#but I just thought they were neat ^-^

[lotus-pear]

charm stat at debonair ‼️‼️

[ink-the-artist]

house tour :)

bonus art, lossy versions of the first 2 gifs

[turtletoria]

one downside to digital mediums of art is that you cant see the tear stains (they just slide down the screen)

[mlobsters]

jared padalecki and jensen ackles spn dc con 2024 - main panel (youtube)

Q: In season 5 episode Dark Side of the Moon, Sam and Dean found out that they were soulmates and it was never really addressed after that, so what did they think when they found that out? Jared: I think they knew.

[dizzybizz]

lapdog yoko lapdog yoko lapdog yoko

[doctorsiren]

IM IN LOVE WITH YOUR REIGEN SPLIT AU. I NEED MORE OF IT 😭😭😭

ask and ye shall receive :)

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[canichangemyblogname]

Hot take? A show with queer people in it from the beginning was never queerbaiting and— very literally and technically— never could. In the first episode, a gay man comes out to his family. And he doesn’t stop being gay after that; it’s a major plot point and part of his character going forward. You’ve had a married lesbian couple from the jump who are proud and unapologetic about their love for each other. The story has also portrayed several queer couples and stories in episodic plots, including featuring queer weddings.

Buck didn’t suddenly “become” bi. Queerness is not when straight people “turn” queer. He has been attracted to men the entire time; he has always been bi. Understanding yourself and your sexuality as a queer person is often so difficult under heteronormativity. Sometimes, it takes time.

Hell— Buck checking a guy out some time in season 3 or getting flustered by the idea he might like a guy, etc, etc, are not even examples “queerbaiting,” nevermind how the show already features queer stories.

I genuinely think some of y’all are just mad that he’s not sucking face with the man you want him to, and are being weirdly homophobic about it. “Buck kissing this man is kinda off-putting, lmao.” “Buck and his bf’s relationship is awkward. IDK, but it weirds me out.” “There’s something so cringe about Buck’s relationship—” “Who dates someone they haven’t been friends with for years first? It’s kinda creepy…” “I think their relationship is a weird mess. It’s not as meaningful as a slow burn.”

Life isn’t fanfiction and fanfiction tropes don’t make good writing. Most relationships start out with a “hey, I’m interested in you, let’s get to know each other.” You’re just transparently uncomfortable with two men expressing that interest in each other outside the arbitrary rules you’ve established to make a mlm relationship “legitimate” or “meaningful.”

[Fanfiction] tropes— from “there’s only one bed” to “we’re forced together, but fall in love anyway”— are responses to the sex-negativity and purity culture norms forced upon gender and sexual minorities. They provide a workaround for these norms but never a direct challenge. It’s like the Family Guy episode “Prick Up Your Ears,” where conservative Christian abstinence-only sex education leads to kids having ear sex. Ear sex is the workaround to the abstinence and purity rules they’d been taught, not the challenge. We still have stringent rules around who can touch whom and under what circumstances. Tropes reflect this. So, a trope like “there’s only one bed” provides the characters with a justification for their intimacy without directly challenging why it is taboo.

You’ve convinced yourself that shipping— and thus the tropes it employs— is more subversive than actual representation, and the people caught in the crossfire are actual queer people.

Also— for the love of fuck— stop comparing every mlm relationship to RW&RB.

[acatwithstockings]

I propose to you shared glasses with swappable lenses.

[den-ai-d]

Orion and Starlo! ✨🌟 Starbros be resting after doing some farm work 😌

[a-lilacsong]

This was originally meant to be a 100% goofy funny comic, but somehow it turned into angst halfway through. I still think it's funny that Minimus canonically learns the truth before Amber and James though.

(And thanks to @ograndebatata for helping me rewrite the script to be more fitting).

Comic Script: Roland: … So, now you know the truth about my first wish on the well. I'm sorry I didn't tell you before. If any of you has anything to say, please do. Roland: Okay… one at a time please. James: Does this mean I'm half-wishing well? If someone put a coin in my mouth could I grant their wishes? Roland: WHAT?! NO! Absolutely not! Sofia: I'm sorry dad. Minimus and I already knew, and I think he has told every horse in the kingdom by now. Roland: That's not… how did you…? Amber: Daddy… does that mean I could have killed Sofia when I turned her into a cat? Would she be dead because of me? Roland: No Amber. That wouldn't have happened. Don't worry, no one got hurt. Amber: But Sofia almost was! Roland: But she wasn't. She's alright. All of you are. I'm sorry I only told you now. but please remember we both love you all very much. And we'll all get through this together.

[teapetal44]

All For One should have stayed on the sidelines as a character after Kamino. His evolvement in everything after that significantly weakens the story. Building up Tomura as his protégé, framing him as the next symbol of evil, and then pulling the rug under everyone’s feet, is the worst writing decision Hori has ever made. In concept, All For One failing at passing the torch to Tomura is good, because it directly  parallels All Might and his mentorship to Izuku. Unlike All For One, Toshinori was aware the younger generation needed to take up the mantle. All For One is a selfish and controlling person, it makes perfect sense for him to be unable to give up his power to someone else. But in execution it falls apart the moment All For One continues to force himself upon the narrative, continues to serve as the big bad. All For One’s inability to pass the torch and Tomura as a main antagonist can co-exist without weakening the themes of the story.  

Like, imagine how cool it would have been if All for One was destroyed by Tomura after he tried taking control over his body and mind. Tomura realizes his master is holding him back from achieving his full potential and his goal, the thing he literally lives and fights for. Triumph over his master would be Tomura’s final step to becoming the new symbol of evil and his self-liberation. Then, he would truly be free of everything holding him back. AFO, the puppeteer, the man always one step ahead of everyone else, would be conquered by the very same person he molded – he planted the seed, but at last, what grows is out of his control. In a sense, he would be punished by the story for failing at passing the torch and Tomura would be cemented as the final antagonist, and his journey would feel satisfying.

All though, I see why Horikoshi didn’t write it like that – cause that would require giving Tomura actual autonomy as a character. Something he actively avoids doing every chance he gets. It’s easier to have a character who is crafted to be evil by one powerful bad man before he was even born, than to portray an abused child failed by a fundamentally corrupt society that values consumerism over actually helping those in need, who ended up in the hands of the powerful bad man because the child slipped through the cracks of said society. MHA conveys to the viewer that there are no bad systems, only bad people within the established systems.

Tomura couldn’t own his conception, nor his heroic goals, not even his abuse. Nothing ever happened to him because of society as a whole or because life is cruel and merciless. It happened because Anime-Satan said so.

[commsroom]

mission launch for minkowski's crew was in march 2013. ostensibly, they were put through some mission training, though the extent and effectiveness of that is kinda dubious. pagliacci takes place in 2013, exact date unspecified. but it has to be early. let's say... mid-january.

eiffel thought he had ruined the rest of his life before he'd even turned thirty. he probably spent his thirtieth birthday in jail. and then... for some number of days, weeks, maybe even a couple of months, he exists in this state of, well. of limbo. cutter gets him released from prison, and flies him out to canaveral. he doesn't speak to his family, obviously. they don't want to hear from him, and don't even know. he's still a prisoner, but no one around him knows that, either. at some point in this time frame, goddard first exposes him to decima, before hilbert even knows who he is. and he lives wherever goddard is accommodating him, and he has to go about his day-to-day life in this transitory state between a 26-year sentence he'd just started really grappling with, and the very immediate reality he's now about to be sent into deep space instead.

they give him a certain amount of freedom; it's not like he can go anywhere. he doesn't do much, anyway, is not feeling appreciative for his momentary second chance at life, given the circumstances. he blows off most of his mission training, and they're surprisingly lax about that, which in retrospect probably should have been a sign. he sits around and smokes, mostly. gets takeout food. but he goes to see movies, as much as he can. as much as he wants to punish himself, he needs to do something, or he'll go crazy, and it's not like he'll get a chance to see a movie in a long time. he was already resigning himself to maybe never going to a movie theater again.

the film adaptation of les misérables was released in december 2012. it's entirely feasible it could've been one of the movies he saw in this time period. i think the idea adds some resonance to his shared reference with minkowski in the finale, at least, in the way it pulls things full circle. intentionally or otherwise. and, incidentally, the 2012 film adaptation of les misérables, a story that notably features an ex-convict protagonist seeking redemption, was released on december 25th. call that serendipity.

[luck-of-the-drawings]

IM SO IN LOVE WITH VAMPIRES!! and boy do i love THE SUCKENING!! VERY excited to see the misadventures of sad wet cat, sharp angry cat, and the COOLEST cat i ever did see

[taxlthomas]

sketches from early this morning

[stealingyourbones]

recently watched a handful of episodes of Supernatural and im kinda impressed with Dean's steadfast belief that all monsters are monsters and can't be redeemed.

With that in mind... there could be some VERY angsty Danny Phantom crossovers with that as the main premise