#british esquire

[hoosbandewan]

Ewan Mitchell + 🐔

[ncuts]

Ncuti Gatwa’s Favourite?

Food spot in London: “I've just found a new one in Greenwich called Angle Ninety – it does high-style Nigerian food. The jollof bangs. The suya bangs. The lamb cutlets bang. It's just a little spot that does great food, and I think they do events there too. But also, honourable mention to Borough Market.”

Food spot in Scotland: “My mum's kitchen.”

Art gallery: “I like the National Portrait Gallery and I like the V&A.”

Museum: “The Natural History Museum. I need to go back there. I've only been there once and it was f****** amazing.”

International holiday destination: “Rio de Janeiro. I love Brazil and Rio is an incredible place.”

Staycation: “Maybe Devon? I like Devon and I like Cornwall. They're beautiful places: colourful houses; beautiful scenery. I just shot a film in Devon called The Roses and I definitely want to go back.”

Pamper spot: “I've got to give you three: 1) Ama Hair Salon, 2) for massages – OK now we're going boujee – The Corinthia, and 3) Omorovicza [The Spa at Liberty]. I like to pamper myself! We've all got to look after ourselves!”

Concert venue: “Principality Stadium in Cardiff – I went to see Beyoncé there twice. Other than that, I do like a night at Ronnie Scotts.”

Cinema: “There's one in Notting Hill where they've got like sofas and they've got a chandelier. That place is nuts. What's it called? That's it! Electric Cinema!”

Park: “Hilly Fields. And then head up to Blackheath.”

Any destination in the past: “Ancient Egypt.”

Any set in entertainment history: “Maybe The Matrix. To see all the pods.”

Year: “I would want to go 200 years into the future. I would want to see how we've done. I would want to see if we had sorted out climate change. I would want to see if we have sorted out all the world conflicts. And I would want to see if we've kept AI under control.”

Read More:

[bdsmsub67]

George MacKay - Esquire Singapore Photoshoot - 2019 added by DarkSarcasm

Photographed by Charlie Gray for Esquire Singapore, December 2019

[maasaiaura]

"It lets you tan while keeping your shirt on."- Esquire 1936 x Lil Nas X in British GQ 2019. Source

[jerryhabibisource]

Actor and Musician Jerry Habibi for D Magazine June 2024, 50th Anniversary:

"THE HARDEST WORKING MAN IN SHOW-BIZ"

He is the first Middle-Eastern (MENA, SWANA) individual profiled for D Magazine in their 50th Anniversary Issue.

[babesoftheuk3]

Laura Haddock

[ride-a-cow-boy]

Harry Kirton for Esquire Magazine Hong Kong.

[clarabowlover]

Esquire Photoshoot (October/November 2015)

Emilia Clarke

[sweetaprilbutterfly]

Ewan Mitchell's 2024 photoshoots for magazines: WWD Magazine, photographed by Rachell Smith British Vogue, photographed by Jen Carey Esquire, photographed by Guy Aroch The New York Times, photographed by Peter Fisher HERO Magazine, photographed by Fabien Kruszelnicki The Times, photographed by Grey Hutton GQ Magazine, photographed by Lulu McArdle

[hoosbandewan]

EWAN MITCHELL breaks down 'House of the Dragon' season 2 scenes & Aemond's journey with Esquire UK

[tricornonthecob]

Same energy.

A few (more) of the better names I've come across in Regency era newspapers recently.

[destinyc1020]

Anon really is mischaracyerizi g what was in that excerpt: here it is:

“It was much the same way at the 2018 Academy Awards when I put Tom Holland in a custom Hermès double breasted tuxedo that got him named one of the best dressed by British GQ and Esquire. That night, he transformed into an adult in the eyes of many. And sure, a perfectly tailored, smart suit can help shape that idea, but the clothes were just a reflection of what was already inside.”

That was a great look. But Law notes that the look and the reception to it was a reflection of Tom’s inner confidence.

Law is a diva, for sure, but some people just looking for reasons to be mad.

Thanks Anon ❤️

Yea I liked Tom's look at the Oscars! 😊 I've been wanting him to go to another Oscar ceremony since then... even if just to present.... 😭😩

Anyway, Tom looked very handsome and dapper at the Oscars...

.... But my FAVORITE look of his that night was the red wine suit he wore for the Oscars Vanity Fair After Party! 😁 That one was 👌🏾😍

Both Tom & Z looked great that night! Him in wine 🍷 , and her in champagne 🍾

(You can't tell me Law didn't do that on purpose lol 🤭)

[bdsmsub67]

George MacKay - Esquire Singapore Photoshoot - 2019 added by DarkSarcasm

Photographed by Charlie Gray for Esquire Singapore, December 2019.

[nynnph0]

my bioshock headcanons (and canons) pt.1

(should have clarified this, the ages they are all at the time of 1960, or the time they died. so grace, gil, delta, sinclair are not as old as i think they would be by the time bioshock 2 takes place.)

andrew ryan

jewish - belarusian - russian

6'0 · 54 · 1906/01/26

bisexual (heavy f lean) neutral

sander cohen

jewish - american - czech

5'9 · 53 · 1907/07/12

homosexual ally/phobic

brigid tenenbaum

jewish - belarusian - german

5'4 · 32-35 · 192(5-8)/08/08

asexual aromatic lesbian ally

j.s. steinmann

jewish - american - german

6'1 · 49 · 1911/04/30

heteroflexible ally

frank fontaine

american - italian

5'8 · 42 · 1918/03/15

heteroflexible neutral

sofia lamb

british

6'3 · 48 · 1912/09/23

asexual aromatic ally

(deems love stupid)

augustus sinclair, esquire

panamanian - british - cuban

5'6 · 46 · 1914/07/28

pansexual ally

yi suchong

korean

5'6 · 52 · 1908/12/16

homosexual phobic

gilbert (gil) alexander

polish - romanian

6'4 · 36 · 1924/11/05

homosexual ally

grace halloway

brazilian - american

5'8 · 33 · 1927/11/07

heterosexual ally

anna culpepper

argentinian - caribbean

5'5 · 26 · 1933/09/09

heterosexual ally

reginald (reggie) furey

american - irish

6'3 · 53 · 1905/08/19

heterosexual neutral

jökull (johnny) sigrúnsson

icelandic - finnish

5'9 · 37 · 1923/06/23

bisexual ally

jack

jewish - belarusian - russian - dutch - swiss

6'4 · 4 · 1956/??/??

asexual aromantic ally

mary-catherine (jasmine) jolene

dutch - swiss

5'6 · 30 · 1929/04/30

heteroflexible ally

[ilikethisacompletelynormalamount]

When Andrew Scott and Jessica Gunning met on the set of British comedy drama Pride in 2014, little did they know that a decade later they would both be celebrating Emmy nominations – Andrew for Ripley and Jessica for Baby Reindeer. Nor did they anticipate that they would remain such great friends. “The film really bonded us together,” grins Andrew, as he joins Esquire and Jessica to discuss the film’s 10 year anniversary. ...

Friendship is at the heart of what Pride is all about. Written by Stephen Beresford and directed by Matthew Warchus, it tells the uplifting and boisterous true story of Lesbians and Gays Support the Miners (LGSM), an activist group founded in 1984 in London to raise money for the Welsh miners. The film shows how both LGSM and the miners overcome mutual prejudices through a common goal of solidarity, at a time of raging homophobia and class division.

[denimbex1986]

'Before his life-changing call from director Christopher Nolan, his sensational performance as the father of the atomic bomb in Oppenheimer, and the well-deserved Oscars buzz following the film’s release, Cillian Murphy spent nearly a decade portraying working-class Brummie gangster Tommy Shelby in Steven Knight’s British crime drama, Peaky Blinders.

Inspired by the real-life gang of the same name, the six-season series followed the Shelby family’s business dealings, relationships, unsavory acts, and pursuits of power in Birmingham, England, 1919. Thanks to compelling writing, word of mouth, a Netflix streaming slot, and standout performances from a stacked cast — especially Murphy’s — what started as a small show on BBC Two in 2013 grew into a global phenomenon.

Oppenheimer’s immense scale and widespread acclaim may have solidified Murphy as a household name, but in the years leading up to the monumental project, Peaky Blinders allowed him to meticulously refine his craft, wholly inhabit a character, and take his acting prowess to the next level. A decade after the riveting series premiered, Tommy Shelby remains one of the actor’s most indelible roles — a truth even more impressive when you learn that Murphy wasn’t Knight’s first choice for the Peaky protagonist.

That’s right. The 47-year-old Irish actor nearly lost the role of Tommy Shelby to Jason Statham, but a text sent to Knight post-audition, which read, “Remember, I’m an actor,” changed everything. Ahead of Peaky Blinders’ final season, Knight told Esquire he “never forgot” Murphy’s show of confidence. Despite the clear departure from his appearance and past roles, the actor was sure he could embody the physically imposing, virile gang leader. And he was right. “It’s a cliché, but no one else could have been Tommy Shelby,” Knight admitted later in the interview. “It would be absurd. It was as if Cillian was always waiting.”

Since Murphy first rode through the gritty Birmingham streets on horseback sporting a fresh undercut and a razor-trimmed cap pulled over his eyes, the role felt as bespoke as one of Tommy’s signature three-piece suits. On the surface, Murphy nailed the Birmingham accent, convincingly knocked back lowball glasses of whiskey, confidently handled a gun, and seductively smoked thousands of cigarettes on set. But his abilities to access and expose the deeper complexities, contradictions, and PTSD of the broken World War I veteran were particularly profound.

As the leader of the tight-knit Shelby clan, Tommy was a commanding, ambitious, fiercely intelligent force; an enigma who routinely committed despicable acts, but possessed enough potential for good that he repeatedly gained empathy from viewers — with help from Murphy’s charisma and authentically pained portrayal. Haunted by flashbacks of France and fueled by booze for a majority of the series, the Peaky Blinders leader perpetually grappled with a restless mind and stained soul, while guarding a heart capable of immense love. He was, all at once, completely unafraid of his own death and terrified of losing others. And since business was always personal, his family became his greatest strength and most sizable weakness.

A fraternal feeling and the sheer weight of familial responsibility shone strongest in scenes with Paul Anderson’s Arthur, while Tommy’s intimate relationship with Helen McCrory’s Aunt Polly — which deepened and shifted on the daily — peeled back his layers and offered glimpses of vulnerabilities. Tommy’s shell was undeniably softest with Grace (Annabelle Wallis), the woman who made a tea drinker, father, and eventual fortress out of him. Through small talk and genuinely sexy sex scenes, heart-to-hearts and heartbreak, and the brutal gut-punch of unexpected mourning, Murphy tapped into the full range of human emotions to convey and process the love and loss of Tommy’s wife. He never fully recovered from her death, but devastating breakdowns after the loss of Polly and his daughter Ruby proved he was still able to feel.

Murphy effortlessly exuded swagger, showed subtle humor in moments like the famous “no fucking fighting” scene, and slipped into pure panic at the drop of a hat. He loudly expressed grief in palpable scenes, such as Tommy’s brush with death in the Season 2 finale — when he almost had (and lost) “fucking everything” — or the bone-chilling final seconds of Season 5, when he hopelessly held a gun to his head, emitting a guttural scream born from insufferable trauma and fury. But despite the grand outbursts, so much of Tommy’s emotions were expressed without words; through Murphy’s facial expressions, jaw clenches, silent spirals, and intense gazes from his deep-set ice-blue portals.

Whether Tommy was strutting through smoky streets in solitude, leading grand shootouts with adversaries like Luca Changretta (Adrien Brody), digesting Alfie Solomons’ (Tom Hardy) verbal acrobatics, recovering from ruthless beatings, chomping on a leaf with his toddler, or battling his inner demons, Murphy’s performance was mesmerizing. Over the course of Peaky Blinders’ run, the actor brilliantly resided in the middle-ground between hero and villain, light and dark, and savior and sinner. And without fail, he flawlessly found his way back under the multi-faceted character’s skin after substantial filming gaps and major projects like Dunkirk and A Quiet Place Part II. In the 36 hours we got to spend with him on-screen, Murphy delivered a career-great performance, crafting an incredibly lived-in character, while masterfully evolving alongside him.

A decade after Peaky Blinders first premiered, it remains a razor-sharp series that boasts Knight’s brilliant storytelling; captivating characters; stunning set design, wardrobes, and haircuts; a killer soundtrack led by Nick Cave and the Bad Seeds’ “Red Right Hand”; and a cast that was firing on all cylinders. The series’ legacy is as strong as the Shelby family in their prime, and when the credits roll on the dark final season — one made considerably more challenging by COVID-19 and the real-life death and mourning of McCrory — you’re reminded again that no one else could have been Tommy Shelby; that Cillian Murphy, as promised in his post-audition text, is one hell of an actor.'