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#but I like to think of it as the beginning of something new for Izzy
oxalees · 11 months
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rebirth
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slashingdisneypasta · 6 months
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Hades x Reader || Drabble
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Plot: He's a villain; So you would- could never, ever fall in love with him.
'Sooner or later you're gonna want it. And the second- the second that happens, you know I'll sup in; have myself a real good day.' - Spike, Buffy the Vampire Slayer
... But he'll still wait patiently, for you.
Warnings: ¯\_(ツ)_/¯ Mischaracterisation?
Tagging: @asperol-with-izzy , @disney-android-foundation , @lady-love88 , @marinerainbow , @miss_understood , and @yesthetrashbin .
The instant that you see the villain in your house, waiting for you again lounging on your bed, smoke spread all over the floor; you groan. "Ughhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh- "
Hades only shows a flicker or irritation by your obnoxiously drawn-out moan, before its snuffed out with a roll of his shoulders and he gets up from your bed. Now his head grazes the ceiling but he comes here so often, asking you on walks with him and bringing you dinner you couldn't have scrounged for yourself with a weeks pay despite how many time's you've told him no, never, so you're past the fear of him setting the house on fire. His yellow eyes glow in the dim room and, like always, it causes a little warmth to spready in the pit of your belly- you ignore it. "Yeah, yeah, yeah. I'll be gone in a sec, okay babe? I got places to be today, anyway. Just gimmie a minute, here."
"Why should I?"
"Uh- " This time real frustration passes over his face; settling for a few moments as he speaks. "Well you don't have that much of a choice, doya babe? So just shut up and listen, eh?"
Not-at-all scared, you just roll your eyes, setting your basket down on the side table and crossing your arms impatiently over your chest. "Fine. What do you want? I don't see any exotic fruits... another walk?"
Here, a smirk slips over his mouth; The flames atop his head give a happy crackle, and he gently shakes his head. "Not this time. Unless, I mean- you want to?? I can reschedule my meeting with the Fates, if you- " When he reads your expression, a familiar and cold 'hell no' written all over it, he sighs. Disappointed, but... not surprised at all, anymore. "Right. Right- uh, look babe. I just came here to let ya know, I... "
Hades? Lost for words?? That almost concerns you. Almost makes you lower your freezing cold exterior, and ask- ... but no. No. Instead, you tighten your arms over your chest and increase the impatient, expectant look in your eyes. Like, hurry up.
"... Okay. Look. I like you, (Full name). I might even go so far as to say I'm fallin' for ya- and thats new to me. I'm lost in some really unfamiliar waters, here," He chuckles, nervously, looking truly out of his depth for a moment. "Thats never happened to me before, this is new, and I- I- I'm tryin' to do it right. Sweep you off your feet; all that romantic jazz. Which I honestly think is kinda psychotic-... But uh... " His eyes lift from somewhere on the ground to your left, up to your eyes and he gives you another half-smirk. "I think we both know its not my thing."
... breaking your silence for a moment, you give a little tiny nod; not sure where this is going. "We do." You say quietly.
"Yea. Well, between you and me- its not workin' as well as you'd think, is it?"
"... no."
"Right, so," He rolls those broad shoulders again, giving his neck an uncomfortable stretch. "I'm uh- I'm gonna stop trying."
That gives you pause. " -What??"
"-not that I'm done here, exactly, no no no. I don't give up so easy, sweetheart. I'm gonna be here, or well- around. Waiting. And some day if... And someday when, you decide ya want me, then I'll come for ya. Just call."
Eyebrows furrowing, you suddenly remember something Hades said earlier. You'd almost forgotten it, because it seemed unimportant before, but now seems significant. "... Why are you going to meet with the fates?" Does he... know something? Is going to ask something?? What-
He just grins, infuriatingly. And his body begins to disappear into smoke, and your eyes widen- because- wait! "Remember what I just told you, babe. Keep it in mind, mull it over. I got nothin but time and I don't mind using it waiting on you. You're kinda worth it, eh?" -He didn't answer your question!
"But!- "
"Lookin' forward to your call, sweetheart."
"I'm not gonna call!- "
"Uhuh."
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avelera · 1 year
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I saw a really cute post the other day imagining scenes where Ed protects Stede. It was sweet and funny and heartfelt and for some reason landed all wrong with me.
Then I figured out why: I don’t think Ed has ever protected Stede. It’s actually kind of a big plot point in the show. Even when he should have. But when Stede protects Ed is when Ed fell in love.
It’s a bit of a nuance and I’m too tired to quite remember all the ways I’m probably wrong but… Ed often rescues Stede. But he doesn’t protect him. He doesn’t prevent him or try to prevent him from doing things that would harm him.
I think that was another reason the post nagged at me. Because the funny examples were around Stede’s failures at piracy. But Ed, unlike everyone on the show, including the viewers!, doesn’t see Stede as a failure. It’s almost weird how much he doesn’t. It’s endearing too. It’s why the romance works.
Ed thinks Stede is unorthodox. New to the game. A bit rough around the edges. But all those skills come with time and practice. Ed is bored of skilled, practiced pirates. He wants flare. He wants daring. He wants a person who does it their own way. The rest will come. But you can’t teach creativity. Ed doesn’t give a shit about a perfectly skilled pirate, that’s boring as fuck. He wants to see a creative one.
To go back to protectiveness… Ed doesn’t protect Stede because he doesn’t see Stede as incompetent. He doesn’t prevent Stede from doing things before the fact. But sometimes after the fact like on the Spanish ship or against the English, he’ll come in after Stede fucked up and chooses to join him in facing the danger and consequences.
In comedy terms, Ed is very “yes, and…!” with Stede. Whereas protectiveness implies a certain amount of ending the bit before Ed can see the crazy places it’s going.
By contrast, Stede is protective of Ed and when he’s protective, Ed melts. Stede tries to prevent Ed from being hurt by the nobles and corrects his errors and very publicly destroys them on Ed’s behalf. Ed fell or fell harder in love right there. But Ed never tried to prevent Stede’s run in with the Spanish.
Ed’s a bit selfish, a bit blind to how to take care of others. Part of it’s the life he led. It’s part of why he’s so fascinated by Stede and his brand of piracy. He doesn’t want to stop the craziness before it begins. He really only steps in if death itself, something that might end Strede’s craziness, gets close but even then. He doesn’t protect Stede against Izzy. He lets those consequences play out. He can’t bear to look but he doesn’t stop it.
I think there’s more nuance and a lot of scenes I’m sure I’m forgetting where Ed is more protective but my overall sense is that this is actually an interesting nuance between them. Stede acted out of protectiveness when he left Ed on that beach. Ed didn’t go looking for Stede. He didn’t and doesn’t try to protect him. Unlike everyone else, Ed always assumes Stede’s choices are deliberate and competently made.
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sarucane · 10 months
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Ed Teach's Stories
From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.
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This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.
In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.
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And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.
At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.
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So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.
All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.
What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.
The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.
Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?
Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair
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But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.
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In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.
Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.
In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.
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And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.
Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.
Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.
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And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.
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Sometimes, it means understanding. Means acceptance, safety, connection.
From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.
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luxaofhesperides · 11 months
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greener on the other side.
Danny makes a habit out of hopping into portals and exploring he places he ends up. It just so happens that this time, he ends up in Gotham right as the Signal begins his patrol. Duke meets the strangest, funniest, cutest guy on the roof of the Gotham City Public Library. He knows Batman would not approve of literally anything he’s doing, but sue him, he wants a meta friend and this guy seems to up for it. – OR: how Duke and Danny got together despite having secret identities and living different dimensions.
chapter two: how it grows - 10.7k
read chapter one here or the entire fic on ao3.
here's the duke pov! one chapter left from danny's pov, then this fic is complete and i can get started on the rest of the series focusing on their relationship! . . .
Duke doesn’t like to make a big deal of things. He’ll try to handle things on his own and roll with the punches. As long as he keeps his cool, things will work out. 
Unfortunately, feelings are not one of the things that just ‘work out on their own’ and he has to admit that he might just need some outside help for this. The problem, then, becomes a question of who he can go to.
He’s come a long way since he was part of the We Are Robin gang and knows that he can rely on the rest of the Bats for help. He’s one of them, something that still feels surreal when he thinks about it for too long, but Duke has his place with them both in and out of the mask. He gets along well enough with Damian, trains often with Jason, bothers Dick for help when he gets in over his head, and makes fun of Bruce with Tim and Cass and Steph. 
They’re good people and he trusts them. They’re messy, with lots of history and fights between them all, but what family isn’t like that? 
They’re good people and he wants to ask them for help, but Duke can’t bring himself to go to the Manor. They’re all just… Some of the advice they give him for his civilian life is suspect at best. So instead, he’s going back to Jay’s house, hoping his cousin will have some normal advice for him.
Though he spends a decent amount of time with the Waynes, Jay technically still has custody of him; Duke doesn’t want to leave his family behind at all, not if he has any other choice, but he knows that looking after a teenager while being single and not having the biggest paycheck is stressful. Plus, it allows less time for any resentment to spring up between them with the amount of secrets Duke is hiding from him. 
As unprepared for him as Jay was, he still does his best. He’s waiting in the living room when Duke arrives, dropping his keys into the dish on the side table in the entrance hallway. A bowl of popcorn and two glasses of ice tea are set on the coffee table and Duke gladly takes one and drinks half in one go before he even sits down.
“Alright, man,” Jay says, “What’s going on? You never ask me for advice.”
Duke sighs. “It’s, uh… dating problems? I guess?”
“You guess?”
“I don’t actually know if it was a date or not and I need a second opinion.”
Jay gives him a long look. “Usually, just having to ask tends to mean it was a date and you just didn’t notice in time. You getting back with that Izzy girl?”
“No! We both decided to stay friends, and it’s not like we’ve been hanging out much at all since the break up. This is someone new.”
“Anyone I know?”
“Nah, he doesn’t live in Gotham.”
The smile falls from Jay’s face and he leans closer to Duke, suddenly growing serious. “If this is an internet friend, I’m going to have to lecture you on stranger danger. Come on man, I know you’re smarter than that.”
Duke shakes his head, pushing his cousin back into the couch. “No! No, no, definitely not! Do you really think I don’t know anything about internet safety? Not the point. The point is, he’s from out of town and he’s really cute and I spent most of yesterday just hanging out with him and took him to the best food trucks I could find. Was that a date?”
“Honestly? Sounds like it. Good for you man. Just make sure to let him know if you want the next one to officially be a date.”
See? Simple, normal advice. Jay is just telling him to communicate like a normal person. It’s not that simple, of course, since Duke isn’t going as Duke but as The Signal, but it’s still good advice. Once he finds the courage to ask Danny out on a proper date, he’ll do it in a way that leaves no confusion.
It won’t be any time soon, though. Not when they’ve just met and Danny doesn’t even know his name.
“It’s that easy, huh?”
“Sure is,” Jay grins. “How do you think I got all the girls when I was in school?”
“Is that also why you can’t get any dates now?”
“Alright, you little shit,” Jay laughs, throwing an arm around Duke’s shoulders to trap him in a noogie. “See if I give you advice ever again. Is this the thanks I get for looking after you?”
Duke can break free from his grip easily, but it’s been so long since he had a nice, easy interaction with his cousin that he just sinks into it, laughing. Time apart has made things better between them; there’s less stress involved with hiding his identity, and Jay isn’t worried out of his mind about raising Duke right while also making enough for rent and groceries. 
“You staying the night?” Jay asks, finally releasing Duke.
“Nah, the Waynes want me over for game night and I really wanna see them try to kill each other. But I got a couple of hours until they’re expecting me.”
“Up for a movie?”
“Is it another zombie movie?”
“You know it.”
Duke shrugs. “Sure, put it on and I’ll try not to laugh too hard when you get scared.”
It’s nice and lets his mind finally stop spinning in circles, going over everything he can remember from his not-date with Danny. He’s missed spending time with his cousin even if living away from him is a lot less stressful. As great as the Waynes are, they can’t give him this.
What they can give him is chaos and embarrassment.
“Caught you slacking yesterday,” Jason says casually as he drops onto the couch next to him. Both of them watch as Steph and Damian team up to kill Bruce for taking all their properties in Monopoly, and Duke suddenly has a feeling that he should have stayed with Jay after all.
“I don’t know what you’re talking about,” he replies, “I’m never slacking as the Signal. I’ve never done a single thing wrong, ever, in my life.”
“Didn’t you lead a gang?”
“Didn’t you decapitate eight men?”
Jason pinches his side in retaliation, making Duke jump. “So, you pulling a Superman? Flirting with a civilian you saved?”
They didn’t go anywhere near Crime Alley. How did Jason just happen to stumble across them? He probably should have expected someone to have spotted him. None of the Waynes care too much for other people’s privacy. 
“No,” Duke says slowly. He is flirting with a civilian, but Danny is not someone he saved. Danny is someone who helped him out when fighting crime, and is fun to be with. “I was just showing him around Gotham?”
Jason’s eyebrows go up. “An out of towner? Didn’t think they’d have the balls the stay in Gotham longer than a few hours.”
“Yeah, well, he’s not one to be scared away so easily.”
“And does this someone have a name? If he’s spending time with you, I wanna know his name.”
Duke side eyes him. “Why do you want to know?”
“Look, it’s good to keep an eye on any civilian that gets close to us. In case they’re a threat, and in case they get caught up in the bullshit that saturates every part of our lives. The longer they’re with us, the more danger they’re in. But I can help you look out for him. So: name?”
That is… a depressingly good point. Duke can’t save everyone despite how hard he tries. It would be good to have someone else looking out of Danny while he’s in Gotham, just in case. 
“Danny. His name’s Danny.”
“No last name?”
“I don’t know it. Look man, I only met him two days ago. He’s a meta like me and he’s not from Gotham. That’s about all I know.”
“That’s it?”
“Again, we literally just met. If he decides to keep coming around, then I’ll learn more about him.”
Jason gives him an assessing look, then gives him a sharp grin. “Oh, I’m sure he’ll be coming back for you. Boy was giving you doe eyes the entire time he was with you. Don’t drag him along too much, yeah? Poor thing’s got it bad for you.”
“He does not!”
“I’m not blind, Narrows. And I know you saw it too.”
That’s the problem. He did see how flustered and cute Danny was around him, always finding some way to bump into him or have their arms brush as they stood around, always sticking close as they soared through the air almost close enough to hug. It was cute, so adorable that Duke wanted to squish his cheeks and also lie face down on the ground. But it wasn’t Duke who was causing Danny to blush was the slightest of touches. It was the Signal, the daytime hero, and Duke knows they can’t build anything good together when it’s built on a foundation of secrets. 
Danny’s got his own secrets too. Being a meta is only one of them and he’s not sure he’ll ever get to know those parts of Danny when the guy can just choose to never return to Gotham again. 
That doesn’t mean he doesn’t want to try. It’s stupid and reckless when they’ve only known each other for two days but no one has ever made him feel so normal before. Even in the midst of using their powers and hopping around Gotham fighting crime, there was a sense that they understood each other, that their lives rhymed and it made everything so easy and comfortable between them.
“And?” Duke sighs. “He doesn’t even know my name. It’s not really anything right now, okay? We just get each other and it’s nice to spend time with someone like that.”
“Want me to find him for you?”
“Please don’t.”
Jason shrugs. “Alright, your loss.” He looks back to where Bruce is calmly stealing Steph’s Monopoly money as she has her arms around his throat, trying to choke him as she clings to his back. Damian is trying to steal everything back. None of them have caught on to the fact that Tim and Cass have teamed up and have taken over the bank and are steadily taking properties on the board, fully and shamelessly cheating. 
He’s so glad he chose to sit this game out. 
Jason seems content with leaving the conversation there, so Duke cuts his losses and leaves before Tim and Cass have to fend off everyone else and turn this entire game night into a blood bath. 
It’s not like anyone’s going to win against Cass anyways.
Duke fully intends to go up to his room and get a full eight hours of sleep while everyone else goes on patrol. He’ll take some time to think about how excited he is to see Danny again when he brings his friends over next week, but only for a bit. His sleep is so important.
Batman could never compare to how much he values his sleep.
He’s got good priorities, okay? He’s not changing them for anything.
Instead of sleeping, though, he ends up laying on his bed for hours, all his thoughts swirling around in a restless tangle. This is why he can’t ask the Waynes for advice on Normal People Shit. They just make him overly paranoid and sure that everything is going to go wrong. 
Danny’s a mystery. He didn’t feel like one when they met; Danny was just an average citizen standing on top of a building, and the Signal had a duty to check up on him. 
But when Danny turned to face him, his eyes were a bright blue, practically glowing, and there was a light emanating out of his chest, as if he tucked a star into his ribcage. No normal human looked like that, and Duke would know. He’s seen a lot of weird shit with his powers, especially once they started affecting his eyes even more, but even people who dabble in magic didn’t look like that.
Danny had looked ethereal. Unreal. As if he wasn’t from this world at all. Like someone who had stepped out of a story and into the real world.
And he was fun.  
That’s what’s tripping Duke up. He’s met other metas before. They tend to either be 1) homicidal, 2) depressed and traumatized, or 3) serious and heroic. Sure there were some that had a sense of humor, but it was just to keep the mood light as they went around saving people and being more Hero than Person.
That’s what Duke had become, growing into his role as the Signal until he worried that it was taking away from Duke Thomas. The other Bats seemed to have no problem with their various identities, or enjoyed being in the mask far more than they enjoyed taking it off. Duke, as he usually was, is the outlier. 
It’s why he always has to wrestle with imposter syndrome, forcing himself to stick around until he can finally feel like he belongs with the heroes of Gotham. He can act unbothered as much as he wants. It will never change the fact that, at his heart, Duke is still the terrified and angry boy sneaking out of foster homes and orphanages to search for his parents, refusing to find a place in the world that wasn’t by their side.
As the only meta on the team, his powers are both a blessing and a curse. They’re another reminder that he’s the odd one out, the one who doesn’t fit in as easily as all the others, but also a tool that lets him help in ways no one else can.
He always has something to prove when he’s out as the Signal. He always has to make himself worth keeping around as Duke.
With Danny, all of that fell away.
Using his powers was fun with him. They darted around the city, from rooftop to rooftop, stopping crimes and teasing each other as they went. There was no pressure to conform or prove himself, just the easy joy of feeling the air rush by him as he swung through the skyline, hundreds of feet in the air. 
It doesn’t hurt that Danny is cute, too.
Sighing, Duke rolls over and shoves his face into his pillow. 
He hadn’t realized how lonely he was until he met another meta who wasn’t trying to attack him. Sure, he has other hero friends, but they’re either regular humans or not human at all. One day with another meta, just shooting the shit, enjoying their time together, makes him all too aware of how much he’s wanted something like this since his powers first manifested. 
Jason said that Danny was down bad, but Duke’s not doing any better, honestly.
He can’t wait until he sees Danny again.
It takes putting on some soothing music and trying not to let all his thoughts drift back to Danny before Duke finally feels sleep take a hold of him and gladly gives into its embrace. . . .
The glow appears suddenly, a flash of light in the distance, and that’s all Duke needs before he takes down two muggers and zip ties their wrists together quickly. “Stay safe!” he calls to the victim, quickly grappling away as she glares at her attempted muggers. She’s looking rather violent, and if she wants to whack them over the head, then that’s her right. 
Duke doesn’t need to worry about it. He’s already dealt with the problem and now he can make his way to Danny, falling into the familiar rhythm of catch, fall, and release as he chases after the cold star-glow of Danny.
He makes his way to the glow until he can see Danny standing on the roof of the mall in Diamond District. Duke stops a few buildings away, taking the time to catch his breath and make sure he’s in Signal mode instead of Duke Thomas. 
Then, as prepared as he’ll ever be, he shoots his grapple out.
Danny and his friends are already facing him when he lands, eyes flickering between him and his grapple gun.
Duke tucks it away and offers them a small wave, giving Danny a soft smile. 
“This is him!” Danny announces, turning to face his friends so he can do a little flourish and show off Duke. “This is the Signal, and he’s a legit hero here.”
A goth girl looks him over with an unimpressed gaze, then clicks her tongue in a way that reminds him way too much of Damian. “Too much yellow,” she says, “You should update your armor to be less… this.”
“Sam!” Danny says, smacking her arm. “Uncalled for!”
“What? I’m right. That’s way too much yellow.”
The other boy pushes his glasses up his nose and glares at Duke. “So you’re a hero, huh?”
Duke blinks and the sudden hostility, then nods. “Yeah, sure am.”
“And you save people?”
“I do my best.”
“Even if they’re not human?”
Oh, Duke realizes, they’re just being overprotective of Danny. It kind of sucks to be on the other end of it, but he’s glad to know that Danny has people that will stand by him. Being a meta without any support is awful and often dealy; human traffickers especially love to target vulnerable metas. 
“Even then,” Duke says. “If anyone needs help and I can help them, I do. It’s how I got into the hero business.”
“Quit the interrogation,” Danny hisses, then turns to Duke with a strained smile. “I am so sorry about them. This is Sam, and this is Tucker.”
“Well, welcome to Gotham.”
Danny hooks his arms with Sam and Tucker’s, pulling them closer to himself with enough force that they stumble. “Stop being mean, guys. We’re here to have fun, remember?”
Sam sighs, then gently knocks her head against Danny’s. “Yeah, alright. We’ll behave.”
“ Thank you. Let’s hit up Wayne Tower first, then the botanical gardens and maybe lunch after that?”
“Sounds good,” Tucker says, pulling his arm free from Danny’s grasp just to hop onto his back. With Tucker secured, Danny sweeps Sam up into a princess carry, and all three look at Duke like this is something totally normal that happens all the time. And maybe it is! It’s probably normal for them and Duke is not going to judge them because he wants to make a good impression and not be a hypocrite.
He’ll just… not talk about the Bats and how bizarre they all are. Duke himself is not exempt from this.
“You gonna be able to hold them both and fly around?” he asks, just to make sure. He definitely doesn’t want anyone falling to their deaths while he’s leading them through Gotham.
Danny just offers him a grin, the tips of his sharp canines just barely visible. The glow in his chest gets a little stronger and his eyes flicker from blue to bright green. “Don’t worry. I’m strong enough to be their Uber today.”
“We’re not paying you,” Sam and Tucker say at the same time, then high five. Danny rolls his eyes, and Duke can’t help but smile seeing their little routines.
They must have been friends for a long time to be so close.
Duke makes a mental note to spend a day just hanging out with his own friends soon. It’s been a little too long, hero work and school taking up all his time, and though they understand and try to keep him in their lives through texts, it’s all too easy to slip away from each other. 
Focus, Duke, he tells himself. Today is for Danny and his friends. 
He’s the Signal. There’s no time for Duke’s problems. He’s got crime to fight and three teenage tourists from who knows where to show around Gotham. He’ll deal with his own shit later.
“I’ll lead the way to Wayne Tower then,” he says, walking backwards to the edge of the roof. Danny lifts up from the roof, hovering a foot in the air, and it’s so hard to look away from him when he’s literally glowing, eyes bright and hair turning white. “Also, just as a heads up, I may have to leave for a few minutes to deal with crime, but I will come back. Just stick to the roofs and you’ll be safe.”
Sam looks around, assessing the city. “Lots of crime here?”
“We’re called the Crime Capital of America for a reason,” Duke responds wryly and she grimaces. 
“Well. At least the aesthetic is pretty nice. I’m digging all the gargoyles.”
“Wait ‘til you see some of our churches. Stained glass, dark stone, really Gothic. I think you’ll like it.” Then, to Danny, he says, “Ready?”
Danny nods, and Duke turns and jumps off the roof. 
Behind him, he can hear a gasp, and then he shoots his grapple out and begins swinging through Diamond District, trusting that Danny is following behind him as they fly above the busy streets. And sure enough, when he flips off the edge of another building, Duke catches a glance behind him and sees the shimmer of an invisible Danny flying towards him, with two additional little shimmers that must be his friends.
He goes back to grappling through the streets, keeping an eye out for any crime. 
“Come in O,” he says quietly, activating his comm. 
“Signal, everything good?” Oracle asks, hopping onto his frequency within a second.
“Yeah, I’ve just got a few visitors I’m escorting around Gotham. Can you keep an eye out for any crimes that need my attention? Just let me know where they are and I’ll deal with it.”
“Sure thing. Who are these visitors?”
“Out of towners. One’s a meta and they wanted to do a little sightseeing, and you know how this city is dangerous for people who aren’t used to it. And with meta human trafficking…”
Oracle makes a small sound of understanding. “Yeah, best to stick close to them while they’re here. Good call, Signal. I’ll keep an eye out and let you know if anything pops up, but so far, it’s all looking quiet.”
“Good to hear.”
There’s a pause, and then Oracle’s voice turns teasing, bringing more Barbara into the forefront. “Soooo,” she starts, and he can already hear the grin in her voice. “Making friends, Signal? Looking to start up your own team? It’s tradition, you know; we’ve all done it.”
“Nah, they’re not looking to join the cape scene. They just want to see the sights, hang out a bit. Are you looking for information on them right now?” He can hear her typing loudly, fingers flying across the keyboard. She’s supposed to be working in the library, but she’s also got her own office in there now that she’s the most senior employee. It would be just like her to pass off patron duties to the other libraries and bust crime rings from her office desk. 
Zero separation between regular work and night work. The curse all bats and bat-adjacent folk struggle with. 
“Who do you think I am?” Barbara scoffs. “If you’re making friends, then it’s my duty to make sure they’re good friends. At the very least, I can’t let you run off with villains in the makings, or cultists wanting to sacrifice you or something.”
“They’re normal civilians,” Duke hisses into his comm. He casts another glance behind him to see Danny flying off to the side. From what he can make out from the movement of the shimmer, like a heat mirage given form, he’s pointing something out to his friends. “And how likely is it that they are villains? I doubt anyone looking to hurt me is going to ask me for a tour of Gotham.”
Barbara hums. “You never know. Tim befriended Anarchy. And a couple of League assassins.”
“Tim’s a special case. He can befriend literally anyone. I mean, didn’t Jason and Damain both try to kill him? Now look at them. Thick as thieves.”
“He is something special,” Barbara agrees, amusement coloring her voice. “Say, can you tell me their names?”
“Who?”
“Your tourist guests.”
“Danny, Tucker, and Sam. Why?”
There’s a pause, even the clicking of her keyboard going silent. Oracle being stopped in her tracks is never a good thing and Duke is suddenly worried that she did find something that will connect the trio to some evil world domination plan.
“I can’t find them.”
“What?” 
“I’ve run their faces through the databases, I’ve searched for people matching their descriptions, I can’t find any tech on them that I can hack into… It’s like they don’t exist. Digitally, that is.”
Duke lands just a block away from Wayne Tower, staring up at it. The glass glistens in the few rays of sunlight that force their way past the clouds hanging heavy in the sky. It’s taller than any other building in the district, overlooking Gotham all the way to the bay. He hears the slight shuffle of feet as Danny lands on the roof behind him and sets Tucker and Sam down. 
He wants to keep talking to Barbara because he can’t recall a time she wasn’t able to find something. She’s ruthless in the pursuit of information, effortlessly hacking into even the most protected files, capable of finding people and vehicles and buildings and everything else someone might need for a case. 
The fact that Danny and his friends have hidden themselves from Oracle’s all seeing eyes has him on edge. 
He really hopes it’s nothing. He wants to be friends with Danny. He wants to trust him to be a good person just trying to live a quiet life as a meta. He wants just one thing to not blow up in his face. 
“Here we are!” Duke announces, showing off Wayne Tower with a flourish. “I can’t get you much closer to the tower without people noticing you pop in out of nowhere, so you’ll have to walk the last two blocks to get to the building.”
“Impressive place,” Tucker comments as invisibility slides off of him. Sam appears a moment later, followed by Danny, the glow in his chest softening and growing a little dimmer. 
“Wayne Enterprises is always striving for perfection,” Duke agrees. “Though, between you and me, I’m 99% positive that the only reason this building is as big and impressive as it is stems from Wayne’s need to be better than Lexcorp.”
“Lexcorp?”
“Rival company in Metropolis. Lex Luthor is the CEO and we all hate him for a lot of reasons.”
“I kinda want to pit Vlad against these guys,” Sam says, shooting Danny a grin.
Danny snorts and shakes his head. “Vlad has a cheese castle. I think he’s already lost.”
Duke is really interested in hearing about the cheese castle, but a quick glance at the watch hidden in his wrist gauntlet (put there only so he can dramatically check the time and leave with some insane excuse when criminals were complaining to him about their own poor choices) tells him that it’s nearly time for the next tour to start. 
“Alright, folks,” he says, “You’ve got around eleven minutes to sign yourselves up for the next tour, so if you want to make it, you’d better get moving!”
Tucker swears, then sprints for the edge of the building. “Danny! Get me down there! I’m not waiting another hour for a tour!”
Danny rolls his eyes, but he’s smiling fondly as he flies over to Tucker and scoops him up. They both disappear over the edge of the building, leaving Duke alone with Sam.
“So,” she says, and her tone could be mistake for conversational if it wasn’t for the coldness of her eyes. “You’re getting pretty friendly with Danny, from what I’ve heard.”
Duke smiles nervously. This is the beginning of a shovel talk, isn’t it? “I guess so. I mean, I’d like to be friends with him.”
“How old are you?”
“What?”
“How. Old. Are you?” she bites out, walking closer with a glare.
“Why do you want to know? I can’t just be giving out information about my identity, you know.”
“If you’re not a teenager, then I am going to have a few knives sharpened for when you make a wrong move towards Danny.”
“Wait, wait! I’m still in high school! That’s fine, isn’t it?” He definitely shouldn’t be telling anyone this, but if one of his friends said they were hanging out with someone they don’t know outside of a mask, or a username, or whatever, he’d want to make sure that person wasn’t a creep. Her protective anger is admirable, really. And besides, he gets it. If telling her his age (or age range) will reassure her that he’s not going to… groom Danny or something, then he’ll tell her. 
He’d never fault someone for looking out for their loved ones. 
“You better be telling the truth. For your own sake.”
“Cross my heart,” Duke says. 
Danny pops up through the roof a moment later, startling both of them, easily breaking the tension. “Come on, Sam, Tucker’s signed us up and doesn’t want to wait for you to get over there.” He picks Sam up, then glances between her and Duke. “Wait. Sam. Tell me you didn’t threaten the Signal.”
“Do you want me to lie to you?”
“I can’t take you guys anywhere, I swear…” Danny mutters, then flies down to the street.
Duke blinks at the empty roof, then decides that he’s just going to move on with his day and enjoy spending time with Danny. 
He grapples closer to Wayne Tower, following Danny’s glow to make sure they get inside just fine. It’s only a block, but anything can happen in Gotham; better safe than sorry. As soon as he watches them go into the building, Duke sets a timer to display on the corner of his helmet visor and gets back to patrolling, keeping watch over Gotham while he waits for the tour to finish.
“Signal,” Oracle says, and Duke snaps to attention, landing on the next building at the end of his grapple, hopping down from the ledge with ease. 
“What’s up, O? Got something for me?”
“Not quite. I’d like you to keep an eye on your guests. One of my drones picked up a strange reading that’s similar to magical residue.”
“You think they’re magic?”
“I think there’s something going on with them that we should keep an eye on. I know you said they’re just here as tourists, but you know we can’t take chances in Gotham.”
As much as he understands Barbara’s concerns, Duke can’t bring himself to be suspicious of Danny or his friends. They do have secrets, and none of them have even hinted at how they arrived in Gotham, appearing suddenly and without warning on a rooftop. But he’s always been one to give the benefit of the doubt. To try to talk things out, figure out a solution where no one needs to get hurt. Most of the time, it doesn’t work since whoever is causing problems really only cares about venting out their pain and frustrations through property damage and loss of life. Sometimes, though, the people causing problems need a little help, need protection, need some space to calm down and get themselves under control, and having a horde of Bats chasing them only makes things worse. 
“They really are just tourists,” Duke says. “I know how you feel. I get it, there’s definitely something more to the three of them. But it’s not causing any harm right now, so I say it’s none of our business.”
He hears Barbara sigh down the line, but she’s always been good at respecting boundaries (when it doesn’t come to privacy) and will let people do as they believe they should. It’s why she helps out Jason every so often despite his violent methods and familiarity with killing. It’s why she has her own group and leads them without controlling them the way Batman tries to. 
“Alright,” she says, “You make the calls since they’re your guests. Just be ready for me to say ‘I told you so’ when something goes wrong.”
“Yeah, yeah, we know you’re always right, O. Let me make my mistakes in peace, alright? We’ll fix it when we need to.”
“This is why you’re my new favorite,” Barbara jokes.
He makes to respond, maybe poke fun at some of the others with her, when he catches sight of two guys trying to break the lock on a bike to steal it from the sidewalk. Dropping down from the roof, he casually walks up to them, then clears his throat and shakes his head in disappointment at them when they jump and whirl around to stare at him.
“Really?” he says, judging them harshly, “Stealing someone’s bike? In broad daylight?”
They both flush with embarrassment, scowling at him.
“Well, we gotta get home somehow!” one of them says, kicking at the bike in frustration.
“Can’t you take the bus or something? Walk?”
“We don’t have any money on us for the bus and we’re heading to Robinson Park. I ain’t walking that far.”
Well. At least they’re just trying to get around and weren’t planning on selling the bike off. 
“Two options,” he says, and both guys tense up immediately, prepared for a fight. He hates that that’s the reaction people have to Gotham’s heroes. As soon as they turn to a crime, no matter how petty, they’re prepared to be beaten down into submission. It’s a precedent set by Bruce that he’s never really liked and Duke does his best to embrace how different he is from the rest of the Bats to show the people of Gotham, criminals and all, that everyone can turn to him for help.
“I can buy a week-long bus pass for you both. Or, I can give you two a ride.”
They share a glance, slowly relaxing. “Can we do both?” one asks. “Get a ride from you and the bus pass?”
Duke glances at the timer in his visor. He’s still got forty minutes before he needs to go back to Wayne Tower. 
“You know what? Yes, we can do that. Let me get you those bus passes and then we’ll get going.”
The two men share an excited grin, stepping away from the bike and its slightly mangled lock. They follow Duke to the nearest bus station where a little kiosk is tucked under the awning. Barbara, listening in as she always is, buys the bus passes for him, getting them to print within seconds when they get there. 
“Sending your new motorcycle to your location,” she says as soon as he hands both bus passes to the men. 
As far as Duke knows, he only has one motorcycle. He wishes he could ask what Barbara meant with new motorcycle without anyone listening in, but he’s gotta give the guys his attention, keep them company while they wait. 
They make small talk for a bit, the two asking him what being a hero is like while Duke chats about life in Gotham and shares some Batfam gossip (mostly patrol blunders of one of them slipping while crossing the rooftops and eating shit). 
It only takes seven minutes for the motorcycle to arrive, appearing in front of them in the street as the cloaking turns off. 
“Woah,” one of the guys breathes, staring at it in awe. “Man, you heroes get the coolest shit.”
“Perks of throwing ourselves into the line of fire. Literally.” 
He sees why Barbara sent him an entire new motorcycle (!!!) because his original plan of having three people squeeze onto the seat of one motorcycle was clearly going to end in disaster. This new one, Signal Yellow as it should be, is more armored, a little larger, and has an extended passengers seat attached to it so three people can ride it easily.
Duke swings his leg over it, settling into the seat and grips the handlebars. “Come on,” he smiles, inviting the men to join him. They do, nearly tripping over themselves as they get seated, excited grins on their faces. 
It’s nice to know that no matter how old people get, a cool motorcycle is the way to most people’s hearts. 
And what a change it is to see two men, likely college students in their final years, go from scared and unhappy people to acting like kids again, jumping at the chance to ride a motorcycle with a hero. 
Small interactions like this, where everything goes right, is exactly why Duke is determined to give everyone the benefit of the doubt, a chance to choose differently and be good.
“Hold on tight!” He revs the engine, then takes off, the men letting out whoops behind him as they rush down the street. The motorcycle picks up speed quickly and runs so smoothly it’s as if they’re flying, easily dodging all the cars around them. 
Normally, he’d go invisible and use the cloaking mode on his motorcycle to get around, but with two civilians riding with him, he’d rather be visible so cars don’t accidentally hit them.
The ride to Robinson Park takes fifteen minutes at the frankly dangerous speeds Duke was going, and he has no regrets about speeding because 1) it’s fun as hell and 2) the guys with him are clearly having a blast.
He slows down once they reach the park, then pulls over to the side of the road.
“Thank you for riding with Signal Wheels. Be sure to leave a review!”
“Five out of five!” one guys says as he gets off the motorcycle. His hair is a mess, completely windswept and tangled when Duke turns to look at him. “Holy shit, dude, I think I’d marry your motorcycle if I could.”
“Oh same,” Duke laughs, holding out a hand for a fistbump which is readily granted. 
The second guy needs a moment longer to get off, laughing breathlessly. “Ten out of ten,” he says, once he’s next to his friend.
“Trying to one up me, huh?” 
“Just being honest here.”
“Alright, well you two take care now,” Duke says, shifting his weight to one foot in preparing to kick off and head back to Wayne Tower. “And be sure not to lose those bus passes!”
“Thanks Signal!” they both call out as Duke heads back down the road, turning invisible as soon as he gets to a good speed.
He’s got just enough time to make it back to lead Danny and his friends to the botanical gardens. He cuts it close, but he makes it, pulling into an alley and hopping off the motorcycle.
“O, would you mind getting this back to wherever you piloted it from?”
“Not going to take your new friends on it?”
“Nah, I get the feeling they prefer flying.”
“You got it, Signal.”
The motorcycle pulls out of the alley silently, then heads down on road once cloaking is enabled. It’s gone just in time for his guest to walk out of Wayne Tower, trailing after Tucker who talks with his hands moving around energetically, too distracted to watch where he’s going as Sam and Danny pull him this way and that to keep him from crashing into other people. 
Danny spots him first, after he stops and his brow furrows, a look of concentration on his face. Then his head turns and his eyes snap onto where Duke leans against the wall at the mouth of the alley. He grins, the glow in his chest flaring brighter for a moment, and Duke offers a small wave, unbearably charmed by how cute Danny is, especially when he’s so clearly delighted to see him.
“How was it?” Duke asks once they’re close enough to hear him.
Tucker immediately launches into a rant about WayneTech and the R&D Lab and how he would give his liver to work there. Then he starts rambling about technology and coding and a few of the things he’s created and how he’d love to look through what WayneTech does. He doesn’t stop even as Danny flies him up to the roof, Duke following after with his grapple, Sam clinging onto his back. 
“So, so cool,” Tucker gushes, “I could probably take over the government in Amity with this kind of tech.”
Okay. Kind of a concerning statement to make, especially in the wake of Barbara’s suspicions of them.
Sam snorts. “You could take over the government in Amity now, if you wanted to.”
“Yeah, I could.”
“Not that you’d be good at it. What would you do as mayor?”
“Create a steak festival to celebrate steak and all the meals you can make with it.”
“Oh you little—” Sam lunges at them and Tucker falls back with a shriek. And then they’re tussling on the rooftop, arguing about meat and veganism and the farming industry, which, what a subject change.
Duke looks over at Danny, who watches them wrestle with fond exasperation. “Should we… stop them?”
“Let them get this out of their systems,” Danny replies. “They’ve been having this fight for years. I’ll stop them in a few minutes, and then we can go to the botanical gardens.”
So they stand together and watch Sam and Tucker roll around the roof, trying to choke each other out. And all Duke can think is, Man, I can’t ever let them meet the Bats. They’ll get along like a house on fire.
Or, it’s all he thinks until Danny shifts closer to him, just a few tentative steps. He’s suddenly starkly aware of how small the space between them is, how Danny’s close enough to touch, how much he’s been looking forward to this moment since Danny left a week ago.
Boy was giving you doe eyes the entire time he was with you, Jason had said. Duke saw it, when he was with Danny, reveled in it, basked in the attention. It wasn’t that he didn’t reciprocate, but he knows it can be hard to convey anything through his helmet, but there’s only so much action can do.
But it’s what he can do, so Duke shoves away his nerves and wraps his arm around Danny’s waist, pulling him closer.
Danny lets out a cute little squeak, cheeks filling with color immediately, and Duke is so, so endeared he wants to cry. 
“So, what’s the story behind this fight of theirs?” he asks, leaning closer to ask his question quietly in Danny’s ear.
“Oh! Um,” Danny blinks at him, visibly flustered, and Duke wants to squeeze his cheeks together, he’s so cute. 
Oh, he really is down bad. Damn. He hopes Barbara isn’t watching through his helmet camera, but he knows better than to expect her to not be collecting blackmail on him for this.
Which is whatever! Jokes on Barbara, he’s not at all ashamed of what he feels for Danny!
He could do without the ribbing from the rest of the Bats. They have no leg to stand on when it comes to relationships and being honest about their feelings. He’ll turn every conversation about Danny into improvised therapy if he has to.
“Well?” he prompts.
Danny glances at his friends, then leans into Duke and turns to him with a small smile. 
“So,” he begins, then launches into a wild story from his freshman year about Sam and Tucker splitting the school into two groups to have a mini civil war over meat vs vegetarian food. Which lead to eating grass (?!) for lunch, a ghost lunch lady attacking the school, and the teachers having their own hidden meat lunch kept secret from the students, which lead to more chaos once it was discovered.
“That was a wild school week,” Danny concludes, just as Sam and Tucker’s fight winds down.
“Dude,” Duke says, staring at Danny, unsure if he wants to laugh or ask follow up questions. “What kind of life have you been living? That’s so much. The only thing we’ve got here is shootings and so much crime. Also a zombie in the sewers.”
“See, you drop info like that on me and suddenly I’m convinced that my life is actually pretty tame compared to whatever’s going on here.”
“No, no, listen. In Gotham, you expect this kind of nonsense. But your story started so deceptively normal! ‘Just a fight between friends’ and then a ghost attack? Betrayal from the teachers? Grass? Danny, everything you said left me reeling.”
“It’s not that bad!” Danny laughs. “The ghosts barely cause any problem anymore. They’re just kinda like anyone else, now.”
“What’s this about?” Sam asks, brushing her skirt off as she stands. Tucker pushes himself up to his feet and takes a moment to wipe the lenses of his glasses.
“The first time we met Lunch Lady.”
Sam and Tucker make a sound of understanding, nodding. “That sure was something,” Sam says.
“To think we were so young and innocent back then,” Tucker says with a fake sniffle. “So innocent!”
“You’re still as insufferable as ever,” Sam replies, taking his smack to her arm with grace.
“You two ready to head to the botanical garden now?” Duke asks, getting them back on track. Danny moves out of Duke’s grasp, unfortunately, to return to his role as their personal Uber, this time getting Tucker in a princess carry while Sam clings to his back like a koala.”Well. Guess Danny’s decided you’re ready.”
His friends snicker while Danny rolls his eyes and mutters about their unending arguments, then nods at Duke to lead the way.
Giving him a little salute, Duke readies his grapple, then takes off, leaping off the building to return to the skies. Danny follows him effortlessly, a soft glow that occasionally passes by in front of him playfully, sticking close as they head north. 
The botanical gardens are a large spot of green in the otherwise urban landscape. It’s a few blocks away from Robinson Park, close enough that everything nearby is deemed Ivy’s territory, but far enough away that most people can pretend it’s like any other building and visit it safely. It’s been a long time since the botanical garden was attacked, or use for Villainous Purposes™, so Duke is comfortable letting Sam, Tucker, and Danny explore it on their own. 
Plenty of other people are also in the gardens, from what he can see a roof away. And no one’s run away screaming, which is definitely a good sign.
“Oh, wow,” Sam says once she hops down from Danny’s back. She stares at the gardens with something unreadable in her eyes, as if she’s seeing more than what’s there. “There’s so much…”
“Poison Ivy—one of our rogues who can control plants and is doing a lot better these days, don’t worry—she takes care of most of the gardens. The greenhouse in the middle is hers for studies and experiments with plants, but she lets the public walk the garden. She’s even added little informational cards for kids to read so they can learn more,” Duke says, walking up to where Sam is leaning concerningly over the edge to get a better look at the gardens. 
“That explains it,” she says, explaining nothing. “Do we have to pay to go in?”
“Just five dollars per person. It’s her income, and we’re all encouraged to leave a donation so she doesn’t turn to crimes to get enough money to support herself again.”
“Well!” Danny claps his hands together. “Let’s go, then. Jazz made sure we had cash on had, so it should be fine.”
“I can cover our tickets,” Sam offers, “Since this is for me.”
“Then I’ll cover lunch,” Danny says.
Tucker shoves his hand onto Danny’s face to push him away as he says, “No, I’ll pay for lunch. Danny, you’re not spending anything since you’re the one that scoped out this place last week for us. Got it?”
“Yeah, yeah, got it. Thanks, guys,” Danny smiles, then turns to Duke. “Would you mind waiting here for a bit? I’m gonna check out the gardens for a bit, but then I’ll be back.”
“Sure,” Duke says easily. It’s a quiet day anyways, and he’ll take any excuse to spend more time with Danny.
“Great. I’ll be right back!” And then he wraps an arm around both Sam and Tucker’s waits, picks them up like they weigh nothing, and casually hops off the roof. 
Duke sits down on the edge of the building, watching as they cross the street and enter the botanical garden, Sam pulling out her wallet to pay for their entry. He idly kicks his heels against the wall, looking around the street, enjoying the rare Gotham peace.
No one is calling for help and Barbara hasn’t alerted him to anything. This is a good thing, but it doesn’t change the fact that Duke is bored.
He pulls out his phone, which he knows he shouldn’t have while he’s in the suit but it’s his day shift, he can do what he wants, and checks his friends (no Bats allowed) group chat and sees that Izzy is active. He opts to leave the chaos of the group chat to message her directly.
flashlight: hey izzy u know how we broke up
2(00)chains: oh boy. strong opening. but yes i am aware we broke up
flashlight: would u be mad if i started dating someone new or is it too soon?
2(00)chains: OMG DUKE??? WHO IS IT YOU NEED TO TELL ME RIGHT NOW
flashlight: izzy.
2(00)chains: babe u gotta give me something to work with so i can know if i should give u my blessing or not
2(00)chains: but also if u want to date and they make u happy, then yes u can date
flashlight: okay thanks!! wasn’t sure and didn’t know if it would be rude
2(00)chains: rude to date when ur single?? it would have been a problem if we were still together but that ship has sailed bby
2(00)chains: but duke PLSSSS i need deets. give me some tea… a girl is parched…
flashlight: lmao. so dramatic. but uuuuuuh
2(00)chains: little concerned by that pause there duke
flashlight: ok hes a meta
2(00)chains: ok strong start, u dont need to hide powers from him
flashlight: he’s not from gotham and doesnt live here so idk how well long distance would do
2(00)chains: duke. is this an online friend u’ve never met before.
flashlight: no!! i met him in person in gotham!! he’s just visiting!!!!
2(00)chains: ok ok go on
flashlight: uh
flashlight: he may only know me as the signal?
2(00)chains: DUKE. 
2(00)chains: i understand the need to keep ur identity secret
2(00)chains: but PLS do not be a superhero love story cliche. im begging here. u didnt even keep it secret from me
flashlight: he may also not exist in this world (universe?)
2(00)chains: .
2(00)chains: u know i think u can make it work
2(00)chains: u have my blessing! if he says yes when u ask him out (which he better do 🔪) then i demand to meet him!!
flashlight: u got it izzy
flashlight: thanks!! u always got my back ☺️
He only has a faint prickle on the back of his neck to warn him of Danny’s approach, looking up through gut instinct only just to see Danny’s fuzzy glow fly up to him.
Danny pops into visibility a moment later, pouting. “I was hoping I could sneak up on you.”
“It’s gonna take more than that, babe,” he laughs. “I’m hard to sneak up on.” Bar that time Cass… and Bruce… and Tim… Dick, also… Jason, too…
Okay, so anyone who isn’t a Bat won’t be able to sneak up on him easily.
“Babe?” Danny repeats, his voice suddenly much higher. Duke freezes and takes a moment to curse his loose mouth; he and Izzy love pet names and still call each other terms of endearment even now when they’ve broken up. And since he was just talking to her, habit made him put his foot in his mouth.
“Yeah,” Duke says, committing to it, “Babe”
Danny makes a little whine in the back of his throat, face going red, and then his hides his face in his hands and floats up higher, curling his body up into a small ball. The movement reminds him of the videos he’s seen of astronauts in space, moving in lazy circles in zero gravity.
“Sorry,” he adds on, “I was texting a friend and we call each other things like that, so I just… slipped up. Didn’t mean to make you uncomfortable.”
“I’m not,” Danny mumbles.
“What?”
“I’m not uncomfortable.”
Duke smiles. “Alright. Wanna come down and join me, then?”
Danny continues hiding for a few moments longer, then reaches a hand down towards Duke. He doesn’t look at him, shyly turned away, still red in the cheeks. 
How is he so sweet?  
Duke has never met someone so cute, and full of light, and literally glowing. He never stood a chance.
He takes Danny’s hand, gently pulling him down to the roof, wrapping an arm around him once he’s sitting to make sure he doesn’t go floating away.
“So, what did you want to talk to me about?”
“Oh, I was just… I really like hanging out with you and you’re super cool and I thought I should explain a few things about myself.”
“You don’t have to if you don’t want to.”
“I do,” Danny says, resolutely. “First, I’m not from here.”
Duke stares at him. “Yeah, I got that. Kinda obvious after we spoke for the first time.”
“No, I mean. Really not from here. From a different dimension.”
Oh. So Danny’s just casually walking the multiverse, apparently, and chose to return to Gotham to spend time with Duke. That’s honestly really flattering. 
“Makes sense,” he says.
Now Danny’s staring at him, incredulously. “How does that make sense? Do you not have questions about what that means, or where I’m from, or how I got here?”
Duke shrugs. “Not really. Listen, there’s a lot of weird shit in Gotham. Like, a lot. Batman was lost in time once and presumed dead until Red Robin helped get him back. There’s incomprehensible magic and time travel and so many aliens, dude. This is not that out of the ordinary.”
“YOU HAVE ALIENS?” Danny shouts, then claps a hand over his mouth, eyes wide. And then, whispered, “You have aliens?!”
“Yeah, we have aliens. Some try to kill us and conquer Earth, some live here as superheroes.”
“No way,” Danny breathes. “Can I stay here forever? My dimension doesn’t have aliens. I really want to meet aliens.”
“If you stick around long enough, it’s kind of inevitable that you’ll get caught up in some crazy shit, and you’ll probably be able to meet Superman then. Or maybe Martian Manhunter, if he’s available.”
He watches Danny mouth Martian Manhunter in awe and is so charmed by him and his visible excitement about aliens. Most of this is just how he lives life, knowing all these impossible things are out there but have very little to do with him. It’s only mind blowing when he actually meets Superman and all, but that’s because meeting big heroes is like meeting celebrities and it never stops being cool.
“Wait, I’m getting distracted.” Danny shakes his head, then lightly claps his hands against his cheeks. “Okay, so. I’m from a different dimension. And Tucker has made a few phones that can work literally anywhere. But only to contact other phones he made for interdimensional communication. I had him make one for you so we could keep talking even when I go home, if you wanted.”
“I want it! I very much do want it.”
Danny grins. “Great! Perfect, okay.” He reaches into his own chest (?!) and pulls out a phone.
“Um.”
“Oh, don’t worry. I can use my insides like a pocket dimension for extra storage.”
Sure. This might as well happen. Duke takes the phone and looks it over; it looks like a large, square flip phone, but when it opens, the screen and keyboard are both touchscreens the glow a faint neon green. He opens up the contacts menu, finds Danny, and shoots him a quick text that consists only of a smiley face. 
“Man, this is so cool,” Duke says. “Thanks for giving it to me! I really am glad I can talk to you some more.”
“I feel like I should be thanking you for giving me the time of day.”
Duke knocks his shoulder against Danny’s. “Come on, man, don’t say that. Anyone would be happy to spend time with you. Besides, I’m really not as cool as you think. I’m a normal guy outside the suit.”
“You still have powers.”
“I do, but I’m not the only one.”
“I know this is a bit of a bad question, and I do understand how important secret identities are! But do you think I’d ever get to know you when you’re just… you?”
Duke thinks about how much Batman would disapprove, the lengths Tim went through to protect his own identity as Red Robin, how everyone around him would become a target if anyone figured out who the Signal is…
But then he thinks about how much keeping this secret puts a strain on his relationship with his cousin, how much of a relief it is to have his friends in the know so he doesn’t have to constantly lie to them, how he’s the only hero Danny knows in this dimension and the only person who can help him while he’s here.
“I’ll tell you one day,” Duke says, “Promise. When we get to know each other a little more, yeah?”
“Yeah, alright, that’s fair. Thanks, Signal.”
“You need to get back to your friends?”
“Nah,” Danny shakes his head, “They can manage on their own. Besides, they agreed to one hour each place, and Tucker’s hungry enough to drag Sam out as soon as it hits that hour mark.”
“Well, in that case, why don’t you tell me a little more about your dimension while we wait? Or any other place you’ve visited.”
Danny grins, leaning closer, and says, “Have you ever met a yeti? Cause I have.” . . .
He doesn’t get to see Danny or his friends off when they return to their dimension. They’d been in the planetarium for hours, and Duke had to end patrol and turn in for the day to look over cases with Steph and Tim, then work on his college application. 
He does get a text from Danny, his new phone going off with a soft sound of a wind chime, in the middle of looking at different colleges and stressing out.
Danny: got home safe! off to fight dinner now 🤺
Danny: wanna talk more tomorrow?
Signal: sure! i’d love to!! good luck with dinner?
There’s a brief pause, and then Danny sends a blurry picture of a rotisserie chicken flying through the air towards a woman with red hair, holding out a steak knife, ready to attack. 
…Yeah, he’s going to question that tomorrow. For now, he just sends Danny a thumbs up emoji and goes back to staring at his list of potential schools he wants to go to with growing despair.
Does he want to stay in Gotham? Gotham City University isn’t all that bad, and he’s familiar with the campus. Or maybe Montclair State University. Rowan University and Rutgers University don’t sound bad either, and both are still in the state, so he wouldn’t be too far from Gotham. Maybe he could go to his parent’s alma matter; UCLA and Penn State are both out of state, though, and way more expensive, even if Bruce offered to cover his tuition.
What would he even study?
So lost in thought, Duke almost doesn’t realize that his regular phone is ringing until the noise cuts off. His head jerks up and he stares at it, wondering who could be calling him right after he finished eating dinner. 
Then it rings again, Barbara’s name popping up on the screen, and he lunges for it, worried that something’s going down in Gotham without him noticing.
“Babs! Is something wrong?”
“No. Should something be wrong? I was calling because you didn’t check in with me before you ended patrol, and you haven’t been responding to any of my texts,” she says, sounding distracted as the sound of her keyboard continues on steadily in the background. She must be working as Oracle already, preparing to assist the Bats on their patrols.
“Oh, sorry. Everything’s fine, our visitors were from another dimension and they really were just here to sightsee. Nothing to worry about.”
“I saw that you got a gift.”
Duke understands exactly what she’s calling about, now. He should have expected Barbara to fall to the siren call of new tech. “I did,” he says, offering nothing else just to mess with her.
“Duke,” she says, “It’s a matter of safety.”
“Just admit that you want to check out interdimensional tech.”
Barbara sighs, then says, “I want to look at interdimensional tech. Come by the Clocktower tonight and drop it off.”
“I don’t know, Babs,” he says teasingly, “I think Tim might want a look at it first.”
“I should have never believed Dick when he said you were well behaved. ‘The good one’ my ass,” she grumbles. “What do you want?”
“A favor to be decided in the future. No questions asked expect what’s needed to get that favor done.”
“Deal.”
“I’ll swing by soon. Do you think you could help me with my college apps while I’m there? I have no idea what to do or where to go.”
“Sure,” Barbara agrees, her voice warm, “I’d love the chance to big sister you. Jason hogs you too much.”
He does, and Duke doesn’t really understand why Jason gets along so well with him, but he’s not going to question a good thing. Street kids gotta stick together, after all. Even if neither of them are living on the streets anymore. 
It’s nice to know that the others are just as willing to help him out, even if he works separate from them most of the time these days. 
“Oh, and the phone I got from Danny has contacts already added to it. Please don’t text Danny or anyone else without saying it’s you.”
“That sounds like you’re giving me permission to talk to me.”
“I figured you’d want to talk to Tucker some, since he’s the one who built it.”
“Well,” Barbara says, and he can hear the smile in her voice, “Thanks for the permission. I’ll be sure to get as much information as I can from him.”
“Please don’t ruin this for me.”
Barbara laughs. “Oh, don’t worry Duke. I know how to be nice, especially with people you’re trying to impress. It’s Dick you should be worried about.”
She’s right. 
Duke drops his head onto his desk with a groan.
“I’ll see you later, Duke.”
“Yeah, alright. See you, Babs.”
She ends the call and Duke sighs, contemplating taking a nap before he heads out. But that would mess up his sleep schedule, and he’s willing to do a lot, but not that. Instead, he flicks through his phone to the group chat with his friends, and sends a quick question about when they can hang out again.
He’s missed them. Seeing Danny with Tucker and Sam reminded him of how much he loves his friends and spending time with them. He should take a page from Danny’s book and spend a day with them, just catching up and enjoying their company. 
And if they tease him about his crush on Danny, well, better them than the Bats. 
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queermediaanysis · 10 months
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S2 is driving me nuts like anytime I try and find any sort of semblance of a tangible theme it’s just not there.
I thought it was gonna be learning how to heal from trauma correctly, because Ed’s whole Kraken era is a bad coping mechanism and we got what felt like this massive narrative plant in e1 with Frenchie saying there’s a box in his mind where he puts all the awful things and he never opens it.
Nope. Not that. Never addressed and everyone just gets over everything because “not moving on is worse”.
I thought it was gonna be atonement/apology/forgiveness, because of Stede’s “I think I hurt him pretty bad” and Izzy’s “you and me did this to him” and all the messed up ways Ed tortured the crew and everything he did to Izzy.
Nope. Ed forgives Stede after one(1) conversation and watching Buttons turn into a seagull. Influencer non-apology from Ed to the crew is just accepted by most of them. No apology to Izzy that takes accountability, but somehow a massive apology from Izzy, who has a long track record of already apologizing correctly so it’s not an arc, on his deathbed for something that had been resolved several episodes back in multiple ways and was barely even believable to begin with.
Identity in terms of being what you’re expected to be vs being happy was a massive theme in s1 but that was such a mess in s2. Like we sort of have that with Ed but not really. He threw away his leathers, then got them back. Stede is apparently trying to become a more effective captain, and aside from the fact that s1 already established his different way of doing things was what made him that already and that I’d never have known it if I hadn’t read it in an interview, he leaves piracy completely at the end of s2 so that very very forced arc for him doesn’t even play out.
The only actual arc that happened in s2 was for Izzy. He got a redemption arc, he suffered, he saved everyone, he was accepted seemingly as the leader of his new found family. It was done so well in episodes 1-4 for him. It gets hazy after that and ends in a way that doesn’t even make basic storytelling sense. He had to die for Ed to be truly free?? We wrapped that up multiple episodes ago. Ed hasn’t struggled with the “consequences” of Izzy pushing him to be Blackbeard since the end of s2e3, and we don’t even see that happening anymore in s2 at all. Izzy isn’t “feeding the darkness”. He actively tries to stop it in e1 and DOES in e2. If Jenkins hadn’t said in interviews what Izzy’s death was supposed to represent, it wouldn’t have been interpreted that way at all. And if you’re having to explain it because it’s not clear in the text, you’ve done a bad job conveying your story.
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honeyjars-sims · 1 month
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3.26 Past in Your Present
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“Johnny!” Lexie exclaims in surprise.
“Wait, you’re the PA?” Izzy asks.
“Yep,” I reply, more curtly than I intended. “Well, I guess I’ll give you the tour.”
They follow me through the lobby doors. Our footsteps are the only sound filling the hallway. Beads of sweat form on my hairline and I quickly wipe them away. 
“So are you like our boss?” Chase finally asks.
“Kind of,” I lie. 
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We make it to the studio door and I swipe my badge. “I don’t know if you’ll get one of these,” I tell them. "They don’t give them out to just anyone.”
Pretty much everyone here has one, but my insecurity has put me on a bit of a power trip. A familiar feeling lately.
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Once we’re on set, the group starts chatting about how cool it is. It wasn’t that long ago that I was in their spot, looking around this room in awe. Now it was just another room in the building. I guess that's progress.
Lacey and Lilly are rehearsing on one of the sets. They spot us and head over.
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“Hey, Johnny!” They call.
“Hey! These are my friends Lacey and Lilly,” I tell the students.
“Oh, the students!” Lilly says excitedly. “I love when we get new staff members.”
“You’re gonna love it here!” Lacey tells them.
“I can’t believe we’re actually meeting you two!” Lexie gushes. Our eyes meet for a second and I look away abruptly. The image of her tear-stained face as she told me she couldn't be my girlfriend anymore replays in my mind every time I look at her.
“Yeah, we watch your videos all the time!” Kelsey adds. “Johnny can tell you.” Chase nudges them with his elbow.
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Lacey raises her eyebrows. “Johnny, you know them?”
Everyone quiets down really quickly. “Yeah,” I say. “I was at DSV with them for a bit.”
“Oh, I didn’t know you were a student!”
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“Uh, well, I’m not anymore. College wasn’t really for me.”
It starts to fall silent again, but Izzy quickly intervenes.
“Well, we loved the Voidcritters video you just put out,” he tells Lacey and Lilly. “The costumes were amazing!”
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They start discussing the video and I zone out, hoping that Lucy will appear so I can go somewhere and gather my thoughts. Luckily she walks in the studio while Lilly is still explaining the symbolism behind her costume.
“Oh, here you are!” Lucy says as she walks towards us. “I see Johnny is giving you guys the grand tour.”
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“Yeah, I was. But I just remembered something I need to do for Damien. Are you able to take over?”
“Sure, no problem!” Lucy agrees. “It’s probably for the best, there’s no telling what this guy will tell you!”
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Everyone laughs politely, like they don't already know exactly what I'm capable of. 
I exit the studio and go into the nearest bathroom. I splash my face with water, taking deep breaths as I do.
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As I pat my face dry, I think to myself, It’s going to be okay. You can get through this. 
I pull out my phone and shoot a text to Khadija asking if my next appointment can be moved up. Luckily, she has an appointment available for this afternoon.
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by popular demand (aka the 63 people who voted "yes" in my poll (six months ago oops) for whether or not i should do this)
here's why ofmd is a romcom, beat by beat
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so for the purposes of this analysis, the ten stages outlined in this article are what i'm using for reference.
(and for the sake of everyone's dashes, i've added a cut because This Got Long. like, genuinely, 1.6k and 24 images. you've been warned.)
1. Unfulfilled Desire: something important is missing from the love interests' lives.
before the love interests meet, both of their lives are lacking in some way, often in a way they hardly realize. and this unfulfilled desire doesn't have to be romantic love in and of itself, and quite often it's not. and the things missing from ed and stede's lives are not romantic love. not at first.
what stede's missing is skill and structure. to put it bluntly, he has no idea what the fuck he's doing as a pirate, and without the guidance of someone more experienced, he'd likely get himself and his whole crew killed soon.
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meanwhile, what ed's missing is interest. he's just about as bored with his life as anyone can be. every day is the same, and he needs something new—a new environment, a new challenge—to bring the spark back into his life.
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2. Meet-Cute: the love interests meet, and at first, their personalities clash.
now, granted... in most meet-cutes, one of the protagonists isn't like three-quarters dead and nearly unconscious. but, as we know, ofmd is not like most shows.
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but when we fast forward a bit to their real proper first meeting, we can quickly start to see how their personalities differ. in many meet-cutes, the love interests start off on bad terms, but in ofmd it's more of a contrast than a real clash, as stede and ed take a liking to each other right away.
in their very first conversation, stede is self-conscious and fretting, while ed is relaxed as can be. and as they talk, ed is in awe of stede's eccentricities, and stede is in awe of ed's powerful reputation.
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and nothing exemplifies their contrast better than what they spend the rest of the episode doing—literally switching clothes and switching roles, getting a taste of what it would be like to be each other.
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3. Happy Together: the love interests spend time together and grow to enjoy each other's company.
the classic honeymoon phase—not necessarily denoting romance yet, just a bond that continues to grow stronger the more time they spend together.
one of their first, biggest bonding events, just a few days after they met, is of course the fancy french party. while the night ends in disaster, the two end up much closer after the experiences they shared.
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however, i think by far the best example of this stage is the montage at the beginning of episode 6, narrated by none other than my favorite (derogatory) terrible little rat man, izzy hands, who will become relevant soon. in romcoms, this stage is often shown through montages, so it only makes sense that that would be a great demonstration of it here as well.
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4. Obstacles Arise: the love interests' original lives and obligations catch back up with them.
it's no longer possible to avoid the hard truths their happiness let them ignore. while both ed and stede go through this, i think stede goes through it differently and at different, non-linear times, so i'll talk about him first.
the pre-edward life that stede has been forcing to the back of his mind is, quite obviously, his wife and children back on land. and he's done a very effective job of ignoring it while he's been around ed.
he was fretting about it before—like in episode 2 with nigel's guilt ghost—but it doesn't seem to fully hit him again until he learns in episode 9 that he'd been declared dead. (in my opinion, the dreams/flashbacks in episode 4 feel less about stede's guilt, specifically, than these other instances do. but even if they are, that's still before he properly met ed.) so he does go through this stage, but it happens in slightly different ways and at different times.
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ed, on the other hand, has a very specific and concrete obligation that catches up with him: a promise he made two weeks ago.
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this is where izzy comes in. just as mary is the personified symbol of stede's old life, izzy is the equivalent for ed. whether ed initially intended to follow through on the plan or only said it to placate izzy is up for debate (and my personal take is that it's somewhere in between, but that's a story for another time), but izzy is going to hold him to it regardless.
and when ed can't bring himself to do it, because of both his growing feelings for stede and his trauma around killing people himself, izzy is determined to carry out the act for him.
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5. The Journey: the love interests face and overcome the obstacles together.
what better way to overcome adversity than by getting thumbtacked to a mast by the same Very Angy Little Guy who's the source of the adversity in the first place? with izzy banished, the biggest obstacle to ed and stede's love is out of the way (for now).
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stede still hasn't overcome his big obstacle, of course, but as i said, that happens very non-linearly with regard to the romcom structure.
the two also overcome other minor obstacles, like their bickering during the treasure hunt adventure. the key is that they face what's in their path and settle into a new normal with each other.
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6. New Obstacles: despite solutions seeming effective, more hardships arise.
the next big issue thrown into ed and stede's relationship has a name, and its name is calico jack rackham, my favorite (affectionate) dumpster fire of a man. which makes sense—after all, his sole purpose in meeting up with them was to separate them before the english navy arrived. and he does a damn effective job of it.
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and even once he's gone, they're still faced with chauncey badminton, stede's near-execution, and his and ed's eventual surrender to the english. they may have escaped chauncey's wrath (for now), but they bought it at the cost of their freedom.
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and on top of all of that, now they finally confess their feelings for each other and make plans to run away together, and the choice—really, stede's choice—of whether or not to go through with running off to china looms in the distance. speaking of which…
7. The Choice: the love interests have to decide if the relationship can work.
a turning point is reached, and a decision has to be made. can they go through with it? are they really the best thing for each other?
the choice stede makes here is helped along in no small part by chauncey badminton, whose encounter just solidifies the beliefs stede already held—that he abandoned his family, and that ed is better off without him.
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so stede makes the choice to run.
he goes home to his family, and ed is left to return to the ship alone.
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8. Crisis: the love interests—now apart—ruminate and face the consequences of their choice.
the winter of their discontent. stede has made his choice, they've separated, and they're both worse off for it.
ed is depressed, retreating to his blanket fort and writing sad songs while eating marmalade.
and meanwhile, stede is back with mary and the kids, but learns that they'd all moved on and were much happier without him around. so he's left trying to force himself back into a space where he no longer fits, and all the while he misses ed more than anything.
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and of course, ed takes it one step further by going full emo kraken mode. he's so distraught about stede leaving that he too forces himself back into the shell of what people expect of him—of what he was supposed to be before he even met stede—despite not fitting there anymore.
it's obvious that without each other, they're both in pretty rough shape.
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9. Epiphany: one or both of the love interests conclude that they belong together and rush to reunite.
think of this stage as the person running through the airport to reach their love interest before the flight leaves.
in ofmd, it's clear who has the epiphany, because we watch it happen in real time. stede sits down with mary and asks her how it feels to be in love, and while she describes it, all he can think of is his time with ed. he finally realizes that what he's been feeling all along is love.
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once he knows this, he knows he has to leave his family again, so he can reunite with ed. he and mary stage their fuckery, and stede rows off in a dinghy bound for wherever ed is, because he knows that as long as he's with ed, he'll be happy and everything will be okay.
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10. Resolution: the love interests are reunited. desires are fulfilled, and all is well.
sooo… stay tuned for october 5th, i suppose?
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follows-the-bees · 11 months
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Stede Bonnet character study in 2x7.
What the audience sees and what Stede sees/feels/thinks are different, and I think that's a really important perspective to consider, especially with everything that happens in Man on Fire.
When Ed went to the party in 1x5, he was having the time of his life at first: dancing, making up stories, winning them over. And then when they turned, he had Stede. Stede came through using the "upper crust use cutting remarks" method.
In a direct parallel, in 2x6, this time Stede is getting recognition. His entire life he's been bullied, beaten down, laughed at and - just like Ed - he is having fun being the center of attention. This has never fully happened to him, even his crew - especially at the beginning - didn't fully respect him.
So, let's talk about Stede's perspective of Ed and his crew vs our audience perspective.
We know the crew loves Stede, he is their captain - for better or worse - but they continually choose to stay with him and use the methods he taught them to get through: the act of grace, Jim telling Fang the story of the wooden boy to make him feel better, the marooned crew continually to stick with him at Spanish Jackie's and saving money to buy a new vessel, using the safe space talk when the two new crews come together and the trauma makes them paranoid of each other. And of course, arts and crafts time to bring them together again as a crew but also to present Izzy the unicorn leg and welcome him unconditionally.
Out of all these instances, Stede only sees the act of grace and them sticking together and getting back to the Revenge.
Stede has been prioritizing his crew a lot more this season - even over his self interests (mainly, there is some stuff we can talk about how he immediately leaves after Ed is voted off the ship and then spends all day with him and brings him back.) But he kicks Calico Jack off, he saves the marooned crew from the island, and then for the Pirate Queen's ship, holding back his grief of Ed's death, only going to him after the crew is safe. And after he realized how much the curse was affecting him, he does ultimately give up the suit.
Now Ed. We of course see how much Ed loves him. I wrote a lot about Stede's perspective of Ed coming to his room after he kills Ed and how much that is a substantial moment for them. Not just because of the sex but because in the past Ed shuts down and leaves when Stede stands up (when he kicked Calico Jack off - Ed leaves, he doesn't do anything when Izzy challenges Stede to a duel, etc)! So Stede is afraid Ed will leave, but Ed doesn't, he shows up. He's there for Stede. Read that meta here.
But we also know what's going on with Ed's head, his insecurities coming back, his wanting to not be a pirate and seeing Stede become the biggest one right now. But Stede doesn't get it.
So everything spirals so quickly in 2x7, Man on Fire. As I mentioned previously, Stede is enjoying being the center of attention after a life of not having any respect from anyone.
And in his mind, him and Ed are partners. "But we're a partnership" it's already set in his mind, probably further cemented by them sleeping together and taking that next step. So he goes to Ed, realizing he's not by his side and Ed tells him he's leaving, already made up his mind, randomly mentions the fish - which Stede doesn't understand the meaning of - and then tells him that last night was a mistake. This has to be a mindfuck for Stede. Ed chooses to come to him and then immediately saying he regrets it - we know it's not the sex but the moving too fast - and is leaving, something that he was already afraid of happening and he thinks has happened in the past when Ed shut down. He tried to salvage it "well, you know, this can be whatever we want it to be."
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So now, his boyfriend broke up with him and he's spiralling even more, and like Ed does when he is spiralling (hides under a blanket or in a blanket fort, or Stede's robe, getting comfortable and warm) Stede surrounds himself with people. His own warm blanket of loose acceptance.
But then he sees his crew getting supposedly poached. (I'm not sure if he actually knows anything about Olu and The Queen). And now everything comes crashing down again. Ed left him, his crew is leaving him, he doesn't think he's good enough. All those insecurities, things falling apart. And his self esteem issues are raging.
And then Steak Knife dies (I assume he is supposed to be dead) for him. Another person to haunt Stede's dreams.
Yes, you can read Stede challenging The Queen only as an ego trip, but in no way do I think that's all of what's happening. It is more of a frightened traumatized man at his wits end trying to save his family. "We've been through hell together."
Everyone is leaving him, he's got tears in his eyes, and he's doing something, anything to keep his family together. Even if it's something against an opponent he can't win against. Cause isn't it better to at least show his crew he's there for them again, than have to see everything he has built, he has loved, walk away from him?
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gremlintheslut · 11 months
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Kinktober
Day 8 public and sex toys
Izzy starddlin
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Summary: Izzy decides to play with his new toy while getting you some knew books at the store.
Warnings: toys (vibrator panties), public, edging, technically voyeurism.
You wander through the book store your boyfriend by your side. "You wore the new gift I got you right?" He asks the gift in question being a vibrator attached to a pair of panties. "Yeah why?" You say. "Nothing" he smirks as you continue you to look for the first book on your list. "Is that the book you wanted?" He asks pointing at a high shelf before you can continue to ask why it mattered. You nod your head and he tells you to grab it.
You step up on one of the step stools provided by the book store. You go up on your toes and your fingers grab a hold of the book. You begin to pull it off the shelf when the toy turns on. You drop the book and it falls to the floor. You look at Izzy with a shocked face. You didn't think he would actually do anything like that in public. "You okay?" He asks fake confusion displayed on his face. It's only on the first setting so it's not that bad.
"Turn it off" you whisper to him as get off the step stool. "No" he whispers back. "Pick the book up" he says at a normal volume. "It's loud shut it off" you whisper looking around anxiously. "It's not, grab the book" he says and you listen. "Keep walking" he says and you start looking for the next book. "There's two more right?" He asks and you nod your head. You open your mouth to say something but it trails off almost into a moan and you have to clamp your mouth shut. Izzy had turned the vibrator up a setting.
You bite your lip holding back a whine as you are actually feeling pleasure now.
You stare at him with a pissed off look on your face. "You can handle a little more" he says grabbing you by the arm forcing you to keep walking. "It's so loud someone will hear" you whisper. "no one will hear." He says continuing to drag you along "Izzy" you whine your wetness soaking through your underwear. "Don't catch an attitude with me I'll turn it up more" he says shutting you up.
"But-" "what are you gonna do take your underwear off in the middle of the store?" He says dragging you again. "Look for your book" you start looking for the book. You hold onto his arm as you walk. He turns it all the way up to the max before turning it back down to 2. You stop walking for a moment and continue to stumble forward a few seconds after it's turned back down. "Good girl" he says appreciating your lack of arguing. You can feel your self dripping onto your thighs as you continue to walk through the store.
"Walk normal" he says. "I'm trying" you reply. You point at a book on a low shelf. "That's it?" Izzy asks and you nod. "Go on" he says and you walk towards the shelf. You bend down unintentionally giving Izzy a full show of under your skirt. He admires your soaked panties and wet thighs for a moment. Just as your about to stand back up he turn the vibrator up to 3. Your kneels almost buckle but your able to keep your grip on your books. You stand back up, biting your lip while Izzy laughs at you. "Please don't turn it up anymore I won't be able to walk." You say and Izzy gives you no reply.
You know that when you find your book he's gonna turn it up but he's not gonna let you leave without it and the longer you stay here the higher your chances of having an orgasm in aisle five are. You spot the last book a few steps a head of you at the end of the aisle. "It's there" you say pointing. Instead of waiting for you to grab the book he turns it up to 4 the second you say that you see it. You stop dead in your tracks. "Go get it" he says not bothering to whisper as your at the back of the store and no one can hear you. "C-can't" you say unmoving.
"Can't walk? Come on you can do it, go grab your book" Izzy says dragging you along a little. You grip his arm tight and stumble forward a little. "You got it" he says as you make your way to the end of the aisle. Your standing in front of the book unable to bend down a little grab it. Izzy notices and grabs your hips helping you lean down. You grab the book and he pulls you up to your full height. "Good girl" he says kissing your temple as he hold onto your elbows helping you walk.
"Let's go check out" Izzy says and your eyes well with tears as you realize you have to talk to another person. You look at him with anxiety in your face. "I'll do the talking" he says. But your anxiety is focused on another thing now. You can feel your orgasm coming. You've been able to hide all signs of pleasure this whole time but whimpers start to slip out of your lips as you make your way the register. You squeeze Izzy's arm hard and he catches on. Instead of turning it down or going to the register without you he begins to walk faster in hope of getting you in the car before you cum.
Fortunately there's no line. "Did you guys find everything alright?" The cashier asks. You bite your lip as hard a possible to stop from making noises. Izzy takes the books from your arms and hands them the cashier. "Yeah found everything fine thanks" he says. The cashier scans the items and the knot in your tummy gets tighter and tighter. Your so zoned out you don't even hear the cashier say the price. Your thinking of everything to distract yourself from the pleasure your in. Nothing is working.
Izzy reaches into his pocket to get his wallet. A small whimper escapes your mouth as you realize your about to cum. The vibrator get turn off before Izzy pulls his wallet out. Your breathing heavily but trying to be quiet. He gets the money but turns the vibrator back up to 4 before he hands it over. He pays and grabs the books. He hands you the books and as he put his wallet away he turns it up to 5. He grabs you by the arms and rushes you out of the store in hope of getting to the car before you cum.
Words-1155
Thanks for reading love ya💋-gremlin
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billgetsmewet · 6 months
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Can you do an imagine where it’s mutual masterbation with early 2008 bill (the black hair with white streaks one) and she squirts all over herself as she watches bill jerk himself off infront of her. Bit of a wild one, came from the depths of my imagination (if you’re not comfortable that’s 100% okay) 😘😘
Paired
all the expected warnings are in the req!
a/n:i need a coke zero so bad
You and your friend were talking in school and she mentioned something about “mutual masturbating” while talking about her new hookup.
You werent suprised , she was an oversharer, but this word caught your attention.
You werent sure how comfortable your boyfriend , Bill, was about these things, since you guys never had sex together before.
You and Bill finally got the chance to hang out, its been a while and youve forgotten about this whole “mutual masturbation” thing.
-nsfw-
He came over to your house, but you guys got pretty bored after a few hours.
You were laying on him, head in the crook of his neck. You felt something almost pierce you on your pussy.. he was barely even touching you..
Bill slowly rolled you off him, thinking you were asleep. You could barely hear his zipper move down before he unbuttoned his pants.
You could hear him whine and moan, whpering your name as his dick was all wet from precum, you couldnt help but crack your eyes open for a bit, just to see his length.
God, was he big.
You wanted to wake up so bad, jerk him off instead of him doing it or just do something instead.. you wanted him to please you so bad aswell.
You sit up, frightening him for a bit.
No-no no, Bill, its okay, its okay! dont worry!! im so sorry
you were obviously not sorry, you did this on purpose.
you gave him a tight hug, feeling his dick, that was hanging out of his jeans at this point, harden.
Fuck it.. you mumble, taking off your shirt, beginning to do the same as him, you couldnt help it.
You finger yourself while he is jerking himself off, hes so hot, his cum all over his fingers, as his mouth hangs open.
He moans your name, making you speed up with your fingers, close to the edge.
Y/n.. he moans submissively, begging for your help
He obviously gets no reply as youre too busy playing with your pussy, but its not like he gives a shit.
He starts to moan heavily and take deep breaths, hes clearly close to his climax.
You take one good look back at him and she shoots his load, cumming all over his hand and your bed.
He gets up immediately, apologizing, but you just kiss him in reply, starting to make out.
ps i hope this was ok😭😭 love u izzy 😜😜😜
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fuckyeahizzyhands · 10 months
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COLLIDER: I'm so glad that we finally got the chance to touch base about the show.
CON O’NEILL: Yeah. It's been really uncomfortable not being able to talk about it.
COLLIDER: Izzy, as a character, really goes on a beautiful, poignant journey this season. In the beginning, Ed is Blackbeard and back to the old lifestyle of raiding and pillaging ships, but it feels like something's off. Izzy has what he wanted back, but at what cost? What was your take on that — reverting to the way that things used to be, but, obviously, there's been a shift, and things aren't quite the same?
O’NEILL: It goes back to how it used to be, but Ed’s broken, and that's the difference. Before Stede appeared, Izzy and Blackbeard worked as a unit really, really well because they were both on the same page. When Stede breaks Blackbeard's heart, Izzy and Blackbeard aren't on the same page. Basically, Izzy’s looking at a man that he loves falling apart, and all the joy is gone — not just from Blackbeard, but from piracy. He can see Ed's decline, he can see the decline in his crew, which is fundamentally really, really the most important thing to him. He can feel his own heart breaking, because he's seeing the devastating impact of his actions. So, it's a pretty bleak start to a season, but we do have fabulous make-up.
COLLIDER: It does feel bleak, especially for Izzy at times, who goes through the amputation and has to adjust to a new normal of not being able to get around the way that he used to. But it's also an opportunity to see the changing dynamic with the crew. I was really touched by the moment when they built [Izzy] a new leg. It's moving on an emotional level, but it's also proof of how far this group has come. Was it nicer to be able to play those moments of camaraderie instead of being at odds all the time?
O’NEILL: What's interesting, though, is the love for Izzy to his crew and the crew to Izzy, it's always been there. It's just not being presented in this way. The giving of the leg, I believe, is the first time in his life where he's actually had an emotional connection that he wasn't able to control. That act of kindness overwhelms it. But he's still a pirate, and the leg ultimately allows him to be a pirate again. He does change his attitude towards his crew after the new leg and after the unicorn statement, but it's also about how to navigate the new crew as the first mate. And that's the beauty of what David's written. It's not suddenly he's this new guy. He's still a bit of a dick, but he's their dick, as Vico says.
It's a beautiful human version of the story that could have been really sentimental, and I don't think we go there. He doesn't suddenly become everyone's mate. That was never going to happen. That would have been dishonest. But he just has a need for them more because he's not as physically able as he used to be, and with that comes an understanding of them. The way he deals with Lucius is very specific in that he can't give Lucius love and understanding without calling him a twat — because that's who Izzy is, but he does give him love and understanding — and that's down to David and David's choices. Remember, this is a comedy. He's done all this in a comedy. That's really profound that we're going on these routes of human stories in what is essentially a comedy.
COLLIDER: One that really stuck out to me was Izzy singing in the “Calypso's Birthday” episode, especially because it plays as a backdrop to some pretty significant moments. I wanted to ask you about the preparation process behind performing that song. Did you have to record it and also do it live on-set?
O’NEILL: I got an email from David a third of the way through the shoot asking me if I knew “La vie en rose,” which, of course, I knew, but only as I'd heard it. I was actually in Wellington filming a different show because I did a different show for a week, and I just got this message. We were just gonna sing the English version because we didn't have the rights to the French version, and I don't speak any French at all. Nothing. Zilch. And then I got the phone call. Would I be able to learn it in French? So I did. I called a lot of people, and a lot of people who say they speak French don't. But my partner does, and I have a friend who just played Piaf. So, between the two of them, they gave me an understanding of the French.
We recorded both versions, and I lip-synced to the English version first before the scene with Ned. I thought we were just gonna do a little bit of the French version for the end of the episode. I had no understanding that it was gonna play out the episode. I’m thrilled that it does, but it was terrifying. Every minute of that, from the recording of it to the lip-syncing it to the filming it, was terrifying. I haven't sung in public for 20 years. But it felt right, and it felt like the absolute right choice of song. It felt like the absolute right choice of language. I didn't want him to be too French, I just wanted him to be able to because Izzy speaks bits of every language, as most pirates would. I thought it was audacious. I thought it was moving. I thought, again, it shied away from sentimental. And I’m just in awe of how David's brain works. If you would have asked me prior to doing it which song Izzy would sing, I'd never have thought “La vie en rose,” and now I can't think of a song that's more appropriate for Izzy.
COLLIDER: I talked to David, as well, about the scene of Izzy talking about piracy in the finale, and he said it's kind of like Izzy giving his own eulogy, in a way, before what happens next. That scene where Taika is holding you feels significant for the show — not just in terms of the weight and impact, but because so much of the cast is there, and it really feels like a moment of family getting to be together. Even if it's mostly an exchange between Izzy and Ed, everyone's there to send him off. I would love to hear about the experience of filming that on the day.
O’NEILL: David sent me the scene a few weeks prior, and the date was set to film it, which was gonna be in the last week of filming. It was early on in the last week, and then it was in the middle of the last week, and then it was scheduled for the morning of the last day. Then, suddenly, it became the last thing we were gonna ever film in Season 2.
Those things aren't easy. They're quite difficult because no matter how you think about it in your head, it's not gonna play that way. We were on a set, we were on the ship, there were hundreds of crew, there was the whole cast, they were setting up the shot. It was busy. David, bless him, played a playlist to help us all get in the mood, but it's just a cacophony of noise and busyness, and we’re getting towards the end of the day.
Suddenly, it was just me and Taika. Suddenly, all the noise disappeared, and suddenly, all the process of filming a scene disappeared, and it was just me and him. And Taika is a wonderful actor. Everyone talks about his writing and his directing, and this and that. Taika is a beautiful actor to play opposite. And in that moment, we just got to say goodbye to a character that we both loved. You never get a death scene that's going to get all those boxes, but for me, it was never about what Izzy said. It was about Izzy being vulnerable enough and brave enough to say, “Sit with me.” It was about Izzy being allowed to be held in the last moments of his life. That's all I remember about the day. I’m very proud of it.
COLLIDER: I just want to say thank you so much for taking the time to chat with me about the show. It's been great to finally get to reconnect with the cast and to really get to talk about Season 2.
O’NEILL: Oh, it’s my pleasure. It’s my pleasure.
COLLIDER: I’ve enjoyed your performance so much these last two seasons, and who knows? Maybe we'll see Izzy's ghost pop up in Season 3.
O’NEILL: Who knows?
COLLIDER: You can't predict anything with this show.
O’NEILL: No, none of us can, and none of us know. Literally, we are all in the dark, all of us, David included. None of us knows what's gonna happen. David always wanted three seasons, and I think this story should be allowed to run its course. I would say that because I'm involved, but even if Izzy isn't involved in Season 3, I would be heartbroken for the show if it didn’t get to conclude, because it's an important show.
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It is absolutely fascinating how in season 1 Izzy is constantly demonstrating how he's just very bad at the things he defines himself by, and in season 2 the story replaces these things and gives him something more grounded to hold onto. I think it's an essential part of his s2 arc that being "one of the crew" becomes a part of his identity.
He's always making implications about what piracy should be like and how pirates should behave (and this continues into s2 as well), but he's really kind of a shit pirate, isn't he? He has a standard for professionalism that other pirates don't feel the need to abide by, and Stede takes advantage of on several occasions. He seems to care quite a lot about doing things in the "proper" way, and in an underhanded profession like piracy, it's funny that he's always complaining about Stede's lack of "professionalism" or that Stede beat him "on a technicality."
He's also just really not a good sailor. Dismissing Ed's attempt to get him to engage him in talking about clouds is a rookie mistake - we know Izzy registered it, because he brought it up later, but when he was nagging Ed about telling him the plan and Ed immediately started talking about clouds, he should have been able to take the hint. Learning how to tell weather conditions is like sailing 101.
Izzy defines himself as a loyal person, with "loyalty above all" to his captain seeming like an essential aspect of himself when he talks about himself. But that's just horseshit, though, isn't it? In s1 Izzy is loyal to himself and that's it. He's shockingly quick to involve the English Navy, he constantly insults Ed when talking to others about him, he mocks Ed's attempts to define for himself how Ed wants to behave and present himself. He calls this loyalty but it's very obvious that his first priority is always maintaining his status as someone who is important (he's content to be captain after Ed and Stede sign the Act of Grace, and he only begins to panic in s2e1 when Ed reminds him that he can just find a new first mate). Being replaceable scares him.
And I think all these things really add to how as he grows in s2 being a part of the crew replace these traits in his mind. He is accepted by the crew explicitly in spite of how he feels "less useful." He no longer feels like he has to control Ed's behavior in order to feel irreplaceable because now he is a part of the crew and that on its own makes him feel like an irreplaceable part of things. Being a member of the crew becomes a core facet of his identity for him to hold onto and inform how he interacts with others.
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canonizzyhours · 4 months
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i read more canyon fic than i should.
it used to be because i was interested in the actual canon edizzy dynamic some other posts here have talked about and i wanted to find good darkfic about izzy topping from the bottom. then i realized i was never going to find that and it became something i did in good faith hope that i would understand the canyon better, maybe i'd find some really good fic about their take on fanon izzy and i would finally get why they found this compelling. at this point it's something i do out of morbid fascination, i'm still trying to understand the canyon but what i keep understanding is that their perspectives are always worse than i expected.
anyway here's what i was thinking about today. at this point i can sort canyon fic into categories and there's this one subgenre that's always fascinated me - and it goes well back into the early post-s1 hiatus era - where izzy becomes a weirdly passive character who never really does anything.
you can see exactly why this is happening. the author is so immersed in canyon meta that they refuse to engage with any of izzy's canonical motivations from s1 - the craving for power, the homophobia, the fetishizing obsession with masculinity, the contempt for the crew who work under him, the cruelty, the sense of entitlement to control ed's life: they've been convinced that none of that stuff is a part of izzy's character. but when you take it all away, you end up with a guy who would never actually do any of the stuff izzy canonically does in s1. and if you gave him any other motivations that pushed him to do other stuff instead it would become really obvious this is just a completely different guy (there's several OTHER genres of canyon fic where they do exactly that and it is super obvious this guy just has nothing to do with izzy anymore). so you end up with a character who does absolutely nothing except stand around in the background of scenes gazing at edward thinking sad thoughts about their dying relationship and every once in a while the author remembers to have him say "fuckin' twats."
so i was thinking about this today and what hit me like a lightning bolt is this exactly predicted what would happen in s2. the writers wanted to redeem him in one season and since all his motivations in s1 existed to push him to be awful, they had to resolve all of them as quickly as possible. so within the first half of the season izzy had let go of his creepy psychosexual obsession with ed and belief that he should control ed's life and his homophobia and contempt for effeminacy and learned to respect others instead of needing to dominate or be dominated.
but just like in those fics, this turned izzy into a character who no longer had any real personality traits besides saying twat sometimes, or any reason to actually do much of anything at all. and since the traits they got rid of so completely defined who he'd been up to that point, giving izzy any NEW motivations or personality traits would just make it really obvious this was functionally an entirely different guy.
this is the exact reason he was so boring in 2x05-2x07. with those traits gone there is no longer any reason for him to do anything in particular. the only thing they can do with him at this point is demonstrate that his redemption arc is complete by repeatedly having him do the opposite of evil stuff he did last season, and once they've checked off every box on that list, they have to kill him off because there is now nothing else he can possibly contribute to the narrative.
it's so funny to me that if i had taken seriously the lessons i learned from reading canyon fic i would have been able to predict at the very beginning of the season, as soon as it became clear they were speedrunning the redemption, that he would be dead at the end of it. those fics showed me exactly why there couldn't possibly be any compelling reason to keep a fully redeemed izzy in the narrative.
#394.
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Dreamzzz rant
From the very beginning I sort of just had the idea that Logan and Cooper were going to be my otp for this show which is kinda random but I didn't really think Cooper would just leave his best friend and join some mean goon for no reason at all like he must have seen something in Logan that nobody else saw. It also would kinda make sense because of all the pressure from his parents to be perfect that he felt extra pressure to be straight, and his parents probably also gave him internalized homophobia but that's besides the point.
After rewatching the show I noticed something else.
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Cooper is like constantly nice to Izzy. He doesn't really complain or open up about school pressure but when he does, he tells Izzy. Izzy kind of seems dramatic and not the type you would rant to or talk about your feelings with, but she never judged Coop when he told her he was tired, or that he felt like his parents gave him too much pressure in school. She just listened and made him feel valid. Also just look at the way he's looking at her.
Logical smart pressured autistic rizz x insane weaboo girlypop skibbidi rizz
I may or may not have a new otp...
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san-sebastienne · 7 months
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I don’t care that it’s been months; I’m still thinking of how to tighten up s2 and make it have literally any narrative impact/emotional growth. So here’s my chopped and screwed s2 rewrite that nobody fucking asked for, PART ONE:
The big, overarching change is that Ned Lowe is the BBEG of s2. We’re saving Zheng and, more pertinently, Prince Ricky for s3 (that’s definitely happening in my world, shhh). This gives weightier narrative stakes to the Kraken era, since the looming problem is predicated on Ed’s actions – much like the Badmintons as BBEGs in s1 were based in Stede’s actions/past.
The season begins the same: the trauma crew are raiding every day, never making port. The Kraken is making everyone’s lives difficult. They break Ned Lowe’s record, but it doesn’t seem to matter (also Lucius is hiding in the walls of the revenge, causing even more stress and probably trying to haunt Ed. Let’s add a little levity.)
Stede and co in the ROP. Stede’s bartending at Jackie’z and hears someone talking about blackbeard… but they’re being very complimentary. Calling him “fascinating,” “a dedicated man” – not the kind of language that Stede’s gotten used to arguing about. Who’s this gent who seems to actually GET Ed? His name is Ned Lowe, and he’s looking for his old pal blackbeard.
Stede and the crew hitch a ride out of the ROP with Ned, since they all have the same goal – finding Blackbeard. Besides, Ned is genteel. He seems to have the same sort of appreciation for finer things that Stede has, and it’s nice to see after spending so much time cleaning up vomit at Jackie’z. Maybe Stede and Ned have a dinner in the captain’s cabin a la Barbarossa and Elizabeth Swann in the first PotC… everything is grand and well laid out, but something is very wrong. Stede tries to ignore this, but his “this guy is bad news” senses from being a gentleman are tingling.
Meanwhile, back on the trauma ship, Jim is trying not to mourn Oluwande. They’re very “everyone I’ve ever loved is dead; why would he be any different?” They’ve thrown themselves into pirating as a way to double down on their hardened I Am Vengeance persona, and this growing thing with Archie as a rebound.
Leg thing/Frenchie is first mate now/crazy storm thing/let’s kill Blackbeard are all the same. Except Lucius is there, probably spending a lot of time hiding with drunk/sick Izzy (there’s some hurt/comfort in both directions, as much as izzy can be lucid for it). He also shows up for that final shot of the crew looking down at Ed while Jim hefts the cannonball. Ed’s not worried about hallucinating anymore; he’s finally about to die!
It’s Ned’s ship (plus Stede et al) that comes across the storm wreck of the Revenge. Our crew still has to escape over to their old ship, not because anyone found Ed’s corpse but because Izzy, in a moment of clarity, is like oh shit, Ned Lowe is super bad news, we have to get the fuck out of here right now. This way we get the beginning of a basis of trust between Izzy and Stede, since Stede listens to the insistence of the Trauma Crew and takes Izzy’s advice on when to get out of a bad situation.
Gravy Basket happens.
Someone (Lucius?) tells Stede that Ed’s body is still onboard. MerStede happens.
Jim is extremely overwhelmed that Olu is alive. The two of them have a very sweet romantic reunion. They confess to Olu about Archie, but insist that she was just a rebound. Archie tries to laugh the whole thing off – it’s fine! This didn’t matter! Shit things are bound to happen to everyone! Jim feels mega guilty and starts to realize that maybe it wasn’t just a rebound – they might actually care for Archie.
The uicorn leg half of “fun and games” is pretty much the same, the big division between the crews being that The Trauma Crew wants to banish or straight up kill Ed, but they’re still very much being chased by Ned Lowe. Stede’s crew insists that getting distance here is more important than adjudicating that mess.
We do all still come together to give Izzy his new leg.
Ed is locked in some kind of makeshift brig, making everyone tetchy and uncomfortable. Except for Stede, of course, who sees this as his chance to explain himself to LITERALLY captive audience Ed. Stede has the “I love everything about you” scene with him there, and explicitly tells Ed that he didn’t go to the dock bc of Chauncey (holy shit, how does he never fucking bring that up in the actual s2). Ed is moved but not convinced to forgive Stede… yet. They do the hand holding thing here, but don’t have the conversation about taking it slow. Instead, offering his hand thru the bars of the brig is the only thing Ed does to show that he’s heard Stede and is considering forgiving him.
The other half of this episode is the crews re-integrating emotionally. Jim/Olu/Archie explicitly discuss their relationship structure. Jim can be with both of them. Lucius and Pete get to have a moment about how Pete thought Lu was dead; Lucius admits that he kind of thought he was too, since all he did was hide and hang out with a guy who was too delirious to even really recognize him.
Somehow we still get Ed in that catboy collar. Nonnegotiable.
Part two incoming…
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