#bro was trying to kill me

[creative-caramel-coffee]

A real experience in my POTS diagnosis…

Doc: ok we have to do some tests before we can rule it as POTS.

Me: ok

Doc: *takes six vials of blood in one go*

Me: *almost passed out but plays it off and says nothing*

Doc: hmmm I don’t see anything on the results. We’ll take some more.

Me: *feeling like a pincushion* ok

Doc: *takes three more vials and does some more testing*

Me: and?

Doc: you have POTS

Me: and that means???

Doc: you have a low blood volume

Me: * thinking about how they just took about 9 vials of blood and probably made the problem worse*

Me: … well shit

[jellyfemmedyke]

Trans men and women tend to get viewed as either disgusting male freaks or perfect feminine female goddesses based entirely on identity and vibes alone, forcing trans men to either detranstion to talk about the issues faced, or shut up and hate themselves and grovel at the feet of their "betters", and trans women are forced to preform the highest standards of femininity or be shunned and live in fear of being cast out and not being "woman enough" facing the constant need to prove themselves to avoid being seen as interlopers. these things are similar, these problems overlap, and yet people go on to pretend that one is the most victimized victim and the other is the "subjector and oppressor" (Interchangeable) and neither can truly understand the other. these ideas being perpetuated by others within and outside of these groups. It drives me up the wall that there are people pretending this helps anyone, that either benefits from the others oppression in anyway. Personally, from what I've seen a lot of it comes out as like gender insecurity, from the inside groups, which is pretty sad, but also extremely frustrating to be lashed out at for being unwilling to accept this gender essentialist false binary

[dismas-n-dismay]

I'm not fucking joking when I tell you I saw this panel and literally started sobbing and crying over seeing my babygirl buying chocolate with just fucking quarters. This is the people's jason todd for real, thank you Juni Ba

[i-dreamed-i-had-a-son]

Honestly I understand why Megatron is obsessed with Optimus Prime. Megatron is doing his darndest to run an evil army, but because it's an evil army everyone is constantly betraying him. He tells them infighting is destroying them, heck, he's even tried to be empathetic, and they turn right around and attack either each other or (more frequently) him. Is it any wonder he's almost happy to see Optimus on the battlefield?? At least with him, Megatron knows what to expect--bro will be there to fight him every time. Simple! Consistent! An opponent who's actually in front of him instead of behind his back! What a relief...

In short Optimus is basically Megatron's comfort item and I don't blame him for that

[verysadlesbian]

Okay, this might be rambling, BUT, just hear me out, okay?: since last week, I've been thinking about the symbolism in the opening. We see Viktor contemplating a mask, but he doesn't put it on. He just looks at it, in a very vulnerable position, btw (bro is butt naked, thigh showing, no decorum). But then, he appears again and, like many people pointed out, what looks like Jayce's hand puts the mask on his face. Some people said it represented the hexcore, 'cause Jayce brought him back to life against his will (could be that, makes sense), I thought it might represent his "villain mask", like Jayce makes him seem like the villain or something like that, but it finally hit me and it was so obvious! THE MASK IS WHITE! IT'S BLANK! EMOTIONLESS!! JAYCE TORE VIKTOR'S HEART OUT (LITERALLY!!!)! HE TOOK AWAY HIS HUMAN EMOTIONS FOR GOOD! Viktor was already contemplating it (taking his emotions away), but Jayce is the one who does it for him.

[monotone-artist]

[id in alt]

some idw redraws

[icantdothistodaybruh]

yea sooooo I may have or may have not watched and instantly rewatched all kuro musicals in existence in a spawn of one week and now have roughly 40 screenshots to redraw from

I think I might be insane or something

[xiewho]

hiii :) i just wanted 2 say i love how u draw gorgug and fabian thistlecaster is such an underrated ship and their interactions are some of the best in fh

HI ANONNN THANK U !! i wholly agree they have such a fun and interesting dynamic i wish people explored more !! here's a silly gorgug + fabian moment from fhsy for u <3 (cause i want an excuse to draw them again hehe) hoot growl baby !!

[crossthread]

Okay I swear to God I hope the directors of avatar (the alien movie) sees this post somehow but the whole reason the way of water flopped so badly is cause it was written over 10 years ago. So I like avatar. I thought it was a cool concept and good characters and overall a solid action movie. But the characterisation is just a dacade old man. It's really outdated. It instantly turned me off when Jake was seen to be a 'hardass' to his kids, and having them call him Sir, and have Neytiri taking kind of a secondary role as the 'peacekeeper' parent who goes 'but your dad loves you, he just wants you safe' bullshit trope that's just really not what this generation is looking for rn.

Emotionally mature parents is what's on topic rn. Dad's that step up and know what they're doing and don't have the 2000s 'military hardass emotionally distant' bullcrap. Just look at all the other movies and shows with family themes that did really fucking well. The Last of Us. Ultraman: Rising. Nimona. Even Maleficent, which I think is one of the earliest movies of this trope that's well known. They did well for a reason. You can't make Jake Sully a bad father and think the current audience will dig it. All of his kids, one way or another felt the pressure of living up to their dad's expectations, and im sure, whether he really loves them. And I assure you for all intents and purposes it felt like Neteyam died thinking he wasnt enough. You can't have those 'your dad loves you but he just doesn't know how to show it' bullshit anymore and expect the audience to like or even relate to that character cause a lot of us don't take that shit anymore from our own parents. A lot of millennials are actively trying to be present and good parents to their kids. So yeah. The way Jake Sully, and to a certain extent, Neytiri were characterised is probably one of the biggest reasons this entire movie flopped. It could have been great. But it isn't. And I kind of hate it actually.

My point is: if there's gonna be a third movie, the best bet to make sure it doesn't follow the way of waters footsteps is to overhaul a lot of the characterisation and plot. See what the audience wants rn, and what they audience relates to. It was clear the writing to that movie was old as balls and gen z or gen alpha don't take that shit man. Give us good parents

Edit: okay as someone pointed it out it wasn't actually a 'flop' flop because they grossed by over a billion or smth in the box office I think but to be fair half this post has been sitting in my drafts for like 2 years and I wrote this soon after I watched it back then, and a LOT of people werent that happy with it. But yall know what I mean. I waited for this movie for 10 years and all I felt was this low simmering disappointment because it could have been so good, but it wasn't.

[imminent-danger-came]

quick comp of line deliveries (from 5x09) that have been fucking killing me my god

[thanatika]

yeah i agree with your point about survival mechanics and i feel the same way about the lack of combat mechanics. "why would an educated city doctor need a weapon" because shit is hitting the fan in every way impossible and pretty much everyone is walking around armed... also why am i supposed to believe the the fact that he's a man of intellect will somehow provide him with food? i don't think anyone is going to be too eager to share food during an outbreak intellectual or not...

+ follow up for the previous ask but actually my favorite quest from the original pathologic is the day 11 bachelor quest that involves shooting down soldiers. i think it really drives the point home about how this random fuckass guy who is supposed to be battling a plague doesn't even have the time to do that anymore because the people in charge are asking completely irrelevant things of him now and he's at a position where he cannot refuse what is being asked of him. like i think it was good storytelling that even as the guy who lowkey wants to deal with the plague and solve its mystery you still have other, more pressing, less interesting and or pleasant tasks to complete

i agree! honestly, i feel this way about the combat mechanics even more than i do about the physical survival (food, health, illness, sleep) mechanics. because sure, i can see how it makes sense for daniil's position of authority to mean that his basic needs are somewhat provided for -- although i don't think it makes more sense than what we got in the original game. i've never seen anyone bring up "isn't it kind of unrealistic that the bachelor isn't given lots of food during a massive food shortage?" as a plothole that needed to be resolved. the townspeople generally don't like him much, and most of the people with power don't either, except for the kains. sure, maybe it's kind of weird that you can go see the kains while broke and on the verge of keeling over from hunger, and they won't do anything to help you, but... the kains are pretty self-centered, and they're so goddamn weird that maybe they forget that you need to eat food to live anyway. and it's half-implied that the powers that be are ultimately giving daniil this role as a convenient way to kill him, so it makes sense that they would put no pressure on the town authorities to keep him alive.

(and honestly, artemy is taken under the olgimsky's auspices as much as the kains take daniil's under theirs! which is to say, selfishly, with ulterior motives that are more important to them than the well-being of their healer, but... the olgimskys are set up as the wealthiest of the 3 families financially, as well as the ones with the most access to food, given their control over the meat industry. so if anything it's "weirder" that artemy isn't more materially provided for, though to be clear i don't think there's an actual plothole there either way.)

but anyway, you could handwave it and say that daniil's position of privilege and authority gives him more perks than he got in the original game, but the amount of fighting you have to do to get through town is... kind of an unavoidable physical reality? like you're given so many sidequests that you often wind up walking around town after dark, and that's when the bandits come out. is the idea that the bandits would be too scared to attack him because he's so important? because that doesn't make a lot of sense to me, and even pathologic 2 establishes that he's seen as a valuable target by the bandits:

and then there's the quests where combat plays a more direct role in the story itself, like getting involved in saving andrey from the firing squad, or killing guards to break artemy out of prison, or the quest where you have to kill var in attempt to stop the arsonists (which i include on the same tier as the other ones because i really like the quest journal entry he has if you complete it where he blames himself for willow's death. it's a good character moment.)

hell, even in pathologic 2 itself, one of the biggest Bachelor Moments is on day 11, when you have that big dramatic convo with him after he killed a soldier for the papers he was delivering. plus one of bad grief's idle dialogues in patho 2 is commentary on the bachelor being "quick on the draw" and that he "already shot someone". like he just straight up is not living a combat-free existence. and overall, combat isn't just a good tool from a mechanical perspective, heightening the stakes and placing pressure on the player (though it is), it's also pretty important for him on a thematic level imo, almost as important as artemy and his "rivers of blood". in patho classic, daniil has this early interaction with the inquisitor:

which, thinking about it from a doylist perspective, was probably the writers' attempt to make it sound more plausible that this random medical researcher from the big city was competent with multiple types of guns. and i appreciate them coming up with that hint of backstory to cover their bases a bit, but with those bases covered, i think the fact that daniil ultimately spends more time shooting people than he does prescribing medicines for them actually does a lot for him thematically? i mean, if his whole thing is that he's this "tempted destroyer", someone who frames his career as a combative battle with death rather than a quest to save people's lives, whose "default" solution is to raze the town with artillery because he's too limited by his rationalist worldview and military upbringing (and bitterness over being manipulated and sabotaged) to come up with a solution that saves the any remaining infected survivors on his own. plus the way that clara frames artemy and daniil as two sides of the same coin in being violent destroyers and killers, who without player intervention will immediately devolve to running around chasing each other down in what's either an insanely dedicated tom and jerry LARP or some really elaborate foreplay. imo, that whole dichotomy (which is pretty core to the game, as the idea of dichotomies are core to it in general) works so much better with the way they're both presented in classic, stalking around with gun/scalpel in hand. hell, not to mention the effect that spending 12 in-game days trying not to starve and getting killed by bandits or guards or worms or soldiers every day would have on the player, and the way it would make them feel about the town and their natural projection of those feelings onto dankovsky, who is a perfectly fitting vessel for them as the avatar actually undergoing those virtual experiences.

ultimately i think they are mainly going this direction out of a desire to do something more creative and original, which is fine... it just seems a bit silly to me that they keep saying "well obviously that doesn't really work for the bachelor's scenario", when, well... even as recently as patho 2 in 2019, they seemed to think it fit his narrative pretty well! i'm also guessing that a lack of combat won't be that bandits are just no longer roaming the streets at night. it sounds more like pathologic 3 is set to be more of a nonlinear experience, where you'll probably fast travel from place to place instead of having to walk across town so much? so you'll be avoiding bandits just in the sense that the gameplay will be avoiding them. i guess i'm hoping that at the very least, there's still the implication of the crunch of not getting enough sleep or food and the threat of being stabbed to death while trying to get through town occurring to dankovsky in the background, even if those mechanics are deemphasized in favor of more macro-level town resource management, time control, and sherlock holmes fruit ninja or whatever the hell they were on about back in 2022 lmao.

[goodolddumbbanana]

[Lost God au] First Next

It is a normal day in Nexus's lab. Sun is in the chairwheel, or a pot, I don't know, whatever Nexus plug Sun in.

They are both in silence, with Nexus searching the Wither Storm's remnants on the computer and Sun still trapped and bitter as ever.

Sun breaks free from Nexus's power, again: Bitch

Nexus tiredly gets up. He snaps his finger to use more of his negative star power on Sun, which has been very much annoying recently, with how Sun keeps breaking free if Nexus doesn't stay focused.

Nexus: Blocked.

Suddenly, there are some messages sent from Sun code back to him: *Wait, please don't do it. I have something very important to tell you, about the shards. Please Nexus. Please hear me. :((*

Nexus exhaust signs. He looks at Sun with an annoying look on his face, his non existent eyebrows raises: Unblocked. What is it Sun?

Sun blinks his eyes. He looks at Nexus with a very serious expression and bursts out a stupidly laugh in Nexus's opinion: Bitch.

[flowerakatsuka]

Osomatsu-san ~Le bourgeon~ & ~Fleurir~ Hikokuji (2019)

[hajihiko]

The crime boat speedruns their Getting Past It therapy when they dock at a pretty island and everyone does MDMA together

[clowningcrows]

sorry this is the ONLY discourse ill allow myself to participate in post finale of agatha all along (or i fear i will lose my mind entirely), but DAMN some people out here rn after the finale being like “i’m sorry you didn’t get the agathario smut you wanted” BITCH!!!! I WASNT ASKING FOR THEM TO FUCK ON SCREEN!!!! i didn’t even need them to get together or even get any semblance of a happy ending!!! i didn’t expect a happy ending in the least tbh!!!!! but you know what i did expect? a final ending. a wrap up. a satisfying and complete finale. a conclusion that actually answers any one of my remaining questions or gave us more context for scenes that we’ve been missing context on the entire time. and i’m sorry but this finale didn’t do that at all. and it’s obviously not bury your gays but jesus christ it wasn’t a good conclusion either. at best it’s honestly a cheap set up for a season two or further content with billy that will prob include bits and pieces of agatha

[kacievvbbbb]

I don't know especially with the lastest chapter (ch 265) this just feels so much like Yuuji.

Like especially in the first season people kept asking why he is doing all this, why he wants to save people, why he's beating himself up so much over people he barely knows. People kept wanting to know Yuuji's why and he couldn't explain it he was holding unto the promise he made to his granfther as an explanation but that wasnt really is.

And then you have Mahito who tried to force his own defintion of who yuuji was unto him and beat him down until Yuuji believed it too. He's just a machine killing curses because thats his nature vs Mahito killing humans cause thats his nature. They are beings of instinct slaves to their nature, cogs in the machine. And Yuuji internalizes that so much it weighs so heavily on him the idea that his job isnt to save people but kill curses doesn't sit right with him.

but then at what should be his lowest point he stares his biggest tormentor in the face and said you know what I don't particulalry care what you or anyone else thinks about my reasons. I don't think you have to have grand or innate reasons to do something. Sometimes you just do! and what yuuji wants, more than anything; more than killing curses more than keeping the "weak" safe, is to save his friends. And it's too late for a lot of them, Yuuji was too late but goddam it he won't be late for this. So fuck Sukuna he's bringing Megumi home.