page on my desktop blog!)

disclaimer: this is just stuff i’ve read that i’ve enjoyed! i have my own favorite characters and pairings, so my reclist skews heavily towards those. i’m not super into in wolshipping, so there won’t be much of that, sorry! i have not read everything in every pairing and character tag, so don’t take this as a comprehensive guide. these are just things that i liked and think are worth reading.

fics are noted with wordcount, pairing (or as gen), and rating (e = explicit). * means it's been recently added to the list.

spoilers ahoy!

scions

*flight of an anorak (17k+, G) gen - urianger childhood backstory fic with transfem urianger! incredibly well-characterized urianger narration. breaks my heart and brings a smile to my face with every update.

lost and found (8.8k, T). gen, light moenuri - you know how moenbryda’s parents basically adopted urianger after they basically abandoned him? this fic is about that. also urianger autism :)

while eating (2.2k, G) gen - more baby autistic urianger with bastard parents. sob. at least moenbryda’s parents are there.

foster (1k, G) gen - pre-canon, thancred overhears fourchenault and louisoix talking about him.

second impression (4.8k, T) gen - fourchenault is a bit more of a classist bastard than in canon and is a dick to thancred, but gets past it. mostly. thancred does his best.

the stars in their abundance (2.7k, T) gen - pre-canon from the perspective of g'raha’s mom in corvos!

cross (1.1k, G) gen - minfilia and thancred clean up the mess of thancred’s possession.

your song, carried onwards (4.9k, G) gen - thancred’s rescue of alisaie from the WoD in the hvw patches.

a stranger in the woods (4.3k, E) thancred/marcechamp - you know, the guy from tailfeather in heavensward? they hook up. thancred gets taken care of.

dust in your eyes (8.8k, T). background ships include wolchefant, wolcred, and haurchefant/urianger, but is mostly about thancred being a sad bastard who is always too slow, too late, and trying to be his best self but not totally succeeding. and haurchefant being a great guy. good character stuff.

how massive is the spirit in us (2.2k, G) gen - ryne character introspection… makes my heart hurt.

testing the waters (1.8k, G) gen - thancred teaches ryne to swim.

the shimmering light (2k, G) gen, light thanuri - urianger settling into the bookman’s shelves. fun il mheg worldbuilding.

almost crystal, almost ascian (10k, T) gen - minfilia and the exarch meet up a few times over the course of a century. their parallelisms. the horror of being “minfilia.”

off the hook, provisionally (974, G) gen - y'shtola talks to the exarch in the wake of 5.0 about his deception.

among the shelves (5k, G). gen - the twins and ryne hang out and talk about the other scions.

portentous news (842, G) gen - urianger’s first morning on the moon in the middle of endwalker.

adventures in unlikely friendship (23k, T) gen - wol+cred friendship! i really like these. the bozja one is delightful. passively-suicidal bestiessss

void parsley sojourn (4k, T) gen, light thanuri - urianger hotboxes the rising stones. very charming depiction of urianger as a weed nerd. makes me laugh and smile every time i read it!

there is (maybe) an ascian among us (11k, T) gen, minor side pairings - post-endwalker, the scions try to get to the bottom of a conspiracy about thancred, who just wants to grill for gods sake! comedy.

two scions walks into a bar… (26k, T) gen, but eventually thanuri - a series where the author intended to just analyze and write about thancred & urianger’s relationship as gen, but then slid into shipping lmao. covers ARR-early STB with a bit of post-SHB. great character work for both of them!

respite, despite (25k, T) thanuri - urianger pining from pre-5.0 to the close of endwalker… good pining, good urianger misery, good romance. wagh!

erasing all the lines in the sand (30k, E) thanuri - mutual pining, miscommunication, coparenting! bookman’s shelves fic.

(in parantheses) (9.9k, M) thanuri - thancred's rescuing of minfilia, time in the first, and the mental stress that emet-selch gives him due to ascian trauma during shadowbringers. also getting together with urianger.

sleepy-eyed soldier (4.6k, M) thanuri - elidibus puppetting ardbert's body brings thancred’s ptsd over having his body used by lahabrea roaring back to the surface in the form of nightmares and hypervigilance. (mind the CWs)

trouble in paradise (2.3k, E) thanuri - transfem urianger!!!! :D :D :D great kind-of-an-asshole thancred character work. hurting each other but trying to fix it.

sole conundrum (412, G) thanuri - pre-edw garlemald scouting mission. urianger autism :D

three of swords reversed (3.2k, T) thanuri, moenuri - urianger dealing with grief over moenbryda and thancred in the later half of endwalker.

another sunrise (5.8k, T) thanuri - post-edw wanderings - urianger deals with a mystery, sudden solitude, and a crisis of doubt! ends happily.

take root in this barren soil (and grow back stronger) (7.4k, E) thanuri - thancred shares what the training regimen of a sharlayan spy entails, not expecting urianger to react so strongly.

to wander is a dream (46k, M) thanuri - post-edw. i don’t tend to enjoy hanahaki fics but this fic is so so so good. thancred being an emotionally stunted asshole, urianger being the world’s most beautiful martyr (for better or for worse), lots of fae stuff, both of them struggling to not be repressed.

why do we forbear? (9.3k, E) thanuri - modern au fake dating, which would usually not appeal to me but this one’s real cute. (currently unfinished)

*to care for those we love (11k, T) ryne and her parents, thanuri - ryne drags thancred to the bookman’s shelves and does her best to administer first aid in urianger’s absence. each chapter is from one of the trio’s pov - i’m usually not super into 1st person, but this fic uses it really effectively in imparting each character’s mindset. it’s very sweet!

ancients

on call (2.5k, T) hythades - emet-selch goes out of town, and hyth is asked to step in for a soul-seeing duty. and he futzes with emet-selch’s office.

mail run (840, G) hythades - “A young archival intern keeps finding completely legitimate reasons to do all the deliveries to a very specific Bureau of the Architect clerk. For no reason at all.” young love!

as stars to a sky (1.8k, T) hythades - little vignettes about life in the pre-sundered world.

the seat of destruction (13k, M) hythades - canon-divergent au where hythlodaeus is the one to take the seat of emet-selch, and the sundering still happens. my favorite ascian!hyth work.

affective memory (9.3k, T) hythades - pov from the shade of hythlodaeus as he wanders around emet-selch’s reconstructed amaurot.

for good health and opportunity (14k, T) pre-emetexarch - emet-selch visits the crystal exarch numerous times over the course of a century. frenemies!

other characters

“nero tol scaeva did nothing wrong”… (5k, G) gen - a bunch of job npcs try to arrest nero for driving without a license. goes about as well as you might think.

biohazard (1.1k, G) gen - nero hates valens’ ass. not because he has “morals” or anything he just thinks valens is a dogshit project manager.

left in the dust (3.9k, T?) cidnero - ARR nero finds amnesiac marques working in the lichyard. miserable little man.

adrift in memory’s fog (16k, T) cidnero - cid’s frequent bouts of amnesia have led to a patchy memory - enough where he forgets that he and nero were betrothed as teenagers. (trans cid!)

the troubled envoy (1.3k, T) gen - maxima’s diary entries during the stormblood patches, including his thoughts on his weird boss.

the last abandonment (1.9k, M) gen - maxima wanders the ruins of garlemald and reflects on his time in the garlean left. by the same author as above - i really rec all their maxima fics.

this cathedral where your face stains the windows (2k, G) ysayle/igeyrohm - “Someone had to teach Ysayle summoning.” great ysayle heresy stuff + toxic yuri.

this blessed day (80k, M) gen - lucia’s journey from a captured garlean spy to aymeric’s right hand. lucia……

cadavre exquis (6.4k, T) gen - emmanellain helps pack up haurchefant’s things at camp dragonhead ft ishgardian homophobia and an underground queer zine scene.

the lantern jar (19k, T) cirisadu - OH MY GODDDDDDDDDDD. this fic is so good. cirina and sadu growing close. lots of development of steppe spiritual traditions and beliefs.

duet (13k, T) estivrtra - estinien encourages vrtra to live more fully as a dragon. cool dragon stuff.

a view of you (14k, M) estivrtra - estinien gets fatally wounded, and vrtra keeps him alive via a great sacrifice (sadly unfinished, but what’s there is a great read)

veteran advisor (15k, E) vrtra/estinien/gaius - really great gaius character work here where he and allie are on vacation in radz-at-han, and the impact that has on both of them. but also? it's mostly about big!varshahn getting railed. good for him!

this home wrested forth (2.5k, T) gen - sidurgu from DRK quests and alaqa from WHM quests meet up and deal with some gridanian wrongdoing.

a fervent desire (111k+, E) sanson/guydelot - an incredibly in-depth retelling of the BRD quests. great work developing these characters and giving them really in-depth motivations!

and love you shall find (9.8k, E) sanson/guydelot - BRD quests, but what if sanson journals as an accommodation for short-term memory loss?

[jime777]

For day one, I chose to draw “a missing scene” from the games! Micaiah and Soren supports that would very probably have existed if there were supports in Radiant Dawn <3

Both Micaiah and Soren are my favourite characters from the duology, the fact they have so much in common and it's left unexplored is a little sad. They had so much potential!

During the RD epilogue, we learn that the two of them were supposed to be the rulers of their respective countries, Soren being the crown prince to Daein (and a prince of Goldoa as well) and Micaiah, the future empress of Begnion.

Not only that, but they also descend from two of the legendary heroes that fought Yune during the Great Flood and defeated her; Dheginsea and Altina. And they are the ones that more than 1000 years later join her instead to stop Ashera.

But for different reasons, they end up growing up far from court. Though they both are raised by a woman early in their lives, the treatment they receive differs greatly and doesn't impact them in the same way. The motive for this being they are “one of the Branded”, laguz and beorc blood alike flow through their veins, granting them special powers and marking their body with a “brand”. Plus, Micaiah and Soren´s laguz side come from herons and (black) dragons, the laguz who live the longest amount of time.

Micaiah´s “mother” raised her more or less as anyone would raise a kid, but she led a reclusive life to keep her safe. She explained what her heritage means too, telling Micaiah that she should hide it to be safe.

Soren´s caretaker was disgusted by him and displayed a very abusive behaviour towards him, going so far as to sell him to an old mage who mistook him for a spirit´s charmer. This led to Soren not realising what he truly was until he was 19 years old!

Growing up, both of them had one person, specifically a beorc, that they trust with their secret and their life. I personally think that Micaiah and Sothe´s base conversation is a little of a parallel to Ike and Soren´s A support in Path of Radiance.

Micaiah: Yes, I’m sure of that. Muarim seems very trustworthy. But, what about everyone else? What would they think if they knew all of my abilities came from the mixed blood running through my veins? Blood they consider cursed!

Sothe: Micaiah, stop…

Micaiah: Right now, when they look at me, they have love and affection in their eyes, but would they look at me the same way if they knew? I don’t want to find out, Sothe. I don’t think I could bear the truth.

Sothe and Micaiah base conversation in chapter 8

Soren: It’s a cross between a beorc and a laguz. Such a taboo union violates every teaching of the goddess. And of society. We are untouchables. Abominations. Condemned to a life of hatred and shunning from both races.

Ike: Wait, wait. Hold it a second. Let me make sure that I follow you… You’re part laguz?

Soren: Yeah. This mark on my forehead is the proof. I learned about it while researching ancient books at the Mainal Cathedral. I always thought it was a birthmark. Others thought that it was the mark of a Spirit Charmer.

Ike: What’s a Spirit Charmer?

Soren: Magic comes from interaction with spirits. If you let one into your body, it will give you tremendous power…for a price. That’s why the old sage was so interested in me. He thought I had struck such a deal. But instead, I was just a filthy Branded.

Ike: All right. I understand. So?

Soren: …What do you mean, “so?”

Ike: So, you have laguz blood in your veins. So, you have a mark to prove it. So… What’s the problem?

Soren: What’s the problem…? Don’t you find me repugnant!? I work beside you, eat beside you. I’m nothing! I don’t belong anywhere! Doesn’t that sicken you?

Ike and Soren´s A support in Path of Radiance

Micaiah and Soren have very similar thoughts about what it means to be Branded and how others perceive them, though Soren´s tend to be much darker especially in PoR due to his childhood.

The distinction is that, while Soren has already met two other branded characters (Stefan, and Petrine if you make them fight during chapter 23 of PoR), Micaiah still hasn't met anyone she can relate to.

This is the reason she is so moved after encountering Soren for the first time, and why she is more upset to be forced to fight him than the others.

Soren: …Ah, that explains quite a bit about the stories that surround you.

Micaiah: Who are you? You’re… You’re just like me!

Soren: Yes, they call our kind the Branded. As the years pass, I understand better and better how others see us.

Micaiah: You are so… cold. It’s like you’re cloaked in frost. Is there even blood in your veins?

Soren: There is. Blood very similar to yours, in fact. Blood that teaches us what it means to be rejected and alone.

Micaiah: Your heart is frozen, but I feel a warm core trying to melt through that ice. I see… You have someone you cherish very much. Someone you rely on.

Soren: Do not presume to understand me, you ridiculous girl. You have no idea who I am and what I can do. None at all. Daein has no business in this war. I will defeat you swiftly and send you and your army back to Daein.

Micaiah: I finally meet my own kind, and he is an enemy…… I will not retreat. I won’t let you go any further!

Micaiah and Soren battle dialogue during Part 3 - Chapter 7 of Radiant Dawn

Micaiah is also the first person Soren tells he is Branded out of his own volition after Ike. Having passed 3 years since then, he feels more confident about it. And knowing she is the same as he, he's not scared anymore. In this scene, Micaiah openly uses her power to read his heart too, the power that comes from her mixed blood and that he has as well.

Not many people know this since this conversation is actually impossible (in my experience) to get in game, but they have another dialogue if you make them fight during Part 3 - Chapter 13!

Soren: Our last battle, in the valley. Was that your strategy?

Micaiah: …

Soren: That was impressive. You killed thousands of beorc soldiers with your little ambush. Well done.

Micaiah: I…

Soren: The Maiden of Dawn… What are you? One of the Branded, that’s for sure. But there is something else about you… Power. Yes, I can feel it in you. You possess great power.

Micaiah: Yes, and you would know. There’s something very different about you, too. Your energy feels so…ancient. You and I seem to have so much in common.

Soren: That doesn’t matter in the slightest. The only thing that does matter is that you are a dangerous adversary. You are also in Ike’s path, so it falls to me to remove you. It’s almost a shame. Farewell, Maiden of Dawn.

Micaiah: So, you fight for someone, as well. So very much alike… But I will defeat you. I will protect the ones I love!

Micaiah and Soren battle dialogue during Part 3 - Chapter 13 of Radiant Dawn

This one is even more surprising, Soren is PRAISING someone! Micaiah brings up how much alike they are and actually hints to Soren´s heritage with that “ancient energy” meaning dragon blood. They both are able to feel the other is not only Branded, but that there is something deeper.

This interaction also shows a slightly softer Soren with him regretting having to kill her, be it for how capable she is or the secret they share.

They have one more interaction during the RD Voice Drama that took place in the 2019 FE Expo, but it is more of a funny moment intended to be comedy than actually exploring them. It always takes me out though!

Micaiah: Around this arm, it will grow thicker and stronger.

Ike: Ah, no, please don't touch-

Soren: Wait right there. You don't need to touch his arm to do your fortune-telling.

Micaiah: Eh? You have some deep scratches right here...

Ike: Ah, come to think about it, just now...

Micaiah: Please do not move. I will heal it.

Ike: Eh?

Micaiah: Get healed-

Soren: Step away from Ike.

Micaiah and Ike: Ah?!

Soren: No healing allowed from amateurs. Hmm, that's right. Tell MY fortune.

Micaiah: Oh, um, okay. Then, your hand, please. Huh? You... You are... The same as me!?

Soren: Huh? What are you say-

Sothe: Micaiah!

Soren and Micaiah during the Voice Drama stage (“Fire Emblem: Radiant Dawn Voice Drama Converging Radiance and Dawn: An Interlude Tale” Eng subbed in YouTube by “Fudgenuggets”)

This is placed somewhere between PoR and RD, just when she is about to read Soren´s future she realises he is Branded as well and is shocked by it, which results in Sothe escaping with her and not developing it further.

During the Tellius CD Drama that takes place in Part 3 - Chapter 7, they appear in the same scene but sadly they do not interact.

Now, going back to what I started with, the way they approach learning about their past and their family is vastly different too.

Micaiah on one hand, as can be seen in the epilogue, seeks a relationship with her little sister, Sanaki, and wishes to have a talk with Sephiran as well during endgame.

Soren on the other hand is hinted to understand that the “random lady” who asked for his name is his mother (Almedha <3, I could talk about her for hours too), but even then he completely ignores it and treats her as he would treat any other person. And then, leaves Tellius with no intention to come back. With how smart he is, he probably connected the dots to when he felt so uncomfortable in Goldoa back in PoR.

“As far as Soren was concerned, his past as the prince of Daein among other things was not really of any interest - because he had forged and travelled his own path.”

Soren´s profile in Tellius II recollection book (Translated by “Kantopia”)

Fits his character a lot, and makes me feel SO proud of how far he has come!

Although Micaiah had the same idea as him, she ends up deciding to stay on Tellius and becomes the new queen of Daein instead.

Ike: You mean the blood of the laguz?

Micaiah: So you knew. Did you find out from the boy who’s always beside you?

Ike: Soren. Yeah. I guess you both know how to recognize people with a similar nature.

Micaiah: Yes. He and I are both Branded.

Ike: …Don’t use that word. You and Soren are both people. Just like me and everyone else.

Micaiah: People. You’re just like Yune. You call both laguz and beorc people.

Ike: Why should I care about the colour of your hair, eyes, and skin? Or your ears, wings, or tail? No matter how long you live or what powers you possess, we’re the same. At the end of the day, we’re all people.

Micaiah: … Sothe talks that way, too. His time with you changed him. Thank you, Ike. I’ve made up my mind.

Ike: About what? I didn’t realise we were doing anything but talking.

Micaiah: I thought I might travel to a far-off place after all of this was over. But I won’t. I’ll go back to Daein. No matter what happens, I’ll have Sothe by my side. I have nothing to fear as long as he’s with me.

Micaiah and Ike base conversation in Endgame - 3

And in this base conversation, she mentions Soren too!

It is definitely a shame that Radiant Dawn was rushed in the end and they did not have enough time to implement all that was planned. The Branded are barely talked about in PoR, and though expanded much more on during RD, I always think there was much more going on with them.

Writing this was something I had always wanted to do and very much enjoyed. Hope it makes people more curious about the similarities between these two!

[skaruresonic]

The idea of Sonic being Maria’s reincarnation is fascinating to me, I must admit. Though it’s funny to think that she waited 35 years for it after her demise for Sonic to actually be born and then when he is, he’s opposing the cousin and he can’t enjoy Earth and its flowers fully like she also couldn’t because ALLERGIES lol. Comedy value too.

It is, isn't it? Again, I wouldn't push it as canon, but purely as a hypothetical for-shits-and-giggles kind of idea, it definitely is interesting to think about. Particularly with the parallels between Maria and Sonic:

1.) Both admire the genius of those closest to them (Tails and Gerald), 2.) Both are associated with the color blue, 3.) Both have a playful nature, 4.) Both like to race Shadow, 5.) Both are selfless, 6.) Both share immense strength of spirit. Other thoughts: 1.) Sonic can't swim (no pools on the ARK?) 2.) Sonic also seems to have something of an "you play tough, but I just know you'll do the right thing" attitude when it comes to recognizing Shadow's trauma in Battle. Kind of like how Maria recognizes that Shadow isn't the most personable guy around, but is still kind beneath his prickly exterior.

3.) Sonic's hay fever suggests a strong immune system. Overcompensation for Maria's weak one? xP

4.) It would be hilarious if it turned out Sonic continued stealing Eggman's thunder in his current incarnation.

5.) This is the most YMMV point and total fanfic lol, but maybe the spirit "chose" a hedgehog body in order to copy Shadow. Which would make the whole "faker" exchange extremely ironic on multiple levels.

6.) Sonic and Shadow threatening to throw down every time they clap eyes on each other becomes extra hilarious too.

---

Some people have said they aren't fully on-board with the idea because they fear it has the potential to erase or downplay Sonic's agency. While I sympathize with that anxiety, I also view the concept as something akin to transformation. Sonic may very well become someone or something different when he dies, like the blue wind in '06. Nothing is ever permanent.

(And to be quite frank, I kind of find the idea of Sonic being the literal second ULF that got ejected to Earth to be more convoluted than transmigration. You can accept hedgehogs being born as test tube babies, but you draw the line at reincarnation?) It's not that Maria literally is Sonic, but rather, her spirit has moved on and has become someone else. She no longer exists except as the embodiment of the things she loved most: the Earth, full of wonders and as "cool and blue" as Sonic, humanity, and freedom. (In that vein, I like the idea that Sonic helps Shadow move on from the grief of the death of his former life.)

Sonic is, however, at the end of the day, entirely his own person, even if his underlying "substance" is technically the same as Maria's. He would never want to look back, and maybe that's why he doesn't pick up on any subconscious cues about the ARK during his time there except to bid Shadow sayonara.

That is the whole gist driving the underlying idea. There's never gonna be some dramatic grand revelation where Shadow discovers the truth and angsts about it. Chances are Sonic would just laugh it off anyway.

---

Though it’s funny to think that she waited 35 years for it after her demise for Sonic to actually be born and then when he is,

Well yeah, the spirit had to make sure Sonic's buddies would be born at roughly around the same time. Adventure's no fun without friends.

You ever watch a revolving door and try to gauge when you should step inside? That's probably what happened. Can't go now. Maybe now? Oh crap, Eggman's gonna take over the world if I don't go now. xP

---

she’s opposing the cousin and he can’t enjoy Earth and its flowers fully like she also couldn’t because ALLERGIES lol. Comedy value too.

Can't have shit in this transmigration Chili's lol.

This is a potential comedy gold mine. The Commander is ranting and raving about how Maria was slaughtered in the ARK raid, meanwhile Shadow glances over to Sonic, who's hopping from foot to foot like "I just wanna throw hands" xP

[angelsdean]

I am having too many thoughts abt Dean and Hatchet Man tonight. I don't know if i can articulate them rn but I will try.

I am thinking so many things, like how David Yaeger was just a normal mechanic before he was killed (by his friends??) in a prank gone wrong. How the name Yaeger means "hunter" and Dean is a hunter. How in Mint Condition, Dean is also paralleled with another character who's first name starts with a "D", Dirk Winchell (sidenote: I always knew abt the Dirk parallel but I did not realize until looking it up today that his last name is so close to Winchester!)

And I am thinking about how Hatchet Man is basically a vengeful spirit of a once innocent human (David "Hunter" the mechanic) who didn't deserve to die, but now in death has gone the way of many victims of violent deaths and become crazed and vengeful. And I'm thinking about Dean saying his favorite movie in the franchise is All Saints Day Four: Hatchet Man Lives. And how Season Four of SPN starts with Dean's resurrection (he lives!). Thinking about Dean telling Dirk, "Ah well, growing up it was a… it was always nice to check out once in a while. I like to watch movies where I know the bad guy is going to lose." Yet throughout the episode we see Dean FANBOY over Hatchet Man and clearly root for him while watching, excited when he's on screen hunting down the people that wronged him. Like if Hatchet Man is "the bad guy" he clearly isn't losing because he keeps coming back. And Dean specifically likes the one where he Lives.

I see it two ways, simultaneously, because both can exist together. On the one hand I think empathy boy Dean empathizes with Hatchet Man on some level, and perhaps sees shades of himself in David Yaeger. On the other hand, I think these movies provide that element of escapism from his real life that Dean craves. In the Real World, Dean would have to hunt someone like Hatchet Man. He would also be on the receiving end of the hatchet which is not so fun. Hatchet Man in Real Life is scary and dangerous and a danger to other innocent people. But on TV it's all fake. Dean can revel in the suspense and the thrill of it. When it's a movie he "like[s] it when they run." Whereas in real life he's either the one doing the running or he's trying to save others being chased by vengeful spirits (as we literally see play out later in the episode).

Sam doesn't understand why Dean watches these movies when "our life is a scary movie." But I think that's precisely why Dean enjoys these movies. Not just because the bad guys often lose but because even when they don't, even when they keep coming back, Dean is still not responsible for them, not responsible for keeping everyone safe, not the one being chased. He can "check out" and "escape" into these fictional world where there are no expectations placed on him, where he is not a character in the story, where he can simply be a spectator, an audience member. It's not on him to save the town from Hatchet Man, for once.

[whateverisbeautiful]

♥️ Ranking Richonne

#20: I Don't Have A Problem (S3E12)

Clear. 🤩 One of The Walking Dead's best episodes for many reasons, but especially for the beautiful seeds it planted between Rick and Michonne. The fence is where their lives became interlocked, and Clear is the start of where their hearts became interlocked. And in this scene right here, Richonne became absolutely inevitable...

This whole episode is something special, and I love Rick and Michonne's every interaction, with an honorable mention to their “the mat said welcome” scene. 😋 From the moment they met, these two had some romantic tension brewing, and it nearly boils over in this scene that just had to make the top 20.

Rick has brought Carl on his first run and decided to bring Michonne along to help and to see what she’s about. It'll forever be telling to me that Rick felt comfortable enough to have Michonne on this run alone with him and his kid.

Despite some arguing that Rick was strictly skeptical of Michonne during this era of their relationship, I think the fact that he brought her out here to his former neighborhood and then, even more, let Michonne go out unsupervised on a crib run with Carl showed that there was some level of trust here that I don't think Rick would give to just anybody. Like while Rick initially tried to fight how drawn he was to Michonne in season 3, his behavior with her still painted a clear picture that to him...

And Michonne shows both Rick and Carl just how special she is and proves that she’s the real deal in all aspects throughout the episode. Especially in this scene here. 

So what I love about this scene is that in a moment where Rick is feeling visibly frustrated and disappointed, Michonne’s regal calm spirit practically tames his defensive energy. He asks if she has a problem with the new approach they have to take, despite her showing no signs of having an issue. And Rick asking this will just always make me amused because no one got him hot and bothered quite like Michonne just existing.

Like she was silent for a literal second, but that was enough to evoke a reaction from him. And Andy, to me, found the perfect way to ask where it was defensive without sounding overtly challenging or particularly offputting.

And then Danai just makes all the right choices in this scene cuz Michonne knows that she doesn’t need to match that testy energy. Instead, she turns slowly and looks right at Rick and sets the tone by gently saying, “No Rick, I don’t have a problem.” 👏🏽👑

Something about even just her saying his name has some weight to it. And I love that this is the approach she takes. This is genuinely me every time I hear Michonne perfectly deliver that line...

Michonne had been a bit quieter and apart from the group prior, and this line is her elegant offering to let Rick know she isn’t his opponent and wants to help - that she isn’t a problem and doesn’t have a problem, not with his approach, or just doesn’t have a problem in general that he has to worry about.

And then to make that verbal offering of her alliance even more physical, Michonne hands Rick the lone bullet she picked up. Rick takes it and the way they focus on their hands again feels like it’s an important exchange. It’s like their first peace offering. And it’s one of the first of many things Michonne and Rick will hand each other, including a very special pack of mints that parallels this scene a bit. 😊

I love that Carl is visible in this scene and noting this exchange between his dad and the woman who will become his mom and his best friend. Carl knew something was up here and that something was different about this. He was still skeptical of Michonne at this point, but I think it was at this moment he began to tell that Michonne has some sort of unique impact on his dad. 

This scene is also special because this is Rick in the freshest stage of being a single dad. He has to raise his son, who went through the trauma of having to put down his mom, and he also has a newborn to take care of, who he knows is actually Lori and Shane’s baby. And he has to deal with all this madness with the Governor. The weight of the world was on Rick's shoulders, and you see him really frustrated that the lack of guns at the station is yet another L. But Michonne is just so calm about it which is the energy he truly needs in his life. 

She just asked if there’s a new solution cuz she only envisions winning. Even just when hearing Rick earlier explain how he was the police in this small town and there are other places to check and all that you can tell that he’s used to being second-guessed and challenged by people, and having to prove himself...But Michonne isn’t other people. She gets him, and she’s not rattled by their situation, so he doesn’t have to prove himself.

I also love how, even as they speak, it’s tense but not harsh. There’s just always this passion pulsating between them, even as strangers.

There’s so much power in the fact that Michonne wasn’t hostile back, but rather calm, collected, and compassionate. The way she looks at him here just says she sees Rick in a deeper way than most. Even that early in their relationship, she understood him.

So even with Rick bugging out, it doesn’t intimidate her or put her off, Michonne gets it and she handles it beautifully. If Rick and Carl didn’t know they were rocking with a queen before then, they knew now.

And y’all, I know Rick knew they were with someone special because of his reaction after this exchange.

Rick’s reaction to Michonne after she hands him the bullet and looks right in his eyes with that soft knowing expression before walking away is the cherry on top of this golden scene because homeboy looks like he’s been fully enchanted. Like Rick's whole energy is giving...

Rick pockets the bullet and takes a whole moment to collect himself after the way Michonne looked at him. His look up to the sky was a 'dang, can Lori see me falling for another woman in just a few short days?' look. #DirectMindQuote 😂

Rick and Michonne felt a spark right then and there. I know it. And no characters would have an exchange like this unless it was a seed toward something romantic growing. 

Even deeper than that, I love that this moment was an insight into so much of what makes Rick and Michonne's relationship special. They can speak to each other and reach each other in any state. They can be a calming presence. They can enchant each other. They are so clearly the exact type of person the other needs in their life. They have such a unique and positive influence on each other, and this was the beginning of many moments that show that. 

I love that it was this moment that had even Danai wondering if Rick and Michonne were endgame and that it was then confirmed that for Gimple, Richonne really was in the works during this episode. I mean after an exchange like this, the road to Rick and Michonne falling in love was pretty much guaranteed. 

So I love seeing Rick and Michonne in this early stage, especially knowing they will go on to become beloved family to each other in the fullest sense. #Husband&Wife 😌

[yuesya]

I just read the Mechamaru short and also the other replies and well. And it just STRUCK me how Mechamaru is downright in the wrong in so many fucking ways.

Especially when you mentioned the guards. Those poor people who were guarding the Death Paintings and fingers. Mechamaru didn’t even give them a single consideration and probably even forgot they even existed, but they died horrible deaths because of Mechamaru colluding with Kenjaku.

Mechamaru accuses of Shiki having a perfect life - powerful, beautiful, perfect - and feels anger at her for the indifference when she looks at him, and yet, HE is worse than she is.

Ironically enough, despite her indifference and very much real and sincere want to resort to killing to solve her problems ALA she’s a cute little psychopath, Shiki is far more nicer to her subordinates and “people who don’t matter to the sorcerers”.

The guards. The assistants. The servants.

Because of how logical, abnormal and straightforward her way of thinking is, Shiki just… gets straight to the point. She treats her servants nicely because it’s basic decency to treat people who make everything work nicely. She makes sure her assistants are out of harm because duh, they are her assistants and can take care of other things, they don’t have to risk their lives fighting curses they cannot handle, she can handle that. Someone has committed a crime? Well easiest solution is to kill them but because of politics she will just immobilize them :/ Just let her break their limbs quickly, she had learnt from her mistake with Geto Suguru after all. They can be interrogated with only their mouth.

Anyways.

It’s just. Shiki doesn’t care about them the way she cares about Nanami or Satoru or Tsumiki or Megumi or Yuzuki.

Yet, she’s far, far more kinder to them than many other sorcerers who just see them as fodder.

Ironic. One of the most inhuman of sorcerers is kinder to them than those with human ego, isn’t it?

I think we're probably all in agreement that Mechamaru's plan in canon wasn't thought out very well. It sort of feels like he just finally, finally saw a chance to save himself, and went for it -to the point that he was tunnel-visioning quite a bit, either ignorant or uncaring or both regarding the casualties that such actions would have.

Shiki is largely uncaring about most people on the emotional level, but not the intellectual level. Which makes all the difference!

Mechamaru is indeed rather hypocritical in various ways when you look at things this way. Luckily, he's alive instead of dead in the Liyue AU, so now he gets to deal with the repercussions.

I haven't really made up my mind on details in the Liyue AU, although I think I'd like Mechamaru to have some character development in which he deals with the consequences of what his actions wrought.

In his own world, we have many civilian deaths, as well as the deaths of the warehouse guards. He also endangered his own classmates during the Goodwill event. He actively assisted and helped to hide Geto-Kenjaku and the man's faction from the jujutsu school.

In Liyue, an entire village was decimated by the four Special Grade cursed spirits that Shiki was fighting. Cursed spirits that she was only fighting because she'd been sent to search for Mechamaru.

Part of me wants to keep the transfigured monster-form a permanent state for Mechamaru. Actions have Consequences, and all that. It would also serve as an ever-present reminder that Mechamaru can't run from, in terms of what his shortsighted decisions cost him. There's also a fun parallel to hilichurls!

At the same time, there's another part of me that wants to make it so that Mechamaru can learn from the adepti. More specifically, learn to transform his shape from the illuminated beast adepti, whose original forms are animals but they themselves can take on a human form.

Because part of Mechamaru's growth in the Liyue AU would be coming to terms with what he did, but also trying to atone for it, too. To move past his mistakes, and become better.

... Anyways there are fun things to write either way, and I'd better stop here and get back to editing the next chapter for zenith of stars now haha.

[dotshifts]

thats literally what I have been thinking thus if the time periods from previous eras are still playing out it means theres parallel realities too that happening at once. why do u think some spirits remain on earth and do u think life could then be longer somehow? cause I hate how there is u have to pick one thing ur good at and thats all u can really do in life kinda like the terminology of yolo but I have been thinking then life isnt that short its actually quite long winded imho. just that what people think creates a certain image of life and their opinions shape it as such ways. so life can really then only be exactly what we make of it, i also dont think there is heaven and hell and that its another realm we dont yet have access too bc we are earth beings from the start

this just my opinion though its not fact nor true so could be wrong but i do think in terms of religion we r the creators but the bible always says believe in something like a higher power but u still having to believe in urself thus ppl are the higher power without realising it but bc we have all been told these situations are the only version of the situations then this is all there must be to experience does this make any sense?

time and situations are linear and nothings is fixed or set in stone.

Could life be longer??

You experience life with your awareness only and that’s how YOU experience it, you can live multiple lives whilst still having your awareness from past experiences/lives and that’s how you become immortal technically

You can also live a life where people are immortal which is also a different way to live longer

These methods are both quantum jumping btw

Do I think there’s another realm

I heavily believe in another realm and quite specifically the “quantum field” which is a realm where everything exists everywhere all at once and where you are nothing but awareness but your also at the same time everything everywhere all at once and that’s because the quantum realm consists of nothing but the energy and frequency of EVERYTHING you could ever think of and beyond, the only way you can access this is not w your physical body but with your awareness and thats y you’ll see some people call it the “void state”

That state is our most natural state of being and that is our “source” (where we came from)

That’s also why you’ll see people talking about shifting to these other realities by entering the quantum field

I actually learned about the quantum field in my book by dr Joe dispenza

Are we the creators according to bible?

I believe the bible is a metaphorical book but everyone interpreted the book way too literally so now ppl think there is a god outside of them when in reality it was them all along as we all are able to create our experience

I think Jesus knew that and he knew he was god but people also took that too literally and now are literally worshipping a completely average (but smart) spiritual man

I don’t think time is linear

I obviously can’t change your beliefs but personally I do not think time is linear because if it were, then the theory of “infinite timelines existing all at once” would be debunked according to that belief

I think time is happening on overlap and not linearly, hence why the “end” of time is also the start of time.

I think all these concepts overall are hard to grasp and understand fully so that’s why it can be long winded for some to believe in these things but honestly I don’t understand cause we are living in a mysterious universe so why would our existence be simple and easy to comprehend

[derekscorner]

Differences in Zanpakuto

I've been on a Bleach kick thanks to the Klub Outside facts I've been learning. Some of the things Kubo reveals on that website of his is incredibly interesting. (some other things are just funny)

But one about Arrancar's and their Zanpakuto got me thinking so I thought it'd be fun to give a very brief rundown of the types of Zanpakuto used by Soul Reapers, Arrancars, and Vizards.

Despite appearances there is a stark difference between them and how they function.

The Asauchi & the Soul Reapers

We learned a lot about how these Zanpakuto worked in the final arc of Bleach years ago and now so too have the anime-only fans thanks to the 'Thousand Year Blood War' anime.

As explained by Nimaya Oetsu, creator of the Zanpakutos, all Soul Reaper Zanpakuto's begin as an Asauchi. (Shallow Hilt)

Oetsu forges these Asauchi from the souls of Reapers and every Shinōreijutsuin student or rookie Soul Reaper are given one. And before you ask, yes, "Shinōreijutsuin" is the name of a Soul Reaper school.

All Asauchi are nameless with a standard katana form and two general abilities;

The "Soul Burial" which sends ghosts to the Soul Society.

And Hollow purification which turns them back into a soul.

What turns an Asauchi into a Zanpakuto is nothing more than time and training. As they train with and use the sword their soul will imprint upon it and turn it into a true Zanpakuto.

From here it just opens up into a variety of unique Zanpakuto and exceptions to the rules such as "dual blade types" or "ancestral" Zanpakuto which you'll see toward the end of the TYBW anime.

The Hollow's Zanpkauto

Despite the parallels between Arrancar and Soul Reapers their Zanpakuto actually originate and work rather differently. This process was further refined and paralleled to the Soul Reapers after Aizen began to alter existing Arrancar and mas produce new ones with his Hogyoku.

The first key difference is origin. When an Arrancar is born they rip off their mask and their spiritual powers as a hollow are then sealed inside a sword.

And according to Kubo on his 'Klub Outside' site the actual sword itself is formed from the pieces of the mask they tore away:

This is rather interesting to me due to what Ginjo said about a hollow's mask in the Fullbring Arc. According to him the mask is formed from the "heart" the hollow lost which leaves the hole on their body.

For an Arrancar to form their Zanpakuto from their mask, knowing this, feels a little poetic. They're wearing their hearts on their waist.

Other notable differences between an Arrancar & Soul Reaper's Zanpkauto include:

The Arrancar's Zanpakuto have no personality or spirit.

As far as we know, they do not have the 'Soul Burial' and "hollow purification" abilities.

Most Arrancar only have one release known as a "Resurreccion" but they can develop a second release known as "Segunda Etapa".

There are a few smaller details but I'll let you discover those on your own~

Vizards & Resurreccion

Now the Vizards are a bit unique here because they begin life as Soul Reapers and so their Zanpakuto's are just that, the Zanpakuto of a Soul Reaper.

However, Kaname Tosen showed that it's possible for Vizards to develop a Resurreccion. It is easy to assume that was unique to Tosen due to him being Aizen's subordinate but Kubo confirmed otherwise.

Of course, this is a hypothetical. The Vizards would have to put in the work to use their masks during Bankai or awaken a Resurreccion like the Arrancar.

Edit::::::::::::::::::

Recently learned that the Zanpakuto of the Soul Reapers are actually recycled. In the rare case they retire or (I presume) just die peacefully their Zanpakuto is stored before Oetsu reforges it ack into an Asauchi.

Now this doesn't necessarily constitute as a "type" of Zanpakuto but it is relevant enough for me to edit into both Parts 1 & 2 of these three part posts I've made.

More in part because it means that a Zanpakuto can be turned back into an Asauchi. This may be the core reason that Oetsu could reforge Ichigo and Renji's Zanpakuto.

Although, I would argue there's likely a difference between reforging a Zanpakuto and reforging it back into an Asauchi. Why? Because Asauchi have no defined spirit, they're blank.

Somehow Oetsu wipes away the Zanpakuto's sentience.

And We're Done

Technically could go on by adding Ichigo & Zangetsu to this topic but their origin is so convoluted that both the manga and the anime had to dedicate a flashback arc just to explain it.

Although, one thing to take note of here is that Aizen made "White" out of multiple Soul Reaper souls. A process that Oetsu purposely points out as similar to how he forges Asauchi.

Which is a dark parallel to leave this post on. Bye~

[moltensmusings]

@ladydoe8, I did see your ask and went to respond but made the post private and it has since disappeared into the void of my blog. I have no idea how to find it and I'm not sure if that's because this is a side blog or not.

That said I still wanted to make a response.

Part of my issue with some fights in the grand magic games is how much they lack the feeling of being random. Obviously we get made aware that the king has the ability to pick and choose what fights he wants to see, but in the case of a battle like Wendy vs Cheria, it didn't feel like the king himself actually chose to make it happen and instead Mashima just decided to pit those two against each other because he didn't want Wendy to fight anyone else.

I think maybe the king telling Arcadios that towards the end of the games he wants Yukino to battle Lucy would work and set the audience up to be hyped for the confrontation, only for it to never happen because both of them are forced out of the games for different circumstances.

I like Kagura vs Yukino I just wish it was written in a way that allowed Yukino to show her strength more than giving us an "I'm just better" kagura fight. Yukino should've had one fight before this that took no effort for her to win and didn't result in her using any of the Zodiac keys so that her loss to Kagura would allow us to understand how strong Kagura is without anyone having to whisper it in our ear.

As for Lucy, she should've fought someone else for sure, but not Yukino. I've said before I don't think Raventail should've competed and I stand by that. Whatever group takes their place should've contained the enemy Lucy fights and wins against. I hate the cheating plotline because it requires every single character in universe to be so insanely stupid for it to work at all. It makes the guards seem incompetent at their jobs and brings into question why Lacrimas even exist in the first place if not to keep an eye on mages in the stands and stop foul play. Not to mention there should be a barrior protecting the audience anyway because of how dangerous magic is. Anti-magic exists, you're telling me no anti-magic shields could've been used?

I still would've wanted Lucy fighting Flare, but in a fight that doesn't take place in the arena. Flare comes to either take out or kidnap Lucy under orders from Ivan, and we get a parallel to Phantomlord where this time Lucy holds her own and comes out on top, or at least manages to escape largely unscathed.

I want Lucy to actually be on top of the world before the Naval battle. I want to see her feeling good about herself and actually winning before Minerva gets thrown in because not only will it make Minerva more effective as an antagonist, it'll be actually horrific to watch what happens. Now first note is I would never draw or show the Naval battle with Lucy in a fanservice way because that takes away from the emotion the audience should get from the scene.

For Minerva, the elements are interesting in canon but the execution is BS. I want Minerva to be incredibly good at sticking just enough within the rules to never get Sabertooth penalized while skirting the edges in a way that infuriates her opponents. Instead of wailing into Lucy, she simply keeps her from leaving the bubble until she passes out. The rule as given by the announcers is that all enemies must either say they forfeit or be knocked unconscious, as long as Minerva doesn't kill her they won't intervene. Aquarius would actually care about Lucy in this version and only be forced back into the spirit world when Lucy's lack of oxygen makes her magic far too unstable to maintain a gate. Minerva doesn't kill her enemies. She knows it's a game so why would she kill anyone. But the horror of the scene is what I'd lean into. I think this set up for Minerva would also make her eventual reappearance in Tartaros a bit more terrifying because if she was willing to essentially torture in opponent before becoming a Demon how much worse will she be afterwards.

I think setting up Minerva in this way with her first battle in the games being something that sticks with both the rival guilds and the audience in such a harrowing way is a good idea. It makes her stand out and really sets the tone for her future involvement in the story.