#btw this is not about anyone specifically

[blushedfemmes]

when the cute butch who lives thousands of miles away and was never interested in the first place starts tagging reblogs with the same emoji

[back-on-my-bullshit-hahaha]

DPxDC Prompt

I've had this idea for a while (since seeing that art of Johnny and Kitty robbing a bank so Danny can get Top Surgery lol) but I haven't even had the brain to work on my own fic recently (sorry about that btw) so I'm writing this instead

So the concept:

T4T Johnny and Kitty, who died in the 80s after running away together.

Johnny was the kid of some rich asshole automobile mogul from Bristol, and Kitty was one of the workers' kids from the Narrows. They become friends, fall in love, both realize they're trans around the same time and then decide to run. They know that being trans on top of tax bracket difference gives them almost no chance of making it. Johnny steals a bike and a fuck-ton of money from his parents, and Kitty's parent(s) helps them leave.

They're still toxic and spiteful as hell, but nothing the other does can change the fact that they know and understand each other better than anyone else could.

They travel around the country being menaces together for a while until they decide to settle down in a strange city called Amity Park. They figured it could handle a couple more anomalies. But before they can get there, they get into a bike wreck with their final thoughts being of each other and Johnny specifically cursing his bad luck in life.

The next thing they know, they're in the infinite realms being given the chance to stay together and the freedom to simply exist with no strings attached. (Other than each other cause I firmly believe that they're mutually the others' obsession)

About 20 years have passed, a portal to their old world is permanently open and this scrawny little ass kid ghost that they've never even heard of keeps stopping them from going through it.

It isn't until Johnny actually starts paying attention a few months into it that he notices that first, the little shit can actually fight, and second, HE WAS FIGHTING THEM WITH A BINDER ON. (Johnny also vaguely wonders why Danny looks so much like his old neighbor Brucie, but that's a little Easter egg). Johnny lets out the universal ghost fight timeout signal and vaguely explains the situation to Danny, who seems confused about the noise he made and why it made him stop.

Johnny gets Kitty to spread the words that if the timeout isn't called off by the next morning, stay TF away until they get an all-clesr.

That night, *after yelling at him a bit*, he starts teaching Danny how to reshape his ghost form to his preference and even his vocal cords.

From there, Johnny and Kitty sorta ghost adopt him as a sibling and then take him to Frostbite to make sure his T-shots are ecto compatible.

(I hope this was coherent it's 4am for me and I haven't slept lol)

[thatstoomanysausages]

My favourite activity to indulge in recently in non-stop binging The Crane Wives' songs, especially the new album, and tallying how many times I can somehow link the lyrics to Desert Duo.

At this point it might be a talent of delusion, and I am winning.

Here is a list of lyrics in the newest album that I am particularly delusional about (it's long. It's 2am)

(btw it's every single new song. I am tired as fuck)

Scars:

"All the love, all the kindness, all your best-laid plans/Couldn't stop me from becoming the way that I am" (3rd Life reference referring to Scar inevitable turning red despite all of Grian's plans to keep him alive and safe)

"A fatal fault at the start/Tell me it's inevitable that I'd end up with scars" (3rd Life, when Scar is quickly killed in the beginning by Grian)

"Nothing could have been done/Is that right?" (3rd Life. Conversation between Grian and Scar after the creeper prank)

"Nothing could have been done" (3rd Life. After Scars falls to red)

"Nothing could have been done/Is that right?" (3rd Life. After Grian kills Scar with his own bare hands)

"End up with scars from falling/Down, down" (3rd Life, Grian's final death via suicide)

"We were always meant to fall apart" (Not even one specific series. Every single one of them actually.)

Bitter Medicine:

"Are you ashamed of me, or did you buy what I'm selling?" (3rd Life reference about Scar's scamming nature and Grian's disappointment that hides the fact that he's charmed by Scar. Every. Single. Time.)

"Made my bed but I'll sleep anywhere, anywhere" (Wild Life reference. I think we all know. Pillows smelling like waffles? Yeah.)

Higher Ground:

"I gave up the truth and now I can't take it back" (3rd Life. Grian telling Scar that he was the one that brought the creeper over. Or. Double Life Grian if he ever told Scar about his Secret Soulmate. OR. Wild Life, Grian telling Scar literally anything about the wildcard)

"I didn't wanna hurt anyone" (Oh.)

"The corvids are calling/Warning the forest a predator is approaching/Am I in danger, or am I the threat" (Grian is often characterised as a corvid if not a parrot. Basically any scenario in Wild Life where Grian is warning Scar about the wildcards despite the fact that he is at fault of making them happen)

Predator:

"What were you thinking?/Shouldn't you know better?/You opened a door for an apex predator" (Any scenario in which Scar welcomes Grian into his home and doesn't think twice about the danger the other could be harbouring. His trust for Grian is unimaginable)

"I keep forgetting the lessons I've learned/So I keep getting hurt" (Before Scar won, he never remembered what had happened with Grian, so he went back to him for safety multiple times, teamed with him, didn't mind his company, not knowing the dangers that Grian represents just by existing)

"Your heart is a nasty place/I'm afraid to say no to you" (...Yeah)

"Keep your lies and your denial/I am fighting for survival/My heart is a changing shape/What if I said no to you?" (DOUBLE LIFE DESERT DUO TAKE ME HOME. The 'changing shape' line implying that their soulmates could change their soulbound partners if they really wanted to, and could adapt to being with another if they desired it)

"You took advantage of another anxious people-pleaser" (I can't keep doing this. Honestly, depending on your point of view, this could go either way for them in varying seasons, they're doomed in every universe)

"I keep forgetting that you wont learn/So I keep getting hurt" (And now it switches to Grian on this paralleling line. He forgets about Scar's undying loyalty and falls into the trap of his safety every time, only to come out hurting him or not protecting him like he swore to in 3rd Life. This line goes so hard)

Say It:

"Say it/If it's over, say it/So I can move forward/Please don't leave me in the dark/Praying for a wayward spark" (This whole chorus screams them. They won't communicate. They never officially separate from one another, always somehow intertwined, but neither will finalise their allyship. I need therapy)

"I'm haunted by your tenderness" (3rd Life Grian traumatised by the half-hearted hits Scar was giving because he was letting Grian win, he never wanted to fight, he felt Grian deserved to win because he had done so so much for him. He was completely smitten)

"And if we meet as strangers again/Would you refuse to meet my eyes?" (Grian internally questioning Scar after he killed him in the 3rd Life finale, harbouring more guilt than he can comprehend, literally)

"You know I'm loyal to a fault" (Scar and Grian interchangeably in 3rd Life...)

"I will sit here waiting/Waiting for the axe to fall" (Scar submitting his life to Grian after they are left the last two alive. And also, if you're insane for Treebark, there is a glaringly obvious implication of Martyn feeling incredible guilt after axing Ren down to red, even if he asked him to.)

Mad Dog:

"Keep looking for the end of the tunnel/Never seems to get any closer" (The two waiting as winners for the games to end and alongside it, their suffering as well. They will never be free from circling around each other, over and over and over again)

"We both know the ship is gonna sink/But I keep reaching for the shore/Never seems to get any closer" (They both keep reaching towards each other, knowing that they will never truly be able to be together, especially after the first time where they did, and it ended horribly for them)

Arcturus Beaming:

"My sanctuary to worship the pain" (References the panda sanctuary that Scar built to help the soulmates heal their bonds, only to never complete its purpose with the two that needed it the most, ironically including the one that built it)

"And I am tired of forming a cliff face/Inside of my chest now" (Grian remembering jumping off of Monopoly Mountain and the weight that it now burdens his heart with. This line is diabolical with the right context)

"I'm grieving all that I gave" (Both of them grieving the sacrifices they made for one another, their sacrifices only making their relationship more strained overtime)

"A mirror image of us here, but they're pointing up at our sun and/Asking themselves/What exists beyond, beyond, beyond, beyond?" (Other versions of themselves in different life series looking at their 3rd Life selves and wondering what it was like to be so tightly allied)

"But there's still time, it's not too late/Nothing will change until I change" (Grian's attempt at teaming with Scar in Limited Life, savouring the time he had with him before killing him. He will never change their bond, he is always destined to kill him one way or another)

Time Will Change You:

"Planting hearts in a grave/Pray they grow after it rains" (Grian burying all his allies, hoping that as he digs their graves, he can heal their broken bonds, the cracks only caused by himself. This can unfortunately apply to a lot of Grian's allies, but Grian and Scar's relationship tries to heal itself each season)

"Someday/Time will change you/You'll leave behind what doesn't move" (Someday Scar will remember and he'll leave Grian behind once he realises that Grian was never able to move on, and that his heart is still stuck neck deep in the sand where both their bodies laid at the end of 3rd Life)

"Give me a chance to get this right/I'm learning how to let go" (They're learning, but they'll always fail, no matter how many chances)

Black Hole Fantasy:

"There's a black hole in the living room floor/I keep trying to ignore, but it's growing" (Their need to team and interact is overwhelming, and the longer they ignore one another, the larger their need will get)

"If love is just a chemical reaction/Is there a pill to take? Something to quell this ache?/ Is this the real thing or a distraction/Is it worth the risk?/My life would detonate" (Mmmmmm I'm losing it here)

"I'm on my way to your house, I can't wait anymore" (Yeah.)

"My knuckles hesitate an inch away from the door/What happens when it opens?" (They've spent so much time apart and away from one another that they feel fear that the moment they reconnect, it won't be the same as it was in the desert)

"And on the other side is another life/A version of me with a spark in her eyes that I don't have" (Looking back to 3rd Life when everything was simpler and happier)

"You pull me in your arms and I feel your heart pounding/I take a step back to catch my breath/And we look at each other and double over/And laugh, and laugh, and laugh" (Yeah. Just yeah. This whole verse makes me sob)

Red Clay:

(Already I want to make a link to 'red' and Scar's existence in 3rd Life being very red)

"Blistering sun, my sweat soaking my clothing" (THE DESERT???)

"We don't have to do this the hard way" (We don't have to battle to the death bare handed. We don't have to.)

River Rushing:

"I know I can't grow with a hand around my throat/Hold yourself steady/Whenever you're ready" (Reference to their fight to the death in 3rd Life)

This entire song is just a narration of their fight honestly and it makes me violent.

[immaterial-girl]

tumblr is great bc you’ll follow someone whose blog has a lot of things you like and then one day you have been grandfather-ed into an interest in bruce springsteen after seeing infrequent yet consistent performance gifsets and lyric breakdowns for 2 years posted by a 20-something lesbian who you know nothing else about besides her obsession with books from 2016 and bad cable television. and you listen to Dancing In the Dark (1984) while driving home and think about her and this is what its all about

[itsatorchwoodthing]

everyday i watch people on twitter praise a show that has one or two queer characters in 2024 for being groundbreaking for things torchwood did in 2006

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[theerurishipper]

I feel like people really underestimate the importance of Dick being the first Robin. Like, reverse Robin AUs are interesting and such, but I just hope people realize that in the context of canon, they would never work. The reason Batman and Robin ever works is because the first Robin was Dick Grayson specifically. Because Bruce would never have taken in any child if Dick's tragedy hadn't specifically happened to mirror his own experience. Dick Grayson was the only one Bruce truly saw himself in first, because the fundamental event that defines them is the same. And he sees the opportunity to help someone the way he was never helped, to make sure that Dick didn't go down the dark path he did. So, my point here is that the only one Bruce actually made the choice to take in, the only one who could kickstart it all, is Dick Grayson, because he is the only one with whom Bruce could immediately empathize and connect with.

This never happened with any other Robin. He took in Jason because he missed Dick, he took in Tim because Tim forced himself into the role, he took in Steph because he was trying to make Tim come back to being Robin, and Dick made Damian Robin. Of course, he loved all of them, and they all have their unique relationships with Bruce that are very important and inform their characters, and he does need them too. But he specifically formed this connection with Dick that made Dick the only person he ever considered taking in. It took a very specific set of circumstances in Dick's backstory that made Bruce commit an impulse adoption that just isn't really present in any other Robin's story. And the reason Jason or Tim or Steph or Damian or anyone else whom Bruce has taken under his wing even got that chance is because of the work Dick Grayson put into Bruce Wayne.

Before Dick, Bruce was reckless and didn't care at all about himself, to the point of almost being borderline suicidal. He was more brutal, more violent, etc. The reason all this changed, is because of Dick Grayson specifically. He was the one with whom Bruce opened up, with whom Bruce was forced to grow up, to take responsibility and learn to take care of both Dick and himself. Dick, to Bruce was the one who brought "color to their [his and Alfred's] monochrome lives." Dick Grayson's specific brand of happiness and joy changed Bruce for the better. Dick gave Bruce hope. This is true for other Robins too, but only because they followed the precedent that Dick Grayson set, only because they slid into his role (they have their own interesting relationships with Bruce, but this specifically is from Dick that other Robins carried on. A legacy, if you will). Dick Grayson turned Bruce into the kind of man who would become a serial adopter.

Without his influence, without his precedent, there would be no Batfamily, because Bruce would never have gotten to the point where he would be able or willing to take in someone else and care for them properly (It took living through his trauma again to get him to take Dick in lmao). Hell, there would be no Batman because Bruce would have gotten himself killed a long time ago if Dick hadn't helped him learn self-care. Dick knows Bruce best, because he understands him on a fundamentally deeper level than anyone else in the world. And he's the only one who can make Bruce open up at his rawest, most downtrodden state. He is the only one who can give Bruce at his lowest that kind of hope. There is no Robin without Dick Grayson. It's literally a tribute to his parents, using their colors and the name his mother called him. He created that identity as a symbol of hope. He helped Bruce become the kind of man who could and would let other people that he had to care for into his life. Without Dick Grayson, you can simply forget about any other Robin or the Batfamily as a concept even existing.

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[cultoftheswag]

Fandom hierarchies are so fucking stupid. Can't believe whole ass adults are trying to measure dicks with each other over getting autistic with media in ways that under no circumstance would you ever feel comfortable sharing with irl people. Getting competitive over who has the best fluff furry ship or trying to establish yourself in a cliche as if it's highschool hoping you make it in the table with the "popular" kids , when every single one of us here most likely got bullied in school .

Anyway, other people aren't better than you nor are you better than them for having more followers/more interactions. The moment we kill the subconscious expectation of a certain fic or certain art being the holy grail of fan creation , the better it is for everyone.

[aihaloos]

Tempted to write a replaced au twst fic where Yuu (or alternatively, I'll use my Yuu, Riyuu, who is basically who I'm writing this for) used to be the cutest girl around, the cheery one who's always around everyone, the one you can't seem to dislike even if your crush falls for her because she earnestly says sorry (even though it's not her fault) and will always help you out if you need her back in her old school. But one day, a new girl comes around and her whole reputation got destroyed. She helps the new girl adjust, tells her all the rumours and introduces her to all the popular kids. But the girl ends up backstabbing her, telling the popular girls rumours about how she intentionally plays up the act to steal their crushes to her, and lies to the boys, telling them she's just playing with their hearts and that she's a horrible person.

Yuu ends up alone and excluded, being seen as "annoying" and only having a few close friends who doesn't really interact with her in public in fear of their reputation being ruined. She ends up miserable at school, and wishes to not go anymore. But one day comes a saving grace, she gets whisked by a mysterious black carriage into Twisted Wonderland, or more specifically, Night Raven College. She doesn't mind working if it meant she doesn't have to deal with her old school, there was still 1 and a half years left of school and she doesn't want to deal with all ghe group projects to be assigned that will inevitably end with everyone not wanting to team up with her. Plus, as annoying Grim is, he's like the animal friend all of the anime and storybook protagonists she knows has, and she doesn't mind him too much.

Some things did change after she and Grim got officially enrolled, but she had no problem adapting to the social expectations of the world, part time jobs with Sam -- and occasionally the canteen -- paid enough to get her tools for cooking basic but delicious food, and new friends without the weight of her past helped her get settled comfortably.

The existence of Overblots stunned her for a bit, but a peek into Riddle and Leona's memories helped her understand the concept, even if just a little. However, things began to change eerily simlarly to her old school when a new girl comes, also in a similar position to her, getting transported to a new, unfamilliar world, and seemingly hailing from a similar world to the Earth she knows. She warmly welcomes her, eager to finally befriend another girl, but it seems that the girl does not share the same enthusiasm.

The girl only barely responds to Yuu's attempts at forming a friendship, and always seems to talk her in a condescending way, and often dismisses her, and especially so whenever there are any boys around.

Yuu will not deny any statements claiming she's an attention seeker or that she plays up her sweet innocent girl act, but she knows to never, ever sacrifice a bystander for it. But if someone insists on war with her... well that's another, different story. She's learnt her lesson of being overly optimistic, and she will not make the same mistake twice. She will not let her make her life a living hell more than it already is with Crowley's irresponsibleness.

Aaand thus begins the story. Or well, however you wanna continue it. I'm honestly in favour of most Housewardens (Kalim, Vil, and Idia in particular. I'll put my reasoning in a few paragraphs down) Adeuce, Tweels, and Ortho for team Yuu. Why?

Well, first of all, Adeuce. This is mostly because the duo is like. with Yuu since Day 1, as much of a bitch as Ace is, I think those two are the most likely to trust and know Yuu well enough to not believe the lies R (< Replacer) tells. Especially Deuce, he doesn't want to betray a friend he knew for quite a while, that would not be very honor student-like of him!! And she helped him out in a lot of situations too! He doesn't want to hurt you after all the trouble you go through to help him, and also knowing how horrible your living conditions are. Ace would most likely give in to peer pressure if the student body is overwhelmingly in favour of R, but as of now, he maybe enjoys your company just a bit more than R. Just a bit, promise.

Tweels I feel like is self-explanatory. Those two are perceptive as fuck istg it scares me. Jade especially. I feel like the two would just toy with R for a bit despite her facade and lies before dropping her after she bothers them for attention and favours one too many times.

(Ortho ties in with Idia so I'll explain him in Idia's paragraph)

Kalim is actually very emotionally intelligent. He can come off annoying and stupid, but from all the scenes I see of him, he's actually really good at dealing with people. Have you seen how he deals with the Scarabia residents after Jamil's OB??? The way he phrases his sentences?? He didn't force or even plead with them to forgive Jamil, he simply asks them to wait before making permanent judgements, and I think he's gonna be uncomfy with how condescendingly R talks to Yuu, and even if he's used to people going after him for money, I feel like R mostly eyeing him for money and how she "secretly" sighs in annoyance everytime she goes out of the party for a "bathroom break" will only solidify his dislike/discomfort, even if he doesn't show it.

Vil is also kind of self-explanatory if you read into his character and not just the shell the official English localization makes for him. (I could rant for hours about how the official tl portrays his character istg. He's hardworking and he actually didn't attempt to poison Neige out of pure jealousy, he did it because he felt like all his efforts to be beautiful will never be able to surpass Neige, who, in his eyes, always seemed to be innocent and naturally beautiful. He feels like the villain in Neige's story. He feels like he is reduced to what he often plays as, a snobbish, overconfident villain obsessed with overthrowing the hero. And because of it, it became a twisted self-fulfilling prophecy, pushing him to, in a fit of despair, be that same villain everyone sees him as.) I really don't think he will take well to R's condescension to Yuu, who genuinely wants to befriend R. (I actually have a whole thing in my head where Yuu and Vil occasionally have sleepovers where they do skincare together after the whole VDC thing happened. I feel like this is also a "vent sesh" of sorts for the both of them, just to air out their grievances without much seriousness, and I think Yuu would admit to wanting a fellow girl in the school that she could befriend, since no matter what, being the only girl can be exhausting.) Ik Vil's not a girl but he is such a girls' girl istg.

Idia... this mostly ties into Ortho and The STYX Incident, but like,, I think we can all agree on this one,, Idia is smart and capital V Very pessimistic. Would you rather trust the girl you've known for a while, who saw your memories, who helped you in awkward social situations when she can and is besties with your brother or some random new girl who trash talks said girl behind her back? The former, right? Plus, even if Yuu did only hang out with him and his brother because she likes to secretly laugh at him behind his back, there's mo guarantee R wouldn't do the same, given his experience. And he would rather have someone who actively helps him and his brother out than someone who wouldn't.

I didn't put Malleus in because of how canon him actually treats Yuu. I feel like the fandom kind of put on rose-tinted glasses on with his character, and kind of ignored some things like, idk... him just leaving them to fend for themselves homeless during Octavinelle... maybe he thought Crowley would offer them a place to stay but like... I'm still bothered by how didn't atleast offer a spare room in Diasomnia. He's a housewarden goddamnit. He's not as distant or scary as the rumours say but like. still rubbed me the wrong way.

Anyways I don't think my attention span will let me write it to completion so if anyone likes this and wants to write it feel free. Pls tag me if you do tho. I would love to read it :3

[boredlime]

when you're Probably Not Cis but you present as it anyways because you're too lazy to do anything about it

[ganondoodle]

actively fighting a full blown panic attack born out of sadness and anger after having to drive by yet another victim on the side of the road

it makes me livid how accepted it is to just let cats suffer and die disgustingly horrid deaths and live awful short lives just so what, for what?? so you dont have to play with them for an hour a day??? when i was little it was just kinda normal that they disappeared at some point, i didnt understand what it actually meant until our outdoor cat i loved dearly was found in the bushes near our house in a condition so horrible my dad has never told me and i have never dared to ask, she only made it to 6 and had horrible scars and infections before that i allowed my family to convince me to let my first own cat outside, we only had her for a year, she died at only 2 years old, i am still suffering from the guilt, it has never let me go, she went missing for a week and i walked the entire vilage up and down every day, yelling her name, wandering into the forest alone, talking to every stranger i met until one morning my mom told me that our neighbour who works for the city asked if we had a white cat with a very specific collar she had- he found her on a busy road crossing in the next bigger city, i never even got to bury her, its haunting me, the thought of her wandering lost and scared in the city for a week until meeting an awful end gives me headaches, the fact that i was the last one to see her alive, that i put her outside bc we were late for school and had to leave quickly, that she had come home with oil in her fur from crawling through maschines and cars before, that i was worried but still didnt act, that it is my fault, any time i am up to late its coming back, it will never let me go, if i had stood my ground and not allow her outside unless on a leash or similar shed still be alive today, any time i read a description at our local shelter it comes back, they still advocate for outside cats, all of them, even if they have only been an indoor one before, its madness my older sister had a cat, i dont even know how old he got but it wasnt long either, he got hit by a car in front of their house, she has two now again and the only reason she hasnt let them outside is because they havent shown much interest in it, i tried to warn her before and she didnt listen and shes still resistent, even after losing one too

i have seen so many on the side of the road, anywhere i drive i see them, i cannot forget a single one, we are surrounded by farm land and all its giant maschinery, its still common to poison rodents, why do people value them so little, you wouldnt let your dog just live outside in the woods and streets for half the day or more, you wouldnt just throw your guniea pigs on the road and tell them have fun, you wouldnt just let your bird roam outside, there probably assholes that do that too but you cannot tell me its as common as outside cats

i dont understand it, i dont, i wont, i never will, i will never forgive myself this poor little animal that was my responsibility having to pay the price of my ignorance, or my own weakness letting my family convince me despite the awful way we lost one before, it makes me want to explode it hurts my brain in grief and anger i can barely contain

cats deserve to live a safe and long life, i get only having them inside may feel like you are locking them up, but do you think that not doing so is worth having them die a painful death? being poisonend? on purpose even by disgusting people that hate them? abused and chased by other animals and dogs? hurt and lost? cutting their lifespan in half? if they even make it that far? the amount of wildlife that they kill unnecessarily so when all of that is already in a steep decline everywhere? and if they eat what they hunt get infected with diseases or again, poison? die somewhere in agony? if cared for they dont care about going outside, plenty can be leash trained or given a secure way to roam like those cat proof aviary like things, if you dont want to put effort into caring for a cat DONT GET ONE, ALL pets require adequate care, and if you think cats are the easiest bc you only have to feed them every now and then IF they come home? you suck, you are an asshole, i hate you and you do not care about them, if you just want to occasionalyl feed and pet an animal go to the petting zoo

(this is about pet cats of people who can absolutely afford to keep them healthily inside, i know feral cats and those in poor neighbourhoods are a thing, even if not here where i live, and thats a whole other but still similar problem and not the point of this post)

[paper-mario-wiki]

yandere behavior

[evergreen-endo]

WE PLAY THE SAME KEYS AT DIFFERENT TIMES — r. kaji.

cw: 18+ mdni, f! reader, car sex, spit. wc: 0.8k a/n: unedited. thought about him on my drive home. enjoy. 

You and Kaji can’t ever just listen to music in the car together.

He really never intended for it to be like this at first— but once it happened the first time, it’s all he could think of the next time he got in his car. It’s the same every time; inviting you for a ride to listen to a tune that’s stuck in his head, one he claims he can’t get rid of until he hears it again. But with him, it can never just be one song. There are too many that make him think of you these days, despite his best efforts to press skip on those in particular. 

He drives around until night falls, and you’ve both shared everything you’ve had on repeat this week. As he pulls onto the highway, the low vibration of his car picking up speed thrums against your thighs, much like the guitar blaring through his speakers. The low light of the city falls on his hands as he steers with practiced motion, heel of his palm flat against the leather. Warm yellow light trails along the veins on his arms, dragging your gaze wherever it touches. It highlights the rim of his features for a split second, long enough to see the way he side eyes you.

He lets out a huff, leaning back against the headrest to hide in the dark, though it’s futile. As he whirrs past the overheads, the light guides your gaze to his thighs, spread lazily even with one foot on the gas, and up, up, up to…oh. It’s only a second that you see it before light rushes past, and you wait on the next street light to illuminate him. It takes its time, stretching slowly over the same path, fingertips to forearms to biceps. A flit of your eyes down, and the car leers onto the exit ramp, light changing its course and missing the bulge of his cock entirely. 

The both of you huff for different reasons, you in disappointment, and him in relief. Not that you can hear each other over the music, anyway.

You spend the rest of the ride bopping your head along and picking up your phone to add songs you like to your own playlist. He’s grateful that there aren’t as many street lamps on the route to your place, so you miss the poorly hidden smirk that plays on his lips. 

Pulling into your driveway, he thumbs at his wheel to turn the music down just as that one song comes on. The one you fucked to the first time he did this; the reason he keeps inviting you to do this. He pauses, sighing, and turns it back up again. You tense, thighs crossing as you hear the click of his seatbelt and squeak of the leather as he reaches over to click yours, too.

Kaji’s breath always comes out ragged— grits his teeth and hisses through them even as his chest heaves for more oxygen. He’s got you bouncing on his cock in his backseat, guiding you to some extent, rough grip on your hips because he really can’t find it in himself to be gentle. Not when you move so perfectly you hit every goddamn beat. 

You’re the perfect melody to him— he has half a mind to lean forward and turn the music down in favor of the sound of you. Ass clapping against his thighs, wet squelching from between yours, breathy moans and gasps and keens. He wishes he could isolate every salacious layer of sound— to savor it, ingrain it into his memory to replay over and over.

The beat of the song slows, just before he knows it’ll build up again. He takes the break to wrap an arm around your waist, effectively slowing the motion of your hips. You whine as he forces you to grind your clit against him, and he hums, captivated.

Using his free hand, he twirls his fingers through your hair, wrapping the strands around to get enough hold to pull you forward, the abruptness ripping a gasp from you. Perfect. Twisting his lips up, he tilts his head forward, letting a glob of spit travel past his lips and drip down onto your awaiting tongue as he plants his feet firm on the ground. With all the leverage in the world, he bucks his hips up into you as the beat picks up again, the heavy weight of his thrusts knocking the air from your lungs. 

It gets hard to move when you squeeze around him, ticks him off that you’re slowing down his rhythm. He just wants to give you what you deserve and you’re always holding him back with that fucking grip of yours. At least, he thinks, you’re giving him a chance to readjust his hips, so he can hit that spongey spot inside you until the song closes out, until all that’s left is the sound of your shared panting.

[cashweasel]

“Come back to me...”

[bonefall]

i found a god awful doc about this one person (who, too, is a god awful being) trying to reason why mudClaw would be a bad leader. I'ma try to find the doc but meanwhile I'll submit this because someone could have the link, I'll need your honest thought about it bcs why are we defending oneWhiker now

Anon, buddy, I'm gonna have to sit you down and gently discourage you from casually calling random human people "god awful beings" in my inbox like this. Not when you're just talking about relatively basic media analysis. That isn't ok or normal.

I hope that when I speak harshly, it's coming from a place of condemning hurtful actions and the tangible harm that they cause. I don't appreciate people trying to get me to directly beef with other people directly by requesting I break down their individual posts or analysis documents (when I ask for people to share links, it's so I can see and prepare to counter the ideas because they usually "float downstream" if they get popular); but in a second ask, you linked this document and there's nothing harmful in it. In fact, it's got a far more neutral tone than I'd take if I was writing an analysis about Mudclaw.

If you couldn't tell the difference between a document like this and one that contains active abuse apologia rhetoric, I would be filled with concern. But I don't think you read it. I think you maybe skimmed it and stopped reading, or just heard the title.

Because this document literally says this;

and your takeaway, something you felt so strongly about that you came to me hoping I'd validate it, was "Why Are We Defending Onewhisker Now."

Art is a tool we can use to explore our own biases, and teach us something about ourselves. That overwhelming sense of anger and disgust that you probably felt when you saw "Mudclaw Would Be A Bad Leader" made you jump to an emotional conclusion and you assumed something that was not said. I know the feeling. You might have had a reactionary impulse.

You are not a bad person for doing that-- you're human. You can grow.

Why did it upset you this much, though? Is there something very personal about this that set you off? ...are you spending a lot of time in spaces online that keep you angry? These are questions for you to reflect with.

I do not know the owner of this document or "what they've done," if anything, so I will not link it, because their Discord is at the bottom of the doc. If they are truly a "god awful being", please do not engage, just block and move on. Nothing is accomplished by following around 'A Bad Guy' and boosting their cat takes.

But something VERY bad WOULD be accomplished if I indulged an anon for a situation I know nothing about and unwittingly became part of a harassment campaign. How do I know that you've got good intentions?

I usually just delete unsolicited links to docs and videos that are 'fightbaiting' like this-- trying to get me to beef publicly with a 3rd person. But I've seen more of these than usual lately so I would like to try and cool it down.