#but I guess she’s her own character now

[introvertbard]

@fairykukla I just realized I typed this huge thing up on the wrong blog, so if I've reblogged your stuff already from my writing blog, sorry! Also, my post has been HEAVILY updated to account for preindustrial armies, camp followers, and "everyone who knows anything about horses is begging people to at least look at the Wikipedia page about ''medieval warhorses!' Stop using modern, chunky, and ridiculously tall farm-horses like Shires and Percherons as the "noble destriers" of medieval times!" https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Remember that in True Grit, Blackie most likely didn't cover a 40-mile trek to reach a doctor--he collapses after the first day, and Rooster has to shoot him for a mercy-kill before he and Mattie continue on foot. This is likely because Blackie was overloaded with two riders, one of whom was critically injured.

You have:

-Rooster, a middle-aged/old man (in his forties in the book, and played by actors in their sixties in the movies). He can ride, but he will not have his former endurance from when he was twenty or thirty. Rooster is also busy HOLDING MATTIE ON THE HORSE, because she's been bitten by a snake and can't ride properly. In the 2010 version, after Blackie's died and Rooster has to run the normal way, he can't even make that last sprint to the house they come across: He has to shoot his gun to wake everyone up and he just wheezes, "I have grown old."

-Mattie, a teenager suffering a snakebite. Mattie is fourteen and she might be lighter than a grown woman, but snakebites mean you CANNOT exert yourself too much, or you will die faster... like, say, with horse-riding. After a few hours, the OTHER problem with snakebite happens: Mattie starts hallucinating. This makes her as good as a sack of potatoes on a horse.

I would guess the group covered a regular 20-30 miles on horse, and after Blackie died, they went that last 10 or so miles on foot. But the end result is the same--at a given point, you are drenched in sweat, EVERYTHING in your body hurts, and at some point you will not be able to put one foot in front of the other anymore.

Many historical writers refer to a horse being "blown" or "blown out" when it's at this point, but just as many writers bluntly say "the horse collapsed," or "the horse couldn't go any longer."

Also, while we're talking about Westerns and horses, here's a terrible writing note to keep in mind: SOMETIMES HORSES GET NOSEBLEEDS FROM HEAVY EXERTION. If you really need that grimness for a (near-)death scene--or alternately, if you need a clear and emphatic sign that your character's horse is in trouble and YOU NEED TO STOP MOVING THIS INSTANT--then throw a nosebleed into the scene, and riders in the audience will know that You Mean Business.

When you ride a horse to death (both theirs and your own), it's an ugly death.

But if you, the writer, don't WANT your character/character's-horse to die, you just need them to STOP RIGHT NOW, STOPPPPP--and they will recover in time. That help might be full-on bedrest (RIDING A HORSE IS A FUCKING WORKOUT!!!), or it might "just" be getting someone to cook/buy food, support them while they limp around to the bathroom and kitchen, etc. Being fit and prime-aged will help a LOT with recovery!

Teens and young adults can bounce back amazingly fast, if nothing's broken or bleeding. They could easily start recovering to the level of "household tasks and basic horse care" in a few days. But a very young child who hasn't hit puberty yet, or an older person who's starting to collect gray hairs or wrinkles, is probably gonna be closer to the "full bedrest" side of recovery for a while.

If you are LESS LUCKY, you'll recover... just not to your former abilities. I keep repeating this, but riding is a full-body workout! I imagine you can basically say ANYTHING got knocked around, and it won't work right anymore.

"The Character's legs hurt. They can still walk and ride, but for long trips or hard gallops, they need painkillers / rest."

"The Character's lungs are worn out--if they start wheezing, pull them off the fucking horse, or they'll fall off."

"The Character rode their horse for so long that they fell and hit their head. They mostly got better, but [insert concussion or traumatic brain injury]."

"The Character rode their horse for so long that that they fell and broke their arm/leg. They need a brace/cane now."

And for emotional trauma where your MIND got knocked around and won't work right, it's entirely possible to say that, "Character didn't want to ride anymore." or "Character stopped riding after their horse died, and it took them years to get another one."

Modern riders are constantly dealing with emotional trauma after an accident, so in preindustrial times where horses were both EXPENSIVE and NECESSARY, that trauma would be especially deep.

Preindustrial travel, and long explanations on why different distances are like that

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance." For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND.

If you are traveling in winter or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

[utilitycaster]

I follow someone who peaced out of C3 like a month ago, and while she still throws out the occasional post about it, despite mostly running on ✨vibes✨ since pre-Predathos fight. one of her latest takes caught my attention. The wording was a little messy, but the core argument seemed like it might have a point. She’s saying the biggest issue with the story is a lack of internal logic, which makes the characters feel kind of disconnected from their own world and setting. Her main example was the Schism, like, the general idea that the Titans were bad news for mortals should be widely accepted, and they’re dead so they’re not coming back even if the gods leave. She also argues that the idea that the gods would always choose each other over mortals isn’t really backed up by history. Basically, she thinks Bells Hells ignore some of the fundamental structures of modern religion in Exandria, which in turn makes a lot of their arguments about the gods fall apart.

So I guess I’m wondering does it seem like there’s a lack of internal logic to you? C3 is my first campaign, so I’ve been piecing together older lore as I go, and I can’t tell if this is a niche take or if there’s some bigger context I’m missing.

Yes. Or rather, I have a couple of different guesses as to what happened. In short: I think that either Matt wanted to set up a big dilemma and failed to do the worldbuilding to really support it textually; he didn't have a clear vision of what this would be at all (HUGE fucking mistake, like, actually concerning me re: the potential of a 4th campaign level of mistake and I hope it's not that); or, alternately, and honestly right now my guess is that this was the case, he straight up did not think the characters would be such selfish dickbags and thought going in that this would be a clear "we have to stop Predathos" and intended the familial connections within the Vanguard and the scene in Hearthdell to be added nuance to provide some understanding of the Vanguard not as simply mindless evil monsters but people who have genuine grievances that have been exploited by predatory cult leaders, and was not prepared for a campaign where the party immediately took the Vanguard's side.

Religion in Exandria has never been super formalized or organized. Some of this is, of course, that you don't have to like, convert or even attend services if you have a relationship with a god. But as a result, it means that any exploration of religion as hegemonic falls apart. I am not saying religion needs to fit the regular daily or weekly practices many people irl have (depending on one's levels of observance), and those characters whose powers canonically involve a deity often do observe either restrictions (Caduceus's vegetarianism) or have some form of meditative personal worship, but we never see like, a system of worship outside of Vasselheim, and Vasselheim lacks the powers that the real-world pope has (let alone the medieval era pope). Tuldus was forced by his family to pray, but it's never depicted as part of How All Worshipers of That God are expected to behave. This is really the crux of a lot of problems with this campaign - people keep taking very individualized issues - which are real, but individual - and treating them as a sign of widespread oppression that simply isn't backed up by the text. In fact, the biggest case of widespread religiously-involved oppression is the Empire going after worshipers of illegal Prime Deities (as we see with the Schuesters - the parents are arrested, leaving their young children to fend for themselves) - and the biggest case of widespread proselytizing and missionary work is from the canonically theocratic (and ruled by one person for over a millennium) Kryn Dynasty, which, hilariously, might end up even more powerful given that the Luxon - the source of their religion, their philosophy and cultural practices, and their arcane prowess - has been brought up as relevant to the gods-become-mortal plan by the Raven Queen and seems to not be under any threat from Predathos, and might even get more powerful. Vasselheim's colonial efforts, while certainly not defensible, are small potatoes.

The player character's grievances against the gods all boil down to "I prayed to the gods and they didn't make my life better" while failing to consider that a combination of genuinely wild specific personal circumstances (being Ruidusborn; being the child of an elemental-worship cult with terrible instincts and later running a heist on a Vanguard collaborator; being a shadow sorcerer who caught the eye of an evil Vecna-worshipping wizard in need of a host body) are the root cause. It's like. If your parents kick you out for being gay, that's homophobia, but if your parents are part of a cult that blows itself up and you are orphaned as a result that is not systemic oppression, that is a very specific cult and shitty parents. So that fails to really ground them in the setting. Compare to campaign 2, where Caleb wants to ensure the Volstrucker program is brought to light and eliminated - as he says, no more children on the pyre - vs. here, where arguably Laudna and Ashton are opening the door to far more unregulated cult/evil necromancy shenanigans now entirely unmitigated by the gods. At least Imogen will probably end the Ruidusborn I guess, as a side effect completely unrelated to her actual goals (which are, frankly, unclear) In a campaign that talks about tethers, the characters seem untethered to anything - institution, place, even for the most part family, and only loosely to each other, and it shows in their lack of care.

The other part is that yeah, a lot of things that were given to the Mighty Nein and Vox Machina as "things people would know" aren't given to Bells Hells. Now this could have a mechanical basis, namely, no one has much of a formal education and most of them are also not terribly intelligent on their own. However, it does feel baffling that they can't recognize holy symbols, or don't know the story of the titans at the time of the Schism (which...setting aside the many issues with the concept of "history is written by the victors" which is both inconsistently true in the first place and is frequently used in an anti-intellectual manner to undermine historical study that points out such things as historical racism; just because history might be inaccurate that does not mean that wild speculation otherwise is necessarily true, especially since we do know from EXU Calamity that titans did, indeed, intend to side with the Betrayers against mortals at the start of the Calamity). It furthers this feeling, after Vox Machina being relatively educated even in a story that was not as worldbuilding-focused, and the Mighty Nein having multiple research-oriented characters and a party deeply rooted in a rich world, that Bells Hells feel off and adrift and ignorant, especially since they don't even seem to remember history they lived through such as the Apex War.

Honestly, what I think is most interesting actually is that we don't ever get anyone express a motivation based on structural oppression in-game. Ludinus never got over his parents dying in a war where the options for the Prime Deities were leave mortals to die or fight the Betrayers, knowing there will be devastating casualties, but in setting up his elaborate plot he murdered countless people, destroyed through his communing with Predathos the first rebuilt elven society in Western Wildemount, and participated in actual structural oppression within the Dwendalian empire for literal centuries; he cared not for any widespread liberation and would remain on top, as an archmage, after this imagined revolution, which makes it not much of a revolution worth having. Liliana's problems were caused by Predathos, and many of the Vanguard we see are Ruidusborn. The only other Vanguard we really get to talk to are Bor'Dor, who was oppressed on the basis of his religion and preyed upon by the cult; Tuldus, who see above; and various Paragon's Call members who are mostly just following orders and getting paid. And Bells Hells, when they have the audience of Vasselheim and the rest of the world - a golden opportunity to call out the colonialism - fail to bring up Hearthdell.

In the end, the motivations are all personal pain - in many cases, inflicted, in fact, by Predathos and not the gods - or vengeance. I honestly don't know if the narrative is trying to claim there is something deeper, or if it's simply some of the characters and a chunk of the least knowledgeable fans, but yes, the worldbuilding fails to support a morally complex narrative. It fails to debunk that which was established earlier (and indeed makes the fall of Aeor far more sympathetic than when it was introduced during Campaign 2) and fails to establish any widespread harm the gods did that wasn't the result of someone threatening to kill them. I do not think one can meaningfully debate with someone who puts a boot on your throat, presses down, and claims you're the oppressor when you fight back, nor with someone who argues along those lines, and that's all that fans and Bells Hells have ever done. And yeah we might actually make a world with a formalized hegemonic religion as a result of Bells Hells' actions; it just will be a different god, underscoring that this is either motivated by people who don't know what the fuck is going on; or by vengeance rather than justice.

[gottencents]

Good Graces - Jennie Kim

pairing. idol!jennie x streamer!reader

synopsis. during an among us stream, y/n finds herself awkwardly flustered when a fellow female streamer begins flirting with her.

y/n is seated at her desk, headphones on, fully immersed in an among us stream with several streamers and friends. the group is in the middle of chaotic accusations, laughter, and the occasional loud defense when one of the other players, a popular female streamer, starts focusing her attention on y/n.

“wow, y/n, you’re really good at being suspicious,” the girl says teasingly. “i mean, i’d definitely let you deceive me anytime.”

y/n laughs nervously, glancing at her chat, which is already spamming messages like: “uh oh,” “y/n’s panicking,” and “SOMEONE HELP OUR AWKWARD QUEEN.”

“uh… thanks, i guess?” y/n says hesitantly, keeping her tone polite.

“no, seriously,” the girl continues, clearly leaning into her playful flirting. “you’ve got that quiet, mysterious vibe. it’s… cute.”

y/n’s character stands completely still in the game as she fumbles for a response. “uh… that’s… i mean, i’m just trying to figure out who the imposter is.”

the chat is now exploding with: “SAVE HER,” “Y/N HAS LEFT THE BUILDING,” and “WHERE’S JENNIE?!”

the other players are too busy laughing at their own antics to notice the tension, but the girl doesn’t let up. “so, y/n, do you play among us often? maybe we could do a private game sometime?”

before y/n can respond, there’s the faint sound of a door opening off-camera. she glances to the side nervously, trying to mute her mic, but the girl keeps talking.

“what do you say, y/n? just the two of us?”

suddenly, jennie’s voice cuts through, firm but calm. “hey, sorry to interrupt, but y/n’s not interested.”

the entire lobby goes silent, the players confused by the new voice. y/n, on the other hand, looks both relieved and mortified.

“uh… jennie,” y/n mutters, unmuting her mic. “you didn’t have to—”

“no, it’s fine,” jennie says, stepping closer to y/n’s desk, still off-camera. “listen, i’m sure you’re just joking around, but y/n’s a little too polite to tell you she’s uncomfortable. so i’m telling you instead: stop.”

the girl stammers, “oh, i didn’t mean—”

“it’s fine,” jennie says, her voice sharp but not unkind. “just… maybe don’t push it when someone’s clearly not interested, okay?”

y/n’s chat goes wild:

“JENNIE COMING IN HOT.”

“PROTECTIVE GF ENERGY.”

“MVP OF THE STREAM.”

the girl awkwardly apologizes and shifts the conversation back to the game, and the stream continues without further incident. as the match ends, y/n leans back in her chair, visibly flustered but also grateful.

“so, uh… that was something,” y/n says with a nervous laugh.

jennie, now leaning casually against the wall, smirks. “next time, just tell them you have a girlfriend. it’s not that hard.”

“i was trying to be nice!” y/n protests, pouting slightly.

“too nice,” jennie teases, leaning down to kiss y/n’s temple before heading back out of the room.

as soon as the door closes, y/n’s chat explodes again:

“JENNIE IS A QUEEN.”

“SHE REALLY SAID ‘MY GF IS OFF-LIMITS.’”

“Y/N AND JENNIE ARE THE RELATIONSHIP WE ALL WANT.”

y/n shakes her head, smiling shyly. “well, uh… i guess that settles that.” she pauses, glancing at the chat. “let’s just play the next round, yeah?”

but even as the game continues, the moment lives on in the stream’s replay, becoming an instant highlight that fans replay endlessly, dubbing jennie the ultimate protective girlfriend.

[valenteal]

The story of Anakin Skywalker is about how anyone can break under enough pressure. It isn’t a tragedy about an inevitable doom, it isn’t about how power corrupts or about how caring is dangerous. It’s about how no matter how good and kind and selfless and seemingly invincible someone is they still have needs and they can still be hurt.

Maybe this is because Phantom Menace is my favorite Star Wars movie and so I have rewatched it a million times, but for me Anakin is the most genuinely caring and selfless character in Star Wars. He wasn’t just an innocent kid (kids can be cruel and selfish and they’re usually better when they grow up not worse) he was compassionate and kind and despite growing up surrounded by some of the worst scum in the galaxy he knew nothing of greed. That says so much about his character.

Anakin’s fall to the dark side took over a decade of carful manipulation that culminated in cascade of tragedy and loss. It wasn’t an accident. Every bit of the emotional trauma, physical trauma, and mental trauma from the moment Anakin met Palpatine and on ward was planned. We don’t see the decade he spent between Phantom Menace and Attack of the Clones but immediately in the second movie we see how much Anakin has changed. Where he used to be confident he’s insecure, where he used to bold and fearless he is now arrogant, where he was once inquisitive he is now cautiously enthusiastic, where he used to build he now destroys. Every change in his behavior and outlook is the result of either the teachings of the Jedi Order which are pretty much the antithesis of his entire personality, the result of Sidious’s manipulation, or the result of the toxic attitudes of many Jedi towards him.

Now I know a lot of people have… misconceptions about what the Jedi Order is and what they stand for. It’s understandable, since I guess a lot of people think of Luke as an everything a Jedi is supposed to be but he is NOT, he wasn’t even taught their philosophy! Yoda and Windu and Luminara are everything a Jedi is meant to be. They take an impersonal approach to justice, they treat others coldly, they believe themselves to be above petty things like emotion and pain and human connection. There are Jedi who take a more progressive stance like Obi-Wan and Quinlan and Qui-Gon but you have to understand that they are not model Jedi and have their own struggles with the Order and its teachings. The Jedi code literally says “There is no emotion.” That is what Jedi strive for. And that isn’t even getting into the genocide or the politics. Focusing on how this affected Anakin. That’s what I’m doing.

Anyway, Anakin is a deeply emotional person. This is not a bad thing. It’s the source of his conviction and his empathy (which a surprising amount of Jedi lack). Anakin feels deeply, so he feels love and anger and sadness more keenly than Jedi who have worked their whole lives to shut off emotion. And he was never taught how to deal with it. The most the Jedi did was tell him to meditate, release his emotions into the Force, focus on the present or other platitudes that do not help! I would know. I’m also a deeply emotional person who feels things very keenly to the point where I had a full psychological evaluation when I was 6 years old. When a person deals with this it NEEDS to be addressed. I have wonderful parents who did everything in their power to help me from a young age and I still ended up suicidal! Anakin did not get help and was instead shamed for feeling so strongly and he ended up bottling it up. People complain about how he was “whiny” and I (a person who has also been called whiny) just go what the fuck do you expect?? Expressing his frustration verbally is literally the healthiest option he has! And we know what it looks like when he chooses other forms of venting! Anakin vented to Padmé almost immediately after reconnecting with her because she is literally the only person in his life who will listen to him (other than Sidious but he makes things worse on purpose).

So yeah. Sensitive people need to be taught how to deal with their emotions in healthy ways. Really everyone does but especially people with strong emotions.

But when Anakin isn’t overwhelmed by emotions he doesn’t have the tools to deal with, or surrounded by toxic people, or being actively manipulated by an evil dictator, that’s when you see who he really is. Which means pretty much all of Phantom Menace, a good chunk of the time he’s alone with Padmé, and… nothing else really. (I’m just going to say here that I am not including Clone Wars Anakin due to the purposeful butchering of his character. I still consider the show canon in everything but Anakin’s characterization in a lot of specific instances.)

Anakin has never been a selfish person. The things people perceive as selfish are his needs. He needs unconditional love. He needs Padmé because she is the only person who gives him that. Even without getting into his psychology and bpd and what a splitting episode is, it isn’t hard to recognize that when he places Padmé’s safety above other people’s it’s an act of self preservation more than self interest. He knows that he would literally go crazy without her. After years of being systematically isolated and traumatized she is the only thing keeping him together. In his desperation to save her and consequently his own sanity he lost both those things. But it’s important to note that he tried to do things right, that he went to Yoda for help, that he told Padmé so she could take her own steps to ensure her health. He did everything he could think of before getting desperate enough to go to Sidious. Not to mention he did everything right after discovering Sidious’s identity. It wasn’t until he was presented with a false dichotomy that boiled down to choosing his mentor and confidant of over a decade and his wife’s life or the man who has scored and distrusted him since he was child that he made the objectively wrong choice. And that was after not sleeping for weeks and having a traumatizing realization that triggered a splitting episode so he wasn’t in a head space to understand what was going on in an objective way.

So yeah. That’s my rant about Anakin Skywalker. If you want to comment or debate know that I will reply with an explanation of my thoughts that could be just as long as this post and that I will not stop until you do. You will not get the last word. I feel very strongly about this and if you’ve gotten this far you have to know that I have thought very deeply about this as well. I have heard every argument. You will not change my mind. I have done research. Engaging with this post to disagree will only lead to me expanding on this even more because this is really a brief summary of all my thoughts and feelings on the matter. If you’re just curious about the rest of my thoughts and feelings just ask.

Don’t try to attack my own morals and character because of this, I am NOT condoning Anakin’s actions or behavior, I am completely aware that he is a deeply damaged and unstable person. The point of this is not to deny that but to explain why Anakin is not naturally like that. The scariest thing about Anakin’s fall is that it happened to Anakin, a paragon of compassion and selflessness. Anyone put under the amount of pressure he was would go crazy. I doubt many people would last as long as Anakin did. He was insanely strong to resist for as long as he did.

[emotionallychargedtowel]

The em dashes in this example don’t exactly “belong” to Emma (the character) though, right? I’m pretty sure this is a summary of Mrs. Elton prattling. I guess I just don't want it to sound like they're Emma's responsibility, which adding them to her name seems to do. Unless they are her responsibility. Hm.

She is the reader’s point-of-view character. She's arguably the one who summarizes Mrs. Elton in this way. If she took Mrs. Elton more seriously it doesn't seem like her words would be summarized in this way. But then we’d have to read every word Mrs. Elton says here—verbatim. No thanks.

I was wondering if the reason Emma is such an em-dash outlier might be because of Mrs. Elton and/or certain other tiresome or longwinded characters (I'm thinking of Miss Bates, of course), along with Emma’s halfway listening to them.

So I cracked open my copy. And now I'm taking a perfectly good joke and turning it into a detailed discussion of my hyperfixation. Well, hopefully it's of interest to others anyway.

The short version of the answer to my question is that Emma's em dash quotient doesn't seem to be entirely, or even mainly, attributable to any specific character, including any propensity of Emma's as our point-of-view character. It's mostly just that Austen goes all out with the em-dashes all over the place. Now, I love em dashes and overuse them habitually. But the em dashes in Emma seem downright excessive to me.

Check out this bit where Emma and Harriet are looking at Mr. Elton's house:

“…there could be no possibility of the two friends passing it without a slackened pace and observing eyes.—Emma’s remark was— ‘There it is. There go you and your riddle-book one of these days.’—Harriet’s was— ‘Oh! What a sweet house!—How very beautiful!—There are then yellow curtains that Miss Nash admires so much.’”

They really are extraneous here.

At other points, they seem to serve the usual purposes in dialogue, like making a sentence into a sort of aside or showing when someone has been cut off by another person. And sometimes they accomplish other worthwhile things. For one thing, as in the Mrs. Elton summary, they often do the work of helping to condense a bit of small talk. There's also a part where Miss Bates goes off at length twice in quick succession, in which the em-dashes show how abruptly she jumps from one topic to the next.

Mr. Knightley's response when he thinks Emma is upset because of the revelation of Frank Churchill's engagement to Jane Fairfax makes good use of them in a related way:

"...[S]he found her arm drawn within his, and pressed against his heart, and heard him thus saying, in a tone of great sensibility, speaking low, 'Time, my dearest Emma, time will heal the wound.—Your own excellent sense—your exertions for your father's sake—I know you will not allow yourself—.' Her arm was pressed again, as he added, in a more broken and subdued accent, 'The feelings of the warmest friendship—Indignation—Abominable scoundrel!' —And in a louder, steadier tone, he concluded with, 'He will soon be gone. They will soon be in Yorkshire. I am sorry for her. She deserves a better fate.'"

The em dashes show the abrupt way he switches from one phrase or exclamation to another. If his tone is "steadier" at the end of this passage, the em dashes seem to show how unsteady he was at the beginning of it. He's not just changing his tack repeatedly, he's doing it because he's agitated.

So, yeah. Austen does some worthwhile things with her preponderance of em dashes in Emma. But for the most part, she was just wilding out.

An ode to em

One of the reasons that I love Jane Austen's work is that she loves an em dash. Just how much does she love an em dash? Behold:

That's right, baby—Emma has 3102 em dashes in it! Not hyphens—this is just the count of true em dashes alone. It's glorious.

Let's all bask in the em dashes in this famous Emma passage:

“The best fruit in England—every body’s favourite—always wholesome.—These the finest beds and finest sorts.—Delightful to gather for one’s self—the only way of really enjoying them.—Morning decidedly the best time—never tired—every sort good—hautboy infinitely superior—no comparison—the others hardly eatable—hautboys very scarce—Chili preferred—white wood finest flavour of all—price of strawberries in London—abundance about Bristol—Maple Grove—cultivation—beds when to be renewed—gardeners thinking exactly different—no general rule—gardeners never to be put out of their way—delicious fruit—only too rich to be eaten much of—inferior to cherries—currants more refreshing—only objection to gathering strawberries the stooping—glaring sun—tired to death—could bear it no longer—must go and sit in the shade.”

31 em dashes in that sequence alone! And that's not even the whole paragraph—there are 9 more em dashes in the rest of the paragraph before that quotation! Iconic.

[ohmy-gojo]

golden retriever!bf x black cat!gf with gojo and reader ෆ (no curse au)

O1. hes all about parties and youre all about poems

you are not a unsocial person(well maybe a bit shy), you just choose to stay in your own bubble, in your own world. daydreaming about god knows what. one moment you are thinking about your favorite band, next you are plotting about saving bees. you can also be found doodling or reading about your favorite characters during lunch when everyone hangs out with their friends. and you were not sad about it, in fact its the opposite, you genuinely enjoy being alone and spending time with yourself

but your friends (2 friends just fyi) certainly didnt think so. wanting you to 'socialize and let loose'.

thats why you are now in the frat house of gojo satoru.

you have heard about him from your dear friend shoko. that hes studying about marine and is ridiculously tall. another friend she has is called geto suguru, pharmacy student with long hair, also ridiculously tall. when you reached it didnt take much to spot them. both distinctly handsome and crowded by people around them. especially gojo satoru, he looked like he was enjoying all the attention he was receiving (couldnt be you) he then spotted you both

"hey look its sho-!! wait who is there with her??!!"

he came near you so fast as if he teleported, eyes innocently wide "shoko whos this??" he pointed to you just in case as if it was not obvious he was talking about you

shoko rolled her eyes at him, "my friend, dont bother her too much." she didnt elaborate much bc she wanted you to speak yourself

"shokos friend," he blinked. "youre so cute. like a kitty." he poked your cheek

"!!!"

"AHAHA!" he laughed and poked again, looking like he was having the time of his life. "whats your name, shokos friend?"

"y/n.." you said, voice a little muffled because of the poking finger in your cheek

"D'AWW YOURE ADORABLE! hey hey are you a junior?? never seen you before. do you study marine too?? i study marine!! why you ask?? cz i like fishes." he smiled proudly

"no i study.. (subject).."

he squealed. "oh shes so so cute shoko!! can i keep her??"

"what," she deadpanned. "weirdo."

"im definitely keeping her!! we are best friends from now on! right?? oh oh whats your favorite color y/n?? mine is royal blue and i guess sky blues nice too but not more than cobalt blue-" he kept blabbering on and on. you sent a pleading look to shoko only for her to raise her hands in surrender and literally leave

you just sighed and accepted your fate. at least he was cute—who were you kidding he was hella cute. maybe you didnt mind that much..

rest of the party was spent with him babbling animatedly to you and fawning over you every time you said a word

you went home with a new contact on your phone saved as "toru/best friend!!😸💙" who said you were unsocial again?

note: its gonna have parts i promise i will write and not abandon (looks at the geto series i tried to start but failed) 🫶

[jungkoode]

死 KKANGPAE | #03 死

† breakfast and training †

"His eyes are the kind of dark that makes you forget there was ever light in the world. And you hate that you're starting to notice details about him."

next | index

⚔ chapter details ⚔

word count: 5.4k

rating: mature

content: training violence, weapons, strong language, sexual tension

☠ author's note ☠

HELLO MY FELLOW SLEEP-DEPRIVED CREATURES. Welcome back to another episode of "Kiki makes questionable life choices and writes fanfiction instead of sleeping"!

Can we talk about how I wrote like three different versions of the gun scene before my perfectionist brain was satisfied? And by satisfied I mean "fine whatever just post it I guess." Don't @ me about gun accuracy, I play Call of Duty sometimes that's research enough (ㆆᴗㆆ)

Also yes, I am absolutely living for the whole "oh no they're training together" trope. Sue me. Or don't, I'm broke. All I have is caffeine and the ability to make my characters suffer. Speaking of which - Jeon in combat mode? chef's kiss My boy is out there being all professional and grumpy while Y/N is just trying her best not to get shot. We love that for them.

PSA: The whole "Cookie" thing was totally self-indulgent and I regret nothing. V is here to cause chaos and honestly? Goals.

Special shoutout to my cat who watched me write this at 3 AM and judged me silently. You're the best beta reader a girl could ask for, even if your only feedback is knocking my coffee over.

See you next Tuesday, you beautiful disasters! Remember: sleep is for the weak and fanfiction is for life.

crawls back into writing cave while mainlining espresso

Kiki

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tumblr/twitter: @jungkoode

⋆⁺₊⋆ ☾ ⋆⁺₊⋆ ☁︎

Mornings in the castle hit different. Through your window, the sky's doing that thing where it can't decide if it's still night or already dawn—all soft blues mixing with hints of gold. Everything's quiet, like the world's holding its breath.

Then your alarm goes off.

"Why did we agree to this again?" Yunjin whines from her bed, fumbling to shut up the annoying buzz. Her pink hair is a mess, splayed across her pillow like cotton candy gone wrong.

"Croissants," you remind her, stretching until your joints pop. "Fresh, buttery, heavenly croissants."

"Not hungry." She burrows deeper into her blanket cocoon. "Too early for hunger. Too early for existing."

You swing your legs off the bed, bare feet hitting the cold floor. "What happened to yesterday's 'new me, new goals' speech?"

"That was yesterday's Yunjin. Today's Yunjin chooses sleep."

With a snort, you pad over to her bed. It's literally two steps away—your shared room is cozy like that, with just enough space for two singles and matching bedside tables. You give her shoulder a gentle shake.

"And what's tomorrow's Yunjin gonna think about that?"

"Tomorrow's Yunjin's problem," she mumbles, death-gripping her blanket. Smart girl. She knows your next move would've been stealing it.

"Then it's tomorrow's me problem too!" You can't help but laugh, and it finally gets her to peek one eye open.

She lets out the longest, most dramatic sigh. "Fine. Fine. You win."

Your shared laughter is soft, comfortable. It's weird how quickly Yunjin became your person here. Maybe because she's as new to this as you are—no pressure to measure up to badasses like Chaewon or keep your guard up around intimidating figures like V and Jeon.

She joined two months before you did. For her, it meant saying goodbye to having her own room, but she says it was worth the trade-off. Girl's a mess when it comes to sleep schedules, but she keeps your shared space spotless and her determination is s̶c̶a̶r̶y̶ impressive. Like, you've seen her practice seduction techniques until 3 AM, and now here she is, dragging herself up at dawn for... well, croissants and self-improvement.

There's something genuinely good about Yunjin. She's always there—to help, to listen, to just be. Five months in and everyone in Seduction already adores her. Yeah, she's clumsy as hell during physical training, but her mind is sharp. Nothing gets past her—it's like she's got a built-in lie detector.

After yesterday morning's... incident, you're extra grateful for her company.

You both grab your digital cards from your bedside tables—can't go anywhere in this place without them. They're basically your whole identity here, determining which doors open for you and which stay firmly shut.

The castle corridors feel endless this early. Most members are probably still sleeping or doing whatever gang members do at dawn. Your footsteps echo softly as you and Yunjin make your way to the cafeteria, keeping the conversation light.

"Have you had breakfast here before?" you ask, watching her stifle another yawn.

"Once." She nods, her pink ponytail bouncing. "Got up at 10 though. Wasn't worth sacrificing sleep for."

You can't help but smile. "Early breakfast hits different. You'll see."

When you reach the cafeteria, Yunjin taps her digital card against the scanner. The light blinks green, and suddenly your nose is filled with the heavenly smell of fresh pastries. Inside, only a handful of early birds are scattered around the massive space. Makes sense—most people here prefer their beds at this hour.

Your eyes do their usual sweep of the room, casual and practiced. But then something pulls at you, like a magnet finding true north. Your gaze locks with dark, piercing ones.

Jeon.

"Oh, that's Jeon, right?" Yunjin's voice cuts through your thoughts. "Guess he likes mornings too."

You nod, still watching him from the safety of the doorway. Something about the distance makes you feel almost safe. He's got that thing about him—that unmistakable aura of authority that even 6 AM can't dim.

"Damn," Yunjin says after a beat, blunt as ever. "He's hot."

"Let's get food," you mutter, rolling your eyes and heading for the pastry section.

You and Yunjin load up your plates with a bit of everything, especially those famous croissants. Finding a quiet corner, you settle in to enjoy both the food and each other's company, pointedly not thinking about piercing dark eyes or brooding corners.

You try to look casual as your eyes drift back to Jeon for the hundredth time.

He's sitting there, both hands wrapped around a steaming cup of coffee like it's his lifeline to sanity this early in the morning. The sight of those tattooed fingers curled around plain white ceramic does something to your brain that you'd rather not examine too closely.

"You know, I heard something interesting about him." Yunjin's voice makes you jump. S̶h̶i̶t̶ Great, she caught you staring.

"Oh?" You tilt your head, hoping your voice sounds more curious than guilty.

Yunjin leans in conspiratorially, her pink hair falling forward as she drops her voice to barely above a whisper. It's kind of unnecessary given how far away Jeon is, but there's something about him that makes everyone speak in hushed tones.

"Apparently, he's got this whole... ritual thing going on. Every single morning, without fail, he makes sure he's the first one to get fresh coffee. Like, the first cup from a fresh pot."

Your eyes track back to that cup held between ink-covered fingers. Now that she mentions it, you've never seen him drink anything else in the mornings. The way he's savoring it, eyes closed and expression almost peaceful, makes you think Yunjin might be onto something.

"Every day? He's literally the first one here?" The mental image of Jeon lurking outside the cafeteria doors, waiting for them to unlock, is both hilarious and weirdly endearing.

"From what I've heard. Maybe it's a power move?" Yunjin suggests with a soft laugh. "You know, asserting dominance through caffeine consumption."

The idea of someone as intimidating as Jeon—co-leader of the Assassination Division, member of the Council of 9, literal professional killer—climbing the ranks of one of South Korea's most dangerous gangs just to secure his morning coffee makes something bubble up in your chest.. You have to bite your lip to keep from laughing too loud.

"Imagine that being his master plan all along," you snort. "Join gang, become assassination chief, get first dibs on coffee."

You both dissolve into quiet giggles, but the moment shatters when something shifts in the air. It's like thorny vines suddenly wrapping around your lungs, making it hard to breathe. You don't need to look to know who it is.

"Mind if I join the fun?" V's voice slides over your skin like honey laced with poison, playful but with that edge that makes your hair stand on end.

His arms drape over your shoulders without warning, caging you and Yunjin in what should be a friendly gesture but feels more like being trapped. Your muscles tense automatically. There's something about V that keeps you perpetually on edge—like admiring a rose only to remember it's got thorns that could draw blood.

Yunjin manages a wobbly smile, but you can tell she's as unsettled as you are by his sudden appearance. "We were just... talking about coffee."

"Coffee?" V drawls the word like it personally offends him. He pulls back, throwing his arms behind his head in that carelessly graceful way of his, but stays close enough that you can smell cinnamon. "Boring. Now, this new training program? That's something worth discussing."

His eyes glint with mischief, reminding you of a cat playing with its food. "I'm keen to see what you girls bring to the table. Should be... intriguing, don't you think?"

The way he says it makes your skin crawl. There's nothing overtly threatening about his words, but the undercurrent is clear—the Assassination Division isn't known for playing nice, and V seems to view the upcoming cross-training as his personal playground.

"I'm sure it will be enlightening," you say carefully.

V's energy is infectious, but not in a good way. More like a disease you're trying not to catch.

He chuckles, and those thorny vines around your lungs squeeze tighter. "Oh, I'm sure it will be. And don't worry, yours truly will be there to add a little spice to the mix. Can't let things get too dull, can we?"

Before you can respond, his attention snaps to something—or someone—across the cafeteria. With a dismissive wave that somehow manages to feel both elegant and insulting, he strides off as suddenly as he appeared.

You exchange looks with Yunjin, both of you sagging with relief once he's gone. She looks as drained as you feel, like V's presence alone sucked all the energy from the room.

"Well, that was... something," Yunjin says, and you could write a whole essay about everything packed into that single word. Her pink hair is still slightly disheveled from where V's dramatic entrance messed it up.

"That's one way to put it." You try to shake off the phantom feeling of thorny vines around your lungs. V's presence leaves you feeling like you've been through some kind of emotional washing machine—tumbled around and wrung out.

"But oh my god." Yunjin's whole face suddenly lights up like she's remembered something amazing. The whiplash from her mood shift almost gives you vertigo.

"What?" You ask, though part of you already knows where this is going. Yunjin might be shy and perceptive, but she's also a total simp when it comes to pretty faces.

"He is SO handsome?" Her voice rises with genuine awe. "Everyone kept saying he looks like a prince, but I thought they were exaggerating. They were not."

You raise an eyebrow, wondering if you were even in the same conversation just now. Sure, V's gorgeous—that's kind of his whole thing. The dangerous beauty, the dripping poison. But after feeling his aura wrap around you like a boa constrictor, 'handsome' isn't exactly the first word that comes to mind.

"Did you miss the whole creepy vibe?" You keep your voice low, even though V's long gone. Some habits die hard in this place. "He talked about the training program like he's planning to turn it into his personal episode of Squid Game. With popcorn."

"Yeah, but like..." Yunjin waves her hand dismissively, "have you seen his face? Those cheekbones? That jawline?"

"The way he's probably plotting our deaths as we speak?" You counter, but you can't help the smile tugging at your lips. Trust Yunjin to focus on the aesthetics while completely ignoring the red flags. It's kind of adorable, in a concerning way.

"Doesn't change the fact that he's eye candy," she says with zero shame, stabbing her fork into her breakfast. "Like, premium, expensive, imported chocolate level of eye candy."

"True," you admit, finally taking a proper bite of your croissant.

And it is true—V's got that whole ethereal beauty thing going on, like a masterpiece painting that happens to be slightly cursed. The kind of face that belongs in museums but also probably comes alive at night to terrorize security guards.

But even as you acknowledge V's obvious appeal, your eyes betray you, drifting back to that other corner of the cafeteria. Back to dark eyes and hurricanes.

Back to Jeon.

It's not like you mean to look.

It just... happens.

Like your gaze has some kind of magnetic programming that keeps pulling it in his direction.

Which is s̶t̶u̶p̶i̶d̶ inconvenient because the last thing you need is to get caught staring at one of the most dangerous men in Kkangpae while you've got croissant crumbs on your face.

The rest of your morning slips by without V popping up again to make your skin crawl. You try to focus on getting ready for what's coming, but your mind keeps drifting to the upcoming training.

Working with Jeon and V's division? Yeah, that's not anxiety-inducing at all.

When you step onto the training field outside the castle, the change of scenery hits different. After being cooped up in the gang's concrete maze, the open space and towering trees feel almost surreal. The cold morning air bites at your lungs—a wake-up call you didn't ask for but probably need.

Today's not just another training day. It's your first cross-training with the Assassination Division, and the tension in the air is so thick you could cut it with one of V's knives.

Your stomach does this weird flip-flop thing as you walk towards the gathering crowd. Working with Jeon after... that incident? Not exactly on your bucket list. The memory of your last encounter sits heavy in your chest, making each step feel like you're walking through mud.

The Assassination Division is already there when you arrive, looking like they stepped out of some action movie poster. Some look ready to murder, others look ready for a nap. But it's Jeon who catches your eye—impossible not to, really. It's like the air itself is swirling around him like a storm about to break.

He's got that look on his face—you know the one. All business, no bullshit, could probably kill you with his pinky finger.

No sign of V though.

Makes sense, when you think about it. Those two aren't exactly besties—more like two wolves forced to share the same territory. Their whole approach to killing is different as night and day.

Jeon's all about precision. Clean shots, minimal mess, maximum efficiency. He's the type to plan every detail, calculate every variable. Need someone taken out from two buildings away without anyone even knowing what happened? That's his specialty. The human equivalent of a surgical strike.

V though? He's chaos incarnate. Gets up close and personal with his kills, leaves a message written in blood if he feels like it. He's the guy you call when you want someone dead and don't care how messy it gets. Planning? Fuck planning—V works on pure instinct and improvisation.

The crowd goes quiet as Jeon steps forward. The atmosphere shifts, less like a raging storm now and more like the heavy air before thunder breaks. When he speaks, his voice does that thing where it demands attention without actually raising in volume. And despite everything—despite knowing better—you find yourself leaning in slightly to catch every word.

"Your state of mind is everything in this line of work," he says, dark eyes scanning the crowd like he's reading everyone's potential in real time. "A calm, collected mind can mean the difference between life and death."

The task he lays out seems simple enough: shoot the cardboard target, hit the center, don't mess it up. But as you watch others take their turns, that knot in your stomach keeps getting tighter.

The gun feels wrong in your hand. Not that you haven't held one before—basic training covers that—but this is different. This is him watching, and somehow that makes your palms extra sweaty.

Then your turn's up.

Walking to the mark feels like crossing a minefield, every step measured and tense. Your heart's going so hard you can barely hear anything else.

Focus. You need to focus.

But Jeon's standing right there, making the air thick and hard to breathe. Your finger hovers over the trigger, but doubt creeps in like poison.

The target blurs in and out. You can feel Jeon watching, that heavy gaze picking apart every flaw in your stance. The pressure builds in your chest until you're sure something's gonna snap.

Just a bit longer. You need to be absolutely sure before taking the shot.

It's not like Seduction gets much practice with actual weapons—your arsenal usually involves batting eyelashes and strategic flirting, not bullets and gunpowder. So it's no wonder the gun starts slipping through your sweaty fingers.

You tighten your grip. A surge of determination hits you like a shot of adrenaline. Come on. It's just cardboard. You've handled way worse situations than this. You can do this.

Your finger starts to squeeze the trigger—

BANG.

That... wasn't your gun.

You flinch, turning toward the sound before you can stop yourself. Through the corner of your eye, you catch smoke curling from Jeon's pistol.

He's standing there looking bored, arm extended like this is just another one of his daily mornings. The gun fits his hand like it was molded for him, an extension of his body rather than a weapon.

When your eyes snap to the target, there it is—perfect shot, dead center, because of course it is.

A̶s̶s̶h̶o̶l̶e̶ Show-off.

You lower your gun, lips pressed tight. His gaze sits heavy on your shoulders, hurricane pressure bearing down until you want to scream. His face gives nothing away, but those dark eyes say plenty—and none of it's good.

"If you're not quick enough, you'll get killed." His voice cuts like ice. "Let that be a reminder for everyone else."

The words hit like a slap. Heat rushes to your face—anger, embarrassment, frustration, all mixing together into something that makes you want to either punch something or crawl into a hole. Preferably punch him, but you're very aware of everyone watching this little show he's putting on.

Both divisions are staring, and you've never felt more like a fish in a very small, very exposed bowl.

Your eyes meet Jeon's, and suddenly breathing gets hard. His stare hits different—those dark eyes boring into yours like he's trying to read your soul, pupils blown wide in a way that makes your stomach do weird flips.

That silver lip ring catches the light when his mouth twists into something s̶e̶x̶y̶ condescending. He opens his mouth—probably to tear into you some more—but then—

BANG.

Everyone drops like puppets with cut strings. Pure instinct.

It's instant chaos. Voices rise into a crescendo of shouts and commands, bodies moving with practiced urgency.

It's kind of beautiful, in a messed-up way—how quickly personal beef gets shelved when shit hits the fan. One minute Jeon's looking at you like you're dirt on his boot, next second he's barking orders to keep everyone safe.

Your heart's in your throat as you scan the crowd for a flash of pink hair.

Yunjin.

But Yunjin's nowhere.

The sea of faces blurs together—no Kazuha, no Eunchae, not even Sakura. Even Chaewon's vanished, which is weird because she's usually got this sixth sense about danger.

Another shot cracks through the air. Your fingers tighten around your gun until your knuckles go white. Your eyes keep drifting to the treeline, where shadows dance between patches of dark green.

A calm, collected mind can mean the difference between life and death.

His words echo in your head, which is ironic considering how not calm you feel right now.

Fuck it.

You're moving before you can second-guess yourself, legs carrying you toward the forest. Maybe it's stupid, but you need space to think. To be calm, like he said.

Plus, the trees might give you cover—an advantage you desperately need right now.

The forest swallows you up. Sunlight filters through leaves overhead, painting everything in shifting patterns of light and shadow. Every step crunches on dead leaves, making you wince. So much for stealth.

V wouldn't be happy.

The chaos from the training ground fades the deeper you go, replaced by normal forest sounds—birds chattering overhead, small animals rustling in the bushes. It's almost peaceful, if you ignore the whole possible death situation.

You spot it then—a ridge overlooking the training ground, hidden behind thick bushes. Perfect vantage point, if you can reach it. The climb makes your muscles burn, but you manage. Up here, you force yourself to breathe slow and steady, trying to quiet your racing heart. Your fingers trace the gun's cold metal like a lifeline.

Your back hits the tree with a thud. The bark scrapes against your spine through your shirt, but you barely notice. Every nerve in your body is focused on that rustling sound behind you.

Footsteps.

Your breath catches. They're quiet—too quiet to be some random person stumbling through the woods.

No, these are the steps of someone who knows how to move silently. Someone trained.

Adrenaline floods your system as you press yourself flatter against the tree. Your fingers tighten around the gun until your knuckles go white. Through a gap in the leaves, you try to catch a glimpse of whoever's approaching, but the foliage is too thick.

Friend or foe?

The question pounds in your head with each careful footstep drawing closer. Your mind races, too many possibilities—it could be an enemy, could be another member searching the area.

Could be death or salvation walking your way.

The steps are almost upon you now. Your breathing goes shallow, controlled. You might be exposed up here, but they don't know that. Surprise is your only advantage right now.

Shoot or strike?

The dilemma tears at you. A gunshot would alert everyone to your location. And if it turns out to be an ally... F̶u̶c̶k̶ No. Hand-to-hand is safer. Quieter. Less explaining to do if you're wrong.

Your muscles coil tight as a spring. When the footsteps are close enough, you launch yourself from behind the tree in one fluid motion, aiming to take them down hard and fast.

Instead, you slam into what feels like a brick wall.

Oh.

It's Jeon.

His reflexes are insane—before you can even process who he is, he's already moving. The air sweeps around you as he twists, disarming you with embarrassing ease. Your gun hits the ground with a clatter that seems to echo through the whole forest.

Recognition hits you both at the same moment. That flicker of shock in his eyes quickly turns to his usual look of disdain, because of course it does.

Then—a misstep.

Your ankle rolls, sending white-hot pain shooting up your leg. You stumble, sucking in a sharp breath. His grip on you loosens just slightly, and something that might be concern flashes across his face before his usual cold mask slips back into place.

"You okay?" His voice is gruff, like the words are being dragged out of him against his will.

"Just perfect," you snap back, because fuck his concern when your ankle feels like it's on fire and your pride hurts even worse.

He just stands there, staring at you with those dark eyes that see too much.

"What the hell were you thinking?" A pause, one eyebrow lifting. "You have a gun, don't you?"

You almost laugh. Because of course. If you'd shot at him, he'd be lecturing you about trigger discipline. Attack hand-to-hand, and suddenly you're an idiot for not using your weapon.

You seriously can't win with this man.

"Well, good thing I didn't use it on you then." The words come out lighter than you feel, dancing between playful and pissed. "And what are you doing here anyway? Shouldn't you be back there playing commander?"

"That's what deputies are for." The casual way he says it makes your teeth grind. "Besides, I dispatched a team to check the gunfire. Just my luck, running into you instead."

"Pleasure's all mine, chief." You load the title with all the sarcasm you can muster.

"And you?" His dark eyes study you like you're a particularly puzzling target he can't quite line up. "Any reason you're out here instead of following orders?"

"Didn't get any orders to follow." You cross your arms, ignoring how his presence makes your skin prickle. "And that ridge over there?" You jab a finger toward the overlook. "Perfect vantage point. I was trying to be strategic before you showed up."

He actually grimaces at that, like your logic physically pains him. But before he can open his mouth to deliver what's surely another lecture, you add:

"Just my luck, running into you instead."

The words—his own words turned back on him—hit their mark. His eyebrow twitches just slightly, and satisfaction blooms warm in your chest.

Score one for you.

But before you can inwardly celebrate, he grimaces. He actually grimaces before he opens his stupid mouth again.

"That?" His voice drips with condescension. "You think that's prime real estate for observation?" The asshole holds back a laughter. "Alright." He says, and you ponder the merits of hitting him with a rock.

But then he begins walking, and you trail after him, partly because s̶c̶r̶e̶w̶ ̶h̶i̶m̶ he's wrong and partly because... well, where else are you gonna go?

"Remind me again—which one of us specializes in persuasion and observation?" You can't keep the annoyance from your voice. His arrogance is starting to give you a headache.

"And which one of us is known for sniping?" He tilts his head just enough for you to catch the silver flash of his eyebrow piercing. "You think I don't know a thing or two about picking vantage points?"

"Just because you can shoot from far away doesn't mean you know the best places to shoot from." The words come out sharper than intended. "What works for a sniper might not work for surveillance. They're different skill sets."

"How so?" He doesn't even bother looking back now. "A lookout's a lookout, smartass."

Your hands find your hips. "You know what? Ask me that again when you sit in on our cross-training. Might learn something useful."

"Learn from an ensign?" His tilt is mocking. "No—learn from you?" He lets out a low chuckle that makes your teeth grind. "Pretty sure it works the other way around."

"Forgot about Flower?" You can't help the snark in your voice. "She's a chief too, and I'm sure she'd love to put you in your place."

The exhale he lets out is so exaggerated it has to be for dramatic effect. "You're insufferable."

"Feeling's mutual, chief."

You trail behind Jeon through the darkness, trying to ignore how his mere presence makes the night air feel electric against your skin. The silence wraps around you both, broken only by your footsteps until—

A rustle in the underbrush.

Before you can react, his hand clamps around your wrist. No warning, no words—just the firm press of tattooed fingers against your pulse point as he yanks you behind a massive rock. You crash against him, bodies colliding in a mess of limbs and s̶h̶i̶t̶ startled breath.

You open your mouth to tell him exactly what you think about being manhandled, but his finger presses against his lips. Shut up. His eyes scan the darkness beyond your hiding spot, focused and lethal.

And suddenly you're way too aware of him.

The moonlight paints him in silver and shadow, highlighting things you've never noticed before. Like how his eyebrow piercing catches the light—two tiny beads of silver that draw attention to the way his brow furrows in concentration. Or how that lip ring glints when his mouth sets in that stern line you know too well.

There's a scar on his left cheek—barely there, really. Just a whisper of a mark that makes you wonder what story it tells. Your eyes drift lower, catching on the small mole decorating the left side of his neck. It's such a delicate detail on someone who radiates danger, like finding a flower growing through concrete.

But it's his eyes that f̶u̶c̶k̶ y̶o̶u̶ u̶p̶ catch you off guard. Dark and deep, framed by stupidly long lashes that flutter when he blinks. They're beautiful in a way that makes your chest tight—and isn't that just f̶u̶c̶k̶i̶n̶g̶ fantastic? You didn't need to know that about him.

This close, you can see the tiny lines at the corners of those eyes. They speak of sleepless nights and heavy choices, of burdens carried too long alone. Watching him like this—he feels different now, less like a storm trying to drown you and more like standing in summer rain.

The realization hits like a punch to the gut: you're seeing Jeon. Not the cold-as-ice division chief or the intimidating Council member. Just... him. Human.

Complex.

His fingers are still wrapped around your wrist like an iron band. If anything, his grip's gotten tighter, and you're caught between wanting to yank free and being weirdly aware of how warm his hand is against your skin in the cool night air. It's hard to tell if you're feeling trapped or protected.

The footsteps draw closer—deliberate, confident. Not someone trying to hide.

You watch a muscle tick in Jeon's jaw, the kind of tiny detail you wouldn't normally notice if you weren't pressed so close to him. It's fascinating, in an annoying way, how he can look so calm while radiating such intense energy.

His eyes flick to yours for just a second, but it feels loaded with... something. Like you're suddenly partners in this mess, whether you like it or not. It's more communication than you've had in all your previous conversations combined.

The rustling gets louder. You hold your breath. Jeon's gone statue-still beside you, but you can feel the coiled tension in him. His dark eyes snap to a spot in the trees, then back to you with unnerving intensity.

"Shoot there."

You stare at him like he's lost his mind. "What?"

"There." His voice is barely a whisper, rough with urgency. He jerks his chin toward whatever he's seeing that you're apparently missing.

"You want me to shoot a tree branch?" The skepticism in your whisper could cut glass. "Seriously?"

"Just do what you're told." The words rumble out of him like distant thunder, crackling with impatience.

You give Jeon a look, but arguing isn't an option right now.

The gun feels heavy as you line up the shot. Your finger finds the trigger, and for a split second, everything goes quiet. The bang echoes through the trees, making your ears ring. You watch as the bullet hits exactly where Jeon wanted—that innocent-looking branch that apparently wasn't so innocent after all.

A net explodes from the darkness like some kind of ninja trap, shooting toward the approaching figure. But whoever it is moves like water—fluid, impossible, beautiful in a terrifying way. The net hits empty ground with a sad little flutter while your brain tries to process what just happened.

Beside you, Jeon goes still. If you weren't pressed so close, you might have missed that tiny hitch in his breath—the only sign that this wasn't part of his plan. His eyes narrow just slightly, that crack in his perfect mask making your stomach do weird flips.

He pushes you back against the rock, putting himself between you and whatever's coming. The stone digs into your spine, cold and rough through your clothes.

Then everything happens at once.

A shadow vaults over your hiding spot, moving with deadly grace. Gunshots crack through the night, and suddenly Jeon's shoving you down, his body covering yours. The world spins into a blur of motion and sound, your pulse drumming so loud you can barely think.

When reality settles back into focus, you watch the figure reach for their mask. Your fingers tighten on your gun, waiting to see what kind of threat managed to dodge one of Jeon's traps.

The mask comes off.

Oh for fuck's sake.

V's grinning like the cat that got the cream. "Paintball night!" he announces with way too much glee for someone who just scared the shit out of you.

Relief and irritation war in your chest. Of course it's V. Who else would turn a simple training exercise into their personal dramatic performance?

You watch Jeon's shoulders drop, but the annoyance is written all over his face. His jaw's so tight you can practically hear all the curses he's not saying.

Always the professional, even when he's irritated.

V's eyes dances with delight as he watches Jeon simmer. "Don't look at me like that, Kookie," he coos, lips curling into that signature smirk that makes you want to take a step back.

Cookie?

You blink, trying to process that nickname. Looking at Jeon—all dark clothes, silver piercings, and intimidating tattoos—the last thing that comes to mind is anything remotely cute or sweet. The mental image of him buying cookies from some terrified boy scouts makes you bite back a laugh.

Now that's a story you'd pay to hear.

Jeon's eyebrow shoots up in that way that somehow manages to say f̶u̶c̶k̶ ̶y̶o̶u̶ more effectively than actual words. His tongue pushes against the inside of his cheek, jaw working like he's physically holding back whatever he wants to say. He's irritated.

"I'll give you some advantage," V sighs dramatically, thorny vines wrapping around your lungs even from this distance. "No fun beating you when you're unarmed." The words drip with amusement, like this whole thing is his favorite game. "See ya."

With one last unsettling grin, he melts into the darkness. Because of course he does. Dramatic asshole.

You're still sprawled on the ground, processing what just happened. Leave it to V to turn a regular night into some twisted paintball training session. The man's idea of "improving stealth skills" is giving everyone heart attacks.

Beside you, Jeon's muscles finally uncoil from their battle-ready stance. He looms over you, and you can't tell if the expression on his face is more annoyed or relieved.

"You gonna get up or what?" The words come out gruff, but there's something else there. Something that might be concern if you squint.

Then his hand appears in front of your face. You stare at it for a second, surprised. It's weirdly bare compared to his tattooed arms, and you hesitate before taking it. His grip is firm but careful as he helps you up.

The whole night feels surreal —one weird training session bleeding into another. You glance at Jeon as he stretches, working out the tension in his shoulders.

The mystery of "Cookie" tugs at your curiosity, but one look at his face tells you now's not the time to ask.

Some mysteries are probably better left unsolved.

next | index

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© jungkoode 2025 no reposts, translations, or adaptations

[nthspecialll]

So I feel extremely conflicted about Mary Linton and I'd love to hear your input (and maybe others people's as well) regarding this.

First of all, I love her. She's an incredible character and I understand her actions before and throughout the game. Of course she didn't stick around with the gang and Arthur. It simply wasn't the type of life she wanted for herself and that is so okay, because they're criminals after all. It's totally understandable to feel uncomfortable in that environment and it's totally understandable that she wanted a better life for her partner, in this case Arthur.

I can also get behind why she specifically wrote to him back in Valentine and Saint Denis. I don't see anything selfish behind this. She wrote to him, because he was the only person she could trust with her worries and these particular things. It's not like she forced him to help her even. When you declined the missions, she showed nothing but compassion and understanding.

Now to the conflicting part (which could absolutely just be me). Maybe I'm the problem and that is precisely why I wanna here more opinions about this. I do not like the way she talked to him.

Almost every (but not strictly every) interaction with her filled me with dread. It felt like whatever I (or in this case Arthur) did, she'd drag him down. Like the cut scene at the train station right before her and Jamie leave. She says to Arthur "Ah you'll never change"

She's justified to think that way I guess after everything that has happened, but man...I just feel like it's only adding to his already existing insecurities.

I also wanna make clear that I'm not hating on her! I love her as a character, but I just felt like absolutely dog shit whenever I talked to her and maybe a different view on the situation could change it or whatever💞

I think that is a fair thing to point, and I do agree with you, she did kind of fuel some already existing insecurities, but I think it was a moment of weakness, yk? It has been years since they met and maybe she did have a hope that he had changed only to discover he hadn't. It does hurt to hear for Arthur, I am sure, but it is worth adressing.

I will say she likely shouldn't have said it but she is good at holding Arthur responsible at his own faults, which can be annoying.

Idk how to explain it, I think I am 50/50. I can see both sides.

[azriaann]

so fairy tail 178........

first of all... I will always HATE the dumbass-ification of natsu's character. og natsu would actually be rolling in his grave listening to the hyq version yap about "needing to be the one to defeat ignia" and feeling threatened because the fire cat wants to go talk to ignia instead??? wdym happy is the voice of reason... of course a part of natsu's character has always been comedic relief and he is supposed to be dumb (to an EXTENT) but it is just so genuinely difficult to enjoy his screen time in hyq... like pls don't make me hate my boy...

I do also wonder how this little fire cat knows about natsu's supposed "power". tbh I haven't paid attention to the manga in a long time because nalu haven't had any screen time but the cat saying that natsu needs to "eat those [special flames] ... [to] awaken [his] power" is certainly interesting. like I'm really trying to not be hopeful here because hyq almost never delivers (💀) but come on... they're FINALLY referencing the first (and only) interesting part of this series (natsu's loss of control over his power in literally like chapter 20 or something LMAO). I don't really understand what "the power to make a prison of flames" means or how it's ... relevant? but they are speaking my language with "...that will burn everything up" (hyq 178.. yes im citing my sources!).

anyways so in ft og, natsu's initial transformation into end is followed by his flashback to Lucy being 'dead', to which he says "nobody can stop me now" (ft 504). the only time we have been shown (supposedly???) demon (?????) natsu in hyq was in chapter 22, which can only be argued based on his appearance and behaviour being the same as it was in ft 504, seeing as his demonic state was never mentioned by any other character after or during chapter 22. obviously the language in the chapters mirrors each other, as he states "I have to burn every single thing... until they all turn to ash" in ch. 22, so this HAS to be leading up to natsu losing it again lol... and the supporting language from 504 (see prev. citation), along with Lucy's position as (somehow) the only person who was scared of natsu's fire in ch. 22 implies that she SHOULD have an imperative role in the finale as the only person who can "stop" natsu should he turn into a demon again (504).

tldr surely this shit is leading up to a nalu + end!natsu finale and im going to be confused if it doesn't!

I also wanna talk about Lucy's new magical role because? what????

I really don't understand Why an entity known as a "dragon god" that has been around for hundreds of years just fuckign doing his own thing would have a key?? that allows some random chick (sorry Lucy xoxo) to summon him whenever??? make it make sense? does this imply that every single dragon god (and even maybe dragon?) would have a key? I feel like this bs is antithetical to the entire purpose of dragons in the series as creatures that have not only ended humankind like 3 times, but also as monsters that humans had to develop special magic to defeat? I don't feel like finding a source for it but like majority of the plot lines of fairy tail revolve around the incredible power of dragons and their unwillingness to bend to human authority (eg. Irene, igneel+co as the exception, zeref+natsu's family's demise, the dragon festival, AND SO ON). why on EARTH would a dragon, let alone a dragon GOD, allow a human to have control over his agency? it makes 0 sense... even if this dude is a good guy.

moving on... I think that it is funny for the writers to have Lucy be a celestial spirit wizard for 700+ chapters and then randomly change her role into a "summoner" in a small, anticlimactic blurb in a chapter that does not even revolve around her (178). regardless of how I feel about that, shouldn't that be a much bigger deal?? shouldn't there be a lot more unpacking of her new power (which I guess isn't really new but still)? this dude says "wizards who have keys and get their powers from gates ... are collectively known as 'summoners'"... which still implies that there are different versions, so like why should Lucy be able to just summon who ever? "collectively" places the term "summoner" as an umbrella term, like I don't understand how that is supposed to just explain that she suddenly is more than a celestial spirit wizard??!! fuckass "im sure you can summon a dragon" like okay. wrap it up. I just feel like this isn't necessary and I can't even understand why they're doing this? bro just like expand on celestial spirit magic instead😭 ffs just have her get the key of Draco or something good lord LIKE THAT WOULD MAKE SO MUCH MORE SENSE. IT WOULD BE UNDERSTANDABLE FOR THAT GUY TO HAVE THAT KEY AND IT WOULD MAKE SENSE FOR HER MAGIC'S PURPOSE😭 sorry guys this series actually pisses me off so bad LMAO...

tldr being able to summon a dragon god is antithetical to the entire existence/purpose of dragons in the series and also having Lucy not "just" be a celestial spirit wizard is dumb as hell because they could've just expanded her magic and/or given her the key of Draco.

wait I feel like I need to say that Lucy is my fav character ever and I love her so much and she is kick ass... the reason why I don't like the random power up is because (in my mind) it undermines the power that she has already worked for herself by giving her this random ability to summon a dragon for no reason instead of expanding on her fundamental talents. like she has the power of the STARS how is it possible that they can't work with that instead of giving her random abilities???? maybe im biased because star power is awesome in my head but STILL

... fuckass yukino is gonna come on screen and immediately be able to summon a dragon too... just watch.......

[pedroacrossthestreet]

so I've had an idea for a fic for over a year now that I've half started but as the narrative has developed in my head from PWP to something more it's beginning to look like it'll be more effective as a multi-chapter type beast.

which is scary. cause I don't have the attention span nor the ability to commit myself to anything in life.

but

if I were to tackle this properly. I guess I need some advice on how to, cause I'm okay at one shots and not much else.

it's a TLOU fic, so Joel/f!reader. but I feel like I need to delve more into both of their backgrounds, so there'll be flashbacks, some involving just Joel's story, others just the readers.

my conundrum comes with my own personal preference of reading fic. typically, I tend to skip original characters, or ones that are too narrative heavy or specific as it takes me outside of what I want to consume. it's bad of me, I know, but normally I just want a quick wham bam thank you ma'am.

so for those of you who do normally indulge in such fics, would you give me your opinions on what you prefer to read? and maybe that'll help me to properly sit down and tackle this. 🫠

contemplative!Joel for your consideration.

[night-raven-miscellany]

'No, no!' Her brain screamed. 'They're all lying! They just want you to give up so you'll be easier to treat like nothing again!'

Yuna sniffled. She knew that staying like this was only going to hurt her more but... The darker part of her brain insisted it was the safer option; that she would be protecting herself in the long run.

"But it IS true!" She argued, trying to stifle the tears brimming in her eyes that she wasn't quite sure if they were betraying her or supporting her anymore. "I just... It hurts so much, you know?"

Her voice seemed smaller, quieter, more rational for this brief moment.

"I try and try and try so hard to get people to acknowledge me... But they only ever notice me if they need help with something. Someone to do the dirty work, I guess... No one ever offered me help in return until I was on the verge of... This... And even now, I still can't help but feel like I'm just another background character in my own story."

Tears and rose petals both fell to the ground as she held back her sobs.

"I don't want to go back to that... I just... I don't want to be alone... But I don't want to just be a pawn in someone else's game, either... I'd rather just be alone than only noticed when I'm needed or at the end of my rope..."

A notification flashes across phone screens everywhere throughout NRC. The radio podcast, NRTea has gone live once more!

"Hello, hello, dearest listeners! And welcome to another episode of NRTea, the hottest tea party on sages island! I'm your host, Chamomile-"

"and I am Earl Grey"

"And oh boy do we have a story for you today! Take it away, Earl!"

"...alright.

As of late, there have been brambles spiralling up and encasing parts of the Ramshackle dorm. The brambles themselves seem generally harmless, as do the roses that fall from them, but if you prick yourself on the thorns, it would be quite an unpleasant sensation, so I'd suggest exercising some extra caution when visiting for now."

"Yup, yup! If you've got a friend or two living in the dorm out there, go check on em and make sure they're doing okay!"

"I know I myself must check in on my dearest companions soon..."

"Well that's it for now! We've been your hosts, Chamomile-"

"And Earl Grey,"

"And this has been NRTea. Stay thirsty, dear listeners!"

The stream continues on for a bit before cutting off, though.

"Hey... James?"

"Yes?"

"Y'know how Yuna has been locking up lately and stuff? Says she's been super sick recently."

"Mhm... It's quite concerning, if I am being honest. I haven't seen her for a while..."

"...I wonder if Yuna is alright. I hope she doesn't get hurt with all those brambles."

"...Me too, Lewis. Me too."

(✨YUNA OVERBLOT STUFF YAHOO!!!

-✨mod, @night-raven-miscellany. Technically James and Lewis, too, but I haven't been adding them fhdjfj)

Kiyuu stared down at her phone with a frown as the podcast ended. She didn't say anything, prompting Aros to speak up from behind her.

"...Lucky you haven't been over there for a while, isn't it?"

He spoke, giving Kiyuu a faint smile, leaning in just a little closer while dabbing a makeup brush into the eyeshadow pallette in his hand, before applying it, making slightly quicker movements than previously, already being able to tell what Kiyuu was thinking.

They both knew the signs by now from even just a glance. With the context the podcast had accidentlly given... Something bad was about to happen. That much they could tell.

His expression morphed back into a frown as he watched how Kiyuu's face seemed to go through a cycle of conflicting emotions, confirming what he'd thought.

"...Yuuto's close by, though. And he definitely won't hesitate to head straight for Ramshackle once he suspects something's happening..."

There was more silence, only disturbed by the quiet sounds of rummaging through makeup and supplies from Aros. They'd been in the middle of testing out some makeup samples Aros had been sent for a promotion when they'd decided to tune into NRTea's podcast in the background.

"...Would you like me to quickly finish applying your makeup before we go?"

Aros offered, picking up an eyelash curler, and tilting Kiyuu's head up gently with his pointer finger.

"But-"

"Ah- Let me finish now. If you're worried about time, I'll change up our plan, do something quick, yet effective, instead. Don't stress out more than you need to. It won't do you any good."

"Mmh... Okay then. I'd- really like that. Thank you..."

Kiyuu conceeded softly, a silent exchange of gratitude from Kiyuu between them, Aros nodding in response, expression neutral as he continued.

"...Heh. I bet he's real excited right now. I worry a lot for him when he does this sort of thing, y'know. Just doing whatever he wants with no consideration to anyone else's feelings..."

Kiyuu mumbled, an underlying bitterness that she never quite felt wholeheartedly in her voice.

"That's just how he is. The only thing for us to do now is help them both out, hm?"

"Ah- right..! Yuna, I heard their name was, I think... I hope they're alright..."

"As do I."

Aro's commented as he stood, reaching instinctively for his hand mirror, handing it to Kiyuu as he hastily, yet still neatly, tidied up his supplies.

"Satisfactory?"

He asked, turning his head around to gauge Kiyuu's opinion.

"Yeah! More than, for sure."

Kiyuu agreed, handing back the mirror. She felt a little better now, the familiar feeling of her makeup calming her nerves ever so slightly.

After a few short moments she stood, hastily reaching to fix up her hair into a more practical fashion.

"Okay! Okay. Let's go! We shouldn't waste anymore time."

She announced, projecting bounds more confidence than she actually felt.

"Yes, let's. Perhaps we'll even arrive before anything too disastrous occurs on either party's end..."

Aros responded. Though somehow, they both doubted that much of a miricle would happen for them today...

[rockhousejai]

HI PENNY!! Long time no see🍨

[ender1821]

im a child of divorce

[cawsket]

The moral of the arcane season two act three is that if you're suicidal you should just go ahead and kill yourself

[brionysea]

for the record I'm keeping my #arcane and #arcane critical tags separate because 1) it's rude to go into a show's main tag to complain about it and 2) this way I can still go into the arcane tag on my own blog to enjoy season 1 stuff without being perpetually disappointed by season 2

[jessamine-rose]

*lovingly tackles Aine*

Read my Yandere! Pierro longfics first ♪( ´▽｀)

Last week, my beloved mutual @ainescribe surprised me with Savior! Darling fan art and AHAI9232@2-!/! CRYING SCREAMING I WANT TO LOOK AT THIS ART AND WORSHIP YOUR VERSION OF SAVIOR THANK YOU SO MUCH FOR BLESSING ME WITH YOUR ART—

*clears throat* Anyway, now that I finally have the time to properly sit down and comment on the fan art, I’ll do just that. Feedback will be in the tags and it will be unhinged. Once again, thank you so much to Aine for drawing this <3