#but I do not feel passionately about him

[poorly-drawn-mdzs]

Luo Binghe? Sorry, I only know Binghorse now.

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[bubbarnes]

“... I couldn't find another actor to do "Variety's Actors on Actors" with me because they were too afraid to go and talk about this movie. and it doesn't matter, that's okay, that's not to point a finger at anybody. I've gotten to do a lot of great things.”

[jyou-no-sonoko19]

Sapphic Disco Week, Day 6: "But What If It Was Yuri?"

Lena and Mireille, lesbians in their 70s exploring the vanishingly rare marvels of the world together, excuse me im cri

[caccry]

screw you *star warses ur metal gear*

(individuals under cut)

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[somegrumpynerd]

Do you guys wanna see a thing I tried writing? It's pretty unfinished and I don't think I will finish it but it was fun to play with and it might be okay as a lil snippet! I also have like no energy for drawing right now but I wanna post something lol

(The context is Cross and Killer are alone on a mission in some unspecified au when Killer goes stage 3)

“Killer?”

Cross looked over when he got no response, half expecting Killer to have wandered off in some direction as he did on these longer jobs. His loyalty to Nightmare was often at war with his attention span in the field, and you could expect a job to take longer if it was anywhere a cat was liable to appear.

What he didn’t expect was to catch sight of Killer’s wildly fluctuating soul glinting in the reflection of the knife that was coming right for him.

Cross managed to lunge back just in time for the knife to arc downwards into the snow in his place. Its wielder slowly turned his head, tracking the path to where Cross was now. His empty eye sockets gushed with more ooze than usual, stare somehow colder than the ice he was now shaking from his blade.

“Killer…” Cross began, trying to keep his tone steady and authoritative like a warning. He was ever hopeful that this was some stupid game Killer was playing out of boredom, but that hope died as he watched some of the black goop begin to drip out of the corner of the other’s mouth.

That only happened when he went stage 3.

Shit.

Cross felt his soul drop. He’d never dealt with Killer like this alone, usually they handled him as a team if Nightmare wasn’t there to take over. In the time it would take him to look down at his phone to call for help there would probably be a knife in his head.

This was fine. He could handle it. He always had more training and stamina than Killer anyway, he just had to play keepaway with his life long enough to go home with it.

Killer teleported in front of him, something that caught Cross off guard. In his right mind, Killer almost never seemed to use his magic in fights unless he wanted to fuck around with the other. 

[Put the fight part here idk pretend there was a really cool fight, it was so cool, you loved it]

Cross felt his soul drop again, but this time the rest of his body followed. Killer was using his gravity magic to hold him to the ground, and was shambling towards him ready to finish things. Cross struggled for a moment to see if he could fight his way out of the magic’s hold, but to no avail. He was pinned as his assailant now stood threateningly over him, knife raised. In a flash of desperation, he reached out both hands and grabbed Killer’s ankles, quickly moving his head to one side as a bone attack pierced up out of the snow and struck the other in the jaw.

It wasn’t his strongest attack, but it was enough to knock Killer backwards and stun him. As Cross felt his soul being released from the other’s magic, he quickly scrambled forward and sat on Killer’s chest as he lay sprawled out in the snow, pinning his arms down on either side of his head as he began to come back around. His face was leaking so much determination from every crevice that at that point it was hard to make out an expression under it all, but Cross could tell he was frustrated as he felt the rumble of bone attacks beginning to rise up out of the snow around them.

He followed suit, carefully forming a line of his own bone attacks closely around them to act as a barrier. He could feel Killer’s attacks bouncing off of his, each hit more desperate and frantic than the last like an animal clawing at the sides of its cage. He felt some magic encircling his soul again, but this time trying to raise him up rather than push him down. It was weaker than before, whether because Killer’s attention was split with still launching bone attacks or because he was beginning to tire out, but Cross managed to fight against it and stay put.

“Killer!” he barked, leaning over the other’s face. “That’s enough. You’re not going anywhere until you pull yourself together!”

The gravity magic seemed to cease at his shout, so Cross continued in the fervent hope that he was getting through to him.

“We’ll stay here all night if that’s what it takes, but I’m reporting back to Nightmare when this is over and I’m not leaving without you! Do you hear me?! I don’t care if I have to bring you back hogtied over my shoulder, I’m not gonna hurt you and I’m not gonna let you kill me!”

He didn’t realise he’d been shouting until the clinking and scraping of bone attacks had slowed and stopped altogether, and it was just the sound of his promise echoing off the bones and snow surrounding them.

And the strange gurgling sound coming from below him.

He opened his eyes again in confusion and stared down at the skeleton weakly fighting against his grasp, determination pooling and soaking into the snow from every gap in his skull. It took a second longer than he’d like to admit for Cross to realise that sound was Killer choking on it.

His bone attacks shrunk back into the ground and he shot backwards, landing ungracefully on his backside with a little curse. He hurried to pull Killer up and help him lean forward, swatting his back as he retched and spat the toxic goop up onto the ground where they’d just fought.

It was never an elegant dismount from these things, they’d found there was just no dignified way to get out a ribcage worth of black ooze. After a minute of heaving and gasping, Killer finally got a hold of himself and started glancing frantically around.

“Where’s Dust??” he managed to choke out with the urgency of a parent who’d lost their child. It always seemed to be the first thing on his mind when he came to from one of these episodes, Cross was never really sure why since any other time it seemed like they hated each other.

“He’s at home,” Cross assured, pressing one hand to Killer’s spine for support. “It’s just us, we were on a mission.”

He could see now that Killer’s soul had calmed down from the pulsating mass of spikes it was a few minutes ago and become somewhat soul shaped, still twitching nervously but a far calmer sight than before. That was a good sign that the attack was over. He wondered how much control Killer had over it, since he’d definitely seen it turn that way without having to go through a fight to the death first, but it was rare.

Cross flinched as he felt Killer grab him again, though this time instead of kicking him in the ribs he simply held on for dear life. That was another clear sign, after he was done puking up whatever goop had built up he usually cried for a while.

It was odd, especially the first few times, to see someone who always seemed so disconnected and unphased have a sobbing breakdown after trying to kill you.

“Hey,” Cross said, voice hushed as he wrapped his arms around the skeleton trembling in his lap. “It’s okay… you’re okay…”

Cross had never been the best at comforting words, but he knew Killer just needed someone to cling to while he got a hold of himself, and he was content to be that for a little while. Especially after being thrown around so much, his aching bones were more than happy for an excuse to sit in the snow for a bit. He could feel Killer’s soul being pressed against his chest as he wept silently into Cross’s shoulder, the fear and regret seemed to be radiating from it like smoke from a smothered flame.

He wondered idly if this was what Nightmare could feel all the time.

...

He also wondered just how hard it was going to be to get these black stains out of his jacket again once he pried Killer's face off of it.

[tetzoro]

the day the earth stood still is the day i felt your presence leave it, and then every day after that.

[tamaharu]

if tamaki hadnt ever moved to japan 40000% he would become his mother to an even more catastrophic degree. like im talking insane proportions of rich socialite (tamaki) meeting bedraggled japanese businessman in a loveless political marriage (kyoya) and blowing that spot right up. and anne-sophie is torn between horror versus going ah... thats my girl...!! chip off the old block...!!

[redwylde]

Forcing my two ultimate faves to interact by thinking about how Silver would definitely be interested in biology and the natural sciences because many original ecosystems wouldn't have been able to survive in a world dominated by fire.

In the future he was very interested in history and had to rely on books to learn about anything that came before, but whilst visiting the past he explores and follows field guides in his free time because now he can experience it all for real. Enter Knuckles, who is the most qualified person he knows to teach Silver all about the unique biomes of the world.

At first it just starts out as Silver visiting Angel Island every so often to ask questions and compare notes in his field guide with what Knuckles has seen, which Knuckles enjoys. An excuse to talk about his adventures with a genuinely interested party and they end up bonding really quickly over it. Until Knuckles gets tired of talking about books (and not all of them are correct) so he says fuck it, you can't learn everything from a book and starts taking Silver on forays into the world and shows him everything he dreams to see - ruins reclaimed by nature, entire ecosystems existing on a single type of tree, underwater worlds hidden by algae and sediment.

[liauditore]

new suicide squad anime got me thinking about the genderbend batman au i made when i was 16 again.

extra (nsfw??? body horror + shirtless doodle lol) art under the cut + drabble.

A mysterious actress appears in Gotham!

Production for the long-anticipated remake of the 1930s classic horror film, "The Clay", is saved in part thanks to the audition of one woman with no credits to her name, just a face and demeanor identical of the late leading actress of the original film.

However, the cast and crew have bigger worries than their limited budget and endless demands from their producers -- everyone involved seems to be disappearing one by one!

While the average gothammite worries that the cult classic's "cursed" reputation might be a little more than an urban legend, The Batman refuses to entertain such unfounded silliness and aims to get to the bottom of this crime against cinema!

presenting BATMAN '63 - THE RISE OF CLAYFACE coming not actually ever lmao

(her hair is brown now because I like the idea of her appearance never being fully consistent lol. shapeshifters gotta do their thing)

[skitskatdacat63]

Vettonso x Similar Helmets

SV Germany 2012 x FA Monaco 2013: Gold & Dark Red

I think a lot about Vettonso and their mutual relationship witn gold. They're both golden boys, they're both seen lit gold by the sunshine on many podiums throughout the years, both have worn golden boots, and as you can see here: both have worn golden helmets. The parallels in these particular helmets makes me feel insane. Both are: gold with dark red accents, both have their birthplace's coat of arms(Bergstraße and Asturias), both have team animal motifs, and both have symbols to represent their two championships(You by now know the signifigance of the ones on Fernando's helmet, but I think the ones on Seb's are actually a callback to his Formula BMW days when he used to put the smiley stickers on his car for every win.)

And did you know both of these helmets were designed by the same helmet design company? Yep, both of these are JMD helmets. I know JMD helmets are/were pretty popular, but still, there's something to me about Fernando commissioning the same designer that Seb has been using since he was a literal child. Parallels, am I right?

SV Japan 2010 x FA Japan 2023: White with Black & Red

Haha I remember @protocolseben and I discussing this a bit back in September when Fernando's helmet dropped. I honestly think Seb is such an innovator and trailblazer in terms of helmet design, and you can see his influence in helmet design as recently as this past season. I'm not sure if he was the first ever driver to don a matte white helmet with red accents as a representation of the Japanese flag, but it certainly envoked him in my mind when I saw Fernando's!!

I think Fernando's is pretty similar to all of Seb's 2010-2012 Japan helmets but I like this one the most so! I think if Seb wasn't restrained by the Red Bull logo, he def wouldv'e put the red circle where Nando put his so I think Fernando did a really good job, even if unintentionally, at emulating Seb's sense of design.

SV Singapore 2012 x FA Singapore 2012: Sparkly!

Like I said in the one above, it's crazy how much Seb influenced helmet design. He was pretty much the pioneer of sparkly helmets for Singapore, right? It drives me absolutely insane that there's actually pictures of them together in such similar designed helmets. It's kinda funny actually that even though they're pretty deep in the championship fight at this point, and Seb just got one up on Fernando; Fernando is wearing a helmet that is a direct influence from Seb!!! Is that not insane???

Also, Fernando trying to be camp with trying the now in vogue sparkly Singapore helmet, and Seb accidentally completely blew him out of the water with his outrageous light up LED constellation helmet. But god yeah....to have pics of them in matching helmets from this era particuarly makes me emotional ;;;

SV Hungary 2021 x FA 2022: Pink with Dark Blue

I really could've picked any of Seb's 2021 helmets, but I thought this one matched the best with Fernando's main 2021 helmet(with the color pallet.) Also one thing, it's crazy how much control BWT has as a sponsor, I don't think I've ever seen another sponsor go so hard at having a chokehold on individuality. I like that we got pink liveries and pink helmets, but I don't think they should have that much control.

I'm almost kinda sad there wasn't any Miami GP in 2021, because I think that was the only unique helmet Fernando had in 2022. But these match pretty well! Pretty in pink!! It's crazy that their parallels in the 2020s are ongoing even before Fernando actually takes over Seb's seat. Thanks BWT I guess?

SV Abu Dhabi 2022 x FA Abu Dhabi 2022: Fernando's Seb Tribute Helmet

AND HERE WE HAVE THE PIÈCE DE RÉSISTANCE!!! The ultimate conclusion, it literally couldn't get better than this!! This is still unbelievable, like how is this an actual thing that happened!? Fernando intentionally branding his helmet, the only symbol of individuality in F1, with his rival's flag colors, HIS FLAG!!!!! Not to mention the literal "Vettono Best Moments" collage he posted alongside it....and the hand-holding....and everything that happened with them at Abu Dhabi 2022....

But god, after years of incidentally making parallel helmet designs, Fernando decided to officially tie the knot of the red string of fate, and make a helmet directly referencing Seb's. I think it's funny because as I said with two of the previously mentioned ones, those Fernando designs are pretty much inspired by Seb's, and here he is openly making one directly inspired by Seb. I don't really have words for how this actually makes me feel because it's just. Yeah. The most open and clear declaration of love and respect and admiration one could ever make. TO ME.

[dykedvonte]

I dislike takes that Danse would be just as conservative in modernized aus when it's clearly shown his staunch views of things come from his time in the Brotherhood and his deep-rooted desire to belong to something with a greater purpose.

Not to mention lines that show much more open-mindedness that get overlooked for his harsher sentiments when you first meet him. Like the oppurtunity to be a part of something is why Danse fell so far into Brotherhood dogma and it doesn't negate the offense things he does but I feel like it's just lazy to be like "hmmm he'd def be racist" just so it aligns to his BoS beliefs.

[carnivalcarriondiscarded]

What’s up with the ties between Sally & Eddie?

There are quite a few - to the point where I’m starting to suspect that they may be foils, or at least inherently tied together in the story.

First let's bring things back to the clocks. The “day” side has an obvious resemblance to Sally, like how the “night” side resembles Eddie. There’s not really much I can say here since we don’t know much more yet, and who knows if this has changed behind the scenes. But just think about that, the rarity of the color purple, night vs day, and the “monster”. Keep it in your head, I think it may be important. 

Also the fact that Eddie is the only one with a watch, but Sally’s face has an incredibly similar face on her door.

Obviously Sally has some sort of beef with Eddie, despite him being nothing but friendly and (to our knowledge) being undeserving of it. One thought I entertained was “maybe Sally is dismissive of him because he’s a worker,” but that holds zero water when you consider how perfectly friendly Sally was with Howdy (karen Sally debunked <3). The second thought I had was “maybe Sally senses the queer in Eddie and it intimidates her” - which would make sense if Sally is a lesbian like I suspect. Internalized homophobia, anyone? This holds up if Eddie is going to turn out to be - not open about himself, but comfortable in his skin in a way that, say, Frank isn’t. Which I have a feeling that will be the case, which would likely make Sally put on airs even more so than usual. 

Anyone else seeing a continuous trend of (social) masks and performances unfolding in the Neighborhood? I sure am.

But let’s talk about why I think they might be foils. They balance each other out in an interesting way, despite their only solid similarity being that Both will work/perform no matter the weather. They have a lot of closely related differences:

Eddie has been mentioned (and implied within the story so far) to have a deeper well of knowledge than he lets on, but acts humble about it. Sally has been mentioned (and implied) to know less than she portrays, but acts like a bit of a know-it-all - she pretends to know things that she doesn’t. 

Eddie’s role is about helping others at his own expense, while Sally’s is using others to reach fame. 

Eddie strives to connect with his Neighbors and is all about accuracy/precision. Sally is in her own little world and has proved to be more than willing to improvise / not think things through before acting.

Eddie is slow to anger, and Sally is easily irritated. 

Selfless vs Selfish.

Night vs Day. 

And to put them in the Johari Window - i believe that Sally resides in the Blind Spot (known to others, not known to self), and Eddie resides in either the Facade (not known to others, known to self) OR the Unknown (not known to others, not known to self). Personally I’m starting to believe that Eddie may reside in both. 

It’s far too early to draw any real conclusions, and theorizing on all of this is difficult. I feel as though - as usual - we have puzzle pieces but no frame of reference for the way they fit together, what picture they build. And who knows, tomorrow’s update may shred this to ribbons, but I doubt it. 

One thought I had was that they’re in cahoots about something - it doesn’t have to be something malicious or some sort of secret plot, it could simply be something they both know and are trying to keep quiet about. Eddie is trying to connect with Sally since they have this in common, but Sally is actively putting distance between them to preserve their secret / plausible deniability. Do I actually believe this? Meh. I’m just throwing spaghetti at the wall to see what sticks.

So current base thoughts: Sally is dismissive of Eddie either because he intimidates/scares her on an internalized level, or she’s actively trying to put distance between them for a currently unknown reason. There’s probably a secret third option I haven’t even considered!

[sulky-cabbage]

Eve: "Regarding the lyrics, this time its about portraying the conflicts and feelings of the characters in Jujutsu kaisen. This kind of feeling inside me, made me choose the characters one by one and thus write the lyrics. I don't dare to say where or who..."

Also Eve:

Alternative translations: 1 2 3 4

The lyrics hit different after ch 271. I kinda want this to be the op for s4 ngl

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)