#brian quijada

[theatreisgoodforthesoul]

“Oedipus El Rey” by Luis Alfaro

Public Theater, 2017

Starring Juan Castano, Sandra Delgado, Julio Monge, Joel Perez, Brian Quijada, Reza Salazar & Juan Francisco Villa

[goalhofer]

2020 Los Angeles Angels Players By Nationality

American: 27 (Jordon Adell, Justin Anderson, Matt Andriese, Jacob Barnes, Cam Bedrosian, Ryan Buchter, Dylan Bundy, Ty Buttrey, Griffin Canning, Jason Castro, David Fletcher, Brian Goodwin, Andrew Heaney, Tommy La Stella, Parker Markel, Brandon Marsh, Mike Mayers, Keynan Middleton, Hoby Milner, Dillon Peters, Noe Ramirez, Anthony Rendon, Patrick Sandoval, Max Stassi, Mike Trout, Justin Upton & Joseph Ward)

Dominican: 3 (Felix Pena, Jose Pujols & Hansel Robles)

Venezuelan: 2 (Jose Quijada & Luis Rengifo)

Colombian: 1 (Julio Teheran)

Japanese: 1 (Ohtani Shohei)

Curacaoan: 1 (Andrelton Simmons)

[edmlivesets4u-blog]

Listen or download TRUcast 114 - Alex Peace & Brian Boncher for free now!

Artist: Show: TRUcast 114 – Alex Peace & Brian Boncher Quality: 320 Kbps 48000 Khz Genre: House, Tech House, Techno Source: RSS

Listen or download more TRUcast episodes HERE

TRUcast 114 – Alex Peace & Brian Boncher Tracklist

The “official” podcast of Tru Musica featuring Tru Musica Artists and Tru Friends from around the Galaxy. From House to Techno and everything in between, Tru Musica has already begun to carve out it’s niche in the House Community focused on the music that revolves around the “jack”.

AP

Paul Najera & Jr. Quijada – Changes (Original Mix)

Jobu – Tension Seeker

Lebedev (RU), Bonetti – Paradisiac Beach (Jacked Mix)

Jocelyn Brown, Glory, Junior Jack – Hold Me Up feat. Jocelyn Brown (Riva Starr Tangerine Funk Extended Vocal Mix)

Spiller – Sola (Main Dub Mix)

JoBu – Tomboy (Original Mix)

Ocsav – Marcel Prosed (Original Mix)

BB

Alex Peace & Brian Boncher – Blow Your Mind

Romaan – Mechanical (Original Club Mix)

Barney Osborn – Jazz Cats (Paul Najera & Jr. Quijada Remix)

Bleu Clair & OOTORO – Beat Like This (Original Club Mix)

Dance System – Strings 4 Love (Original Mix)

David Herrero, Ben A & C1 – Native Drum (Original Club Mix)

Jaxx Inc. VS Alex Peace & Brian Boncher – Unnamed Promo

Jamie Roy & Jay De Lys – Something (Original Club Mix)

Born Dirty – Kiss (Astronomar Remix)

Plus Beat’z – Margin (Original Club Mix)

AP

Kazaa – Move It (Original Mix)

PLUMP DJS – Plumpy Chunks

Don Rimini – Circuit (Alex Peace Edit)

Paul Johnson – Get Get Down (Blacjack Edit)

Virak Sugar (Kolombo Remix) (Extended Mix)

Alden Tyrell, John Marks – All We Need feat. John Marks (That Bass Dub)

Franklyn Watts – Down Da Block (Original Club Mix)

Akay feat. Rah Digga – Sexual Healing (So Phat! Remix)

Matroda – Gimme Some Keys

Kill Your Heroes ft. Dave Giles II – Locked In (Darius Syrossian Remix)

BB

James Brown – Get Up (I Feel Like Being A) Sex Machine 2021 (Xero & Josh Hunter Club Mix)

Dirty Secretz – When I Go Back (Original Mix)

Jesusdapnk – Lapse (Max Hebert Remix)

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[graphicsforyou-blog1]

Review: A Sad Noodle Debut by Rubberband https://fc.lc/2Nog The tone of Victor Quijada’s choreography is that of an emo band or of anguished adolescent poetry.. via NYT Arts BY BRIAN SEIBERT Dancing

[whileiamdying]

Review: A Sad Noodle Debut by Rubberband

By BY BRIAN SEIBERT The tone of Victor Quijada’s choreography is that of an emo band or of anguished adolescent poetry. Published: September 18, 2019 at 11:17AM from NYT Arts https://www.nytimes.com/2019/09/18/arts/dance/rubberband-joyce-review.html?partner=IFTTT via IFTTT

[izayoi1242]

Review: A Sad Noodle Debut by Rubberband

By BY BRIAN SEIBERT The tone of Victor Quijada’s choreography is that of an emo band or of anguished adolescent poetry. Published: September 19, 2019 at 02:17AM from NYT Arts https://ift.tt/2O8XPLp via IFTTT

[thegreato1ne]

Review: A Sad Noodle Debut by Rubberband by BY BRIAN SEIBERT

Review: A Sad Noodle Debut by Rubberband by BY BRIAN SEIBERT

By BY BRIAN SEIBERT

The tone of Victor Quijada’s choreography is that of an emo band or of anguished adolescent poetry.

Published: September 18, 2019 at 07:17PM

from NYT Arts https://ift.tt/2O8XPLp via NYT Full Post

[goalhofer]

2020 Los Angeles Angels Roster

Pitchers

#17 Shohei Ohtani (Oshu, Japan)(designated hitter)

#24 Noe Ramirez (Alhambra, California)

#28 Andrew Heaney (Warr Acres, Oklahoma)

#31 Ty Buttrey (Charlotte, North Carolina)

#32 Cam Bedrosian (Sharpsburg, Georgia)

#35 Matt Andriese (Redlands, California)

#37 Dylan Bundy (Owasso, Oklahoma)

#38 Justin Anderson (Houston, Texas)

#39 Luke Bard (Charlotte, North Carolina)

#40 Jacob Barnes (St. Petersburg, Florida)

#46 Ryan Buchter (Blackwood, New Jersey)

#47 Griffin Canning (Rancho Santa Margarita, California)

#49 Julio Teheran (Cartagena, Colombia)

#52 Dillon Peters (Indianapolis, Indiana)

#54 Jose Suarez (Naguanagua, Venezuela)

#57 Hansel Robles (Bonao, Dominican Republic)

#58 Parker Markel (Glendale, Arizona)

#60 Mike Mayers (Grove City, Ohio)

#61 Hoby Milner (Ft. Worth, Texas)

#64 Felix Pena (San Pedro De Macoris, Dominican Republic)

#65 Jose Quijada (Caripito, Venezuela)

#68 Kyle Keller (New Orleans, Louisiana)

#99 Keynan Middleton (Milwaukie, Oregon)

Catchers

#16 Jason Castro (Castro Valley, California)

#33 Max Stassi (Yuba City, California)

Infielders

#2 Andrelton Simmons (Willemstad, Curacao)

#4 Luis Rengifo (Naguanagua, Venezuela)

#5 Jose Pujols (Independence, Missouri)

#6 Anthony Rendon (Richmond, Texas)

#9 Tommy La Stella (Closter, New Jersey)

#22 David Fletcher (Cypress, California)

#23 Matt Thaiss (Jackson Township, New Jersey)

#25 Jared Walsh (Suwanee, Georgia)

Outfielders

#3 Joseph Ward (Indio, California)

#10 Justin Upton (Chesapeake, Virginia)

#18 Brian Goodwin (Rocky Mount, North Carolina)

#21 Michael Hermosillo (Ottawa, Illinois)

#27 Mike Trout (Millville, New Jersey)

#89 Brandon Marsh (Buford, Georgia)

Coaches

Manager Joe Maddon; Jr. (Brea, California)

Bench coach Mike Gallego (Santa Fe Springs, California)

Hitting coach Jeremy Reed (La Verne, California)

Assistant hitting coach John Mallee; Jr. (Chicago, Illinois)

Assistant hitting coach Paul Sorrento (Peabody, Massachusetts)

Pitching coach Mickey Callaway (Germantown, Tennessee)

Bullpen coach Matt Wise (Montclair, California)

Bullpen catcher Manny Del Campo (Riito, Mexico)

Bullpen catcher Jason Brown (Long Beach, California)

Catching coach Jose Molina (Vega Alta, Puerto Rico)

1st base coach Jesus Feliciano (Bayamon, Puerto Rico)

3rd base coach Brian Butterfield (Orono, Maine)

Assistant coach Ryan Garko (Brea, California)

[elpachuco]

Brian Quijada in Where Did We Sit on the Bus? Photo: Joel Maisonet

[newyorktheater]

The Line Arjun Gupta as emergency room physician

On past Labor Days, I’ve asked: Where are the American plays about unions, or workers, or even just workplaces? But now that “arts workers” have turned Labor Day into an #ArtsWorkersUnited Day of Action, the question becomes: Will COVID-19, the shutdown of theaters, and the strident new labor consciousness of the theater community change what we see on stage?

There is some evidence it already has (even without literal stages) in such new plays as The Line, an online docudrama by Jessica Blank and Eric Jensen about front-line medical workers battling COVID-10.

Whether that will still be true when the crises have ended is of course impossible to predict. “Arts workers” have long been more active in unions than workers as a whole. So on this Labor Day — a legal holiday created by Congress in 1884 to celebrate the labor union movement — it’s worth once again singling out theater that has concerned itself with workers and the struggle for dignity in the workplace.

To The Bone,2014: Liza Fernandez, Annie Henk and Lisa Ramirez working in the poultry plant

Plainclothes, 2018

Waiting for Lefty, 1937

When Mañana Comes, 2014. Jose Joaquin Perez, Jason Bowen, Brian Quijada and Reza Salazar as busboys in “My Manana Comes”

A Taste of Honey, 1961 Broadway, with Angela Lansbury and Joan Plowright.

Assistance, 2012

Jay Armstrong Johnson as a firefighter, one of the 26 characters by six actors in the 2012 revival of “Working,” a musical co-conceived by Stephen Schwartz (“Wicked”) and based on Stud Terkel’s book of the same name.

Newsies, a musical inspired by the true story of a 1899 labor strike by Newsboys

Sweat on Broadway: Alison Wright, Will Pullen, Michelle Wilson

Gloria, 2015

Jason Dirden and Nikiya Mathis in Skeleton Crew

Members of Actors Equity march during 1919 strike

Marys Seattle, about a nurse/caregiver

Labor Day Rally by “arts workers” in Times Square, 2020

There was of course the heyday of the working class drama, the 1930s. One of the biggest hits of that decade,  “Waiting for Lefty” by Clifford Odets,  presented a meeting of cab drivers who are planning a labor strike– and included the audience as if part of the meeting. The play was produced on Broadway (at the Longacre and then the Belasco) in 1935 by the Group Theater for a total of 168 performances, but then spread to theaters (and union halls) across the country.  But there have been classic plays both before and after the 1930s:  Arthur Miller’s 1949 “Death of A Salesman” and Sophie Treadwell’s 1928 “Machinal” give us a sense of what working life is like in America.

Over the years there have been some popular musicals that at least tangentially have grappled with issues involving workers — Newsies, The Pajama Game, Billy Elliott, Working.

Such theater is not just in the past. Every year, I see at least one fine drama specifically about the taxing conditions of workers in various workplaces – in 2014, To The Bone, a play by Lisa Ramirez about Latina workers in an upstate chicken slaughterhouse and My Manana Comes, Elizabeth Irwin’s play about the kitchen staff in a fancy Manhattan restaurant; in 2015, Gloria  by Branden Jacobs-Jenkins took place in the offices of a publication similar to the New Yorker magazine (which is where Jacobs-Jenkins once worked.) The copy editors and office workers in this play do not fit into American conventional notions of working class, but workplace issues are not limited to blue collar workers; the story revolves around one undervalued worker being driven to a shocking act of violence. Another such play about white collar workers is entitled Assistance, which Leslye Headland wrote in 2008, and I saw in 2012, and which has since become startlingly relevant: It is about the mistreatment of the office staff by a thinly-veiled character clearly based on Harvey Weinstein.

In 2016, there were the stellar examples of Dominique Morisseau’s play Skeleton Crew, about the mostly African-American workers in a dying auto services plant in Detroit, and  Lynn Nottage’s “Sweat,” about the social and economic breakdown of a group of friends of varying ethnicities in Reading, Pennsylvania with the decline of the local factory.

In 2017, “Sweat” won the Pulitzer Prize for Drama and ran on Broadway, albeit for only four months. But in 2018, the first-ever  Public Theater’s Mobile Unit National, took Nottage’s play on an 18-stop tour through Pennsylvania, Ohio, Michigan, Wisconsin, and Minnesota — all states with districts up for grab in the midterm elections.  And as we know, voters that November in most of those states and others swung the House of Representatives to a Democratic, pro-labor majority.

In 2019, there were several plays that thrust us into the world of the worker.. “Marys Seacole,” Jackie Sibblies Drury’s  challenging and powerful collage of a drama, told the story of modern-day professional caregivers by riffing on a pioneering nurse from the 19thcentury.

“Lunch Bunch,” a play by  Sarah Einspanier that had a short run as part of  Clubbed Thumb’s 24th annual  Summerworks festival, presents the stressed-out lawyers at a Bronx Public Defenders Office almost entirely through the food they eat at lunch. They’ve formed a lunch club, each member having agreed to make lunch for everybody else once a week.

“Plainclothes” by Spenser Davis, which was produced by Broken Nose Theater in Chicago, and won ATCA’s 2019 Osborn New Play Award, tells the story of the security guards in a large department, after a violent encounter with a shoplifter has left half the team fired or hospitalized. Those who remain are defensive, demoralized and faced with a moral dilemma: As the playwright put it, “do we give the higher-ups exactly what they want, or do we try to do what’s right?” In a note in the script, Davis describes his play as the first in a trilogy about “working class Chicagoans.”

If moments of labor consciousness on stage have seemed rare in the last few decades, they have not disappeared entirely. To paraphrase a lyric from Hamilton, these moments can add up to a movement.

Labor Day and the Pandemic: Will there now be more theater about workers and working? On past Labor Days, I've asked: Where are the American plays about unions, or workers, or even just workplaces?

[the512bounce]

Brian Quijada shines in Where Did We Sit on the Bus? - PGH City Paper https://t.co/98owD9js52

Brian Quijada shines in Where Did We Sit on the Bus? - PGH City Paper https://t.co/98owD9js52

— 512 Bounce (@the512bounce) January 31, 2019

from Twitter https://twitter.com/the512bounce January 31, 2019 at 03:19AM http://twitter.com/the512bounce/status/1090962718956404736

[frontmezzjunkies]

Oedipus el Rey: An Exciting Bare Assed Re-Focusing of Greek Destino y Amor Maternal.

#frontmezzjunkies reviews: #OedipusElRey @PublicTheaterNY @solprojectnyc #JuanCastano

OEDIPUS EL REY Juan Castano, Julio Monge. Photo by Joan Marcus.

Oedipus el Rey: An Exciting Bare Assed Re-Focusing of Greek Destino y Amor Maternal.

By Ross

The painted wall and the panels of jailhouse bars tell a whole story before the first actor even jumps up onto the Shiva stage at The Public Theater. It’s a story of cultural imprisonment regardless of setting. How Greek tragedy and…

[herretes]

El plan conejo, por Brian Fincheltub De los mismos creadores de la matica de acetaminofén y de los gallineros verticales, nos llega un novedoso plan que ha dejado con la quijada en el suelo a medio mundo: el plan conejo.

[darshenanigans]

Where Did We Sit On The Bus? The live autobiography of a guy who had to realize at a very young age that he was a minority in not only his community, but in his family as well.

This hit home for me on so many levels - dealing with racial stereotypes as a child, proving to my parents that I can be close to my roots while making my own path, and being naturally inquisitive about everything around me.

The guy, Brian Quijada, is a star. He's got the talent of a storyteller with the ability to mix his own music while simultaneously rhyming. The show was simple and magic.

[goalhofer]

2022 Los Angeles Angels Roster

Pitchers

#17 Ōtani Shōhei (Ōshū, Japan)

#21 Mike Mayers (Grove City, Ohio)

#23 Archie Bradley (Muskogee, Oklahoma)

#25 Michael Lorenzen (Fullerton, California)

#28 Aaron Loup (Boutte, Louisiana)

#32 Raisel Iglesias (Isla De La Juvuntud, Cuba)

#34 Noah Syndergaard (Mansfield, Texas)

#43 Patrick Sandoval (Mission Viejo, California)

#46 Jimmy Herget (Tampa, Florida)

#47 Griffin Canning (Rancho Santa Margarita, California)

#48 Reid Detmers (Nokomis, Illinois)

#51 Jaime Barría (Ciudad Panama, Panama)

#52 Dennis Tepera (Clute, Texas)

#54 José Suárez (Naguanagua, Venezuela)

#56 Cooper Criswell (Carrollton, Georgia)

#58 Brian Moran (New Rochelle, New York)

#61 Austin Warren (Fayetteville, North Carolina)

#62 Oliver Ortega (Nagua, Dominican Republic)

#65 José Quijada (Caripito, Venezuela)

#73 Chris Rodriguez (Miami Gardens, Florida)

Catchers

#24 Kurt Suzuki (Maui County, Hawaii)

#33 Max Stassi (Yuba City, California)

Infielders

#5 Matt Duffy (Long Beach, California)

#6 Anthony Rendon (Houston, Texas)

#9 David Mayfield (Del Rio, Texas)

#14 Tyler Wade (Murrieta, California)

#18 José Rojas (Anaheim, California)

#20 Jared Walsh (Suwanee, Georgia)

#22 David Fletcher (Cypress, California)

Outfielders

#3 Joseph Ward (Indio, California)

#7 Jordon Adell (Louisville, Kentucky)

#16 Brandon Marsh (Buford, Georgia)

#27 Mike Trout (Millville, New Jersey)

Coaches

Manager Joe Maddon; Jr. (West Hazleton, Pennsylvania)

Bench coach Ray Montgomery (White Plains, New York)

Staff assistant Ali Modami (Brooklyn, New York)

Pitching coach Matt Wise (Montclair, California)

Batting practice pitcher Mike Ashman (Fairbanks, Alaska)

Bullpen coach Harry Chiti (Memphis, Tennessee)

Bullpen catcher Jason Brown (Long Beach, California)

Bullpen catcher Manny Del Campo (Riito, Mexico)

Hitting coach Jeremy Reed (La Verne, California)

Assistant hitting coach John Mallee; Jr. (Chicago, Illinois)

Hitting instructor Paul Sorrento (Peabody, Massachusetts)

Catching coach Bill Haselman (Saratoga, California)

1st base coach Romar Gil (Keller, Texas)

3rd base coach Phil Nevin (Fullerton, California)

Quality assurance coach Tim Buss (Dodgeville, Wisconsin)

Field coordinator Mike Gallego (Santa Fe Springs, California)