#both can be true with me

[barzfrommarz]

would u guys listen if I posted my thoughts on c!wilburs ending 2 years later

[akanemnon]

We didn't even get an answer, and we never will (at least it's not determination)

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[ruporas]

fond of marcille (id in alt)

[fisheito]

before mirage of scales: I NEED YAKUYA EVENT

after mirage of scales: ah. um. i . i don't need yakuya event so much, anymo.re... hah..a...

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[cool-abed-filmz]

went to disney, snagged photos with the gays, covered my face because i actually don’t like how i look in them ( i’m one of those autistics who can’t smile to save their life plus i was trying not to die of gay panic over logan and joy over wade)

(rambles in the tags my bad)

[skitskatdacat63]

Vettonso complaining about each other not respecting schrondinger's track limits on the radio compilation + Seb's commentary that made me a bit feral

Must include these sexy ass pics okay, it makes me feral how hard they race each other.

Also SO upset that we got this vid and there's also pictures(and presumably a vid out there somewhere) of Fernando, back then, ALSO debriefing this race. And yet we never got them together?????? Evil. Fucked up.

Imagine seeing them complaining about each other but also having to (begrudgingly if you're Fernando) compliment each other IN FRONT of each other. Maybe its a good thing it doesn't exist, bcs then I'd have a heart attack.

[tainebot01]

You know, the AAI2 fandom’s insistence on referring to the characters by their fan localized names we’ve had for like a decade instead of the ones we received this week is really funny. It almost reminds me of something…

God damn it.

[cherubchoirs]

in the tomb of saint gabriel

(may your woes be many)

[tentacleteapot]

I feel like I can't go five minutes on YouTube without seeing a video named something like "this analog horror series is the SCARIEST SERIES IN THE UNIVERSE" and the thumbnail always looks exactly like this

[katiemcgrathisdaddyaf]

so I personally needed a compilation of the Kara “I can be subtle” Danvers moments from @supergirlpolls and I made this

[sforzesco]

TRY AGAIN LATER

it's like. well. its several things.

(Plutarch's Crassus, trans. Warner)

and also this

(ibid.)

that compliment sounds like an insult, baby.

anyway, there's a fun kind of eroticism in being given everything, in taking things that aren't yours without any real consequence, in climbing towards becoming a Roman Alexander, only for one man to deny you, over and over and over again, at every turn. Sulla tried, Crassus did it better. who would put a butcher in their place? who else knows you well enough to do it? who else can match you step for step like this? doesn't it feel like a kind of intimacy, a kind of—

it's also about the 'even sulla kissed my sword/so you want me on my knees too?' innuendo was too good to pass up. that was actually the first line I wrote, I figured out the rest of this to justify making a comic with it

and finally! the sword line is referencing/playing off of Lucan's Pharsalia a little bit because it fucks hard

(Lucan's Pharsalia, trans. Jane Wilson Joyce)

EDIT: oh, and that's a public domain anatomical illustration of a heart. you know how it is with love and hate.

[markscherz]

Do you have a favourite rain toad? I love them. They're so round and look grumpy even though they aren't.

Did you know that there are arboreal rainfrogs‽

[src]

Meet the genus Callulina, from the rainforests of Tanzania and Kenya

[src]

Who said you had to be lithe to take to the trees?

[src]

You may not like it, but this is what Peak Performance looks like.

[turtleblogatlast]

Here’s a thought-

When Splinter says Leo’s the leader at the end of Season 2…pretty sure he was joking.

After so many high stakes and high emotions, he (a bit cluelessly) makes a joke to add some levity, just to make things a bit easier for he and his sons to digest everything that happened. It was a lot that happened, so it makes sense that Splinter wants to make things that much softer for everyone.

But- making a joke like that, after everything they all just went through…I can definitely see how the events of the movie pave out in response.

For example, by joking about Leo in particular having the responsibility of a leader, that puts him directly in the sight of Raph’s building anxieties. Because after everything, it’s clear that Raph really started taking the hero name seriously to the point that he started undermining his own fun and childhood in the process. So in the eyes of a Raph who is so worried about what could happen if they’re not prepared again, Leo in particular kind of stands almost as a point of danger in that aspect.

And with the joke of Leo “leading” in any capacity ringing out over them, it’s easy to blame Leo and Leo alone whenever he goes and goofs off with Mikey and Donnie. I think as well that the concept of a leader being spoken after the Shredder just pushes more weight on Raph’s shoulders and makes him realize how much goofing off they did before when they should have been better heroes (despite them all just being kids...)

Raph knows his brothers are good, he knows and has pride in them and himself in turn, but it terrifies him to know that they won’t be ready for the next big threat, and Leo directly going against this caution even more than usual just pushes Raph to want to try more.

As for Leo- keep in mind what happened all throughout “Many Unhappy Returns.” Keep in mind what happened all throughout the series in general. In the former, Splinter more than once points out how he would rather have his other sons with him than Leo, especially because they “would take this seriously”…even though Leo was taking it seriously. (Not that Splinter should be expected to read what Leo was doing when Leo wasn’t making his plans clear, but that wording sticks with kids.) Even after Leo’s plan pulled through, Raph’s the one who spoke in trust of Leo, not Splinter.

As for what happens in the series in general…well, we see Leo mess up a lot, apologize a lot, get his brothers out of messes a lot, and even when he does well or is responsible it’s either glossed over or still seen as goofing off (no I will never be over that moment where Leo almost got Gus’s tags and got screwed over out of pure bad luck.)

So imagine hearing a joke like that as Leo, who for a good chunk of especially the start of the series has been a lowkey voice of reason. The idea that Leo being responsible for the team is nothing but a joke…? It’s understandable that it could feel like a blow, that it could push him to want to try less.

Especially after everything they just went through.

They’re heroes. | They’re kids.

Why shouldn’t they care? | Why should they care?

[soars22]

Missa knows souls.

He’s a reaper-of course he does. He may not be much of one at the moment, but that’s one thing that has never, can never, leave him.

Missa knows souls, and even though it’s been years since he’s had to use the talent, the knowledge sticks with him. They underestimate him on this island (not a lot, granted, but mortal bodies are hard to control and he’s more than a little out of practice) and he’s known Roier for long enough that whatever has taken root inside of his friend’s body can’t fool him.

When Missa sees him for the first time since the island’s reset, he thinks he’s seeing things at first; the stress of starting over must have gotten to him because he has to be imagining what he’s seeing. It’s only after he’s spent a little time with Roier that he realizes that his first instinct was right: he may be looking at Roier’s body, but he’s no longer speaking with his soul.

He’s careful not to let the knowledge slip out, playing up the jokes and banter with the imposter like he normally would, but inside his mind is reeling. There’s no one he can tell who would believe him, except maybe Phil, but Missa doesn’t want to involve him in this. His partner may be a reaper in his own right, Angel of Death as he is, but he’s got enough on his winged shoulders without Missa’s problems adding to them.

He gets his chance eventually, with a slipped comment to Cellbit. He frames it as just another joke in a bantering argument, but there’s a little too much sincerity in the way he focuses on Cellbit as he speaks that lets the other man realize the truth of his words:

“There’s something wrong with Roier.”

And by the widening of Cellbit’s eyes as he speaks, Missa knows his message has been received. After all, above anything else, Missa knows souls.