#both are epic as fuck

[wizard-appreciator]

Who wants to be sexed up abusive lesbians uhh, i mean sociophobic reclusive scientist and a flamboyant interdementional demonic demigod toxic yaoi couple?

[morningsaidthemoon]

Excerpt from The Song of Roland, translated by Norma Lorre Goodrich (Medieval Myths)

[dootznbootz]

"The text is all up to interpretation."

The Text:

[gingermintpepper]

I haven't read the Odyssey so I'm asking you. Are you telling me besides Athena, Apollo was the god who helped Odysseus and his family the most? Indirectly at least.

If that's true it's really a missed opportunity in EPIC.

No, no, the god who assists Odysseus the most after Athena is unquestionably Zeus.

Zeus genuinely has no problems with Odysseus and makes it very clear that he finds the man brilliant and would have already had him home and safe if he had his way, but he makes it clear that he's deferring to Poseidon who actually has the problem with Odysseus because, ultimately, the sea is Poseidon's domain and kingdom and Zeus doesn't intend to step on his brother's toes.

(Od. Book 1 trans. Robert Fitzgerald)

I'd definitely give third place to Apollo however. The big bug-bear about Apollo in the Odyssey is just that he's much less tangible than Athena or even Hermes who appears to Odysseus multiple times to help guide him/give him proclamations. His presence is everywhere though; like I've previously mentioned (and like he did with Jason) it's Apollo protecting Odysseus from Poseidon as he sails the sea after Odysseus blinds Polyphemus. It's also Apollo keeping Telemachus safe. His most vital role by far is when Odysseus returns to Ithaca in time for the challenge that will determine the next king. Not only is it a shooting contest whose first hurdle is to string a bow, the challenge itself takes place on a festival day for Apollo. Athena is there with Odysseus and Telemachus physically, but Apollo is looking after them in spirit, sending signs and signals to keep Telemachus especially safe.

(Od. Book 15, Telemachus warns about the state of Odysseus' house to Theoclymenus, a son of one of Apollo's prophets.)

There's also the fact that Odysseus makes sure to pray to Apollo before he attempts to string the bow:

(Od. Book 21. Beggar-Odysseus petitions to shoot his shot)

Likewise, before he slays the first suitor, Odysseus again prays for Apollo's guidance and gaze to guide his arrows:

(Od. Book 22. Odysseus commits the first of many (divinely-sanctioned) murders)

Also, as an additional thing, have Telemachus invoking Zeus, Athena and Apollo that he could see the suitors have their asses beat:

(Od. Book 18. Telemachus excitedly gushes to him mom about his cool new friend (Odysseus. Odysseus is the friend.)

There's a lot of minimisation of Apollo's role in the Odyssey because it isn't as bright and showy as his role was in the Iliad but hey, even there people tend to minimise how truly present Apollo is for the duration of the war when they're doing adaptations. Within Epic, the stage is already more than set for both Apollo and Athena to be there at the advent of Odysseus' revenge but none of that matters if that's not the creator's intention, y'know?

[mblue-art]

once again i was fueled with coffee (did not sleep the whole night) but this time i doodled college au to cope bc ofc i did (also did not feel like sleeping wooo)

[backpackingspace]

Odysseus: swearing at athena vowing to make her regret dropping him in the ocean at 4am

Athena: I can't hear you over the waves sorry did you say drop me from higher up? I heard drop me from higher up

[mer-acle]

Athena before:

I don't make mistakes.

Athena coming back after ten years of character development:

I've done everything wrong ever in my entire life.

Fandom: I know this, and I love you

[babyloniastreasure]

something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.

this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.

Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.

The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?

It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.

TLDR;

[kalashnikovlobotomy]

nada when dishing it😁 nada when taking it🤕

[eddiestommy]

actually no i can't be normal and stop thinking about this post and this post and hurting my own feelings because like

here's eddie diaz who's not very good at making friends he doesn't work with and who's so repressed even the pope thinks it's a tad bit much and he's meeting this older firefighter pilot who's so fucking cool and he's got so much in common with and he actually wants to be friends with him. and eddie's never had a friend he can actually talk sports and martial arts with, someone who actually understands the trauma of being in the army, and maybe tommy also comes from a family like his that's not without love and it wasn't exactly bad but his parents never truly understood him or supported him in anything. maybe tommy is also an older brother who had to take the mantle of "man of the house" because his dad was too detached from it, had to take too many responsibilities at an early age.

and eddie just connects with this dude in a way that he's never connected with anyone besides buck and even then, there's things buck can't never understand but tommy does. so he starts hanging out with this guy, starts texting him and talking with him basically anytime he's not on call or with his son

and one day he brings up this fight he's excited for and asks tommy if he'd want to watch it with him and tommy's like "actually, i've got a mate who got me two ringside tickets for it and i've been looking for someone to go with, you'd be interested?" and eddie is over the moon about it. he's nearly giggling and kicking his feet up as he calls carla to ask if she can look after chris overnight because he's going to fucking vegas with a friend. when he arrives at harbour to get on the chopper tommy is flying them to vegas in he's just a bit disappointed to see buck is there too but it's also great because buck is his best friend and he loves him and he's the only person who ever made eddie feel this way once upon a time (and he's trying so hard not to think too much about that) so it's great they're friends too but actually, no, buck's not coming and eddie feels only a little bit bad that he's relieved about it.

so they go to the fight and it's fucking great and tommy gets into it just as much as eddie is. after the fight they go out for drinks with tommy's promoter friend and they get a little drunk and in that drunken haze he lets himself think about the things he usually tries to keep at bay. he thinks about how cool and impressive tommy is but also about how fucking hot he is, he's 300lb of muscle and the strength he's got, how easily he'd manhandled eddie when they were practicing muay thai the other day, how when he looked on top of eddie when he pinned him to the floor and how eddie had wanted to taste the sweat on his muscles, lick the vein in his neck, get those hands that were holding him touching way below. but he gets a hold of himself and when they get to their hotel room with the two queen size beds he makes himself stop thinking about they way he wants to touch him everywhere, find out if he can make him make some of the noises from their sparring session in a different context. tries not to think about how his cock would feel on his hand, how tommy would look as he came.

so anyway, they get back to LA the next morning and eddie tries his best to pretend he never thought any of that and then the basketball game from hell happens and tommy tells him he's gonna talk to buck, try and make peace and eddie doesn't think twice about it, they're both his friends and they would get along well. when he sees them hanging out at the restaurant he pretends that what he feels at the pit of his stomach isn't jealousy, and later that week he only wonders a little bit if marisol being a nun before truly is the only reason why he can't have sex with her anymore, if the fact that sometimes when he sinks into her deep in his brain in a corner he never goes to he thinks about a different person, one with broader shoulders and strong pecs instead of breasts isn't part of it too.

and then he's in buck's kitchen and buck's telling him "it was a date" and when eddie asks "wait, tommy's gay?" it has nothing to do with buck and all to do with him knowing in an instant that if he'd known that back in vegas he might have risked it, might have followed his deepest desires and touch tommy like he wanted to. but now his best friend is talking about him with that doe eyed look in his eyes and eddie knows that means he really likes him and eddie does his best to push his own feelings aside because that's what he's good at and buck needs him to be supportive, that he's being vulnerable and confessing something scary to him and eddie wishes he could be like that, too, so he tells him to call tommy even though eddie wants him to do the opposite, wants to be the one tommy kissed in the kitchen and took on a date

he's not lying, exactly, when he tells buck he also likes tommy but not in that way, because whatever buck feels for tommy can't compare to what eddie's going through. he doesn't know if his desire outweighs the shame, doesn't know if he'd be able to be like buck and jump straight into it with blind hope, he knows he'd never be able to talk about it tho. not for a long while. and when he goes home that night and he's laying on his marisol-free bed staring at the ceiling he gives himself permission to be fucking angry that buck gets to have what he wants so bad, lets himself be a shitty friend and wish tommy maybe also wants eddie the way he wants him, want him more than he wants buck.

in the morning he'll feel guilty about it, in the morning he will be the supportive friend buck needs. but tonight he wallows in his jealousy and his anger and his shame and if he comes from jerking off a little too hard with tommy's name in his mouth no one has to fucking know about it.

[lynaferns]

HELLO????? Why is the animation so good in this video???

AND WHY DID I SEE THIS JUST NOW?

[rowanisawriter]

i must be a sick fuck if im looking for a specific ship for a three thousand year old story and there are like. 6 fics and some of them aren’t english

[deathnguts]

Dabi Todoroki is a Barty Crouch Jr variant and I’m tired of pretending he’s not

[dootznbootz]

To ME, OdyPen truly are likeminded and equal in almost every way.

Both are basically "tied to one another". Both can be reckless and when one is being reckless, the other will "pull them back". Both keep each other in check most of the time. They balance one another when the other needs it.

They're also "tied to one another" in how they both will also run into a situation together and think the same thing. Whether it's something fucking stupid is for Athena to decide.

Basically this except OdyPen are holding hands and will occasionally pull the other back. When both are running into something stupid, Athena grabs them both by the scruff.

...Y'all get what I'm saying???

[small-spark-of-light]

day 25 was to draw in a style ive never drawn in before!!! so i replicated @zankydraws and @0xeyedaisy

[lethesbeastie]

First artfight attack of the year! Oberon here belongs to @coffeecakecafe