#but I figured if he looks bad I can say that’s by design
Explore tagged Tumblr posts
dissapointu · 3 days ago
Text
Tumblr media
How to Rile Up the Characters of Arcane
(anger wise perverts)
These headcanons explore what irks, flusters, or provokes each character in a way that makes their reactions as entertaining as they are educational for anyone seeking to test their limits. Use at your own risk!
Jinx
1. Messing with her inventions
• Jinx is incredibly protective of her gadgets and explosives. Poking around her workspace or suggesting her designs could be improved will get you an immediate, fiery reaction.
• “Improved?! They’re perfect, you total nimrod!”
2. Stealing attention
• Jinx craves recognition, especially from figures she admires (like Silco or her friends). Ignoring her or praising someone else more can push her into an erratic, over-the-top display to reclaim the spotlight.
3. Underestimating her
• Comments like “Are you sure you can handle this?” or “Maybe you should sit this one out” will ignite her fury and determination to prove you wrong—usually in the loudest way possible.
Vi
1. Mocking her strength
• Vi prides herself on her physical prowess. Any teasing about losing an arm-wrestling match or struggling with a task will have her insisting on proving you wrong immediately.
• “Alright, tough guy. Let’s see if you can back that up.”
2. Disrespecting Powder/Jinx
• Bringing up Jinx in a negative light or blaming Vi for what happened between them is a surefire way to strike a nerve. Her guilt and protectiveness will flare up in equal measure.
3. Challenging her leadership
• Vi naturally takes charge, so questioning her decisions or suggesting someone else lead will have her bristling. “You think you can do it better? Be my guest.”
Sevika
1. Criticizing her loyalty to Silco
• She’s fiercely loyal, and any remarks suggesting she’s blindly following orders or dependent on Silco’s authority will make her defensive—possibly in an intimidating way.
• “I’d watch what you say next if I were you.”
2. Messing with her arm
• Joking about her mechanical arm or tampering with it is a fast way to get her glaring at you—or worse.
• “Touch it again, and you’ll see how well it works up close.”
3. Calling her soft
• Sevika has a tough exterior, and any insinuation that she might have a soft side will annoy her. Push too far, and she’ll feel compelled to prove just how “not soft” she is.
Silco
1. Interrupting his plans
• Silco is meticulous and hates disruptions. Questioning his methods or derailing his carefully laid schemes will earn you a cold, cutting remark—or a deadly glare.
• “Do you think you could do better, or is this just idle foolishness?”
2. Challenging his authority
• Silco thrives on control, and anyone who undermines or questions his leadership will quickly find themselves on his bad side.
• “I’d advise against testing me further.”
3. Mentioning Vander
• Bringing up Vander’s betrayal or suggesting Silco is living in his shadow will strike a deeply personal nerve, though he’ll hide his emotions behind his chilling composure.
Vander
1. Endangering his family
• Vander’s protective instincts are unmatched. Any threat—real or perceived—to his children or those he considers family will have him stepping into action.
• “If you so much as look at them the wrong way, you’ll regret it.”
2. Mentioning his past violence
• Vander is deeply remorseful about his history as the “Hound of the Underground.” Reminders of his brutal past will make him uncharacteristically curt or defensive.
• “I’m not that person anymore. Let it go.”
3. Disrespecting Zaun
• Vander’s love for Zaun runs deep. Insulting his city or its people will get him fired up—and ready to defend it, fists clenched.
Ekko
1. Treating him like a kid
• Ekko is mature beyond his years, and any patronizing behavior or comments like “You wouldn’t understand” will annoy him to no end.
• “Say that again, and I’ll show you who doesn’t understand.”
2. Messing with the Firelights
• The Firelights are Ekko’s pride and joy. Damaging their hideout, criticizing their mission, or mocking their cause will ignite his protective side.
3. Being overly pessimistic
• Ekko is an optimist, and negativity frustrates him. If you’re constantly dismissive of change or improvement, he’ll passionately argue with you about why hope matters.
Jayce
1. Insulting his intelligence
• Jayce is proud of his work as a scientist and inventor. Any comment suggesting his ideas are impractical or undeserving of recognition will hit him hard.
• “Let me remind you who brought Hextech to Piltover.”
2. Calling him a sellout
• He walks a fine line between invention and politics. Accusations that he’s abandoned his ideals or sold out for power will immediately put him on the defensive.
• “I’m doing what’s best for Piltover. You don’t understand the pressure I’m under.”
3. Undermining his authority
• Jayce takes his leadership role seriously. Any hint that he’s unqualified or incapable of handling the responsibility will make him overly defensive.
Viktor
1. Interrupting his work
• Viktor is hyper-focused on his research, and distractions—whether they’re intentional or accidental—irritate him.
• “Could you not see that I was in the middle of something important?”
2. Dismissing his ideas
• Viktor has faced constant dismissal throughout his life, so belittling his contributions or questioning his vision will strike a nerve.
• “You lack the foresight to understand, clearly.”
3. Criticizing his background
• Insulting Viktor’s roots in Zaun or using it as a way to undermine his accomplishments will get under his skin, though he’ll respond with cold indifference to hide the sting.
Caitlyn
1. Disrespecting her position
• Caitlyn is deeply committed to her role as a law enforcer. Suggesting she doesn’t deserve her rank or that she got there through privilege will earn a sharp rebuttal.
• “I worked harder than you’ll ever know to get here.”
2. Mocking her by-the-book nature
• Caitlyn’s dedication to justice and procedure is central to her identity. Teasing her for being “too rigid” or overly disciplined will irk her, even if she tries to laugh it off.
• “Someone has to uphold the rules around here.”
3. Bringing up her family’s wealth
• Caitlyn is sensitive about her affluent upbringing and works hard to prove she’s more than just her family name. Dismissing her as “just another rich kid” will immediately put her on edge.
122 notes · View notes
luxheroica · 3 days ago
Text
under your tree (1/3)
Anyways Ekko/Jinx has made me insane and I'm not stopping. So here have fanfic about Ekko, Jinx, and the tree that I wrote in a fugue state last night. Planned part 1 of 3, the first is alternate-Powder and alternate-Ekko.
Also on AO3
----
She drags him up out of her lab, not entirely sure where to go but too jumbled up to stay. Powder’s heart is racing as she twines her fingers in Ekko’s, and she has never been happier to feel his grip strong and vital in her own. That breathless moment when he wasn't moving when she thought– she had held VI's body in the same way. 
“Where are we going?” he asks, bewildered, stumbling along behind her. 
“Just come on.”
Her feet know the path and she trusts them. While she does her mind races, all of the strangeness of the past few weeks slotting into place like a puzzle in her mind. 
His fear on seeing her, his confusion at Milo and Claggor, the way his whole face changed when he saw Benzo… the way he hadn’t known Vi was dead. She thought he was just messing with her, in a particularly cruel way, or maybe he’d lost his mind after a particularly weird dream. 
The way he’d kissed her tonight, like he was so desperate to hold on to her. 
Now it all makes sense. Something that she was beginning to suspect but didn’t think was quite possible. 
Her feet take her to the tree. Where Ekko painted his portraits of Vi. 
Vi who lives. Vi who is from some other place and time entirely. 
“What… is this?” Ekko– her Ekko– crosses to the portraits alongside her, wonderment in his eyes. “Is that Vi?”
Powder smiles. “A present,” she says. “From another you.” 
Ekko scoffs disbelieving. “Seriously, you can stop messing with me.” 
“Did you know that the competition is tomorrow?” 
Ekko whirls around. “What? No– it's weeks away!” He waits for the punchline that he knows is coming, and then scratches at his head. “Seriously? What do you mean it’s tomorrow, I thought–” 
“You had plenty of time?” 
Ekko nods. He swallows and she watches his Adams apple bob, as he takes this in. “Powder, why did I wake up on the floor of your lab?” 
“Because an alternate universe version of you took over your body for a few weeks, built a time machine that created a space anomaly, and then went back to his universe.” 
She expects him to laugh. She expects him to accuse her of making it up. Even as she says it, it sounds a little crazy. 
Ekko flops to the ground. “Huh.” 
“Yeah,” she says. She doesn't approach, doesn't touch him. Gives him time to process. 
“That is about the wildest shit I've ever heard.” 
Powder snorts. “Don't I know it. Imagine three weeks of my boyfriend acting like a lunatic, and I only now figure out why.” 
“Imagine losing three weeks of your life to an another version of you!” He scratches at his head in that way he does when he's frustrated. “I can't believe the content is tomorrow and I haven’t prepared anything!” 
Powder laughs. The Innovators Competition seems like the least of her concerns right now, but of course for him he was just thinking about it. It consumed his every thought “To be fair, while making his time travel device he maaaaybe finished your battery. It works great, by the way!” 
Ekko sits up, offense playing across his face. “He finished my designs??” Then he shakes his head. “Is it weird to be jealous of another version of myself?” 
Powder considers. And yeah she's gonna push it because she likes pushing his buttons. “Would now be a bad time to tell you he kissed me?” 
Ekko nearly chokes. 
“In my defense I thought he was you!” 
The fight goes out of Ekko, and he sighs. Lays down in the grass and looks up at the wall where Vi’s eyes from another universe look down on the both of them. “You think she’s alive, in his world?” 
Powder nods. She curls herself next to him, intertwining her fingers with his. “Yeah,” she says. “He told me about her, a bit– said it was a dream he had. Said she was the strongest fighter in all Zaun.” 
There under that tree she tells him all about the dream the other Ekko told her about, that strange world where Vi lived and was in love with a Piltover heiress of all people and she went by a different name and she and Ekko hadn't really talked in years and Zaun was still just like it used to be and maybe even worse. 
“It’s weird,” Ekko says while she talks. He rubs his forehead, his brow creasing in concentration. “It's like I can remember it, a little– while you're talking. Flashes of memory… I don't know if they're real.” 
Powder curls their fingers together. “I think alternate universes are uncharted territory for anyone.” 
Ekko snorts. “You're telling me.” He squeezes her hand reassuringly. “It’s strange. Everything I'm feeling, it all feels so sad and awful and scary… even if VI's alive so many people were dead, and we hadn't talked in forever…” he trails off, and Powder imagines it– really imagines it– that universe that other-Ekko came from and it makes her sad. “And don't get me wrong, I'm glad he left and I get to be me and not have my life hijacked by some alternate me, but…” 
Powder levers herself up. “But?” she prompts. 
“But why'd he do it?” He turns to look at her, and there's something anxious in his brown eyes. “I don't know if I could leave to a world where we never talked.” 
Powder smiles. Rolls over and kisses the bridge of his nose. They haven't said it yet but she loves him–whichever version. “Because he's you. And because they needed him, the people on the other side.” 
Ekko turns this over in his mind. “What was he like, the other me?” 
Powder scrunches her nose as she tries to think. “Like you but weird. Like, he was really jumpy at first and then he got all sentimental over weird stuff. But, he was you– just as smart, just as idealistic. Always had his head in the clouds and his nose in an equation.” 
Ekko laughs. Flicks her nose. “That doesn't sound like me at all.” 
“Oh doesn't it, Mr. Free-Energy-For-All?” 
“I still can't believe he finished my designs.” 
Powder rolls back laughing, because he sounds so indignant. He continues to glare, annoyed. And then after a minute joins her in laughter. 
“I think I saw him for a minute, at the end there.” Powder says once she's caught her breath. 
“Oh? What was he, uh…?” 
“Really hot,” she says, because she knows it's going to make him jealous but she’s also calling him hot and he can't say anything about it, and it’s such a delicious conundrum. “Kind of rugged, too– big baggy clothes and wearing war paint. Not at all a buttoned up nerd.”
Ekko rolls over, pins her to the ground like she's been goading him to do. “I'll show you buttoned up nerd,” he says, and he kisses her breathless. 
And it’s different from the way he kissed her earlier tonight. For one he knows how she likes to be kissed, knows how to tease her. But there's nothing of that delicate way he held her like she was this precious thing that could break, and she wants that intensity again. 
They stay like that awhile. Just kissing, just enjoying each other. And they don't think of other worlds where they haven't talked in years and maybe never will again. 
At last they stop, because Ekko looks at his watch and says, “Oh shit, I should get you back home!” 
Powder tickles his knee with hers, hoping to tempt him into giving in again. “We’ve got time. I said I was going to the dance.” 
“It’s almost 2am, I'm pretty sure your dads are gonna kill me.”
Powder snorts disbelieving. “Nah, they wouldn't.” 
“No, I know Silco quit being a crime boss but I'm pretty sure he still knows how to hide a body like, super good.” 
Powder kisses him again– with a little bit of tongue, for good measure– and then when she's sure he's about to give in she jumps to her feet. Ekko looks at her exasperated but fond. “Alright, genius. Let's get you home– you've got a presentation to give tomorrow.” 
Ekko groans. 
28 notes · View notes
leillaaaa · 2 days ago
Note
hiii! about that one terukane post discussing the clock keepers’ original time period/location, i did some light searching and it mostly points to the clock keepers coming from around the 1800s! i’ll write down a few reasons why!
clothing:
mirai’s attire may seem a bit more western at first glance , but going off her sandals (sorry i’m not sure about the name) and the outfit under her cloak, it seems that it is either inspired or is the same as 1800’s japanese winter wear, with the same design, albeit with mirai’s design being a bit more puffy/flowy(?) see here:
Tumblr media Tumblr media
so mirai’s outfit points to around the 1800’s, but what about kako and akane?
kako and akane don’t have much to go off, except for their sleeve garters/arm bands! sleeve garters started being manufactured around the late 1800’s, and they were used by people who needed to adjust their sleeves without much hassle! kako is shown to tinker with machinery, and we all know that can become seriously messy, so he uses sleeve garters to prevent his sleeves from being too long and messing with his work!
another thing to add are their tassels, which were used in the 1800’s as well(?)
Tumblr media
other than their clothing, we can also refer to their boundary and the particular clock they used in chapter 111!
machinery:
the boundary mechanisms look particularly similar to clocks i found online that date back 200 years ago (i think) like this,
Tumblr media Tumblr media
although i am not sure if this can be used as evidence as inspiration could be taken from any similar time periods, i believe that it most resembles the machinery of this particular era!
however, we can see that the big clock used to change the present/operated by the yorishiro has a unique style, quite unlike clocks today or the slim grandfather clocks we associate with the clock keepers! however, I found a clock quite similar to it that dates back to early-mid 1800’s (1800-1849)!
Tumblr media Tumblr media
even though the time periods don’t nessecarily overlap, it still proves to be quite useful evidence!
Tumblr media
it’s quite reminiscent of the big ben, built in 1943, overlapping with the manufactured period of the supernatural clock they used 🕰️, giving me reason to believe that the clock keepers might have made/maintained this when alive in that time period as mechanics!
lastly, the town!
not much to say here, but judging by the common people in the heart of the boundary and the fact that they spoke an unfamiliar language, i have reason to believe that kako might have originated from around europe, prob not in england, because akane learns english in school! (not accounting for older english)
i won’t say that it is in this specific location, because tbhk is obv a work of fiction with little to no actual ties to real locations, but i will say that the town is reminiscent of old luxembourg in ville-haute, to the south, which was known for its industry in the 19th century!
for reference:
Tumblr media
sorry for the bad quality ahah
there are some holes here and there such as mirai’s japanese like clothing not matching kako’s more western attire, or why certain thing don’t overlap, but this is what i could find haha
so in conclusion i’d reckon the clock keepers to be from around the 1800’s in europe(my guess is old luxembourg city in villehaute, southern luxembourg), where kako is a mechanic known for his knack for machinery and mirai is either his adopted daughter from far away or a pinocchio-esque figure to keep kako company!
hope this helped!
WAHHH, TYYY !! This was so helpful, tysm !! (≧∇≦)b <3
28 notes · View notes
brisling · 1 day ago
Text
I enjoy nonfiction that's not by John McPhee also
Exploding the Phone by Phil Lapsley Just a romp! A deep dive into the very narrow slice of time when landlines were ubiquitous, monopolized by the Bell Company, and completely, wildly unsecured -- which is to say, extremely, extremely hackable. I love inventive, low-stakes crime and this is FULL of teens across the US independently figuring out how to defraud the phone company in the span of like five years. Also a window into an absolutely fascinating pre-internet fringe/hacker culture. Picked it up because the first half of this article made me go "what? what! what??" so many times in quick succession.
A River Lost by Blaine Harden I'm so biased towards PNW local books but I read three separate unsatisfying books about rivers before hitting this one so I feel especially fond. A history of the Columbia through the mid-nineties and the huge number of conflicting interests at play when you dam up 90% of a river. Solidly written, well-researched, packed with interesting and new-to-me information, and also quite funny in a "jeez, yeah, people huh!" way that I love:
Tumblr media Tumblr media
Roger Excoffon with Bruce Kennett 1.5hr video about the guy who designed Mistral which you may be familiar with if you were a kid who spent hours meticulously crafting MS word art in your free time. Hypothetically. A breakdown of one designer's incredibly stylish body of work as well as a look at typeface design in general and typeface design for metal movable type specifically. Favorite slide (spoilers) is this one (annotated by me):
Tumblr media
Where you may notice the first "f" in "souffle", the first "l" in "elle" and the first "p" in "appelle" are all the same letterform???? Absolutely wild.
The collected writing of Joshua Minsoo Kim I discovered JMK via his experimental music newsletter Tone Glow, and he is one of my favorite interviewers currently in the game. I think a lot of modern interviews are, like. Bad? Three paragraphs of interviewer question to one line of answer, the interviewer paraphrasing every response into a bland one sentence summary, etc. JMK asks good and really thoughtful questions, gives the interviewee a ton of space to talk, and is simply so UNBELIEVABLY knowledgeable about music that he can jam with the subject about nearly any subgenre or niche music reference. Extremely recommend this Diamanda Galas interview as a starting point.
The Possessed by Elif Batuman A series of essays by a charming weirdo Russian lit academic about the charming, ENORMOUSLY weird denizens of Russian lit academia. It is wall-to-wall impeccable and vivid portraits of people, places, and Russian authors, all told with humor and affection. Especially recommended if you enjoy Russian literature or. Are a grad student.
19 notes · View notes
nirikeehan · 2 years ago
Text
WIP Wednesday!
Tagged by @theluckywizard and @effelants and @bluewren. I don’t have any fic this week due to working on secret exchange fics 👀 BUT
I recently impulse bought a drawing tablet and have been trying art again for the first time in 20 years. I was never very good but I have started trying to draw some blorbos. Here is a hot mess (literally) in progress
Tumblr media
I am calling this “The Friday Morning Templar Meeting” and as you can probably imagine, this is what Samson is doing in the back 😂
Idk I don’t hate it 🤷‍♀️
Tagging if interested:
@highwayphantoms | @monocytogenes | @inquisimer | @delicatefade | @exalted-dawn-drabbles | @demarogue | @ocean-in-my-rebel-soul | @musetta3 | @fandomn00blr | @little--abyss | @whirrlinginrags
17 notes · View notes
ophanstears · 7 days ago
Text
🍀
I know that Clover's gender is up to interpretation (the devs DID say so themselves) but I still feel weird when people make them exclusively male or female LOL Like it's TECHNICALLY fine??? but it leaves a bad taste in my mouth.
more in tags as usual because I am a yapper. i am so sorry for having strong opinions about gender and representation. i am usually more fun than this 🥲🥲🥲🥲
#whenever ppl talk about clover being male it feels like they are unconsciously reinforcing gender roles???#vague sexist vibes yknow#this is such an innocent thing to complain about but i dont care!! i am a HATER!!!!!!#I think it bothers me so much because it reminds me of how Kris was treated and is STILL being treated. “well in my headcanon he is a boy”#again its technically fine!!! the devs said its cool and i wont hate anyone for it. but its still so weird yknow#especially cus most ppl reason them to be a boy because “well he likes guns and thats a boy thing!!!!!!”#“his design looks like a boy but his animations are like a girl”#“he is a cowBOY and he looks masculine so-” shut up i will stick your head down a toilet#many people think its an obvious fact that they are male.#whenever the cast calls Clover by he or a boy in fan content I can feel my entire face shrivel up#“THEY WOULD NOT FUCKING SAY THAT!!!” aka the curse that keeps me from enjoying anything thats just made for fun#i think its a case of self-insertiritis... even though clover is their own separate person as is UTDR's tradition#bonus points if they make them a boy so they can ship them with kanako without being gay 🤨🤨🤨🤨🤨#🤨🤨🤨🤨bonus points if they make them female so they can ship them with flowey without being gay 🤨🤨🤨🤨#female clover is actually rare and not nearly as problematic. i can tolerate female clover because luckypatch is such a rare ship anyhow#this does not even mention the weird ships with martlet and ceroba. yeah its the monster girls only. and in those theyre also a boy#never starlo or dalv which thank god but. guess why. go figure#ive had people headcanon martlet knowing clover as a kid and dating them later? i do not need to explain why thats grooming LOL#the undertale yellow fandom on reddit. is so bad. god. do not go there#i know its filled to the brim with teens who have the media literacy skills of a wet piece of paper and their minds in the gutters 24/7 but#cmon.#the things they have done to ceroba and martlet. the curse of being women. girlypops i am SO sorry you do not deserve it#undertale#undertale yellow#uty#clover#ceroba#martlet
60 notes · View notes
the-busy-ghost · 2 months ago
Text
Me normally: Let people love what they love
Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE
#Look it's fine that this show exists and people will watch it and like it and that's ok maybe it's just not for me#But that was like a statement purely designed to piss me off#There were lots of issues with the 1978 adaptation! I still vastly preferred the books any day!#And I actually initially had high hopes for the new one because they at least cast a Scot (albeit a Highlander not a Clydesider) as James#And the actors at least looked a little bit younger than Christopher Timothy and Robert Hardy#And thank god Helen actually sounds like she's a farmer's daughter and doesn't speak RP!#But from the half hour I've seen of it I've had to write off this new adaptation#For two major reasons#First of all there's Siegfried#Siegfried is one of the key central aspects of the vibe of the books and therefore key to any adaptation#Robert Hardy was too short and too old for the part but he lived and breathed the character#The twinkle in the eye bouncing off the walls and in and out of rooms followed by half a dozen dogs utterly full of life even when angry#But this new Siegfried is just sort of... Eeyore-esque; he comes into a room and you can see the flowers droop and the set turn grey#Siegfried was angry Siegfried was happy and the historical character he was based on was no stranger to melancholy#Since Donald Sinclair did commit suicide or rather self-euthanasia after Alf Wight and his own wife Audrey died#But this slow grumbly figure in the new adaptation is not Siegfried Farnon- the book character didn't grumble more often he exploded#And why did the adaptation give him a dead wife that's so weird? What could that possibly add to the source material?#And this brings me onto my second problem which is to do with women and age#Firstly I have no idea why they aged down Mrs Hall or at least made her look younger than a woman her age would have back then#But what really drove me mad was when Heriot goes out to see some old woman hill farmer in the episode I saw#And this woman is far too clean and young-looking and you can see that she's wearing 'natural' look make-up#And a perfect set of clothes that looked like they were straight out of the House of Bruar autumn collection catalogue#Say what you like about the 1978 adaptation but old women looked like old women regardless of whether or not they wore make-up#It may be that the better quality of television screens means that the 'natural look' shows up on screen more clearly than it would have#But natural look make-up was not really a thing in the 1930s and for old women Yorkshire hill farmers I doubt they'd have much on at all#They just don't seem to be capable of allowing people to look old and wrinkled and real or have bad teeth or unattractive clothes#And everything is far too tidy- everybody looks far too perfectly country and quaint#Anyway the moral of this story is of course that I always recommend reading the books because they're much better#than any tv adaptation; but if forced to choose at least the 1970s one felt real and yet didn't have to be grim either#Ok that's my rant over please do feel free to enjoy the show I just got annoyed because the opinion was expressed on TMS
9 notes · View notes
constantvariations · 1 month ago
Text
Tumblr media Tumblr media
They tried to buy matching outfits at Villains 'r' Us but had to make do with similar shades of ugly
5 notes · View notes
blujayonthewing · 2 months ago
Text
so in juniper's campaign we've just found ourselves in a high-stakes situation that I as a player do frankly find stressful and am anxious about, but hey hi also the DM was like 'okay here are the exact mechanics of how this is going to work because I don't want to surprise you with serious repercussions, also here are all the options you will have to try to do something about the situation-- [affected player] what do you think? honest feedback, I don't want it to feel unfair, I want to be clear that I am not just trying to kill your character, and if it ends up being badly balanced we can revisit it down the road' and oh my god I could COLLAPSE and WEEP with gratitude
#[tears in my fucking eyes] WHAT IF DND WAS GOOD!! WHAT IF A DM THAT'S GOOD!!!#LIKE I've said actually MOST of my DMs are good but because of the way this situation was presented specifically#where-- as NOT the affected player-- it does feel like the way it came up was a little unfair and I AM worried about the stakes--#I REALLY SPENT SO MUCH OF THAT ABOVE-TABLE TALK GOING OH WOW I FEEL LIKE OUR FRIEND ACTUALLY LOVES US AND WANTS THIS TO BE FUN!!#I DON'T KNOW THAT I AGREE WITH WHAT HE'S DOING HERE BUT I TRUST MY FRIEND AND IT'S SAFE FOR US TO TALK ABOUT THINGS LIKE THIS PLAYER TO DM!!#WOWIE THAT FEELS RELEVANT TO MY DND EXPERIENCE RIGHT NOW LMAO!!!#'I've looked at your stats and inventories to try to make this serious but balanced but if it doesn't work we can retool it'#'I want to be extremely clear that this situation could kill destal so I want to be extremely sure that you're comfortable with that--#-- and with how the mechanics are designed around it'#I am fucking. on my KNEES WEEPING. at the contrast with how punishing and DEEPLY unfun felix campaign has relentlessly been the whole time#and how little of a fuck it feels like THAT DM gives when he's like 'this random rolltable encounter was deadly :)'#'you guys didn't get hit last time and got all your spells back right?' uhhh wrong and wrong and we TALKED about that last time#are you gonna revisit the balance on your fifth in a row 'if you fail you'll TPK' scenario? no? yeah I figured lol#christ knows HE'S never invited feedback on his DMing. you KNOW I don't feel safe to say 'hey this doesn't feel fair or fun' with him#AND LIKE!! WITH A DM I TRUST I FEEL SAFE ENOUGH TO REALLY PLAY WITH SOMETHING TERRIBLE HAPPENING!! YAY YIPPEE STAKES AND PATHOS!!!#I don't just want nothing bad to happen ever! but I don't want it to feel careless or heartless or just... Not Fun#anyway. grasping william's hands so tightly. my beloved friend. my wonderful friend. what a relief to have a DM that's good#after the shit we've been through in our now most-frequently-run campaign#the thing I'm mad about is that destal has been making a mystery saving throw every night-- but this was imperceptible to the characters#so we weren't acting on it#and now that he's failed it three times the situation is 'okay NOW you will be maming a con save every night and accumulating exhaustion'#'which can't be removed by sleeping' [six levels of exhaustion Kill You]#so like!! well okay I wish we had had ANY way of knowing how urgent this was before we got to 'now there's a deadly countdown' BUT OKAY#but like I said. he clearly put a lot of thought into the math for the mechanics#he made sure that we DO actually have ANYTHING we can do to mitigate the condition and outlined several options specifically and clearly#he checked in with justin about whether that seemed fair and opened it for future retooling if necessary#so I'm just at 'that was kind of a rugpull dude :/' instead of DESPAIRING lmao#this is a level of Oh Shit that's juicy! this is a level of Oh Shit that might force dramatic character choices out of desperation!#THIS IS AN OH SHIT WHERE WE STILL GET TO PLAY DND ABOUT IT AND HAVE ANY AGENCY WHATSOEVER. WHAT A CONCEPT.#ANYWAY!!! GOOD DND SAVE ME!!!!!!!!!
6 notes · View notes
whytheylosttheirminds · 2 months ago
Text
blue sweater - r.c.
(season 4 bf!rafe x gf!reader blurb, 2.4k words)
Tumblr media Tumblr media
content smut, p in v, this gorgeous man and his afformentioned blue sweater, 18+ minors do not interact!!
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠂
You’d fallen asleep on the couch, waiting up for him again. You didn’t fault Rafe for working so hard, you just miss him so fucking much when he’s in back-to-back meetings all day. 
The couch dips below you, pulling you from your dreams. A large, warm presence settles next to you on the sofa. You didn’t have to open your eyes to know it’s him.
“Hey,” you mumble sleepily, eyes still closed.
He’s smirking down at you, you know him so well you can picture exactly how he looks without actually seeing him. 
“Hi,” he leans forward, planting a sweet kiss on your cheek. “I’m sorry, that last meeting ran so long.”
Finally opening your eyes to meet his, you’re almost startled by the sight. Somehow, in the dim evening light, they’re more deeply blue and beautiful than ever.
“Nice sweater,” you say, reaching up to run your fingers along the hard edge of his shoulder. Even though he looks so soft and pretty right now, he’s tense, and you wish you could ease the worry that furrows his brow.
He smiles knowingly, the skin at the corner of his eyes crinkling in the cute way that makes your heart ache for him.
“Thanks, my girlfriend got it for me.”
“She has good taste,” you joke as your run your hand gently up and down his bicep, the soft fabric such a contrast to the hard muscle below. 
“Yeah, she’s all kinds of good,” he winks.
“Then why’d you make her wait for you all night?” You pout, sticking out your bottom lip so he’d know you’re just teasing.
“I said I’m sorrrrry,” he whines as he leans over you more, adjusting to bring his legs onto the couch. You make room for him instinctually, his body fitting into yours like you were designed for each other. 
He lets his full weight down slowly, sinking you both deep into the cushions. Nuzzling his head into your neck, he drags his lips against the skin below your ear so gently, it sends goosebumps racing across your skin. He can feel your excitement and starts kissing you more firmly, leaving little wet spots up the column of your throat.
Your hands splay out over his big, firm back, rubbing circles into the tight muscles. You press deep, working out his stress, and he groans at your firm touch. Your hands work slowly down his back, pressing as you go. When you reach the hem of his sweater, you slip your hands underneath. Rafe flinches at your touch, a shudder running through him.
“Your hands are cold!” He exclaims, his voice muffled.
“Oh sorry, love!” you start to pull them away, but he reaches his arm behind him and pins your palms to his skin.
“No, it feels nice, don’t stop.”
You obey, the pads of your fingers digging little figure eights into his lower back, leaving goosebumps in their wake.
“What’s got you so stressed baby, hmm?” You ask.
“Just got too much going on,” he shakes his head so his buzzed hair tickles your earlobe. You giggle at the sensation, his head rising and falling with the shake of your chest.
“Poor baby,” you coo, making him smile against you. “Just need a little help to relax?”
Rafe nods against you, moving slightly to lay his head against your chest so you can run your nails along his head like you know he likes. You bring one hand up, the other still under his shirt, the motion making you open your legs wider so you can stretch. He slots between them perfectly, and when you drag your nails over the fuzzy hairs right at the nape of his neck, you can feel him twitch against your core, already half hard.
“Someone’s needy,” you hum, delighted that you can make him so hot just by touching him tenderly like this. “Want me to make you forget all about your bad day?”
“Please,” he groans into your collarbone, pressing his hips down harder so you can feel him fully against you now. Your wetness pools immediately, soaking through your panties as you arch your back and return the pressure. 
“Shit, baby, that’s so nice,” he praises.
“‘I’ve been waiting for this all day,” you confess.
“Then we better not make you wait any longer.”
Swiftly, he lifts his head from your chest and finds your lips with his. It’s hungry and sloppy, the wet skin of his lower lip sliding against yours as your mouths collide. You’re fully grinding up into him now, and there is nothing semi-soft about him, his hard cock threatening to rip the seams of his pants. You writhe, desperate to feel his length. You know it like the back of your hand, picturing his perfect cock clearly as you rock against it. You’ve got every vein, every throbbing, pink inch memorized. 
“Take your pants off,” you breathe into his open mouth.
With a cocky grin that makes you impossibly wetter he drawls, “now who’s needy, huh?”
You roll your eyes and reach for his waistband, if he’s gonna be an ass about it you’ll just do it yourself. He mirrors you, undressing you with the same shaky fervor. Your shirt goes first, he’s delighted to see you’ve opted for no bra. In the cold evening air, your nipples harden immediately, and he can see the goosebumps spreading across your torso. 
“Ohh baby, you really are freezing.”
“Mhm,” you nod, lip pulled between your teeth. “Warm me up, Rafe.”
A throaty groan rises from his chest as he takes over your work on his pants, ripping them off as best he can without standing, his boxers following. You slip your thumbs under your shorts, doubling up to slide your panties down with them until you’re bare for him. Only one piece of clothing remains between you, the soft blue sweater you bought for him. He starts to pull it off, but you stop him, your hand wrapping around his wrist.
“No, leave it on,” you instruct.
“Whatever you want, angel,” he smirks at your unusual request, but obliges without complaint.
He lays down on you again, his lips hovering over yours as he lets his cock press into your inner thigh. He’s so hard you gasp, inhaling sharply at the sweet pressure against your leg. He kisses you again, more tenderly this time, like he’s trying to imprint the taste of you onto his tongue. As he lets his weight settle on you, the soft threads of his sweater rub over your sensitive nipples, the sensation making your eyes squeeze shut and a strained moan echo from your chest.
“Y’okay?” He asks.
“It feels so g-good,” you croak out.
“What does, baby?”
You blush, feeling silly for it, but something about the soft material against your hardened skin is so delicious, you’re sure your pussy is dripping onto the couch by now. 
A little embarrassed, you admit, “the sweater on my tits feels really good.”
“It does?” He questions, amused.
“Just stay on me baby, don’t stop.”
You and Rafe have been known to argue about almost anything, but he never argues when you tell him how to make you feel good. He flattens his chest against you fully, rutting his dick against your leg, causing his chest to rub against yours as requested. Your head falls back into the throw pillows. You let him continue to move you both until you almost can’t stand the friction anymore.
“I love that,” you whimper, eyes still squeezed shut. “But I need you inside.”
“Can’t wait any longer, huh?” He chuckles. Once again, you don’t need to see him to know what he looks like, his eyebrows are surely arched high and his lips quirked to the side as he looks at you in amusement.
“Rafe I’ve been waiting for like twelve hours,” you complain.
“I know, baby, I know,” he quells you. “I got you, alright?”
Propped on one arm, his sweater leaves your chest for a moment so he can line himself up at your soaked entrance. You wait with closed eyes, bracing for impact as you know it will take a minute to adjust to his size, it always does. But he doesn’t enter you, just grumbles with annoyance as he shuffles above you.
Your quizzical eyes open to find him fumbling with the collar of his sweater, preparing to pull it off.
“What’s the problem?”
“I want to see you, but this fucking sweater’s in the way,” he explains. You lift your head and look down to where your bodies should be meeting to see the hem of his sweater hanging in the way, blocking the view. “I’m just gonna take it off.”
“Nuh-uh!” you object. 
“Baby,” he whines.
A solution comes to you, causing you to break into a wide grin.
“Open up,” you say, and he’s never looked more confused.
But then, you reach down and pull the hem of the sweater between your fingers, making his stomach flinch as you brush against it. You lift the hem up to his mouth, revealing the sight of his dick dangerously close to your entrance. He puzzles it together, and teasingly rolls his eyes before letting you place it between his teeth. He bites down on it obediently, considering a protest before looking down to see he now has a perfect angle to his favorite sight in the world.
It feels so good when he finally slides in, stretching you so deliciously and filling you like only he can, that you almost actually cry. He moves gently, considerate enough to know there’s probably an edge of pain to your pleasure.
“You don’t have to go slow,” you assure him. “Take your stress out on me, I can take it.”
“Yeah?” He tries to sound cocky, but it’s muffled from the fabric between his teeth.
The way his jaw clenches in frustration makes you giggle. Rafe usually does most of the talking, knowing the sound of his low voice in your ear makes you come so much faster.
“I’ll do the talking, just focus on my voice while you fuck me, m’kay?” You purr.
He nods in agreement, picking up the pace until he’s rocking into you, continuously hitting the perfect spot that makes you both shudder with pleasure. He’s going so hard you have to lift your arm above you and steady yourself against the arm of the couch. His eyes flit between the sight of you taking him in so perfectly and the way your tits bounce with each thrust.
You keep your promise to talk him through it, starting with, “just like that, Rafe- mmmph- feels so good. God, I can feel you so deep.”
His brows furrow in concentration, thrusting harder, desperate to drag more praises from your kiss-chapped lips. Your eyes train on the veins in his neck, throbbing with effort. You reach your other hand up and grab his chin, pulling his face so his eyes pierce yours.
“Shit, you look so good, fucking me like you needed to,” you cry.
As much as he loves the eye-contact, he’s still wearing this stupid sweater for a reason, and he needs to remind you. He matches you by placing his hand on your face, soft but firm, and directing your gaze down to see him pistoning into you.
“Oh my god, that’s so hot,” you smile, admiring the creamy mess you’re making on his shaft. “You’re fucking covered in me, baby. Made me so wet comin’ in here looking this good.”
He removes his hand from your head, looking for a non-verbal way to thank you for your compliments. He presses his thumb to your tongue, and you don’t need words to know what he’s doing. You get it nice and wet, swirling spit around his thumb with your tongue. Once it’s ready, he lowers it to your clit, rubbing back and forth a few times before forming steady circles.
“Ah- fuck- yes, Rafe that’s so-” Your commitment to keep talking falters as pleasure floods your mind, robbing you of your voice.
He knows what you need, he always knows what you need. He pulls your hand from his chin and places it on his chest, you bunch the fabric of his sweater so he can release it from his teeth.
“There ya go,” he coos. “Need me to talk you through it, huh?”
You nod desperately, confirming what he already knew.
“Couldn’t even concentrate in my meetings,” he begins, panting with the effort he’s putting in, not letting up his pace. “Thinkin’ about you here waiting for me, walking around the house in those little shorts. How am I supposed to close deals when I can’t stop thinking about bending you over the kitchen counter and fucking this perfect pussy, huh?”
His words have exactly the effect he was hoping for, you are beside yourself, moaning and squirming beneath him. Letting out the sweetest little “oh, oh, ohs” as his cock rocks your whole body. He's losing tempo, both of you nearing the edge. You bring your other fist up to bunch his sweater, too, grasping so tightly you're afraid you're gonna tear it. You clench around him as he keeps talking.
“That’s it, baby, squeeze me as hard as you can - fuck!” He's unraveling, needing to find the words to get you there so he didn’t finish first. “Fuck, that’s my good girl.”
Just as he expected, that’s what finally did it for you. You cry out his name as sparks exploded in your tummy, coming so hard you have to bury your face into his chest to keep from screaming. He follows behind you almost immediately, his hot cum spurting into you as his primal groans and grunts echo through the room.
A few minutes later, you’re cleaned up and cuddled in his bed, now wrapped up in his sweater, the stretched-out fabric engulfing you. He smirks as his hands run over the material, rubbing over your stomach and waist lovingly.
“Might have to wear this thing every day if that’s how you’re gonna react,” he teases you.
“Uh-huh,” you giggle. “Good luck getting it back.”
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠂⠄
a/n: omg i'm so sorry I just literally couldn't not, the chokehold this sweater has on me is unnatural like y'all don't even need to read this it was just a passion project for me. all hail Blue Sweater.
6K notes · View notes
zillychu · 5 months ago
Text
Tumblr media
designs for a zine piece! enjoy some background story my illustration never needed under the read more (fair warning I did NOT edit this at all):
newbie mage apprentices Sam and Tucker who became friends bc they're kinda… the ones at the bottom of their class and struggle the most, for different reasons. they become besties over time and practice together!
except one night, something goes terribly wrong. they spent the last few nights preparing for a project, a bigger spell that needs an intricate circle with precise measurements to work. but when they try to activate it, well… 
oops. they summoned a demon.
which is, for one, extremely illegal. only certified demonologists are allowed to summon demons because they're so dangerous. anything less than a perfect binding circle and thoroughly researched info on the demon, including their true name, is even remotely safe.
but, weirdly enough… the demon seems just as surprised as they are. as Sam and Tuck frantically try to figure out how to dispel the demon, they realize–oh god, did their circle actually sufficiently bind the demon? it can't leave. they watch the demon tentatively poke it's claws into the air around the boundary, and watch it fizzle, retreating back with a strained hiss.
okay. okay, they can do this. without death looming over their heads, they can figure out how to send the demon back. it's cool, it's fine. except while they leaf through their books, they notice the demon watching them. it looks kind of… curious. timid. interested in what they're doing. it catches them noticing his staring, and it. apologizes? it seems flustered?
weird, okay. they keep looking, and the demon starts talking. at first, little comments to itself. mumbles that soon get just loud enough to hear. little “ooh, is that a telescope?" and “is that what fire looks like up here?" and “that must be for making charcoal…”
Sam is the one brave enough to be like "are all demons as chatty as you??” and the demon gets flustered again, apologizing. says he's just never been topside before, he's only read about humans in tomes. oh wow is that the moon outside? it really IS blue up here! is it always blue? what are you doing up? I thought humans slept at night?
Sam and Tuck can't help getting pulled in with the demon's genuine curiosity. they're wary though, since they know demons can be clever, conniving. there's a number of ways a demon can get the upper hand on a summoner who has them bound. if he gets their full names, gets them to smudge and break the circle… there could also be ways they aren't aware of. so they consider their words carefully, but engage in some chatter while they research.
it's almost morning by the time they find a way to send the demon back–but as they prepare the spell, the demon says WAIT WAIT and they stop, uncertain. the demon starts stammering out how this is weird but like… he really had fun tonight. he doesn't get to just hang out much, especially with anyone his age.
Tuck is like “how do you know our ages??" and the demon points out "oh, you said something about Paulie’s 18th birthday party, so I thought…” and they're both like oh shit we didn't even notice we did that?
“Paulina" Sam corrects in her dumbfounded stupor. 
“Right, Paulina!" the demon snaps his fingers, but quickly loses his confidence when Sam and Tuck continue to stare at him like they're not sure what's going on. he coughs and fidgets and says “um, well, I was just wondering, I guess… if you wanted to summon me another time, I wouldn't mind. you see those circles there? yeah, that's what summoned me. the candles helped too I think. oh, it doesn't need all those runes though, probably don't want to redraw all those.”
Sam and Tuck are practically gawking, but… for some reason, this demon looks so sincere. so much like them, awkward and lonely and genuinely curious.
it's a bad idea. a terrible one, even. the demon probably noticed they're newbies and not demonologists. it could be hoping they make an error in their circle, or mess up a candle, or reveal their names on accident. 
But, well. They're stupid. they're also eager for anything to help them in school, and too empathetic for their own good. they send the demon off with a yeah, no. they then think about it for a week, and end up summoning the demon against their better judgment.
the demon is shocked and so happy, they can't help but be a little endeared. they lay down some ground rules, take care to be as safe as possible… and soon, this demon that introduces himself as “Phantom" becomes a nightly visitor. they talk about their worlds, find out they share a lot of common interests, and help each other in their studies. which, hello, demons also study? bro are you serious??
they play games, laugh till their ribs hurt, and open up to each other on a far deeper level than anyone expected. over time, Phantom becomes a true friend.
Sam and Tuck quietly begin to lament the fact Phantom is stuck in that damn circle. they want to take him places, let him see the human world he seems so interested in. they want to paint his stupid claws and noogie him between his dumb horns and hug him.
but it's an astronomical risk. it's legal for a demonologist with a proper permit, but it's still considered a grave taboo to grant access to a demon outside a circle. there's just too much at risk. demons can be dangerous enough to lay waste to entire towns, take multiple teams of military-rank mages to take down.
they wouldn't risk it… if they hadn't snuck into the library’s restricted section and copy a page from a demonologist book that gives them good framework for a contract. they make some edits to it though, giving Phantom at least a little wiggle room to protect himself if need be. and allow him use of transformation magic so he can hide somehow. but they spend weeks making sure they have airtight wording to ensure Phantom can't cause anyone or anything any substantial harm. 
when they finally bring the contract to Phantom, he's stunned. he cries. nothing needs to be said, they all know the gravity of their proposal. even if they ask for proof of Phantom's trust in turn, first. they ask for his full name, so they can bind him. just temporarily. but in that moment, they'll have full control over him. they could instead tell Phantom to serve them, force him to obey their every order. even if it's just for a moment, giving them his full name with the proper circle and incantation, is putting his life in their hands. 
Phantom, with tears still in his eyes, smiles warmly and nods. with only a breath to steel himself, he gives them his full name. Daniel James Fenton.
magic sparks in the circle, and Sam and Tuck finish the incantation. ethereal chains sprout up to wrap around Phantom's arms and legs, which makes him jump–but the unwavering trust in his eyes makes the two humans choke up.
they release the binding. all that's left is to break the containment barrier in the circle, so Phantom can walk free.
“Uh, about that…” Phantom laughs sheepishly… then proceeds to step outside of the circle, merely wincing when the barrier zaps around him.
Sam and Tucker gawk. Phantom scratches his neck. “Y-yeah, so… your barrier circle was already broken that first night. It's, uh… right over there. You missed a spot.”
abject horror overcomes them because this entire time Phantom's been visiting, he could have broken out? EASILY?? THEY WOULD HAVE BEEN DEAD.
Tucker falls to his knees, but soon starts to laugh. it's kind of hysterical at first but slowly, he and Sam are genuinely laughing. they're so STUPID, and Phantom is the most un-demonlike demon they've ever HEARD of. Phantom is still flustered, stammering out apologies because he wasn't trying to deceive them or anything! he just didn't want to scare them! without a proper containment circle they technically couldn't send him back either, so he just… went back using his own magic each time they “dispelled" him. 
Tumblr media
once they've calmed down, Phantom morphs his body into a human form–which shock Sam and Tuck, because uh, only elite demons are capable of that. they were expecting an animal, or straight up going invisible. Phantom laughs it off, says he just, spent a lot of time practicing bc he's so interested in the human world (not a lie, but). he proceeds to adopt the nickname Danny, and they all have FUN WONDERFUL SHENANIGANS
(and sometime in the near future, when faced with something truly threatening he needs to protect them from, Danny reveals that. well. their contract also had some holes in it. and he's had access to his full demon power this whole time. whoopsie! it's a good thing he genuinely loves them and doesn't want to hurt anyone, or their asses would be SO dead lol)
Tumblr media
they're about as normal about his full demon form as you'd expect from me btw:
Tumblr media
3K notes · View notes
idolomantises · 4 months ago
Text
I haven't drawn Hazbin Hotel/Helluva Boss redesigns since last year and the fandom still regularly tags me/picks fights with me over them. I did not think a couple drawings would live in people's heads so rent free.
Tumblr media
Like you can go find my redesigns on twitter, they're still very public. I just label them as "Angel Dust redesign" or "Alastor redesign". The only time I think I explicitly called a design bad was when I said I found Beelzebub's design atrocious. Which it is. It's an overdesigned mess that doesn't convey the sin at all, I'm allowed to say I don't like it. And even still, when I posted the art, I still labeled it as "Beelzebub redesign".
I'm not going to forget when you fans regularly stalked my account and PATREON just to figure out when I would upload the redesigns. You think I forgot about when I posted my Angel Dust redesign which was just meant to improve my old design and you people harassed me for days? You accused me of "baiting" fans because you are so self-obsessed you think everything I do is explicitly to upset you. You people misgendered me, told me to kill myself, called me a fucking cockroach and flat out threatened to assault me multiple times. Sure I was harsh about my critiques, but I didn't resort to homophobic and transphobic comments like you people did with my Angel Dust redesign because for some unexplained reason you diehard fans who have been following this project for 10 years didn't know that he's meant to be a drag queen. When I did a quick redesign of Katie Killjoy on my personal tumblr, guess what? You people flipped the fuck out, AGAIN.
I can't even talk about my own religion without you sad, paranoid losers thinking I'm trashtalking hazbin hotel. You made up some rumor that I block all Hazbin Hotel/Helluva Boss fans (despite being mutuals/friends with people who are fans of the shows or actually work on them) just so you could justify harassing me even more. You told me for years that I should wait until the Hazbin series dropped to get my full thoughts out and when it did you people still freaked out and berated me.
Even when I talked about my situation after posting my Angel Dust redesign, instead of apologizing, fans claimed I planned this hostile reaction to begin with to make the fandom look bad. That I was "pulling a transphobia card" for sympathy. I didn't do shit. You people have gotten more aggressive about your hate towards me because people finally saw how incredibly inappropriate and vile you people act over a midtier cartoon written by someone who has so many allegations of bullying, transphobia, racism and workplace abuse that it's become harder and harder for you to deny, so you take out your unrepressed anger on me.
I know the only reason you people target me is because I'm a big artist who doesn't kiss Viv's ass. You want me to be a diehard fan of hers like every other big artist you people bully into worshipping Viv and her show and I won't do it. So you just obsessively stalk and monitor my account and accuse every little thing I do as a spiteful attack so you can justify your little harassment campaigns again. It's pathetic.
Seek help, find a hobby, stop obsessing over people who don't like the same thing as you. It's getting sad.
1K notes · View notes
netherfeildren · 8 days ago
Text
Tumblr media
Busy, Dying. Part 1;
Pairing: Joel Miller x F!Reader
Summary: In an in-between place called his life, Joel Miller is alone. In search of a cure. In need of a miracle. In want of God.
Can I interest you in a cure for loneliness? She'd asked him in a language without words. Taking it is the easy part. Letting her go is impossible.
-OR-
an a/b/o soulmates AU
Rating: Explicit 18+
Content Warnings: No Outbreak AU, Alpha/Beta/Omega Dynamics, Soulmates AU, Infidelity, Cheating, HEA!!!!!, Angst, Fluff & Smut, Mating Bites, Knotting, Heat Sex, Breeding Kink, Group Therapy, Social Experiments, Basically puppy training for unsocialized Alphas, And by God that man will be house trained by the time she’s done with him!, Complicated family dynamics, Discussions of self harm, Depression, Existential Angst, Author returns not with a whimper but with a KNOT, I wrote this in a very unserious state of mind beware 
A/N: Gray November, I've been down since July - but we're so back, baby. I’ve missed this so bad. I’ve missed you all, I won’t drone on and on. I hope you enjoy, and please talk to me in the comments. Update me on what I’ve missed, let me know how you’ve been and what’s happening in your life.
A great heartfelt thank you to all of my wonderful friends who so supportively cheered me on while I struggled to write this. Sincerely the best people I know. 
Love you all madly.
Word Count: 6.5K
Read on AO3
Part 1;
The old linoleum tiles are the most peculiar shade of puce, and Joel has realized that there is someone sitting at the back of the room who smells… strange. 
More brown than purple—an ugly color. There’s something about it that fascinates him.
The woman that is currently speaking tells of her husband; it’s the only tale she has to tell. She’s been doing it for weeks, and they all know it well by now. Older, omega, the woman, and at the latter and less comely stage of life. Most of them here can say the same. They usually give their names, those that get up to share—although it’s never a requirement when you attend, it is highly encouraged—the sharing, he means—but he never pays much mind to them—the names, that is. That’s not what he’s here for after all—to make friends. Although, he does see how that’d be the initial assumption. 
Joel Miller is here for something more specific.
Six weeks he’s been showing up to these things now, and he’s yet to take a turn. He tells himself he’s working up to it. 
What that specific thing is…he hasn’t quite figured out. He’s listening for it, though, and intently, even if he does skip over the names. It’s the details of what they’re telling that matter to him. The hows and intricate whys of what it is that brought them here today.  
Her youth had been spent on a drunk, the woman is saying—her husband—and he’d been cruel to her in those days when there was still currency to spend in the form of her vitality. Joel nods at the puce—yes, he thinks, that’s usually the way of it. But later, there’s more to the story she reminds her audience, he drank himself into a fit, and had never been right since. The cruelty had been taken away from the marriage after that, and she’d been put in charge. 
“But I wonder,” she says, “If sometimes I don’t miss it, the way he’d been,” —if the reason she was here now, with all of the rest of them that were just like her in their own unique ways, was that she’d been left lonely after her cruel husband had been exchanged for a sick one. 
Joel nods again and wonders what sort of face the woman wears as she confesses but doesn’t bother to check. No matter, he knows they’re the same. If not in designation, then in heart. 
It’s easy, that thing, he does it too, to wish for the bad. To want to hold on to it, the thing that hurts. Addictive, even, in some cases. Missing it is easy. 
It’s why he’s here. 
And it’s what they promise you. In their flyers and pamphlets, when they stand on the corners of streets talking people up wearing that look in their eye and that slouch in their step, when they smell it on you—or in the lack there of—a mate or a purpose.
Welcome to our meeting. We’re here to find the cure for loneliness. 
That’s what they promise you when you come here. 
It’d been that word: loneliness, actually, that had caught him. L-O-N-E-liness. There was something attractive about it to him. Not a label but a state. 
You see, it was like this: Joel had seen a therapist once, several years ago, against his will and at the behest of another, who’d said all the wrong things in all the wrong ways. 
“You sound depressed, Joel,” the therapist had told him. 
He’d worn horn rimmed glasses and had a shiny bald head he could see the reflection of the overhead lights in. And worse—the non-scent of a beta which told him they’d never understand each other in the ways Joel longed to be understood. He’d—not hated him, necessarily—but felt an immense apathy for the man; more so than the regular apathy he felt for most things in his life. 
“I don’t know what that means.” 
“Very, very sad,” was the official diagnosis.
Joel hadn’t liked the sound of the word. The label. He did not like that a word so succinct could be ascribed to him and all that had happened to him in his life. There was no word for it. It just was. 
But there was something different about a state of aloneness, which if attributed to himself, he could accept. He had been left alone, in ways. It was a tangible thing he could look around a room inside of himself and recognize. 
They’re meetings, is what this place is—encounter groups this coalition offers where lonely demi humans can come to congregate, discuss their aloneness, what had led them to such a state; their lack of attachments, connections, mates—alpha, omega. Held in the basement of the Emmanuel Episcopal Church on Newbury street, right between his shop and house, although they never talk about religion which he likes because he doesn’t believe in religion. 
God is still under review. 
He wonders if the Catholics wouldn’t have them. 
Sitting forward in his seat, the metal folding chair that always leaves his back aching something fierce, he presses his elbows into his knees to distract with alternative pressure. Focusing on his fingers woven together between his spread legs, he tries to pay attention to the man who’s stood up to speak now. Older than himself, late sixties, no children, no family, no nothin’; he’d run them all off. 
But Joel is distracted. 
The smell is stronger now. Stranger too. Something full bodied, but metallic like rust, astringent bleach, built in a way that forces saliva to pool heavy between his suddenly aching gums. A mask that sits atop something of a much different chemical architecture—that’s the strange part. 
Or—no. The back of his neck itches, and Joel lifts a palm to cup his nape, quell the sting, feel the tender mark. No. The strange part is not the illusion of the smell. What it is, actually, is that he’s fairly certain what he’s smelling is someone else's blockers. Something which he’s positive he’s never consciously noticed on another person in the thirty plus years since he’d presented as an alpha. 
He has, suddenly, the quite intense urge to peek over his shoulder, certain that he’ll be caught smelling things he has no business smelling. That there will be someone just there, breathing down the nape of his neck with accusation on their tongue—boo!
Silly. But he’d known today would not be a good day. 
It’d started off wrong. The milk had gone sour overnight, the check engine light had come on in his truck, all his socks were suddenly mismatched with not a single pair to be found, and his usual route to work had been waylaid by some freak accident. A tree split in half, one side into a house, the other into the road. Not a sign of lightning in the sky all night long. 
Perhaps he might be compelled to believe in God after all. 
Joel does not like it when things are out of order or out of the ordinary. His life was organized in a way that never caused him strife or excess. And it was not that he was stuck in his ways, only that he enjoyed his routine and disliked when things were not as they should be. And this—whatever it is he’s smelling, whoever—is not as it should be. 
The older gentleman, an Alpha too, is still speaking. He had a daughter, has, who no longer speaks to him. Won’t even take his money. He’d had a long career in government that’d filled him with greed and paranoia and a radical view of life that refused to align with the way young people saw the world now. Perhaps he’d tried to change at certain times, but he was old and set in his ways. Or maybe he hadn’t wanted to change as badly as he should have when he still had the chance to. Happily stuck in the past. His wife had died, and his daughter had gone away from him. Too tired of his mediocrity as a father to give him another chance. 
The man sounds like he feels sorry for himself. Like he thinks himself the victim, and this one, Joel does look up at. He looks old and worn down, heavy beer pouch and thinning hair and sagging jowls. A sad and lonely man. Joel wonders if that’s how he looks to the other people in this room, as well. 
“No man knows how bad he is until he has tried very hard to be good.” Joel blinks, looks at him more closely, tries very hard to find similarities between themselves. But no—not quite right, not the thing he’s looking for. Their plight is different. This man is not alone, he’s got his weakness to keep him company. 
The one thing Joel had fought like hell to keep out of his repertoire of issues. He’d run from even the possibility of it as soon as she was dead, left Texas straight for the Northeast and from thereafter, everything he’d done, he’d done with a staunchness of character. If at the end of it, that staunchness was made up of apathy or numbness or dissociative fury, well, then at least he wasn’t still that man who’d been too weak to save his daughter. 
That counted very much in Joel’s book. 
An overabundance of cold numbness, little anger, everything a static haze—an abstinent winter. That was his whole life. But then, look at him now, he was here, wasn’t he? He’d taken that brochure handed to him on that last warm Tuesday weeks ago as he’d headed back to the shop from lunch. 
Hello, sir. Could I interest you in a cure for loneliness? The young omega had said. 
It’d started like anything—an experiment or a desperate ploy. The monotony had been steady going the past few years, getting older, colder. He’d grown hard and solitary around his wound, loneliness spread like a fungus, and he’d longed for any sort of change. 
“A cure…how?” The terrible shrink had come to mind.
“Oh, nothing to fret over.” The young man had a nice smile, Joel remembers. Kind and straight toothed. Honest in the way that a stranger knocking on your door to sell you a Bible seems honest. “We call it an encounter group. People come, share, tell the tales of their designation and their lives. In the end, the result is different for different people. Some move on to a second step if they need more. Others find what they’re looking for just through the connection of sharing. But no matter the result, you’ll see, you’ll be cured. Promise.” He’d winked, smile deepening, giving him an appreciative once over at the end of his spiel. Joel had blinked back, surprised, confused, but curiosity peaked enough he’d obsessed over it for three short days before he’d found himself stepping into the molted incense smell of the belly of a church so dimly lit he was sure not even God peaked in this sad space any longer.
“It’s that easy?” Joel had asked, childlike in his throat-strangled hope.
“That easy.”
It seemed the smile had been honest enough to sell him the Bible. 
The scent insists upon itself as the older gentleman finishes up, and Joel’s nose tickles with whatever it is it’s whispering at him. He wants to get up and walk out, run away, but suddenly his gut is tight and hot, and he isn’t sure he can actually stand up without disgracing himself in front of all these people. A wash of agonized heat moves through him, confused at what’s suddenly happening to his body. 
“We have a newcomer today sharing for the first time,” Maria, the woman who leads the group, says at the front of the room. “Everyone give her a warm welcome, it’s her first day and already she’s brave enough to jump on up here.”
There’s the shuffling of bodies in their seats, a cleared throat, the man sitting behind Joel breathes so loudly he thinks he’s gotta have some sort of medical condition, the puce turns more hideous by the second, and his own heart is beating so hard in his ears the rush of blood is dizzying. He feels each thump of the thing against his breast bone in some sick imitation of a fist begging to be let out. 
The new voice begins as nothing but a murmur. 
An introduction—he misses the name. His breathing goes shallow, he’d tip over in his seat if he didn’t have both boots planted firmly against the puce. The voice gains strength and with it, Joel wishes he’d been paying attention from the start. He didn’t get to hear her name. 
It’s a girl.
She’d run away from home in the spring of her sixteenth year to join the opera, she tells them. Had come upon the city in roaring spring and thought the rest of her life would be exactly like that, pure novelty in bloom, nothing like what she’d left behind. And was deeply disappointed when the reality was nothing such. 
And Joel hears it, that disappointment in her voice at what she’d not been able to find after searching for it so religiously. This is what makes him look up at her. This, unlike all the others, he thinks he can relate to—just by the sound of her voice. The search for a thing lost which can never again be found. The fruitlessness of it all. 
At that first vulnerable, terrified glance, she’s already staring at him, eyes catching like hooks. 
He blinks once, twice—color—is sure he can hear the movement of his eyelashes passing through the air, the stick of his lids meeting—color—bright. This is it.
That wash of heat turns into a blaze, every single bead of sweat blooming on his brow is a tell evaporating into the ether. This is what he’d sensed from the start of the evening. Maybe even from the moment he’d seen that split maple. 
“My mother always said I needed to be stronger, bolder, not so sensitive.” She looks away from him now. “I grew up in an angry house where you had to fight tooth and nail not to be overrun. Because of this, I left it at a very young age, and it was the greatest fight I could muster, abandoning that house of anger. I found myself something to bring me what I thought would be joy, a job and a city, and for a time, it was enough. But starting your lonely life so young…it’s hard.” After a pause of breath, “It’s been hard.”
“And it’s made me never want to have to—exert myself,” she says, searching for the right words, smiling when she finds them, and Joel has the urgency to smile back. “Now, I never want to have to be strong. I never want to have to try. I want to only be the way that I am. If that’s weak or sensitive or whatever it might be at any given moment, I don’t care. I don’t want to have to fight. I never want to be in an angry house again. I want someone who’ll see this in me and understand and never make me work for it, that they would give it to me willingly, easily, without me having to ask. Do you understand?” She looks about the room, and he hopes her eyes will land on him again, and even though they don’t, he feels she’s speaking directly to him. He nods, the hook of her temptation cast beneath his chin. “This is a fantasy. And it makes for a lonely existence. This idea of how I need it to be for it to be right—love.” She looks down at her hands folded atop the podium where they go to stand at the front of the group and share, and he wills her gaze to find him amidst the crowd again. “It’s so difficult. And this might seem very bad to you, weak willed, but it’s not. It’s only very honest. Which can never be a bad way to be.” That’s why she’s here, she tells them.
Finally, she looks back at him, and it’s that loneliness of two people amidst a crowd, facing one another, knowing themselves mirrored against the other and yet still disparate. There’s something indecent about the way she looks at him in front of all these people, the way he, in turn, looks back. A little bit like finding your own face on a stranger's body in a crowded room. Color rises to his face, and she gives him that same elusive smile from before. 
He’s the one to look away this time. 
As the crowd disperses for coffee and pastries after the last of the speakers, he searches for her. He needs to ask her name, feels as if he’s some blighted creature without it, swears he’ll never forgo attention during a meeting again if he can fish it out of her.
He finds her at the dessert table, Maria at her side and a hand at her shoulder. Something of a thank you is being imparted between the two women. The girl is saying she’s grateful for the welcome, grateful that they’d found each other. 
Joel has things to be grateful to Maria for, too. His brother, mainly. It’d been pure chance that Joel had met her here, that she knew Tommy also. She’d met his brother on a summer trek to Wyoming where they’d become friends and had kept in touch afterwards. The woman has a thing about her that ingratiates people by sheer force of will. Perhaps it’s that she’s an alpha, too. Perhaps it’s just the charisma and wide smile. The fact that she has a countenance that takes no shit from anyone, that makes demands of a person whether they’ve got any give or not. But whatever the case, they’d realize their connection through Tommy, and she kept Joel updated on his brother whom he’d not spoken with in many years. 
Watching the two women stand together and share that easy thanks that Joel so urgently owes, and yet which he cannot voice, he feels, suddenly, so angry. So awkward. So humiliatingly inexperienced. So unable to grapple with the pain of human contact, the fascination of it, the humiliating necessity. 
That decade old anchor weighing him in place and the guilt of even thinking of it as such. 
I feel decrepitly alone and odd, he thinks. And how strange, no? He was a normal man. He has a normal job. He lives in a normal house. Unexceptional in every sense. Everything in his life had been ordinary up until that one great tragedy. And then, as if none of the before had ever existed, it was as if everything afterwards was one great landslide of wrongness. The filth of it slinging mud all over his life so that nothing had ever been right after her. 
So that now he cannot even approach this girl whose name he needs to know, and Maria, to whom he owes the last surviving connection to his brother. 
As Maria turns to go, she gives him an encouraging nod, sending him into an agony of shyness. She’d sensed him hovering. 
The girl remains at the dessert table, perusing the pastries. He can see her fingertips dancing over the golden, sugared confections, before she settles on a plain, glazed donut. He watches the bend of her elbow, bringing it to her mouth and thirty seconds later, the empty hand reaching for a napkin. He can’t help the huff of laughter it draws from him. 
Watching the unknown creature with her back turned, he peers down the length of himself. Wood stain marred t-shirt, old work jeans and scuffed boots, he’d come straight from the shop. Looking back at her, she seems perfectly packaged and pristine. The two of them, different as chalk and cheese. He tells himself he shouldn’t do it, turn around and go, leave her alone, as he steps up beside her at the table. 
Immediately, there’s the heat of her skin, the smell of her shampoo, and he realizes, and it’s silly because it should’ve been obvious from the get go, she’s an omega. The epiphany, not that she is one, but that he’d been too stupid and oblivious to notice, leaves him feeling vulnerable and angry. 
Any sort of hello that’d been coming alive on his tongue immediately dies. And he’s about to make a run for it once again when she speaks up from beside him, “Would you like a donut?” Her small fingers are dancing over the pastries, searching once again. “I haven’t had one yet,” she lies, “I can’t decide which looks best.” 
The dancing hand pauses over a golden brown puff pastry, seemingly coming to a decision, when she turns to look up at him. The scent of her isn’t just shampoo, not just the blockers he’d shockingly picked up on before, sharp, burning his nose. It’s her skin now, too. The dry sweat from hustling under her coat to make it to her first meeting on time salted along her limbs. Hot, sweet almonds. The shocking vermillion of the morning’s split maple comes to mind. He can smell her.
“A puff pastry?” She presses, quizzical crook to her brow at his silence and glower. “I think you really need something sweet. It’ll make you feel better.”
He wants to agree, to say he also thinks he needs something sweet. All he can manage is a short grunt because she smells…indescribable. Honeyed musk, something heady, like she herself had just got done baking, straight out of the oven and full of sugar into his waiting mouth. 
That earlier anger, it kicks up a notch. Why isn’t he fucking saying anything? 
She shrugs, as she lifts the puff pastry to her mouth he finally manages sound. 
“You stink.”
He doesn’t know when he became such a liar.
A pause, mouth open, straight, white teeth ready to bite into the fluffy sweet bread. He can see her small, pink tongue, and it makes him go a little woozy.
He might be losing his mind. 
She’s got elegant eyebrows that shoot straight up her smooth forehead. The look of her skin is glorious. “Excuse me?”
Now, there seem to be too many words spilling out of his mouth. “You need better meds or somethin’. Need to sort your shit out. Can’t go gallivanting about the world smellin’ like that.” Oh god, shut up. 
“Excuse me!” She takes a huge bite of the pastry. “I do not gallivant,” she shoots back, mouth full of sugar and Joel goes hot everywhere. “What is wrong with you?” she demands, the pursing of a prim little mouth as she chews, eyeing him maliciously. 
He hasn’t the damndest clue. 
She is not wary of him in the slightest, which in turn tells him he needs to be wary of her.
Another large bite, inexplicably she extends her free hand towards him—potentially going into shock and entirely out of his depth when he takes it, the vulnerability of tendon and muscle soft beneath his strength—offering him a firm shake. She gives him her name. 
In that moment, she has a look about her that tells him she’ll bite back if he isn’t careful, even if she hurts herself in the process. 
And now he knows you. 
-
“We might as well acquaint ourselves if you’re going to insult me. Don’t you think?” Peering up at him, he’s tall, well over six feet, and broad shouldered. Older, distinguished, but in a rough way, hewn oak, gray. “Are you typically this rude? Or is this a special occasion?”
Incredibly handsome. 
“I’m being serious.”
“I do not stink. No one has ever said that to me, and my blockers are quality. It must be a you problem.” The puff pastry really is very good. And this man really is very handsome. Coming here today was a good idea. 
One of the girls from the theater had suggested it, handing you a pamphlet with Looking for the Cure for Loneliness? emblazoned across the top, and even though she’d done it kindly, any other person would’ve taken the implication as an insult. Hey girl! No offense, but we all in the company think you’re super weird and have you heard about this support group for losers? Kind of like Omegas Anonymous!
Those hadn’t been her exact words, and you hadn’t taken offense. After the initial agony of embarrassment, you’d warmed to the idea. You’d heard of groups like these before. Congregations of demi humans where one could come to find community or connection. Be it socializing or support for people struggling with their designations and all that they implied, they served their purpose. And anyways, you weren’t in a position to be nitpicky. 
It’s true, you’re alone. 
So alone, in fact, that even the people around you could tell. Strangers, coworkers, your roommate and her girlfriend. Like some noxious cloud of loneliness following you around virtue signaling the desperate need for love and companionship and understanding you’re so in need of. 
You increasingly saw yourself as a dancer on her toes, trembling delicately all over, vying desperately to survive to the end of the song. A monster with too many heads. A Cerberus of the richest caliber. 
Two or three would’ve been acceptable—heads—but you'd long surpassed that and moved on to something unrecognizable and unpleasant. Desperately in need of a solution. 
“Maybe you’re the one that stinks. Maybe it’s your upper lip.” And voila, the monster makes her debut. 
“My—” The rude alpha, obvious, that one, lets out a choked sound, a deeper wash of color immediately flooding his cheeks. You dip your head sideways, appraising him as you polish off your second pastry. He has pretty bone structure, masculine, and after he’s done choking and spluttering, he can’t help but laugh a little bit. You see it. 
Beneath a mouth that looks forbidding, perhaps even a little cruel, you can sense that he is not an unkind man. 
Yet you’re not so green that you can’t recognize the gnawing hunger of loneliness in others. There’s always a reason people find themselves in places like these. His face, edged with the weariness of age, makes this obvious. He has good reason for subjecting himself to this. 
Reaching for the lovely eclair you’d been deciding between earlier, you take a large bite of it. Almond cream and a thick layer of icing on top, humming happily as you chew while he stares at you like the three headed dog. 
You hold the dessert out towards him, offering. Palm up, he shakes his head no, slightly disgusted look on his face. 
“So. You come here often?”
He blinks. “Really?” Patronizing look on his face now. 
“Why not? I am actually interested to know if this is worth my time.”
He rolls his eyes. Oh, he’s fun. “Yes, I come here often. Every Friday, for the past two months just about.”
“And you like it?”
“Is this the sort of place one likes?”
“Oh, come on. You never know what you might find.” He watches your mouth as you finish the eclair, swallowing hard. “Anyways, I think the world is kind of over out there. Don’t you? Might as well make the best of it in here.” 
Thumb pressed against the edge of the table, he looks down, suddenly awash with shyness once again. A shy alpha, who’d of thought. 
“What did you used to do?” He asks, motioning at the crowded room full of chatting alphas and omegas. You wonder how many of them will go home together for a fuck after this. 
“When?” You ask, sure he means in lieu of this group, if you’d ever had another form of demi human community. 
“Before this.”
“Before this? Nothing.” Smiling at him, certain he isn’t picking up on your teasing. 
“Nothing?”
“Nope. I’ve always been here.”
“But— Don’t you…I thought...” He’s cute, shaking his head like you’re just too confusing to sustain. “You sing, right?” He pivots. 
“Sing? Me? Whatever made you think such a thing?” The sly look on your face goes completely over his head and slides to the rest of the sweets. If he wasn’t watching, you’d have another. 
“You said. You said you’re in the opera,” he gruffs back, looking visibly aggravated now. 
Such fun. 
“I’m a supernumerary,” you concede as you turn, making your way to an old relic of a pew along the far wall, tragically abandoning the desserts. 
He follows as you go, sitting a respectful distance beside you. 
“I don’t know what that is.”
“We’re the actors that fill the stage at the opera.”
“No singing?”
You shake your head, flirting with him. “I’m a wench, I’m a courtesan,” You bat your lashes, fingertips pressed coquettishly beneath your chin, “Part of a harem. I’m every woman you’ve never known. It depends on the opera.”
“I’ve never heard of that before.”
“I started as a stagehand when I first got to Boston. Worked my way up.”
“How’s it work? Lines or somethin’?”
“No lines. No anything. I’m a background actor—an extra, basically. If anything, I’m given some simple choreography direction, laugh, sigh, show fear, horror, shock. Whatever. I’m playing pretend without actually having to do anything.”
“No working for it.”
Your smile melts to blandness. So he’d been listening, then. 
“Did you want to sing?”
“No. I wanted to be a supernumerary.”
“Strange. I’ve never heard of that,” he repeats.
“You did say, yes.” Now, the smile turns auspicious. Everyone’s here for something. “What do you do?” Perhaps this is it for him. 
You eye the rest of the congregation, at the far exit, there’s a large alpha helping an omega into his coat. 
“Got a shop, furniture, woodworking and such.”
“You make things?” He nods. “Ah, a man of creation.” 
Sitting back to take him in, he’s got the beginning insinuations of silver speckling the dark hair at his temples, a well groomed beard, and large, intimidating hands. 
His small huff of laughter is bashful, tinged with something disappointed. “No, nothin’ that grand.” And he’s got an accent heavy at the ends of his words, not Bostonian. Southern.
“But you know, I wanted to say…”
“Yes?” You press when he loses his courage, leaning towards him, inhaling deeply. 
“Well, that I know what you meant earlier. Sometimes I can be the angry house.”
You blink once. Sit back. “I see.” 
“It’s hard work. I have to try every day at it.” 
Hard work being the house, or not? Two opposite sides of the same coin. 
“How do you stop yourself?” You cast a line, fishing for his character.
“Don’t know. Keep myself cold, I think.”
“That’s no way to be.”
“No. It’s not.” He sounds amused. You want to bite him.
Everyone’s here for a reason. 
“Ah, well. Perhaps that’s what’s brought you here then,” you say, twisting the toe of your sneaker against a scuff on the old hardwood, leaning forward on your palms wrapped around the edge of the pew. 
“Maybe,” he says, but a sort of pained, exasperated sound follows it. Your hung head turns to peer at the handsome face, and he’s already looking at you. 
There’s something animal afoot. Perhaps in terms of designation, sure, of course, like the rest of the alphas and omegas here. Your designations weigh heavily in the air. But also intrinsic to your two personalities. You feel you know him. That the two of you might have the same sorts of problems, desires. And as you stare at him, you think you may be equally measuring each other’s character, finding that similarity in one another. 
His eyes move quickly between yours, over your face, and you can tell that prolonged eye contact isn’t his norm.
He has the most surprising set of bright hazel eyes like river stones. 
Suddenly, you feel desperate to pull out a flicker of sexuality in the man, hear it in his voice. Sure, that with him, the experience would be entirely different, exhilarating. Perhaps a challenge. He seems to be more quiet and more patient than any other man you’d ever come across, but also more stern—taking in that soft mouth held so firmly. Far more remote too, by the far away look in his gaze. You want to see how he could be moved and what the sight of it would look like. 
“Maybe not,” he finally continues. “I’m looking for something, I think.” 
“Something like what?”
“Someone like me.”
“An alpha?”
“No,” he looks away, cringing. The word out loud seems a shock to him. “Did you listen to the woman at the start—missing the bad thing? I struggle…with that. Holding on, not letting go even when I know I should.”
You’re at an age now which sometimes makes it hard to realize or accept that what you’re living is your life. That it’s been time to grow up. That you have to remember to move forward when it’s your turn in line. 
Which is to say, that you understand him—the difficulties of knowing when to hold on and when to give up.
“Sometimes you hurt yourself because you don’t have anything else to do. Sometimes, because the alternative is much worse.”
“Holding on ‘cause there’s nothing else to do?”
“Sure. Or you’re used to it.” You’ll be gentle with him, you decide. He’s in need of gentle handling despite the stern face; not a puzzle so arbitrarily solved. And those eyes are still so bright, he doesn’t seem like he needs any more hardship.
“Don’t know why I’m tellin’ you this,” he says, accent heavy. 
“Well you did come here for a reason. Didn’t you?” Discreetly, you slide closer to his side, but he doesn’t notice. Apparently lost in the realization that perhaps this was what he’d come here for, to talk to someone, to have someone listen and relate. You’re almost positive he’s never gotten up to share with the group before in all his time coming to the meetings; doesn’t look like the type.
“I came here because I’m going to take better care of myself,” you tell him. “I’m going to try harder.”
“Harder at what?” He blinks as if attempting to come out of a dream.
“Everything. I don’t want to end up like my parents; drunk, angry, alone. I’m scared of it. I’ve avoided at least two of them.”
“I’m afraid of getting older,” the dream moves in his eyes. “That I’ll forget,” he says, but you don’t ask what.
All of a sudden, he seems very real. The swells of grief and loneliness moving through him so similarly, so close to the surface. 
Springing up, you turn to face him and he follows to stand too. You can hear the crack of his knees unfolding, and when he lifts his left palm to stifle a gruff cough, the band of gold around his finger is paralyzing. 
All of a sudden, he’d seemed like what you’d been looking for here too. There’s laughter coming from the church rafters. 
“You’re a widower?” He wants to forget, he’d said he wants to let go. 
Hadn’t he?
But instead, “What? No.” You stare pointedly at the ring, and he looks down at it also. “No,” he repeats. 
“So’re you looking for a fuck, or what?” You try and hold back the bite it comes with, but you can’t.
“No. No. That’s not what I’m looking for.” 
You don’t understand, impaired by your youth, you forget you’d chosen to be gentle with him. “Maybe it’s what you need,” you tell him, turning towards the exit before you can watch him cringe.
He follows at your heels, grabbing his coat from the hook by the doors before he’s stepping out after you into the fall blister. It’s cold and wet and glorious out. 
“Don’t you have a coat?” He demands.
“Nope.” You start walking towards Arlington Street and the park. 
“Did you walk here? It’s freezing out.”
“I did,” you turn back towards him, still moving, and he starts to follow. 
“From where?”
“Downtown.”
“Where?” He scowls at your uncooperation, the married man. Alpha. The truth was that he’d smelt strange to you too. Like no one ever had before. As glorious and shocking as the cold. Like if snow had a scent. Disappointment churns in your gut alongside the excitement at the sight of him stalking after you. 
“I don’t think you know it.” Your backward walk is interrupted as a hurrying stranger bumps into you, sending you staggering. Watch it, the Boston snark spits. The alpha turns to scowl, heavy boot forward like he’s half a mind to follow after the person you’ve just inadvertently assaulted. 
And it occurs to you, “You didn’t tell me your name.” How silly of you. You’d been so distracted you’d forgotten to ask, and what if you never see him again after this? What if you can’t muster the courage to come back again next week? What if he can’t?
“It’s Joel.” 
You think it sounds right. 
“I might—know it.” Where you’re headed to. You smile at the dog with a bone. The disappointment pulses. “Is it far?” He presses. You shrug, looking over your shoulder. You’re going to lose yourself in the garden for a few hours, forget about him. “Why don’t you drive?”
“I like to walk,” you tell him, turning back. 
He looks at you like he doesn’t like the things you say much less the way you say them much less the way you’re grinning at him. Perhaps he can see the disappointment and is disturbed by the sight of it, but the possibility seems too altruistic. 
“You should try it sometime, Joel. You might like it too.”
His huge body seems to be shivering in the cold. 
“I think…” The look on his face has turned suspicious now. He takes a step towards you. “You’re very strange. And you’re very young. I don’t think we should be friends.”
Your heart gives a demanding thump. “We’re not going to be friends.” When you’d first spotted him in the crowd, the strangest feeling had come over you. A tug behind your belly button, a scalding heat at the back of your neck, at your wrists. Perhaps it’s merely imagination, the look of disappointment you think you see on his face right before you turn away from him to continue on walking. “And I’m not that young anymore.”
You’d known today was going to be a good day. Extra cinnamon in your latte, a late start to your morning, warm in bed, no rain in the sky despite the cloud cover. And your director, late for rehearsals after some freak accident had befallen the roof of his house.
“That’s what all young people say.”
Part 2;
Netherfeildren's Masterlist
Updates Blog
609 notes · View notes
greyskyflowers · 4 months ago
Text
The idea of hell having a claim on Edwin's soul is such a fun avenue to explore. There's a lot of ways I like to think that could manifest.
Personally, I like the idea of the claim mark being inked around his throat like a tattoo, the whole way around it like a collar. It's why he wears his shirt buttoned up all the way and his bow tie all the time.
Something in another language or comprised of runes or other designs that indicate his soul is claimed, but it just looks wrong. There's no good way to describe it but even someone who didn't know it was a claim from hell would be unsettled by it.
And Charles hates it from the first time he sees it.
Especially the more he gets to know Edwin, the more it really sinks in how wrong the whole thing is.
And because the universe apparently just loves to fuck with Edwin, it also hurts. Ghosts can't bleed but sometimes it just kind of oozes a thick black liquid. It will burn, similar to the way iron burns, and it itches. Edwin will mindlessly scratch at it to the point where he'd be bleeding if he was living.
When he's in hell, it manifests as a actual iron collar. It's the same collar each time he comes back after being killed so it's rusted with old blood and forms jagged edges, ripping into the skin while it burns. When he scratches at it, he digs at the skin until it bleeds and sometimes further.
Edwin did not tell Charles about the physical collar. That might have been a misstep on his part, however in his defense he wasn't planning on ending up back in hell or Charles being in hell with him at any point.
So Charles, who's already burning with worry and rage, finds Edwin and learns what actually happens to him down here and finds out the whole time Edwin is collar like a dog... well. It doesn't go well.
Charles wants it off. The mark was bad enough but now he's got an actual fucking collar?
He wants it off Edwin. He wants it off right now. But there's no seam on the collar, it's like it was welded on. It's not meant to come off and it won't, not while they're still in hell.
It's burning into Edwin's skin when he tells Charles he's in love with him and honestly, Charles can barely focus on anything except getting Edwin out of there and that stupid fucking collar smoking and drawing blood.
But he knows he doesn't want to tell Edwin he loves him back right now. Not when they're still in hell with a monster chasing them, both of them exhausted and Edwin hurt.
He'll say it after they're safe and out of hell, after that collar is gone.
He's going to hit the ground running on figuring out how to break the whole damn claim. He hadn't pushed it as much as he should have. Edwin didn't like to talk about it or call attention to it and Charles respected that. He shouldn't have. He should have pushed it because even if Edwin only had the physical collar in hell, he still had the mark constantly.
Charles had spent many nights glaring at it, nights where it was just them in the office and Edwin actually let himself relax, undoing the buttons on his shirt until the mark was visible. His attention would always end up being drawn back to the mark, Edwin too focused on other things to notice.
If he said anything, or even got caught staring at it, he knew Edwin would snap shut. He wouldn't ever let it show again and he deserves a place to be able to relax and not worry about it. Plus, Charles knows that sometimes the mark is sensitive enough that the clothing rubbing against it makes it raw, being able to expose the mark and let it air out was a relief.
The claim gets pushed to the side with everything else that happens but when Charles gets Edwin off the table Esther had made, to torture him and Charles was rapidly coming to the conclusion that he was more than okay being incredibly violent if it means people will leave Edwin and him alone, the mark is dark and black liquid is rolling down his skin in big drips.
He's ready to get Crystal involved by the time they're finally back in the office, even though he knows Edwin has no desire for her to see or know about the curse, but things actually start to go their way.
They're given the okay to stay together and keep solving cases, and Edwin doesn't have to worry about going back to hell.
They're giving the night nurse some shit, welcoming her to the agency with tongue in cheek comments when she mentions something about the cursed claim and both of them straighten up.
It's nothing concrete, but it's worth a shot. Charles feels a little bad for flinging her off the cliff at the lighthouse because there must be something good in her for her to give them this. She could have said nothing and they never would have even thought to ask her.
She can't promise it will work and she doesn't even know if it's the right information but it gives them a place to start and that's more than enough.
Once your soul has been cursed and claimed in such a way, especially by something like hell, it can't ever be completely free again. Something with the makeup of the soul being altered. Ownership of the claim must be transferred to someone else, it isn't broken just shifted.
So, in the end, the only thing that can transfer a claim on a soul like Edwin's is a stronger claim.
Charles is like fucking finally. He's ready to rip Edwin's soul out of everyone else's hands at this point. No one's got a stronger claim on Edwin than him and he'll fight hell to prove it if he needs to.
And honestly, Edwin can't think of anyone else he'd want to have it.
The spell for the transfer works and the mark changes completely. The dark ink lightens to a off grey silver color that's hardly visible unless you look right at it. The edges of the letters/runes/shapes go from jagged and sharp to curved and soft.
The mark doesn't hurt, ooze black, burn, or itch anymore. In fact, Edwin would argue that it's warm, like it's trying to soothe more than anything else.
He would almost say it's pretty.
Charles gets a version of it on his wrist, wrapped around it like a bracelet. It shows more on him with his skin color and Edwin would say it's pretty.
Maybe it's sensitive and touching it on each other feels good. So Charles gets in the habit of brushing his hands over Edwin's throat and petting at the mark. Edwin gets in the habit of grabbing Charles's wrist and holding it, fingers soothing over the mark and the soft skin of Charles's inner wrist.
🌙🌙🌙🌙🌙
Idk just fun thoughts 🤷‍♀️
768 notes · View notes
assumptionprime · 3 months ago
Text
Playing Dark Souls 2 again and damn, in spite of its rough edges, I think it’s my favorite.
They’re all good, mind you. Dark Souls 1 is the foundation, and 3 is playing the hits while also saying that it can’t just play the hits forever and has to end.
And Dark Souls 2 is doing its own weird different thing and I love it.
I think it has the best story of the three games, because it really concerns itself with people.
The intro isn’t a list of people and monsters you need to kill, it’s your story. How you came into this land. You are afflicted with the curse of undeath, and it’s destroying your life and your mind. Everything that follows is based around that. You’re not the Chosen Undead, a title put on you in the first game because of a role you’re expected to play in some legend. You’re the Bearer of the Curse, because that’s your concern in all this, your curse.
You see it afflict others throughout the game, too. Most of the characters in Majula can’t remember how they got here, their goals, their lives before Drangleic are fading, same as yours. Lucatiel is by far my favorite NPC in any Souls game, a tragic view of another cursed undead that doesn’t quite make it. You fight alongside her. She confides in you, forms a bond with you. And then, as the last remnants of her mind, her self, leave her, she begs you to remember her name. Vendrick, the mighty king of Drangleic, is a shell of himself. He shuffles around in his own tomb, having long ago succumbed to the curse. He may as well already be dead. In every way that matters, he is.
And if you don’t figure something out, it’s going to happen to you, too.
Some to do has been made about the world layout not making sense. Some say it’s bad design or development troubles leading to compromises. Others say it’s intentional, that time and space are warped, though I think that’s either not true here or done much better in DS3. I subscribe to a third camp I’ve seen a bit less frequently: These nonsensical ways you move between some of these places are because you forgot how you got from one place to the other.
“So you got to the top of the tower, then what?”
“Oh, then I got on an elevator, which took me up— up to… I was on an elevator… then I was in an old keep sinking into a lake of lava.”
You’re losing your mind and your memory, you just can’t remember what happened between Earthen Peak and Old Iron Keep.
So you go slay the old ones, find Vendrick, seek out the ancient dragon, defeat Nashandra and—
It doesn’t work. You don’t cure the curse. You can either take the throne, or keep looking for a cure. We don’t see what kind of monarch you are to your ruined kingdom if you stay. And we don’t see you find a cure to the curse if you leave.
You lose.
It’s left to you to decide, does continuing to fight this fate have meaning? Is the struggle, in and of itself, worthwhile?
Dark Souls 2 is about going Hollow, and I love that it goes in such a different direction with its lore and story to be that.
652 notes · View notes
katszumi · 8 months ago
Text
“you know, your eyes kinda resemble a ruby.” you slurred your words. your chin rested in the palm of your hand, elbow digging in the table below you.
bakugou snorted, his eyes never wavering from yours. “what made you think of that shit?”
you lifted your shoulders, quickly dropping them.
“do i need a reason?”
“to be thinking about nonsense? yes.” he answered his own question. his response caused an eye-roll out of you.
you grabbed the small glass in front of you, finishing the shot you set down earlier to save for later.
“that’s your fifth shot of the night.” bakugou intercepted the silence. he sat upright in his chair, his arms folded across his chest.
you gulped the remains of the liquor, swiping your tongue across the bottom of your lip.
“and you’re on your what? like second?” you remarked.
bakugou wasn’t a drinker. everyone knew that. he preferred to be sober, always offering to be the designated driver whenever the group wanted to have a night of fun.
but tonight was his pro-hero debut party. all of his friends and old schoolmates were there, so he figured if he were to drink, tonight was the perfect time.
also, who was he to decline having a drink with a pretty girl?
his eyes glanced at your now wet lips which unfortunately didn’t go unnoticed from you. “two is plenty.”
you leaned forward, reaching your hand towards bakugou’s shirt. your fingers grazed the top button of his shirt. slowly, you unfastened it. “there’s nothing wrong with having a little fun, katsuki.”
due to the sudden proximity, he could smell the alcohol coming from your breath, but he couldn’t bring himself to resist your actions.
you continued to the second button. “take this time to relax.” you raised your hands once more, your fingers now grazing his neck to uncuff the collar of his shirt.
now, you leaned away from him, returning to your previous position. “now you look like a man that’s ready for the night.”
bakugou dropped his shoulders and leaned back in his chair, turning his head sideways. he couldn’t refuse the blush that was coming onto his face nor could he hide it. he knew you were staring right into his soul. he was also aware that you loved to tease him like that.
“unhinged. i swear you are.” was the only thing bakugou could muster.
ever since he’s known you from u.a, you were always that daring girl who was so unpredictable. there was never a dull moment with you.
but that was also what made you so dangerous for him.
a laugh parted your lips. “been called worse.”
“bullshit.” he called it, looking into your eye once again. “like what?”
“irresponsible,” you started count on your fingers.
“i can see it.” bakugou shared his input.
“arrogant,”
he rolled his eyes, “heard my fair share of that one too.”
“impulsive,”
“accurate.”
“provocative.”
bakugou moved his head in a notion like he was deciding between two things. “nah.”
you furrowed your brow, squinting your eyes in confusion. “what is that supposed to mean?”
“provocative sounds like a slutty word.” he simply responded. “i think you know you’re attractive, and you know how to use it to your advantage. not a bad thing at all.”
you paused for a moment, your lips parting from shock. a small grin began to form on your face. “did bakugou katsuki just call me attractive?”
the male scoffed, “don’t act like this is news to you. ‘m sure you heard it plenty times before.” he brushed it off.
“just didn’t think you of all people would willingly say that.”
bakugou chuckled to himself. he raised his finger in the air, indicating for the server assigned to your table to bring him another drink.
“unlike you, not everyone needs five shots of liquor in their system to confess something.” undoubtedly, it was shot taken at her, one that you couldn’t refuse the growing smile on your face.
“oh? since when did you decide to get so bold?”
“someone’s actions tend to rub off on me.”
“they must be foolish.”
once again, bakugou’s ruby eyes lowered to your lips. undeniable. how could his heart ever stand a chance when you treat him this way? did you not understand he loved a challenge?
“yeah, an irresistible fool.”
“please, i’m anything but a fool.”
“don’t flatter yourself; who said i was talking about you?” he opted to lie.
you leaned forward slightly, “with the amount of times you keep staring at my lips, it’s not hard to notice it’s taking everything in you to resist me.” your voice lowered in volume, for his ears to catch only. “therefore, irresistible.”
bakugou took his time to respond, the corner of his mouth quirking up into a smirk. “this must be that arrogant side of yours coming out.”
“one, not necessarily arrogance if it’s true. two, i’m attractive and i know how to use it to my advantage.” you recited his own words.
“this something you do with all your flings?”
you gave him a playful confused look. “do what?” intentionally, your voice had an innocent tone to it.
“drink with them. tease ‘em. nearly undress them. flirt with them in front of an audience?” bakugou could feel his patience slipping. like a sand hourglass, only a few grains left at the top waiting to fall to the bottom.
it had to have been from the shots that made him so precariously bold. but he couldn’t walk away. not when he has you in the palm of his hands— maybe even the other way around.
you propped your elbow on the table once more, cupping your own cheek. you gazed at bakugou through your lashes.
“if i had other flings, you think i’d be here with you all night?”
“don’t know. good question actually.” purposely, he played stupid.
you paused. “there are no others,” you knew that was the answer he was searching for. luckily for him, you didn’t mind giving it to him. “just you.”
bakugou nodded slowly, basking in the information. he could feel his heart flutter from the confession, a huge wave of relief washing over him.
“good. was startin’ to think you were actually considering the guy over at the bar.” of course, bakugou plays it off as a joke. even with the small liquor in his system, it was still difficult for him to admit his true feelings.
but you were fine with it. because even with the guard he pretends to have up, you can feel even with the slightest touch how much he cares for you. bakugou may be loud, cheeky, maybe a bit conceited, but he wasn’t a good liar. you always saw through his facade no matter what lies he decided to spew.
you scoff. “oh, shut up.” you fight a smile. “the guy at the bar doesn’t have the ruby eyes i like so much.”
“here you go with this stupid shit.”
-
i ’d do anything to flirt with katsuki late at night, both of us tipsy. god please im beggin
2K notes · View notes