#but I appreciate the genre
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lastoneout · 3 months ago
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"[New Farming Sim] is copying Stardew Valley!!" Harvest Moon came out for the Nintendo 64 in 1999
Edit: My apologies, Harvest Moon came out for the SNES in 1996
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e-von-dahl · 2 years ago
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Wait so is it common knowledge that the name Käärijä is a pun or do some people have no idea?
Basically käärijä means like, a candy wrapper, and y’know, he’s a rapper
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supermarketcrush · 8 months ago
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mildly insane to me that so many people are just now saying 'i dont usually go here but' 'i've never listened to rap before but this is funny' like...i dont think "if you've never been interested in rap before you're racist" is a good or even accurate broad generalization to make but the line is also. pretty thin
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xxplastic-cubexx · 19 days ago
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if i wake up and dont find this fiend under my tree in his lil tube i WILL throw up
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thelilylav · 8 months ago
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Y'know what? Fuck it (gives u guys a list of poc artists to listen to cause the white ppl on the music side of tumblr have been embarassing me)
List is under the cut, and warning bc I made it very long
Rock:
Los Abuelos De La Nada
Gesu No Kiwami Otobe
Chuck Berry
Ben E. King
Los Prisoneros
Ahmed Fakroun (ok this one's french art rock but in my book it still counts)
Burnout Syndromes (been fucking w them since I got into Haikyuu lmao)
Infinity Song (their hater song genuinely gets me every time LMAO)
People in the Box
N.E.R.D (my god if u don't know them.. idk dude my brother has been obsessed w them for forever so i just was not getting away regardless lol)
Punk/Punk Rock (& other punk subgenres):
Nova Twins (u must listen to them it's just the way it's gotta be guys)
Rina Sawayama (her hatred of Matty Healy is so attractive. i cannot believe i found her two years ago cause i still remember i would not shut up when i first heard her music it was so good)
BABYMETAL (the way their band name just straight up screams at people gets me every time lmaooo)
Indie:
The Younger Lovers
Mashrou Leila
Stella Jang
Shak SYrn (Jenni is on repeat in my room at any given moment)
Steve Lacy (if u listen to more than just Bad Habit u will find an actuall amazing discography)
Jenny Nuo (i have been OBSESSED w her music since like 2021 ish and it is a crime she hasn't blown up more imo)
Nujabes
Hemlocke Springs (oooo i hate that she does not get more love!!! synth pop and alt indie is such a fun niche like!!!)
Lyn Lapid (in my head she's huge but i have recently learned that artists i think r super popular may be unknown to an entire genre of ppl soo)
Megagonefree (found them on ig and omg!! PLS go check them out genuinely)
boa (i am once again shaming u if u don't know them)
Wallice
JAZZ (in all caps bc I fucking LOVE jazz no it's not dead go listen to jazz rn motherfuckers):
Idris Muhammad
Esperanza Spalding
Joanna Wang (ok she does pop and folk music too but idk she felt most appropriate here)
SAMARA JOY (put. some. respect. on. her. name. i would actually go to war for her i am not kidding. also this is in all caps bc MY MOM GOT TO SEE HER LIVE??? AND SHE DIDN'T EVEN KNOW WHO SHE WAS PLS I WAS SO MAD OMGGG but i've been promised tickets next time so we're good)
Sade (my og one and only)
Funk:
Fadoul
George Clinton (i mean he's just a classic yknow)
Parliament (Give Up the Funk can make me dance like no other i swear)
Stevie Wonder (i mean.. like if we're on the topic of classics anyway then...)
Michael Jackson/The Jackson 5 (moreso his earlier stuff if my memory isn't lying to me.. look it's been a second since i listened to mj IM SORRY i am a busy person ok TT)
R&B:
Valerie June
Maxine Nightingale (if u don't listen to her... how do u have fun? actual question i put her on every time i need to feel happy atp)
Boney. M (technically they're reggae but they also count as R&B so idk.. i'm just putting them here if anyone wants me to move them later i will)
Amahla (Ca Suffit was so good and got me to check out the rest of her music, YOU SHOULD TOO!!)
Mary J Blige (not to judge but like... if u don't know THE queen then idk how to help you tbh)
SZA (wouldn't be a list without her in it tbh. i'm in love w her not even joking abt that)
Kali Uchis (to this day i cannot believe i saw her live i'm truly never getting a better moment than that omggg i have such a big crush on her anyway)
Aupinard (if ever u need to just vibe, this is the man u go to.)
Wejdene (TU PARLES AVEC UNE ANISSA MA MOI J'APPELLE WEJDENE- she's been my day 1 since i was like thirteen i can't even lie)
Annisse (just found out she only has like ~500 listeners on spotify??? apparently i'm one of them tho lmao so yeah go get that number up guys i love her too much for this disrespect)
Sister Sledge
Cheryl Lynn
Reggae:
Daddy Yankee (he's an honourable mention cause i couldn't not lmao)
Skindred (they're a reggae/metal fusion band and i will shut up abt them when i'm dead bc Nobody rewired my brain chemistry!!)
Manu Chao
Toquinho (i was so convinced this man was bossa nova but apparently he is reggae and i need to do some music theory review)
Folk:
Sushi Soucy (oh the things I Deserve to Bleed had me going thru in 2020/2021)
Miriam Makeba (Pata Pata should be enough to get anyone listening to her, just saying)
Lead Belly (do urself a favour and do some research on this man, i'm not kidding even if u don't like folk music u should know abt him- ESPECIALLY if u like Nirvana that'll make sense later trust)
Pop:
Corinne Bailey Rae (she has so much good music that gets ignored bc of Put Your Records On so.. yeah go listen to Black Rainbows she's only gotten better as time goes on lol)
Dru (he is for any person who likes ke$ha. i'm so serious he is early 2000s in a bottle and i love his music ur rlly missing out if u ignore him)
Monique Hasbun (found her recently! she's a Palestinian, Mexican and Salvadorian artist who plays around with Latin pop and does a lot of fusion music. she's dope go listen to her fr)
Mohammad Assaf (he made the Palestine song that's been going around ig a lot, but his other stuff is great as well. he's another Palestinian artist, so once again, go check him out!!)
Pinkpanthress (i LOVE her she's so much fun to just vibe to and idk how anyone couldn't have heard of her atp but then again this is the sight that didn't know who drake was so... sigh. go listen to her if u don't already!!)
Aliyah's Interlude (BROOO if u haven't heard of her actually go listen rn i'm so serious she is so good i can'ttttt ok bye)
Veondre (had a collab w Aliyah on It Girl and is gonna be releasing her own music very soon! she's trans too so go give her some love)
Shalco (wasn't sure whether to put him here or in hip hop, but his stuff is very very good either way)
Ado (she's j-pop but it's a form of pop so into the pop category she goes)
Moon (she's got two songs out rn, Moonlight and Seoul City Drift, and both r going on loop in my head at all times)
Jay Chou (call me a basic bitch idc he's good ok)
Atarashii Gakko! (i wouldn't say they're j-pop, but google did, so i'm just going w it lol)
flowerovlove (just trust me on this one)
El Tio Gamboin (Los Gatitos is such a cute song)
Grace Chang (see note for Jay Chou)
King Gnu (for all my j-pop lovers... come get ur man)
Salsa:
Lalo Rodriguez (included this genre specifically so i could mention him)
Adalberto Santiago
Roberto Roena (he's a classic i can't lie)
Hector Lavoe (i think he might be the most popular one in this genre lol)
City Pop (this is its own genre bc i literally did a presentation in high school abt it and i'll be damned if i don't flex my knowledge now):
Mariya Takeuchi
Miki Matsubara (my QUEEN my everything my-)
Anri
Taeko Onuki (one of my most listened to artists last yr for a Reason)
Kaoru Akimoto
Kingo Hamada
Jun Togawa
Bossa Nova:
Joao Gilberto (ooo he gets me every time i fucking love this man)
Elizeth Cardoso
Johnny Alf (forgot this man the first time around my bad BUT he's called the father of bossa nova for a reason so)
Hip Hop:
Flyana Boss (they're sooooo good i actually can't gush enough i have never felt so girlypop listening to music before go listen to them!! found the duo through ig so yeah if u want go follow them on there too to show support)
Lil Uzi Vert (for any emo lovers, go check out his song Werewolf with Bring Me the Horizon it is SO GOOD)
Samyra (she's slowly curing my body dysmorphia lol)
Yame (there's an accent on the e but idk how to do that on tumblr. anyway my ass loves french rap and before him i was stuck with klub des loosers so he saved my faith in the genre i can't even lie)
Lay Bankz (u cannot be chronically online and not have heard Ick yet, but i'm repping her regardless bc SHE'S SO GOOD)
A Boogie Wit Da Hoodie (HEAR ME OUT-)
Kaliii (Area Codes was one of my most listened to songs last year... as it should be tbh)
Miguel (he does R&B too i just first listened to him bc of his collab w J.Cole sooo)
Tyler the Creator (putting him on here just to brag abt getting to see him in concert lmao)
XXXTentacion (he has been mourned and talked abt an insane amount, but he deserves it i'm not even gonna joke on this one. his artistry is insane and he deserves some love if u haven't listened to him yet)
Kendrick Lamar (i mean i've been reblogging stuff abt him enough. Mr. Morale was actually the album that made me start Listening listening to him and i'm honestly glad it was bc that album is still my favourite to this day if i'm being totally honest)
Renaissauce (criminally and i do mean CRIMINALLY underrated)
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mercymornsimpathizer · 7 months ago
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tlt genre preference poll #3
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tea-cat-arts · 1 year ago
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If no one's got me, I know "Sapphic media where one of the gals literally rips the Godhood out the other gal and restores her humanity using the power of love, sheer audacity, and incredible violence" has me
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exlimix1a · 6 months ago
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Quick piece of @luluyamofficial 's character Lucelia + a 30 second speedpaint!
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sotwk · 2 months ago
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Whenever I get tagged in "what's your favorite song" games, I'm often too embarrassed to participate because I'm 100% convinced everyone has cooler taste in music than me, and that game is basically asking me to out myself. :)
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woman-respecter · 8 days ago
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which fictional women do u think could be fixed by reading “the feminine mystique?” my obvious answer is betty draper but i want enough to make a list.
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good-beans · 9 months ago
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this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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radley-writes · 3 months ago
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An apparently unpopular opinion: if you've jumped aboard the 'hating any creative project that pokes fun at its own genre' movement, you're missing out on a lot of stellar content.
No, a book making fun of its own genre conventions is not automatically a scornful, irony-poisoned defilement of this genre. More often than you might think, the creators of this content are hardcore consumers of this genre! Cheeky subversion and mockery often comes from a place of love!
If you have read a thousand romance books and noted the cliches, then you subvert these cliches - or lampshade them - in amusing ways in your romance book... it is not, in fact, a statement of 'superiority' over other romance writers! And it certainly does not signify a 'lack of respect' for the genre.
I think some of you need to accept that sometimes people are going to poke fun at the things you love, and that is okay - including other people who love it.
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eponymous-rose · 16 days ago
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Ah, said I, is today the day I am normal about Arcane?
And then YouTube recommended this fanvid for Caitlin and the answer is still a resounding "nope". (spoilers for s2 - go tell the creator how great it is!)
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prince-liest · 10 months ago
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I just wanna gush bc omg I love the 666 series so much. I think it made me realize I might be... furry-ish? adjacent? I just find it so satisfying how you go into detail about the unique body features of both of them, the way it feels to have deer ears or kiss a TV and just generally how much thought is put into the way their bodies work, and I've realized that my interest in that kind of idea is a pretty good reason to partake in more explicitly furry media lmao. Anyways
I'm also really in love with how you maintain the balance of each of their personality traits. Vox is simultaneously so pathetic and cringefail (also your dialogue for him is perfect, I can hear it crystal clear in my head) but also he has vastly more emotional intelligence than Alastor, no doubt at least in part because he has to deal with Val, and he's able to marginally calm down with his obsession to deal with sticky situations, but even then he still retains his personality and bumbles things sometimes because of the flaws in said personality! It's great. I also really appreciate the balance you've struck with Alastor, I feel like often Alastor is either written to either soften up so immediately that it feels disconnected from his character or is written overly mean and heartless for my liking and the way you've written him is such a delicious balance between softer aspects such as the prey instincts or moments of vulnerability and his untouchable and manipulative self, and also the way this side of him is neither written as wholly a front or wholly his real nature and the complex ways this makes him struggle with his increasing vulnerability. TL;DR arghgr your characterization is so good it makes me go a little feral
Also while I'm here, I'm curious whether you can give an answer to the degree to which Alastor is touch-averse. There's obviously a lot of ways in which he fundamentally dislikes touch but it also seems like there's at least some kinds of touch where he doesn't dislike the touch itself so much as he's afraid of the way it brings about feelings of caring and/or enjoyment being cared for. I'm curious how much, in general, you would say his touch aversion comes from either cause and possibly what kinds of touch do/don't provoke those flavors of aversion
Omg, what a lovely ask to receive. Honestly, everything you said that you enjoy about how I characterize these two is very much what I've been actively gunning for, so it's an absolute delight to see it outlined back to me. Success!!! Thank you so much!
And ahaha - I'm not a furry but I fucking love inhuman characters. Being raised in the pits of Homestuck fantroll RP made me enjoy the whole "they're bug/fish aliens" thing and it definitely rears its head again any time I encounter characters with inhuman qualities. I love writing Vox's TV/computer-ness and Alastor's deer and radio bits, and integrating them into who they now are as people.
As for Alastor's touch-aversion: It's funny that you ask about this, because the next chapter of 666 is going to dive into it a bit. Specifically into the fact that it's not, like, a set of boundaries that is consistently defined, and I write him that way on purpose. The very first time he and Vox sleep together, Alastor bottoms. He becomes significantly less amenable to touch after he goes through an uncomfortable rut cycle that gets sexual. By the time Vox convinces Alastor to fuck him, Alastor would never let Vox do that again and frankly only agrees to topping because Vox gave him an option that didn't involve getting his dick out. Then in the next episode, they're having clothes-off sexual contact. So, what gives?
Things that play into Alastor's willingness to touch and be touched as far as Vox is concerned:
How does he see Vox at that point in time? Disgustingly entitled (ew)? Hilariously beneath him (haha who cares)?
Does he care about what Vox thinks of him? Does Vox touching him draw his attention to positive or negative assumptions he has about Vox's perspective on doing so?
What value has he attached to this particular touch in the power balance of their relationship? Is he humoring Vox? Does he assume Vox thinks he's owed this? Does he perceive it as something Vox is genuinely doing for him?
Has he tried this particular kind of touch before? He's pretty willing to experiment, but that doesn't mean he'll do something twice without a compelling reason if he didn't like it the first time.
Is he getting off on this situation sexually? If so, is it fully willing (read: not a byproduct of uncomfortable hormones) on his part? That only really happens when he's in a submissive role and Vox is hitting a few very specific kinks, a major one of which is basically CNC tilted 30 degrees to the left.
Is he enjoying the touch in platonic ways? How does he feel about that? Is it a vulnerability to want something? Is it feeding his ego to be catered to? Is he worried that what he enjoys platonically is being read into in ways he doesn't like?
Is he fucking drunk? Things that bother you when sober often seem like a non-issue when you're not, both on a physical and emotional level.
How much touching has been happening recently? Has he hit his limit? Did he deliberately put himself into a situation earlier to have his limit be hit and surpassed, and now he's in the aftermath?
He does have a certain fundamental purely physical dislike of touch, but it's something that is really affected by how he perceives each individual situation as well as his relationship with Vox at that time, and his previous experiences!
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shortnotsweet · 3 months ago
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QUIET ON THE OLD FRONTIER (excerpt from THE THRILLING AND NOT AT ALL REPETITIVE ADVENTURES OF CAPTAIN MAN AND KID DANGER: “A CHRONOLOGY OF ENTIRELY TRUE AND HEROIC EVENTS COINCIDING WITH THE END OF HISTORY”) [1] [2] [3] [4]
Well, you know how it goes down in Hollywood: the sun never sinks on the West Coast, and no one can ever die for real.
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[ Henry’s expression is frozen, part acceptance, part trepidation. A stallion stands in the forefront of the second panel, backlit by the stretch of desert and a yellow sun. The horse’s front leg is dotted with red; below, Ray is mid-grin with his arms outstretched, hands cut out of frame. The horse, mid-motion, flees toward the horizon. It won’t make it. ]
“I just can’t quit you,” is the kind of thing he would say, big hands outstretched to clasp the back of his neck or to fit over Henry’s windpipe like a noose. It’d be a bit, with a Southern drawl and eyes not quite meeting his, but there would be just enough substance that Henry could pause and think, Well. Maybe you should.
Somewhere underneath that ego is a person capable of letting go, of cutting their losses. Henry’s seen the Old Westerns in their grainy film and open desert, and knows the kind of look good men get in their eye when their horse buckles. It’s the same guarded expression he wore when Drex came barreling back in, looking like Henry might in a few years time—angry, bitter, and stuck in the same place after all those years. Drex came back on his own, but still holding the old reins. Maybe that’s a difference between Ray and the good man; when Henry breaks his leg, he gets benched and pulled from the field. He’ll be back out again the moment his femur mends because he won’t see the break for the escape it could be. A fracture is never just a fracture, and a boy is never just a boy.
A horse with a bum leg gets taken into the field. It can’t return because it never leaves. Oh, well. It was a good beast, a good ride while it lasted.
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PANEL NOTES:
The first chapter of the fic “bite your tongue” by ao3 user irregularsatanist (slavishtrust) motivated this significantly, although this is not explicitly lifted. I am obsessed with their mind! Every time I read and reread, my fingers get the itch to storyboard. Much to say, and more to come, surely. (I’m actually being so, so, so serious, the levity of their work is what incepted me into this hyperfixation and every version of the characters I have in my head is inadvertently colored by the blueprint of trauma, codependency, and exploitation in the aftermath of young adulthood that their continuity of portrayal has lain out. I’m not kidding I’m being so real about this rn)
Something about the Wild West motif is just really, really compelling to me: empty space, inherent isolation, man in nature, evocative of incoming change sweeping into the country and devastating those that lived before and in the now and yet still feeling stagnant in the hugeness of the land, and the kind of vulnerability that the wilderness digs out of you. There is no difference between the civilized and the uncivilized here. I don’t think I’m super subtle about it.
There is an anonymous mark on Henry’s neck in the top panel. It could be blood, a bruise, dirt or dust, inflicted or coincidental, etc.
Three instances of hands, or hands in omission: Ray’s hand gripping Henry, the implication of his hands extended outward/upward, and the hand holding the gun in the bottom right panel. In the former and latter, they are highlighted with yellow lines.
Henry does not reach back for Ray, but he doesn’t retreat, either.
Henry and Ray’s respective paneling colors differ.
The horse represents freedom & captivity, cyclical tenancies, dehumanization, and escape into the natural.
Here, Henry may even identify with the gun itself. Ray’s hand over his face + neck mirrors the grip over the firearm, and the line where flesh meets object (or, in this case, Henry) is highlighted by the same line work.
The horse envisioned is a wild one that was groomed into captivity and subsequently domesticated. In most ‘horse’ narratives, the struggle culminates in the question of freedom—or return to nature—as opposed to the human need to keep. By allowing a creature of nature, which was not born into civilization but rather introduced into it, to return to its motherland is a humanist act and therefore a rejection of corporate or urban conformity. The horse exists as an objectified commodity, one to be used or paraded. To relinquish the horse demonstrates more than love, arguably something more important: respect. To respect nature is to relinquish the grip of expansion.
I feel like this is the moment when Henry returns and they both reunite with one another after a period of time. Ray’s expression, while still ambiguous, is much easier to parse than Henry’s. Henry, of course, considers himself the defective horse, and weighs the three possible routes: escape (back) into the wild, to be taken into a field and shot (real Old Yeller style), or to be ridden again. Each carries their own merit and implication of autonomy.
The reality of each unfolding is still dependent on Ray: if he lets him go, if he decides Henry must be discarded, if he utilizes him still—or, if he is defective at all.
Ray’s problem isn’t that he’ll be tempted to shoot the horse, but instead that he wouldn’t. The good man takes the creature out of its misery if he can’t heal, house, and release it. This guy would rather have a bloody horse in his house until the end of time than admit he shouldn’t have had it in the first place. From Ray’s perspective, the reunion is best characterized as the return of the prodigal son. To Henry, this is more of an ego death in slow motion.
Ego Death: “The disappearance of an individual’s sense of self, or the removal of one’s perception of oneself as an entity separate from one’s social or physical environment.” (Britannica)
Prodigal Son: “…a man or boy who has left his family in order to do something that the family disapprove of and has now returned home feeling sorry for what he has done.” (Cambridge Dictionary)
The chapter title, “QUIET ON THE OLD FRONTIER” is a reference to All Quiet on the Western Front, the English title of Erich Maria Remarque’s 1929 novel about the traumatic aftermath of World War I. The term, “all quiet on the Western Front” is a colloquialism referring to a lack of progress, or stagnation. “Front” is interchanged with “frontier”, Americanizing the phrase to refer to the Old West and settlement. California, on the Western Coast of the U.S., is assumed to be in close proximity with the location of the narrative.
Of course, “I just can’t quit you” is the iconic dialogue between cowboys Jack and Ennis in Brokeback Mountain (2005), the epitome of the modern Western movie (based on a novel of the same name). Here, the context is not exactly the same, but still (uncomfortably) adjacent. Sometimes, quitting is good. It can help you grow up big and strong.
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hustlerose · 1 year ago
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i hate to say it but this is a consequence of not being very "well read" so to speak. if you make a deliberate effort to broaden your horizons, you will become familiar with several distinct genres incidentally just by looking around
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