#but I owe it to this character who has a whole blog about them to at minimum put out a bio of some sort

[aberrantundead]

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Connor is an Undying Warlock with a neutral good alignment. Connor’s pronouns are he/they. They are classified as undead, aberration, and humanoid. They are 470 years old. He stands at 7 feet tall, or 2.13 meters. His weight is around 80-110 lbs (this includes the tentacles). Connor is intersex, non-binary, and pansexual with demiromantic tendencies. They are polyamorous and love being loved and loving others.

Connor as a character is unorthodox to the fullest extent, as they are largely homebrew. He is in a level 1-20 campaign ran by @skeletone that has been ongoing since 2019, and is expected to be ongoing for years to come. This character for me has been an ultimate expression as a coping mechanism for my relationship with death, fear of outer space (with Connor practically being an alien), and an expression of queerness that I, as a queer person, enjoy exploring. In a way, this character is a self portrait of major parts of myself.

Connor’s personality snapshot: expressive, open, self revealing, loves/hates large parties, loud, social, outgoing, does not like social isolation, assertive, positive, always busy, likes to fit in but also likes to stand out, enjoys leadership, brutally honest, trusting, optimistic, desires attention, dominant, aggressive, attachment prone, wants to be understood, lonely, melancholic, self loathing

Currently, Connor and their friends have saved the city of Waterdeep. They have struck alliances with many individuals such as Renaer Neverember, Volothamp Geddarm, Jarlaxle Baenre and Laerel Silverhand, while dealing with The Xanathar, mindflayers (most notably Nihiloor), devils, the Cassalanters, and Manshoon. Recently, they have ventured out to the North to successfully kill Auril who relentlessly was wailing on parts of Toril with her unforgiving winter weather. Auril’s demise was accomplished with help of another god’s Chosen, who took Auril’s divine spark and corrupted it with their own god’s essence. With Auril’s inflicted weather now removed, Connor and their friends can travel the oceans she froze to get to a Golden Forge that belongs to a golden dragon underneath Waterdeep. The group promised the golden dragon they would help reclaim it from another dragon who overtook it.

As of late, the golden dragon the Five have struck a pact with, Aurelius, had become infected with a mindflayer tadpole and shed its face and skin to become a brainstealer dragon named Placidjurax, which the Five had to promptly put down. Laerel wants the Xanathar and Nihiloor eradicated, to which Connor and company eagerly agreed to. It is because of them through a long string of events prior that Aurelius got infected.

Overall, the big plot for The Five is that they’re on a mission to collect the idols of Toril’s gods to restore the deteriorating weave. The sky is falling, literally. This need to collect the idols will require them to venture around the planet, including the use of the Golden Forge to travel to multiple dimensions.

Connor’s in-depth information is below, and while I wish I could divulge all of Connor’s secrets, some of my teammates are on this site and are mutuals and in general are aware of the existence of this space, so I can only unveil right now what’s been given in game.

Current revealed facts about Connor in Legends of the Five:

• Connor once lived life as a human before. He was born as a human. Lived and loved as one. Connor’s previous name in life before taking up the name Connor was Alistair Reiter.

• Alistair Reiter had a wife, a child, and ran a church dedicated to Lathander. He was a priest.

• Present day Connor has a phobia of horses. This pertains to the fact that Alistair’s/Connor’s daughter in life was trampled to death by a horse.

• In hopes of trying to resurrect his dead daughter, Alistair dabbled into unknown forces of necromancy and made a pact with a mysterious entity in order to channel said necromancy.

• Learning this necromancy allowed him to attach another pair of limbs to himself amid his experimentation.

• Alistair’s hubris is what led to his death and downfall. Such is what happens when you play with forces of life and death and try to play God.

• For some years after his death and his body long since decayed, Alistair’s dead body was animated by a mysterious force and was sent on a killing spree against any wandering adventurers before the Spellplague deactivated him. His body was then put in a crypt, and wrapped in golden chains.

• Alistair was resurrected by a necromancer who found him in the crypts years later. Alistair then takes the name Connor out of a desire to not affiliate with his wretched past. Symbolism of a clean slate and starting over. The necromancer that resurrected him ended up being a short lived lover and partner until they both split amid an argument. Only recently has Connor been able to get over their ex. His ex is Innis Pyrescribe, who belongs to my DM skeletone.

• Connor finds out that he cannot die, and any time he is destroyed, he often reforms hours later. Whatever force keeps him animated, is clearly by a higher power—likely his warlock patron. Using dispel magic on him also temporarily deactivates him.

• Connor is part of a hivemind that has origins from the Far Realm.

• Connor has a sibling (or technically another him, if they’re a hivemind) named Exodus, who breached the material plane during a summoning ritual for a Far Realm entity named Auc’thil’une—with Exodus as the emissary of Auc’thil’une. He changed from an incomprehensible entity into a human with tentacles in his eye sockets that he hides behind shades.

• Similarly, Connor is actually the mass of tentacles inside of the skeleton that was once his when he had flesh.

•Connor was born in the body of a human and lived as one—Exodus did not. Exodus finds himself disgruntled and disgusted at Connor’s empathy and love for this world, and at Connor’s developed humanity. Connor is an anomaly among aberrations for this reason. In no way should an aberration have humanity. • Connor’s golden chains apparently keep him sentient, and when they are removed, Connor loses all sense of self and begins to indiscriminately attack anything living, plagued by a feeling of hunger. These chains seem to belong a small organization of necromancers called The Order of the Golden Chain. They were often used by necromancers on their undead. Connor is considered a rogue undead with no master/necromancer controlling him. • Connor finds out that they have a suppressed appetite—and it’s a desire for living flesh. Dead flesh does not satisfy whatever dark primal hunger sits inside Connor. This rightfully horrifies Connor.

[boltonbritreads]

🗣️Eddie Munson Fic Recs

This is gonna have a sappy start before I get into the fic rec portion: but I just wanted to say that at the end of May 2022, I was finishing up my first year of law school. It was rough, challenging, lonely, and basically everything you’d expect and I was in a bad place and the fandom I’d been in was slowing down just naturally. I truly wish I could remember how I even became aware of Eddie Munson because stranger things wasn’t really on my radar anymore and whoever I followed at the time that started to veer off into Eddie-mania, thank you. In the two years since then, I’ve graduated and become the worlds babiest lawyer and I genuinely owe a lot to this fandom and community on here for giving me a fun, usually safe, creative place to escape to when it got rough.

I’m just hoping to maybe remind people that there are already an incredible, incredible amount of existing stories to read and talk about that deserve your attention and love if you’re looking to read some Eddie stories. Some of these will be fics I’ve recommended before but I’m going to try my best to pull together writers and fics that I love and think everyone should read in the hopes that someone like me who still scrolls through eddie tags looking for my nightly bedtime story can find something new to them to read! ✨

Previous Fic Rec list here!! some overlap but there’s no such thing as too much hype for these writers

@munson-blurbs I hope it’s ok but I’m linking Bug’s full masterlist here because I have genuinely loved everything she has written. There are blurbs, series, and special events which are all incredible and worth a read! Bug is currently still writing the “Living after Midnight” series which is my current obsession and features rockstar!eddie x motelheiress!reader and it’s angst and lust galore

@corroded-hellfire also sharing the Eddie Masterlist here because there’s so many fics to read!! As You Wish, Big Brown Eyes, Where the Heart Is are all incredible but truly there’s so much here to enjoy

@upsidedownwithsteve SIMMER!! jk I’m actually linking the Eddie Masterlist here too because I love them all but “I Want You To Want Me” and “Simmer” are out of this world

@pinkrelish The Yes Policy I love it, you love it, we all love it and if you haven’t caught up yet oh my god I wish I was you and could read these chapters for the first time again

@ghost-proofbaby I’ve previously told people to go read 24 Hours, and you should, that’s an order; but Maroon is ongoing! and it’s actually infiltrating my every thought so go on over and get caught up bc I think it’s safe to say things are getting amped up

@trashmouth-richie I have also previously recommended Honey, I’m Home because it’s a work of art but Ziggy has a new mini series “Crash + Fall” that I’m completely obsessed with the concept for and I’ve loved every piece so far!

@tiannasfanfic I just reblogged Conviction again but I genuinely am not exaggerating when I say I think about this story and these two monthly and try and find this story all the time to re-read it endlessly. It’s a really lovely story of unplanned pregnancy and two characters not realizing they’ve been smitten for each other the whole time and I love it

@carolmunson I’m sharing another Eddie Masterlist here because I’d be making this post far too long but Carol’s stories are all incredible, complex, and honest. “Let’s go, don’t wait” just got updated and I had to read it like 3 times last night because it was too good to just read one and done

@rebelfell I just discovered Sarah’s blog after reading the most recent “Frenemy” fic and idk what I was doing wrong to not already follow her and not have already read her whole Masterlist but I’m linking the whole thing bc she’s so good!!

@the-au-thor I also only just discovered Elle’s blog and that’s criminal but thank god I found Babysitting Mun because I am a sucker for rockstar!eddie and this series has me on the edge of my seat rn

@storiesbyrhi I’m sharing the Masterlist folks because I have genuinely loved every single story and series and I have read them all now (some several times). So many of Rhi’s stories have a wonderful warm witchy vibe that I crave and I’ve read Siouxsie and the Soulmates, The Cabin in the Woods, Our Patron Saint of the Arts, Vintage Reeboks, and Burning Yarrow (insert screaming fan gif) multiple times now

@heart-eyed-love this fic is the epitome of a soft, cozy, domestic night with Eddie and if you need a hug read this 🥹

@eddieandbird I JUST got caught up on Eddie/Tour Manager series and I’m fully obsessed and desperate to know how they’re gonna navigate this - for folks new to the story, Eddie and his tour manager accidentally drunkenly get married- what could go wrong??

@eiightysixbaby the scream I scrumped when I finished reading Princess Leia, and Other Wishes - look bffs to lovers is already my absolute weakness on this earth but then you had to make it witty and funny and FLUFFY I just can do nothing but re-read and pine

@superblysubpar I’m still obsessed with this addition to The Boy is Mine writing challenge and oh god it’s so good 😩

…and while we’re talking about it - here’s the entire The Boy is Mine masterlist with an INSANE amount of incredible stories to read

@the-unforgivenn !!! tumblr hates me and deleted this bullet (so if you already saw this post, no you didn’t) but And I Need You to Know is a proper novel! I can’t imagine how much time, love, effort, planning, and work went into creating this insane and absolutely incredible world but everyone needs to read this!! and then follow up with She’s So Cold bc I love it and I am so reader

~~ this is not the end nor an exhaustive list! I just wanted to put something out there now that I plan to build on because I know I’m always scrolling and searching for new things to read or old things to revisit ♥️ ~~

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[thatlittlefangirl]

Lily is a shitty friend because she refused to be friends with a guy who was a fucken racist to everyone but her? Would you defend a white person who liked one black girl but called every other black person a racial slur? Snape was a shitty character. The only people who can sympathize with him are those that have the same hatred within their hearts and can justify his actions. He was a horrible friend that got his ex best friend and husband killed, and bullied children because he was piece of 💩

Erm actually 🤓☝

Lily is a shitty friend because she refused to be friends with a guy who was a fucken racist to everyone but her?

She actually was a shitty friend because she smiled at her best friend being exposed

But too late; Snape had directed his wand straight at James; there was a flash of light and a gash appeared on the side of James’s face, spattering his robes with blood. James whirled about; a second flash of light later, Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of graying underpants. Many people in the small crowd watching cheered. Sirius, James, and Wormtail roared with laughter. Lily, whose furious expression had twitched for an instant as though she was going to smile, said, “Let him down!”

Excused his bullies' behaviour

“I’m just trying to show you they’re not as wonderful as everyone seems to think they are.” The intensity of his gaze made her blush. “They don’t use Dark Magic, though.” She dropped her voice. “And you’re being really ungrateful. I heard what happened the other night. You went sneaking down that tunnel by the Whomping Willow, and James Potter saved you from whatever’s down there—”

And ended up with his bully in the end, don't tell me "She didn't owe him anything", anyone who had a friend who was bullied will tell you that they wouldn't date their ex-best friend's bully. She had the right to leave Severus, I am not against it, but she had a part in the breaking up but as always didn't take responsibility of it (she actually does it a lot somehow).

Would you defend a white person who liked one black girl but called every other black person a racial slur?

No, because that's not the case here. Here is a mixed-race boy, who has been put into a white neighbourhood, there the white people are pretty nice to him but will be mean to black people, they tell him to join them. He knows that his best friend is black but since other black people were mean to him (his father and his best friend's sister), he doesn't see anything wrong with it. Know the difference (not that I excuse racism but here is a different case than the one you're pointing out).

The only people who can sympathize with him are those that have the same hatred within their hearts and can justify his actions.

Liking a character doesn't mean you support what he does, I love Bellatrix and Lucius, but I do not support their pureblood supremacy views and think they have no redeeming qualities whatsoever, I like them because I like villains. No one justify his actions, they explain his reasons, is it justifying? No, because it's not right, but why liking a complex character if you don't understand his complexity?

He was a horrible friend that got his ex best friend and husband killed

Actually, their whole friendship was toxic, Lily wasn't an angel, Severus wasn't a demon, they both were human and had their flaws. Stop pointing to Severus and ignore Lily's faults. Do I really have to go back on the "Severus got Jily killed!!1!1!"?? Many other people explained this part already, go see their blogs instead.

and bullied children because he was piece of 💩

He actually bullied children because he wasn't totally right mentally, and he mostly is just blunt with kids because yeah Potions is extra dangerous and if you fuck one single thing up you could blow the whole ass school. Does it make his insults right? No. Does it make his temper more understandable? Yeah.

Thanks for that ask, it was my first snater ask, I'm so happy I'll frame it in my room <3

[waxingrunes]

I’m seeing too much of this across all channels and I need to write a little something on my humble blog with my humble amount of followers, because how else am I going to get this off my chest.

Some of you need to remember that this whole world we created is pure, fiction. It’s based off fiction and we are building off fiction, forking off in different directions with characters we love.

The canon vs fanon debate is ongoing and quite honestly, mind numbingly pointless and you all consistently contradict and overlap one another with whatever discourse you’re riding that week. You lot wanna argue a point by saying, “these are my hc’s and I can do what I like with them stop taking everything so seriously teeheehehehe” then uno reverse that the next minute by screaming, “that would never happen *insert name* is this or is that” but fuck canon right? Fuck JKR? Or is it more, fuck the parts of canon I don’t like and I’ll take the parts I do so I can shove them down the throats of creators who represent these characters in an opposing light. The amount of posts I’ve seen floating around these sites that are people preaching to their audiences about how dumb they are (unless it’s meant to be satire, I’m not a brainless sensitive lump with no humour bone) for liking certain things, or enjoying certain things, or preferring certain aspects in a character is astounding. Take pause before jumping on your high horse over a fictional character and shaming people for moulding them into what they enjoy. Is this not the beauty of fiction, imagination; the ability to twist and turn over different traits and appearances within our palms and make them into our own little dress up dolls?

Here’s my two cents as a WOLFSTAR artist, not a Marauders— if I want to make Sirius into a teacup and Remus into a sea slug and have him curl up to sleep every night in his bowl, then I’ll do that with fine china detail. If I want to make Sirius someone who refuses to wear nothing but a specific shade of tangerine and Velcro strapped trainers, I will. One day I might throw Moony into a boxing ring and have him be a middleweight champion, stained by the blood of his opponent whilst his wolf is chomping at the bit to come out just before the full moon threatens to take centre stage. If I want to make Sirius 6ft tall and Remus 5ft1, I will. Why not draw an AU of them as the rocks from Everything, Everywhere All At Once? Maybe, they can be something as simple as a boy and a boy who look the way you want them to look, fuck the way you want them to fuck and fall in love and fight, and scream, and cry, and make up a million different ways.

Let’s get more specific as the seal’s broken. Why not make Remus plus sized and give him a beard or a dad’s bod at age 23. Or maybe because he’s lighter haired he doesn’t have dark hair like that and only has a smattering of it across the ugliest of his scars. Consider this— moony with softer hips but fuller sturdy shoulders. Or long, slender limbs with a deceptively hidden strength owing to his wolf, stronger than James though he doesn’t look it. Onto Sirius, try to tell me I’m not going to put him in thigh highs and fem the shit out of him whilst he holds a bat in one hand covered in the blood of someone who tried to disrespect his Moons. Alert the press when someone erases every single one of his tattoos only to replace them with hyperpigmentation. What about giving him a beater’s build and a long thick trail of naval hair that he likes to call his ‘seeker’s delight’. What about a hairless Sirius who has a soft life and likes to make herself pretty for her 6ft 4 boyfriend every weekend when he gets on the train to visit.

How about, I stick with my personal holy take on the boys and present you with a harmless middle ground where Moony is whatever the fuck I want him to be physically, emotionally, or characteristically but always a wet fucking cloth for Sirius. A grape, under a thumb, you could say. And a Sirius, who is too whatever I want him to be physically, emotionally, or characteristically but will always be Moony’s biggest cheerleader.

Stay with me whilst I offer you the brain stretching, risky, taboo thought for you to ponder on: stop trying to please people. Stop absorbing all these takes that pressure you into thinking you’ve got to include every fucking thing that shaves you down and boxes you into their squeaky clean little creator! Indulge in what you like. Make it public, make it known and make it as loud as you want. Feels good on this side of freedom.

Lastly, quick (none of this has been quick) circle back to myself being a Wolfstar artist, not a Marauders one. I will not be shamed into drawing the women in this fandom, I will not try to even out my art with equal parts women and men, in fear of being called misogynistic. I came here for Wolfstar and I stay for them; I get 95% of my muse from them and enjoy drawing these idiots nearly every single day when I can. I’ve a busy life, a job, the luxury of a family that love me and a couple friends I’d like to keep too. If and when I draw, it’s going to be what I want to draw and want to indulge in, not to check off your boxes of inclusion. I am not going to defend my choice of indulgence to you. I am not going to refute women or wlw ships and in fact, eat up stories or art where they’re prominent. Will I have muse or will to do a piece on them? Probably not. If I do, I will and if it’s not done to a standard deemed appropriate enough by the council, well shit I hope I get an honourable mention in one of your hate threads on Twitter.

Grow up. I am the type of person who has a more or less rigid taste on these boys and what I, enjoy representing them like and you runts will run your throats hoarse before I turn an ear. I am not the type of person to see someone who doesn’t like what I prefer and start slamming my keyboard and slap them with a red card. I’ll move on but appreciate the take in silence. Some of you really, come across like you’re stomping your feet in a tantrum, some of you sound like you’ve never been told to shut the fuck up a day in your life and some of you, some of you, really think you’re a messiah.

Fuck your canons, fanons and righteous attitudes towards people who are quite literally, not real. You are not a deity of the Marauders, you are a fucking loser offline just like the rest of us.

[roopnavarro]

Spotting Misogyny in the Mad Max Fandom: A Handy Guide

What IS Misogyny

Pull up any Mad Max Facebook group, the comments section on the official Furiosa marketing posts, or the comments section on any Furiosa video on YouTube. You'll find whiners screeching things like "boohoo we can't even have Max in Mad Max BECAUSE OF WOKE." You'll see them blaming the movie's modest box office returns on the fact that the movie has an "ICKY GIRL PROTAGONIST WITH COOTIES." If you get really unlucky when seeing misogynistic content, you might even find some really gross dirty AI deepfake pics of ATJ or Charlize as Furiosa.

What is NOT Misogyny

An artist drew some characters that aren't Furiosa. AND/OR The fandom likes some male characters from Furiosa. If you feel the need to consider this misogyny, consider the following points: 1. Waffles vs. pancakes. If someone says "I love waffles!" it's absurd to read into that message and assume it carries the hidden meaning of "I hate pancakes!" If someone draws some male characters from "Furiosa: A Mad Max Saga," it's equally absurd to assume they're doing this as a malicious and misogynistic act against Furiosa. ALSO If you think "No Furiosa in this pic = misogyny," then do you think "No Big Jilly, Fang, or other POC character in fan art = racist"? I'm guessing no. Because that would be silly. And probably because you're just morally grandstanding and slinging bad-faith accusations as a way to justify your temper tantrum about not getting free content of your blorbo. ----- 2. Everyone making fan art for "Furiosa: A Mad Max Saga" is someone who saw the movie and was passionate about it, despite it being an under-marketed movie that didn't strike gold at the box office. Most of us didn't have any IRL friends that saw the movie. For those of us who followed the hype (or lack thereof) leading up to the film, there was a bunch of backlash from actual misogynists over the film just straight-up existing. (Like all those manbaby whiners on the gamergate grifter side of YouTube) . And it's not like the fandom is riding a cultural tidal wave — the people making fan art are genuinely expressing their love for the film and its universe. We're not farming internet points or drawing these "popular male characters" for some nefarious purpose. Some people just happen to attach to different characters. Does that bother you? Learn to blacklist tags. ----- 3. If you wanna go fight misogyny in the MM fandom, go over to Facebook and Reddit and get into an internet slapfight with one of the many middle-aged neckbeards screaming shit like "MAD MAX HAS GONE WOKE REEEEEEE." But nah, it's probably easier to send shitty anon asks to artists, isn't it? What do you think you're doing? Do you think you're owed an apology because someone made high-effort fan art, but without your blorbo? Do you think you're creating some kind of positive change in the world or the fandom by whinging anonymously in the ask box of an artist? ----- 4. There's plenty of content of Furiosa (the character.) Aside from there being, y'know, a whole damn movie dedicated to her, she was pretty much Tumblr's darling from 2015-2016, and remains a popular character for art and fic. Yay! That's great! Go feast on those! Every artist in this fandom is not obligated to feed you. We all have our fixations. And if you want that content so damn badly, make it yourself or pay someone to. ----- 5. Also, if you feel the need to go through someone's blog to see if they've reblogged enough Furiosa to pass your litmus test, you're being a weirdo. Stop it. Get some help. What are you, a cop? Do you think you can just pull random artists over and go through their reblogs to determine their "guilt" or "innocence," with regards to your accusations? It's as if you're a highway patrol officer checking out someone's history of traffic violations when determining whether to issue them a speeding ticket.

-----

So there you have it. TL;DR, it's some deeply terminally online clown behavior to attach moral weight to how many ATJ gifs and Furiosa drawings someone has on their blogs. Quit slinging bad-faith assumptions at fellow members of the fandom.

[raayllum]

I’m sorry how is arc 2 not about aaravos? Everything about the show leads back to aaravos. The whole lore of the show is centered around aaravos. And it is absolutely titled the mystery of aaravos because it does plan on dealing with the mystery of aaravos in every possible way, and that has infact been confirmed by the showrunners on multiple instances. Aaravos is just as, if not more of a main character than rayllum in the ways that count because everything going on revolves around him. 

And since he’s an EXTREMELY important character, how is it not justified for fans of him to want more screen time of him? 

I’m sorry but not everything about the show revolves around rayllum and you shouldn’t call people out just for wanting to see more of their favorite character.

God forbid something about aaravos is actually about aaravos and not rayllum for once 💀💀

Actually I can and do call people out for wanting to see more of their favourite character when it causes them to be entitled / unfair to the broader story they want to tell. If you haven't been doing those things, then that post wasn't about you, but given the way you put your best foot forward here, I might go out on a limb and guess this might be behaviour you display sometimes, and it may be worth reconsidering.

As a bit of background:

My favourite character in a TV show was once a side character who was in 1/4 seasons, and one episode in the final season, and then he never showed up again. which was Okay, because he was a Side Character and it would've been pretty silly for the show to bend over backwards to include him more. Granted, there were opportunities (him and another character were travelling together, then she showed up at a Plot Relevant location without him and it was never addressed) but the show wasn't bad or wrong for not including more. I wasn't owed more screen time just because he was my favourite character, and while any character can Technically be Levelled Up for more screen time and plot relevance, sometimes characters are just there to serve more minor specific purposes, and that's Okay. It's all about adjusting your own expectations and not being an asshole.

Furthermore, given that I posted my personal opinion on my personal blog and only used my personal tags for it, you had two options for finding this post:

It got sent to you, presumably meaning you had someone else to be salty with in a private manner that would've been far more appropriate

You follow(ed) me, in which case you are more than encouraged to unfollow or block me if I have a post/opinion you find annoying or uncouth. Please do so rather than doing whatever This Is in my inbox in the future, it'll likely save you not only time but also embarrassment

The fact you thought going into the inbox of a Virtual Stranger and getting upset about me not thinking your favourite character is the Most Important Character in TDP Ever — because he isn't — in one (1) post is truly baffling to me in terms of 1) curating your internet experience and 2) interacting appropriately with strangers directly online. I've seen a lot of shit opinions in my day, and I vent in private to my fandom friends about it 99.9% of the time, thank you very much, or post about it in my personal tags on my own blog rather than making it someone else's problem.

In the nature of analysis / debate, though, let me clear what I meant considering 4+ people got their trousers in a twist about the idea that Aaravos isn't a main character.

That said, a few quick disclaimers: Aaravos is a very interesting character to me, and I like him a lot. I've written a fair bit about him in regards to how he's a thematic opposite to Harrow, his view of children, what I think happened to his chest piece, speculation on his banishment, his parallels to Finnegrin, his mythic connections to aspects of the Fae + Egyptian and Greek mythology, his foil relationship to Rayla, his characterization and motifs/symbols. So it's not as though I don't enjoy him or don't think he's important to the story. He is, he's just not a main character nor the most important. Moving on:

Secondly: it seems maybe my meaning of macguffin is getting misconstrued. A story Macguffin is a plot device that drives the story forward. Sometimes it's a character (R2D2 in star wars has to be transported from one dangerous location to safety because he has blue print plans), sometimes it's an object (the one ring, fetch quests, etc). Either way, the story is centralized around 1) characters competing for ownership or safe guarding of said person/thing and 2) through that competition or competing needs, the characterization of the main cast is revealed.

In Arc 1, Zym is the plot Macguffin. He overall has very little personality even once hatched beyond being sweet, occasionally helpful, and scared. He is the titular character, and his existence matters, but mostly because he serves as a motivational point for the characters. Claudia, Soren, and Viren want to stop Zym from getting back to Xadia; Rayla, Callum, and Ezran, want to help him get back.

Zym himself does not drive episodes forward. He rarely makes decisions that impact the main group. His existence or fears cause them to make decisions (they go looking for help because they dropped his egg; Rayla and Callum have to go after Nyx because she stole him) but he is not likewise making decisions for the group. S4 definitely levelled Zym up into him making 1) more independent decisions and 2) having more of his own interior feelings, particularly about his father, but Callum is the one who decides to send him up into the trees; Ezran is the one calling the meeting for Zym to come to Katolis. A couple of exceptions (he has a mini arc about his mom for 2 eps, he has an arc in s2 with Ezran) do not suddenly make Zym a "I'm making decisions that heavily push the plot forward every episode" kind of character.

You'll also note, if you actually read said post you're referencing, that I specified "'the mystery of aaravos' (esp these past two seasons)" and that I never mentioned lore, either, even if I have likewise written about lore extensively (one of my more recent metas on it was about 4.8k words on lore alone, for example).

Aaravos' plot impact was a lot heavier in S2 and particularly S3 than it is in S4 or S5, as he influenced Viren's decisions more heavily and eventually came into more direct conflict with the core protagonists. This is likewise reflected in Aaravos in S2 and S3 being in multiple episodes (half the season in s2, and almost every episode at least a little in s3).

Meanwhile in Arc 2, Aaravos could effectively, unknown to his pawns drop dead after giving Claudia her final instructions pre-S4, and nothing would be affected plot wise, because Arc 2 thus far has mostly been characters fearing his impending release (the main cast) or dealing with the fallout of his actions from S3 (the Sunfire elf plot line). The only thing we'd lose on that level from a "Claudia believes Aaravos is alive and is trying to free him, but he's not actually" is Callum and Rayla's possession plot line, ironically enough given your apparent dislike of them, until the very very end of 5x09 in which he tries to goad Viren into killing SS.

I'm excited for and expecting that to change in S6 and S7, but that doesn't change what S4 and S5 currently are, either. Same thing for Amaya and Janai more so being main characters, Janai in particular, in S4 and S5, but they were not main characters in the first three seasons. That doesn't mean they're not good, meaningful, and important characters for the story, but I'd be a very poor meta writer / have very poor media literacy if I tried to claim that Janai is a main character in arc 1 over say, Callum.

For another example: everything in Avatar: The Last Airbender revolves around Team Avatar wanting to stop Ozai, but Ozai is not a main character in the show. He's there to be a minor character, an endgame big bad, and to affect his children / embody the conflict the characters are up against. The fact that TDP has so many antagonists that are also Main Characters throughout the whole show (Viren, Claudia) is actually pretty rare in media, particularly for children.

The Legend of Zelda games usually revolve around Link wanting to save or free Zelda, and while certain games flesh her out and make her more developed into a main character, the central character of the narrative is Link, because he's the character we follow the most.

Additionally, the Importance of a character in a narrative has no bearing on whether they're your favourite, or even necessarily whether they're a 'good' / 'well written' character. Rayla, for example, is my personal #1 favourite character in TDP. She is a main character; she is not The main character. That's not an insult to Rayla; she's there to be a foil, one hell of a narrative lancer, and our main elven character. But I can't (nor do I want to) magically change her role in the story to claim that it's something it isn't.

The central main character of TDP is Callum. It always has been, it always will be.

He is the character who shows up in every single episode, he's our central mage character in a show all about magic, he has the most developed relationships out of everyone, he is the POV character we follow the most. That doesn't mean he's your favourite, that doesn't mean he has to be your preference, you don't even have to like him. But he is The Main Character. The majority of the story revolves around him and the people in his life. No amount of liking another character more is going to change that, whether you're clamouring for Rayla, Aaravos, Sol Regem or anyone else.

While there are shows where I think the side lining of characters feels off (Gus and Willow in The Owl House come to mind) that's mostly because 1) that sort of side lining usually happens to characters of colour, as it did there and 2) there's no real reason for the story to sideline them considering everyone lives in close proximity and there's a s1 emphasis that the main character has never had friends before and that she desperately wants some. Therefore, she should be thrilled to have best friends for the first time, but we barely see them. See the disconnect?

Aaravos is a minor character and big bad who is well utilized in the overall minimal screentime he has, especially thus far in S4 and S5. That doesn't mean he's not important to the story, and that doesn't mean he can't or shouldn't be your favourite, but your assertion doesn't miraculously make him our main core protagonist of the entire show, because 1) he's not our central pov character and 2) that's about the only requirement a main protagonist has to have, and 3) that's just not how stories work.

I also have no clue why you brought up Rayllum as a ship, given that I didn't mention them in my OG post at all, but given that you seem to think "this character isn't a main character" is a moral or value statement, I'll assume you said it to ruffle my feathers — that doesn't really work, given that I agree with you that not everything in the show is about Callum or Rayla individually or as a relationship, because it Isn't. Even if I hated them as characters or as a dynamic, however, that wouldn't change the fact that they're two of the core 3 characters (alongside Ezran) and that their relationship has the most screentime out of anyone in the show.

And if the show decided to tone down their screen time to give other characters more time, I'd be okay with that — because I don't need my Personal Favourite to be the most important character in the source material / screen time ever in order to feel secure in liking them, thanks.

[deadbydangit]

I saw this somewhere before, but I was hoping I could request it here with different characters! If that was okay ofc, I feel like I've been sending in too many requests lolol

So killer gets pallet stunned by another survivor, but they get stuck under the pallet and can't push it off or anything. The survivor who put them then runs away, and so, S/o comes out of hiding and gets the killer out from under the pallet.

This with Ghostface, Joey, Spirit, Trickster, and Huntress possibly? But remove or add anyone you'd like ^^

No worries; requests keep this blog alive. I only have so many ideas. I hope this works. Please enjoy.

Helping them when they get stuck under a pallet.

Ghostface, Legion (Joey), Spirit, Trickster, Huntress

Ghostface

David swung that pallet down hard.

So hard that Danny got stuck.

You witness the whole thing, coming out when you saw David run out of signt

Make sure to take the opportunity to make fun of him a little.

He would do the exact same.

And he has.

He has a whole roll of photos of just you getting caught in weird accidents.

After you've given him enough grief, make sure to help him up.

Make extra sure his cloak fabric isn't caught in the wood.

If it rips he's going to be extra upset.

Kiss his mask, but don't pull it down. Especially in a trial.

Maybe let him get a hook in, his pride is wounded.

He's embarrassed, so don't tease him too much.

Legion (Joey)

He's been on Jane the whole game.

Something about her shit talking him or something.

Well, she was prepared.

She threw that pallet with all her strength.

Which is apparently a lot. Because Joey is now stuck.

You're going to need to help him.

He's the type of person to laugh too.

So don't be afraid to laugh with him.

Make sure he isn't too beat up.

He'll lift his mask and give you a quick kiss on the cheek before heading off.

Don't be afraid to give him a little grief later.

But don't expect the teasing to not extend to you if you do something like that too.

Spirit

That damned Yui had been taunting and flashlight clicking her the whole game.

And Rin was pissed.

She was even more pissed when Yui threw that pallet down and got her stuck.

Yui skipped off, smirking.

That made her even more upset.

What made it worse was that poor Rin is stuck under the pallet.

She's irritated, upset, and all around angry.

Don't laugh!

She's already feeling bad enough as it is.

Give her lots of love and brush any wood chips off of her.

You'll make everything a little bit better.

Trickster

Yun-Jin was pissed about something.

That pallet flew down with the power of ten men.

And you could hear the impact a mile away.

Once she was out of sight, Ji-Woon was nearly in tears.

It's actually really funny, but try not to laugh.

That would make him actually cry.

Pull up the pallet and help him up.

Brush the wood off his head and tell him is makeup is just fine.

Lots of kisses will be needed before he can even go on with the trial.

He'll probably come to you much later with an injury that never happened.

Sympathy points and all.

Just let him have the attention.

He'll pretty much die without it.

Huntress

Okay, ow.

But also impressive.

It's good to see Dwight getting a little stronger.

Anna was taken aback by the normally meek Dwight's strength.

But, the hunt isn't as fun if your prey is too weak.

She was stuck under the pallet. But this muscle lady was able to throw it off in seconds.

It did leave her confused, but she was able to shake it off.

She's just fine, but if you check on her after she'll be appreciative.

She'll even act more hurt if that gets you to kiss her head.

She's a bad actor, but just let her have that affection.

It just shows how much she loves you.

[petrichormore]

-LIVE-BLOGGED THOUGHTS ON TODAY’S STREAM-

FIRST OFF - one little thing that I want to say:

(This is about the characters, obviously.)

I am totally on Bad’s side about locking his base down and not letting anyone in. If he wants to do that, there’s nothing wrong with it. I get why Forever and Baghera might be upset but holy shit it’s his house. And also: Trust is always gifted, never owed. The fact that he’s letting them inside his base at all is a privilege that very few people on the server have and I don’t think they realize that.

Yes, maybe they trust him with everything but that’s their decision and Bad isn’t somehow required to reciprocate equally as they see fit. I’d even argue he is reciprocating equally - but his idea of “I trust you as much as I possibly can” is just different from theirs.

I saw a lot of people telling Bad in chat that Baghera had a point but like - trust is not really a transaction like that, or at least it shouldn’t be - trust is something you earn. Forever and Baghera have earned more of Bad’s trust than any other people on the server but that doesn’t mean they’re entitled to anything he doesn’t feel comfortable sharing with them if it doesn’t concern them. Especially if it’s his LITERAL ACTUAL TOP-SECRET PRIVATE HOUSE WHERE HE LIVES.

That’s not to say I don’t understand where Forever and Baghera are coming from - obviously it probably does come across like he doesn’t trust them but. Even if they’re right (they’re not), if he doesn’t trust them then trying to guilt-trip him into giving them complete access is not gonna. make him trust them more so. Y’know. Skill issue.

OKAY NOW THE LIVE THOUGHTS

- Lmao Bad is explaining his potential proxy representive democracy style government to Antoine and he really just said “if any candidate tries to assassinate anyone else I’ll just kill them” like he knows how stacked he is. People ask “What if someone assassinates Bad?” And my answer to that is: they can certainly try but they’ll probably fail miserably.

- Bad: “Everyone thinks they’re powerful until a mine is placed in the right location.” I am so glad he’s not evil because everyone else would be screwed if he was

- Bad: “I’m gonna be honest: I don’t want a government. I do not want a president. But if we have to choose a president, I want a president that will do as little as possible [without full community support].” My anarchist king. A man of the People.

- Bad has decided he wants to talk to Phil and try and convince him to run because he doesn’t trust anyone to be a ‘good president’ and thinks someone who doesn’t want the position at all would be the best choice. He also said if Phil won’t, he will run himself with an anti-government stance. If he doesn’t have a chance of winning, he will throw his support behind Forever or Baghera and help them win. I really want to see a Phil/Bad team-up though, or at least see them discuss it.

- Overall, Bad’s whole monologue about his stance on the election was super cool and he’s so Right and Correct. He didn’t explain it very well during the debate but god damn is he cooking

[kabira]

a much-needed update.

hiiii so i realize i've pretty much left everyone here hanging for the past year, almost? and mentioned reposting on ao3 about a billion times but haven't really followed up on it. i've toyed with multiple ideas, like reposting, rewriting, deleting this blog off the face of the earth to disappear forever (jk), etc but! i've done some soul-searching in the sweltering summer and finally come to a decision.

there isn't a lot keeping me in this community now, but writing - for fun - isn't something i want to stop doing, because it's really important to me even outside the context of a fandom. i've become pretty rusty lately, though, owing to the fact that my last stint with writing a full-length piece was over a year ago, and i haven't really had the time or brainpower to chase down those plot bunnies (though they remain persistent). however, there's nothing that makes me want to write more than going through my old fics and being horrified by my many mistakes <3 so <3 i will instead be slowly rewriting and reposting my old fics.

does this mean i'll delete the old versions? probably not, because i like to see my own growth. i'll leave them unlinked on the masterlist and floating around on my blog in case anyone wants to revisit them. can't say i'm going to fix every single fic, but i'll try to do most of them. might even combine a couple of them into a single continuity (looking at you, spider-vernon).

i know i'm the prime example of all talk and no anything else, but i swear i'm going to try my best this time. hell, i opened my original draft of bhobc last night and redid the whole last scene on a whim, so i'd say the process is already in swing. if i can't bring myself to commit to something completely new, i'm at least going to try and redo what i already have. until then, i have some new ideas brewing that i'll probably end up either posting on ao3 (here) or my genshin blog (here) because i don't think i can fully come back to writing for kpop anymore. there's a million reasons for this, but the one that stands out the most is the way this community has responded to the events of the past few months.

despite all the atrocities being committed in gaza, i haven't seen most people even deem to comment on the state of affairs or use their accounts to bring light to them (some have talked it about their mains and not their kpop sideblogs with a SIGNIFICANTLY larger following - i wonder why!). even if you say it's for the sake of keeping content apart, why does this divide exist to you, truly?

it's disgusting to see that even some of the people here i used to respect haven't mentioned it, instead choosing to talk about their favorite kpop boy or, i don't know, what sonic character they'd be. even if something happens within the fandom, the outrage seems to be only momentary, a couple untagged posts expressing disappointment here, a two-week break there, and then they're right back to writing egregious smut as if nothing ever happened. where's your anger? where's your fucking humanity?

anyway, tldr, i'll be rewriting a big chunk of my fics and reposting the older versions anyway. also, fuck you to everyone who's been silent about the ongoing genocide.

[goldenthreadstories]

Rules & Muse List!!!

{ HELLO! Welcome to my blog, I'm Seras or Klemmie. Nice to meet ya! Below is my muse list and my rules for mobile navigations! } [ most up to date update!! ]

RULES

1.) Hey everyone, my name is Seras but I do go by Klemmie! I am nonbinary & my pronouns are they/them or she/her, I prefer they/them though! I am of age at 29 years old and have been RPing since about 2010, over a whole decade! Due to my age there might be NSFW on this blog at times but it will always be under a read more and tagged. On this subject, most muses are of age or have a verse where they are, please be aware of this and all main verse ages for my muses are on their bios on the character page.

2.) I am working a job which I usually only have a couple days off in the week and most evenings free. However activity and replies may be slow or low due to the nature of this being a multi-muse blog and my energy levels on any day. I will do my best to pop in at least once or twice a week with the intentions of queuing up any replies that I owe and once in a blue moon do I reply quickly and without queuing. I am also going to be selective on who I RP with at times so this blog is semi-selective, but if I am following you I am interested in writing with you!

3.) I am good with a mix of jumping into things without a plot; such as memes, open starters, random things are good. But sometimes I prefer plotting, even if only a little bit, especially when it comes to a pre-established relationship that isn’t the canon between two characters; this includes children of muses. I am okay with writing with said muses but I would like to have a bit of plotting to this as my version of the muse or muses as parents in question is not the one canon to yours as such, I need to make sure I know whats going on or all your gonna get from my muse is either ’ I have no kids ’ or i dont believe you, so i tend to avoid that if no prior communication has happened before hand! I do also like screaming about plots that both parties might want to do and discuss between us to work out a possible thread idea?

4.) This blog is multi-fandom, verse and ship. Meaning all threads even if tagged as in the same verse for a muse are their own story and thread between our muses, this includes for relationships, unless its a story that has been discussed and plotted between all involved. We are also Crossover-friendly here! I love mashing up fandoms and seeing what happens!

5.) As stated in my first ruling, NSFW themes and topics may be present, if I feel that the topic, even if it’s gore and not sexual nsfw, is too heavy or unsafe to just have out on display I will always put it under a read more and tagged the triggers like; tw;______

6.) Continuing with the point above, I will not tolerate certain things like underage sexual content or abuse or any nsfw content with minors - this goes for muns & muses and hanging, if you are ever unsure of anything please ask me. This is also a if I ever forget or don’t tag something that is a trigger for you please just message me and I will tag them accordingly.

7.) Unless your muse has some supernatural abilities or in my muse’s canon knows things about them, please don’t use information that is like their weaknesses and things like that in our threads until my muse reveals them or it is revealed in a thread, I class this as meta rping/writing/gaming?? and it’s no fun???

8.) I’m okay with multiple writing styles, I don’t have the need for anyone to match my length in replies, I know I can get lengthy at times, but as long as it’s more than one sentence or is appropriate for the type of thread we are writing together, because sometimes even I just want to do shorter threads, though I do prefer more written and longer ones.

9.) I’m more into story driven threads, ones that develop my muses and yours hopefully, ones that develop a chemistry and relationship between them. These are the kinds of threads I prefer.

10.) I’m open to all plots and relationships, just come hit me up and let’s see what we can come up with!!!

11.) For shipping I am a shipper of chemistry, I am here for the development. But if you feel like our muses are beginning to develop something, please message me and we can talk. I am always up for shippy things and all relationships, I prefer them to be developed and chemistry based. I will not force anything onto anyone if they feel like something isn’t there.

12.) I’m no biggie on spelling, grammar is also not too much of an issue, but a clear grammar is preferred. As long as I can read and understand it for a reply we are good. If I am having trouble I will ask you to clarify.

13.) When sending in an ask, please specify a muse, one thing on my anxiety is when I get an ask without some specifying, sometimes I will throw someone randomly if I can but if not I get anxious about it, so unless you state one or that its for any muse I will not answer it, unless I know you & muse or muses well enough to know who it’s from or I have come and asked you to clear up who it was for.

14.) OOC =/= IC. I will not tone down my muses for anyone, but I don’t agree with their morals and choices all the time. OOC is not the same as IC.

15.) I have a habit of forgetting to reply to threads, if it’s been more than a week since I have replied, give me a poke. I may have forgotten or lost muse, this doesn’t mean we can start more threads and get back to it.

16.) Cool with anon asks & M!As. That’s all folks! Hope that we can write something together soon!

MUSE LIST

Sora Ryuu // the weaver of stories // fandomless oc // bio

Orion // demi-demon travelling trickster // fandomless oc // bio

Torin Nayru // triforce of wisdom // loz oc // bio

Emery Din // triforce of power // loz oc // bio

Leon Farore // triforce of courage // loz oc // bio

Elliot Snow || Hades // fashionly god of the underworld // headcannon based // bio 

Beetlejuice // ghost with the most // canon-divergent // bio

Dean Winchester // hunter and older brother // canon-divergent // bio 

Merlin // worlds most powerful warlock yet big dummy // canon-divergent // bio 

Link // dutiful knight and silent hero // canon & slightly divergent // bio

Zelda // princess of wise knowledge // canon & slightly divergent // bio 

Revali // prideful heart of the rito // canon-divergent // bio

Roxas // a heart of a nobody // canon-divergent // bio

Mark // grumpy end of the world survivor // resident enis markiplier // bio 

Edward Elric // shortfused alchemist // canon divergent // bio

Alphonse Elric // fullmetal heart // canon divergent // bio

Thirteenth Doctor // tinkering protector of earth // canon divergent // bio

Fizzarolli // lil clown imp guy // canon divergent // bio

[sweettoothvn]

I am obsessed with this blog and your characters but I'm curious how would the LI's feel/react to an mc that wants to spoil and pamper them?

Andre is typically the one who wants to pamper and spoil you so this is certainly something new for him! He doesn't mind but he is extremely flustered.

Casey feels a bit bad because he doesn't have the money to pay you back but with enough time and reassurance he will feel better about it. Poor guy feels like he owes everyone. Kieran is... a slight exception though.

Chrys thinks it's absolutely adorable that you want to spoil and pamper her, she accepts it entirely and warns you that she's going to do it back tenfold when you're least expecting it.

David will be very flustered and confused as first but try to play it off like 'of course you should be doing this in the first place, i'm so perfect after all'. Secretly he's trying not to cry though, he rarely gets gifts after all.

Eddie will seem grumpy about it at first but depending on what it is he will either complain but clearly still take it, or he'll allow himself to relax and be vulnerable around you for once.

Kieran gets gifts pretty often and has been spoiled his whole life so this is sort of a no brainer for him- he doesn't think much of it, thinking it's just a normal thing really. He will spoil and pamper you until you can't take it anymore though-

Noble is shocked that you'd do this- more so because he didn't think he was worth anything. He doesn't get gifts very often- or at all really. He's more so silent, muttering thank you's with a small smile on his face. For some odd reason the jewel on his choker looks more damaged too.

Zach is not used to being spoiled or pampered whatsoever, more so ignored if anything, so this is a surprise to him. He's very grateful for it... and absolutely will NOT shut up about it... maybe for a month. or longer... he's... really grateful

[bestworstcase]

I found your blog via your post about yang and strength, got really interested, and then I ended up reading through a loooooot of your rwby commentary, and now I’ve got a question for you, if you don’t mind: Is it okay to want Penny to come back? I’ve read a lot of your analysis of her story arc and character, specifically that giant post you wrote about her in november 2021. i um, have definitely been guilty of wanting her to come back a whole lot. I’ve definitely done some frantic and outlandish theorycrafting to cope, but also I really do see what you mean about how her atlas arc is meant to be a tragic ending, so I don’t know how to reconcile my appreciation for the show’s story with my desire of just… really wanting to see her again?

This isn’t me asking you about whether or not she might come back because I’ve made my peace with whatever happens, this is just me asking if like… am I entitled or ungrateful for missing her so much that it makes me cry when such a wonderful story is being told in the show as a whole?

of course it’s okay!!!

the fact that her death had such a profound and lasting emotional impact on you speaks to the strength of the storytelling and the care that the writers poured into her character. tragedy aspires to incite the feelings you’re describing for the purpose of emotional release; catharsis is the whole reason tragedy exists at all.

you’re not just allowed to cry—you’re meant to. you’re supposed to care deeply that she’s gone. it matters. the story grieves for her and it’s inviting you to grieve too. when ruby breaks down over losing penny, it’s okay to be right there with her emotionally.

wanting her to come back or hoping that she might is a natural aspect of that feeling. theorizing—even in a grasping at straws kind of way—is a natural way to process that feeling. so is writing or reading “fix-it” fic or other kinds of AUs where penny survives or returns or never endured that ordeal in the first place. inherent to catharsis is the idea that letting painful feelings out is not only good but necessary for emotional well-being.

(you are also under no obligation to like every creative decision a story makes and it is entirely okay to feel like penny dying in v8 lessened your enjoyment of the story overall, if that’s how you feel. by no means do you owe it to any story to like everything about it just because it’s written well.)

what is entitled is the attitude held by a specific subset of hardcore penny 3.0 theorists that penny’s death was something bad that the writers did to the audience that they now have an obligation to “fix” or “make right”—often accompanying a sentiment along the lines of “why even bring her back if they were just going to kill her off?” and dismissal of her entire presence in the atlas arc as “just fanservice,” sometimes with the implication that the writers took advantage of penny fans only to stab them in the back.

the entitlement comes from the failure or refusal to recognize that the writer’s room does not revolve around what penny fans would like to happen (or indeed fans of any other character) and a narrative turn that upsets you is not something that the writers have done to hurt you. it’s entitled to act like the writers owe it to you to bring a character back to life, which was the general tenor of a lot of high-profile penny 3.0 discourse back in 2021 although the attitude has mellowed since then.

(& just in case: if you, personally, were in the category of penny fans who felt outraged or hurt back then and wanted to demand that the writers make it up to you by reviving her, and you’ve since reflected on those feelings and moved on from them to—as you say—make peace with whatever the story has planned, That Is Also Okay, and you should not beat yourself up over it. this is not something you need to feel guilty about.)

as for how to reconcile appreciating the story for what it is and still feeling like crying when you think about penny… i mean this completely in earnest, even if you’ve never written anything before in your life, try writing a fanfic where she lives or finds her way back or her friends manage to save her. not just reading or looking at fanart—i do think that there is really something to be said for making your own fanworks. writing or drawing gives you a degree of control over what happens in your story or artwork that you can’t get anywhere else and that can be a very comforting outlet when mourning a character.

you’re okay.

[beigepillow]

What do you think about Kageyama? I see a lot of people turning him into a villain, and while he does annoy me a little sometimes, I can't hate him.

Many people like to write that Yashiro doesn’t owe Doumeki anything. Especially in the beginning, that Yashiro was not obligated to return Doumeki's feelings and that Yashiro has the right to reject Doumeki. But then they write that Kageyama is pure evil, since he rejected Yashiro and pushed him to further self-destruction... But based on their logic, no one owes anyone anything, so I don’t really understand the accusations towards Kageyama. Yes, you can criticize his behavior, but not the fact that he was not in love with Yashiro. Kageyama and Yashiro were teenagers back then. And a lot could have been different… I may think that Kageyami liked Yashiro, but not so much that he would try to touch Yashiro's dark side and his traumas. Kageyama is quite a complex character. He considers Yashiro to be his relative, but still believes in the far-fetched image in his head. I think he understands that behind Yashiro's mask lies a painful, terrible trauma. But Kageyama is too afraid to break through this mask and simply floats along the narrow path. As a friend, you can criticize him. He never made an effort to get to know the real Yashiro (or we were never shown that). I think he still loves him and knows about Yashiro's inner world, but does not want to plunge into this world.

I have wrote about Kage before but I am horrible at tagging and never thought my blog would interest people so I didn’t bother learning how to do it properly. I’ll try to be better about it now with tagging individual characters and topics but to get on topic, I never thought Kage was evil. I definitely noticed a hatred for him but since he hasn’t been in the story in a while and I don’t have particularly strong feelings for him, I didn’t necessarily feel the need to defend him. I don’t think Yoneda Kou wrote him with the intent of being a character with malicious intentions but I think he hits a sensitive spot for many readers as we’re way more likely to have a Kage than a Misumi. I agree with everything you said; I don’t feel it’s fair to hate Kage when he didn’t owe Yashiro anything. Also with the whole principle of not owing anyone anything, Doumeki doesn’t owe Yashiro a relationship and love either just as Yashiro doesn’t owe Doumeki anything. I don’t think either Yashiro nor Doumeki feel entitled to anything though. Yashiro definitely doesn’t hate Kage and valued him even though his love was unrequited and Doumeki doesn’t Yashiro for kicking him out of his life though he may resent him. Kage has an important purpose in Yashiro’s life in that he is Yashiro’s only true, equal friend and he does care for Yashiro deeply. He just ultimately couldn’t be what Yashiro needs and that is okay. Kage was only a teenager and probably felt he was doing what was best for Yashiro by stopping touching him. He is also not a mind reader who is supposed to know how Yashiro is feeling. Honestly, Yashiro could have run away if Kage tried to get Yashiro to open up as his trauma was still very much there when they were in high school and Kage is simply not the type to chase someone down which makes them incompatible. All in all, I do think Kage is definitely unfairly villainized and that no one owes anyone anything in saezuru but I will say that not owing anyone anything is not free of consequences either. Yashiro didn’t owe Kage a friendship and could have walked away but he chose not to and that should be respected.

[iced-blood]

Sugar, Spice, and Everything Ice.

I’ve been quiet this year.

This isn’t to say I haven’t been doing anything, as folks may have noticed. I’ve put up a whole mess of links to the work I’ve been doing in 2023—a grand total of 105 chapters—and that’s what I want to touch base on, at this tail-end of the year.

I found out early on in January that a dear friend of mine, my creative partner and the reason for my Paved with Good Intentions series, passed away in 2021. I’m not sure what it was, but that news hit me in a particular way. I realized that two of the projects in that aforementioned series, Blue Eyes, Violet Eyes and Lightbringer, were unfinished.

That didn’t sit right with me.

I set out to fix that.

There are many projects I’ve started that I never finished, and have been left languishing for . . . ten years? Yeah. Ten years.

That’s just ridiculous.

I decided that 2023 was going to cooperate with me whether it wanted to or not.

So, I bought a day-planner and set to work. Let’s go over the list, shall we?

Coronam Crepusculum

This was first on my list because it was a work that I owed a good friend of mine, who is no longer a regular user of Tumblr. It’s a take on the Soulsborne universe, built around a series of personal interviews with relevant characters conducted by an OC I created specifically for this purpose, Wandulfin of Vinheim.

(the latin title translates, hopefully, to “crown of twilight”)

                                51,377 words.

Paved with Good Intentions: Blue Eyes, Violet Eyes

The first of the two stories I knew I needed to finish in memory of my departed friend, I resolved to write the 19 chapters required to reach a clean finish line for this one-shot collection of 100 installments. It felt like the right way to go about things, and I think I worked out a lot of important elements of the Kaiba brothers through those 19 chapters.

                                165,386 words.

Paved with Good Intentions: Lightbringer

The second of the two stories written in my friend’s memory, this is still being published every Saturday. I wrote what amounted to the second half of this story, 55 chapters to be exact, for a grand total of 110 (of which 98 are published as of this post). I think it’s some of my best work to date, and I can only hope my partner would have appreciated what became of it. Have you ever wondered how Seto and Mokuba would react to meeting their parents again? If so, this is the story for you.

                                Published + Rough Draft: 159,930 words.

The City That Wouldn’t Die

The first full storyline of my personal take on World of Warcraft and my main character’s place in it, this story has undergone a lot of changes since I last touched it. This year, I resolved to end it at a part that made at least some amount of sense, but I won’t pretend that it’s entirely satisfactory. All I can say at this point is that I do intend to come back to Azeroth eventually. And this time, I hope to give my characters the story they deserve.

                                41,890 words.

Cult of the Dragon King

I’m pretty sure this is the one that’s been left alone the longest; if it isn’t, it’s close. The basic thrust of this story is that Atem failed in his quest to gather the Millennium Items and put them to rest properly, and so it falls to Seto Kaiba to try this time. I could go into detail why I picked Seto to be Atem’s successor, but I think y’all know what to expect here. I picked Seto because he’s my favorite. Anyway, this one isn’t ready to resume publishing, but it has been drafted. Anyone who’s been waiting for this one to continue will want to pay attention to this blog in 2024.

                                Published + Rough Draft: 175,246 words.

The Lost Dragon's Lullaby

Another AU centered around the Kaiba family (what can I say? I'm a creature of habit), this story wonders what it would have been like if Noa had lived. What if Seto and Mokuba had another brother when they were adopted? What if they had a mother? What would the Kaiba family look like if it were whole?

Approx. 62,609 words.

Watching the Lights Go Down

One of two stories I revived this year, and will resume publication in the new year. Do you Blueship? Do you wonder how Seto and Kisara might interact in the modern world, regardless of romantic intentions? This is the story for you. I took a set of 100 words to use as prompts to build this story, and through these 100 snapshots I think you’ll get a pretty clear picture of how I imagine Seto’s relationship with his favorite dragon would unfold if said dragon was a woman. And his bodyguard.

                                Approx. 52,789 words.

Letting the Cables Sleep

This is a sister story to the one I just outlined. Taking place concurrently with Lights, this story explores the relationship between Noa Kaiba and Ryo Bakura. Why these two? Why not? I don’t really have an answer, except to say that I found their dynamic interesting. Unlike its other half, Cables is explicitly romantic. So if you’re interested in Domino City’s resident white-haired cryptid hooking up with an android, well, here’s where you wanna go. I used the same list of 100 words, but in reverse order, to build this story.

                                Approx. 52,708 words.

Butterflies and Hurricanes

The other contender for “story Ice left to languish for the longest time,” I’m not sure I have to explain to anyone reading this why I might have stopped working on a Harry Potter story. Put basically, this story is an exploration into what would happen if a fae prince took an interest in taking down Lord Voldemort, and then settled on Sirius Black as his instrument. It’s a time travel story at its core, with all the nonsense you might expect from such a thing.

Regardless of anything this series’ author might have to say on the matter, my writing this story does not in any way endorse or condone transphobia or any of her other myriad bigotries. I have not given this woman money in 20 years. I do not support her in any way, shape, or form. This story’s completion is for my own satisfaction, and for the interest of anyone who might want to read it. That is all.

                Published + Rough Draft: 80,506 words.

The Whitest Lace of Light

A continuation of my pet take on the Bleach setting, focused again on Toshiro Hitsugaya and Rangiku Matsumoto and their Tenth Division. Throughout the 50 chapters of this story, they face off with a new threat to Soul Society as they try their hardest to rebuild after the Thousand-Year Blood War. Throughout this . . . suspense? Thriller? Thing. They come across new faces and old, and might just learn some things along the way. Or something. Look, I just wanted to write one of my favorite ships again.

                                Rough Draft: 30,033 words.

At Sixes and Sevens: A Prince for His Kingdom

The shortest work I completed this year, but certainly not the least important. This is a continuation of my pet take on the “Kaiba Bros Age Swap AU” as first shown to me by my dear friend @kintatsujo. How might Seto have handled an invitation to Duelist Kingdom if he’d been 9 years old when it took place? What about Mokuba, if he was 15? Shenanigans abound. I hope you like where I took this one, Kinta.

                                5,000 words.

Last but not least, I resolved to break my record for my longest NaNoWriMo project this year, because I’m ridiculous and don’t know when to quit.

Much like I approached World of Warcraft,I take every MMORPG I play as an excuse to build a story. Nowhere is this more obvious than Final Fantasy XIV. My take on Eorzea and its various magical idiosyncrasies—which I call The Song That God Forgot—set me on a road to 125,000 words this past November.

These projects, alongside various redrafts of my older stories in preparation for what I hope to be 2024’s migration from Fanfiction.Net to AO3, netted me a grand total of 902,580 words written in 2023.

I don’t say this to brag or to pat myself on the back (okay, maybe a bit), but to say . . . just hold on. Keep going. You’ll hit your stride eventually, even if it doesn’t seem like it. I’ve struggled to write regularly and with consistency for a decade now, and here I’ve got nearly a million words in a single year.

I believed in me this year, and I believe in you too.

Keep on truckin’. You’ll get there.

Happy New Year, y’all. I love you.

[smackins]

Not to be THAT guy, but I really need to bare my soul here.

I don't know if I want to do Artfight anymore.

While I'm extremely grateful for the attacks I did receive this year (I still owe 2 revenge pieces, don't worry, I'm working on them ❤️) it's become less fun and more of a reminder of how isolated I feel as an artist. I got a total of five attacks this year. I have friends who were attacked right out of the gate, on the very first day, by a barrage folks who were chomping at the bit to draw their ocs.

It's not Artfight's fault, and not really other people's fault, either. I'm not like, "How dare you not attack me!!111!!" It's just it amplifies so many insecurities I've had for years and makes it hard to ignore them.

I get an overwhelming feeling like there's something wrong with me as an artist, not even that I'm medicocre skill wise (though I feel that, too), but that I'm just fundamentally uninteresting and forgettable. My characters and my stories aren't worth asking about. They aren't worth anyone's enthusiasm or curiosity, they're not worth the encouragement. I can share a piece that I spent 6 hours on and just get "cute" as a response, while others could share a non-serious doodle of their ocs that took 5 minutes tops and get responses like "AHHH I LOVE THEM THEYRE SO AMAZING YOURE SO FUNNY."

And I know it's not good to compare yourself to others, but sometimes it's hard not to when everywhere I go, it feels so blatantly obvious how I'm barely worth anyone's time.

At first I thought it was the fact I draw non-human characters, because those are hard for people, so I made a little note on Artfight that I'll accept humanized versions. But plenty of people draw nonhuman characters, all the time, and recieve lots of encouragement and feedback from other people. Then I thought, "maybe it's my original comic characters that intimidate people" you know, my weird scorpion aliens. But that's not it either, because they're admittedly a lot less "alien" than they could be, and I know people with some absolutely WILD speculative-biology-type character designs who, again, get loads of enthusiasm and feedback. Plus, that doesn't explain why my fan ocs go ignored- plenty of people like Digimon, Mass Effect, and DBZ.

I feel like I'm just weird and tainted and cursed somehow, which I KNOW is absurd, but that's the best way I can describe this frustration. And yeah, I know if I posted more art and more about my characters, I MIGHT get a little more traction, but when I get so little encouragement from so few people, it's so hard to feel motivated to share. And it's not like I'm looking for huge, detailed responses or specifics about why people like my technique or whatever, because God knows I struggle to form specific words as to why EXACTLY I like something, but I just want to feel like people give a damn and ACTUALLY want to know more. Very few people ask questions or get curious. I have a lore blog for my original comic that has been up for 7 whole years, yet the only questions or comments I get are from the same 2 or 3 (very lovely and appreciated) people. Most of those posts have zero notes, a ton of them have been reblogged to my personal blog over, and over, and over again and still get ignored.

This isn't about popularity, or notes, or anything like that. I just want to feel like what I put into the world matters. Yes, I do get satisfaction from drawing for myself, but that can only go so far when I feel like I'm the little kid in the corner playing alone because the other kids don't notice me.