#but I really plan on writing again

[werewolfsmile]

Yeehaw, have another product my hyperfixation!!

[watch it on youtube]

This was so much fun to make despite being a bit tedious at times. I hope you all get some enjoyment out of it like I did!

[14dayswithyou]

Hi, Howdy! Hey! I really love your novel!! I got a little confused by the 4 day, may maybe you help me please? who is it? why we got the bad end staying the night in Ren’s apartment and he disappear of the home screen? I can’t understand “unset memory” game, sorry if I wrote smth wrong or smth sounds rude, I swear that I didn’t mean it if happened, I’m really a fan of the novel, I’ve been playing the game since day 1 or 2 I guess, probably day 1, english isn’t my first language, but I tried lol

⌞♥�� I hope you don't mind me answering these as bullet points!! ^^

"It" will be revealed later in the game! So I won't reveal too much right now.

You can only get the Dead End in Day 4 by staying at Ren's apartment — the rest of your choices before that don't matter. I'd also pay closer attention to the black smoke and Ren's reaction towards it!

Ren disappears from the home screen because he promised to help the player out (and stop them from getting the Dead End again). Try replaying the game again from the beginning for a surprise!

"Unsent Memories" was another visual novel (initially being written by @10chimes / @unsentmemory, though the project has since been dropped and handed back to me /pos) and is set in the same universe as 14 Days With You. Its storyline and characters are completely separate from 14DWY, so you don't have to worry about them while playing 14DWY.

[httpiastri]

lando norris x reader, 18+

"i'm bored."

lando's head shoots up from below you. your head is tilted to the side, gazing out the window as if you can't be bothered to care about the man between your legs; as if anything, even the gray skies outside, is more interesting than this.

but you're just pretending, of course.

there's no doubt in the way that your body always trembles under his touch, or the way that your cheeks grow hot when he just looks at you. he may be slow and careful, taking his time with his touches instead of rushing into things, but he's never been boring to you before, and he sure isn't now.

"what?" lando asks, frowning. he's a bit confused – after all, you were the one who called him up half an hour ago, begging him to come over – but he's not completely sure he believes you. he knows the effect he has on you. "you're talking nonsense."

you shake your head slightly. "no, this is boring..." you mutter, letting out an exaggerated sigh. his kisses still linger where he left them on the inside of your thighs just moments ago, and you already regret making him halt his actions.

"god, you're so bratty."

your eyes dart back at him. there's a teasing grin on his lips, and his fingers on your thighs suddenly make themselves known again. one thumb draws circles into your skin, as the other hand moves up to swipe just along the edge of your slit. "i- i'm not." the instability of your voice is clear to lando, and it's easy for him to take notice of how your legs have tensed up in just a moment. "i just... want you to..."

your eyes flutter closed when one of his fingers makes contact with your clit. "hm? what do you want me to do to you?" he increases the pressure, casually circling your bud as your hips buck up slightly. "for you to feel less bored?"

"you- you've said that-" a whine escapes from your mouth, not able to form your sentences when he's teasing you like this. he notices and slows down his movements to let you speak. "you said that you like to make my eyes roll," your eyes find his the moment you open your eyelids. "do it."

he cocks an eyebrow at you. "alright, then." his lips trace down from your stomach to right above your core, kisses still feathery yet carrying more purpose than before. "your wish is my command."

[actual-changeling]

i crave the emotional catharsis that would come with crowley taking care of his plans, in so much pain but swallowing it down and pretending it's not real, finally having the mental breakdown he deserves.

he's taking care of his plants, a detached look on his face, misting them and making sure they're all healthy and have enough space to grow. after he returned, he stopped talking to them for the most part. they welcomed him back, they had missed him—shax is not the nicest or most interesting company to keep—and now they're worried.

crowley sleeps, paces, mists his plants, gets drunk, and sleeps some more. everything to stop feeling. until he sees a leaf spot on one of them. a tiny imperfection, barely worth a shout, and yet.

a tremor works it way through him, his knees always giving out, and he presses one palm against the wall to keep himself upright. wave after wave of shame, bright and stabbing in the middle of his chest, reminds him why he left.

not good enough.

crowley had tried, someone knows he tried. it's hard to regain a soul, harder yet to shape it into something worth loving, someone worth living for, but he had tried.

his fingers curl around the pot and before he can stop himself he flings it across the room, listening to it shatter. can't even do that right, can he? can't raise fucking plans, can't keep his STUPID mouth shut, can't make him stay because who would want to be stuck with him forever? no one, that's who, and after six thousand years, aziraphale had seemingly reached his blessed limit and taken the first chance to leave.

another plant follows with a scream, dirt and broken stems covering the floor and staining the walls, and then another and another and another until he can fall to his knees amidst the ruins of his life.

clay shards are cutting his palms open as he doubles over, sobs wrecking through him like thunder, and his tears carve clean paths down his dirty hands.

"i tried," he whispers, voice hoarse from yelling, "i'm sorry, i tried."

crowley's wings unfurl with an almost silent gust of air, blacking out the sunlight streaming in. he drags himself to the nearest corner before wrapping his arms and wings around himself, and curling up as tightly as possible.

"i tried," he keeps breathing into feathers and fabric, "i tried, i tried, i tried."

over and over until his voice fails him and then some more. it is almost a lullaby, the words taking whatever is left of his heart and gently rocking it back and forth. crowley falls asleep like that, exhausted and broken and lonely. just as sleep pulls him under, he stops his repetition, his mouth shaping phrase after phrase.

for the very first time since his fall, crowley closes his eyes and prays.

[thebaldursmouthgazette]

Something people also need to remember in terms of concept art is like

Okay so that HoF ghoul concept art that everyone was mad wasn’t included in the game?

That was part of the same group as the one that was the first concept art exploring the idea of bringing back griffons. That plotline started in last flight. With that in mind, it’s obvious that the HoF ghoul idea (which was literally just the artists idea, nobody else wanted to do that with the HoF) evolved into Isseya, down to the face bandages

Last flight came out September 2014. Two months before inquisition did. These concept arts were made before they decided to write it.

I think people think that all of these concepts were solid ideas that were going to be included in veilguard before being abandoned for no reason, but they’re actually random ideas someone had, possibly that were never even seriously considered for inclusion and possibly that nobody actually liked, and some of them were ruled out from being part of da4 before inquisition even came out

It’s also worth keeping in mind that experienced concept artists can make these pieces in a couple hours. The entire point is that they’re low stakes, low investment visualisations of something and it doesn’t matter if they don’t go anywhere except the art book because they didn’t take much resources to make. And they’re shared later because they’re neat and the artists are proud of them, not to tease you with “cut content”

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[bowlofmie]

Was thinking thoughts about how I understand characters who lose their minds and then attempt to bring back their dead loved ones (i am being extremely normal in my grieving process, leave me alone) so i decided to rewatch the Astro boy movie and bawled my eyes out.

I remember this movie being good from when i was a kid but wow i didn’t remember it being this good.

The cinematography blew me away and i took tons of screenshots that I would like to make studies of later. The writing is so well done. A really solid mix of good social commentary and humor. It feels like they didnt pull their punches with certain lines and were looking at the audience like ‘yeah you heard us.’ The pacing is perfect; every section is exactly as long as it needs to be and nothing feels brushed past. The characters are all fleshed out, even the background characters, and you can really understand their motivations and emotions. This movie does an amazing job with animating micro expressions which is always one of my favorite things to see in a movie. The designs are perfect from the backgrounds to the characters. The voice acting represents every character well, even Dr. Tenma who i initially thought was too unemotive, but that suits him as a neglectful father who has a wake-up call.

The happy ending and catharsis is exactly what i needed right now and the small cliffhanger lets you imagine what happens next and keeps the universe alive in your mind. I love the communist robots, the commentary on slavery, consciousness, morality, violence, state control, death, kindness, belonging, class difference, how politicians keep power, and our treatment of the environment through our mindset of wastefulness and disposability.

Anyways, this is definitely going up there as one of my favorite movies, and I’m always glad to see that my child self had taste! I’m tempted to just restart the movie even though it just ended haha

[zgvlt]

hi 😁

[le-chevalier-au-lion]

nearly, nearly, nearly: dovquez [t]

@dovquezdecember + near

“Dovi!” Marc says clumsily, flashes him a grin—sun-bright, shameless.

Andrea is thinking. He was nearly a champion this season. Nearly, nearly, nearly. But it wasn’t so close at the end, -37 points, and the entire ocean between Marc making a miraculous save and him screaming on the gravel trap.

His fingers spasm around his empty glass, just once. Andrea is acutely aware of the camera glares, of way, way, way too many people around. Too soon to get another one, and the one after that. The frizz of alcohol is heavy in his stomach, leaden.

Marc makes a noise—impossible to make sense of. Andrea blinks, remembers he should answer him any time now. His tongue is stuck on the roof of his mouth, but it isn’t Marc’s fault that everything had to go right today and nothing did.

He drops whatever he was planning on saying. Marc brandishes his own champagne flute, takes Andrea’s empty one for himself. It’s full—lukewarm prosecco, sure, but it’s full.

Andrea—against his own will, let it be said—laughs.

Marc’s eyes go round, shiny. His hand comes down to cling to the sleeve of his suit, where it falls half an inch too long. And he sways towards him, chest brushing against the side of his arm. Andrea cups the small of his back, raises his eyebrows.

“The drinks aren’t good enough for you to be drunk already.” He prods—harmlessly, his voice pitched low.

He could be drunk on everything else, though. His podium, his sixth championship in—God—eight years, Honda delirious over their golden boy.

Marc bats his lashes coyly, pretends to think. “It was a good dinner, don’t be mean.”

It was, is the thing. He stopped counting after the fourth course, the tenth FIM/Dorna exec with a polished smile that congratulated him on a clean, sportsmanlike dispute—probably having the time of their times that it didn’t end in death threats and a sports court.

Andrea snorts. “Drinks are still shit.”

For all that Marc says don’t be mean, the corners of his lips are trying to quirk up again. Just as cruel.

And when he catches Andrea looking, Marc ducks his head away. Tries to hide it.

He’s so—he’s a sharp, shameless little thing. Hurts to cradle him close, cuts his palms to gory ribbons. Andrea clings, anyway. The party has dulled to a trickle of I wish it was me that barely registers. He fancies he can spot the place where Marc kissed the tower on his mouth, his teeth—like Raphael’s blessing.

His stomach rolls with champagne, too little food he wasn’t feeling up for. Sizzles.

“It was a good season, too.” Marc speaks abruptly but quietly. The cut of his jaw turned bullish, stubborn.

He can feel the tension pressed on his side. It’s not even like gearing up for a risky overtake—Marc throws himself into those with wild joy, again and again and again. This is measured, strained. Marc’s spine grows rigid where he’s touching.

Andrea hums. “Are you going to say you’re sorry?”

Marc’s expression slackens, softens with confusion. “What?”

“You look like you might.”

“For winning?” Andrea nods, stares at him expectantly—wills his face to stay flat and unamused and is only mostly sure he succeeds. Marc purses his mouth, lets him catch a hint of teeth and the downturned curve of his lips. “No way.”

And listen—

Andrea shakes his head. He feels that gold-tinted lightness filling the insides of his chest. Maybe he’s drunk, four glasses catching up like outbreaking himself into a highside, but it’s easier now than it was a couple minutes ago, when the champagne tasted stolen, tasted like trackside dust and a mocking round of applause in his garage.

“You are horrible.”

He watches it happen in real time, how Marc pulls a face, how his eyes flutter to look at him and then away.

People call him brutish, impulsive—it’s not true. Just because he was born without a sense of self-preservation doesn’t mean he doesn’t think. Marc is a shrewd thing. Calculating. He wonders what he was trying to find with that look.

But he’s probably a little drunk himself too, or Andrea wouldn’t have caught that minute flinch in his expression. Marc is too opaque for acting mistakes these days.

It is the thing about Marc. Andrea doesn’t know if he’s bracing for a slap or it never coming despite how much he wants it to.

“I don’t think you mean that,” he says—petulantly, imperiously.

Very, very deliberately.

Andrea smiles, squeezes his back. “I do, I do!”

“No, you don’t.”

He does. But Marc is horrible like a tricky corner, or a bull charging in a bullfight. Predictable only in how it scares you shitless no matter how many times you try it. Horrible in that clammy fear you’re going to be swept along. Fucking fantastic when you conquer it—if you do.

It’s there anyway, of course, red-hot, that frustration—the shame in the gravel, in the garage. But Andrea tries to get angry only about things he can control.

Marc winning isn’t personal, is it.

He takes a breath, lets that awkward silence wash over him, over them, releasing that aimless frustration knot by knot. Marc fidgets against him, rehearsing taking a small step to the side, away from him. Andrea considers for a moment, half of one—doesn’t let go of his grip on him, on the fabric of the back of Marc’s suit.

There are cameras, still. Too many people. It’s none of their business—

This is, Andrea reasons, nothing worth hiding.

“It was a good season,” he says, gently—either an agreement or a concession.

Marc relaxes a fraction, does his best to tuck himself against him no matter that he’s a couple of centimeters taller. Finally, finally, he looks at Andrea straight on, with his usual hungry shamelessness, eyes huge and liquid on his face.

“You looked like you were having fun.”

“Here and there,” Andrea shrugs, isn’t even a bit surprised when he feels Marc’s fingers slip under his shirt to hold the jut of his wrist. “I had this pest bothering me.”

He is surprised at how hot those tiny points of pressure feel. His pulse drums against the thin skin of his wrist.

Marc bristles, indignant. “You ambushed me this whole year!”

Here and there, when he could, when he managed to make it work. In Austria, Japan. Andrea made himself steady as a metronome, harmless until he wasn’t—he wasn’t going to outcrazy Marc anyway, might as well try something unorthodox.

“You weren’t very angry about that from what I remember,” Andrea replies mildly. Mock-dry.

Marc nudges him with his shoulder, tries to scowl but melts into a loud, honking chuckle. It’s evidently, incredibly disarming. “Fuck off, I was! You always knew what I was going to try next. I thought you were going to drive me crazy.”

“Not even you can win them all.”

Marc grins—shiv-quick, self-satisfied. He looks like he’s winning this one, whatever this one is. “I can try.”

Andrea is thinking—it isn’t self-pity this time. Feels about just as dangerous. Marc’s touch is insistent, makes him fidgety all the way to the bone. He isn’t even the slightest bit innocent himself either—hand splayed on Marc’s back, the tip of his little finger reaching suspiciously lower than it was a moment ago.

He swallows. Marc tracks the jerky move of his throat, stares at him through his lashes. It is as shameless as it is—unfortunately—effective.

“Aren’t you going to ask if I enjoyed myself?” There’re nails biting into his forearm lightly. A smirk—broad, pink-lipped.

Cocky little bastard, isn’t he?

“You still are.”

Marc preens, forgets—for a slip of a second—to keep his cards close to his chest. Everything about him becomes bright enough to blind, to cast spots in his vision like he’s staring into the sun. He is horribly easy to like, to forgive.

Even through the stab of the annoyance, the tangle of thorns wrapped around his throat that Andrea has to name envy. Even when he wants to shake Marc by the shoulders—don’t you know? Don’t you see what you are? It never sticks. Marc is that dangerous in close proximity.

Looks eager to prove that he is, too. He shifts his head from one side to the other, gauges the crowd. There’s this focused frown on his forehead. Andrea knows him well enough to brace himself. Realizes—too late—that there’s no bracing for an inspired Marc.

“Do you want me to suck you off?” He pauses, bludgeons on when Andrea doesn’t immediately reply. “I want to.”

Christ.

Christ on the bloody cross.

He doesn’t know why he expected Marc to be subtle or careful, but still.

Andrea sputters out a cough, laughs. He can hear the strain in his voice—the complete fucking disbelief. “What? Here?”

It is a yes by any other name. Marc shrugs, chuckles—he’s an insolent thing, fingers straying playfully over his arm, looking so very sure of himself. Of getting what he wants, always.

Smug.

“Why not?” He asks, eyebrows wagging. It is ridiculous. So is the rush of fondness in his chest. The fishhook tug of Marc’s tongue flashing over his teeth.

Andrea isn’t—usually, he amends—so reckless.

“You’re insane.”

Marc stares at him, shark-eyed, unblinking. It slices through him cleanly like a hot knife, like Marc on a left-hander circuit. “You keep saying that.”

And yet goes unsaid.

He breathes in, a little funny, constricted. His fingers spasm on Marc’s back, cling to the smooth downiness of his pressed shirt. Want jolts through him like touching a live wire—he isn’t thinking. It’s the easiest thing in the world to move his hand, eyes on the party that feels like his burial.

Marc chokes on a noise when Andrea untucks his clothes to reach the skin of his back, when his thumb digs into one of his Venus dimples.

“Alright,” he mutters, soft.

The room melts to nothing around him, a kaleidoscopic blur of color and people he doesn’t care about. Marc’s head is bent, tucked close to his own—an inch closer, and they’ll be inside each other’s skin, breathing the same air. Andrea can only think about the pinkness of his mouth—how near it is.

[fearandhatred]

i was thinking about this line from my fic:

But the fall had hurt, too. Because the wind had cut into his useless wings like knives, his skin and grace peeling away under the friction, and he had been looking right up at the multicoloured and unreachable expanse of sky just to see it fade from his eyes into dull greys.

and i came up with this. i hope the vision came through

[buwheal]

Got anything fun on your to-do list? (Spamton buddy)

[manchesterau]

zee manchesterau’s 2024 fic round up

I just want to start off by saying a big thank you to everyone who has ever reblogged or liked my writing post on here, the people who take the time to read the things that I put out on ao3, and those who even leave a comment and a kudos. It means so much to me, you all have no idea! I'm shit at replying to people but just know I read every single thing that's ever been sent to me, thank you all so much!!!

This year was the year that I broke my 4 year writers block. I'm not kidding when I say I mentally could not write anything, and I almost gave up on writing completely which absolutely devastated me as I've been a writer all of my life. I thought that I didn't have anything else to say, and that no one would want to listen but I was so wrong. I found inspiration again through dan and phil, but it was the lovely comments of support by this fandom that pushed me to write more. I ended this year with 10 fics on ao3 and a few ficlets on here and I'm still shocked that I was able to have written so much. Thank you, and I hope to share so much more with you all next year.

Fics under the cut ↓

tumblr

Phil wakes up to a still bus and the sounds of Chicago traffic. (tour bus ficlet)

Saturdays are theirs. (Phil proposes with dips)

Prompt: could you do something with them just waking up and being all lovey dovey while sleepy? Just sweet morning kisses and cuddles and softness all around please?

Prompt: helloooo for the fic prompts thing… cat and bear halloween 2009? pls (no pressure)

ao3

thinking of new ways to do each other

The stream ends but their night isn't over just yet.

fall in love again and again

Two days into their holiday while lounging by the villa pool that they rented out for the week to ensure maximum privacy, Dan has a thought: I’m going to marry this boy.

a bit ridiculous

And it would all feel a bit ridiculous if Dan wasn’t so madly in love.

exhale

The first leg of the tour has just ended, Dan and Phil find a way to relax in their hotel room.

stop the world i wanna get off with you *series*

A domestic night in the life of Phil the vampire and Dan the witch.

here come the dreams of you and me

So he and Dan are a thing now. Phil doesn’t really know what thing they are but it’s something he knows he wants to hold onto and never let go.

change

Everything is carefully controlled and he wonders why it seems that coming to Australia loosens his self-restraint.

15 Years

Their lives, forever intertwined.

healing hat

It’s only then while he’s about to climb back in bed and text Dan that whatever he ordered just arrived that he notices his head has settled down and he can actually blink without it hurting.

push and pull

They’re nowhere near ready to be done, and Phil isn’t always patient when it comes to most things but when it comes to fucking Dan, he has all the time in the world.

[causenessus]

hi! i'll keep this short

i came to the realization everytime i've disappeared from tumblr to "take a break" i never really have because of other things going on in my life (which, duh, this isn't my whole life) but! i also realized that if i never actually take the time to recover and rest and think about things i should be writing i'll never feel better. so! i'm (once again)(but now more formally) going on hiatus until maybe may! i might pop in for spring break or earlier if i feel like it, but until then, not really any writing from me! with that being said, i'll still be around, doting on my moots (i.e. like, dorothea <3 wyr <3 and bug <3) because i love them so much and i will probably also post chapters of present ever so often! the reason being (i'm going to try to make this make sense but it may only make sense to me but i'm aware of how contradicting i am to me five seconds ago when i said i need to take a break from writing) present is a very personal fic for me that i've worked on for years at this point. what i'm posting now are chapters i wrote months ago after I've read over and edited them (or in the case of the upcoming chapter, i did randomly add it in and had to write it from the ground up last week lmao) but if it isn't obvious, present is a work i'm very passionate about and am just posting in case anyone else enjoys it but it feels like it's a work that is very individualized just for me and it doesn't cause me any stress or anxiety. on the topic of individualization, although i am of course so so thankful for all of the support and people that follow me, i do sort of miss when my blog and world were a lot smaller. it's something i feel like i only get when i get to reply to people in comments, but other than that, all the numbers and people on my feed give me a lot of anxiety. the hq (smau fandom especially) fandom or at least how much i'm (was) involved in it has grown exponentially and of course i'm happy about that but it's a bit too much for me. i'll be taking a huge step back from the fandom and any hq works i've written at least in the meantime, but that's not to say they'll never be finished! but i either need to grow to handle the bigger audience that now reads my works or wait for things to grow a little smaller again :) i hope to still be able to read my moots works but forgive me if it takes me a bit or i never get to them! i think at the least i'll still like them to show my support <3 thank you if you read my long ramble! i love you all <3

oh also i'll probably post self ship moodboards and the beginning of my reading list (thank you again dorothea for the idea <3)! but again, I think you get the idea by now; I want to go back to doing this for me! so this is a tiny little goodbye now i'm leaving for you all with forehead kisses and flowers and love notes and mwah <3 i'll see you around!

[mcytegg]

Roshambogames Teammate tierlist 👍

its basically just my incredibly biased personal opinion on who i think ro would work well w in a team. (mapicc gets his own tier bc he is mapicc.)

[hiswrlds]

Ok so I needed to write this out at some point & with how the rpc is growing I need to specify some things about my portrayal, I was hoping I wouldn't need to do this cuz I'm really bad at explaining themes & stuff but it'd help anyone new get a vibe of things instead of just hoping they'd get it from checking out my blog ( my bad for that ), so here goes vibes & how it affects interactions . tw : l o n g & subjective to updates !

My writing for Sonic adopts years as silent killers, it focuses on passage of time as I hc the events of the games to have spanned over 8-10 years, with Sonic being 24 in his main current verse here . My writing also takes Everything seriously . And I tend to rewrite half the canon events in my head in a way that suits me ( & you, ultimately ) . "Forces" specifically is very important to my portrayal, as Sonic survives his 6 months of hell w/ Eggman & Infinite, just not unaltered . And then there is the whole war . Though reserved, warm & compassionate as he could ever be, Sonic's grown from a careless punk of a teenager into a refined, mellow adventurer who's much more genuine & wise about life how he handles a lot of situations . There are parts of him that won't ever change, but that doesn't mean he just comes out continuously unaltered after every adventure he's been through . He carries stories, loneliness & a lot of bittersweet memories, and darker ones too, but it's his steadfast resolve to remain kind & composed that keeps things together .

If your muse is games canon, especially part of the main cast, then it means they've been by Sonic's side since long & witnessed just as much along the way, that's why I prefer plotting & creating dynamics on our own a lot more than sticking to whatever Sega is doing . Please don't walk into my blog expecting a blue insufferable nuisance & I mean that in a derogatory way . My writing for him does not tie to any canon material besides the ones written on my page, Sonic can & will always be a bastard but he's not childish or "annoying", he's aloof, chill & 90% of the time he's off doing fuck all in god's knows where by himself . Threads & memes that just repeat the same theme of Oh Sonic is stupid or Oh Sonic is annoying make me feel so discouraged & unmotivated to write, he's a very nuanced & interesting character to write, don't force the fandom's or sega's picture of him onto my portrayal, they've mostly forgotten how to write him by now .

Don't get me wrong, your muse is allowed to call Sonic names however they please as long as it's properly in character for them to have such a perspective, I'm not going to get mad about such things . I just don't want these characteristics to be the focus of the dynamics between our muses when there are many, many other good things we can explore .

tldr ; learn about Sonic from me and not from canon media, don't baby or nerf him ( emotionally, mentally ), plot with me, form something special, I'm holding your hand .

[tacogoats]

Unwell about the idea of Orin using Durge's face to keep the charade going of the Durge still being around, so Gortash doesn't get suspicious.

He does anyway because she didn't understand how real their relationship was - and she slips up. Often. He knew immediately when the Dark Urge became so, so very cold. Nothing like the warmth he has known for years now behind closed doors; because it isn't them.

She is good at fine details of the body; she gets every scar, every little blemish perfectly, but she can never truly imitate the person behind the Urge.

She couldn't have hoped to anyway, because she didn't know who they really were. Only Gortash could, because he is the first to ask.

It surprises her, and infuriates her, even! The mighty Dark Urge, debased into some lovesick puppy yearning after this little Lordling!

And the mistakes that follow are how Gortash learns the Dark Urge is gone.