#both of those characters are dead and max is barely alive at this point | Explore Tumblr posts and blogs

sassycassie-s-writing · 4 years ago

Text

A Court Rebuilt

By: SassyShoulderAngel319

Fandom/Character(s): A Court of Thorns and Roses Series/Tamlin, Rhysand, Feyre

Rating: PG/K+

Original Idea: I have no idea where this one came from. I just thought, “What if Rhys’ sister actually survived?” and made a few detail alterations and wrote this.

Notes: (Masterlist)(By Character)(About Me) Don’t really have anything else to say here besides: again, I have not read ACOSF and dunno if I’m going to, but there were loose ends I wanted to tie up. Enjoy!

^^^^^

I’d intended to winnow to the edge of the wards surrounding the manor and then walk to the front doors on foot.

I was quite surprised when I just landed on the front porch. There was no trace of the wards. No protections around the manor house. None that I could detect anyway. The front door was slightly open.

I dismissed my wings before I left home, but I felt the phantom feeling of them shuddering as I pushed the door open a little more.

Inside, the grand entrance was dusty. Dark.

Empty.

I reached out with my magic, searching for the presence of the High Lord of the manor. Please don’t be dead, I thought.

There he was. In the back. The kitchen, if I remembered correctly. It had been centuries since I’d been here, and even then I’d been very young, for a High Fae. His presence was powerful, incredible, but nowhere near the scale and scope of Rhysand’s.

I stayed on alert as I made my way through the manor, heading toward the kitchen. But there were no sounds. No servants bustling around. No sentries patrolling the garden or the halls. The manor was little more than an empty shell. An unkempt, hollow husk of its former glory and beauty.

I made it to the kitchen. The door was wide open.

Instead of going in, I leaned against the doorframe.

Tamlin’s back was to me. He looked… wan. The kitchen was barely in better shape than the rest of the house.

He stiffened as he realized he wasn’t alone, but didn’t whirl around, claws out, to defend himself. Didn’t even turn to see me. I wondered if he knew it was me without looking. He didn’t seem to indicate so.

“Good morning,” I said.

That was when he whirled. His eyes—once the vibrant green of budding trees, now dull—widened as he took me in. “You’re supposed to be dead. Centuries ago,” he said.

“Well, technically, I have you to thank for the fact that I’m not,” I replied. “Do you remember?”

“Get out,” Tamlin snarled. There was no beastly bite to the words. No fangs in his mouth. I didn’t move. Just folded my arms. “Does your perfect brother know you’re here?”

“No. I’d like to keep it that way. I didn’t come to fight, Tamlin. I came to thank you, actually. For delaying your father and brothers long enough that I managed to survive. Yes, my head was bleeding profusely as I drifted downstream. Yes, I nearly drowned and my wings were mostly torn off. Yes, I’m still gloriously furious about it. But when Rhys found me alive and got me home to heal, I was still thankful you stopped your father from finishing me off long enough for me to survive.”

“Are you done?”

“Not yet.” I held my hand out. A small sheaf of papers appeared on my palm. I set it on the kitchen table. “I’ve spent the last week brainstorming ways to rebuild your court. Feyre isn’t sorry for the devastation she left behind; and frankly I don’t think she should be. I certainly am not, given how you treated her after what happened Under the Mountain. But the fact remains that the Spring Court borders the mortal lands, and a strong border is necessary to keep any faeries with bad intentions out of there, and any mortals who have a death wish away from here. Tarquin is fine leaving some of his sentries on the border for as long as necessary, but eventually it would be most beneficial for the Spring Court to monitor its own lands.”

Tamlin growled. A deep, low, guttural sound that made braver faeries than me shudder. As it was, I grew up with Rhysand, Azriel, and Cassian. Tamlin didn’t scare me. “Get out,” he snapped again.

“Those papers have a few different detailed plans for building your court up again. You can use any one you like. Or you can use none of them. That’s your choice. This isn’t the Night Court sticking its nose in the affairs of your court. Like I said, my brother doesn’t even know I’m here. This is just one person who owes you their life trying to get yours back on track. I didn’t spend the past week drafting those plans out of the goodness of my heart. I did it to make us even. I’ve spent centuries being dead to the outside world. Everywhere except home. And, if anyone asks you who came up with this, they won’t believe you if you say I gave them to you. It would be in your best interest, anyway, to say you came up with it yourself. Show you’re still strong.

“But right now, someone needed to kick you in the pants in the right direction. And since I owed you and you didn’t even know it, I figured it could be me.” I shrugged.

Tamlin’s lip curled. “You sound like your self-righteous brother.”

Don’t pick a fight, don’t pick a fight, don’t pick a fight, I reminded myself. Rhys wasn’t self-righteous. He could be cold and calculating sometimes, but his instincts were usually right. I had to remind myself that Tamlin was bitter and broken after everything. He’d been kicked after he was already down, and lashing out.

I wanted to put on the cold, amused, wicked mask Rhys used to wear as the High Lord of the terrifying Night Court; but that mask had never belonged to me, and I would never find it comfortable. “After our parents died, he was the one who finished raising me, so I suppose that would make sense,” I said levelly instead. “I’m trying to help you, Tamlin. For your sake as well as well as the sake of Prythian as a whole. Use my ideas or don’t—I owe you nothing now.”

He snarled again. I summoned my wings and flared them.

“Get some rest, Tamlin. You look tired,” I said.

As he snapped his teeth, I winnowed out of the manor. Back home.

—

The antechamber of the townhouse between the front door and the frosted glass door greeted me. I stepped through the frosted glass door.

My brother was waiting for me in the sitting room, lounging on the sofa. “Where have you been?” His tone was casual, but I sensed there was some irritation behind it.

“Out,” I replied.

“I guessed as much,” he said.

“Didn’t realize I had to report all of my comings and goings to you.” My words held more bite than I intended, but I managed not to flinch at them.

Rhys picked up a crystal glass with a knuckle length of liquid in it from the side table and eyed me over the top of it as he took a sip. “You don’t,” he finally said. “But I would appreciate being told you’re going out and when you think you’ll be back so I don’t worry about you when I wake up and find you gone.”

“He turned the whole house upside down looking for you!” Feyre called from the kitchen.

I instantly felt guilty. “Did you not see my note?” I asked.

“What note?” Rhys demanded.

I felt where it was in the house and then summoned it to me. “I left this on my bed. I was gonna put it in your bedside but I figured you’d check my room first if you got worried.” I handed him the paper. He unfolded it. The note was short—all it said was: Running an errand. Be back in an hour, max. -Me—but it took him a long time to read it.

His eyes turned up to me. His pupils had narrowed to tiny points. “Why do you smell of the Spring Court?” The words were strained.

I heard something clank in the kitchen. Feyre dropped something at my brother’s words.

Rhys put my note on the side table beside his drink and stood up, wings extending just a bit. He towered over me—I was only an inch shorter than Feyre but Rhys had always been so big. His eyes bored into me. I felt his talons scratching at my mental shield. Not a request for entry. An order.

“You promised never to break into my head,” I said sharply.

“I will if it means keeping these people safe. Our people. What were you doing in the Spring Court? Going for a leisurely walk through the woods?”

I flared my wings out a little too. Both of us animals trying to appear bigger than we were to be more intimidating. “I’m allowed to have a private life, Rhysand. I didn’t jeopardize the Night Court at all.”

Feyre appeared in the sitting room. I wondered if she’d considered getting in between us. I wanted to warn her off. I could deal with Rhys myself. Had been doing so long before she was born. It wasn’t that I didn’t want her help—I just wanted to handle this conversation with my brother alone.

“You revealed to Tamlin you’re alive, didn’t you?” Rhys demanded. His talons scraped harder against my mental shield. I reinforced it.

“Yes,” I said.

My brother swore as his mate gasped quietly. “Why would you do that? Do you know how dangerous—”

“Of course I do. But the fact remains that if it weren’t for him, I’d be dead. The fact remains that I owed him my life. The fact also remains that the Spring Court borders the mortal lands and is absolutely barren of faeries. With good reason. Feyre did the right thing in revealing to the court what kind of male he is, but that border still needs to be monitored. I know Tarquin is fine stationing sentries on the border but those sentries will eventually get tired of it, even if he swaps them out. It would be best for the Spring Court to have, at most, the ability to protect its own borders.”

“What were you doing there?”

“I spent the past week brainstorming plans for rebuilding the Spring Court. I merely delivered them, told Tamlin my debt to him was paid, and left. My life, for getting his back on track. He deserves everything that happened to him, but we need the Spring Court’s borders to be secure. Are you going to keep berating me or can I go upstairs and wash off the smell of that place?”

Rhys looked like he wasn’t going to stop glaring at me for the next decade.

I summoned one of the copies I’d made of my plans from my pocket realm and shoved them into his chest. “Go ahead. Read them. Or don’t. I don’t care. I’m going to go take a bath.”

I stomped over to the stairs and stomped up them. From behind, I heard Feyre say softly, “You’re being a little hard on her.”

Before I heard my brother’s reply, I slammed the door shut to my room.

—

When I emerged, freshly cleansed of all the floral scents of the Spring Court clinging to my skin, my brother was in the hallway outside my room.

“I read your plans,” he said flatly, almost begrudgingly. “The one about turning the Spring Court into a haven for faeries displaced from their homes in other courts during this past war was particularly impressive.”

I made a mental note to thank Feyre later. I assumed she had convinced him to at least be civil, even though I could tell he was still furious with me for being reckless with the secret that I was still alive. No one outside of Velaris had known that I’d been rescued and recovered from my injuries. I’d spent centuries staying solely in the city, being safe. A foray into the Spring Court was a welcome change.

I finished tying off my braid. “And?” I prompted. I wanted to see what else was on his mind.

Rhys didn’t reply immediately. Just stared at me with a sharp hone to his gaze. “And,” he repeated, “I think you made a good decision. Even if I don’t particularly relish the thought of Tamlin knowing you’re alive.”

“Thanks.”

“Also, I find it hilarious that on every single plan, you’ve written multiple times to have him claim all the ideas as his own. Though you definitely deserve the credit for it.”

“Be that as it may, it’ll look stronger coming from him. What did Feyre think?”

“Feyre hasn’t read them yet. I don’t think she wants to.”

“That’s fine. I know she’s angry at him. She has every right to be. I’m angry at him too, actually, for how he treated her. He deserves the ruin she brought upon him. He deserved being outed as the beast that he is. But, unfortunately, we need his court strong enough to protect its borders.”

“I agree. Maybe next time, though, if you have incredibly savvy political plans for another court, let me deliver them?”

“Tamlin wouldn’t have listened to you. He didn’t even want to listen to me. Not even after I told him you had no idea I was there.” I shrugged. “Next time I have savvy political plans for another court, I’ll just winnow the pages to the High Lord’s assistant’s desk under the guise of a citizen submitting them. This one was just a delivery I needed to make in person—so that he’d know I owe him nothing anymore.”

Rhys gathered me into a hug. “You’re a really annoying little sister, you know that?”

I smiled. “That’s my job.”

#ACOTAR #ACOTAR Imagine #ACOTAR FanFiction #Rhysand #Rhysand Imagine #Rhysand FanFiction #featuring #Tamlin #hooray #A Court Rebuilt

16 notes · View notes

pekorosu · 5 years ago

Text

just a lil “if ash lived” headcanon that i need to unload somewhere bc i've been holding it in for a long time

- set within the manga ‘verse

- takes place when ash and eiji are in their early 30s... so around the mid 1990s?

- i don’t get the weird animanga trope where older = longer hair, so they’re gonna look the same... maybe with slightly shorter hair bc they get regular haircuts now

- (note: i've always interpreted long-haired eiji as symbolic of the fact that he couldn't move on from ash’s death)

- ash and eiji will continue living in the states, idk if still in NYC or somewhere else. they’ll move around a lot though.

- ash will mostly remain underground as he had to fake his death after lao’s stab, but he does it in a "hiding in plain sight" kind of way. only a handful of people know he’s still alive.

- ash spends most of his time on the computer, mostly coding, hacking, being a nerd, among other fun stuff.

- he also takes on “jobs” anonymously, and occasionally from max (who’s still into investigative journalism) when he needs info that can only be obtained through Dubious Means.

- i also like to think that ash's a bit of a hacker robin hood lol. but he isn’t doing it purely out of the goodness of his heart, as part of it is a subconscious need to atone for his “sins” and cleanse the gnawing and persistent feeling of shame that gets amplified when he’s around eiji.

- also whatever he’s up to these days would ofc still be Highly Dangerous and Illegal, but it keeps him busy and would sate the part of him that’s still hungry for adrenaline without him having to engage in stuff like active bloodshed or substance abuse. basically that’s how i imagine he’d try to cope with life the only way he knows.

- eiji continues to do photography and other part time gigs bc he does not like the idea of mooching off ash forever, and he slowly makes a name for himself.

- ash and eiji live together but they are NOT together in a romantic sense... not yet >:)

- therefore eiji will probably date other people in the meantime, which gets a little troublesome bc it's not like he can bring them home to where his secret Very Important Friend is secretly hiding.

- ash will maybe have one-night stands every now and then. or not. idk. this isn’t a very important detail.

- anyway there will be lots of clueless but mutual pining :)

- ash especially, is of the opinion that they should start living separately bc someone will eventually track him down, maybe someone who has a past or present grudge on him. combined with his current activities, it’s only a matter of time before eiji would unwittingly get dragged into his problems again.

- eiji is v adamantly against that plan bc he's sorta developed a debilitating sense of paranoia that ash might just get killed somewhere while he’s not looking. not that ash isn’t paranoid either, but his insecurities often tip the scale over to “eiji is safer away from me” than “with me”.

- basically they’re doing their whole “stay. no, leave. no, stay” dance all over again, but like, dragged out over MANY YEARS.

- you thought eiji’s letter would’ve cleared up any crossed wires?

- HELL NO

- like yea, there was probably a beautiful honeymoon period of about a year or two after they reunited, before their respective trauma and issues started creeping in and fucking things up again.

- esp on ash’s end, i think he’d engage in a lot of self-sabotage. and eiji is only human, he has his own limits and baggage too.

- there will be a government conspiracy plotline but on a smaller scale compared to canon that i am unfortunately not knowledgeable enough to worldbuild on, but it will probably have something to do with cybercrime/cyberterrorism/stuff like that bc it needs to tie in with ash's hacking shenanigans.

- i've heard that sing ends up becoming some sorta political big shot in yasha? idk, i haven't read it myself, but since china’s rising status was mentioned in GoL i imagine the plot should relate to that somehow.

- therefore sing would also get to be in this story!

- i guess this means yut-lung would come into the picture at some point as well, and it would be a good opportunity for a redemption arc but i haven’t given it much of a thought bc i’m indifferent to his character orz SORRY.

- look i can’t do plot, but i am basically envisioning a political thriller with a side of slow burn romance (wait, you mean like a rehash of canon?)

- i’m thinking max is the one who kicks off the story by bringing something fishy to ash, and they just end up uncovering more and more and MORE stuff as they keep going.

- so for like 80% of the story, ash and eiji will be separated bc ash will be busy spying or infiltrating something... and being at the center of Plot Things, while max and eiji will be more on the outside dealing with the journalist side of things. i’m fond of max-ash interactions but i’m also REALLY CURIOUS about max-eiji’s dynamic :D

- meanwhile sing will be like, half in and half out i imagine. he's versatile like that lol

- ...i did NOT mean that in a dirty way

- anyway, this will provide ash and eiji ample space to work out their issues separately, as i think living in close quarters for so many years has actually been aggravating them. ofc those issues don’t get 100% resolved by the end, but some time apart from each other to cool off and spend with other people should provide a bit of perspective.

- i want ash to make some NEW FRIENDS (!!!) that are on the same wavelength as him bc there’s only so much that he can tell eiji and i’m sure he gets rather lonely, so there will be OCs that he will meet in the middle of Plot Things.

- ash will get trapped at some point. preferably with sing so they can have a much needed heart-to-heart talk. they’ll have a lot to hash out, ranging from the events in BF, shorter’s and lao’s death, all the way to ash’s love life.

- btw i like the idea of eiji and sing being close drinking buddies who confide in one another but ash is kinda, justalittle, not very happy about that LOL

- i mean, it's not like eiji can confide in ash when ash is the topic at hand, ya get me? as for sing, he’s similar to ash in the sense that they live dangerous lives, so i imagine he just finds it nice to be able to hang out with someone mundane like eiji every now and then.

- not to say that ash and sing aren’t talking to each other at all, but i think they’d have a bit of a rift between them. sing probably does feel some resentment, both at ash for killing lao AND at himself bc he knows deep down that given a choice, he would’ve saved ash over his own brother. ash can sense that tortured vibe, so eiji’s like their middle man. AND THAT’S WHY THEY NEED A HEART-TO-HEART TALK

- (SIDE NOTE: i want akira to have a role in this too. i actually have a separate headcanon that happens prior to this story... kinda like an alternate GoL?

akira goes to the states to visit eiji, but ash is also there, yeah? akira and ash start out sorta prickly with each other bc ash is all weird and standoffish and always cooped up in his room. she probably mistook him as a jobless model mooching off eiji at first since 1) eiji and ibe have never spoken about him back in japan (cuz he’s supposed to be dead), 2) why would eiji be living with some random hot guy? unless they met during one of his photography gigs? right???

and then she ends up witnessing them in the middle of a tiff, which makes her not like ash even more bc HOW DARE HE YELL AT POOR OKUMURA-SAN??? UNGRATEFUL JERK!!!

but over the course of her visit, she snoops around learns a bit about their history and gathers hints as to why their r’ship is kinda strained. also ash and akira somehow end up bonding (reluctantly) over their emotional insecurities and part on a friendly rivalry to win over eiji’s affections (which eiji is completely oblivious to. also akira may have been 100% serious but ash was just jokingly playing along with her (OR WAS HE???)). anyway long story short, ash teaches akira some cool tech/IT stuff along the way so that leads to her gaining an interest in the field.

she won’t be able to do much in this story, but a minor role would be cool :)

^ a lighthearted gyoza-making scene amid all the angst)

- (SIDE NOTE #2: i ALSO want cain to feature in this, but bc canon provided very little bg info on him it’s hard for me to figure out where he’d fit. but i suppose that’s precisely why it would be great to include him, since i can just make up my own backstory! lol. for now, i think he should be connected to one of the new OCs to make him more central to the plot. or heck, he can be involved himself! ...yeah, i’m just salty about how cain was treated more like a convenient plot device compared to the other major side characters. we barely know anything about him even though he was one of ash’s most trusted allies. #caindeservedbetter2k20)

- anyway, back to the main story. ash (and his new "friends") barely escape where they’re held hostage. ash would be rusty with combat now as he’s spent the past few years doing only stealth work and being rather sedentary.

- so there’ll be lotsa old man!ash jokes like them poking fun at him whenever he complains about his back hehe

- when they finally emerge outside they find themselves in the middle of nowhere! they then hijack a passing pickup truck and do a roadtrip back to civilisation. ROAD TRIP FTW

- at this point, quite some time has already passed and ash even has a fuzzy beard and mane and all. he’s standing at the back of the truck with a small smile on his face and the wind blowing in his hair, thinking GONNA GO BACK AND SEE EIJI, MISS HIM LOADS, HELL YEA

- (bonus: this song and this scene is the catalyst for this entire headcanon btw)

(drew this about a year ago. i was trying to imitate the manga’s art style... and the ash i had in my mind was a little different. i’m too lazy to redraw, but he’s fuzzier now okay! MORE FUZZ! like an actual freakin LION!)

- meanwhile, eiji and max will get into some deep shit around this point?

- eiji in the pic above was me imagining that the Bad Guys had tossed some damning evidence (eg. severed body part?) on the ground like “ash’s dead/ash’s in a lot of danger now so hand over all the info u have”

- and eiji and max are like. SHOOKETH

- this would be the 3rd time ash has “died” after all, and as they say... 3rd time's the charm...

- eiji almost gives in, but then max spits in their face like fuck no and then... yeah. they get beat up and taken away or something lol

- EDIT: hmm... what if the Bad Guy is someone IN the government, and he uses his power to get eiji and max arrested for aiding and abetting a wanted fugitive (ash). and then ash has to rescue them... JAILBREAK STYLE

- also it might be cool to introduce ash's mom somewhere in this story... maybe SHE'S the villain! mwahaha *drama intensifies*

- anyways they will get saved by ash and gang bc that’s just the way things go, BUT! only on the condition they already made it out at least 80% of the way bc GODDAMN IT👏LET👏EIJI👏BE👏BADASS👏FOR👏ONCE👏

- (that is, after he overcomes the initial shock of ash possibly being dead again... again...... again............)

- there will ofc be moments of “oh my god, you’re okay” "i thought i lost you...!"

- something like this, because one can never have enough cheesy reunion scenes

- this will eventually lead to REVELATIONS (of the romantic kind, yes)

- buuuut they will never say "i love you" directly to each other bc ash is too emotionally constipated and eiji is too japanese. it's okay, they will communicate it through heated stares 👀

- i would love for there to be a scene where they have to be separated again for Plot Reasons and ash sorta hesitantly goes all "...will you wait for me?" as a direct parallel to canon!eiji's "i'll be waiting" and it’s like,

- FINALLY!

- FINALLY!!!!!!!!!! ash has finally allowed himself to ask for this, to let himself want it!

- and eiji would be like OF COURSE I WILL YOU BIG DUMMY, ALWAYS AND FOREVER

- but i think it'd be hilarious if eiji pops up while ash's in the middle of the final showdown and ash's like WTF I TOLD YOU TO WAIT FOR ME and eiji's like I WAS WORRIED OKAY YOU WERE TAKING SO LONG

- idk how this is supposed to end...

- oh wait! since the plot is government-related, maybe Someone will be able to pull strings to wipe out ash’s criminal record (past and present) and give him a brand new 100% legal identity, as thanks for his efforts? or maybe ash (or sing) just does it himself somewhere along the way LOL. anyway, he’ll be able to start over with a fresh clean slate and finally work on recovery FOR REAL NOW. yes this is a happy ending AND it didn’t require him to go to japan /flips off canon

- ...i realise it’s never going to be that simple but W H A T E V E R

- (also they probably will visit japan in the future with that shiny new passport... gotta meet the in-laws and all y’know)

- who do i gotta pay to write this cheesy self-indulgent fic for me

#since tumblr is for talking to myself that is exactly what im gonna do now #a very long self-indulgent post //#banana fish

139 notes · View notes

facelessfrey · 5 years ago

Text

Roswell New Mexico Season 2, Episode 13

- I’m sure that wasn’t supposed to be comedy but I literally laughed through most of that and I’m still laughing at the last scene. I can’t. I just...I can’t. I mean what the fuck even was half of that?!?!?

- I mean that episode was WILD. I don’t even know where to begin. This is going to get long...you are forewarned.

- Let’s start with the EXTREMELY RAPID conclusion of last week’s mortal peril. Yep....let’s just do some CPR...not even have to break out the alien defibrillator powers and oh look Max is just fine. I mean...thank god cause I could not go through a repeat of last season although...considering the last scene...that might be preferable. (I’m still laughing...like full on cracking up and my roommates probably think I’m nuts). Then we’ve got Liz dumping the contents of some top secret recipe giant ketchup bottles on the alien console and oh...yep....melted. Glad that crisis was averted. Then we have some random shots of people going to the hospital and oh look...everyone’s alive and fine except...Jesse Manes. I mean...don’t get me wrong...he’s a monster and I’m not sorry he’s dead by my god what a pitiful end to a character that should have been a really good villain but instead was a guy who limped around in the background most of the season until suddenly in one episode it turns out he had been putting together a dastardly plan to show the aliens as the monsters they are and then murder them....sure. Why not?!?! Well...I guess it’s nice that that barely three episode arc of Gregory Manes wanting to stand up for Alex got some closure. I just...it’s so dumb!!!!

- Oh wait...I forgot...not shocking cause it was literally two seconds, but hey...Helena randomly went back and saved Charlie and proceeded to yell at her for getting chained up and not leaving while she freed her. Cool.

- Right...so that’s all wrapped up in the opening five minutes...let’s just move on...we’ve got a lot of other insane junk we have to throw into the next 35 minutes. Yep...still laughing.

- Let’s just kick things off with Michael and Maria...and now I’m laughing again. I did ask the show to prove me wrong earlier today and well...I mean....they half did?!?!?!! Except it was literally insane so I don’t even know what to say. So...Maria’s just fine cause you know she was only half alien so that’s cool and great and then oh wait...she just happens to have a magic plot box dropped off by Mimi. Thanks Mimi...you still have no real purpose in this story except to occasionally move the plot forward but thanks for the box. But Michael doesn’t trust Mimi’s plot hints so he doesn’t want to open the box. Instead....he goes to hang with Alex and they destroy the shed together, which admittedly was a very nice scene and totally gave me Stendan in Dublin vibes and I quite liked it.

- But it was also all so they could find a literal skeleton under the floorboards. Gotta get those callbacks in eh? Hahaha. And of course it’s Tripp! Who else would it be? And of course...he’s got the magical key so it turns out Mimi really is tuned into the plot and read ahead in the script and knew that box would be important! So back to Maria he goes after having this super cathartic scene with Alex that tied into their emotional past together. I mean...par for the course...and I was fully ready for the whiplash that was going to make me crazy and you know...I was not disappointed because they started out being all “hey I love you” and I was like “eye roll knew that was coming” but then! She just up and breaks up with him because that’s what you do after a mutual I love you that’s based on zero relationship development over the past twelve and a half episodes. And once again...I am laughing.

- I mean...I’ll say this...I’m glad it was her that broke up with him and in part because she totally knows he’s in love with Alex and we have been saying that literally all season so like I’m glad she noticed. But I literally died when she was all “I’ve learned so much from this relationship”. What?! What did you learn? Did you get motivation in your script direction that we weren’t privy to because I still have literally no idea what either of you were supposed to be getting out of that relationship but hey...who cares cause it’s over now and Maria just decided that so it’s all fine. No heartbreak there. And you know...Michael seems totally cool with it. Barely even put up a fight. Hahahahaha. Again...I can’t.

- So then we go back to Alex and Michael and Isobel who is all of a sudden team Malex this episode when previously she was inventing emojis for Michael’s Maria hearteyes so yeah...all of this is just really confusing. But hey! The box has Tripp’s journal in it and descriptions that make Michael squirm but also....Tripp and Nora’s love was...wait for....COSMIC! Hahaha. Oh this show. It’s drunk on it’s own absurdity. So anyway...we’re filled in on the rest of Tripp and Nora’s story...well...sort of. We know she tried ice cream and liked it and there was talk of the mystery bad man that wasn’t Noah but uh...more on that later. Haha. Well...I guess we know Harlan killed Tripp and we unfortunately saw Nora die so that’s a wrap on the 1947 flashbacks I guess?!?! Sure.

- Oh god and the song...since we’re on Malex anyway. I mean...I liked the song and yeah....he got all the references in there. I never look away...cosmic...sure. And I knew once Forrest was there that kiss was going to happen but my god...are we really setting up season three where now Alex is the one in a random relationship and Michael is trying to be happy for him and we repeat season two’s nonsense?! Are we going to have another threesome just for funzies because you know...that was still LITERALLY the dumbest and most pointless plot point of the season. But anyway, I’m happy Alex felt comfortable enough to sing a song about a guy and kiss a guy in front of a crowded bar but there was literally NO REASON it could not have been Michael. He and Forrest literally had like four scenes together this season compared to Malex who had this whole emotional arc but no...gotta make it complicated.

- Props to them for managing to have one last break up without actually even having a conversation this time. TALENT. LEGENDS ONLY.

- I guess at least now that there’s just a minor character in the way and they probably can’t actually kiss again due to coronavirus restrictions, there’s probably some hope for Malex next season?!?! Maybe they’ll find a vaccine by the time there’s a Malex reunion. Maybe good things come to those who suffer. Hahaha.

- Right...let’s move on to Max and Liz. So uhh...Max spends the whole episode seeming like he was hopped up on drugs again or desperate for a fix. What is in that antidote?! Once again we gloss over the “darkness” in Max because like who needs real follow up to the first five episodes of the season. Not this show!

- The whole “Max destroys Liz’s lab” plot was nuts. Just the sheer speed of it from Diego magically appearing at the diner with the Generyx woman to Jenna’s super spy disguise to Max just blowing up the lab as Diego and co drive up and then they just exit stage left super fast except for the fact that Liz is still seemingly going to California but like...why? Did Generyx woman still agree to give her a grant based on her exploding lab?! Did she just feel bad that she didn’t have a lab anymore?!

- Sidebar to Steph...fucking Steph...whose apparent entire purpose this season was to be sick enough to inspire Liz to do science and break up her and Max over it and then survive after Liz randomly finds time to give her some kind of half baked medicine from her lab BEFORE it exploded??!?! Or does she just carry that shit around with her? And for the love of god SOMEBODY SAVE KYLE from this EXCRUCIATINGLY BORING story!!!!!! Please don’t subject him to more of this next season. Let them break up during the pandemic and give Kyle a clean slate and allow him to reenter the narrative in a way that allows him actual screen time and scenes with the group. Sigh...at least he got to hug Liz and have a brief scene with Alex where Alex told him he was proof of redemption. Look at that character arc that was literally told in two scenes this season! Yeah...see they can be concise when they want to!

- Anyway...back to Max. OH MY GOD WHAT WAS THAT FINAL SCENE?!?!?!??! HAHAHAHAHAHAHAHAHA?!!? I don’t even know what I was expecting but it WAS NOT THAT! What even?!?! WHY AM I BEING SUBJECTED TO TWO MAXES?!?! ONE WAS ENOUGH...sometimes MORE THAN ENOUGH. This is just really mean and so was forcing me to look at that HIDEOUS beard! I just....I really can’t handle it. HAHAHA! What drugs were they on when they wrote this?! Also...NONE OF THIS ANSWERS ANY QUESTION AT ALL!!!!!!!!!

- Let’s see...what else...

- I’m glad Jenna and Charlie FINALLY had a scene together because when Jenna first said that Charlie had disappeared again, I got so mad because it was just inexplicably dumb. So I’m glad they got to see each other.

- I’m glad Rosa is going back to rehab and that she both got to tell her mother that she loved her and tell her to stay the fuck away.

- I’m just laughing at the fact that for like one episode Helena was suddenly the big bad or at least a main antagonist or at least some kind of main player for the season and then just as quickly was COMPLETELY IRRELEVANT and is probably just going to leave now?!??! WHY?!?!?!?

- Can Isobel please get something legit to do next season that doesn’t just involve her going into people’s heads without asking and maybe involves her getting a love interest of her own? Please?! I mean...I’m glad she got learn about her mother this season but also I feel like she didn’t do much and I think she deserves more than that.

- I guess I’m glad Maria is embracing her alien side and trying to be true to herself or whatever but also....she was literally just in this episode to “not be dead”, to give Michael a plot box and to break up with him so she’s no longer a shipping obstacle. And then we never saw her again the rest of the episode. I really sincerely hope they do more with her next season in a way that actually serves her as a character because this season did not do her many favors. I’m glad she finally knows about the aliens and they delved into her own alien identity but I hope she really gets to do something with that next season and not just exist to save everyone else at the end with no thanks for it. I mean literally no one was on screen visiting her except Michael just so she could give him a box and break up with him. Liz and Max were literally at the hospital. But no...Liz had to see irrelevant Steph so she could save her for some unknown reason. Sigh....Not even her cool aunt Isobel came to see her.

- I don’t even know what else to say. I’m still laughing. I still feel like I know LITERALLY NOTHING about what was going on this season. I had hopes for this season at the end of season one but honestly I have zero hopes for season three because I’m sure it will be a clusterfuck but an even weirder clusterfuck than normal cause everyone will be standing eight feet apart. Maybe that will make them tell a tighter story and not try and shove 75 different plots into 13 episodes??? Probably not. I’m sure it’ll still be batshit crazy and make no sense at all. I’m gonna treat the show as a comedy from now on.

- Well...it’s been fun all. Thanks to anyone who made it through this whole nonsense post. You deserve a prize. Maybe a plot box or a skeleton under a floorboard or a journal telling you your relatives’ love was cosmic too.

#roswell new mexico #roswell reveiws #roswell nm #rnm #this was very long as predicted #I am sure I will still think of more things later

64 notes · View notes

echo-bleu · 5 years ago

Text

Come Home

This was originally written for the Whumptober prompt “Embrace”, that I posted on AO3 but never here. @spaceskam reminded me it exists the other day... It’s not new, but I didn’t have time to create anything new, so it’s my entry for day 3 of the Missing Alex Manes Weekend ( @alexmanesappreciation).

MAJOR tissue warning. This is not a major character death, but...it comes really close.

[brain cancer, discussions of death, grief/mourning]

“Genocide is the alien's intent for us during a systematic invasion. They're perfectly designed to kill!” Flint exclaims. “One of them can give you a brain tumor just by touching you!”

“Jim Valenti,” Alex blinks in shock. “Did Dad do that?”

“Subject N38 did,” Flint spits out. “They're coming. The question is whether or not we'll be ready.”

Alex shakes his head. “You're just as committed to the cause as our old man.”

“Dad didn't send you, did he,” Flint realizes. “No, Dad would never send you.”

Alex shifts. He sees Flint's hand move toward his holster, to the gun Alex just gave him back, and he prepares to move. It lasts exactly two seconds, until he hears the clicks of more guns cocking. A quick look around him tells him he's surrounded.

How did he miss them coming in?

“I'm sorry, Alex,” Flint says. He truly looks sorry. “We can't let you leave this place with what you know.”

They were here the whole time, Alex realizes. Flint's presence destabilized him and he was careless.

Alex slowly raises his hands, gun held loosely in his right. He's outnumbered one to seven. There's nothing he can do. He just hopes Michael and Kyle will make it out. Oh God, Michael. If they catch him−

He bends down to put the gun on the floor. One of the men−military, all of them, though Flint is in the Army and Alex can spot at least one Marine uniform−comes up to him with handcuffs. Alex doesn't resist.

“Come on,” Flint says.

He leads them to another room, filled with more weapons and equipment. Alex looks almost hungrily at the computers, knowing that he could get all he information he needs right there. But the bulky airman holding his cuffed arm makes him stumble, and he almost falls, barely catching himself. The pain that shoots up Alex's leg brings him straight back to his present situation.

Flint doesn't seem to be aware that Alex is not alone, and things need to stay that way. He needs to keep them away from the surveillance monitors he can see on one side of the room. The only thing Alex can do is give Michael and Kyle time to run, and hope they're not going to play heroes.

He has his doubts about that. There are dozens of aliens kept in cages downstairs, if he's interpreting what he's seeing on the surveillance videos correctly. Michael is never going to leave them here.

Flint is on the phone. Alex can't hear what the other person is saying, but he recognizes the unmistakable patterns of their father's voice. And even if he hadn't, Flint's tone would have told him.

“We captured him breaking into the facility,” Flint explains. “Yes, sir.”

Alex strains to hear his father, but he can't make out the words. Flint suddenly looks hesitant.

“But it's Alex, sir,” he says. “Are you sure?”

Hesitant turns to conflicted. “I would rather not.” Then to resigned. “Very well, sir.”

Flint motions to one of the Airmen to approach, and gives him the phone.

“Master Sergeant?” the man asks. He listens for a moment. “Yes, I will take care of the prisoner, sir. Right away.”

Flint's look at Alex is sorry and sad, but he looks away when Alex makes eye contact. Just from that, Alex knows his fate.

The Airman takes his arm again, roughly, and forces him to walk too fast, too hard. Alex knows there's no point in fighting, but he still struggles against the restraints all the way down to the cells' level, almost falling down the stairs several times.

They stop in front of one of the glass door, and Alex feels his spine go cold at the sight of the old man in it, and the sign on the side of the door. Subject N38.

“Open the door,” the Airman order the guard.

Flint looks away, as they push Alex inside.

Kyle waits until Alex has almost reached his house to drop him off to ask. “What happened back there? Before the explosion, I mean. They got you?”

Alex keeps looking straight in front of him at the road. “For a while, yes,” he answers, forcing the words out. “I'm going to need you to book me an MRI.”

“What?” Kyle asks, confused. “Why?”

“I got confirmation that my father was probably the one who killed yours. By way of an alien. Subject N38,” Alex says. “I'm sorry.”

Kyle opens his mouth, even more confused. “We saw him,” he says. He starts saying something else, but Alex can feel the moment he understands.

“No,” Kyle gasps. “They didn't.”

Alex briefly closes his eyes against the tears threatening to fall. “Flint−” he starts, but his throat knots up. He's going to die by his brother's hand, on his father's order. What a family.

“What didn't you say anything?”

“We had more urgent things to take care of. And you and I both know there's nothing to be done.”

Kyle punches the dashboard. “Fuck. Fuck fuck fuck fuck. We're going to find some way. Maybe Liz and I can−”

“No,” Alex says. “We are not telling anyone about this.”

“But why? If we can cure you−”

“But we can't. Project Shepard needs to be shut off, and the alien serial killer, whoever it is, needs to be stopped. It's far more important.”

“More important than your life?” Kyle asks.

“Be realistic, Kyle. Even if you find something, it's going to do what, slow it down a little? You're not going to cure an alien brain tumor in a few weeks. I'd rather spend those weeks destroying my father's work.”

“So you're gonna make me watch you die like my father, and do nothing about it? And keep it to myself? The fuck I'm gonna do that, Alex.”

“You will,” Alex says, looking at his hands now that he has pulled over and doesn't have the excuse of the road to look away. “You know why I need you to. Look, I know it's not fair, and I'm sorry. I wouldn't have told you at all, but I'm going to need someone who can help me get my affairs in order, and take over when I can't keep going.”

“Alex...” The pure anguish of Kyle's voice almost makes Alex break.

“Please, Kyle.”

“Fuck!” Kyle punches the dashboard again.

“Will you do it?”

Kyle sighs. “Yeah. I'll do it. But I will try to find a cure, and I want it on the record that I don't agree with this.”

“Thank you,” Alex murmurs, relieved. At least one thing he doesn't need to worry about. Kyle will respect his wishes. It's his job, the one he swore to do.

Now he has work to do, before he can let himself collapse.

The first few days, Alex feels fine. Physically, at least. Psychologically...it's another matter. He almost goes to Michael, to tell him everything. In a moment's weakness, he thinks he wants to give them a chance, before it's too late.

Then he thinks of what he would feel if it was Michael in his place, and remembers that Michael just lost his mom. He doesn't go. He spends his time at the base and down in the bunker instead, looking through the data they got at Caulfield.

There's a video of Jim Valenti being pushed into Subject N38's cell, and Alex throws up when he watches it. He doesn't know if it's because it's his father's face on the screen, of if the tumor that's already visible on the MRI is starting to affect him.

It's growing inside his head. His own death.

He can't feel it yet.

Alex and Kyle catch up with the Noah problem after the fact, when Liz calls them in panic and they find her hugging Max's dead body, and a very alive Rosa looking on, confused.

Max doesn't stay dead long. The storm is going strong again outside, and Isobel is the one who figures out how to channel the lightning into Max's body. He's been dead longer than a human could have gone pumping blood, but then he's not human. He gets off lightly, just weak and sore for a few weeks.

Hugging Rosa, Alex reminds himself that he's not going to get the same chance, and he wants to cry. He thought he could handle it, die in dignity like he always hoped he would, but this isn't combat. This isn't one gunshot and−gone.

It's weeks, months of waiting for the inevitable end.

It's going to be ugly.

He looks at Kyle across the room, who is looking back at him sadly. Kyle always looks at him sadly, now.

Alex is glad none of the others know.

Five days after Rosa is resurrected, Alex walks into the Wild Pony, hoping to drown his sorrows for a while, and he finds Michael kissing Maria behind the counter. It's a punch to the gut.

Only as he backs out of the door, deciding he'll do his drinking at home, Alex realizes that it doesn't feel like he thought he would. Michael is lost to him anyway. He's planning to leave the planet, and Alex won't even live long enough to see him go. He thought his heart would break. But his heart is already in too many pieces to break more.

He can't help the jealousy, but it's a relief too, somehow. If Michael has moved on, if he's happy with Maria, then Alex's death won't destroy him.

He hopes Michael will forget him, once he's gone.

He gets drunk enough that he doesn't remember the rest of the night.

He wakes up to Kyle's knock at his door. Kyle has come like clockwork every morning before his shift, making the two-hour round trip to check on Alex. Alex keeps telling him it's not necessary, but he won't budge on this.

Alex tries to clear his head of the hangover, going to open the door on crutches.

“How long did it take, for your father?” he asks, before he even realizes how insensitive it is. But he needs some kind of time frame. He's avoided thinking about it so far, about how many months or weeks he has−how many days.

Kyle runs a hand down his face. “Alex...” he mutters. “I can't do this right now. Come sit down.”

Alex obeys, but he still pushes. “Please.”

Kyle sighs. “He died March 9th, and the worst of the symptoms started in late February.”

“Time stamp on the video said February 15th,” Alex mutters. “Less than a month.”

“You said yourself that he was in the cell a lot longer than you,” Kyle says. “You may have more time.”

Alex looks up at him. A month. He has a month left to live, maybe two if he's lucky. It's been six days already.

“I'm sorry,” he says. “This has to be so hard on you.”

Kyle laughs humorlessly. “I'm not the one−” who's dying, Alex can fill in, but Kyle's voice breaks as his laugh turns into a sob.

Alex's eyes are dry as he hugs his friend. He feels cold.

“Where is he?” Michael almost barrels into Kyle. “Where is Alex?”

Kyle sighs. “I don't think he wants to see anyone,” he says.

“Why? Is it bad? What is wrong with him?” Michael asks, panicking.

Kyle bites his lip. He promised, but he's pretty sure the cat is already out of the bag. Instead of answering, he nods to the door of Alex's hospital room behind them. Michael doesn't even hesitate before he knocks on the door.

“Come in,” Alex says, his stomach feeling like lead. Him collapsing in the middle of the Crashdown Café was bound to come back to his friends' ears, but he'd hoped for more time. It's been twenty one days since Caulfield, and he's been hiding the bouts of nausea and dizziness, the blinding headaches, for over a week now. He's running out of time.

He fiddles with his IV as Michael comes in. The truth is, he'd hoped he'd be able to hide it until the end, to avoid making his friends go through this. But it's unfair to Kyle to ask him to carry this on his own any longer, and the choice has been made for him by his traitorous body anyway.

“Alex! What happened?” Michael asks, coming closer.

Alex sighs. He wants so hard to say it's nothing−he wants it to be true. He doesn't know how to announce it.

“Alex, please. You're scaring me.”

“I had a frontal lobe seizure,” Alex explains. He chokes up on the rest.

“What does that mean?”

“The seizure itself is nothing bad, but it happened because...I have a brain tumor.”

“What?” Michael gapes. He drops into the chair beside Alex's bed. Alex bring his good leg up to his chin and wraps his arms around it, trying to distance himself. He thought this would hurt less if Michael was with Maria, but he heard they broke up a week ago.

“In Caulfield...my brother Flint got to me. He...my father ordered him to take me to Subject N38.”

“No,” Michael shakes his head. “No.”

Alex looks away.

“The tumor's already grown enough for symptoms to appear, so I don't have a lot of time left,” he says, as matter-of-factly as he can.

The look on Michael's face in unbearable. Raw pain, purer that anything Alex has ever felt. He closes his eyes, unable to stand it.

“No, it's not right,” Michael mutters. “You can't−” He chokes.

“I'm sorry,” Alex says.

Michael swallows several times. “How long have you known?”

“Since the day it happened,” Alex answers quietly. “You had so much on your plate.”

“Who else knows?”

“Kyle. Liz found out today, and now you.”

Telling Liz was painful and hard and sad, but it doesn't even start to compare to this. Alex dreaded this moment for a reason.

It takes Michael almost five whole minutes to break down. Alex leans in to allow him to bury his head in his shoulder. He hoped for anger, almost. Rage. He wants Michael to scream at him for not telling him sooner, he wants…

Anything but this.

Because he can't stand Michael's pain. Because this is what drives it home.

He's going to die. Not someday, not maybe, not even probably.

He's going to die, and he'll spend the little time he has left watching his body give out on him.

Feeling cold and numb, he waits until Michael's heart-wrenching sobs start to abate to speak again.

“When I was injured in Iraq, I was certain that I was going to die. The whole building collapsed on me, and I was trapped and pinned down. The whole time, I was thinking about you, and I regretted that we never got to make things right. It feels a bit like...like I was given a little more time, somehow, to get back to you.”

Michael pulls back to look at him, his face streaked with tears.

“Alex−”

“But it also means that I've been living on borrowed time, for almost a year,” Alex continues. “I'm so glad I got the chance to see you again. To learn who you really are, even. That we got a little time together.”

Michael lets out another sob.

“But I'm running out of time,” Alex continues. “And you've moved on. It's a good thing. It will be easier for me to go, if I know that you're going to be okay.”

Michael shakes his head vigorously in denial.

“I haven't moved on,” he says. “I went to Maria because it was easier. It didn't hurt.”

“Loving me hurts?” Alex asks, but he already knows the answer. Of course it does. What has he brought to Michael but pain?

“Not loving you. But being with you. Being without you. We just kept hurting each other. I was running. I wanted to get away from the pain.”

“I know,” Alex murmurs. “It hurt, to see you with Maria, but I understand.”

“You're...knowing that you're dying, it feels like...” Michael makes a gesture when words fail him. “The end of the world. But I've also realized how wrong I was.”

“About what?”

“Loving you is worth all the pain in the world. I didn't realize it sooner, and I'm so sorry.”

Alex chokes up. “No, Michael, I am sorry. For leaving, every time. And I'm sorry that I'm going to leave you again.” Because this time I would have stayed, Alex doesn't add. There's no point in making this even more painful for Michael.

Michael makes a wounded animal sound, hugging Alex again.

“You know what?” he says after a bit. “We're gonna make the most of the time we've got, okay?”

“I'm going to be very sick,” Alex bites his lip.

“And I'm going to take care of you. Starting right now.”

Michael stands up, untangling his hands from Alex, who lies back into his pillow, exhausted. Michael dries his face with his sleeve, then gives Alex one more look, heartbreakingly gentle.

“Valenti!” he calls, going to open the door.

“What?” Kyle responds from where Alex assumes he's still sitting with Liz.

“Does he need to be in the hospital?”

Kyle comes over to the door where Alex can see him. “In here we can at least check on his vitals−”

“Is there anything you can actually do?” Michael asks, his voice rising in irritation.

Kyle makes a grimace, like he hates what he's going to say. “Keep him comfortable?”

“I doubt he'll ever be comfortable in a hospital bed,” Michael shakes his head. “Can I take him home?”

Kyle looks between him and Alex for a moment before he makes a decision. “Yes. I'll come check on you as much as I can. Just let me get you the discharge papers.”

“I'm going to be with you until the end,” Michael says when he's gone. “I promise.”

Alex doesn't know whether to be heartbroken or relieved. He shivers, and Michael snuggles up against him on the bed, warming him up.

“Kyle and I looked over your scans,” Liz says a couple of days later, when she and Kyle visit Alex at the cabin. They've been working non-stop since everyone found out. “We're going by the progression of the tumor, and Jim Valenti's medical file to try and predict what will happen.”

“I already know what will happen,” Alex shrugs.

“We wanted to have a more precise time scale. Look, Alex, I still don't get why you didn't tell me earlier, but what Kyle found shows some promise.”

“There's no time to test it, or implement it,” Alex says. He and Kyle have spoken about it many times. “Even with your genius, Liz, I'll be dead long before you manage to make it into a cure.”

“Maybe not,” Liz says. “We have the pods. We can keep you in stasis for a while, long enough enough to figure it out.”

“It could be years. And we don't know that it would even work.”

“Don't you want to try? It may be your only chance.”

“It's a slim one at best. I don't want to give up on what little time I have left for a fool's hope.”

Liz and Kyle exchange a look. Kyle takes a deep breath.

“Listen,” he says. “I watched my father die. I wasn't there the whole time, but I was there at the end, and I watched him suffer. It was...excruciating.”

“Why are you telling me this?” Alex frowns. “I already know that.”

“Because...you're at the end your rope here. From here on, it will be nothing but pain. Your sight will be the first to go, but the tumor has already metastasized all over your body, on your bones, your organs… The other day was just the first symptom.”

“It wasn't,” Alex shakes his head. “I've been feeling ill and sore for a while.”

Kyle closes his eyes. “It's only going to get worse from there.”

“I know.”

“Do you really want to go through this?” Liz asks.

Alex sighs and runs his hand through his hair. “No, Liz, of course I don't. But I don't have a choice, do I? Not a real one.”

“We could−” Liz hesitates. “Maybe there's a middle ground. By our estimation, you have another two weeks, maybe, before the tumor's damage will be permanent, even if we were to find a cure. If we manage to make real progress during that time, would you let us put you in stasis? And just...I don't know, we can promise you to bring you out after a certain length of time if we don't manage to make a cure if you really want. I understand that you don't want to end up in there forever, I mean, with the whole thing with Rosa… But we can't lose you, Alex. Not like that.”

Alex closes his eyes. We can't lose you isn't helpful. They will. They'll lose him, and they need to be ready. He doesn't believe that Liz can make the cure, not really.

He still wants to hold on to that sliver of hope.

“Okay,” he says slowly. “If you have something promising by then, I'll let you put me in a pod. Just...you have a year. Swear that if you don't have a cure by then, you'll get me out and let me go.”

Liz has tears falling down her face as she murmurs, “I promise. One year. I'll figure it out.”

“No, don't promise that. You know you can't. Promise me that you won't leave me in that pod forever.”

“One year,” she says. “Then we take you out. Whatever the outcome.”

Alex turns to Kyle, who nods solemnly, swallowing back his own tears.

He waits until he's alone to break down.

It's better this way.

They have five days of near peace. Alex's pain is managed well enough with strong painkillers, and though he has energy for little else than sleep or rest on the couch, at least he's fairly comfortable.

He discovers that Michael is a pretty good cook, if you give him an actual kitchen. He can't keep much food down anymore, but he tries to eat anyway, just to taste it.

He falls asleep in Michael's arms, or to the sound of Michael's guitar. Alex would love to sing for him, but he doesn't have enough voice left in him. He's glad Michael has his music back. It's something, at least. Maybe Alex will not live to see his father brought to justice, but he'll leave something right.

The fight has gone out of them, and all that's left is tenderness, tinged with grief. Where their relationship was once fireworks and crash landings, it's now soft and bittersweet. They don't argue. They don't need to communicate much even, which is good as Alex progressively loses the energy to speak. They cuddle up together when Alex is cold, which is most of the time.

There's no fear of the future. Not of that future, anyway, the one they both dreamed of so much that they pushed each other away because they were terrified of screwing up. It's gone. They only have a few days, and the best they can do is be together.

They both try their best not to think of after. Alex has handed the Project Shepard work to Kyle entirely, since he can barely get out of bed anymore, and his affairs are in order, so he tries to let go and live in the moment. Actually live each moment he has left.

Michael still can't imagine a world−a universe−that doesn't have Alex in it. The only muddled thought he has is that he'll finish his spaceship and get away from this planet. Permanently.

But for now, he holds Alex in his arms and watches him sleep, and he tries very hard not to think.

For Michael, the worst moments somehow aren't when Alex cries from the pain in his arms. It's sitting in a corner of the room when Maria and Liz visit Alex, who can barely sit up in bed anymore, and they try to laugh and smile through the tears. It's watching Alex's face fall when he opens an invitation to one of his Air Force friends' wedding with trembling hands, and they both know he won't be alive by the wedding date. It's feeling like he's mourning Alex before he's even dead.

Dead. The nausea settles deeper in Michael's stomach every time he thinks about it−he doesn't think about anything else. At this point, as he watches Alex suffer so much, he almost wishes he was safe and painless in a pod. But he also can't imagine living in a world where Alex isn't there.

On the sixth day, Alex wakes up screaming in pain.

Michael immediately jumps up and cups his face in his hands, trying to calm Alex down enough to get pills down him, but nothing helps. Alex feels like his whole body is on fire.

It doesn't start to abate until Alex is hooked to the highest dose of morphine that won't outright kill him, and even then, as he sleeps, his face is lined with pain.

“Either the tumor's reached some nerve center, or the metastases on his spine have gone through the bone and into the nervous system,” Kyle diagnoses. “Either way, there's nothing I can do except try to relieve the pain.”

“Nothing?” Michael asks, desperate.

“No. We may have less time than we thought.”

Alex still won't go into a pod, though. The pain is worth a little more time with Michael. With all of his friends. He's not ready to go.

He doesn't believe, in his heart, that he'll even come out if he does. So he fights for another day.

When he opens his eyes to see a large black spot in the middle of his vision, Alex knows it's the end. This is what Liz and Kyle told him about, the beginning of the permanent damage. If he doesn't go into a pod now, they probably won't be able to fix him even if they find a cure. He has a decision to make.

It's been twelve days since he ended up in the hospital, two days off their mark. Liz and Kyle haven't come up with some amazing cure, or even a good idea about one. And Alex has run out of time.

Weakly, he shakes Michael's arm to wake him up.

“Alex?” Michael asks sleepily.

“It's time,” Alex rasps. He's barely been able to speak for days, and no more than one or two words at a time.

Michael sits up, suddenly wide awake.

“The pod?” he asks.

Alex nods.

They've prepared for this, but it doesn't make it easier. Michael doesn't cry as he gets dressed, and texts everyone. He doesn't cry as he gently removes Alex's IV, hoping the dose of morphine he has in his blood will be enough to tide him over until−

Fuck. He does cry as he picks Alex up, his underweight, frail body limp in his arms. Alex doesn't stop staring at him, his eyes dropping but alert. He cries as he straps Alex in the passenger seat of the car, pulling it back so he's as comfortable as possible.

He can barely see the road, as he drives to the turquoise mines. He steers with one hand, the other squeezing Alex's, and they stay silent.

Michael has already said everything he can say that doesn't make him want to curl up into a little ball.

He carries Alex again, refusing to use his telekinesis, into the pod cave. The others are already here, Liz ready with the melted silver. Michael puts Alex down on the blanket she's prepared and pulls his head into his lap.

One by one, they come to say goodbye, and it feels far too much like a funeral. Isobel and Max, who know Alex the least, stay politely away, Isobel only squeezing both his and Michael's shoulder with teary eyes. Maria and Liz are openly crying as they hug Alex one last time, and he struggles to say his goodbyes.

“We didn't get to spend much time together, mijo” Rosa tells Alex, kissing his brow. “I hope you come back like me and we get to hang out.”

Kyle looks devastated when Alex makes him promise again, but he obeys. “We'll pull you out in a year at the latest. You can trust me.”

Alex nods, relieved, and smiles up at him. “You were...a good friend,” he rasps out.

Kyle lets out a sob. “You're the best friend I've ever had, Alex,” he murmurs.

Alex hugs him weakly, and he falls back down into Michael's lap when Kyle lets him go, his body even limper, letting out a pained moan. The painkillers are running out.

“'s time,” Alex mouths.

Michael moves him as little as possible while undressing him, and Kyle helps him spread the silver over Alex's body. Liz and Maria watch on, crying in each other's arms.

Lying in Michael's embrace, tears running down both of their faces, Alex tries to imprint that moment into his memories. It's not going to matter. In a few minutes, he'll be in stasis for an indefinite amount of time, and almost no chance of ever coming out of the coma it's going to put him in. His memories will scatter away like they never meant anything.

He's glad that he gets to die in Michael's arms, but he wishes he'd gotten the time to live with him.

“I love you,” Michael sobs.

“Love...you too,” Alex forces out. “Be...happy.”

Michael closes his eyes briefly, and kisses him as softly as he can. His hands don't leave Alex skin until he's inside the pod fully, and his eyes drop closed.

Leaning his brow on the membrane of the pod, he lets the sobs wrack his body as Isobel comes to hold him.

One year later.

Liz checks her watch before she enters the Wild Pony. It's late already. She didn't see the time pass in her lab. She'll need to make up for all the time she's spent researching things that have little to do with her actual job, but she can do that later. For now, she's on a mission.

Maria is behind the bar, and she beckons her over, nodding to the place where Michael is sitting, his head in one hand, nursing a glass of what looks like Coke with the other. He stopped drinking alcohol months ago, but now he looks like he's in need of a stiff drink or two.

Or of some good news.

“Michael,” Liz puts a hand on his shoulder.

“Liz,” Michael raises his head. The pain in his eyes is nearly unbearable. “We've run out of time. It will be a year tomorrow.”

Liz swallows. “I think I've got it, Michael. I think I've got a cure.”

Michael stares at her for a while, uncomprehendingly. “You−”

“I'm not 100% certain, it doesn't work like that, but...I think so. I can save Alex.”

“Oh thank God,” Maria murmurs, as Michael gapes in shock. He bites down on his finger, hard, tears already falling from his eyes.

Liz gathers him in her arms before he falls off his stool and hugs him hard.

It's been a long, hard year, for all of them.

“The compound I've designed will act as a sort of chemotherapy,” Liz explains later, when they've all gathered in the pod cave. Michael is kneeling in front of Alex's pod−the one that used to be his−his head against the membrane, in the same position he's been in so often, but he's listening. “It's based on the same technology that Flint Manes and his team used to make the biochemical bomb.”

Finding the compound where the bomb was stored was their largest breakthrough in the last six months, as well as the official end of Project Shepard. All three aliens agreed that despite its danger to them, the bomb should not be destroyed if it could help Alex.

“It will take several injections and a few months to get rid of the tumor, but the chances that it will work with minimal damage to Alex are good. Unlike chemotherapy, this will be able to target only the alien cells in his body, so it shouldn't be dangerous for his health, though I can't guarantee there won't be side effects.”

“He will live?” is all Michael asks.

“He will.”

“Then do it.”

Liz looks around the room. Kyle is technically Alex's medical proxy, thought those rules don't really apply here. He nods, too, hope shining in his eyes, finally overpowering the guilt and grief that have never left him. Maria smiles at them, reassuringly.

“Max, I'm going to need you,” Liz says. “I know you can't heal him, but the tumor is technically injuring his brain at this point, and it's a foreign body, so I'm hoping you can keep it at bay long enough for the treatment to start working.”

“I'll do my best,” Max nods.

“We have plenty of acetone,” Isobel adds.

“Kyle?”

“I'll handle the IV,” Kyle says, coming closer. “You do the initial injection.”

Liz nods, checking the syringe in her hands.

“Michael, we're all ready,” she says.

Michael takes a deep breath, and plunges his silver-stained hands into the pod. In seconds, he has a naked, warm, sleeping Alex lying in his lap.

“Hey,” he murmurs as Liz and Max buzz around him. Alex blinks his eyes open. “It's time to come home.”

#roswell new mexico #alex manes #michael guerin #malex #missingalexmanes #malex fic #liz ortecho #kyle valenti #mine #echo's fanfiction #whumptober2019

63 notes · View notes

popculturebuffet · 4 years ago

Text

Tom and Jerry 2021 Review: It’s Almost Adequate!

Hello you happy people, and welcome to a surprise review! While this was on my schedule, I moved it out to make room for my new Patreon Sponsored review. Yes at the 5 dollar tier you too can get a review a month.. but enough shilling. Point is I had some thoughts on the film, and felt I could squeeze a review of it into the schedule since my review for yesterday, the 90′s Tom and Jerry movie, got canceled as I both had to finish up my tex avery birthday review and hadn’t noticed it wasn’t on HBO Max like I thought. I could’ve sworn it was once but not anymore. Gee it’s almost like they removed their overtly awful Tom and Jerry movie from the service so people woudln’t be reminded of it when they watched the mediocre new one. Or it was never on there because HBO wants to bury that mistake in a hole. You make the call.

Point is I had some room in my schedule, so if I can’t cover the 1990 movie this weekend, though I FULLY intend to still do that at some point as it still fascinates me, might as well cover the one everyone’s actually watching. So join me under the cut with spoilers to go into why this film is .. ehhhh. under the cut

Tom and Jerry follows, as you’d expect, our working boys up to their ass in shit, what is this buisness. In this case Tom literally rides in on a rail with his keyboard wanting to be a big musician one day, while Jerry is shopping around for a home but can’t find any in his bracket. The two end up fighting, as you’d expect, when Tom performs as a blind cat in a park, a great gag, and Jerry first steals his customers by dancing to his music, but then when Tom tries to stop him, not only exposes his scam, but gets Tom’s beloved Keyboard broken.

In the process of Tom trying to get Jerry back for runing his day, Tom ruins the day of Kayla, a cynical young lady played by Chole Grace Moretz who like Robin in the last theatrical film, is a blonde girl who takes up way more screen time than our heroes for some reason. Tom accidently destroys the clothes she was sent to deliver, and she gets fired from her Task Rabbit esque job... despite the fact that TaskRabbit is app based, entirely built around how you do jobs for hire as needed, and that at most she’d get a bad review and that the app dosen’t actually hire people. I know this both because i’ve seen the apps and parodies of it show up on tv shows I watch, most recently Close Enough, and because I took the 2 minutes it took to google it , read some of the Wikipedia article and do the bare minimum that me, a paid only by commissions and patreons reviewer, did to prove a point, and that the writers of this film, who likely got paid at least 10000 for a rewrite, and more for whoever wrote the treatment, which is about 30,000 at lowest as told to me by this article on what screenwriters get paid I looked up solely to prove a point. So they got paid tens of thousands of dollars, probably more than standard... to not spend 5 minutes looking up what task rabbit is, becuase they wanted to give her a “hip” job instead of just having her work for a dry cleaner. Then again they got thousands upon thousands to half ass it and i’m getting paid nothing to go on a rant about how they half assed it, so maybe i’m the dumbass, I dunno, but at least I take pride in my work. And i’ve had trouble spellchecking at times so take that as you will.

But so far the film is not bad: the slapstick is blended really well, the action is pitch perfect and our heroes are given good motivations: Kayla’s to find a job, Tom to play piano professionally and Jerry to find a proper home. You ready for some letdown?!

All three of our heroes converge at the Royal Gate Hotel, a prestigious hotel that’s been host to popes, dignitaries and Drake. Jerry sneaks inside, and soon finds himself at home and making himself home, Tom TRIES to and ends up getting on the wrong side of Butch, the black cat from the shorts played in this film by reggaton performer Nicky Jam. Why they choose him over a comedian or anyone who could actually act, especially since Butch dosen’t have a musical number or anything, is a riddle for the ages. My best guest, as it always is, is that Tim Story owes him a Wookie-Style life debt. Not only that but even more bafflingly Butch’s gang, who to the films credit like him are all his gang of cats from the classic shorts, are played by Kevin Hart’s Improve Troop, The Plastic Cup Boyz. I got a preview for what passing a kidney stone’s going to feel like just typing that name. I thought I had no explanation for this, not even a wookie life debt can explain how Kevin Hart’s posse, because he has one for some reason but at least unlike Adam Sandler he’s helping his smaller named friends get big instead of just promoting guys who really shouldn’t have a career or dragging poor guys like Shaq or Terry Crews into your bullcrap because they like you., can explain how this happened. But I forgot I looked up Tim Story’s filmography when I first found out he was director here, more on him later, and found out he directed both Ride Along films, both think like a man films, and one of Kevin Hart’s specials, so the two presumably are friends or at least have a solid working relationship, and given how successful the first Ride Along was for both men, I doubt Tim would turn down a favor from him and vice versa.

And while I find the Plastic Cup Boyz inclusion in this film bizzare and wish it was fellow comedy troupe and starkid adjacent wonderkinds the Tin Can Bros so I could get Joey Richter voicing an animated cat, they at least try their best, their just not given much to do and I don’t get casting them in these side rolls or not giving the butch role to one of them as Nicky Jam just sucks in the role. And I get Butch isn’t the most solid or complex character, but it still isn’t THAT hard, with the 80 drumloads of great comedians out there, to find SOMEONE better, and it’s weird Kevin Hart himself isn’t in the roll. If it wasn’t a wookie life debt i’m betting Hart was going to play Butch, had to back out due to scheduling conflicts or whatever, and Tim found the first guy he could who’d take almost nothing instead of an actual actor.

Kayla meanwhile somehow takes herself from sympathetic to wholly unlikeable in the span of the scene by maniuplating and terrifying a poor woman into not taking the job, outright STEALING HER RESUME, meaning if she screwed up this might go on the poor woman’s record, and lying her way into the job. And if the woman had been you know a classist dick or something, i’d understand but this is a perfectly nice lady who worked really hard, and who looses out on a job because some little bitch talked her out of it and then stole her identity. This one act really just makes me not care: It’s one thing to do what you gotta to get a job, I myself have never lied on an application but I get new york’s insanely expensive. Even if she presumibly lives in a hole that’s cramped, has roaches or rats, who given this unvierse probably have tiny tv’s that are still way too loud and binge watch way too much Jersey Shore at 2 in the morning, and is probably haunted, probably by Droopy wearing a bedsheet going boo but still, and yes he’s also alive here but he has identical cousins. Not the point. Point is even if she has sympathetic motives.. what she did is not okay and when she get flashes of guilt throughtout hte film it’s never long enough to feel like it’s not her simply feeling bad she didn’t get this herself and not that she STOLE IT FROM ANOTHER PERSON. Again if she’d FAKED her resume, this would’ve been fine, simply set up some websites, and it would’ve worked so why they went with this elaborate setup that takes her into outright crimes is beyond me.

Point is she gets hired by the manager/owner, Mr. Dubrois, played by Rob Delany, but since his name isn’t used enough i’m just going to call him Mustache Manager. Her direct superior whose against her being hired is Terrance, the Gate’s Event Manager played by a way too good for this film Micheal Pena, who sadly is given nothing to work with. Terrance.. is supposed to be the bad guy because he distrusts kayla. And while one of those reasons is stupid, she makes a joke about the goldfish being an aquatics manger and he takes it dead seriously, he’s rightfully supscious she’s not who she says she is, since one of the places on her resume is a place he knows people from. The only way the film manages to make him the bad guy is he is COMICALLY out of touch: he dosen’t get sarcasm, as seen before, dosen’t want people posting jerry to “snapgram or instaface”, and seems to have trouble relating to his guests. What makes this not work is that he’s manger at a ludicrously expensive hotel. As such a good chunk of his events would be for Celebrties, since New York’s a big hub for them, having tons living there and visiting for films, apperances on late night talk shows, SNL and what have you and being a prime spot for events and it’s clear part of his job is talking to the guests as the two the film focuses on, more on that in a minute, know him and have met him before. He also mentions Drake having stayed there... he would NOT have kept this job.

You’d need to do through research on these kinds of celebrates and social media is the easiest way to do that, to get what they like, what they don’t, what they don’t want to talk about, what scandals or gos might be going on to keep paparazzi out. I don’t even know how this business works nor did I google it.. and I didn’t to prove a point.. that even with no real idea how this works.. I still get what you’d probably need to know to make events for rich famous people. I’m not convinced Terrance knows how an internet works. And given writer Kevin Costello wrote the well received and weird film I still want to see Brigbsby Bear, I get the sense a lot of this nonsense was added in rewrites demanded by executives and credit him more for what works in the film. More on that in a moment.

Kayla is hired on because the Royal Gate has it’s biggest event ever, the wedding of Ben, played by Colin Jost, and Preeta, played by Pallavi Sharda. Why is it big? What do they do exactly? Are they trust fund babies? Did Ben invent an app? Did Preeta cure global warming? Did they both help defeat Galactus DEVOURER OF WORLDS?!... I dont’ know. If the film told me at all why their big names, even if it’s just because their famous for being famous which would be fine, why this is bigger than a fucking pope visiting, I missed it and I actually went back to their first scene and the scene where Mustache Manager brings up the wedding in the first place to Kayla, and found nothing. We just know their rich, their getting married, Ben doesn’t listen to Preeta and is insufferable, and that they own two classic Tom and Jerry characters: Ben owns spike whose played by Bobby Canavale who isn’t bad but dosen’t try to sound like spike at all and that annoys me given unlike Tom and Jerry, the former of whom’s signature noises from the cartoon were used archivally and otherwise dosen’t talk and only sings on occasion or does that wonderfully weird “don’t you belivie it” thing., has a distinct voice they could’ve got someone to imitate. The other is Preeya’s cat toodles, that white cat Tom is always trying to bang, who got a neat less anthro redesign.

Toots, Toodles whatever you call her the redesign works, making her more of a cat, and only speaking in meows for some reason, and combinging the two female cats tom’s liked, but while still being just funny animal enough that him wanting some pussy, so to speak, isn’t too creepy.

And this is where the film undergoes a bit of a shift. While the 20 or so minutes are rightfully focused on our boys with a bit of focus on Kayla, from here on out she’s our defacto lead. Given the last film did the same damn thing of making Tom and Jerry not the main leads in their own movie, you can see the problem. I will say to the film’s credit it is still LEAGUES better in a lot of other ways than the 90′s film in that the plot is actually centered around them: Jerry, when stealing some cheese, and runs afoul of the tempermental Chef Jackie played by Kim Jeong. Though i’m 100% not convinced Ben Chang didn’t just lie on his resume at some place and has now somehow become a michline star canditate. He finds Jerry, and Kayla volunteers to catch him to help her own career and validly points out her doing this discreetly with only the staff knowing about the mouse will keep it from becoming a social media nightmare.

The 90′s film could work without them, replacing them with any animal sidekick for Robin, since nit’s so far removed from Tom and Jerry their really an afterthought. Here the film DOES feel like a tom and jerry plot at it’s core, Jerry’s somewhere he shoudln’t be, Tom wants to chase him either due to personal greivance or his job depending on it, in this case both. The small side cast are all involved, and given decent if thin justifications for being there: Butch is an ally cat and Spike and Tootles are the pets of the happy couple.

And honestly the slapstick portions, the portions that are tom and jerry focused or use the humans well, are BRILLIANT. No really, it’s good stuff once in a while using a bit from the classics but mostly coming up with new gags and the animation is gorgeous. I won’t lie and say it’s always perfect, sometimes the models are a bit off and look unfinished and that’s not forgivable when you delay your film two months, and thus have extra time to work on that. But that’s a few shots here and there versus the majority of hte film where the various animals all blend perfectly. Unlike most Live Action adaptations of an old cartoon, this one actually seemed to have good reason, as they’ve taken the basic roger rabbit tech of decades ago and expanded on it well. Just like that classic you often wonder how the hell they pulled this off, and outside of one egregrous sequence where tom sets up an elaborate trap we spend far too much time on, when they do use CG for any props, you can’t tell. This is best highlighted by what I consdier to be the film’s best sequence and what brings Tom into the plot proper after lurking on the fringes for a good 15 minutes: Tom, miserable in the rain, finds jerry living it up in an empty room, and after some fun shenanigans trying to get in, finally succeds leading to a good 2-3 minute sequence of the two chasing after each other in the room. There are no actors, no one else and the room is empty, but perfectly gimmicked to time with thier movments. Wether they used cg and I couldn’t tell or just simply timed things great, it’s utterly fantastic and shows why this film is live action: while i’td be fine animated they cleary ahd the tech and ideas to do it live and thus did it this way. Naturally Kayla meets Tom again, and after finding out the room was trashed by both him and Jerry gets Mustache Manager to hire him.

But this is the problem: While there are great set pieces like this, or a REALLY damn impressive one later where Terrance gets dragged into a ball of violence while walking Spike for Ben and we see INSIDE IT, with Terrance not moving as fast but that being okay. And I love the movie’s commitment that ALL animals are animated. So it has it’s charms and gets a LOT right.

It’s clear to me from this strong core that the script was messed with, either by director Tim Story or the execs. Some misguided and stupid bits I get even if it was a bad idea: Tom does do the piano at one point, after he thinks he’s gotten rid of Jerry thanks to again an unwieldy overly long bit of CGI that’s a down spot on the usually good just tom and jerry stuff. And he STARTS singing a 40′s jazz song, and I thought “Okay they really got this and are doing something like is you is or is you ain’t my baby this will be fun”. Then T-Pain started using autotune, because of course, and Tom’s shoulder devil started scratching next to him...

By the way Tom’s Shoulder Devil and Angel are played very well by Lil Rel Howrey , aka Rod from Get Out. So good on you man, one bit of non miscasting. There’s one or two cringe inducing moment of trying to be hip here or there though for a film like this it isn’t nearly as bad as you’d expect. Still bad but i’ve seen so much worse at this point i’m not going to bother getting mad or upset over it. I’m used to this kind of thing from kids movies.

But while the film dosen’t really lack Tom and Jerry, it sidelines them way too often> There’s just too many scenes just about Kayla, whose not only not a great character despite Chole trying her absolute hardest god bless her. Her hitting it off with the bartender, her arguing with Terrance whose even more insufferable and her bonding with Preeta and Ben being annoying, we’ll get to him.. WE’LL GET TO HIM. But they aren’t funny or interesting, there’s nothing THERE to really get me interested, nothing new or fresh that we haven’t seen done better before. There’s just nothing, it feels like large parts of blank space. And to illustrate this my Niece, who I watched the film with and really loves Tom and Jerry after I showed it to her... played with other stuff during most of those scenes. And she’s young, her attention span is not great.. but noticably during the actual scenes of slapstick she was glued to the tv, just like she was when I showed her the classic shorts. It’s not just old farts like me who remember tom and jerry from their youth.. it’s the kids your TRYING to appeal to that don’t want this. If you can’t get kids, who in general and speaking from my own personal experience will watch just about anything, to pay attention YOU. HAVE. FAILED.

Okay took a second to compose myself, let’s move on to the rest of the movie. So after T-Pain stabbed music in the throat, we get to the worst section of the film as Kayla brokers peace between the two to get Preeta’s ring back after the three end up in the aformnetioned violence ball with Terrance, who she ducks his claims that she didn’t catch the mouse.. which she did not but for once she’s sympathetic as Terrance is much more likeable either, though gaslighting him and getting him put on leave is a bit extreme. Bafflingly, Kayla gets his job as event cordinator for now, and thus has to broker peace between the two warring factions.. and does so in the strangest way possible: by booking a day for them in new york to hang out and be BUDDIES!. This isn’t bad as the last film as it dosen’t last, but it is just.. surreal seeing the two having a hanging out montage around new york. Like the film just took a really weird turn with this, the montage itself isn’t weird, it’s standard shenanigans minus the fighting but still good stuff. Unlike the 90′s movie instead of singing about being palls or helping a small child, they just get into cartoony shenanigans together. More proof the film could’ve been so much better just with them.

Speaking of proof the film would’ve been better without them , Ben fucks around with a drone for the wedding, after Preeta confided in Kayla the wedding’s getting to be a bit much. So let’s talk about Ben shall we? While Preeta is just nice, friendly and down to earth, Ben... is a dumbass, a jackass and just an ass. His whole schtick is that he keeps escalting the wedding despite her wishing he’d stop, and i’ts just.. not funny. A guy ignoring his partner’s wishes, constnatly doing big gestures in large part to try and win over her dad who RIGHTFULLY hates, and in general just sucks. I do not blame this on Colin Jost: He’s perfectly charming on SNL, and Weekend Update is usually damn fun under him and Micheal Che. But like with Pena and Mortez, he’s given NOTHING to work with, and furthe rmore can’t improvise.. aka the skill most SNL cast and almnus walk away with. So it’s no suprise he instead comes off like an anoying plank of wood you want to see fall down a manhole and never return so Preeta can marry someone else. I dunno the Doorman’s a pretty cool guy, and if he’s taken or something there’s always Droopy. Droopy’s the smoothest motherfucker and we all know. And if HE’S taken there’s mustache man. The point is we have a Dating Game’s worth of elligble bachelors and the film tries to sell a plank of wood who clearly wants to bang Preeta’s dad more than he wants a genuine equal relationship with Preeta.

So that dosen’t help the final act.. which is started with something REALLY weird to round off tom and jerry’s day as Tom catches a ball, interupts a play and get.s. thrown in the pound for it?

I don’t know how tha’ts a crime, I don’t get it either, point is the animal control guy is a creep who shows them off as they pass some angry dogs.. and..

MY BOY. There was an earlier joke with him taking the place of The Joker, and I thought that was it sadly but nope there he is! While, given they don’t really have much to do with each other, it is a tad weird he’s been grafted onto the tom and jerry legacy.. I really don’t care because it means Droopy gets to show up every so often in other stuff like this.. And hopefully the spinoff series coming in the summer. I”ve talked before about how much I love this dog so having him show up here was a HUGE delight and easily the higlihgt of the film and the gag is perfect. WHy is he in prison? I don’t know. But given who we’re dealing with I also assume he just disappeared later and showed up at the Wolf’s place again to get the evidence to clear his name and to help a young brodway hopeful played by Peyton R LIst get to her audition in time. And yes I just imagined another live action film with a classic character.. but admit it you’d rather be watching that one. They also run into butch who tries to force him to eat Jerry or they’ll kill him.

Terence saw the arrest on the tv though, so he bails the two out, pits them against each other, and sets them loose at the wedding. This goes how you’d expect. the two cause chaos and thanks to Weekend UpDumbass there’s pecocks, tigers and elephants, and Jerry naturally spooks the elephants, Spike, who has it in for tom as usual, goes after tom the tiger goes after him and the wedding is destroyed. Preeta breaks up with Ben and leaves, and Kayla is fired.

Less good is that Tom gets thrown out because Terrance backed out on his deal because he’s a fucking asshole. So while Kayla gripes to her sorta loveintrest bartender man, and wishes she could fix things, T and J show up, both realizing it’s their fault and both with a plan to fix things leading to our climax. Kayla goes back to the hotel, and while Terrance tries to boject she rightfully blackmails him. Sadly neither get their commupance and while Mustache Manager puts two and two together, he’s all for ending this PR Nightmare and helping with Kayla’s plan to get ben to stage a wedding in central park that Preeta actually wants while our two actual heroes go to stop her and do some light kidnapping of toodles to get Preeta to stop.

So it ends how you’d expect: Preeta makes a huge mistake, seriously Droopy go to their honemoon I guarantee Ben will wonder off into the ocean because he thought it looked sick bro, Kayla gets her job back and in a move that makes her almost tolerable hires the woman she stole from who Terrance clearly wants to bang, and Tom actually catches Toot’s eye, but then Jerry mucks it up because cockblocking tom has been his job since the 40′s, they fight, Kayla tells them to cut it out, they put an the end thing over it. Roll credits.

As you could tell I had issues with this film and had more the more I thought about it. So it’s not very good.. but I still recommend watching it if you have Max right now. Yes really. While the human parts are pretty awful as you could tell, you can have some fun mocking them, and it’s worth suffering through them for the bits with our boys, as those bits are geneuinely energetic, fun and what you came for. If you like tom and Jerry, you probably won’t like this movie.. but you’ll enjoy those bits. Hopefully if there’s a sequel, and this film was a suprise hit so their probably will be, they’ll learn their lesson from this one and focus less on the humans and more on the hyjinks but overall this is just a medicore waste of some really great technology and slapstick. This is just one huge ball of dispaointment instead of cartoon violence and i’m sorry it ended this way. If you liked this review, you can follow me on my patreon at patreon.com/popculturebuffet. Even 1 dollar a month helps and my next stretch goal nets a Darkwing Duck episode a month, so if that excites you, please sign up. And if you can’t afford to that’s fine and feel free to stick around anyway. Times are hard and I get that. And I will see you at the next rainbow.

#tom and jerry #tom and jerry 2021 #tom and jerry movie #tom and jerry the movie #tom cat #jerry mouse #droopy #toodles #spike #micheal pena #chloe grace moretz #kim jeong #colin jost #hbo max #mgm #warner brothers

6 notes · View notes

superman86to99 · 5 years ago

Photo

Action Comics #692 (October 1993)

In this issue: Superman goes to the doctor and finds out why he's not dead anymore! But, before that, he's clearing some of the debris left by his fight with Doomsday when he finds... Clark Kent? Lois Lane is very happy to see Clark again, but Superman himself doesn't look very thrilled in these panels.

Turns out Clark wasn't dead as everyone believed, he was simply trapped in the basement of a collapsed building! The basement happened to equipped with plenty of food and gym equipment (explaining why he's still jacked, like Superman), but unfortunately not a single pair of scissors (explaining why his hair is now long, like Superman's).

Later, Superman bumps into Lex Luthor Jr., who demands to know where Supergirl is, but Superman gives him the runaround. Hmm, where could Superman's good friend who can change shape and pretend to be other people be? Anyway, Superman then meets Lois and Clark and... holy crap! Mild-mannered reporter Clark Kent is secretly Supergirl!

So yeah, Supergirl pretended to be Clark for a while just so he and Superman would be seen together and no one would question why both are suddenly alive again. Then Supergirl leaves and we move on to the second dilemma solved in this issue: How the hell is Superman alive again? To address that question, supernatural DC character (and fellow Jerry Siegel/Joe Shuster creation) Doctor Occult appears out of nowhere and rudely teleports Lois and Clark to a black void, where he replays moments from Superman's life... and death.

Occult explains that Doomsday DID punch Superman's spirit out of his body, but there was still solar energy keeping the body just barely alive. Superman's ghost ended up stuck between the living and the dead, attracting some nasty soul-eating demons. Fortunately, Pa Kent happened to be dying of a heart attack at the same time, so he and Superman teamed up to fight off the demons (as seen in Adventures #500). Superman’s soul returned to his near-corpse, which was taken to the Fortress of Solitude by the Eradicator and lovingly nursed back into health. (Okay, more like “coldly,” but you can’t argue with the results.)

Anyway, the point is that Superman's resurrection happened due to a convoluted series of events that could never be repeated, unless someone's willing to sneak behind Pa Kent and blow an airhorn in his ear or something. As the mystical exposition dump ends, Occult teleports Lois and Clark to Smallville, and the issue ends with the Kents finally reuniting. A tender moment...

...until two seconds later, when Ma smacks Clark in the back of the head for taking two whole issues to come see them (or that’s what I’d do).

Plotline-Watch:

Doctor Occult reveals that the moment when Bibbo shocked Superman’s body with a hyper-charged defibrillator in Adventures #498 actually helped keep him alive. Once again, Bibbo is the real hero of this saga.

Supergirl has a lot of experience posing as Clark, since she was stuck in that form between 1989 and 1992. That was also her in the only other photo of Superman and Clark together, taken in Superman #34.

While Superman is being interviewed by a news crew after rescuing "Clark", that lawyer from Action #689 barges in and demands that they stop calling Superman Superman, since that name is now trademarked by Superboy's manager. Damn, maybe he's gonna have to start calling himself "Supreme" or something?

Aww, Lex is happy to see Superman again. Sure, it's only because he wants to be the one to kill him, but still.

S.T.A.R. Labs is examining the Eradicator's corpse when they realize he's alive! Sort of. Later, Doctor Occult remarks that the Eradicator sacrificed himself "in mind, if not in body". Hmm. The doctors overseeing his condition are Kitty Faulkner, who can turn into an orange She-Hulk called Rampage after a workplace mishap, and a new character called David Connors, the only S.T.A.R. employee without superpowers. So far.

The JLA returns from the little space vacation the Cyborg sent them on, and we get the first instance in all of comics of Guy Gardner admitting he was wrong. Character growth! Don Sparrow says: “Nice to see some follow-up to the characters around the DCU and how they react to Superman’s return. No mention of the fact that they got suckered into a mission into space that went nowhere.”

When Doctor Occult shows up, Superman is like "aw, not this guy again!", referencing that classic tale of Superman's first encounter with the supernatural... which hasn't come out yet. Don: “It’s a neat forward call-back (is that a thing?) when Superman references his first encounter with Doctor Occult, given that we won’t see it happen until 1995, when DC does a line-wide ‘Year One’ series of stories. And wouldn’t you know it, that story is written by none other than Roger Stern (and even involves tentacles, as in the thumbnail image)!” #rogersternplaysthelonggame

Don Sparrow's section, on the other hand, can be read NOW, after the jump!

Art-Watch (by @donsparrow):

We open with the cover, and it’s one of the top ten best of this era, for sure. Drawn by Kerry Gammill and Butch Guice, DC used this drawing on the “Return of Superman” cards. I tend to favour simpler, iconic covers, even when they don’t necessarily represent the story within, but in this case, it’s showing exactly what the heart of the story is about: Clark Kent is back.

Inside, we open with a full page splash of Superman’s shield, through tons of rubble, and it’s a great image, but without the face, it allows us to focus on the title of the story, a callback to the speech introduction of the old Fleischer Cartoons.

I don’t know if it’s from the writing, or the artist, but Action Comics has always seemed the most romantic of the Super-titles, and this one is no exception, as Clark and Lois have their hands all over each other for basically the whole comic. While it is a bit weird to remember that it isn’t Clark that Lois is caressing (more on that in a bit) in the early part of the story, it always feels intimate and romantic more than it feels graphic or titillating. A tricky balance that this team pulls off well, particularly in their “reunion” on page 3. [Max: Every time I read this issue I think it’s Martian Manhunter posing as Clark and when they start flirting I’m like “ew”. Then I remember who it is and I’m like “nice”.]

I always enjoy seeing Superman flying upside-down, which I consider to be a Byrne innovation—I don’t remember him doing it pre-Crisis. It always seems so joyful and carefree, and it’s nice to see Superman savouring his powers.

Jackson Guice uses tone very well in the scenes with Lex Luthor II in his aviators, and I quite like the sense of motion to Superman’s pose as he approaches the helicopter—almost like he’s swimming in the sky rather than floating.

It’s a good drawing of the Eradicator getting the post-Hoth Luke Skywalker treatment, with David Connor and Kitty Faulkner getting an eyeful. My copy has a slight colouring error that makes it look like the Eradicator is awake in the tank, even though he’s supposed to be catatonic. [Max: Still looks like that in the collections. Maybe he’s one of those people who sleep with their eyes open?]

Superman embracing Lois after the ruse of “Clark Kent” is very cutely drawn, as is the Ghost-like backward embrace on the following page.

The entire sequence replaying Superman’s death and rebirth is drawn well throughout, especially the dreamlike staging, and the darkness as Lois knocks the flashlight away. It’s also moving that Superman can see the heroic lengths that Bibbo went to try to save him once Superman succumbed to his injuries.

Lastly, it was wonderful to see Clark reunited physically with Ma and Pa, especially with the nice touch of the poem by DH Lawrence as the only narration. Stern was always the best at referencing secondary texts in his stories, and it’s well used here.

STRAY OBSERVATIONS:

Is it me, or is Matrix/Supergirl a little too into this Clark Kent act? I get that making their performances light and funny keep it from seemingly overtly dishonest, but “Clark” is pretty tender in these scenes. Lois does a good job of playing along, but it’s hard for me to fully forget that all this canoodling is actually with Supergirl. So as a helpful tool, I created these graphics: [Max: Nice.]

It was cool that Lois specifically mentioned that Jimmy got a shot of the returned Clark Kent next to Superman, I always like it when that can happen.

In previous posts, I’ve talked about how creepy it is that Luthor has a sexual relationship with Supergirl/Matrix, when she is in so many ways (mainly mentally) a child, and I can’t help but read the scene where Lois chooses Superman over “Clark” this way. The laughing and clapping has a whole different feel if you think of her as mentally diminished somewhat.

So it’s not exactly a continuity error that Clark says on page 13 that he has to call Ma and Pa to let them know that “Clark” is alright (even though he already called them in a previous issue). It could be that they want to tell the Kents the cover story of Clark’s return has now taken place, and they can act like their son is alive again when they go to the corner store, etc. [Max: Yeah, that’s how I took it. It would be awkward if their neighbors saw them all cheerful while their son is still “dead”.]

I like to imagine that Dr. Occult looks and sounds like Robert Stack. [Max: It’s impossible for me to hear him as anyone other than Humphrey Bogart after Lois calls him “Sam Spade”.]

We’ve mentioned previously Jackson Guice’s tendency to use photo reference for his characters. In this issue, Superman looks a lot like Jason Patric to me, who would have made a pretty great Superman had there been movies being made in this time.

I also appreciated this issue explaining both the physical and metaphysical reasons Superman was able to return—and that there’s no back door to the story—if Superman ever died again, he would be unable to return.

#superman #roger stern #jackson guice #denis rodier #supergirl #justice league #guy gardner #rampage #eradicator #doctor occult #pa kent #ma kent #bibbo bibbowski #S.T.A.R. Labs #cat grant #captain marvel #roger stern plays the long game #nice

43 notes · View notes

therainroguefanfiction · 5 years ago

Text

🔥 ℝise Ⱥbove I̾t ◈ Chapter 021 [Dragonlings]

📑 Table of Contents | ◂Backward

Word Count: 2,464

⊱ ────── {⋅. 🔥 .⋅} ────── ⊰

〈“We’ll win, we’re sure. We will endure. And though our goal is far, We’ll be the ones to touch the sun. The triumph will be ours!” Jeff Williams & Casey Lee Willaims, “The Triumph”〉

⊱ ────── {⋅. 🔥 .⋅} ────── ⊰

“Shit!” I stumbled backward, barely dodging the metal club that nearly slammed into my skull. Bakugo was a few feet in front of me, surrounded by enemies. He was doing just fine, but the sheer amount of orcs around us made crowd control impossible and because of my low level, the enemies auto-targeted me. He was doing his best to keep aggro, but there were just far too many enemies. We were in a stone hallway, about the width of two cars and the length of a river. The hallway was underground, beneath a stone castle.

I grunted when the metal club collided with my sword, making me slide backward.

With every enemy that Bakugo destroyed, my experienced jumped and my level increased, but I’m still a long way off from being a hundred and these bastards are still red for me. My boots slid against the stone floor, kicking up dust. I could smell the foul breath of the ogre as it breathed through its mouth, thick saliva dripping from its pointed teeth. He pushed again and my arms gave out. I quickly fell to my knees, avoiding the club as it slammed into the wall above my head, sending chunks of stone flying.

“Goddamn it! Get the fuck outta my way, losers!!” Bakugo roared angrily, slicing and dicing his way through the crowd.

My experience kept going up, refilling my stamina and raising my max health. It became easier to dodge and parry, but I still couldn’t kill the damn thing. I guess I just have to keep chipping away at its health until it finally dies.

I huffed, dodging another swing of the club as it slammed against the ground where I had been standing. I moved my foot backward and heard a loud hissing coming from behind me, followed by a sharp pain in my ankle. “Fuck!” My leg gave out underneath me and I fell onto my ass, noticing a black snake scurrying away. A small screen popped up in the corner of my vision: ‘You have been poisoned!’

As if my numb leg wasn’t enough of a clue, thanks game!

The orc grunted, its long arms swaying back and forth as it shambled toward me. I scooted back, wincing in pain. Shit, my health is draining pretty fast from the poison. “Uhh, Bakuhoe, I could use a hand, bro!”

“Shut up, I’m fucking trying! Die!!”

The orc raised the club and I squeezed my eyes shut. Aw, shit, this is gonna hurt like a mother fucker.

A whoosh of wind rushed past me, followed by the sound of metal clashing. I peeked my eyes open to see… Red?! He was kneeling in front of me, two daggers crossed as they held the club between them. He wore a tan vest similar to Bakugo’s, with matching tan pants. A red and black scarf was wrapped around his neck, with a matching one around his hips. Two black rings pierced the outer shell of both ears.

“It’s not very manly to attack someone so many levels beneath you!” He grinned, pushing the orc backward before slashing at him with both daggers. The ogre roared in pain before exploding into pixels and vanishing. He glanced over his shoulder at me. “You okay, Winchester?”

“Poison,” I groaned, feeling the snake’s venom slowly creeping through my veins.

“Ah, crap! Hang on!” He panicked, opening up his inventory and pulling out a purple liquid in a glass bottle that was wide at the bottom and narrow at the top. He kneeled beside me, pulling the cork from the bottle. “Quick, drink this!”

I took the bottle, the smell of elderberries invading my nostrils. With a gulp, I quickly downed the contents, nearly gagging at how thick the consistency was. Shit tastes like fucking grapefruit that’s been sitting in the desert for six decades. Fuck. It worked, though. The feeling started to return my leg and my health slowly started to regenerate.

“Thanks,” I muttered.

He gave me a bright smile. “Happy to help!”

“Oi, shitty hair! Make yourself useful!”

“Leave it to us, okay?” He winked before standing up and rushing at the group that surrounded Bakugo. Seeing the two of them fighting back to back is honestly majestic as fuck. They’re perfectly in sync, even without even verbalization. Within just a few minutes, the horde had been defeated.

Bakugo stomped over, scowling down at me. “How the fuck are you still so damn low?!”

“Because it takes time to go from level one to eighty, you impatient twat!”

“The fuck did you just call me?!”

“You should get your ears checked, grandpa!” I scoffed, pulling myself to my feet. “‘Just stay behind me and you’ll be fine’, my fucking ass! Jeez,”

“You shouldn’t be so damn weak!”

“I just started this fucking game!”

“And?!”

Red sweatdropped, putting himself between the two of us. “Come on, guys, calm down!”

Bakugo humphed, turning around and stalking down the hall while muttering under his breath.

I ruffled my hair in frustration, picking up my sword off the ground. He’s like an annoying ass younger brother that you wanna stab but also love at the same time. I followed down the hall, making sure to keep plenty of distance between us.

Red walked at my side. “So, you just started, huh?”

I glanced at him. Does he ever not grin? “Yeah, couple hours ago.”

“And you’re already level forty-nine, that’s awesome!”

“Not really. Bakuhoe has done all the work. I’ve just kinda… been here.”

“Bakuhoe,” He covered his mouth, shoulders shaking with laughter. “The two of you seem really close!”

My brow furrowed at the comment. “Not particularly. We just kinda… tolerate one another cause we got no one else.”

His grin morphed into a smile, his hand finding my shoulder. “I consider both of you to be friends, so don’t hesitate to come to me, okay?”

I stared at him for a moment. “What’s your name?”

He sweatdropped. “You don’t know my name, Winchester, how cruel~!”

I shrugged. “Red it is,”

“No, wait! Eijirou Kirishima!”

“Look alive, losers!” Bakugo screamed from the end of the hall, his vermillion eyes glaring through the low light of the dungeon. “We’re about to enter the boss room! Don’t fucking die or I’ll kill you!”

“There’s no PVP in this game, though.” Kirishima tilted his head, a dumb look on his face.

Oh boy…

“I meant in real life, shitty hair!” He scoffed, pulling up the game menu. A screen popped up in front of Kirishima before I got the notification that ‘RedRiotx’ had joined the party. Bakugo pulled the chain hanging above the door and the hallway started to shake, dust falling from the ceiling. The metal door creaked and groaned as it slowly slid up, leading into a large throne room. Four pillars stood on opposite sides of the room, strange symbols and pictures carved into the stone. The ceiling towered above us and I got the distinct impression it was like that to accommodate the size of the boss.

Speaking of which, this room is eerily quiet…

The metal door in which we entered through slammed shut, the metal slamming against the floor. Kirishima lifted his head, nose twitching as he sniffed the air. His eyes grew wide, “Bakugo, move!”

A howl filled the room, rivaling Present Mic when he uses his quirk. The entire room shook from the soundwaves and I covered my ears, gritting my teeth. No, this sound doesn’t rival him, it’s worse!

Bakugo jumped back just as something large fell from the ceiling, landing in the center of the room.

Holy. Fucking. Tacopool. That is, by far, the ugliest motherfucker I have ever fucking seen in my life. His feet were the hooves of a horse, connecting to hairy legs bent at an odd angle. His beer belly jiggled at the slightest of movements, covered in coarse hair the color of salt and pepper. His arms were thick and full of muscle, leading to huge hands with three thick fingers. Ripped leathery wings sprouted from his back, the spikes dripping with green goo that sizzled when it hit the ground. His head was a mixture of a minotaur and a pig, with gnarled teeth that shot up toward his snout. Red, beady eyes were watching Bakugo hungrily.

“Ugh, I remember this guy.” Kirishima stuck out his tongue, face screwed up as if he had a bad taste in his mouth. “He’s a real pain in the ass to beat, even as a group! Maybe we should -”

“Shut the fuck up! He’s not stronger than me!”

“Bakugo, wait!”

But it was too late. The blonde charged at the boss with his cutlass raised. With a grunt, the boss swatted at him like he was a mere fly, sending him skidding back across the room. This continued on with Bakugo unable to get close enough to strike.

“Hey Winchester, do you trust me?”

I glanced at Kirishima. His red eyes were trained on the two, his expression dead serious. “Not really, no.”

He nearly fell to the ground, turning his body to face me. “W-Well, at least you’re honest…”

“You got a plan or somethin’?”

“Yeah,” he nodded. “But I have to form a contract with someone in order to use it.”

“I’m sorry, the fuck?”

Bakugo was thrown against a pillar, his health taking a significant hit.

“There’s no time to explain! Please just trust me, Winchester!” His eyes bore into my own as a screen popped up beside me: ‘Dragonling RedRiotx has requested to form a contract with you!’

I glanced at Bakugo, who was breathing heavily but not relenting in his assault. Fuck it, what’s the worst that could happen? I pressed accept and Kirishima took both of my hands in his, eyes closed as his body started to glow a bright red. The light expanded to cover my own and my stamina drained rapidly.

His body started to grow, morphing and changing as he increased in size until a red dragon took his place, large body barely able to move in the room. He flexed his wings as best as he could in the tight space, his loud roar shaking the room and paralyzing the boss for ten seconds.

“You’re a fucking Dragonling?!” Bakugo yelled in disbelief, striking at the frozen boss.

What the fuck is a Dragonling? I didn’t see that race on the character creation screen… is it one of those pay to win races?

Kirishima tilted his head back, filling his lungs with air before exhaling a burst of fire that flew straight at the boss, taking a large chunk of health from it as it flew across the room from the force. He huffed, black smoke coming from his nostrils. “That barely did any damage!” His voice was deeper and came out as more of a growl than anything.

What is he talking about? He just took like three inches off his health bar. I squinted across the room, glancing above the boss’ head so the health bar would come into view. A second later, the numbers popped up over it. “T-Ten million health?!”

“He’s a raid boss, one of the toughest in the game.” Kirishima turned his huge body to the side, his tail whipping over my head and slamming into the boss as he rushed toward him. The boss went sliding backward. “He was designed to be taken out by a group of at least twenty level one hundred players!”

My eye twitched as I stared at Bakugo. That fucking idiot sure knows how to aim big, don’t he… Damn, this sucks ass. I can’t do shit to help out here and even if I tried, I’d just get in their way. With a sigh, I pulled up my skill tree to get rid of that annoying notification in the top right of my vision. Damn, that’s a lot of points to spend. Wait… what’s this?

‘Warriors Shout: Release a loud battle cry, inspiring your party members and buffing them for five minutes. This ability can only be used once every fifteen minutes.’

Well, that could be fucking useful. With all of the points I had accumulated, I was easily able to max out the skill with points left over. Now to confirm it… okay! I spread my feet shoulder-width apart, lifting my arms a bit and clenching my fists like Goku does when he’s about to fuck some shit up. I sucked in a deep breath, activating the power as I exhaled. My voice came booming from my mouth, sending red shockwaves toward both Kirishima and Bakugo. Their bodies flashed red as their stats jumped up.

Bakugo grinned wickedly, dodging one of the wings as he sliced at the boss’ shoulder. “Why the fuck didn’t you do that sooner, tiger?!”

“‘Cause I didn’t know I fucking could, obviously,” I muttered under my breath.

The boss’ health was steadily decreasing now and it was getting more desperate in its attacks. It spread its wings wide and jumped into the air, disappearing from sight. I heard a crackling behind me and I glanced over my shoulder, jumping out the way just as a large green ball whizzed past me. There were dozens of them moving about the room and Kirishima’s large body made it impossible for him to dodge them. I saw his health bar appear every time he took a hit, but his health barely moved. Fuck, he has hella high defense and health.

“Brace yourselves!” Kirishima growled. “He’s coming!”

The balls disappeared and the boss reappeared, folding his wings around his body as he fell through the air like a ten-ton truck. The impact against the ground sent a shock wave of air through the room, throwing me back against the door. Everything started to flash red as I coughed, clutching my shoulder. I glanced at my stats, a bead of sweat rolling down my cheek.

One. Fucking. HP.

Bitch, how am I alive right now? All of the durability on my armor is gone, too. That’s probably the only thing that saved me. Sheesh.

I coughed up blood, breathing heavy as I leaned back against the metal door. This is so damn annoying! Why did I let that blonde idiot talk me into this?

The boss zoned in on me, snorting and stomping his foot like a bull before rushing at my with incredible speed. I willed my body to move, but it was no longer in my control.

“Winchester!”

“Dodge, you dumbass!”

Farewell, cruel world. I closed my eyes and awaited my fate, thinking about the glory that belongs only to the taco.

“Slice!”

A flash of green.

A huge burst of wind.

A cloud of smoke.

What the fuck just happened?

⊱ ────── {⋅. 🔥 .⋅} ────── ⊰

▸ Forward

📜 Read more by checking out my masterlist 📜

1 note · View note

voidendron · 6 years ago

Text

Deep Blue Sea: Ch 11

Chapter 11: Headcount Subnautica/JSE Egos Crossover

Warnings: Swearing, Vomit Characters: Chase Brody, Marvin the Magnificent, Dr. Schneeplestein, Jackieboy Man, Jameson Jackson POV: Chase Brody

Chase went to scrub at his teary eyes only for his hands to hit the glass of his mask. All he could do was stare at Lifepod Three’s ripped open wall. His team’s fucking Seaglide had exploded. They’d never even gotten a chance to leave the pod.

When his PDA warned him of low oxygen, Chase swallowed and kicked for the surface; his jaw was aching from biting down on the mouthpiece so hard for so long. Every time he felt a sob trying to surface, he’d bite down. It kept him focused enough to keep swimming. Just keep swimming.

He kept Mason’s cracked PDA clutched tight against his chest. It was all he could think to do. The remaining two of his little maintenance team had had a chance. They’d landed—sure, their pod sank, but they’d landed. they’d been alive probably not even two hours ago—and if Chase had just been a little faster to get out here…

Reaching the surface, the man pushed his mask up and scrubbed at his eyes. The water stung them but he frankly couldn’t care even as he knew they’d start turning red. If they weren’t already.

God… Romero had three kids back on one of the Alterra colonies. Did they even know the Aurora had crashed? Who would bring them the news that their mother was probably dead on some alien planet? And—and Mason’s siblings. He was the youngest of four, wasn’t he? Their baby brother was gone. Their families couldn’t even have the closure of burying them because there was just…nothing left.

…Chase’s kids. He was still alive, but…they’d be told he was dead once Alterra realized what happened, wouldn’t they? Or that if he wasn’t, there was no way to get to him. What if he never saw them again?

He bit his tongue when another sob tried to surface.

No, no. Rescue would be sent. Eventually.

Who was he kidding? They were well outside of Alterra space. He—and any other survivors who may be out there—would just have to hope they got lucky and another ship happened through the system to pick up on the Aurora’s likely weak signal.

Back to Five. That’s all you can do now, Brody. The rest of the pods could still be checked. Just because those two hadn’t made it didn’t mean there couldn’t be other survivors.

He’d seen…he’d seen who? Keen. He remembered seeing Keen getting in a pod. …Nineteen? Fuck. If he remembered the coordinates, that would be one of the hardest to reach. His, and the CTO’s and her partner’s, Twelve that he didn’t know who had taken. One of the security guys had gone into one that was pretty deep, too. The rest should be easy(ish?) to get to.

…Hopefully.

That entertainer had taken Pod Four, but he didn’t know who was in the rest. Get back to Five, gather your wits, and get to…Four, he supposed? At least that one was at the surface.

A steadying breath and Chase pulled his mask back down to start the swim back.

He hadn’t even made it completely to his pod when he saw someone else farther out. They looked exhausted and was laying on one of the weird spire-things that stuck out of the shallows almost to the surface.

The entertainer; he recognized the long, dyed hair. It was still partially pulled back, but a lot had come loose and was sticking to the sides of his face and the mask. The man was panting and had a hand over his chest.

All Chase could feel was relief as he abandoned his objective for Five and took off toward the man.

He pushed his mask up, spluttering a little when he splashed himself in the face. “Hey!” he called. “Hey!”

The other man startled and flinched as he bolted upright before his shoulders sagged with relief.

“Oh, thank fuck,” he groaned, letting himself tip backward again so he was laying on the slightly submerged surface.

Chase floundered up onto the jutting stone formation and if it wasn’t for the fact they were both gross and sweaty and didn’t know each other he probably would have hugged the guy right then and there. “Which pod are you from?”

The guy started laughing—actually laughing—and Chase had to wonder if he was okay. “Don’t even try goin’ back there,” he said between, admittedly very tired-sounding, giggles. “That thing’ll swallow you whole.”

“…Huh?”

“The fuckin’…the Reaper. I’ve never seen an animal so goddamn big…” He’d stopped laughing at least; he honestly just looked like he wanted to sleep.

Chase shook his shoulder and dragged the guy into sitting up. “Big?”

“Mhm.” He rubbed at the bump on his head. Looked like he’d hit it pretty hard; Chase subconsciously pressed a hand to his own temple where the loose panel had hit him. “The thing just…I didn’t know somethin’ could be that big.”

A calming breath. Maybe the guy was just in shock or something. Or did he really not want to talk about whatever a “Reaper” was? “Dude. How big?”

“Mandibles longer than you are tall. It dragged my fuckin’ lifepod under the surface like it was nothing.”

Chase blinked. “Uh…dude. There’s no way there’s somethin’ that big out there. You sure you weren’t just panicking?”

That seemed to snap him out of it.

“Panicking?! I’m not fuckin’ exaggerating. That thing dragged Four so damn far down my ears popped. One of its mandibles broke through the pod’s exterior. If I hadn’t had a goddamn decoy I wouldn’t have even made it here.” He ran a shaky hand through his hair and took a steadying breath. “Just…don’t go to Four, okay? That thing’ll fuckin’ kill you.”

Chase’s PDA chirped and he blinked down at it. The entertainer’s had as well.

Close proximity. They were sharing information with each other.

One such bit of information was the Reaper’s file. His heart dropped when he looked it over.

There was no way something that big was on the planet.

…Right?

That made things a whole lot more complicated. Maybe they just…stuck around one area? Hopefully?

At least the other man’s PDA must not have been as damaged as his. A ton of blueprints filtered through that his had been missing.

Chase took a slow breath, then nudged the other man. “I…didn’t catch your name?”

“Uh. Right. Marvin.”

“Chase.”

The handshake was…beyond awkward, to say the least.

“I—”

“Hey!” He could hear a machine and splashing.

Two…no, no, three more survivors. One had a Seaglide (that was probably the machine he heard. no fair, why hadn’t Five been equipped with one?) and…one wasn’t moving. The biggest man, who Chase recognized as one of the ship’s doctors but didn’t know the name of, was more or less on his back and dragging the third man who—Jameson.

Both Chase and Marvin threw themselves off the rock and back into the water to meet the trio. Jameson wasn’t breathing.

“Wh… The fuck happened?!”

“He drowned, what does it look like?” the doctor snapped (great. he was that type of guy). “Open the pod and help get him inside!”

It ended up being the security guy (Jackie, apparently) and Chase who went into the pod with Jameson. Neither of them had been swimming for their lives (technically. Chase wasn’t going to count getting away from those shark-things after knowing what Marvin had faced) or carrying an unconscious passenger, so they had the most energy of the four. Energy would be needed, Chase thought as he swapped places with Jackie for the second time to begin chest compressions.

It wasn’t long into the next swap—Jackie was panting as he pressed down on Jameson’s chest (they were pretty sure they’d broken at least two ribs by that point). they were both exhausted and unsure if the other man would even make it—that the chef spluttered and threw up some water. They hurriedly turned him onto his side so he wouldn’t start choking as he gagged and spat. He didn’t throw up nearly as much water as Chase had been expecting.

Still, he finally let himself breathe with relief.

Jameson’s eyes were glassy and dazed, but he was breathing again. Now they’d just have to keep an eye on him for a while (the doctor had mentioned he could end up with pneumonia) to make sure he was doing all right.

Jackie went to get the doctor and Chase ducked out as soon as…Schneeplestein, that was it, right? he’d go with Schneep, entered the pod.

The remaining three—Chase, Marvin, and Jackie—found their way back to the barely submerged rock formation and sat themselves down.

“Okay.” Jackie looked expectantly between them. He was still carrying the metal rod (apparently it was a broken flare) and had it pressed into the stone so he could lean against it. “Now what?”

“Probably a habitat builder.” Chase gestured out at the setting sun. “Three, max, can be in a pod at once, so we at least need a basic room where we can sleep and start storin’ supplies.”

Marvin furrowed his brows. “But…we’re not gonna be here that long, are we? What about rescue?”

Chase snorted at that. “We’re outside’a Alterra space. Call me cynical but I don’t,” he cleared his throat when his voice cracked, “think anyone’s comin’.”

The color drained from the poor entertainer’s face.

“I mean…” Jackie gestured out at the Aurora. “It’s still mostly in one piece. We’d need radiation suits if what Marvin said is right, but…maybe it’s repairable?” …He looked right at Chase when he said it.

“I’m a repairman, not an engineer. Yu might still be alive, though, so if we find her and Berkeley, then I think we’d have a chance dependin’ on how sever the damage it.”

“Um…what’s the difference..?” Marvin asked.

Chase couldn’t help but roll his eyes. “Nonessential maintenance. I repair stuff the engineers can’t be bothered with. Uh…changing light bulbs, fixing doors, makin’ sure intercoms are workin’.”

“…An electrician?”

“Sorta? Repairman’s still a better way to describe it. We’re kinda offtrack, though, guys?”

“Okay, right…” Jackie leaned his forehead against the broken flare. “So where are we starting? Habitat builder, ah..?”

“Seaglides for the red of us, and better air tanks,” Chase answered.

“Rebreathers?” Jackie suggested.

“Yeah. That’s…actually a really good idea. And…I guess just start collectin’ stuff? And we’re gonna need lots of food and purified water. Let’s start with the habitat builder so we can get somewhere for Jameson to properly lay down, then I guess. Go from there?”

#fanfic #jacksepticeye #writersofjack #chase brody #marvin the magnificent #dr. schneeplestein #jackieboy man #jameson jackson #deep blue sea #subnautica crossover #dbs ch11 #blitz indites #swearing /#vomit /

10 notes · View notes

saltandburnbabyy · 6 years ago

Text

Whiskey and Adele - part 1

PAIRING: Team Free Will 2.0 x Reader

RELATIONSHIP: Platonic

AGE: your choice

SUMMARY: When Sam, Dean, and Castiel leave you alone with Jack in the bunker for a few days, you decide to make the most of having the bunker free and have fun with Jack...the funny thing is you and Jack have very different definitions of fun.

WARNINGS: just a bit of swearing, drinking, that’s about it

A/N: I do not own Supernatural or any of its beautiful characters.

It was 5:30am and all that mattered to you was the cup of coffee sitting snug in between your hands. You stared down at the coffee, completely unaware of the excitement that was taking place around you. Why the hell was everyone up so goddamn early? You were never a heavy sleeper, thanks to being raised in the life, so when the rushed footsteps of Sam, Dean, and Castiel paced outside of your bedroom door for almost an hour you knew something was wrong.

Taking a sip of your coffee, the steam swirling in front of your face, you sighed in relief as you felt the hot, bitter liquid travel down your throat. You were so invested in your coffee that you didn't notice Sam watching you from the kitchen counter, shoving food in his backpack. His green eyes held a hint of humor as he watched you drink your boiling coffee with your eyes barely open.

"(Y/N), you didn't have to get up, we would've left you a note," Sam explained as he zipped up his backpack, the last granola bar finally packed away. He left the bag on the counter as he walked over to the table and took a seat across from you. You placed the chipped mug on the table in front of you and turned to Sam, slightly irritated.

"Trust me, I'd be sleeping like the dead right now if it wasn't for all the ruckus outside of my door. Also, it sounded kind of urgent so I figured I'd drag my ass out of bed and see if you guys needed any help with anything.”

At that moment Dean sped into the kitchen in a slight panic. His gaze tore across the kitchen as if searching for something, "Has anyone seen my-aha! There you are." He walked over to another counter located in the kitchen and snatched his gun up. Lifting up the back of his shirt, he slid the gun into the back of his jeans and finally gave you and Sam some attention. Especially you.

"Well you look like crap on a stick," Dean commented to you as he took a seat next to Sam. All you did in return was give him a death glare, one you honestly though could burn a hole through his head. Sam noticed your frustration and shot Dean his signature bitch face, "you're an idiot."

You brought the cup to your lips to take another sip of your coffee as you heard Sam's comment. That caused your heart to swell in your chest a little bit and a smile to form on your lips. It was moments like these, stupid and mundane moments, that reminded you why you loved the Winchesters so much. They were the only family you had left in this world, related or not, as well as Castiel. Then when Jack came into the picture you had no problem welcoming him into this dysfunctional family with open arms. Those four men were the light of your life, and considering the line of work you were all in you learned very quickly to appreciate the simple things in life, like the boys’ bickering.

They were still lightly bickering between themselves as Castiel walked in. He looked over to you in genuine surprise. "(Y/N)? I assumed you would be sleeping."

You turned in your chair to face him and smiled, "Do you know what happens when you assume Cas?"

He simply stared down at you in utter confusion, "I don't quite understand what you are referring to. Is this some type of riddle?" Castiel sighed and occupied the last seat at the table. "I never know with you nowadays."

You giggled in response, brushing off your stupid joke, as you stood up and went to go place your empty coffee mug in the sink. Turning to the trio you started to express your slight concern.

"Is this another hunt? I mean, what else can it be?" You crossed your arms over your chest and studied the three men.

"It's a hunt," Dean explained, "but you ain't going. Not this time."

At that, you grew annoyed. Sam probably picked up on your feelings, he always does, and attempted to explain everything is a softer manner.

"It'll only be for a day or two. Three days max. I promise." He offered a sympathetic smile knowing fully well how pissed you were starting to become. They were going on a hunt without you? Out of all the things they could pull this was the shittiest. Your arms were still crossed as you narrowed your eyes at the three men sitting in front you.

Unbelievable.

"This is unfair and you guys know it," you expressed, "I should be going on a hunt with you guys. Not stuck here in the damn bunker. If this is about Jack being alone-"

Castiel stood up to walk over to you, and placed a firm yet reassuring hand on your shoulder, "(Y/N), we are just simply unsure of what kind of creature we'd be hunting. All we want is for you and Jack to be out of harm's way." Dean stood up and took a spot next to Castiel, "and if that means leaving you both behind here in the bunker than that's what's going to happen." You gave them all pointed looks before sighing in defeat. There really was no use fighting them on this and you really needed another cup of coffee. "Well I still think this is a crappy idea," you huffed, "who's going to save your asses this time around?"

With a chuckle, Dean pulled you into his side and planted a small kiss on top of your head. You were shocked by the sudden affection but wasn't complaining in the slightest. He smelled like gunpowder and the cheap, cologne smelling soap he always used. Your frown slowly disappeared as you looked up at him, "what was that for?"

Dean didn't directly answer you as he began walking out of the kitchen, "see you in a few days kiddo." Castiel offered a small, reassuring smile before following close behind the oldest Winchester.

Sam, with his bag full of food slung over his shoulder, walked over to you and embraced you in a big hug. This caused a laugh to bubble up from inside you as you were reminded yet again just how much he towered over you. His long arms wrapped around your small frame and hugged you tight. You returned the embrace with a quick squeeze around his middle before releasing him, "All three of you better come back alive and in one piece. If not, you better believe I'll bring you back and kick the crap out of all of you."

Sam laughed and gave you a small nod, "you got it." With that, he walked out of the kitchen and within a minute the sound of the bunker door closing echoed throughout the halls.

You stood there, the feeling of serenity lingering in the room. You had no doubts that whatever the boys were hunting would be a walk in the park for them, but there was always that small part of you that worried. There would always be that part of you that worried. Being a hunter wasn't a walk in the park and you were never guaranteed to see tomorrow. You shook your head, shaking off the feeling of uncertainty, and headed back to your room to get a few more hours of sleep.

It was now 5pm, and you sat at a table with another cup of coffee in one hand and a book in the other. Jack had finally made an appearance from his room and sat across from you, looking bored out of his mind. "So, what should we do while Castiel, Sam, and Dean are away?"

You glanced up from your book, it was on zombies and it wasn't holding your interest in the slightest, and sighed softly, "I'm not sure. We really shouldn't travel anywhere and Dean only left $300 in case of an emergency." Jack sat up in his chair, "What exactly would be considered an emergency?"

"Well," you closed the book and pushed it to the side, "Food. In case we get attacked, have to go on the run, and change our identities. Now there's a pricey experience." You chuckled to yourself, glancing down at your book, but noticed the thick beat of silence before he spoke up.

"Who would attack us though?" Jack's words were laced with worry.

You slowly looked up with a confused yet apologetic expression, "It was just a joke, Jack."

"Oh."

You noticed he suddenly took on a serious demeanor and you turned in your seat to fully face the young Nephilim. "Listen, Jack, I'm sure everything is perfectly fine. I was just being an idiot. It's only a few days. Besides, you have me. Not to toot my own horn, but I can be a hell of lot more fun than Thing 1, Thing 2, and Thing 3." You watch Jack's lip twitch with a small smile. You smiled yourself, think back to when you introduced The Cat in the Hat to Jack.

That was a very interesting day, to say the least.

You stood up, stretched your arms, and groaned lazily. "I don't know about you, but I think I'm going to jump in the shower. How about we watch a movie when I'm done. You can pick it out if you want."

You've never seen Jack smile so wide before, which only caused you to laugh. He pondered over something for a minute which caused you to study him in amusement. He finally stood up as if the chair he was sitting in was on fire.

"I think I know the perfect movie that we can watch."

You didn't even get the chance to ask him what he had in mind before he took off down the hall. You heard his sneakers squeak with every step. Standing there in mild shock, you simply smiled in content and made your way to your room.

Before you knew it you were showered and made your way to Jack's room. The sound of your bare feet against the wooden floor barely made a sound as you approached his room, his door ajar.

You pushed the door open without bothering to knock, "Hey Jack, let's get this show on the-"

The scene that you were met with was one you didn't think you'd ever see in your lifetime. "Holy crap," you muttered to yourself.

Jack was spinning in the middle of the room, his arms outstretched with a glass bottle in his right hand. The contents of the bottle swished around as he continued to spin around. You were completely frozen in your spot as you took in the scene in front of you. Empty bottles of alcohol, what kind you weren't sure, were lined up neatly on the floor near Jack. There were at least 10 bottles in that neat cluster. The one in Jack's hand looked half empty. There was a movie playing on his television. It looked like one of Dean's old western movies. Clint Eastwood? Who knows.

Oh no.

Dean.

Alcohol.

"Jack," you pleaded, taking small steps towards him, "please don't tell me you took these bottles from Dean's room."

Dean had a secret stash of his favorite whiskey in his room and not one soul was allowed to touch it.

He stopped spinning at the sound of your voice, barely being able to stop himself in a calm manner. The alcohol in his hand sloshed around, more of it spilling from the bottle. His eyes widened from excitement as he ran towards you and tackled you in a hug. You winced as the hug grew tighter and tighter, Jack forgetting his strength. He smelled of whiskey. Yep, definitely whiskey. You didn't even realize Jack could get drunk.

"Jack," you wheezed, "dude you're crushing me." You tried to wiggle out of his embrace, hoping he'd get the message. Usually, you didn't mind the smell of whiskey, considering that's the third choice of beverage in the bunker behind coffee and beer, but the smell was giving you a small headache. Jack finally let go and pushed the bottle in his hand towards you. Glancing down at the bottle, you gingerly took it from him and held it to your chest.

"Um Jack, buddy, what the hell is going on?"

"I went looking for, uh, some, uh, movies! Yeah, movies. I found some in Dean's room. He has so many movies in his room, did you know that? He also has a hidden picture of him, you, Sam, Cas, and me in his drawer but doesn't tell him I told you that. I know secrets are really bad, but I don't want him to get mad at me."

Jack stared down at you and pointed to the bottle, "I also found something much better than a movie. I read somewhere that alcohol consumption is considered fun."

"What?!" Despite your panicked expression, Jack seemed to have no care in the world.

They were going to kill you. Big time.

part 2

70 notes · View notes

wolfie-dragon-rider · 6 years ago

Text

Grey Stains, chapter 2

Hey everyone, here's chapter 2 of Grey Stains. Our first glimpse of Hogwarts, and backstory for Astrid! I hope you enjoy it! I will also update my masterpost with this story, so if you want to find chapter 1, look there or check my ‘grey stains’ tag.

One thing I would like to address here are the side characters. Pretty much all side characters like professors and classmates, are lifted from other franchises that I enjoy. However, you shouldn't feel obligated to know all (or any) of them to understand my story. They're simply there to add some color to the scenes, and because I think having Hiro and Rayla is more interesting and easy to remember for you, the reader, than Ravenclaw OC #1 and Gryffindor OC #2. So if you don't know a character in the story, I hope the context explains enough about them. If you do know the character, I hope you enjoy some of the in-jokes I put in. After this chapter their presence should be less overwhelming, as the story will focus more on Hiccup and Astrid proper.

--------------------------------

"And we're here, with fifteen minutes to spare! Those Muggle 'taxis' are faster than I thought!" Astrid's uncle Finn said as he led the way into King's Cross Station. It was filled with people, and the loud announcements and screeching of the trains made Astrid's head hurt. Her owl, a yellow-blue bird with the powers of a Blast-ended Skrew who she named Stormfly, screeched loudly, and she hoped none of the Muggles would notice the puff of smoke coming out of Stormfly's beak.

"I keep telling you, the Muggles are smarter than you assume, but you never believe me!" Aunt Erika said. They kept bickering about transportation as they walked onto platform 9. Astrid recognized a man standing there, despite him wearing Muggle clothes. It was Mr. Cruz, one of the aurors working with her uncle. He was subtly guiding wizard families towards the column dividing platforms 9 and 10.

Finn and Erika stopped their argument to greet him, and a minute later they got the signal to go. Astrid looked at the solid brick wall in front of her, and she suddenly felt scared. No, no, she can't be scared. She's gonna be a proud Gryffindor, she has to be brave! So she gritted her teeth and ran right after her guardians.

Although she may have closed her eyes before reaching the wall. There was a brief sensation of her moving through what felt like liquid, but then the sounds warped and changed. The Muggle talk and modern trains vanished, replaced by the sounds of magic and the hissing of a steam engine.

"Alright girl, are you ready? Oh, you grew up so quickly! Don't be afraid to send us letters, okay? It's normal to feel a bit lonely at first! But I'm sure you'll make lots of friends!" Erika said, rubbing her cheek.

"Thanks, Aunt Erika. I'll try," she said as Finn took her suitcase and lifted it onto the train. Astrid wanted to protest, say that she could do it herself. But before she could open her mouth he turned to her with that look that meant he was going to say something important. He kneeled, putting himself a little below her eye level, but she still felt small.

"Astrid… I'm sorry your parents couldn't be here to see you off. Or your sister. But I know that your mom and dad and Celia would be so, so proud of you. And so is your brother Max, even if he couldn't make it to London because of his work. And we are so proud of you too. You know, after the Battle… there was so much destruction. So much death, and it felt so hopeless. But we took you in, and in you we saw hope. That war ended because people like your parents and your siblings stood up and fought against evil. They fought to give you a better world to grow up in. And I know you'll work to fight the evils of your time. It's different now, you know. Less open. Don't forget that some people still have those… evil beliefs, even if they won't say it out loud. But I know you'll do the right thing. You're strong," he said, putting his hands on her shoulders.

Astrid tried to look him in the eye, but she felt tears appear, and she dropped her head trying to hide it. She wasn't so sure if Max was proud of her. They had barely spoken in years. He was abroad, studying Healing in Italy, and rarely replied to letters. She rarely felt like sending him letters either. They had never been super close, Astrid had liked her sister Celia more back when she was alive, and six months after the Battle of Hogwarts Max had left Britain, finishing his NEWTs at Beauxbatons and traveling Europe ever since.

As she looked around, seeing parents hugging their children, siblings teasing each other, laughing together, she wanted to shout that it wasn't fair. Her family had been torn apart by Death Eaters, and these people were all perfectly fine?

But no, she couldn't do that. Like Uncle Finn always said, she should be grateful she has what she has. Entire families had been slaughtered, Muggleborns tortured until they were left permanently insane at St. Mungo's, babies killed and turned into Inferi and other monsters. Her pain was nothing compared to that.

So she forced herself to smile and nod.

"I'll fight for the light, Uncle Finn. Like you taught me! I'll be a brave Gryffindor like you and Dad and Celia! Not to mention Harry Potter and Ron Weasley and Hermione Granger!"

"Alright, little lion, just remember it's okay if you end up in another house. Of course, I know you want to end up in Gryffindor like your heroes. Just remember the other houses did great things too. Hell, your brother was a Slytherin and he fought alongside Neville Longbottom for the entire battle!" Aunt Erika said, and Astrid rolled her eyes.

"I know, Auntie! Doesn't mean they're not dorks," she said. Behind her aunt and uncle she could see the boy from the wand shop walk past, with his messy brown hair and expensive robes. A bald man with two prosthetic limbs walked alongside him. His father? They didn't look related. Something about the boy made her nervous. When she saw him at Ollivander's, waving wand after wand with no effect, she had thought he might be a squib. But if he was going to Hogwarts he should be magical, right?

After some goodbyes and awkward hugs Astrid boarded the train. She walked through the corridor, checking for any empty cabins but not finding any. Eventually she found one with three girls of her age, and decided she might as well get started on making friends.

"Hello!" she said, trying to seem confident as she opened the door and pulled her suitcase inside. The white-haired girl turned to her, revealing strange purple markings under her eyes.

"Hi, I'm Rayla, and these are Merida and Pidge. Merida and I already knew each other, we grew up in the same town," the girl said in a thick Scottish accent, gesturing to two girls who both had their own style of wild hair. Merida had a wild mane of curly bright red hair, while Pidge had short dirty blonde hair that stuck out in all directions and looked like she cut it herself.

"I'm Astrid," she said, sitting down next to Pidge.

They easily got to talking, and Astrid learned that Rayla's family situation was similar to hers: Her parents had gone missing during the war, and she was raised by a family friend called Runaan. Pidge was Muggleborn, but her brother Matt was magical too, and was currently a Ravenclaw prefect. Merida was from a very old wizarding house, and her father lost a leg fighting evil creatures in the war.

"So what do you think you'll be when you grow up? My parents keep trying to push me into politics, that I'll have to keep managing our ancient house, but I say sod that!" Merida said, her accent even thicker than Rayla's.

"Probably inventing. I'm good at figuring out tech and stuff. I'm curious if I can use magic in Muggle computers," Pidge said. Astrid wasn't sure what she was talking about. Before she could ask, Rayla spoke up.

"This is probably weird, but Runaan is part of an elite group of aurors, and he kind of expects me to join him. Not sure if I want to, though," she said, rolling her eyes.

"My uncle is an auror too. That's what I always expected to be. Never really considered anything else. I want to fight evil like my family did," Astrid said, trying not to think about how often Uncle Finn had come home with dead eyes after another raid. Those were evenings he wouldn't say a word. He'd just grab a bottle of firewhiskey and slowly empty it while listening to old songs on the radio.

"I'll stick to making weapons for you, I guess. Way safer than being on the frontlines," Pidge chuckled, adjusting her round glasses. Astrid wondered if she knew they looked just like Harry Potter's glasses.

--------------------------------

"Come on, Gobber! Aren't I supposed to make friends? Meet people? Doesn't Dad always say networking is important?" Hiccup exclaimed, gesturing at the locked door of their cabin.

"Your father gave me strict instructions not to let you out of my sight until you're safe at Hogwarts. He may not be my direct boss, but you know I can't ignore an order from him! He's got influence! That curse on the Defense Against the Dark Arts teaching position is finally gone, and I'll be damned if I lose the job anyway because you can't stay put for a few hours!" Gobber shouted, pointing at Hiccup with his prosthetic hand.

"What does he think is gonna happen? Death Eaters kidnapping me? People angry about his policies attacking me? What even for? My dad is the most apolitical politician ever, he doesn't care about any ideology. All he cares about is slaying dragons," Hiccup said, looking out the window at London disappearing behind them.

"Oh, don't play dumb. You know what this is about. Stoick is worried that the Red Death will attack the train. I figured that you of all people should understand that," Gobber said, digging in his bag with his good hand.

"You know I don't live my life cowering in fear of dragons every moment, right? My dad may be obsessed, but I'm not. It's ridiculous. Like that Red Death would actually attack us," Hiccup said, looking up at the cloudy sky. Could dragons be hiding up there?

"Hey, I agree that Stoick is paranoid about dragons, but he's not wrong about the Red Death. It has killed fourteen muggles and three mages in the past year. Despite nearly all the Department of Magical Creatures' resources being devoted to hunting it, it has eluded your father for years," Gobber said as he pulled a chess set from his bag. Hiccup looked away from the window just in time to see the man take his wand out and placing it on the bench beside him.

"I just… He's always locked me up at home in fear of it, and I figured that now that I get to go to Hogwarts I'd finally be… free. But he's still locking me up," Hiccup muttered, glancing at his own wand. According to the eighth wandmaker they had visited this summer, in Beijing, it was the best wand money could buy. Hiccup had tried thousands of wands in shops all over the world, and none had chosen him, so Stoick had bought him this. Maybe at Hogwarts he'd learn how to use it.

"Oh, don't think like that. It's just until we reach the castle. You'll be safe there, and I won't have to babysit you anymore," Gobber chuckled, and Hiccup tried to smile. "Now, since we're stuck together we might as well pass the time with some chess!" the man said, laying the board on the table as the pieces jumped out of the box, taking their positions with loud boasts and battlecries.

They played for a while. Gobber won the first game, and they took a break when a nice lady knocked on the door to ask if they wanted any candy. Gobber bought a large brick of chocolate for them both. The sugar seemed to make Hiccup more alert, and he easily won the next three games.

"Looks like you'll be a Ravenclaw with those brains. What house would you like to be in?" Gobber asked as his broken black pieces put themselves back together with loud groans and whimpers. Hiccup shrugged.

"Haven't really thought about it. I guess everyone always says Gryffindor, but I'm not so sure. Maybe Slytherin, to piss off Dad," he said as his king and queen led his white pieces back onto the field.

"Honestly I think he'd be more disappointed if you ended up a Hufflepuff. He often complains they're 'too nice' and 'care too much about dangerous creatures'," Gobber said. "But with the way you're slaughtering me, I don't think you're nice enough for that."

--------------------------------

As he climbed out of the rickety boat Hiccup didn't feel like Hogwarts was a very magical place. It was raining, and the summer warmth was blown away by a cold wind.

"Why did we have to go all the way to London for the train if Hogwarts is right next door? And now a boat! I hate water!" a Scottish voice from the next boat said, and Hiccup looked over to see a white-haired girl looking sick as she jumped onto land. Her robes were simple and sturdy compared to his gilded silk robes that did nothing to keep him warm.

"Such weird boats. Ours back home are much sturdier!" a girl with long brown hair said as she climbed out beside Hiccup. "I'm Katara, by the way. Katara Waters."

"I'm Hiccup," he said loudly to be heard over the howling wind. They hadn't had much of a chance to speak during the boat ride.

"Alright, head inside now, let's hurry!" Gobber shouted, helping a black-haired girl out of one of the boats. She looked very annoyed, and when Hiccup looked closer he noticed her eyes were blank and milky. For a second the dragon's eyes from that day in Gringotts flashed in his mind. Katara waved her wand and did a strange movement with her other hand, and the rain above them was diverted, like she was holding a large umbrella. Hiccup gladly took the opportunity to look away from the blind girl and focus on something else.

"You can do that already?" he asked, fingers rolling over his own wand on his belt.

"It's magic from my tribe, I learned it from my gran-gran," she said, continuing the odd spell.

"I thought Hagrid was supposed to guide the first-years?" one of the boys asked as the last of the boats docked, water splashing over the side as its occupants jumped out.

"Hagrid retired years ago, he moved to France. I'm the groundskeeper now," Gobber said, before casting a charm that lit up a muddy path. The group hobbled along for a few minutes until they reached the front gates of the castle. Gobber waved his wand, and the gate opened. They gladly ran inside, slipping and sliding on the tiles. They barely had time to appreciate the enormous hall with its marble stairs before a familiar voice spoke up.

"Ah, you're here. Welcome, first-years, to Hogwarts!" a tall woman with grey hair said. Hiccup recognized her from one of his dad's ministry parties.

"I am Professor McGonagall, Headmistress of Hogwarts and Transfiguration teacher," she continued as the kids gathered around the enormous marble stairs she was standing on. Once they were all lined up she talked a bit about how houses worked, and that they should obey the rules. Hiccup's mind wandered, and with it his eyes. Next to him was Hiro, the boy from the wand shop, who looked as bored as him. Next to Hiro was a bald boy with arrow-shaped tattoos on his head and arms. Despite his strange appearance he looked giddy and excited. And at the far end he saw Astrid. She suddenly noticed him staring and frowned, and he quickly dropped his gaze.

"Now, let us enter the Great Hall so you can be Sorted!" McGonagall finished her speech, before passing through the line of first-years to a large door to their right.

Although he had heard stories and read books about this hall, he still gasped at the sight of it. The ceiling reflected the storm clouds outside, though no rain fell on the floating candles and tables filled with precious silverware. Hundreds of students dressed in similar black robes sat along the 4 tables, and they all looked at him and the other first-years entering. At the far end was the staff table on the raised platform. He could see Gobber near the center of it, giving him a quick wave with his prosthetic hand. He tried to smile back, though it was hard when his stomach churned at the sight of the tattered old hat sitting on a tiny old chair.

The blind girl was the only one not gasping at the amazing room. Instead she just kept walking forward alongside McGonagall, leading the other first-years towards the Sorting Hat.

Eventually they were all crowded near the chair with the hat, and it began to sing. Some of the Muggleborns gasped and looked fearful at first, but the hat quickly reassured them as it explained its purpose and the characteristics of the four houses.

"Alright, when I call your name, step forward, sit on the chair, and I'll put the hat on you. It will then sort you into your House. Firstly… Avatar, Aang!" McGonagall said, lifting the hat with one hand, a scroll in her other. The bald boy with tattoos he noticed earlier stepped forward with light steps and sat down, and McGonagall lowered the hat over the large blue arrow on his forehead.

"HUFFLEPUFF!" it shouted barely a second later. The boy jumped up, higher than Hiccup knew someone could jump, and ran over to the table that had exploded with applause.

"Beifong, Toph!" The blind girl stepped forward, somehow noticing the small step between them and the chair, and sitting down without help. Hiccup wondered how she did that.

The hat was quiet for a minute as Toph grimaced, before eventually announcing "GRYFFINDOR!"

Butterfly, Star!"

"That's me, that's me! Hi, Mr. Hat! Ooh, ooh, are you going to look into my mind? That's soooo cool!" a girl with heart-shaped cheek marks and blonde hair past her knees screamed as she ran forward, knocking over several first-years with surprising strength. She had an enormous grin as the Hat was placed over her head, hiding her wide eyes from the room.

For a second the grin lowered, before returning full-force. She nodded wildly, making McGonagall reach out her hand to steady the hat.

"GRYFFINDOR!" it suddenly boomed. The table next to them applauded loudly as the girl took off the hat and ran to her new house.

The sorting went on like that for a while, and Hiccup had trouble keeping track of all the names. There was a small commotion at the Ravenclaw table when Pidge Gunderson was called forward and sorted there, but it was quickly shushed.

Hiccup didn't recognize any of the kids that were sorted until "Hamada, Hiro" was sorted into Ravenclaw. Hiccup frowned at that. Wasn't he supposed to be before Hamada, since he's a Haddock? He was about to raise his hand when "Hofferson, Astrid" was announced, and at the sight of the fierce blonde walking forward with resolute steps he forgot what he was thinking about.

The hat was quiet for a very long time, at least five minutes, during which Astrid balled her hands into tighter and tighter fists. Even with her eyes hidden by the hat's brim she was clearly angry.

'GRYFFINDOR!" the hat eventually shouted, and she didn't even wait for McGonagall to lift the hat. Astrid jumped to her feet and tossed it to the chair, before stomping to the applauding table.

Hiccup's musings on what Astrid could be angry about were interrupted by McGonagall scraping her throat and announcing the next name.

"Horrendous, Hiccup!"

The tension that had filled the room at Astrid's anger snapped in the form of collective laughter.

"That's his actual name?"

"Don't know what's worse, the first or last name!"

"Wow, I feel sorry for the house that gets that one!"

"What were his parents thinking?"

Hiccup could feel his cheeks heat up in shame as he slowly stepped forward.

"That's not my last name! It's Haddock! Horrendous is my middle name!" he shouted, trying to be heard over the laughter which only increased at his words.

McGonagall narrowed her eyes as she checked her scroll again.

"You are- SILENCE!" The one word instantly stopped all the laughter in the hall. "You are listed as Horrendous in our records-" Snickers and soft laughs again echoed through the room, though they quickly stopped when she glared.

"We'll figure this out later. Either way, Mr. Hiccup, step forward and be Sorted."

He slowly nodded, feeling the stare of every person in the room on him, and sat down on the chair. Then the hat slid over his eyes, and it was suddenly completely silent.

...Until a raspy voice whispered in his ear.

"Who do we have here? Mistaken identity? Someone messing with the records? Well, let me tell you, you do belong here at Hogwarts, even if your wand doesn't work and someone got confused about your name. But where to put you?"

Hiccup jerked away from the voice and opened his mouth to ask how the hat knew all of this, but before he could even draw a breath the voice whispered in his other ear.

"Don't bother talking out loud, this is all in your head. No need for anyone else to hear this. Now, where oh where shall you go? A kind heart, loyal and forgiving. Not too lazy either. You'd make a decent Hufflepuff. But on the other hand, what a brain! Eager to learn, and I can see a spark of genius in you. You could have new perspectives. Maybe Ravenclaw?"

Hiccup's thoughts raced as he awaited the hat's verdict. A sweatdrop slid over his forehead. The presence gave him a headache.

"You're obviously not a Slytherin, you don't have a deceitful or ambitious bone in your body. Brave though, even if you don't know it yet. A good sense of right and wrong, and deep inside there's fighting spirit. What glorious cause would bring that out? You could be a great hero, you know, and Gryffindor would lead you to glory. All the kids these days want to be in the house of the amazing Harry Potter and his friends, but you could truly follow their path," it said, and Hiccup squeezed his eyes shut.

He was about to agree. Gryffindor was the house of the heroes, the good guys, the house that would please his father, the house the girl who made him feel all funny and light went to.

But then he remembered three Gryffindors on the back of a dragon. Three Gryffindors who everyone called heroes. Gryffindors who let a dragon run amok and kill his mother.

If that was heroism, Hiccup didn't think he wanted it.

"Oh, what's this? Now this is interesting. You might be the first kid I've seen in 7 years who doesn't worship those three. The complete opposite of that previous… never mind that, I'm not supposed to talk about other Sortings. Anyway, this is an interesting form of bravery in itself! But in your case, I think you'd better go to… RAVENCLAW!"

The hat was pulled from Hiccup's head, and the sounds of the Great Hall returned. There was muted clapping from the Ravenclaw table, not nearly as much as for the other students, while the other tables looked relieved. He awkwardly walked to the Ravenclaws, stumbling on the small step, though he managed to avoid falling on his face. He quickly sat down next to Hiro as McGonagall called forth "Jorgenson, Scott" and attention diverted away from him. A girl with round glasses and short hair reached out her hand across the table to him.

"Hey there. I'm Pidge Gunderson. Well, my brother here would say I'm Katie Holt, but that's not what the official records say now, do they Matt?" she said, pointing to a boy several years older, with similar hair and glasses who was sitting next to her. Hiccup awkwardly took her hand and shook it.

"How did you even hack the records here to change your name?! They're all in parchment! It's not like they have computers or internet!" Matt shouted, though he silenced himself when the hat proclaimed "SLYTHERIN" and "Katolis, Callum" was called forward.

"Oh, I have my ways. Still, you owe me 50 quid," Pidge (or was it Katie?) said, snickering. Hiccup wasn't sure how to respond to the bickering siblings.

"Fine, but I still don't understand why you did it. This will come back to bite you eventually," Matt said, rolling his eyes and digging in his pockets, pulling out a few bills of muggle money.

"Let me guess how you did it… You intercepted the communications between the ministry and Hogwarts, probably via Floo," Hiro said, and Pidge chuckled before nodding.

"Yup. Just had to figure out a charm to modify the ink inside the envelope."

"Oh man, I can see you two are already becoming partners in crime. What did I tell you, Tadashi? Hopeless. Our siblings are supervillains in the making!" Matt called out to a tall boy several seats down. He started to reply when the hat shouted "RAVENCLAW" and a boy with messy brown hair and a thick book on a belt slung around his shoulder walked over to sit next to Pidge.

"Hi, I'm Callum. Muggleborn, but my dad is high in muggle government so he already knew about magic," the boy introduced himself. Pidge quickly introduced herself, explaining that she and Matt were Muggleborn as well.

"I'm half-blood. Muggle mother, wizard father. They both died when I was 3," Hiro said, and Hiccup turned to look at him. Murdered by Death Eaters?

Hiro must have noticed the question in his eyes. "No, nothing to do with the war. Broom-flying accident. Dumb stuff like that still happens during wartime," he said lightly, though something in his face fell anyway. Down the table Tadashi frowned.

"My mom died during the war too," Hiccup said, looking down.

"May I ask what happened?" Matt asked softly. Hiccup sighed.

"A dragon killed her," he simply said, not in the mood to explain the role of Harry Potter in it.

"I'm sorry," Callum said, just as the hat announced another Ravenclaw. Hiccup moved to clap loudly, grateful for the distraction. A boy with black hair with faint blue streaks sat down next to Hiccup.

"Hey there, I'm Varian! I'm from a little village in Wales called Old Corona. Muggleborn, hoping to figure out how magic fits into physics and chemistry!" he said, lifting a hand covered by a huge lab glove to shake Pidge's hand.

Hiro, Pidge, and Varian immediately started an animated discussion of muggle science, and Hiccup couldn't help but feel left out somehow. He caught Callum's gaze, and they shared a chuckle at their housemates.

"I'm more an artist than a scientist myself," Callum said, and Hiccup nodded, before turning to watch the rest of the sorting. Not many kids were left. He noticed Katara, the girl from the boat who could direct the rain, waiting next to… someone with purple hair and pointed ears. Hiccup wasn't really sure if the person was a boy or a girl.

"Vaarsuvius!" McGonagall called, and they stepped forward.

"Finally. You strange cranial accessory, let us purvey the different possibilities of social company I shall have to compete with in my quest for Ultimate Arcane Power!" they said loudly before putting the hat on.

"That one sure looks like to hear his own voice," Callum chuckled, and Hiccup had to agree.

"RAVENCLAW!"

Hiccup wasn't surprised after Vaarsuvius' declaration, and joined the rest of his house in applause.

Welcome, fellow wizards and other arcane casters! My name is Vaarsuvius, from the ancient village of Ivyleaf on the Western Continent! Former apprentice of Aarindarius, who also moved here to Albion to teach the noble art of Arithmancy!" they said as they sat down next to Callum.

"If it's okay, I'll just call you 'V'," Pidge said. Vaarsuvius simply shrugged at that.

"So you're from America? Me and my brother are as well, but we moved here because my aunt could set up a cafe in Hogsmeade," Hiro said as Katara was sorted into Gryffindor. Realizing the Sorting was over, all conversations ended.

An old grumpy looking man took the chair and hat away, and McGonagall moved to the center where it had stood.

"Welcome, students, to another year at Hogwarts! The usual rules still apply, but I must announce an extra rule coming from the Ministry of Magic via our groundskeeper and professor for Defense Against the Dark Arts, Gobber Belch: Due to the increased threat coming from the so-called Red Death dragon, students are no longer permitted to walk the grounds after dark. I must remind everyone that the Forbidden Forest is forbidden because of its many dangers, dangers which have increased in recent years. Do not be foolish and risk your life in there. There's plenty of excitement in the castle itself," McGonagall spoke. There was some nervous chuckling here and there, but overall people seemed very uncomfortable with this warning. Was this that unusual?

As far as Hiccup knew, his father had announced more warnings and declarations and rules about the Red Death every year since its first appearance 5 years ago. Maybe they hadn't reached Hogwarts until now.

"But let us not be saddened by such dark thoughts on such a happy evening. A great feast has been prepared, so let us enjoy it!" With those words, piles of food appeared on the golden plates, and the scientists finally stopped their discussion on perpetual motion in order to eat.

A flash of light flickered on the walls, and Hiccup looked up to see lightning strike across the enchanted ceiling. For a fraction of a second he thought he could see the shadow of a dragon inside a cloud, but then it was gone, and he shook his head and forced himself to focus on eating mashed potatoes and deciphering Vaarsuvius' long-winded speeches.

--------------------------------

"This portrait is the entrance to Gryffindor Tower. We have a password, which currently is 'Primum non nocere'. Please do not share this password with anyone from another house. While we encourage friendships between houses, you should be meeting in shared spaces like the library, the grounds, the great hall, or unused classrooms. There are some plans for a 'common common room', but it will likely take a while for that to happen," a prefect explained to Astrid and the other first-year Gryffindors.

Astrid didn't feel the need to be friends with other houses for now. Of the three girls she met on the train, two had joined her in Gryffindor, and it wasn't like she had bonded much with Pidge.

The portrait of the fat lady swung open, revealing a chamber filled with poofy armchairs, thick rugs, and wooden tables.

"Ugh, carpeting. I prefer solid wooden or stone floors, they're much less fuzzy to see through," Toph, the blind girl, said, and Astrid noticed for the first time she was barefoot.

"Up here are the dorms. Left for the boys, right for the girls. No mingling. You'll keep the same dorm for the 7 years you are here. You got lucky, you get the closest ones, so you don't have to climb another six flights of stairs. These are also the dorms Harry Potter, Ron Weasley, Hermione Granger, Neville Longbottom and the other heroes of the Battle of Hogwarts used during their time here, so you can feel a bit closer to their glory, I suppose. Your belongings have already been delivered to your dorms. Owls are in the Owlery, you can visit them after class. Breakfast is between 8 and 9 AM. It is your own responsibility to be on time, but perhaps you can work out a system with your roommates to wake up and go down together," the prefect said, gesturing at two open doors through which she could see steep stairs.

"I expect all of you to bring glory to yourselves and to Gryffindor. This means doing well in class, going the extra mile for more points, but also by helping students who are struggling, whether they are in this house or not. True chivalry doesn't look at someone's colors. That is all for now. I advise you to go to sleep quickly, as you have a long day ahead tomorrow. Any questions?"

At the reminder of sleep Astrid yawned. She hadn't had much sleep last night, too excited to go here, and she desperately wanted to catch up.

However, Rayla didn't seem to agree.

"I heard there's a dueling club or something? How can we join?" she asked.

"There is, though it's rare that it accepts first-years. You'll have to talk to Professor Flitwick, he runs it. If he's impressed with your performance in his Charms class, he might let you join. Once in, you get to compete with your fellow duelists for the highest rank. If you want to become an auror a good duelist rank helps you a lot," the prefect explained, and Astrid woke up at that.

If she wanted to be good at dueling she needed to be rested, however. So she led the way up the girl's stairs and into the first room labeled "First-years". In there she easily found her suitcase on the bed closest to the window, and laid down. She was tempted to fall asleep like that, but she forced herself to unpack her pajamas and toothbrush as the other girls walked in.

"Ooh, ooh, this looks nice! Can I have this bed, can I? Do you think I can make an extra closet?" Star Butterfly was as loud and energetic as she had been the entire evening.

"I don't think we're allowed to modify anything, Star. But you can take that bed. Toph, how about you take this one near the door, that way you don't have to walk through our stuff when you get up," Katara said, making Toph scoff.

"I can handle myself, Sugar Queen," she muttered, but still took the suggested bed. The two had gotten off to a bad start when Katara offered to help her eat and Toph responded by magically shifting the table to make food fly into her face.

"Can you two stop bickering so we can sleep?" Merida groaned.

"Fine," Toph said, and Astrid figured it was a good thing the blind girl couldn't see Katara roll her eyes.

"How do we wake up on time tomorrow?" Rayla asked, digging through her own bags.

"I can set an alarm with my wand!" Star said, showing off her strange wand. She tapped it, and with a cloud of pink smoke the round top part suddenly had a clock face.

"What kind of wand even is that?" Merida asked, lifting her own simple wooden one.

"It's the Butterfly wand! Has been in my family foreeeeveeeeeer!" Star said, dragging out the last word as she fiddled with the clock.

After that they prepared for bed mostly in silence, taking turns in the bathroom before crawling under the covers. Despite the summer heat, it was quite cool. Astrid wondered if it was because they were so high up, or if the temperature was controlled by magic.

Despite her heavy eyes, Astrid couldn't fall asleep, even though the curtains on her bed muffled Star's and Toph's snores. She had hoped she could sleep easier here. Back in her little room at Uncle Finn's she never slept well. Every time she'd open her eyes in the dark room, it was like that night over seven years ago, when Aunt Erika woke her to tell her Daddy and Celia were dead.

But this place was different. She shouldn't still be bothered by those childish memories! Still, her annoyance didn't help her fall asleep, and after an hour of staring at the red curtains she finally sat up and grabbed her suitcase, searching for some little notebooks.

Her sister's diaries. Celia started a new one every year, leaving the old ones at their house, where Astrid found them when they moved everything to Uncle Finn's house. As always when she opened them, Astrid wondered if her sister would have been okay with her reading them, but she could never resist. Apart from her letters this was all she had left of her. Maybe if she reread how her brave sister handled her first night at Hogwarts she could handle it as well.

So she found the diary from Celia's first year, and opened it to the first page.

September 1st

Dear Diary, I'm at Hogwarts! It's incredible here. It's so big! I got sorted into Gryffindor, Harry Potter's house! He wasn't at the table, though. Apparently he got really sick from the dementors on the train!

Oh right, I forgot to tell you, the train was stopped by dementors looking for Sirius Black! It was so scary, they made me feel all cold and empty. Jackie, who got sorted into Gryffindor with me, had to cry. Still, the feast made me feel much better, there was so much food!

I got to meet all my new housemates too! There's Jackie, and Chang, and some other girl whose name I forgot, and Dennis. Dennis' brother is also in Gryffindor. They're both Muggleborns. They're different than I expected. I always thought they'd be much dumber! But they were funny, and I can't wait for my classes tomorrow! I should go to sleep now, I think Jackie is getting annoyed at my writing at night.

The entry reminded Astrid that she had it easy compared to her sister. She didn't have to deal with Dementors! With that thought she finally fell asleep, still holding the diary.

#grey stains #httyd #fanfic #hogwarts #hiccup #astrid

7 notes · View notes

xfcklprtehkrx · 6 years ago

Text

Follow the Music

Received this question from @beyondkailani : I'd be interested in your views on the episode titles, especially those released for season 2. I find some of the implications interesting - Sex and Candy being followed immediately by Como la flor for example. Very different in tone!

Okay the episode song titles thing is really fun. For S01 I was familiar with every song, and yay cause even some of my old favorite bands in there. Nirvana, Everclear, Aerosmith, and Counting Crows? Can’t go wrong. Once the episode with Rosa’s CD happened I realized the episode titles were doing the same thing, but I think for most episodes it’s way more literal than others. Since we’ve made it through S01 already I’m gonna mostly focus on S02.

I made a youtube playlist with lyrics for the sake of review: https://www.youtube.com/playlist?list=PLu6cxfqCMO9l7f1jJlLLgCzQELAo7W-BZ

2X1 Stay (I Missed You) (Lisa Loeb) Okay this song, the lyrics are 100% about Michael and Alex. Lyrics strangely seem like the inevitable moment of real separation between them because Michael is with someone else. It also smacks a little bit of their reluctance to let go of each other for so long. Now the title could be a direct point to both Rosa and Max seeming to be dead at the end of S01. I mean Rosa was dead for 10 years. She can’t just come back to life, so if she’s going to live, she can’t stay in Roswell. Even if Rosa could stay, what about all her drama with Isobel? Problems. I mean she was Noah at the time, but Rosa doesn’t know that, so they can either tell her or have it be a constant problem. There’s also a chance Rosa already knows and she was going to tell her dad, so she doesn’t exactly scream ‘support the alien conspiracy’ to me.

I don't pay attention To the distance That you're running or to Anyone anywhere

I don't understand if you really care I'm only hearing negative, no no no, bad

So I, I turned the radio on, I turned the radio up And this woman was singing my song Lovers in love and the other's run away Lover is crying 'cause the other won't stay

And you said that I was naive And I thought that I was strong I thought, "hey, I can leave, I can leave" Oh but now I know that I was wrong 'Cause I missed you Yeah, I missed you

You said, "you caught me cause you want me And one day I'll let you go" You try to give away a keeper Or keep me 'cause you know you're just so Scared to lose

2X2 Ladies and Gentlemen We Are Floating in Space (Spiritualized) This one is all ‘I can’t help falling in love with you’. That speaks to me of Michael and Maria. Could also be a Liz leans on Kyle thing too, assuming Max is still dead. She does always run back to him, which is super unfair to Kyle. Maybe it’s also something good for Isobel. She deserves a new love after everything with Noah, so I’d rather it go that route than either of the other two.

2X3 Good Mother (Jann Arden) This episode will probably revolve around Maria’s mother, and since I predicted before that Michael’s hand and Maria’s desperation to find a cure for her mother could go sideways, I suspect some of that will happen here.

2X4 What If God Was One of Us (Joan Osbourne) As a Malex shipper I admit this is the one that interested me the most since Tyler Blackburn confirmed in this episode Alex gets a new love interest. I can’t see how this would relate to Alex in anyway, so I was disappointed to not get any further insight.

Now the lyrics make me suspect this is when Michael tells Maria he’s an alien. I mean yeah it’s ‘god’ not ‘alien’ but still some similarity there to me.

If God had a face what would it look like? And would you want to see if, seeing meant That you would have to believe in things like heaven And in Jesus and the saints, and all the prophets?

2X5 I'll Stand By You (The Pretenders) I see so many things in this one. -Rosa(assuming she’s still alive)/Liz -Max(if he’s back)/Liz -Max(if he’s back)/Isobel -Michael/Max and/or Isobel. -Kyle always being there for Liz even though he’s sort of a doormat -Kyle and Alex’s rekindled childhood friendship and Kyle being there for Alex -Tragedy strikes so Alex and Maria make up and he’s there for her or vice versa (even though I don’t foresee that lasting)

This could touch so many of the relationships on this show. It’s too generic to me, and we won’t know until we get there. Especially since so much will hinge on how they decide to handle Rosa still being alive and Max being dead.

2X6 Sex and Candy (Macy’s Playground) Now I know the word sex is in the title, but I never interpreted this in a literal way. I always assumed it was about eye sex. His eyes meeting across the room with this fantasy girl and he’s surprised she’s looking back. So maybe something romantic for Isobel or Alex. I assume by this point Maria and Michael will be together so nothing to do with them.

Hangin' round downtown by myself And I had so much time To sit and think about myself And then there she was

I smell sex and candy here Who's that lounging in my chair Who's that casting devious stares In my direction

Mama this surely is a dream Yeah mama this surely is a dream

2X7 Como La Flor (Selena) I don’t speak Spanish so I had to check out a translation for this one, but this one breaks my heart. It’s all about losing the one you love and letting them be happy with someone else. I could almost ugly cry at the implications of this song.

I know you have a new love However I wish you the best If in me, you didn't find happiness Maybe someone else will give it to you

If you saw how it hurts to lose your love With your goodbye, you take my heart I don't know if I can love again Because I gave you all the love I could give

2X8 Say It Ain't So (Wheezer) This song following the last song makes me feel like I am right about the main subject for that episode since it seems to follow the exact same line of thought, but it actually doesn’t. I suspect Jesse Manes will make an appearance here. This song is actually about a boy’s fear of his father’s alcoholism. Then again, if the person who picked it didn’t actually know what the song was really about then yes, it follows the theme of the previous song.

2X9 The Diner So I wasn’t 100% sure which song this was referencing. My mind immediately went to Tom’s Diner by Suzanne Vega, which I won’t lie, I had stuck in my head for like 6 years because I couldn’t figure out what the song was so I never heard it again. When I finally did it was sweet relief. Now there’s a ‘The Diner’ by Kaskade but it’s really just a remix of her song, so I’m going to assume that’s the song.

Now absolutely nothing in this song draws me back to this show. There is a verse at the very end that seems like it might be significant, but it’s not in the ‘the diner’ version. Then again, it could just be that the episode takes place surrounding the Crashdown, and the song title is literal.

Oh, this rain It will continue Through the morning As I'm listening To the bells Of the cathedral I am thinking Of your voice And of the midnight picnic Once upon a time Before the rain began

1X10 American Woman (Lenny Kravitz) This seems way out there, but this song makes me think of an outsider government/military type showing up to investigate and stir the pot.

So beyondkailani had directly commented on the contrast between 2X6 and 2X7. I agree. Different in every way, but I’m not sure it has any meaning beyond trying to find song titles that fit the narrative, but then I think ‘no way’, and I’m sure it must be something more complicated. I’m still digesting how I feel because the songs do bounce all over the place as far as genre.

In S01 I felt like 75% of the song titles it was just the title that related to the episode. I’m sure the lyrics also add to it, but mostly I think they were chosen just for their titles. There are some episodes where it must be the lyrics that had meaning because I can’t see another connection (1X4, 1X10), but for most, it’s just the title.

Per example: -Don’t Speak is a break up song and I suppose you could attach a secondary meaning of the loss of your faith in someone to this song, but that’s a tough sell for me. -Smells like Teen Spirit on the teen revisit episode and I assure you the song is not actually about being a teenager… -I Saw the Sign on the episode where Liz finds a possible motive for why Isobel killed Rosa when this is actually also a break-up song of sorts. -Champagne Supernova on the Gala episode -Creep for the prison and Noah revealing the full extent of his actions (yet the song is actually about wanting someone who you think is amazing to love you but thinking in comparison to them you are nothing). Now that I’m reconsidering this one the lyrics may also have value here. Originally I hadn’t considered that the lyrics might represent Noah’s feelings about Rosa. Rosa not being an active character I didn’t consider her as part of the equation the first time.

I added some of these to the playlist at the top as well. 1X1-Pilot 1X2-So Much for the Afterglow 1X3-Tearin' Up My Heart 1X4-Where Have All the Cowboys Gone? 1X5-Don't Speak 1X6-Smells Like Teen Spirit 1X7-I Saw the Sign 1X8-Barely Breathing 1X9-Songs About Texas 1X10-I Don't Want to Miss a Thing 1X11-Champagne Supernova 1X12-Creep 1X13-Recovering the Satellites

Now all of this could be totally moot since most of the songs in S01 are just about the title and I focused on content to make conjectures. This was really fun for me though.

#episode analysis #ask #roswell nm

1 note · View note

ladyloveandjustice · 7 years ago

Text

Fall 2018 Anime Overview: Double Decker! Doug & Kirill

Double Decker! Doug and Kirill follows a special police force devoted to dealing with cases involving “Anthem”, a highly dangerous super-drug that can be both fatal and grant uncontrollable superpowers. The squad is divided into three pairs of partners. The eponymous Kirill is a enthusiastic newbie who partners with a deadpan, “kind of an asshole” veteran named Doug.

It’s hard to say when a show crosses the line from “dumb in a fun way” to “just mind numbingly dumb” but I’d say Double Decker crossed that threshold around about the midpoint of the series. Which is a shame, because I was rooting for it. It seemed like an anime with a lot of potential- it was humorous, irreverent and bombastic, it seemed fun and colorful with a varied cast, it had a nice variety of ladies in the squad, and two of the ladies, Max and Yuri, were heavily coded as a couple right off the bat-

-with Max (on the left) in particular going putting off some Impressive Lesbian Energy with her aesthetic...and early on Doug announced that his life goal was to “eliminate poverty and class”, indicating the series intended to deal with social issues.

It IS possible to be a cheesy, fun show that is also inclusive and deals with social ills, but Double Decker’s clumsy, simplistic attempts to balance this with the larger goofy plot ultimately meant it fell short of being an truly entertaining romp AND was utterly disastrous at being socially aware.

Double Decker acts like it wants to say something about tolerance at points, but is ultimately gutless, toothless and halfhearted, sometimes verging on offensive. It became apparent the show wasn’t going to be truly LGBT inclusive with a character’s uh, “gender reveal” scene midseries that is a just...a mess. Some characters reactions to the “revelation” are just blatantly transphobic (thinking its hilarious, saying the character in question should “tell the truth" about their sex, etc) and this was never called out or challenged. It’s finally explained (baffllngly late in the series) that rather than actually being trans, this character is a cis man who just disguised himself as a woman for flimsy plot reasons, it doesn’t make how the reveal scene was handled and how it was painted as being “funny” any better. It’s not my lane so I won’t really go into it, but this article at Anime Herald covers the whole mess in detail. The whole thing is SO stupid and honestly there was no reason for it to be a plot at all.

If that “reveal” episode had me feeling wary about the show, the episode following sunk any hopes I had for it. Double Decker didn’t even have the guts to have Max and Yuri be explicitly romantically involved, instead just giving vague, baity hints. What’s worse, the episode focusing on Max was boring as sin. It was painfully bland and on the nose “critique” of high school proms SO rote it even had the girl who wanted to be popular transform into a literal “queen bee” (GET IT). The only thing we actually learn about Max in her supposed focus episode is that she hates proms because a bunch of kids rejected her trans friend at one which caused her friend to turn to drugs and disappear forever. Yep, not only can the show not bother to give us actual lesbians, trans people are just tragic props (and the attempt to say a thing about how trans people are treated badly would have felt a LOT more sincere if transness hadn’t been treated as a joke in THE EPISODE JUST BEFORE THIS ONE).

Doug also only became aware of poverty existing because of a tragic prop- his backstory amounts to a dead little shoe-shining street girl so one dimensional and cliche I’m surprised she wasn’t found frozen in an alley clutching a book of matches, and that one incident made him realize Poor People Shouldn’t Be a Thing so now he’s, uh....well, he’s not really doing anything about it, but he says he wants to, and that’s good enough right?

Yeah, that’s about the level of nuance we’re dealing with here. It’s nice that Double Decker tried, I guess, but if this was going to be the level of its effort, I wish it had just stuck to being a goofy sci-fi show. As it was, even the “goofy buddy cop” aspect felt really hollow because the show didn’t give us a reason to be invested in these partnerships or these characters.

I wanted to be invested! I was SO ready to appreciate the punk butch and her robot girlfriend, but instead we barely learn anything about them or see them interact. I was READY to be tremendously invested in the straightlaced office girl and her vulgar pink haired partner, but we didn’t learn anything beyond their surface personalities- nothing substantial about what drives them or where they come from or anything. Doug had his eye-rolly dead-little-girl backstory and admittedly sometimes amusing snarky asshole personality, but he spends so much time being insincere there wasn’t much to latch onto with him.

Kirill was pretty much the only one in this show who felt like an Actual Character, and I did find him extremely likable- he was utterly sincere in everything he did, full of heart, dumb and enthusiastic in a fun way, and incredibly sweet and supportive to his friends and loved ones (he was also the only one who was chill and accepting about the not-really-trans character too so that earned him some points) but all the stuff going around him was so empty it didn’t matter.

(ending spoilers here)

The show didn’t put the work into making you connect with these characters, but it DID still expect you to be invested in them. One of the kinda-lesbians appears to have died at one point in the show, but it makes zero impact because you knew basically nothing about that character anyway- it instead just feels annoying, like “wow, you’re just gonna kill that gay without bothering to develop her huh” but the show clearly expects you to be devastated. Then when it’s revealed at the end “PSYCH she’s alive for this ridiculous jokey contrived reason haha really pranked you huh” it’s just even more annoying. Just because I’m relieved you didn’t actually bury the gay doesn’t mean you pretending to bury her wasn’t insulting and pointless. All you did was bring my attention to how little you bothered to develop this character and how willing you are to use her and her kinda-girlfriend’s pain as a plot device, so thanks?

(spoilers end)

The humor of the show basically followed “you thought THIS thing was gonna happen but instead WACKY TWIST haha now the narrator makes a snarky comment about it” and while that was fun at first it just got old without anything going on besides that. And as for the plot, it’s...generous... to call it a plot. At the end it jumps straight to “AND SUDDENLY THERE WERE ALIENS” with almost zero foreshadowing and it just gets stupider from there. Such a ridiculous development would work on a show that was either a) a pure farce or b) something super wacky but with enough heart, drama and character to keep you invested, but DD was neither of those things. It was an anime that wanted you to care, but gave no fucks itself.

(Also this show is supposed to be related to Tiger and Bunny but I honestly have no idea how these two anime are connected in-universe. Is this a prequel? sequel? Are they happening at the same time? WHO KNOWS, THE CREATORS SURE DON’T)

The animation was also nothing to write home about, with a lot of awkward CGI shots and pretty ugly clothing designs- it was colorful enough to distract from it a lot of the time, but definitely not winning any aesthetics awards.

So yeah, Double Decker is very far from the worst anime I’ve ever watched, and I like the concept I think it was GOING for- but what we ended up with was something completely mediocre. The first couple episodes were fun, but by the end it was a chore to watch. I finished it because “well I’ve come this far might as well” rather than any real investment in the show. It wasn’t painful (except for the clumsy attempts at dealing with trans issues), but it was so completely stupid and forgettable, which is sad, because it seemed like it had so much potential at the start.

#double decker #double decker! doug & kirill #double decker doug and kirill #anime #fall 2018 anime #anime overview #my reviews

9 notes · View notes

bluephoenixdruidicprincess · 6 years ago

Text

SPN 14x13, Lebanon (Yes, That One) -- Thoughts (Spoilers)

It's finally here, guys. The big 300. I've now seen 300 episodes of Supernatural. Phew...what a crazy ride its been. But let's dive into this, shall we.

I'm going to be a little different with this one. This is going to follow a little more of a recap structure. It's the big 300, so of course I had to change it up a little. As I recap this episode, I'll be inserting thoughts I have here and there. I will be recapping from memory so things might get a little out of order. It should go without saying but there will be spoilers. And keep in mind, this is just how I feel and how I interpret things. You may have a completely different interpretation and that's perfectly valid. These are just MY thoughts.

We open up with Sam and Dean in the midst of a hunt. A hunter friend of theirs died and Sam and Dean are trying to recover what was stolen from their friend as well as avenge him. They corner the murderer and in a really cringey fight scene, the murderer meets his maker. Typically, SPN fight scenes are, while not fantastically well put together, but at least put our heroes in a competent light. Honestly, I don't think I've seen such stilted choreography since season 13 in the vamp cave. But anyway, the murderer uses dragon's breath (which is essentially a flamethrower) to escape from Brothers Winchester and it sends them flying in different directions but apparently dragon's breath isn't that hot. Just a small little thing, but if you're standing that close to the fire, you should've had some burn marks, I'm just saying, at the very least, soot on your face. But whatever. Dean gets thrown across the room, Sam ends up on the floor with our villain monologuing to him and I'm uncomfortable with just how incompetent Sam appeared to be in this scene. The villain is monologuing and Sam is just sitting there and doing nothing. What happened to Sam's gun? Why didn't Sam sweep the leg or go for a gut punch? So many things he could've done to get the upper hand in the situation especially since the villain only had a sword. While swords can be very deadly, they're also easier to dodge as opposed to bullets or throwing daggers. But Sam just sits there in fear for a good 5 seconds (and 5 seconds is an eternity both on screen and in a fight) and Dean then shoots the guy and talks about the villain monologuing problem. I'm not mad that Dean got the kill or anything. I don't believe in "staning" culture but if you could at least have made Sam appear competent, that would be nice.

But with the murderer dead, Sam and Dean find out he has a lot of magical junk so they decide to take it back to the bunker. In the files, they find a magical pearl which apparently will grant your greatest desire. Obviously, the boys think, "this is great. Our greatest desire is to evict the douche currently residing in our nagen." But before this greatest wish can be made, we have to make a little side trip because one of the teenagers in Lebanon (the town where the bunker exists) stole the impala. Sam's all, "that kid is in danger, we gotta find her, there's dangerous shit in that car" -- and much to my annoyance, Dean is all, "how dare she take Baby, she better not hurt Baby". *Takes a deep breath* This is an aspect of Dean's character I find super irritating. This weird romance he has with the damn car. How he places the car above things that, realistically, are a little more important. Maybe he should be less concerned about Max scratching the car and more concerned about the fact you have a teenage girl you don't know (or barely know at the very most) in a car with deadly objects and deadly weapons. I get it, this is supposed to be a funny quirk of his and at one point it was but now it's been so overdone that it's more irritating than it is endearing. I really hope the show goes into Dean's character development, and approaches the car as a mirror of how Dean feels about his father and his childhood and as he grows to accept his father more, he'll eventually realize that just like he doesn't need his father, he doesn't need the impala. I'm sure I said something absolutely sacrilegious in the fandom but I'm not going to apologize for it. This whole obsession with the impala is immature and creepy and it makes me worry for Dean's mental health.

So they find the girl but not before the girl's actions releases a serial killer clown ghost (because in an episode dealing with past fears and insecurities, of course it's a clown). They kill the ghost but three of the teenagers see and therefore they get the "talk." And these three also appear to be seen as mirrors for Sam, Dean, and Cas. They weren't very subtle about it, let me tell you.

So after leaving the kids to process the information that the sounds you hear in your closet may actually not be in your head, Brothers Winchester arrive back at the bunker and try out this magical pearl. But behold! It would seem evicting au!Michael is not Dean's greatest desire because Father Winchester is yanked from the past (sometime before the pilot) and dropped into their time. And, I'm not going to say this a lot about this episode, but I like the cinematography used here. It was an excellent usage of the color red symbolizing Brothers Winchester's own repression and isolation they experienced from their father as well as John's revenge focused aggression, blindly lashing out at anything that moves even if it's his own children. And the scene was also shot in a very choppy way meant to be seen as a little confusing...also symbolizing the thoughts of confusion the boys harbor towards their father and much like the confusion John no doubt feels with the turn his life has taken.

Everyone eventually realizes what's up and they fill John in on what's been happening for the past 14 years. And it's a very nice, very touching reunion and then Momma Winchester shows up. John and Mary have a wonderful reunion kiss, its so beautiful. I completely understand how Dean got swept into the moment here. Witnessing something he probably only barely remembers from his childhood, thinking he'll never see it again, and there it is. And just like that it takes him back to a time when life was seemingly perfect. When he had hope, when he had dreams. His parents were alive, they loved each other, they loved him, he had an adorable baby brother. It gave him something he never thought he'd have again. And just the kiss in general, you know. Just so reminiscent of past lovers who never thought they would see each other again suddenly seeing each other and everything they used to feel all coming up at once. It was wonderful. Think Celine Dion, Its All Coming Back to Me Now and I think you'll have the tone of this moment nailed down.

But Sam and Dean leave these two to have their moment and Sam tells Dean there's going to be repercussions for this. Time travel is a funky thing. But they decide to have one family dinner and think about the consequences after that. Dean asks Mary for the ingredients to make her Winchester Surprise and John and Sam have a really touching moment. John feels the need to apologize to Sam about everything that happened between them. And Sam tells him it doesn't matter. Their fight happened a long time ago, he's put it in the past and moved on. Sam also tells his father that the biggest regret he has is never having the chance to say good-bye. Their last conversation being an argument and then Sam finding John dead on the hospital floor. This scene got me so choked up like you don't even know. I've been through this. Lost someone while we were on shaky terms, I never got the chance to say good-bye, so many things were left unsaid and I would kill for an opportunity Sam has here where I can finally tell that person it's okay and rectify the bad blood that occurred between us. And Sam acknowledges it as well. This opportunity he has right here and now is all he's ever wanted.

Sam and Dean go off to buy these ingredients but this is when they start noticing the time travel problems. The future is starting to change, but it's more of a ripple effect right now. They haven't changed yet, but time around them has and eventually the ripple is going to smother out and their new future will take hold. Sam calls it a time paradox. And because of the paradox, we're treated to season 4 Zachariah and Castiel. But in regards to Castiel here, it's important to note that he's more pre-season 4. He hasn't delved into hell yet to get Dean out so he doesn't really have any of those rebellious feelings yet. And no, I'm not going to quote THE Destiel line. In all honesty, I've come to hate the line. It's been over-used so much that it's basically lost all meaning to me. Fandom and canon just keep on poking at it, now it's just something I roll my eyes at whenever I hear it. I am sad that we got season 4 Zachariah. When they were saying we were going to get a different Zachariah, I was so hoping for a role reversal kind of situation but apparently the "different Zachariah" is meant to be interpreted as "different from season 13 au!Zachariah" who actually isn't all that different. PR is not show running, people. Take a grain of salt with everything they say. But the Wing Team is on a quest to find out who meddled with time. Even going so far as to threaten to murder a diner full of people. Thankfully, Sam and Dean stop that from commencing but are in a real shock that with this time paradox, it now means Cas is no longer the Cas they all know and love. That if John stays here, they're going to lose their best friend (in Sam's case) and potential lover (in Dean's case). But the scene plays out how you would expect it to. Zach is his usual douchey self and is giving Sam cancer just like he used to (good times, let me tell ya) but Sam remembers he has an angel blade on him and kills Zach. Nowhere near as badass as it was in season 5, but still cathartic. And next we get to see a re-creation of the tomb scene from season 8 with Dean and Cas in a match of fisticuffs. But this Cas has never met Dean so Dean really has no chance of reaching Cas. But Sam in some quick thinking rembers the sigil that will cast angels out and uses it. The boys make a break for the bunker and everyone gets filled in.

Sam and Dean realize that in order for everything to go back they way it was, they have to smash the pearl. Everything will be forgotten but everything will also revert back to the way it once was. Sam wishes there was a way John could remember everything but Dean tells him he prefers that John doesn't. John going back with knowledge of the future could change who they are and Dean doesn't want that change. He wants to be exactly who he is right here and right now which is just so much progress. John tells them to do it because if the timeline changes, Mary's resurrection could never have happened and she'll eventually disappear. Even though he's going back to a time where he will die, trading himself for Mary is more than worth it. He'd rather have Mary exist in the world and himself die as opposed to living the rest of his days without her. And maybe it's because I have so much Kingsom Hearts nonsense floating through my brain, even if he doesn't remember, this will have left a mark on his heart. It'll leave him feeling something even if he doesn't understand why he feels that way. Everyone has the family dinner they always wanted, John also apologizes to Dean for everything, he tells both of his sons just how proud he is of them, he and Mary have another moment and the pearl is broken. Father Winchester disappears and everyone is crying. Our most beloved Cas returns and remarks on why everyone is acting so weird and Dean tells him they have a story to tell him. I kind of wish we got to see them tell Cas but I understand why we don't. Story-Telling 101. Don't repeat information the audience already knows, instead, insinuate the character is being filled in off-screen. John wakes up in his time in the impala and remarks on the good dream he had and drives off to his dark future. And the episode ends.

So what did I think of this episode? Honestly, I'm of two minds on it. Narratively and character-wise, this was a really good episode. But structurally and production-wise, not so much.

It had a really good narrative, the acting was fantastic, but on a cinematic level, My Chuck, was this episode dull to look at. The directing was just extremely stilted, apart from John's entrance, I don't think there was a single scene I thought was visually appealing. The musical score was very bland. It makes me really sad that there was so much hype for this episode but so little effort put into the production of it. Of the milestone episodes, 200 is probably my favorite.

I also say this episode kind of faltered on a structural basis, as well. While I appreciate the use of the Lebanon characters, I feel like they were largely unnecessary for the actual plot. And when they were first pitching this episode to us last year, I was imagining the Lebanon townsfolk being more of a primary aspect of the episode. While I enjoyed the themes and the mirrors with the Lebanon element, I feel like this would've been a better structured episode without them and given the episode more time with the family reunion and the Wing Team.

But I do love the narrative themes in this episode. Choosing between your past family and your future family. Putting your past behind you and acknowledging yourself as an individual. I've seen a few posts lamenting about how they dislike that Dean didn't yell at John or anything along those lines and honestly, I feel like that's the point. Dean has grown past that. He's acknowledged that as part of his past and has moved on from it. We all have trauma we associate with our parents. And while yelling at our parents might make us feel better, will it really heal us? Will it give us what we really need? And that's the whole thing with Dean, isn't it? Want vs Need. Dean's greatest desire was never to face John again and tell him how much he hates him -- no, Dean's greatest desire was to face his father again and not see himself in his father. To realize he's become his own person that isn't his father and that he likes that person and he doesn't want that to change. That's what Dean wanted. That was the self-acceptance Dean needed and I'm really excited to see where this all heads for Dean as a character. Now that he's accepted himself, is he going to allow himself to be happy now?

Essentially, this episode was a beautiful episode about family, about the progression of family, about finding acceptance and forgiveness and being able to put it behind you and look towards the future and I thought that was extremely beautiful and well done. I'd give this episode a B+. Sadly, I do knock it down because of the production value.

#spn 14x13 spoilers #spn 14.13 spoilers #spn episode 300 spoilers #spn ep 300 spoilers

3 notes · View notes