#broadway set design
Explore tagged Tumblr posts
Text

Edward Gorey (British) • Illustration for stage design for the adaptation of Bram Stocker's Frankenstein on Broadway • 1977

#art#illustration#illustrator#artwork#edward gorey#british/english artist#stage set illustration#dracula illustration#broadway set design#sassafras and moonshine blog
27 notes
·
View notes
Text










The Mini Time Machine Museum of Miniatures - Tucson, Arizona
The whole museum is very cool, but their current exhibit on David Korins Broadway sets is a definite highlight! We were in town to see the Beetlejuice musical tour, so of course I was a little biased with my photo taking... 😅 but his other shows are also featured, including Hamilton!
#beetlejuice#beetlejuice musical#beetlejuice the musical#beetlejuice broadway#bjtm#david korins#musical theatre#set design
299 notes
·
View notes
Text
tell me I'm wrong
#call me a hater if you want but broadway's sets could have been so much better :(#where is my historical whimsy?#newsies#newsies 1992#92sies#set design#shitposting
54 notes
·
View notes
Text
𝐌𝐨𝐮𝐥𝐢𝐧 𝐑𝐨𝐮𝐠𝐞! 𝐓𝐡𝐞 𝐌𝐮𝐬𝐢𝐜𝐚𝐥







Set Designs by Derek McLane.
Costumes by Catherine Zuber.
#moulin rouge#moulin rogue broadway#broadway#moulin rouge the musical#musicals#musical theatre#set design#costume design#baz luhrmann#film
22 notes
·
View notes
Text

Virtually recreating Boris Aronson's Original 1970 Company set!
#stephen sondheim#company musical#company the musical#Boris Aronson#elaine stritch#donna mckechnie#dean jones#george furth#company 1970#broadway#musical theatre#set design#1970s#company stephen sondheim#broadway musicals#musicals#sondheim#michael bennett
48 notes
·
View notes
Text
CHOOSE YOUR OUTFIT SATINE (ACT ONE) EDITION | (act two)
#moulin rouge! the musical#moulin rouge broadway#ashley loren#musicaltheatreedit#broadwayedit#theatreedit#moulin rouge#musicaledit#moulinrougeedit#moulin rouge the musical#costume design#*#this is cute and fun!!#if this set does well i'll make one for act 2!#i'll prob do one either way but you know#and if anyone's wondering i'd choose the pink elm one <3
226 notes
·
View notes
Note
You know what I find really fascinating? At no point does anyone consider that maybe their vests make them too much of a target while the other groups are hunting them. The matching brown outfits put a target on their back (The Hurricanes even note that their vests are ugly) but even after that no one suggests to take it off. I get not wanting to give them up when the Orphans and Mercy demand for it (pride and whatever) but the rest of the time they could have worn them inside out or something. Another thing that never really gets brought is, they get to Coney and then what? With Cyrus dead, I don’t think the other gangs would necessarily respect the turf lines of the Warriors. The group has a single minded focus of getting home, which when you’re panicking, is what you’re going to do. But no one in the crew seems to be thinking beyond that. PS. My personal headcanon is that after the events in the album they switch to the black and red vests in the promo shots.
I have been hoarding this ask to myself because it is much to think about. But it's time for us all to think about it. Together.
I think the thing about the vests is really telling for who these characters are and the world that they live in. Because yes, they would be much safer if they took them off. But that isn't really the point for them. It doesn't matter if they can survive as women out on their own at night. They need to survive as Warriors. That matters. What they would lose if they gave that up is worth the price - to them - of keeping the vests on. That's why the last thing we hear Ajax say is "I'm a Warrior."
I think the bit about Coney Island is really interesting and functions on a few levels. Like first of all, as the Hurricanes point out, the Warriors "have no friends." They can't shelter in another gang's territory. Yes the other crews can come invade but they're at risk staying in any hostile gang's territory so it's better to have the home field advantage. In my personal headcanon I also think there are probably more Warriors back at Coney Island so they're also trying to get reinforcements? Although I know canon doesn't super support this bc why not just call them but. I just want there to be more Warriors in my heart okay. Snow and Vermin and Ash are still there you guys they just stayed home </3.
But I also think the "then what?" of it all is something that the album changes from the movie pretty considerably. Like the ending theme of the movie kind of is "so then what?" They made it back and nobody's trying to kill them anymore but they're still locked into the cycle of violence and have no hope and no future. Kind of a hollow victory for them. But more than even the gender thing the album changes this by saving Cleon. The point of going back to Coney Island is believing that there will be something waiting for them. Not to make everything about Ajax but this kind of seems like part of her whole deal in Park at Night. She's lost faith that there's anything waiting for her back home, so she can no longer think any farther ahead than what's right in front of her. But Fox sacrifices herself because she does believe there is something waiting for the others on the other side of the train, and she's right! Even if they couldn't have known how, the Warrior's hope is rewarded. There is a future for them. The album rejects the movie's take that Cyrus's death is the death of peace. It argues that what was important was not Cyrus as a person being present, but the act of all the gangs coming together in the name of peace. Once that happened, peace became inevitable. Even if it's not here yet, it's coming.
#warriors musical#also im gonna be so fr with you. i reject the brown vests completely#red and black vests from the photo shoot ONLY#warriors on broadway costume designer HEAR MY PLEA#WE CAN CHANGE THE LINE FROM QUIET GIRLS. PLEASE.#CONSIDER THE MISE EN SCENE OF IT ALL#they have to have red and black vests because of the set design i drew up in my head that's all fire escapes in front of a cyc#so that when the cyc is lit up red the railings are all silhouetted in black and the warriors match
14 notes
·
View notes
Text










Additional photos from the production of Anastasia the Musical at the University of Mainz in Germany.
Photo credit: vidhyavictoria on IG
#anastasia#musical#anastasia musical#anastasia the musical#musical theater kid#broadway musicals#musical theater#anya#gleb vaganov#dimitri anastasia#vlad popov#countess Lily#Paris#Paris France#paris holds the key to your heart#land of yesterday#Germany#university#still/the neva flows reprise#swan lake#ballet#once upon a december reprise#I really seeing all of these cool costumes#the set backgrounds look very cool too#they have a good use of stage lighting#stage lighting#musical theatre kid#theatre design#dowager of denmark
33 notes
·
View notes
Text

Edward Gorey on the set of the 1977 production of Dracula, which he designed.

34 notes
·
View notes
Text
My gifs from video " Tony Nominee Best Costume Design - Tom Scutt/ Cabaret at Kit Kat Club"
"Cabaret has some of the most breathtaking costumes on Broadway right now, courtesy of the phenomenal designer Tom Scutt"
Entertainment Weekly
#eddie redmayne#tom scutt#design#cabaret#august wilson#theater#broadway world#broadway#costumes#my gifs#my gifs set#new video#eddie redmayne italian blog#eddieredmayneedit#*
21 notes
·
View notes
Text



Edward Gorey and his Tony Award winning set for Dracula, 1978.
Edward Gorey, Dracula & Lucy
Edward Gorey, Dracula, Photo mechanical print,
#edward gorey#dracula#american artist#american illustrator#american art#vampires#book illustration#queer artist#queer art history#art on tumblr#broadway#theater#set design#art history#aesthetictumblr#tumblraesthetic#tumblrpic#tumblrpictures#tumblr art#aesthetic#tumblrstyle#beauty
46 notes
·
View notes
Text

@finallyheereandqueer is referring to this picture
which is from one of Beowulf Boritt’s 3D models for the show, there’s a bunch more too!


and even some 2D models


I don’t remember where I found them at all they’re just in the archive
78 notes
·
View notes
Text
I have been wanting to write an essay about Falsettos since sophomore year of highschool and I graduated college last year. Maybe I should just fucking write that essay lmao. I have many things to say about Falsettos (2016/2017) and one day you may hear them. Also I finished that video and I put it on a drive one sec I'll get that link for you, sweetheart ♡.
#the thing is is i am so bad with layout for essays#i do not know how to properly unpack whats in my brain about it#i wanna talk story#i wanna talk changes between the versions of falsettos (and of course the history of all 3 og shows)#i wanna talk music theory#i wanna talk character development#i wanna talk set design and costume!#hell#let me dig into each broadway actor in the shows career!#i mostly know christian borles and andrew rannells#but shit ill watch some brandon uranowitz or stephanie J block!#ill watch tracie thoms and betey wolfe shows!#and i bet anthony rosenthal has done shows since too#let me dive into william finn and james lapine#its gonna be really long is what im trying to say
5 notes
·
View notes
Text
being a costume designer and set concept artist who is also a maximalist irl is fun and games until literally nothing is over the top enough.
#like u guys should see my heathers and carrie set design sketches#they are SO complicated#absolutely possible but#not preferable#im even worse when it comes to costumes like#my alice by heart costume plot is so much more insane than the off broadway and that was OFF BROADWAY#why i do this to myself. oh i know. i like pretty clothes and cool things on the walls#musical theatre#theatre#musicals#costume design#set design#maximalism
14 notes
·
View notes
Text
set designs are very important art
19 notes
·
View notes
Text

Stephen Sondheim's Company in its Pre-Broadway tryout period in Boston, 1970:




Still lots more rare OBC Company stuff to come!!!
#stephen sondheim#company musical#company the musical#Boris Aronson#elaine stritch#donna mckechnie#dean jones#george furth#company 1970#broadway#musical theatre#set design#1970s#company stephen sondheim#broadway musicals#musicals#sondheim#pre broadway
47 notes
·
View notes