#but CHOOSING someone
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ishipgenfics · 2 years ago
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Hello! This is your friendly inquiry to answer this ask with whatever you'd like to talk about right now! Whether that be a story you're working on, something you're excited or worried about, or just something random you happen to know.
All the love,
~ toribookworm ❤️
Hi! Thank you for asking me, this is so sweet. I haven't had a lot going on, to be honest, so I think I'll tell you about the little lesbian cottagecore romance that would be going on after the bits of You and Your Human that I... haven't written... (whoops).
So Your Scientist(whose name is Cavara by the way) crash-lands on a planet. Ze panics for a little bit before realizing that there is someone else on the planet. Now, I'm not sure whether ze is going to know the other person's language from television shows or if their going to have to learn from each other, but they start to get to know each other, and the other person on the planet introduces herself as Cir(I'm gonna be real I'm not sure if that accent should be there or not but ah well.)
Anyways, they start to get to know each other, and Cavara knows that in about a week, her crew is going to get worried and start looking for her. On their last night together, they're looking up at the stars and Cir tucks a piece of hair behind her ear and says, gently, "So... um... I lied to you."
"Oh?" Cavara says. Ze isn't too worried. This is Cir. Ze trusts her.
"My name isn't Cir. It's Ciralarus."
And Cavara knows what that means. Ciralarus. Cir who is rus.
She's soulmate bound.
Guess Cavara can't have her after all.
But Cir-- or is it Ciralarus now?-- keeps talking, and we find out that right after she bonded with her soulmate, he ran away leaving her abandoned on this planet. And Cavara is so, so angry because how dare he? Ciralarus is beautiful and incredible and amazing and how dare he?!
Cavara doesn't have a soulmate, and ze never will. But ze has a lover, who smiles at zer and who ze would do anything for. And that is enough.
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miothle · 9 months ago
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Farewell, Kakavasha.
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glassrunner · 1 month ago
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"Where'd you learn those moves?" "Oh, I was just following your lead." [chuckles] "Mmm, he's got lines."
JINX/POWDER APPROACHING EKKO | ARCANE S01E04 X S02E07
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composeregg · 3 months ago
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edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here
And, given that the original is from April 2023, that means I can very easily say:
No, this was not an ISAT reference!
Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT
(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)
If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that
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bigfatbreak · 9 months ago
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Birds of a Feather previous / next
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#my art#feralnette au#birds of a feather#long tags#sorry I went apeshit in the tags#LETS SAY IT ALL TOGETHER NOW#I - M - A - G - OOOOOOOOO#its fun drawing marinette's back to Alya and having her appear stout and unstoppable and totally logical#and then you see her face and she's like two seconds from completely snapping and is keeping it together by a thread#as a note just because mari feels very certainly abt smth doesnt mean she's right. feelings can be valid and also irrational#in the throes of grief she decided it was better to be alone than to lose someone again so she started pulling away#and lila made pulling away very very very easy to do#shes also vaguely aware she's being unfair in pinning this on alya which is why she started spinning the drain on cockmoth again#legitimately all the shit that's happened to her wouldn't have been so catastrophic if he was never in the picture and she knows it#but the bitterness of her bestie choosing a fantastic liar over her at the worst of times stiiiiiings#alya's personal timing was bad but lila really took advantage of the fact that marinette had been acting off and weird#she basically clocked marinette as being unstable from SOMETHING and made up a lie about her#knowing she wouldn't have the strength to defend herself#between her social life going tachy bc of lila and losing fu in a way that felt like personhood death marinette was really put on the spot#and alya doing her thing of busting in there and assuming her bias is correct was a terrible combo#essentially marinette is highly unstable and alya is just realizing that#busting in and giving her a lecture when she's slightly hysterical and definitely delirious from exhaustion is NOT the way#to show her she's self sabotaging#cuz thats just gonna make her double down on self sabotaging. bc marinette will not accept that she is also a CHIIIIILD
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mentally-ill-for-bes · 1 month ago
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It's almost hilarious how even when Viktor is trying to get rid of his humanity it just highlights how partial he's to Jayce. His villain speech isn't even threatening, he searches for Jayce to talk especifically, he is still trying to convince Jayce to join him or to see the benefits of glorious evolution, I would say even trying to impress him. He touches Jayce's forehead even when it's not necessary to know his mind, he keeps the blanket even when he does not feel cold or warm long ago. He could have easily kill him but instead he decides to talk more with him about glorious evolution hoping he to accept him without realizing that Jayce is what makes him look the most human, the most desperate for company and understanding
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inkskinned · 1 year ago
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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Carry me home
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poorly-drawn-mdzs · 6 months ago
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Not beating the allegations.
[First] Prev <–-> Next
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ambrosiagourmet · 6 months ago
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This is just a smaller observation that will hopefully someday be part of a larger analysis on Kabru's view of Laios & how Laios impacts him...
But I think it really interesting that Kabru surrenders something for Laios twice, and that these moments are inversions of each other.
The first time, Kabru gives up his life to maintain his control. He changes the course of the entire story with this action, and is willing to die to achieve that. Kabru is (supposedly) entrusting the future to Laios, but he is still very much the primary actor in the overall narrative. He is still the one choosing what the story should be.
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The second time, however, Kabru gives up his control to keep hold of something personal and selfish (in the way of dungeon meshi selfishness - it is a good thing to keep this desire. It small piece of what makes him a living creature). He steps aside to let Laios choose the way forward. He surrenders narrative agency for personal agency... not changing the story, but changing himself.
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disgracefulthings · 7 months ago
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How To Redeem a Shen Jiu
A Guide By A Prolific Fanfic Reader
Option 1: Give him a transmigrator brother
Shen Jiu: Now that I've found my long lost brother I no longer need to abuse my students
Shen Yuan: You need better coping habits
Option 2: Give him a transmigrator disciple
Shen Jiu: I've never cared for a male disciple and I'm not going to start now
Disciple Shen Yuan: That's what you think old man, be prepared to get morals!
Option 3: Give him a transmigrator son
Shen Jiu: This weirdly intelligent baby has helped me see the error of my ways
Baby Shen Yuan: I'm too young to be doing this shit
Option 4: Have him be a transmigrator's son
Baby Shen Jiu: If I had better hand-eye coordination I would strangle you in your sleep
Shen Yuan: System, is it wrong to shake a baby?
Option 5: Have him take over Shen Yuan's dead body
Shen Jiu: So I get a loving family that's also rich without facing the consequences of my actions?
Ghost Shen Yuan: Hell naw, your walking my ass straight into therapy
Option 6: Have Yue Qingyuan confess
Yue Qingyuan: I came back for you
Shen Jiu, about to get his limbs torn off by Bing-ge: It would've been nice to be told this YEARS AGO!
Option 7: Have him get together with Liu Qingge
Liu Qingge: Let's have hate sex so you don't abuse your students
Shen Jiu: We definitely won't develop feelings because of this
Option 8: Kill him off and have Shen Yuan fix his problems
Shen Jiu: This is my favorite option
Shen Yuan: SPEAK FOR YOURSELF!!!
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timethehobo · 1 month ago
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Rook just won’t stop flirting. 💜
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thatmightyheart · 1 year ago
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posting royhavoc all by myself
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ohimsummer · 3 months ago
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satoru being one of those kids who was picked on and embarrassed with those cruel jokes. the “so and so likes you/wants to be friends with you” ones, and when he goes up to them all excited like “wow new friend!!” they just end up embarrassing him in front of everyone because “why would i like you? or want to be friends with you? you’re super weird.” the entire class is laughing at him. he’s humiliated.
and now, as an adult, satoru struggles with telling when someone is being genuine to him. not many are, most people don’t care to be around him which hurts in and of itself, but it hurts even worse when they pretend to like him only to end up betraying or disappointing him later. so when you come along, and he watches you approach him every day with a big smile and try and talk to him and you ask him if he wants to grab lunch together or hang out, satoru prepares himself for the worst.
he tries not to let himself get attached to you, and your friendly face, and the way you laugh at him because no one has ever laughed with him before, and those knowing stares you always give because satoru just knows one of these days you’re going to grow bored and leave him like everyone else has.
he keeps himself stuck in a constant state of denial, not realizing that your actions are indeed genuine and your motives are pure.
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chloesimaginationthings · 7 months ago
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OH MY GOD HES DOING THE POSE
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THE FACT I SUBCONSCIOUSLY DID THIS…
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mrsrookhunt · 1 year ago
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*Rook, Vil, and Epel walking down the hall*
Rook: Would you two spare me a moment? I need to make a proposal to Trickster.
Vil/Epel: Sure.
Rook: Bonjour, Trickster!! May I offer you a proposal?
Yuu: What's uuuuu--...
Yuu: Why are you on one knee.
Yuu: WHY ARE YOU ON ONE KNEE---
Epel: huh. So that's what he needed a ring for.
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