#both of those goals were a work of art

[easypeasylindyvesey]

THAT’S OUR GINGER HAIRED CANADIAN!!!!

[shidoukanae]

Hello to the Buddyfight fandom it's been a hot minute but god do i miss this show and have been making fanart for it in the background so i thought i'd post to tumblr too ^^

I swear every year I end up coming back to this show and wishing that it kept going, that it got rebooted, that i could just erase my memories of this show and just watch it all over again from the beginning to enjoy everything once again from Tasuku's own sense of justice twisting against him to Gao's suffering of PTSD and how heartfelt it was handled.

There's something very special about this show that I haven't been able to find replicated elsewhere. It has the most perfect world to exist (so much so that i'd love to be isekai'd into it if i could!!!) and while i have my own gripes with it (hi S3+) i honestly sometimes wish i could go back to my high school years of watching this show just to relive it all again :'D

Anyways!!! I hope there's still people out there who enjoy this show even ten years later who'll like seeing new funny artwork for it!

I wanna add too that i'm hoping to create a rewrite of FCBF (ft. seasons 1-3 + Ace) or at least create more artwork for my interpretation of it and its world!

Because, sincerely, this show is one of the few that, for all its flaws, hasn't disappointed me in the years that've followed unlike many other things i've seen and i wanna try to keep the spirit of it alive while I can thanks to that. And if there are any fans still in existence who love it, i wanna provide some food while its once again in my orbit because damn do i adore this show <3 <3 <#

[zweigsons]

after midnight

patrick zweig x f!reader x art donaldson smut

summary: they both want you, and you definitely know it

etc: nsfw, fingering, oral f!receiving (kind of), patrick doesn't rlly do anything he sits there and looks pretty

a/n: A BITCH IS BACK i know u all missed my writing

word count: 959

You thought fire and ice were fitting monikers for them. Patrick was holding you up and your back was pressed against his bare chest and, god, he was warm. And Art’s fingers were gliding down your torso, long and nimble and cold. 

You shivered at the touch and Patrick chuckled behind you. He mouthed a kiss onto the pulse point on your neck and your legs were jelly. “My legs hurt,” You whined as Art’s fingers played with the hem of your panties. 

“I’m holding you. And you’re kneeling on a mattress,” Patrick nipped at your ear. 

“It still hurts,” You groaned, tilting your head back to lock eyes with him. 

His smile tilted to the side as he looked at you, “You’re such a princess.” 

Art chuckled from his position. He was kneeling on the floor, fingers tracing shapes into your tummy as he looked up at you. “You really are,” He said it more kindly than Patrick, as if princess were a petname rather than a mock. 

Art’s fingers curled into the lacy waistband of your underwear and he started to tug them down your thighs. Patrick’s breathing seemed to grow heavier as he watched over your shoulder. You turned your head and whispered to him, “You have a little crush on Art?” 

His face grew hotter next to yours. “Shut up. Let him fuck you.” 

You pat his cheek, “Sure.” You cast your gaze down to Art, “Are you gonna fuck me?” 

He looked like a puppy, staring up at you with those big eyes that you could get completely lost in. “Is that what you want?” He asked as he placed a kiss on your hip. 

You swallowed a whine, “Yeah.” 

“I can do that.” He looked up at you, those blue eyes shining like they held a secret, and then he added a soft, “Princess.” 

You let out a soft moan and he focused his attention to spreading you apart and then sucking gently on your clit. You gasped and tilted your head back. As Art worked his tongue on your cunt, Patrick’s hands slipped from gripping your shoulders to keep you up and down to slip into your bra. 

“Patrick,” You whispered, snaking your hand up to cup the back of his neck. 

His fingers tweaked your nipples as he tutted. “Don’t focus on me. What’s Art doing to you, baby?” His voice was low and sweet and it made you tremble. 

You did as you were told and looked back down, just in time to see Art moving one of his hands up. His fingers gently placed with your folds and you whimpered, wanting more than that. “Art, please,” You whined, carding your fingers through his wavy blonde hair. 

“Use your words, Princess,” He mouthed around you. 

You tugged on his hair and groaned, “Put your fingers in me.” 

“Good girl,” He mumbled. 

His fingers stopped teasing and started pushing, up and into you. You groaned, nails digging into his scalp and into Patrick’s neck. 

His tongue lapped at your clit as he moved his fingers inside of you. Your legs were shaking and everything felt melty and good. Patrick’s mouth was on your neck again, sucking marks into the soft skin. 

Patrick sunk his teeth into you at the same time that Art thrust his fingers up into you and you let out a shuddering gasp. “Fuck you,” You moaned, stretching out a few of the golden ringlet’s of Art’s hair. 

“That’s the goal,” Patrick chuckled into your ear. 

“Shut up,” You hissed, rolling your hips with each movement of Art’s fingers. 

He removed his mouth from your cunt to sloppily kiss your hips and tummy as he fucked his fingers into you. “You’re fucking gorgeous,” He muttered, this time adding a small scrape of teeth to his kisses. 

You didn’t even have time to come up with a reply because he had popped up and was kissing you as he worked a third finger into you.

You felt that familiar coil build up in your belly and you scratched at his back. 

“You think she’s gonna cum?” Patrick asked as he nipped at your ear. 

Art pulled back and smirked, “Look at her face. Definitely. Are you gonna cum for us, princess?” It almost felt stupid, the way he had latched onto that particular petname, but all you could do was nod and let out a noise that was half between a gasp and a moan. 

One of Patrick’s hands dropped from holding you (which only made the fact that he was holding you up with one hand even hotter) and reached around to rub your clit along with the thrusts of Art’s fingers. “So, so good,” He mumbled, licking where your jaw connected to your ear. 

Art pushed his fingers into you once more and that was enough to have that coil in your tummy unravel. You groaned, slumping your head down into the crook of Art’s neck as the waves of your orgasm washed through you. “That’s it, just like that,” He crooned sweetly, kissing the top of your head. 

Patrick finally let you go and you all but crumpled. “Is that all you got in you?” Patrick asked, leaning over you and scrunching up his nose. 

You scoffed, “Fuck off. Go jerk each other off in a cold shower.” You pushed his face away as he laughed against your palm. 

On the other hand, Art was licking your cum off of his fingers, and if you weren’t already fucked out, you would probably be up and ready to go again. 

“Go to sleep, Patrick and I will take turns with a ‘cold shower,’” Art said, leaning down and kissing your forehead. 

You rolled your eyes. “Yeah, yeah.” 

[caffeinewitchcraft]

AITA for being proud of my job as a regional Nightmare?

My sister told me she’s making her own post and that if I was so sure I wasn’t TA then I should make my own so here I am.

I’m a regional Nightmare. I’m very proud of how hard I worked to get here. Not many terrors in their 20s get this high up and it’s because I do the work. I get up at 8pm and I’m out in the woods grinding out those quotas until dawn. Sometimes I sleep out there in my uniform just so I can be the first on scene for the multi-part jobs. I’m efficient, I’m punctual, and I’m committed. My goal is to be a Cyptid by the time I’m 30 and, to do that, I have to stay on at all times.

As a result, I work a lot. I’m often not home for days at a time. I have a very strict training regimen and my time for friends and family is virtually nonexistent. That’s why when I do get the time to hang out, I prefer to spend my time intentionally. What I mean by that is that I don’t want to sit on a couch when I could be lifting weights. I don’t want to chill in the pool when I could be volunteering for new scares. I especially don’t want to gossip over tea when I could be getting overtime.

Last Saturday, my sister invited a bunch of family over to her house. My job in the Virginia woods fell through, so I decided to go. Silly (her childhood nickname) said she had something important to tell the family so I thought it wouldn’t be a waste of my time.

Key word: thought.

When I got to Silly’s house, I was surprised to see so many cars out front. Our parents were there and our older brother. The house was packed. There were cousins, aunts, uncles and a ton of people I didn’t know.

At first the event was fine. Silly’s always been a good cook (see, I know you’re reading this, Silly, and see? I do compliment you when do something actually good) and everyone was really enjoying the flank steak (though I did have to save it before she cooked it medium well). But as the day wore on, I could tell people were getting bored. Silly and Mom were focused on cleaning up and said that dessert would have to wait until her fiance got home. Which was kind of rude to be late and I felt really bad for Silly. It seems like my soon to be brother-in-law (BIL for short) is never around when she needs him.

In an effort to help, I engaged some of the people I didn’t know in conversation because the party was getting a little dead and I didn’t want one of my sister’s parties to fail. I was trying hard not to think about the time I was wasting waiting for my future BIL so it also served as a distraction.

It turns out one of the guys was a fellow terror. He worked a corporate job and we talked for a while about the pros of being freelance like me. He asked me a lot of questions and I was happy to mentor another terror.  Corporate can suck the art out of what we do. My clients only care if the quota for their mission is met and don’t enforce such strict timelines. They come to me for quality. Poor guy barely had time to mend his uniform between scares (his cloak was tattered and his hook hand was rusty) so I recommended my tailor and blacksmith.

The guy and I exchanged information. I gave him my business card and he looked for one of his. While he looked, I felt nature calling so I headed upstairs to use my sister’s bathroom (like hell I was going to use the same one as my Uncle Joe). From up there, I saw my future BIL pull into the driveway.

 Being a regional Nightmare is a tough job. Like I said, I have to train a lot to keep my certification. So I thought it’d be a good idea to get a scare on my BIL both to punish him for being late and to make up for all the time I’d already wasted at the party.

So I waited for him to come upstairs to change and, when he did, I pulled out the works. I darkened the room and fell back into the shadows. Then, while he groped for the light switch, I stretched out my leg (I have an extra joint in them) and tried to nudge him. I honestly didn’t expect for him to trip and I DEFINITELY didn’t expect for him to fall backwards. I’ve been practicing this skill on my family since I was sixteen and got the leg extension mod and none of them ever fell like that.

My future BIL fell down the stairs. I panicked and raced over to look over the banister. He was fine! He wasn’t bleeding or anything and, when I saw that, I started to laugh.

Everyone freaked out though. They all said I was being immature and bullying my BIL. I told them it wasn’t bullying, it was my actual job. I said that I was just joking and didn’t know my BIL, a former “Cryptid”, would take it so hard.

My mom jumped in and backed me up, but my sister has always been the Queen of the castle. Silly and Dad kicked me out ( I mean, I let them, I’ve got enhanced strength and I didn’t want to hurt them). Dad called me a disgrace and to not come back home.

I asked him if he was really kicking me out just because I wanted to show off my skills a little? And he said yes. And Silly said I had it coming to me for a long time.

I don’t even know what went wrong.

 So AITA for taking pride in my work?

---.

SillyCreeper says: Oh my god, you actually made this post? You’re an actual idiot. For anyone who believes this story, read mine before you vote. My brother left out a few details like how the party was my GENDER REVEAL PARTY and that he’s not a regional Nightmare, he’s a  Slasher for hire.

OP replies: I am TRAINED to operate as a regional Nightmare. That makes me an independent regional Nightmare.

SillyCreeper replies: Regional Nightmares don’t steal failed missions from corporate Slashers

OP replies: Get your own post, Silly

SillyCreeper: Oh, I already did. Have fun being torn apart on yours, dumbass.

-----

Thanks for reading! If you'd like to read Silly's AITA post a week early, please consider becoming a patron (X)!

Aita for going no contact with my brother after he pulled a Scare on my husband?

I'm working on this anthology during November and I'm having a blast with this story in particular! The family drama keeps going on and on

[acid-ixx]

〔00〕 — 𝐋𝐈𝐊𝐄 𝐇𝐈𝐌 : perfect perception

DIRECTORY: concept, chapter 00, chapter 01

it was always just you, and your family.

just you, your mother, twin brother, and grandfather. the puzzle is complete, there is no need for an extra couple of pieces to add on to your already satiated life. there is no need to work hard, or to endure painful endeavors to attain what you want; not when your family would complete it all for you.

it wasn't like you could, or should, complain, no? you have everything granted to you from when you were born. scarred hands, jagged figure, weary eyes; those aren't necessary for a person like you, who will always be sheltered, in both cozy blankets and loving arms. oblivious to the cruel world and pesting hands that claw on innocent beings like you.

a steady house life, a mother who shielded your innocence from all the bloodshed within the family's ordeals, who read to you fairytales, who had you sleep in her bed when you feared, when you foresaw what you thought were monsters under your bed. instead of inhibiting hatred for an heir who'd flinch at raising hands and the sound of clanging swords, she encouraged your meak demeanor and even spoiled tantrums. she runs her hands across your silky tresses, and kisses your forehead a thousand times if you'd even mention it in a passing moment. she dresses you in jewels, in velvety, silky clothes, and bathes you in toys and gifts you never seem to ask for. your little body sleeps on her chest, and listen the steady beat of her heart, calm and beating, all for you.

you teach her softness, and the joys of being a mother. a concept foreign in her eyes, raised opposite to you. she sees herself in you, and projects what should've been her childhood to her youngest twin child.

you have a twin brother, who, despite being born only a few minutes before you, was significantly older than you, both mentally and spiritually. from the moment he was taken into the world, his duty to take all your pain away and to become your very light was established. and like the warrior he is, he takes that daunting task and transforms it into motivation. he is your knight in shining armor, the prince who catches you when you fall, the one who braves your nightmares, the swordman to your royalty. he trains, all day and night, from such a young age to protect you from unnecessary dangers he understood even his mother fears you'd be subjected to. he does not complain, he does not find reasons to gripe; he takes the scars, the bruises, the punishments and missions all in stride. if it meant seeing you happy and unaware from all the cruelty of living; then so be it. as long as, by the end of the day, he comes back to your shared room to find your tiny form drawing a childish imagery of the little family you love and cherish.

you teach him compassion, vulnerability, and share with him the admiration for arts.

then there is your grandfather. a hardened leader, a monster to all those who serve, but an idol in the eyes of oblivious you. he justifies violence in the wake of achieving his goals, he doesn't tolerate mankind's treatment of nature and its animals, and takes the lives of those who dares oppose. but you are treated differently, like glass that shatters at the softest of hits. his words are sugarcoated and stripped down to the most infantine of comprehension, his eyes are soft every time he kneels to your level to gently request that you return to your room. ra's does not kneel, he does not plead, he does not stoop to those younger than him. but to you, naive and dewy-eyed, akin to a fawn hiding behind a mother's legs, he does. every week, he takes in various experts in the field of teaching to become your mentors in whatever passion you have. he is the foundation of your growth, and he prides himself in that regard.

from him, you learn your love of animals. from you, he learns of weakness, and defeat to such platonic desires.

with your little family, you are happy. you never have to find reasons to complain about food, clothes, or any luxuries their family, akin to royalty, could obtain. you have a family smothering you in affection, attention, to the point where all you have to do is smile at the slightest thing and notice how they melt to your whims.

you were never alone when you didn't want to, you were always guarded, safe, and constantly served.

as you should, as it always should be.

and it was a routine you were used to. you never complained, you never pondered beyond primitive knowledge, you had never desired for more, or wanted less. life was normal despite the strange arrangements with servants always being by your beck and call, or how your brother would always seem to come seeking you after another day of "hard work" your mother doesn't permit you to try, with gashes that litter his tan skin and usually sharp eyes, still fixed with a glare though softened once your arms come to coddle him as a reward.

he finds comfort in your hold. it never once registered within you his ever-growing strength and how his hold on you would always seem to to tighten whenever a potential friend would pass by.

yet you are loved either way, you are cared for. what more is there to ask when you have and always been the singular pearl dripping with grace, poise, and a softness beyond the brutish weapons swung within the training grounds your brother finds himself in.

you are loved by everybody: by your mother, by your brother, by your grandfather, and you're the necessary voice that calls out mercy for whenever a servant would be punished for maintaining a less than satisfactory performance when it comes to serving you. you're the light of reason beyond instictive swings of the sword and the impulsive raise of a voice demanding for battle to settle a deal; biting your lips in disappointment every time your mother attempts to punish a small mistake a servant would do right in front of you.

although certain voices in the hallways find your presence... unsavory, out of place, or they simply pity you; whispers filtering through the kind words everyone else never withdraws from you— nonetheless, they'd have no choice but to obey your childish whims, to smile at you, to be kind and diligent to your emotions.

everything is perfect.

yes, yes it is. an undeniable fact within the factions of your heart. you ignore the subtle strain within your chest, the way the emptiness becomes blatant, and the misunderstood desire for something else... something greater, far beyond the honor of your current family; and replace it with temporary joy.

a joy that softly smiles at the piling gifts, a joy that teaches itself to be good, to be grateful, and to dismiss the ever-changing spotlight you have for your family.

to ignore their hushed whispers whenever your small, eight-year old form with wide eyes, holding a toy between your chest, inquire about what they're discussing with that requires such... strained air and ridged poses.

to ignore their careful words, their gentle hands that pats your hair, that beckons you to come to a different room, and the irritation and bubbling tantrums paired with the heat that wraps your boiling thoughts and clenching hands.

you ignore, and try to neglect that growing ache that insurmountably never passes.

even if you lay in bed every night, unable to sleep, gaining consciousness slowly but surely after another day passes.

you ignore, and dismiss, and it all becomes a cycle that you ought to never break, to never rupture with childish curiosity and the thirst for wisdom.

... because everything is perfect.

everything is perfect. like the candlelight beams of the moon dancing through victorian styled windows, fluttering past the curtains to kiss your resting body every night you lay sleeping on a king-sized mattress, surrounded by soft, cotton plushies and silky, cool blankets as your brother coddles you; your head laying on his chest like routine.

it is perfect like the gardens of flowers all planted with your favorites, an array of colors harmoniously dancing to the sway of traversing winds and bumbling pollinators.

it is perfect like the daily hustle and bustle of your servants, buzzing through wide spans of hallways with their voices mingling through busy air and the wafting scent of a new delicacy your mother ornately chose for you to try.

everything was perfect, until it wasn't.

until the illusion of completeness, of unity and satisfaction were shattered like the bones of your brother's opponents, powderized to mere dust.

until you take notice of the hollow piece in your heart, until your servant mentions a father (a word so foreign, so similar to mother... but different all the same) in mere passing when you two had conversed whilst they were tying your shoes.

at first, you didn't pay a mind, proposing to yourself that you'd ask your mother instead after you've finished your daily assignments.

but then, unlike every other time where you dismissed, ignored and forgot— you began to ponder.

the word, the meaning, its possible etymology and every historical relationship it might've contained; a lesson your brilliant mentor taught you, one that served as a paveway for curious, little you, to investigate.

a trait you're sure nobody really tackled within your family.

if that is so, then where does your stubbornness, your drive to seek answers, come from?

you try to solve the puzzle pieces, ones you thought were never present in your life, your mind wracking through stored memories of a young, prying individual like you; until you came to a conclusion.

does it possibly come from a... father?

father...?

father?

father.

... your brother, too, said the same word.

when he was tired and beat from his training, when all he wanted was a singular hug, whose hands were stained with dripping ichor and knees bruised from hitting upon rocky ground. his emerald eyes were seeking your presence, and you find how his delirious state, itching for calm after another stormy trial of missions, was abnormal; unlike you who flinched at the dizzying scent of blood.

too mature, now you've noticed. a presence that exudes superiority, that takes the lives of those who rebel, that punishes anything less than perfect; that only softens, whose shoulders only sag when he takes in your presence within the same room as him— traits too foreign in the midst of a brother the same age as you.

so when you denied him of oasis, when your young brain was too scared, too worried and all the more wishing for answers on why he always comes back bleeding and injured, rejecting his offer for you to come closer— he all but seethes, and instead sighs; watching your quivering lips and the igniting fight in your eyes, a shaded mixture of your mother's and his.

"you're exactly like what mother told me. stubborn like our father when inconsolable... but i love you too much, akhi/akhti, to care for your lesser."

he muttered under his breath, emerald eyes gleaming under moonlit glow as he looks at you, emotions too miscellaneous beyond the swirling pools of green that always keeps a watch on you.

sometimes, he feels less like a brother and more of a knight. sometimes, you wish to rebel and instead dig deep into what's been happening to your brother these past few years, shaped by experience you never once caught yourself transpiring through. sometimes, you wish he doesn't treat you like a glass ornament.

sometimes, you wish you had a normal family.

as much as his words were sweet, as much as you would've felt warmth at the mere affection and exception he holds you in regard to his heart, even if he takes your body in his arms prior to your previous rejection, all but melting and rocking your body to sleep; a common method he utilizes to make you feel drowsy, and to eventually forget the blood on his sheathed sword and sinful hands once your eyes drift to a close—

you still reflect upon his words even if weeks had already passed by after that incident, even if he must've thought your somnolence was enough to dismiss whatever was the 'grammatical' mistake he'd mumbled that night was a product of fatigue after a long day of work.

... because despite being the perfect family, despite the love and care they foster within your heart; washing off the beating emptiness in your chest was harder than any injuries you've obtained after momentary clumsiness.

at least you knew when those scars were incurred, at least you had people to comfort you through the tears that escaped through your eyes.

but this immaterial emptiness has long since festered within the confines of your caged soul.

it beckons you to choose rebellion, it traps your thumping heart and tightens its hold on it, snaring it in a pit you couldn't crawl yourself out of.

desire drives you further away from delusion, from the foundations of weaved lies and rose-tinted picturesque perfection.

and you began to crave satiation to at least mend the missing puzzle piece in your heart; piece by piece, stitch by stitch.

who is your father? what is a father? why did dami told me i'm like... our father?

as you sit alone in your bed, toys long forgotten, alone with only the cool breeze fluttering by your window to accompany you. the questions begin to grate at your mind, yet all you do is bring your knees closer to your chest, lips dry at the forgone isolation you put yourself through after a cycle of endless thinking.

"momma will be here soon," you mutter to yourself. your voice, meek and highly pitched, young and cradling childish curiosity; it breaks at the seams when your fingers bring itself to touch and wipe away at wet cheeks and tender, aching eyes.

dami was right; you are stubborn like your father.

because even if they try all necessary means to shroud your life in seclusion from reality— you don't easily back out of a losing fight.

even if the tears you shed from the lack of progress were insurmountable, even if you knew you were at a physical disadvantage shall push come to shove where you'd have to fight your dearest brother, even if it means struggling against the invisible shackle your beloved family locked you in.

because your perfect perception of your fucked up family has long since dissipated from the moment your servant and your brother mentioned a foreign word.

a simple word, a small mistake, yet acting as a newer path of life that long since diverged from the only way you knew how to live.

and you still wish to solve the mystery of your forlorn emptiness.

will you give up just so easily? would the tears you shed all become mere depression?

no, not even as you sit in your too-huge bed, with no clue on where or how to start a hopeless journey; too young to plan, too little to fight, too tenderhearted in the views of your family.

even then, your red, rubbed raw eyes seek to look back on your first hint from within the room

a dictionary was sprawled across the opposite end of the bed, thrown haphazardly, opened to a certain page that highlights words closest to 'father'.

you crawl, with sore arms and wobbly legs, to retrieve the heavy, hard-bound and gold-encased dictionary, lounging on your bed with a damaged spine.

your fingers return to traverse multiple pages yet again—

stubborn, impatient and impulsive.

earlier, it came to you in the form of realization that the dictionary your mentor assigned you to read had a missing word cut precisely with a blade and replaced with an unintelligible one.

earlier, you realized just how much your perfect family was only perfect because they've hidden the truth from you.

earlier should've been years ago, earlier should've never been swept off the rug so easily. but what could an eight year old like you do? you've none of damian's talents to quickly learn, you're raised differently. it is only now you wish you weren't so gullible.

and as your fingers strum against pages, near to ripping out expensive paper, tears unceasing, lips bitten 'til bleeding— you learn, and you grow beyond simple comprehension.

motivation, and the drive to uncover all things unsaid, even if the end would result in something negative.

through them, you'll soon learn of spite, of anguish, and bitter contempt.

but for now, you're merely left alone, with only a mantra of words all circling back to dami's words; so many questions left unanswered.

reblogs and interactions are encouraged and appreciated.

a/n: honestly don't know half of what i wrote + i don't like this as much as i wanted it to come out. this went through multiple revisions with an added fact of me trying to discern why my writing style keeps fluctuating 😭 guys please comment about what you think of this. if this flops, i'm gonna quit writing LMAO. this is a bit more formal than my usual style (re: again & again) because i wanted to capture the regality of the al ghul's family partly told through the perspective of a child.

taglist: @th0rn118, @obsessedwithromance @rogueofbullshit @ch1cky-093, @kitty-from-daaaa-voidddd, @confused-they @biiibs01, @ghostdoodlen, @earlqurl, @chericia, @herebyaccident0, @ilovemyhusbandnanami, @mintynilla, @lilyalone, @anonymousdisco, @plsfckmedxddy, @maria-figueiredo, @143637-hrrm, @neerathebrightstar, @jsprien213, @realifezompire, @sammytheotakunerd, @sh4rk-k1d, @confused-they, @peptox, @lillian-morningstar.

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[6gumi]

scandalous!

synopsis ﹒bllk men reassuring you that all those useless false scandals and fake news online are false ! ( in a rather . . peculiar way than normal reassurance . . <3 )

pairings﹒ michael kaiser, itoshi sae, oliver aiku x f!reader

cw ﹒nsfw MDNI. unedited ( mistakes might be present ) 、 blowie ( oliver aiku ) 、dirty talk 、riding ( michael kaiser ) 、small titplay ( itoshi sae ) 、mentions of cheating but it doesn’t acc happen, promise ! 、v4ginal fingering ( itoshi sae ) 、use of feminine terms ( girl, gf (?) etc) 、 more tba !

note ﹒hello every1 ! ! :,3 wrote this while working on my art project lol ! ! ! first bllk work i believe ? ? i hope there isn’t too many mistakes in this one i’m very very sleepy trying 2 make my art look nice . . :,3 | reblogs r highly appreciated, feel free 2 send me an ask ! — millie ♡

୨୧ 𝐌𝐈𝐂𝐇𝐀𝐄𝐋 𝐊𝐀𝐈𝐒𝐄𝐑

“come on, mein liebling . . is that really what you’re worried about? i assure you . . these pathetic scandals aren’t true anyways.” with a firm grasp on your hip, he guided you on his cock with such elegance and ease, wanting to fuck all worrying emotions lingering beneath that pretty face of yours. “speak to me, liebling. do you seriously believe all of those rumours going around about me? about us?” his voice was addictive . . your head was completely empty . . filled with nothing but his damn voice. even so, these stupid rumours and scandals . . . as reassuring as he is, you can’t help but think maybe there’s some truth behind those rumours.

sweat glistened his well-fit body and yours, mingling the intoxicating fragrances within the air. squeezing your breasts in his hands with a lick of his lips, his fingers grazed down your spine, grunting at his own sharp and desperate thrusts. you rode him with the same amount of desperation and arousal he had. your passion filled him with both satisfaction and hope . . hope that you believed you were his only, utterly dependent and devoted to you. the blonde’s fingers dug into your soft flesh as every movement brought you both closer into harmony, each groan echoed against the walls of your shared bedroom. “that’s it . . .” he whispered hoarsely into your ear, his breathing ragged from exertion. "ride me hard, beautiful.”

your face contorted in pleasure as you slammed yourself down against his cock, feeling the tip kiss your sweet-spots as you struggle to speak up, the mere feeling of his cock was enough to send you to heaven itself ! just then, your mouth opened to speak. “i—it’s not impossible,” you murmured, “what if you’re lying to me . .” “oh baby . . . do you really think i’m not telling the truth?” kaiser’s face grew serious, snapping his hips upwards against your pussy. he relished the feel of your warm body against his, wanting to fuck those precious thoughts out of you. he was telling the truth, those stupid articles . . were only trying to ruin his image. his large hands gripped your hips tighter, his nails practically digging into your skin with a sense of desperation . . wanting to prove himself to you.

“mein liebling . . . seriously. i’m telling the truth. i’m telling the truth when i say this pussy is mine and mine only. and i’m definitely telling the truth when i say this cock is yours to fuck yourself dumb on.”

“ . . you, mein blume . . . have nothing to worry about. my cock belongs to you.”

୨୧ 𝐈𝐓𝐎𝐒𝐇𝐈 𝐒𝐀𝐄

“i mean it, [name].” sae whispered against your ear, sending streams of electricity through your spine. his renewed determination to reassure you became his goal for the day, pressing his nose against your neck again, inhaling the scent of your fragrance. he had you seated on his lap, his hardness pressing close against your ass . . . trying his best to hold it in when the time comes. his fingers darted out again, swirling around the sensitive nub. “y—you don’t mean it . .” you protested, which only made things more harder for sae. he hated when you doubt his words, his movements growing more confident and skilled with each passing moment . . mind focused solely on pleasing his pretty girlfriend who was all worried about these articles that weren’t even true.

“i do mean it.” your boyfriend’s heart pounded in his chest, free hand reaching out to touch your breasts. his fingers brushed against your nipples, making them harder than steel. "hm. what can i do to make you believe me?” he grips your hips, pulling you towards him, erection straining against his shorts as he struggled the urges to fuck himself balls deep into your pussy. “those articles aren’t always true, angel-face. i mean it. i’m telling the truth, okay?”

grinding his cock against your lower back, he pushed another finger inside. your walls trembled, gripping his digits with pure vigour, you could almost feel his cock throb ! “mmh.. but the article . . .” your whimpers were music to his ears, pleasure dancing across your face, replacing the looks of uncertainty and concern. an absurd wave of protectiveness washed over sae then— the idea that these people were making up false and uncouth claims and lies filled his heart with sick dissatisfaction. their declaration of his infidelity was another layer to his coldness, he hated all of them, he wanted you and you only . . . was that not obvious ?

“i know, angel, but they’re not true.” he whispered huskily, holding your heavy breasts steady. “fuck . . . you always say such pretty things," he murmured against their your damp hair, fingers lightly grazing down your labia as he thrusted them back in, wanting to make you cum and lose your mind completely. “please, you know those articles are just bullcrap trying to put our relationship at risk. but i’m not letting it happen.” there was a dangerous gleam in his eyes as he pulled out from within you, leaving behind an echo of fullness in your core.

“you know i love you, angel-face. is that in your head yet? or do i have to fuck it into you?”

୨୧ 𝐎𝐋𝐈𝐕𝐄𝐑 𝐀𝐈𝐊𝐔

“oh fuck . . baby, you’re suckin’ me good.” oliver bit back a grunt, eyes drifting shut. he was supposed to be reassuring your pretty little head that he only had eyes for you, but it feels too fucking good. too tempting. he hoped and prayed you wouldn’t blame him later for wanting your mouth. the way your wet heat surrounds him sends him in a frenzy . . . your tongue swirling and dancing around was enough to drive him absolutely insane, he wanted to push your head down further onto his dick, thrust inside and give you all of him . . show you just how truthful he was being at this moment. “m—mmf . . listen baby, all those articles are just tryna’ ruin people’s images of me, of us. they ain’t real and will never be, kay?”

the sensation of your soft mouth enveloping him sends electricity straight to his body, wanting more of your mouth. desire raced through his veins, drowning out rational thought. your warm breath, soft moans . . he can hear all, feel every stroke of your tongue. your small sobs, and even those pretty tears. ohh . . . those tears. he loves them. gripping the armrest, fighting to maintain control. your precious tears streaming down your face . . . it only aroused him further, his dick twitching in your mouth.

you sniffled, trying your best to accommodate his size. “baby, i’m really telling the truth. all those cheating rumours . . . those pictures are photoshopped— ah fuck . . baby you gotta’ believe me.” oliver groaned loudly, mouth curling into a satisfied yet concerned smile as he watched his dick go in and out of your lips, his hips slowly moving on their own as he slammed himself against you, forcing you to take more of his cock. “i’m tellin’ ya, baby doll,” his voice rasped hoarsely in the air, swallowing a lump in his throat. “does my cock being in ya not prove anythin’? you’re the only one i imagine suckin’ me off so perfectly like this . .”

oliver couldn’t help but grin cheekily at the slurping he heard from you, “damn, you’re takin’ it all, baby. always knew ya were my girl . . never thought i’d end up with such a pretty girl like you . . don’t believe those dumb rumours, kay?” a low groan escaped your beloved boyfriend, hands running through your hair tenderly, guiding your movements until he could take it no longer. “just like that, darlin'. make me yours, again and again."

“can’t wait to be inside ya tonight. provin’ to you that i only want my dick to be inside this pussy.”

[elifinchsart]

Today I'd like to bring attention to a Palestinian fundraising campaign I haven't seen shared on tumblr yet: Abdelrahman Hajjaj is a 34 year old family man with a pregnant wife and a young daughter, Leen, whose home and livelihoods have been destroyed by violent artillery and air bombardment. They've lost friends and family and struggle to survive as food, clean water and medicine are hard to come by and disease and insects are rampant.

This campaign is verified by the Butterfly Effect Project. Click here, find the "Verified Campaigns" tab, and check line #947. Leen was born prematurely and needs special medicine and food and Abod has been doing all he can to provide for her. For as long as she's been alive all she has known is war- her and her family deserve a life of peace and you can help them reach it.

Their goal is currently €30,000 and so far they've only raised €2,364 Here is Abdelrahman talking about the situation in his own words.

It is currently being helped managed by Val Wise and Oscar Pepperbloom (who drew the image at top), two people I know in real life and trust immensely. They both are caring people who have been active in providing mutual aid to their communities and they have been devoting time to sharing fundraising online as well as knocking on doors to raise donations and are giving out free art prints to those who donate $10 or more!

They speak to him daily and on recent calls were shocked listening to the bombs fall- but for Abod and his family this is a daily occurrence.

They have been displaced many times and have been living both in refugee camps in tents and in the rubble of their former home.

Currently Abod's neighborhood has evacuation orders. The situation for his family is extremely dire. Your donation can help save Abdelrahman and his family- even small donations help them acquire food, water, shelter and what medical care is still available in Palestine. Please don't hesitate to donate and share!

[teh-tj]

Greenbelt Maryland. Or, how America almost solved housing only to abandon it.

**I AM NOT AN EXPERT! I AM JUST AN ENTHUSIST! DO NOT TREAT MY OPINIONS/SPECULATION AS EDUCATION!**

During the Depression America faced a housing crisis that rhymes with but differs from our own. It’s different in that there wasn’t a supply issue, there were loads of houses in very desirable areas, but they were still unaffordable as people’s incomes collapsed causing a deflationary spiral. While the housing supply subtly grew and succeeded demand, people simply couldn’t pay the meager rents and mortgages. Herbert Hoover failed to manage the Depression, while his inaction is greatly exaggerated, his policy of boosting the economy with works projects and protecting banks from runs failed and the depression only got more pronounced in his term. In comes Franklin Roosevelt, a progressive liberal much like his distant and popular cousin/uncle-in-law Teddy. Franklin’s plan was to create a large safety net for people to be able to be economically viable even if they’re otherwise poor. These reforms are called the New Deal and they did many controversial things like giving disabled and retired people welfare, giving farmers conditioned subsidies to manipulate the price of food, a works program to build/rebuild vital infrastructure, etc. One of these programs was the USHA (a predecessor of America’s HUD), an agency created to build and maintain public housing projects with the goal of creating neighborhoods with artificially affordable rents so people who work low-wage jobs or rely on welfare can be housed.

In this spirit, the agency started experimenting with new and hopefully efficient housing blueprints and layouts. If you ever see very large apartment towers or antiquated brick low-rise townhouses in America, they might be these. The USHA bought land in many large and medium-sized cities to build “house-in-park” style apartments, which is what they sound like. Putting apartment buildings inside green spaces so residents can be surrounded by greenery and ideally peacefully coexist. Three entire towns were built with these ideas outside three medium-sized cities that were hit hard by the depression; Greenbelt outside DC, Greenhills outside Cincinnati, and Greendale outside Milwaukee. The idea was to move people out of these crowded cities into these more sustainable and idyllic towns. There were many catches though, the USHA planned for these towns to be all-white, they used to inspect the houses for cleanliness, they required residents to be employed or on Social Security (which basically meant retired or disabled), they also had an income limit and if your income exceeded that limit you were given a two-month eviction notice, and you were expected to attend town meetings at least monthly. While the towns didn’t have religious requirements they did only build protestant churches. Which is an example of discrimination by omission. While a Catholic, Jew, Muslim, etc could in theory move into town they also couldn’t go to a Catholic church, synagogue, or Islamic center without having to extensively travel. Things planned communities leave out might indicate what kind of people planned communities want to leave out. Basically, the whole thing was an experiment in moving Americans into small direct-democracy suburbs as opposed to the then-current system of crowded cities and isolated farm/mine towns. This type of design wasn’t without precedent, there were famously company towns like Gary and Pullman which both existed outside Chicago. But those lacked the autonomy and democracy some USHA apparatchiks desired.

The green cities were a series of low-rise apartments housing over a hundred people each, they were short walks from a parking lot and roads, and walking paths directly and conveniently led residents to the town center which had amenities and a shopping district. Greenbelt in particular is famous for its art deco shopping complex, basically an early mall where business owners would open stores for the townspeople. These businesses were stuck being small, given the income requirements, but it was encouraged for locals to open a business to prove their entrepreneurial spirit. Because city affairs were elected at town meetings the city was able to pull resources to eventually build their own amenities the USHA didn’t originally plan for like a public swimming pool or better negotiated garbage collection.

These three cities were regarded as a success by the USHA until World War II happened and suddenly they showed flaws given the shift in focus. These towns housed poor people who barely if at all could afford a car, so semi-isolated towns outside the city became redundant and pointless. The USHA also had to keep raising the income requirement since the war saw a spike in well-paying jobs which made the town unsustainable otherwise. During the war and subsequent welfare programs to help veterans, these green cities became de facto retirement and single-mother communities for a few years as most able-bodied men were drafted or volunteered. Eventually, the USDA would make the towns independent, after the war they raised the income limit yet again and slowly the towns repopulated. As cars became more common and suburbanization became a wider trend these towns would be less noticeably burdensome and were eventually interpreted as just three out of hundreds of small suburban towns that grew out of major cities. They were still all-white and the town maintained cleanliness requirements; after all they lived in apartments it just takes one guy’s stink-ass clogged toilet to ruin everyone’s day.

By the 1950’s these towns were fully independent. Greendale and Greenhills voted to privatize their homes and get rid of the income limit all together so the towns can become more normal. Greenhills, Ohio still has many of these USHA-era houses and apartments, all owned by a series of corporations and private owners. Greendale, Wisconsin property owners have demolished most of these old houses and restructured their town government so most traces of its founding are lost. But Greenbelt, Maryland still maintains a lot of its structure to this day. Greenbelt has privatized some land and buildings, but most of the original USHA apartments are owned by the Greenbelt Homes, Inc cooperative which gives residents co-ownership of the building they live in and their payments mostly go to maintenance. Because Greenbelt was collectively owned the House Un-American Activities Committee would blacklist and put on trial most of Greenbelt’s residents and officials. Though they didn’t find much evidence of communist influence, the town was a target of the red scare by the DMV area, residents were discriminated, blacklisted, and pressured into selling their assets. While Greenbelt did commodify some of the town, the still existing co-ownership shows the town’s democratic initiative to maintain its heritage. The green cities desegregated in the 50’s and 60’s depending on state law, Greenbelt was the last to desegregate under the Civil Rights Act of 1964, while discrimination persisted for years by the 1980’s the town would become half non-white, today the town is 47% black and 10% Asian.

Though these towns largely integrated with a privatized and suburbanized America, they do stand as a memorial to an idea of American urbanism that died. They were designed for walkability and were planned to be more democratic and egalitarian towns, with the conditions that came with segregation and government oversight. You can’t ignore the strict standards and racism in their history, but you can say that about many towns. How do you think America would be different if more cities had green suburbs that were more interconnected and designed for community gatherings?

[amongemeraldclouds]

conquering fears | soft!mattheo riddle | flufftober masterlist | 1.1k words

You crouched at the corner of the room, arms wrapped around your knees as if you could make yourself invisible from the zombies and serial killers that were out to get you. Masked men just playing a role, you reminded yourself.

Whose bright idea was it to voluntarily pay to walk through a dark building filled with everything that nightmares are made of? Oh, it was yours. You groaned inwardly. This year's Halloween was supposed to be a time for conquering fears. Yet all you mastered was the art of cowering. You sighed and set a new goal for yourself: set smarter goals.

Movement in the corner of your eye brought you back to the present. You had been spotted. Your breathing grows ragged as your muscles stiffened. Tears pricked your eyes, but you paused when he raised his hands, signaling he was not a threat.

"Hey hey, it's okay," he said, his voice so gentle you forgot for a moment you were at a haunted house. Slowly, he removed his mask, tousled hair spilling down his forehead. You looked over his face, eyes bright and jaw sharp. He's cute.

He approached you cautiously as he lowered himself to meet you at eye level. "I'm Mattheo," he said, offering you a small smile. You introduced yourself, trying to find your voice.

“Let’s get out of here, okay?” He asked, his voice soft, as he extended his hand towards you.

You eyed it suspiciously, face burning with shame, “you probably think I’m a coward.”

“I may be wearing a mask, but those dolls,” he said, pointing to the shelf across you, “also freak me out. This whole thing is designed to frighten you, so of course you’re scared.” He shrugged as if it was no big deal.

A small smile broke across your features, “but you work here for fun.”

His eyebrow quirked at your remark, “and how can you tell?”

You leaned in closer to the space between his neck and shoulder. You sniffed to confirm your first impression, “expensive cologne,” you said pointedly. “You’re not in it for the money, you’re here because it’s fun.”

He tilts his head so you’re looking at him again. As your eyes met, you realized how much closer he was. You could feel his warm breath on your face as he smiled at you to confirm you were right. His heat radiated towards you, melting the chill down your spine. You felt yourself relax in the presence of this stranger and it sparked your curiosity. “Why do you enjoy it?”

“Okay, Sherlock,” he said, moving back. His sudden distance echoed in the space between you and you already missed how close he was, how safe you felt with him. You nearly reached your hand out. Instead your vision went dark, “I’ll show you why.”

You felt his arms around your head and delicious jolts of electricity moved through you as he adjusted the straps to your face, fitting it to you. “Be my parter in crime?” He asked with a twinkle in his eye, hand outstretched once again. 

“However could I refuse?” You asked, gesturing to the mask that was already on your face. Your heart sped up, in excitement this time as you took his hand and rose up off the ground. He brought you towards him, bodies flushed together as he leaned in to whisper. “You’re a monster out to hunt your prey. You’re in control here, now go show them just what you’re made of!” he said, by way of a pep talk.

You were made of jelly legs and rosy cheeks. That was probably not what he meant. You were grateful this time when he stepped away. You took a moment to gather yourself, channeling your inner fire.

He brought you to another corner of the room where you could hide together and scare unsuspecting visitors. The first time you both leapt out from your hiding space, you screamed at the same time the guests screamed, equally frightened by their terror. Mattheo wrapped an arm around your waist instinctively, to remind you that you were perfectly safe.

When they ran off, still screaming, you found yourself laughing off the adrenaline and how silly it all was. “Fine, I get it,” you said after a while, when you lost count of just how many you had managed to scare. “This is fun,” you grinned beneath your mask. While he couldn’t see you, Mattheo grinned back. 

“Come on,” he said, taking your hand once again as he led you through the haunted house. You were fearless this time, managing to scare other actors in masks. The hallways were filled with yours and Mattheo’s laughter, adding a layer of mischief to all the screams around you.

Before you knew it, you reached the end of the haunted house and you were not yet ready to say goodbye to this stranger. This could be the start of something. You led the way this time, shoving his shoulders back into the wall. He laughed in surprise, his eyes searching yours.

It felt good to conquer your fears, but you couldn’t have done it without Mattheo’s help. You took the mask off in one swift motion as you strode towards him. You needed to conquer your fears all by yourself and there was one thing that only the fearless version of yourself could do. You clutched the mask as you steeled yourself, smirking. As you closed the distance, your lips came crashing down on his.

You felt him freeze for a second before he smiled against your lips. His hands found its way to the back of your head and neck as he pulled you closer towards him. Your hand snaked through his curls, they were even softer than you imagined and you tugged at them. He moaned in response, of course he was a masochist. Your lips moved in sync as if you had been practicing for years. And of all the things that took your breath away today, this was your favorite.

When you both came up for air, you admired your handiwork - his messy hair and crumpled shirt. “That was to say thank you, for helping me,” you explained.

“Well, then I’ll give you more reasons to thank me,” he declared, his hand still playing with your hair. “Have dinner with me?”  

Your brow furrowed, “don’t you have to finish the rest of your shift?”

He grinned, “I don’t actually work here, I was just a knobhead who wanted to scare the actors.”

“So you don’t just conquer your fears, you fight fire with fire,” you nodded. “A knobhead, in short.” 

He raised his hands with a scoff, “hey, at least I’m self aware.”

“Can’t hold that against you,” you agreed.

“I know other things you could hold against me,” he quipped.

“Hey,” you smacked his shoulder, “at least buy me dinner first.”

“That’s the plan,” he said, leading you out. “Enough tricks for today, it’s time to get you a treat.”

[qiu-yan]

MDZS and asshole victims: thoughts on the second siege of the burial mounds scene

this post is not about morality judgments. this post is about reader sympathies only.

one rather clever rhetorical trick MDZS employs is putting all the more background "surviving victims of wei wuxian's actions" into one big angry mob at the second siege of the burial mounds, instead of letting them crop up anywhere else in the story. it's easy for a first-time reader to write off the guy who lost a leg at nightless city, or the guy whose parents died at nightless city, because both of those guys are being dicks. they're part of an angry mob baying for wei wuxian's blood--unfairly baying for wei wuxian's blood, because this time he didn't even do the thing they're saying he did. by putting these two victims into a mob of not just fellow victims but also unaffected individuals (ie. sect leader yao, who just showed up for kicks), the story can effectively equate these victims' grievances (ie. "you killed my parents") with unreasonable mob rule--even if these two things might not actually be equivalent.

the effect of this rhetorical trick, then, is that the reader can at once perceive the themes about mob mentality MXTX wishes to convey, and also effectively write off the victims' complaints. "yes, i did that to you, but i literally died already, what more do you want me to do? shall i walk on my knees repenting?" becomes easier for the reader to accept. and more importantly--wei wuxian's likability as a moral and just protagonist is not impacted.

ngl tho. it would be a bit more difficult for the reader to write off these victims' complaints if, instead of meeting said victims in an angry mob, the reader instead met these victims almost anywhere else. imagine if, instead of meeting mr. "you killed my parents" at the second siege of the burial mounds, we instead met him getting smashed at the local bar and crying about how his parents are dead. imagine if, instead of meeting mr. "you chopped off my leg" as a member of an angry mob, we instead met him begging for alms on the side of the road because his disability rendered him unable to work in a wuxia-esque setting. or imagine--if either of these background characters, overcome with survivor's guilt and trauma from nightless city, hung himself in his bedroom, and the next day his body was discovered by his 15-year-old daughter.

all of these scenarios are entirely plausible. you could easily include any of them into the story without changing the main plot at all. but suddenly shit just got a lot more depressing.

however, no such scene would ever be included in MDZS. the reason is that, as a work of fiction, MDZS's single most ardent goal is for us the readers to conclude not just that "we like wei wuxian as a character," but also that "wei wuxian is ultimately a morally righteous person." when the narrative focus shifts onto the people who were actually helped by wei wuxian's actions (mianmian and her family, lan sizhui, the few months of dignity the wen remnants were afforded) this becomes much easier for us to conclude; wei wuxian does indeed look like a hero. but the more narrative focus is given to the negative impacts of wei wuxian's actions--the more the "victims of wei wuxian" (whether actual victims or not) are given a face, instead of abstracted away by broad summaries--the more the reader might side-eye wei wuxian instead. every new victim given a name, given narrative attention that isn't just focused on making them look like an asshole, arouses the reader's sympathies in the opposite direction--and thus increases the risk that the reader might ultimately disagree with the novel's conclusion of "wei wuxian is a righteous person."

tbh, this does not seem like a risk MXTX particularly wants to take. instead, she's mastered the art of writing Asshole Victims.

which is an entirely valid writing decision, because imo basically every work of genre fiction out there does this to some extent.

[kmt123whatsthetea]

The art of having kids

Fred Weasley x reader x George Weasley

Requested by: @jelloangela

Request gist: “Overstimulation and breeding with the Weasley twins”

A/N: Thanks for the request! When it comes to the twins, magic must be real cause I'm under some sort of horny spell lol. I don't know why this one took me so long, writer's block has me in a choke hold.

T/W: Breeding, Overstimulation, Praise, sweet nicknames (I went for one's different than usual), a teeny bit of nipple play (thought I’d add a warning anyway), no aftercare

The day had been such a drag at the joke shop. Normal customers looking at the same old stock. The twins had been at the till all day just people watching. At around 4pm, a couple came in with a small boy. The boy looked so excited by all the colours and noises that the shop provided. He was giggling and touching everything in his reach. His parents trailed behind him, putting everything back in its designated place.

Normally, customers touching things and putting them down would be one of the worst things a retail worker could come across, but this kid was so adorable. After the small family had left, the twins turned to each other. The shared look only meant one thing, you were in for a rough night.

____________________________________________

You had been upstairs in the flat above the shop preparing dinner for when the twins locked up. At first when you hear them running up the stairs, you thought something bad was happening, like a fire or a howler from Mrs Weasley.

The twins practically burst through the door and pulled you out of the kitchen, directing you towards the bedroom before you could even ask questions. Fred was in front of you pulling you by yours hands while George was behind you pushing you with eager hands on your waist. They often got like this, where they’d just ambush you and start tugging at whatever you were wearing.

Fred sat on the edge of the bed, pulling you to stand between his legs while George trapped you there with his slim body. Fred tugged your jeans down along with your underwear, George pulled your blouse up. Both twins worked towards the same thing, getting you as bare as possible, as quick as possible.

When they achieved their goal of getting you naked, they both watched you the same way a hungry owl would watch a lost baby bunny, just waiting to strike with sharp talons. Fred stood up, pushing you onto the bed in his place. The boys stripped off their suits until they both stood before you in their underwear.

“Isn’t our girl so pretty and perfect, Georgie? She’s gonna make an amazing mother”

Fred’s words caught you off guard a little, but didn't put you off. George sat next to you and tutted at his brother.

“Freddie, you’re gonna scare our pretty girl away. How does it sound, angel? Being a pretty mummy for our babies? We’ll keep you so full of our cum until it takes, until you become so round and swollen. Just think of how perfect you’d look with a swollen tummy all because of us”.

George always had a way of talking you into kinky situations. Fred has always been the one to jump at the chance to try a new kink, whereas George would sit you down and discuss it first. He’d give you those puppy dog eyes that only he could and you’d be nodding, eager to try it. And nothing changed this time around.

You nodded, giving the boys the green light to do whatever they pleased. George's lips connected with your neck while Fred snaked his hands to your thighs, pulling your legs around his hips. Fred moved his tip up and down your slit, bumping it against your clit in an effort to get you wetter. George left marks along the skin of your neck while his hand made its way to rub over your nipples, which were slowly hardening beneath his rough fingers.

When Fred felt you were wet enough, he pushed in. Even when he was balls deep, he didn't stop to let you adjust. Fred had always claimed that you never needed to adjust, because they fucked you on a daily basis.

His thrusts were slow but deep, wanting to keep as much on his cock buried inside of you as he could. His hands gripped your hips, keeping you exactly where he wanted you. George's lips moved along your neck and up to your ear.

“Does he feel good, baby? You like having him deep in that little pussy? I bet you do. We’re gonna take care of you. Can’t have the mother of our children lifting a finger, now can we?”

The thought of the twins getting you pregnant caused a moan to slip past your lips. Both boys knew that they had won you over. They'd keep you bed bound until there was a positive pregnancy test if they had to. Fred’s thrusts slowly got quicker, while his hand moved to rub at your clit. He always did that when he got the chance to fuck you, loving the way your walls squeezed around him.

Fred’s eyes locked onto yours, his breath coming out in groans.

“You wanna cum, pretty baby? Get my cock all nice and wet and I’ll fuck a baby into you”

His fingers got quicker circling your clit, and then it hit you. Your walls squeezed Freds cock as you came. George kept his hand busy with your tits while whispering sweet words in your ear. But Fred didn’t slow down. His thrusts stayed the same rhythm, which eventually led to your moans turning to whines and your legs trying to close around his waist to stop the onslaught of pleasure. Fred held your thighs apart, while George directed your attention onto him with his voice.

“Sweet girl, if you want Freddie to fill you up, you need to stay still. Don't want him to pull out, do you?”

Although the pain was intertwined with the pleasure, you still shook your head at the very thought of him pulling out. Fred kept going, slowly bringing you to the brink again. All it took was another orgasm from you to make his thrusts turn sloppy and his cock pulse. With a low groan, he buried himself deep within your pussy, making sure every last drop of his cum would stay inside of you where it belonged. After catching his breath, he turned to George.

“Get up here, it’s gonna all leak out when I pull out”

George got up from his place next to you to stand beside his brother. As soon as Fred pulled out, George pushed in. Fred sat next to you, trying to gently shush the whimper that threatened to escape your lips. George slowly built up to a quick pace, his eyebrows furrowing at Fred who was rubbing your clit.

“Fred, she can't handle more. I bet in this state, she couldn't even tell us apart”.

George was always the caregiver. While Fred insisted that you could take more, always drawing another orgasm from you, George was the one who would be reluctant to push you. It wasn't that he didn't like seeing you in such a blissed out state or didn't think you could handle an orgasm or two, he didn’t like those little pouts and whimpers when the pleasure morphed with pain.

“Oh come on Georgie, our girl can handle it. She’s not made of glass, she can take it. Can’t you, sweets?”

Even after a couple of orgasms, you weren’t completely in subspace. You nodded at George, hoping to ease his worries.

“Please Georgie, I can take it. I want you to fill me up. Please Georgie?”

How could George ever say no to you?

His thrusts got rougher, desperate to give you what you asked. That building pleasure was quick to release, giving you your third orgasm of the night. George kept thrusting, although somewhat reluctantly. When he felt his own orgasm approaching, his thrusts got more manic. Soon, his cum spurted inside of you, mixing with both your own juices and Fred cum. George slowly pulled out, while Fred picked your underwear up and slipped in back up your legs. He was determined to keep it all inside you.

Even if it didn't take the first time, you could always try again the next night.

[ryanguzmansource]

September 27, 2024

Ryan Guzman is currently filming his next thriller: Midnight and, in his talk with Xmag, he takes a tour of his professional career. Despite his current international projection as an actor, Ryan Guzman did not plan to dedicate himself to acting at first. The American actor and model began to get interested in mixed martial arts when he was only seven years old and, after winning his first black belt when he was ten, he was a mixed martial arts fighter in Sacramento until 2010. A shoulder injury prevented him from continuing with his dream and he redirected his career working as a model in various magazines and brands such as Abercrombie & Fitch, Affliction and Reebok. Everything completely changed when he got his first starring role in Step Up: Revolution. “It changed the direction of my life. It was as if I was launching myself into a world that I had only seen in the distance.” The dance franchise was an international success and Ryan tells us about the process he followed for the films, which, according to him, has always been the same over the years. “I try hard at something new without fear of failure. I do it this way because I know that I can fail at the beginning of anything I try. The goal is to learn from my failures and be open to new ideas when it comes to acquiring and perfecting a skill.”

His career as an actor continued in 2015 with the psychological thriller The Boy Next Door, which as Ryan explains, gave him "an invaluable perspective on the business side of the entertainment industry.” In the film, he shared the limelight with Jennifer Lopez and Ryan tells us about his experience working on the film and what it was like working with her. "Jennifer's life is something that most people won't be able to comprehend because it involves A LOT. She's a superstar. He has a million things going on at the same time. I had a great time collaborating with her and the director, Rob. They both made me feel very comfortable. It was so much fun playing the bad boy!” From a psychological drama about a woman who falls in love with her younger neighbor, Ryan jumped to play Eddie Diaz in the police drama series 9-1-1, which tells the story of a Los Angeles rescue group willing to attend to any emergency. The series underwent a big change after its transition from the FOX network to ABC and Ryan explains how that has affected his character. "Eddie's character has evolved a lot since his introduction into the 9-1-1 universe. As in any great evolution, destruction must occur in order to rebuild something new. The transition from FOX to ABC came at a perfect time for my character and I was able to represent that evolution through destruction just before another defining event in Eddie's life. Season eight is about Eddie making peace with his demons and finding self-love.” Being a series that deals with extreme and challenging situations, Ryan describes how he prepared physically and psychologically for those moments. "Empathy is the key. I draw from what I've experienced and my understanding of it; then I use the truth of those encounters to connect with the character. As for my physical fitness, I keep practicing martial arts." Recently, one of his latest projects has been the fictional comedy The Present, starring Isla Fisher and Greg Kinnear. Ryan explains that the possibility of working with these two actors was one of the reasons I chose this film. “The moment I saw that Isla Fisher and Greg Kinnear were involved in the film, I joined the project. These are two actors I've always wanted to collaborate with. Working with Isla was a dream, she gave me a lot of love and knowledge and Greg is someone who I have always enjoyed watching perform. Also, the theme resonated deeply with me, as I was going through a divorce at the time, which made the story especially relatable.”

Right now, the American actor is involved in the filming of the thriller Midnight. "I received the script from writer Lamont Magee and when he asked me if I would be interested in one of the roles opposite Rosario Dawson, he didn't have to say much more to capture my interest. 'Midnight' was an opportunity to show action in a way that I haven't been able to do as much as I would like as an actor.” According to Ryan, the thriller promises to be an intriguing story and one that will surprise the spectators. "I think seeing Rosario Dawson come face to face with Mila Jovovich is intriguing enough, but then you add the layers of her sister's character, played by Alexandra Shipp and the truth is that the audience is about to discover a lot of twists and surprises.” As immersed as he is in his work, Ryan ends the interview by expressing how grateful he feels to have a community of fans and followers who have always been supporting him. “I cannot fully express the depth of my gratitude to those who have found my work entertaining and have continued to support my career over the years. THANK YOU!”

[mo-aiki]

Maximillian Black

Summary: The imperial dog, the hero of the Bloody 10 Year War, a prestigious war hero that somehow became your personal guard.

Warning: obsessive behavior, violence, slut shaming

A/N: THIS ART IS NOT MINE, IT'S THE MALE LEAD OF I TAMED MY EX-HUSBAND'S MAD DOG.

Connected to Yandere Isekai M. Characters x F. Reader

A ball.

A stupid one at that.

A ball ran by the royal family for congratulatories.

How stuffy.

The amount of fake people with fake smiles that surrounded him. He hated it. He was used to these fake smiles when he was younger. Working as a stableboy for a prominent polo club before running away and becoming a knight when he was 11. Everyone around him were terrible people.

Nobles who'd kill over a horse and servants who are willing to kill for them. Money is dangerous.

He was always blamed for everything. He was the youngest and the son of a brothel whore, starving for money, in thousands of coins in debt and taken in by an old man who was a stable man himself.

If a horse wasn't as fast as one servant claimed, the servant would blame it on him.

If a horse wasn't available, he would be blamed.

If a beloved horse died, he was blamed for letting it die.

He didn't want to be stuck as a stable boy. He hated everything. To live only to be thrown under the carriage by savages, from both the poor and the rich.

But when he was 10 years old, he saw something, or more like someone. A girl. Her face, lighting up when looking at the horse. It spooked him when he was surprised by her. "I'm sorry, but I really wanted to see the horse!"

Her eyes sparkled in delight when looking at the horses. "Could I pet one, or is that not okay with you?"

He was speechless with her beauty. Her nice voice, her (e/c) eyes with glitter in them, and her kindness and asking him, even though he was a lowly stable boy. The old man spoke for him. "You can pet the horses young lady. I'm sure people you understand."

Her eyes lighted up. "Thank you Mister..."

The old man took off his hat and held it. "My name is Otto, my lady..."

She smiled, a beautiful sight for his eyes. "Thank you Mr. Otto!"

She petted the horses as he watched in awe. The laughter and the smiling face of that young girl, stuck with him as a beautiful sight.

When he ran away, Mr. Otto was on his deathbed. The only one to take him in. He had told him to run, as far as he can before he becomes like one of them.

He ran, and ran, and ran. He wanted to run away from those looking for the money from his mother. He ended up at a mercenary camp, where he learned about how to protect himself.

He spent a lot of time with them. He had a gist on how to use a sword, but it definitely improved from the mercenaries. They were kind guys but were reckless and a tad bit unhinged at times.

But something all of them brought up were women. How their dream woman would be, what they liked about women, and even the nasty parts, he all heard.

But all of it brought him back to the girl he met at the polo stables with the most beautiful smile and personality. He couldn't help but think of her often.

She had appeared and disappeared in his life, leaving him in regret of not talking to her, the first time. He can only imagine her growing up, as he grew up. He trained for days with a new goal in mind, to meet her at any cost.

The mercenary group he was apart of were sent off to war against the rivaling empire over territorial disputes 6 years after the war had started. He was, as described by his comrades, a monster on the battlefield. He was recognized by the higher ups as someone who could lead troop morale and someone who could monstrously deal with the many soldiers and the creatures that came. He had dealt with the dragon the enemy empire managed to tame with a single hit from his sword, Glamdring.

All of this came from his motivation to survive and to see her once again. He had planned on leaving to find her, but the war dragged him in. He had originally wanted to run, but he overheard the talk about the prestige it would bring to him. If that girl was a noble, maybe he would impress her with his title and newfound fame.

And thus it led him to be the monster that he was, on the battlefield.

And now back at the ball. He held onto his wine glass, dressed in something he had never worn before. A white, heavily embroidered suit with a cape and a sash of all the medals for his accomplishments in the battlefield.

He only looked in disdain as all the noble ladies around him were drooling at his fit.

He went outside for a breath of fresh air. Walking along the garden until, he got to a fountain. He then saw a woman. Her (h/c) hair, perfectly laid, her dress, well thought out, and her hand holding the wine glass of half drunken champagne. He didn't know why, but somehow he was attracted to the woman sitting on the fountain edge.

He walked closer, to be bewitched by her looks, but somehow she felt familiar. Like someone he has been longing for. He was right next to her when she got spooked and almost fell into the fountain, while he caught her before she got wet.

Guiding her up and letting go of her waist, she looked at him. "Hello, thank you for catching me at that moment. May I ask for your name? I would like to repay you..."

He smiled. "My name is Maximillian Black, what is your's my lady?"

She smiled. "My name is (y/n) (l/n). Maximillian Black..."

She seemed to ponder for a few seconds. "Ah! You're the star of the ball tonight!"

He raised his eyebrow out of sarcasm. "Am I? Really?"

She laughed. Her laugh was beautiful to his ears. It almost reminded him of the little girl he met as a stable boy.

They walked and talked. He had never had a more enjoyable time then learning about you. But all of it was interrupted when a man's voice came in. "There you are (y/n)."

He looked directly at him as the woman turned her head towards him. "I have been looking for you since you said you needed to powder your face."

The woman blushed out of embarrassment. "Oh...I seemed to have spent too long out here, Duk-"

"I told you, you can call me Augustus, (y/n)"

The man held her hand as he pushed her towards his body. "I'm your fiancé after all...", he said, looking directly at him with a cold glare.

He had never felt so pissed after that interaction.

"Maximillian Black....MAXIMILLIAN BLACK?!"

Your voice, shocked as he stood right in front of you. A couple days later after the ball, the Emperor asked him a wish he could grant. He said, "To become a guard for the (l/n) family."

"Oh? Why my boy? Wouldn't you want riches?"

To Maximillian, riches were small in comparison to her. The Emperor granted his wish, and thus he became (y/n)'s personal guard.

He is always near her or at least 5 feet away. He always enjoyed the interactions he had with you more than anything. His favorite words were always your nickname for him. "Maxi! Could you please help me pick this orange? It's a bit too high for me to reach!"

"Maxi, could you sit down with me. I'll ask Anna to come as well."

"Maxi, I can deal with it myself. Do not fret. I will be careful!"

"Maxi, have you ever read this romance book? It is so sweet!"

Your kind and tender personality, melted his cold, stoic heart. But he soon saw how there were pest around you.

First was the stupid fiancé who never let you leave his sight, but always shooed him away like he was a pest. Giving you gifts of jewels, ribbons, dresses, bows, and books, he would beat him by a long shot just from his wealth alone. He did overhear that he was a Duke after all.

Second was the childhood best friend. The son of an Earl. Nobody was closer to you both physically and mentally than him. He would cuddle with you, get lap pillows, and be cared for. He wanted nothing more than to break him in half and tear him to shreds, but couldn't from his lineage alone. He was stage extreme of clinger.

And finally, third were all the men trying to flirt with you on a daily basis. He would shoo them, glare, threaten, and maybe if kill them if they didn't listen. Didn't matter if they were a noble or a peasant, someone filthy stained your ears.

He had to get rid of them.

He was in love after all, but at the end of the day, you were still going to get married to your fiancé, that arrogant duke.

He had overheard about your plans of annulment. He felt ecstatic, but his face looked the same.

Now all he had to do was to kidnap you and take you away to a forest to live out each other lives in peace, away from those pests. Easy enough, right?

"Night time would be safer to travel with a sleeping girl in my arms. Everyone is asleep after all..."

A/N: FINALLY DONE. NOW I CAN DO COMMISSION WORK OR IF YOU WANT TO REQUEST ANOTHER TYPE OF YANDERE, I'M ALL EARS!!!!

[asterlark]

me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!

there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.

ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)

we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.

from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).

looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)

and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)

in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.

[mareastrorum]

These are just initial thoughts, and perhaps I’ll learn something that changes my mind on it, but I’m glad to see Critical Role making the leap to their own subscription service with Beacon.

As a lead in: I’m an attorney that has some background in IP law, though it isn’t what I practice currently. I’ve kept in contact with several active practitioners, particularly those that represent small-time creators either in their own independent practice or via nonprofits. I do not have an extensive Rolodex of IP peers, nor do I spend the money to keep up on IP CLEs. I’m just someone who used to know a ton because I did heavy research and work in that space, and that hasn’t been the case for years.

So here’s my thoughts a bit on the IP angle:

The primary reason I’m happy to see this leap is that CR is taking active steps to keep control over its IP. It’s a boring thing to most people, but when I start paying attention to a specific creator (authors, directors, companies, etc.), I tend to be very attentive to how they use their IP. How freely do they license their marks to partner with other creators to make merch? How often do they allow others to make adaptations or derivatives of their copyrights? What is the quality of those products? What is the supply chain like? Are those third parties objectionable in some way? Were the other parties faithful to the original works or marks? Was this a cash grab or an earnest effort to make something worth the price tag?

Honestly, I like how CR run their business. They have a history of tapping fans and fellow small businesses when making new merch or spinoffs. They embrace the culture of fan-made derivative works, both by featuring fanart/cosplay and by sharing their success. Do you know how rare it is for a company to pay fan artists for their already-made and freely posted work and then sell books of it? Let me be clear: CR bought a limited license from each artist so they could print and sell each work in a physical book, then paid the cost of publishing that book with no guarantee that CR would make that money back, let alone profit. I have a copy of the collector’s edition art books: they’re actually very well made and the packaging definitely cost a pretty penny. That’s not a rainmaker idea, that’s genuinely risking financial loss to sell something people could access for free if they wanted to.

The art books aren’t a one-off either. Darrington Press is CR’s separate LLC for tabletop games. (It’s good business practice to split off companies that handle products in different industries.) CR has also made shows based on those games, and the Candela Obscura series has quite a dedicated audience. Everything about Candela belongs to them: the game itself, the rule book, all the art in the book, the web series based on the game, and merch. It’s so successful that they invested in scheduling a live show for Candela later this month. That’s HUGE.

Contrast that with the distribution of Campaign 1 and the first 19 episodes of Campaign 2. CR cannot host those videos themselves; Geek & Sundry still exists and still holds what I presume to be distribution rights (but I don’t have the contract to review). So G&S gets to host those videos on YouTube and reaps the advertising. I can’t speak to whatever share CR gets from that, but considering that CR is locked out of hosting their own copies of those videos, I doubt it’s much, if any, revenue. (If you’re wondering why CR just didn’t buy those rights back, I ask: what incentive does G&S have to sell something that’s making them money for no cost?)

Knowing that background about G&S, I was wary of CR choosing Amazon to host and distribute The Legend of Vox Machina. Originally, TLOVM was not the plan; CR had a kickstarter for an animated special based on C1. It was only because they blew past the goal that CR was able to make an entire season. The reasonable assumption is that choosing Amazon had to have secured CR additional funding for future seasons of the show, which seems evident from how quickly season 2 was announced, Mighty Nein Animated is also going to be a thing, and that season 3 of TLVOM is scheduled for fall 2024. CR had the option of just doing 1 season and keeping it purely in their control, but going with Amazon meant they could animate more of their works. Animation is expensive. I cannot stress enough how doubtful I am that CR would have been able to afford this many episodes and both campaigns if they had not gone this route. As wary as I was in the start, it paid off, and it’s going well—so far. Hopefully CR doesn’t regret that decision if Amazon tries something sleazy. But, as before, we don’t have the contracts and can’t know how secure CR’s position is if any dispute came up.

CR also partnered with Dark Horse Comics to make Vox Machina comics and Might Nein Origins comics. What’s especially surprising is that each of the cast had a hand in writing the MNO comics for their characters, with Matt listed for multiple. That isn’t very common with comic adaptations. Often times, IP owners let comic companies go ham with minimal oversight. Being listed as one of the authors comes with IP rights that have to be negotiated. That means that Dark Horse had to talk with CR about whether that warrants more or less revenue going to which party in exchange for that—or, alternatively, whether the comic gets made at all. That’s a ballsy move. You think people can just demand to write the comics that a publishing company is going to pay to print? Pffft. CR wanted some creative control, and that is a big ask. However, Dark Horse still has the distribution rights, both digitally and for physical copies. You couldn’t buy the comics from CR until they came out with the library edition, a book bound compilation of 4/8 comics. But the publisher is still Dark Horse; CR is just allowed to sell the book directly from their own site as well.

Contrast that with the novels about CR characters. CR partnered with Penguin Random House to publish novels about Vex and Vax (Kith & Kin), Lucien (The Nine Eyes of Lucien), and Laudna (What Doesn’t Break). Liam and Laura were vocal about having some say in K&K, whereas Madeline Roux said in an interview that she had full control over TNEOL. Both of those novels were narrated with CR voices, but narrating a book doesn’t come with IP rights, it just brings in a paycheck. There’s a lot less IP control in there compared to the comics, but this isn’t abnormal for book publishing. To be blunt, I doubt PRH would have agreed to publish the novels if anyone from CR had been a co-author or had heavy oversight over the author or the editing. I don’t think PRH even considered that as an option. Either an author that has already managed to sell X number of copies or nothing. Creative control over a book a huge ask, asks come with reduced revenue, and switching to books from a web series is already a leap. The fact that Laura and Liam had any say is surprising, really.

That was a long meandering tour of what we’ve seen CR do with its IP. The reason I bring up each of these things is that navigating the way to protect an IP in this space is rife with challenges. Different types of IP warrant different strategies because of the cost involved in creating each medium and the challenges placed by industries that have already sprung up around them. Any time that a third party is tapped to create an IP, it’s usually because they already have the funds and resources to create the work, and CR has to negotiate for revenue, creative control, distribution, and—the big one—who gets to be the owner. These are not easy, quick, or fun conversations, and CR is always going to be the smaller company at the table.

Knowing that, I’m not surprised or worried that CR is creating its own independent subscription service with Beacon. It tells me that they’re being careful with their IP whenever they can. A subscription service means they don’t have to trade away distribution rights or give up ad revenue to a third party. They’re in this for a long term investment, and that requires solid income not tied to third parties that can definitely outspend them in litigation in the event of a dispute. A subscription for bonus content is one of many parts in a diverse revenue stream.

(All that said, this isn’t meant to criticize creators that cant afford to do this type of thing. It took 9 years for CR to get to the point where Beacon is financially feasible and a desirable business decision. They have enough ongoing, popular content to warrant paying for a subscription, and they’ve built sufficient trust with their audience that more will be added. That takes time and an awful lot of money.)

As a final note, I take this step as a sign that CR definitely intends to stick around. This isn’t a move people make when they plan on ending the business after the current campaign. I’m glad to see CR is taking steps to secure their foundation and keep making new content.

I’m sure people will chime in on other issues (cost, content exclusivity, etc.), but I hope my perspective gives an idea of why this sort of thing is good for business generally and why it would be good for CR.